#i'm not sure if/why anyone would actually read this entire post but if you did i salute you

[emptymasks]

i've had constant aus and self-insert stories spinning around in my head for the past two months that i've been back into spn for, but i wasn't planning on doing anything more with them until i was browsing the fanart tags and discovered so many cool artists on here have been making spn ocs? it just never occurred to me that there would be any, let alone multiple, and to especially see ones being queer and trans made me really happy to see. so i took one of the too many different plots i'd been rotating in my head and made a little character out of it.

august north. he was killed by a demon when he was 26. his body was experimented on with the intent of creating an alternate long lasting vessel for lucifer. but a small amount of lucifer's grace bonded to august's body, reviving him as something not human, but not an angel. he meets the winchesters during season 4 of the show. he has some powers due to the archangel grace in him (healing factor, telekinesis) but it is not to the level of an archangel's power, possibly similar to regular angel's power or a bit less. he is a suitable alternate vessel for lucifer, if he were to say yes lucifer wouldn't burn through him like he does with nick. if lucifer's grace were to be removed from august's body then august would die, it is keeping him alive. the scar on his chest is from where lucifer's grace entered his body.

because of the whole 'boy with the devil's grace label' he ends up bonding a lot with sam, the two of them both being tied to lucifer through no choice of their own, and them both experiencing distrust and disgust from others because of this.

i really don't want any comments telling me that's not how angel grace works, i just liked the idea and it's my self-indulgent au. and august is entirely here for me to ship with lucifer so if that idea or lucifer in general makes you uncomfortable please just scroll on and don't judge me. i can't help falling back in love with this terrible archangel. i actually made a couple shrines on my website for sam and lucifer and boy i ended up writing way more about why i like them than i thought i would. the tldr is that i find things to relate to with lucifer in terms of the whole being cast out, family issues, being the black sheep of the family etc. and i find him fascinating, especially season 5 lucifer.

i'm not 100% sure on the storyline for august and lucifer, but lucifer does want to seek august out, partially because he's disgusted at a human having any of his grace, and partially because since sam is so hesitant to say yes it's nice for him to have this other option. i can imagine him visiting august in his dreams like he did with sam, trying to convince/manipulate him into saying yes, august not being bothered by his presence and instead feels drawn to him and ends up spending these dreams asking lucifer questions, and while lucifer is still trying to manipulate august into saying yes... he is lonely and this dead-alive human-angel boy is looking at him without disgust, isn't flinching when he touches him and he hasn't had anyone react like this to him in a long time and while he won't admit it a part of him is visiting august so often because out of all these hairless apes, this one isn't awful.

wow i wrote so much more than i meant too, oops. i guess that's good though, been a long while since i had an oc ramble this long.

[ID: a digital sketch page of my supernatural oc 'august north'. there's a half-body and full body drawing, with text around them. some of the text on the image i've already repeated in the text under the post but the rest reads: august north, supernatural oc, the boy with the devil's grace, pronouns: he/him, gender: trans man, height: 5'8", orientation: omnisexual, demisexual, demiromantic, nationality: english, occupation: hunter. august has pale brown curly hair that comes down to his collarbone in length, with a grey streak at the front right. he has two little braids going in front of each ear. in the half-body he's wearing a black coat, black long-sleeved shirt, a red bandana tied around his neck, white feather dangling earrings. in teh fullbody he's wearing black pants, black boots with spats over the top that look like little corsets, red with gold ribbon to lace them over the boots, a shirt button up that's unbuttoned and opened revealing the star shaped scar in between his pectorals from where lucifer's grace entered his body. he has two moles on his face, one under the outer corner of his right eye, one above the left side of his lip. his eyes are a blue-ish grey.]

[miraculouslbcnreactions]

Since you've mentioned Scarlet Lady in one of your posts, what's your opinion on it?

I've mentioned before that I'm a big Scarlet Lady fan, which is the only reason that I'm comfortable answering asks like this one. I don't publicly criticize the content of hobby creators. That's wildly inappropriate! Punch up, not down.

The linked post was a general discussion of the adaptation process and how @zoe-oneesama did a fantastic job, so for this one, I'm just going to do some general gushing because I do actually like praising and enjoying things!

Scarlet Lady's chosen format (comic) allows it to have this wonderful conversation with canon where it can rely on the framework of canon to tell it's own story while also using canon for jokes and meta commentary. This means that Scarlet Lady is about as close as fan content can get to a direct reboot because it's able to have moments like this one from the comic's first post:

[Image description: Adrien standing in his room after transforming into Chat Noir for the first time. He is beaming and his eyes are shining with excitement as he exclaims, "This is gonna be awesome!"]

A single picture that communicates everything we need to know about Adrien getting his miraculous. When I've done this same thing in fanfic, I had to write out the full scene because that's how novels work. You have to give the full picture. With a comic, you can just quickly acknowledge this thing that we all already know and then move on to the new stuff. A picture really is worth a thousand words! (Or, in my case, more like two thousand...)

This allows Zoe to keep the same akumas that we get in canon without her story feeling like a boring rehash because she can focus on what's different in her version. A novelization of the same content would have to show both the stuff that stays the same and the stuff that changes for it to be coherent. That's a lot less fun to read and write. It's why I basically never revisit canon akumas in my own stuff. It's just too derivative for the written word.

This is one of the big reasons that I loved Scarlet Lady. Because it was able to have that more directly conversation with canon, it was able to take canon and say, "hey, why don't we embrace the tone that you established in season one and retell the story with that vibe?" That's something that I desperately wanted to see, but that is totally unsuited to my chosen artistic form. It couldn't be a novel. It had to be a comic.

If you want to know what a true formula show version of Miraculous would look like, Scarlet Lady is it. It does everything that Miraculous should have done:

Sticks to a lighthearted tone where nothing is ever super serious

Keeps Gabriel entirely unsympathetic

Has slow character development and background hints at a bigger plot as the only serial elements, allowing the individual episodes to be their own story while never feeling incomplete or rushed

Allows characters other than Marinette to shine while keeping Marinette as the clear main character

Makes Adrien narratively important

MAKES THE LOVE SQUARE CUTE SO I CAN ACTUALLY SHIP IT

Understands that Lila and Chloe can't coexist as antagonists

Reverses the love square, which is the best way to tell their story. Yes, I will die on my "love diamond" hill. It's a good hill. Come join me. I'll bring cookies.

I could keep going, but you hopefully get my point. While Scarlet Lady is certainly not the only way to do a formula version of canon, it's proof that a formula version does work! You don't have to go the serious route for Miraculous to be successful.

I want to take some time to gush about the ending, but I don't want to spoil it, so I'll put that gushing under a "read more" in case anyone hasn't seen it. I'll finish out this less spoilerish section with this:

I feel like some people are surprised when they learn that I love Scarlet Lady because - as some of you have probably picked up - it is quite different from my ideal version of canon. I'm not sure why that would stop me from enjoying a thing, though. It's important to remember that our personal ideals are not the only way to tell a good story. There are lots of ways to take what canon gave us and make something wonderful! It's part of the reason that I enjoy being in a fandom.

If I only wanted to see my ideal take on canon, then I'd stick to writing/imagining my own stories. But I don't want that! I like seeing alternate takes, too. Scarlet Lady is one of my personal favorites. It's completely different from anything that I'd ever think to write and that's why I'm so glad that it exists! I like being entertained just as much as I like creating my own entertainment and I don't want to only read stories that look like something I'd write. That's boring!

Spoilers below:

I've mentioned before that there are many, many ways to properly handle Chloe's character and Zoe did such a good job with her take on that! Chloe isn't absolved of all the things she did wrong, but she's also treated as a young woman with the ability to change.

While the comic bares the name of Chloe's alter ego, she was the never the main character. She never went on a journey. The story kept her to her shallow season-one self: a petty brat who just wanted attention. It did this because that's who Chloe was in canon and who Chloe needed to be for the comic to work.

The first time we see any complexity from Chloe is in the comic's final few episodes, which was absolutely the right call for Zoe to make! In a recent post, I talked about how the end of a formula show is the only time when you can break the formula in catastrophic ways and that's what Zoe did. She kept Chloe static until it was time to end the story and that's when the formula breaks. That's when Chloe gets depth because, once she has depth, the formula doesn't work.

That depth is not used to redeem Chloe, but to show us that there's hope for Chloe. That this petty brat who we've been dealing with has some serious issues and needs help. Help that she's going to get far away from the people that she's hurt because her issues aren't an excuse for what she's done. They don't erase the harm that she caused. At the same time, understanding her issues makes us hope that she can be better now and Scarlet Lady took a moment to give us that hope. To show us the START of Chloe's true story.

That is the kind of ending that I have wanted to see in so many properties!!! It was so wonderful to finally get one that did this right. A story that understood that full redemption to the team and damnation to death/suffering are extremes on a scale of possibilities. You don't have to go to extremes! You can fall in the middle and the middle is a perfect, natural place for Chloe to land in this kind of story. Fully redeeming or even fully damning Chloe simply doesn't work in lighthearted formula content. It's too big a lift as canon has already demonstrated.

I also loved Zoe's take on Emilie. I've mentioned that I don't like evil Emilie in part because it makes her revival feel like the start of a new story. She's back and she'd bad, so we have to take her down now! But I don't want that. I want the story to end when Gabriel is stopped. Zoe does this by giving us an Emilie that is another perfect middle ground. She matches canon's uncomfortable implications without feeling like a true villain who is a threat to society.

[praisethegabs]

OLDER

leon kennedy x reader

synopsis: he's getting older, and he knows that. not believing in luck or in love, leon finds himself in a position of complete misfortune. he convinced himself he's not worthy of love, but that changes when he meets you.

warnings: angst with fluff ending, age gap, leon is very insecure about his age and the reader. strangers to lovers, mentions of smut, ptsd, alcoholism, depression, suicidal thoughts. reader is very delicate, kind, and patient. there's parts from the vendetta book and a few scenes from re6. it starts with re6!leon and ends with di!leon

word count: 15k

a/n: guess who's back? to celebrate the 1 year re4r anniversary, I decided to post this one shot I was working for almost two months. I'm into my angst era again. also i wrote this based on this analysis i read, which made me think about the broken part of leon for a while, also this fic contains part of the vendetta book. feel free to leave comments, reblogs, tips, or positive critics. they're always very welcome ❤️

I. THE WEIGHT ON HIS SHOULDERS

Life can be a bitch sometimes.

This is what he says to himself when he finishes another bottle of whiskey. Every day, when he opens his eyes, he tries to stay positive, hoping his day will be different from his usual schedule; in the end, it is always the same bullshit. Over and over again. No apparent ending; always his solitude. 

But someday it must end, right? He can’t be fighting B.O.W.'s for the rest of his life, can he? Maybe someday he’ll finally settle down and have a peaceful day. Maybe, on this day, his nightmares will stop, and if he’s lucky, he’ll sleep for the entire night. No one can blame him for dreaming of a perfect life, and no one can take this from him. 

The government made him their slave, their deadly pet that follows and obeys every rule and command, and forced him to risk his neck almost every week to keep their country safe. What a bunch of assholes, he thinks to himself. Thing is, Leon hates himself for what he was forced to become. 

There is so much pain. So much suffering. He only wanted to be a cop — nothing more than that. He wanted to deal with simple things — not bioterrorists ready to blow up the entire world, not grotesque mutations that defy the natural order of things. Certainly, if he had a choice to go back and change that night, he wouldn’t go to Raccoon City. He would've stayed in his cheap hotel room; he would have obeyed Marvin’s orders to not go in there. 

But now he’s something else. The rookie cop who had to survive that night died. He can’t even recognize himself anymore, and sometimes, he blames himself for it. No more than he blames the government for it; if he could go back… 

His days are filled with this emptiness — the sensation that he might never see his happy ending. Ada? Yeah, sure. He knows he can’t trust her, and God knows where she is or what she’s doing. He was so naive to fall for her like he did. While on his free day out of the office, he finds himself with a certain envy of happy couples. He can’t stop thinking: why can’t he have the same? Why can’t he be happy for once?

Getting older sucks. At this point, Leon thinks and has already convinced himself that he doesn’t belong to anyone and that he won’t be able to have someone. To experience love and being loved, he wants to be wanted. He’s getting older and still doesn't have anyone by his side. That’s the price he pays for having this life, and he still blames the government for taking it from him. He doesn’t remember the last time he actually felt something for someone, and at this moment of his life, it doesn’t matter to him anymore. Leon had already accepted the fact that he'd die alone. Maybe he’ll get a cat to keep him company. Since he’s not much of a dog person since Raccoon City, maybe he’ll name her a cute name; who knows? That’s probably the closest he’ll get to having something waiting for him at home. 

Leon doesn’t remember the last time he actually felt happy. Since Raccoon City, he doesn't know what happiness means, and sometimes, on very rare occasions, he envies people around him. He feels like his entire life has no purpose and no meaning, and he’s completely faded to emptiness, to a sad existence based on killing bioweapons and serving his country. Does he feel proud about it? No, he doesn’t. 

It’s been a very long time since Leon felt pride. That feeling died and is now buried in the remains of Raccoon City, inside that police station where his life turned upside down. Now he’s only an empty shell of what he used to be. He’s rotting inside, craving something he knows he can’t have, and there’s nothing but a void inside him, consuming every inch of him. 

After serving his country for years, he started to get used to the idea that maybe he wasn’t made for a happy ending, and he shouldn’t bother with such things. He can’t afford the luxury of being with someone, because it means being vulnerable, and it also means he would have to open himself to things he swore he would never feel again. No, thank you. 

Things at work aren’t exactly the best, either. Years ago, Leon started to question himself about whether the government cared about their people, especially the ones he had to kill in order to save others. Leon couldn’t forget what happened in Spain — the entire village he was forced to end so he wouldn’t die. Perhaps they could’ve saved them; possibly they could’ve had a chance; maybe if… and this is where he dozes off thinking about the infinite possibilities. 

After what happened in Raccoon City, Leon knew he had lost faith. He knew things would never be the same after everything he saw that day. Sometimes, he finds himself thinking about Annette and William Birkin. He feels his body shivering when he remembers he had to fight for his life, clinging to something bigger than him. Survival. 

II. RINSE AND REPEAT

He has no social skills, and doesn't know how to interact with people anymore. It all feels weird and uncomfortable, and it makes him feel terrible. Sometimes he feels like he’s stuck in time and can’t have a proper conversation with someone normal. The worst part of his life is that he feels he’s carrying a weight on his shoulders that it wasn’t supposed to be his in the first place. He has the weight of the world with him, and there is no one to help him through it. Life made him depressed, cold and distant. Life has built him this way; he's shaped himself into something he’s not, and he can’t find himself. He’s lost. 

Leon can’t stop having nightmares about Raccoon City.

At this point, he just accepted that they wouldn't go away. It feels like he’s trapped inside his own mind, and there’s no turning back. Sometimes at night, he keeps looking at his ceiling imagining a different life, where he was a cop and happy. Usually, his nightmares are so dark and deep that when he wakes up, he finds solace in the sunlight, feeling relieved that he survived another night. When he doesn't sleep, when he’s too scared to close his eyes, he cries quietly, protected by the walls of his room, searching for assurance and a promise that everything will be fine. It doesn’t always work, but now he knows he can control his fears, and somehow, it helps him feel safe.

This time, his mission nearly got him killed. His entire body was full of bruises and wounds, and every part of him hurt. He felt his body swallowing a little, and he felt terrible again. He has blood under his nails, and he washes himself at least three times to make sure there’s nothing more on him than the burden of being a slave for the government.

Leon is paranoid; he can’t stand the fact that he has blood on his hands. If he sees a spot, he’ll clean it until there’s nothing left, and maybe he’s now too obsessed with the idea of being clean. It makes him feel sick to the bones, because he knows what he does and what it means. He knows that this guilt won’t be washed away like the blood on his hands, and certainly won’t get away from his head like it does from his clothes whenever he launders them. It’s a pretty shitty routine, but he’s used to it. 

Now he finds himself in a very dark place; he can’t eat without feeling guilty. He can’t do the basics of his chores because he can’t stop thinking about his life, regretting every decision he made. Everything he does seems mechanical, like he’s repeating the process over and over again, a perfect killing machine that has no one to care about. On Fridays, he finds himself sitting on his couch, in complete silence, holding an empty bottle. He knows he can’t drown himself in alcohol, no matter how much he wants it or how tempting it sounds, because the liquid doesn’t affect him anymore. It doesn't make the pain go away or silence the horrors he saw during his life. 

After three weeks inside his house, locked inside his room, Leon woke up with a strange feeling inside his chest. Something was telling him that this day would be different, like a big change would happen. For the first time in weeks, he decided to leave his place for a simple walk. He could do that; he could walk into the market and buy some real food or maybe get a haircut. He felt that he was able to allow himself to have an ordinary day. 

After taking a long shower, Leon decided to wear cozy and comfortable clothes. He was so used to his brutal routine that he almost forgot what it was like to have a normal day, but this time, he was willing to try something different. He took a deep breath before leaving his house, and when he felt the soft, cold breeze reaching his skin, he knew he could do that.

Step by step, Leon found himself walking towards the market, even enjoying the lovely view he had from his neighborhood. He doesn’t remember it to be so… gray. Sure, he knows what winter is, but he doesn’t remember the last time he actually stayed at his home during the winter. His lips turn into a small smirk, and he thinks how silly he is. When he reaches the small market, which is more of a store, he walks slowly, looking at what he might be buying - he’s done with frozen food. He stops at the veggie section and keeps looking at it, confused. 

“These aren’t fresh” a sweet voice is enough to wake him up from his trance. He looks in that direction, and all he sees is you.

“How can you tell that?” he asks you in visible confusion, which makes you smile. And that smile was enough to sparkle something oddly inside him. 

“Color, smell, texture,” you explained, still smiling and showing him a fresh vegetable. “This one is fresh."

"Thanks,” Leon replied awkwardly, taking the vegetable from your hand and placing it in his basket.

“You don’t come here very often. I know almost everyone who comes to buy food here,” you said next, glancing at him with curiosity. 

“I… have a busy schedule,” he says, still sounding awkward.

“Really? Well, you should definitely take some time to buy healthy food. I’m pretty sure you do a lot of workouts to keep your body in shape” you giggle, noticing the size of his muscles, which makes his face turn red.

“I’ll keep that in mind” Leon managed to say, although he wanted to dissipate from Earth.

“I can help with that” you suddenly said, analyzing him more carefully.

“With what?” Leon frowned, already feeling his heart beating ten times faster.

“I noticed you’re having difficulty with your right arm, which makes me think you got it hurt. If you’re planning to buy more, I can help with your bags” you offered, very polite and kind, catching him by surprise. 

“Thanks” Leon says, finding himself smiling, which is unusual. 

At first, having some company after so much time alone made him think it was strange. He wasn’t feeling ready to have a small conversation, but you didn’t seem bothered. In fact, you were enjoying walking to this stranger's house in complete silence. Fifteen minutes later, you were in front of his house in an awkward silence between the two of you. 

“I guess this is it” you smiled at him, and Leon found himself lost in your smile. 

“Yeah. Thank you” he said for the fifth time, which made you giggle a little. 

“Anything for a customer” you said to him, giving him his bags. “My parents are the owners, so…”

“You don’t seem too old” he said, and after a second, he felt more weird. “I mean…”

“Nah, it’s ok. This isn’t the first time people say I'm younger than I look”. You smiled again, thinking that this old man was very silly and cute. “I’m 25, don’t worry”

“I’m Leon, by the way” He finally says his name to you, stretching his hand in a very educated way.

“Nice to meet you, Leon” you said before shaking his hand. 

Leon took at least three weeks to return to the market. 

His initial thoughts about you were that he definitely felt weird in your presence. Maybe he felt that way because of his lack of social skills and because he really sucks when the subject is social conversation. He caught himself thinking too hard about the visual and evident contrast between the two of you; you were young, bright and smart, with a great future ahead of you, and plus, you came from a loving family. Leon, on the other hand, was an orphan used and abused by the government, their pet and a man who only knew pain and brutality. 

However, you were the first friendly face he saw after years. The way you were smiling and giggling at his awkward answers, it definitely made him feel something he thought he would never feel again. It was like you found the rookie cop inside him, and despite the fact that he barely said something, he felt normal around you. And that was more than enough. How could it happen so fast? 

“How can I help you?” you said before noticing it was him. “Oh, hi” 

“Hi” Leon is welcomed by that smile of yours. “I… um…”

“You came to buy more veggies?” you ask, still smiling at him. You think it’s cute to see him without any words. 

“No… I just came because I’m looking for food seasoning” Leon said, his face slightly turning red. “I’m trying new recipes, so…” 

“Yeah? What have you been trying?” you ask with sudden enthusiasm, leading him to the part with seasonings. 

“Nothing too risky” he answers vaguely, following you closely.

“What kind of seasonings do you like?” You turn back to face him as you show him the shelves with different types of seasonings. 

“I’m more into spicy flavors” Leon tells you, his attention going to the shelves. 

“It suits you” you said, giving him some space. You saw him smiling again. 

"How does spicy seasoning suit me?” he asks with a hint of curiosity. 

“You might think I’m weird, but… seeing from outside, you look like someone with a rough agenda and, apparently, whatever you do is dangerous. Personally, I think you suit perfectly spicy things” you said, hoping it would make sense. 

“I think I got your point,” Leon said, and then he found himself smiling for the second time. 

“Lucky me, right?” you laugh, walking back to the cashier. “Is this all for today?”

“Yeah, I guess it is,” Leon nods, grabbing his wallet to pay for the seasonings. 

“How’s your arm?” you ask, taking his money and counting it. 

“It's better. I had to take a few painkillers, but it’s definitely better” he said, avoiding you for a few moments. 

“That’s great. I know a few herbs to help with the pain” you said, giving him the change from his purchase. 

“How so?” Leon asks with another hint of curiosity. 

“A great sorcerer doesn’t reveal her secrets” you wink playfully at him. “You need to earn that, soldier” 

“And how could I earn your secrets, great sorcerer?” Leon asks, enjoying your playful mood. 

“Maybe you can invite me for dinner and show me your cooking skills” you shake your shoulders and, for the second time, catching him by surprise. 

“You would love that, wouldn't you?” Leon said, and a slight smirk appeared on his lips. 

“Who knows?” You wink playfully at him, with another suggestive smile on your lips. 

The world has gone to hell, Leon thinks to himself. 

He starts to contemplate everything that has happened to him. When did this madness begin? It was back in Raccoon City? Oh, no. It is way older than that. Maybe his collapse started when his family died, and he was left an orphan; what happened in Raccoon City wasn’t really the beginning of his nightmare. It was the cherry on top of the torments that would become his life. 

Now that he’s coming back home from another mission, he can’t stop thinking how his life could’ve been if Umbrella had never happened. If those bioweapons were never created, defying every natural order. He looks outside his window, and he just can’t stop blaming himself for Tall Oaks. 

What has become of this world? Leon thinks. Where did I go wrong? 

His life is an entire mistake. It just goes on and on. His family first, then Raccoon City. Tricell, Los Illuminados, Uroboros and, finally, that nightmare at Tall Oaks. Leon takes a deep breath. He feels his hands shaking and closes his eyes, forcing himself to forget. How silly he is!

The future is a hell that’s only getting worse. 

III. THE PAIN OF REMEMBERING

You weren't expecting Leon to find the note with your number that you left on his seasonings, the same way you weren't expecting him to call you.

However, something about him got your attention the minute he stepped foot inside the store. He wasn't like anything you had seen before; he was definitely something else. 

After almost four weeks since the last time you saw him, you got a call from an unknown number. It was pretty late at night, but your curiosity won the battle within you, and you had to pick up the phone. With a groggy voice of sleep, you saw the number and frowned.

“Hello?” You ask, followed by a big yawning. It was one in the morning. 

“Hi… um, it's Leon” he says with some urgency, to which you jump from your bed. “I'm sorry to wake you up” 

“No, don't worry. I wasn't sleeping” you lied, forcing yourself not to yawn again. 

“I know it's late, but… I was thinking about that dinner…” he says, sounding somehow hopeful. “Maybe you could come later and… talk?” 

“Yeah, sure. Can you pick me up?” You ask him, and a smile appears on your lips as you answer him. 

“Of course. At seven?” 

“At seven, it is,” you smiled again. 

As soon as the call ended, he was in complete shock. For some reason, Leon felt you wouldn’t accept his invitation, especially after being alone for so long. His heart was beating faster inside his chest, and he had to remind himself that it was just a casual date between… two friends? Could you possibly be his friend? 

Leon felt anxious, something he only felt when he was on his missions. 

Suddenly, the mere thought of having you at his home with him sounded terrifying. He felt like it would end in a complete disaster, and you wouldn’t see him ever again. Then, Leon had to stop and calm himself down, knowing it was his trauma trying to get the best of him. After everything he went through in his life, being able to trust someone proved to be a difficult task. He felt scared, and his mind was racing with thousands of different thoughts, each worse than the other. 

Betrayal is the word that defines Leon. 

He was betrayed before and multiple times, which left him with a lot of insecurities and traumas to the point he feels that he can’t trust anyone, which led to another set of insecurities. Leon feels that he isn’t enough anymore, that he can’t provide the proper attention someone might need from him, and that he can’t be in a relationship because of his problems. The truth is, he can’t be in a relationship until he leaves his trauma behind, and he knows it. That’s the easy part, but the hard one is how to let it go. 

Later that day, Leon finally had the courage to clean his house. He needed some motivation to get rid of his depression, and nothing was better than finally allowing himself to have some company besides his solitude. His house smelled pretty good, everything was clean, and his furniture was even shining. He opened the curtains, and the sunlight entered his living room. He took a deep breath with the fresh air that came inside, and smiled, feeling somehow proud and happy. 

At seven, you were waiting outside the store, scrolling through your phone, when you saw Leon approaching on his motorcycle. You were gorgeous, wearing a beautiful dress and covered by a black leather jacket — the perfect contrast that suited you well. Leon was completely mesmerized by the sight of you - so beautiful, he thought. 

“Hey, there” you waved at him as he parked next to you. 

“Hi,” Leon replies, sounding embarrassed. “You look beautiful”

“You too, handsome” you said playfully, taking the helmet from his hand and sitting behind him, your hands holding him tight. You didn’t notice the small blush on his cheeks. 

"Are you okay back there?” Leon asks you, making sure you were fine before starting the engines. 

“Yeah, I’m fine” you said, nodding your head, and smiling when he started to drive his bike to his place. 

You two didn’t take long enough to reach his place. Leon offered you his hand so you had support to get out of his bike, and he even opened the front door for you. He led you inside his house, and everything inside was enough to show you the kind of man he was; his home was big, but simple. He had a lot of comfort there, but it seemed like he didn't spend much time at his place. You saw some photos at the fireplace, a few when he was younger, at some training camp with his possible friends. 

“How old were you when you took these?” you asked him with curiosity. 

“I was twenty-one” he said, grabbing the wine and the glasses. 

“So young” you whispered, noticing that in some pictures, he was sad. 

Leon took another deep breath. Why did this have to be so difficult? Why couldn’t he be just normal for once? Why did everything have to happen to him? You were standing there, so gracefully, observing his old photographs, so young and full of life, with no baggage with you. Someone actually happy and alive. If you knew how much he envies this. 

“People say that our eyes are the windows to our soul” you turn to face him, noticing his sudden silence. “Yours are so sad and broken… what happened to your neck?”

Instinctively, his hand reaches his neck, and Leon feels the bandage perfectly secured on his skin, with a small spot of blood. Gladly, it was enough to change the subject, because he was shocked enough by what you said about his broken soul. If you only knew. 

“I, um… got hurt on my job. It’s nothing.” Leon tries to avoid speaking about his past. 

“It seems pretty bad” you step closer to him, your hand gently touching his bandage. 

“It’s nothing… trust me” Leon smiles weakly, looking down. His heart is beating so fast inside his chest that he could explode any time. “I’m fine” 

“Then explain why you are so nervous around me” you whispered, now softly touching his cheek. 

Leon felt he stopped breathing, like his lungs decided to leave him alone and deal with the matter himself; how powerful your touch felt. It was enough to break every wall he built around himself for years; it was enough to make him break. And it was only a soft and kind touch. He slowly closed his eyes, his breath becoming normal again, and he allowed himself to just feel it. 

“I don’t know what on earth happened to you…” your voice is full of kindness as you speak, now seeing him hold your hand as you keep touching his cheek. “But I’m always here if you decide to talk” 

Leon was reaching his breaking point. 

He was used to being a slave, always using his body, mind and soul to provide safety for the others without them knowing one damn thing about it; he was used to always being alone, to the point that kindness was a strange feeling, almost not existing at all and that he didn’t deserve it. But here you are. 

“It hurts to remember,” he confessed, his voice a low whisper. “I tried to forget it, but I can’t” 

When he felt you wrapping your arms around his body and your warmth embracing him, Leon felt his eyes getting wet. He was so deeply touch starved, craving something so human, that when he got it, he knew he was going to break. His mind was racing, and his body was trying to process the feeling and react in the proper way. He felt so many emotions at once that he thought he was going insane. 

“Please, keep holding me” Leon begs, his arms finding their way through your back as he hugs you back. “Because I know I’ll fall if you let me go” 

After that night, it took almost two months until Leon decided to show up at the store to see you again. He felt nervous, but at this point, he realized that, for some reason, he couldn’t stay away from you; he felt that you had some type of magnetism enough to keep him close, which made him feel comfortable, something he hadn't felt in a while. 

However, before he went to the store to see you, he needed courage. Leon thought you would be upset with him after being ghosted for almost two months, although he felt responsible for it, since he never told you the nature of his job or why he was so absent. Sadly, Leon was again in a spiral of sadness and depression. His last mission was a disaster, and Leon knew he had no control over his feelings again. He was sitting on his bed, contemplating the bottle in his hands. The curtains were closed, and the atmosphere inside his room was darker. He closes his eyes for a brief moment, and then, he’s there again. 

June 29, 2013. Tall Oaks, USA

“It might create more problems than it solves…” the voice of the president echoes inside his head as he points his gun towards the said person.

Leon doesn't recognize the man in front of him, or what he used to be. He keeps his gun raised, his grasp around the trigger getting tight by the second he makes his decision. His voice comes and goes, creating a tense atmosphere around him. 

“Bio-organic weapons are a global threat and we are partly to blame…” Benford said once to Leon when he expressed his desire to expose the truth about the Raccoon City Incident. He looks at the living corpse in front of him. Tick tack. He knows what he needs to do. “I’ve always valued your friendship, Leon… It’s time to take responsibility and end this mess” 

He shakes his head, somehow returning to his reality. 

“Stay right where you are!” Leon said, his voice sounding cracked and angry. The corpse starts walking towards him and as a reflex, his grip gets more tight. “Mr. President!” 

The zombie starts walking towards him and the woman next to him. He hesitates for a moment, unsure and sure about what he needs to do. Every part of him screams and begs, trying to find a solution. He knows it’s too late. He can’t save the president, he can’t save anyone. 

“Don’t make me do this” Leon gritted his teeth, trying to find any reason to avoid what needed to be done. It happens fast. Adam Benford, the former president of the United States and now a corpse, throws himself towards her. “Adam!” Leon screams.

He pulls the trigger. 

And there’s only blood. 

He gets out of his thoughts when he hears someone knocking on his front door. It doesn't take too long for him to finally stand up and see who’s there, and, inside his mind, he’s already preparing himself to tell this person to leave him alone, but his entire demeanor changes when he opens the door, and all he sees there is you. 

“You’re back” you smiled warmly at him, your cheeks red because of the cold temperature. “I wasn’t sure you were home” 

“What are you doing here?” Leon’s first question isn't as welcome as you thought it would be. 

“A friend can’t see a friend?” you answered simply, and the smile never left your lips. 

“I’m sorry” he sighs, giving you space to enter his place. “I didn’t mean to be rude” 

“Don’t worry” you said, removing your scarf and hat. “Are you ok?”

“I’m fine, I guess” Leon nods slowly, and you notice he’s not entirely well. 

“Breakfast?” you ask him, wanting to confirm your suspicions, and he nods quietly. 

You had difficulty finding yourself inside his place, since you’ve been there only once. You notice that he’s quiet, and despite that fact, which is completely normal for him, you know that there’s something wrong. So, you decided to go simple with his breakfast. Almost forty minutes later, you came back with a plate full of pancakes, crispy bacon, scrambled eggs, and some orange juice. 

He leisurely used his knife and fork to eat the food you made. The careful manner in which he ate wasn’t due to his cautious nature, but rather because he had a terrible hangover that messed with his coordination, and rushing could easily lead to a slip of the hand and his shaking. Leon was a pretty man, and he could easily take on leading roles in Hollywood blockbusters. However, he currently sported a scruffy beard, exuded a weary atmosphere, and radiated fatigue and discontent. 

“I think I reached rock bottom,” Leon finally says, but he avoids your gaze at all costs. 

“Then I’ll help you get out of there” you said with kindness, your pinky finger interlocking with his. 

IV. GRIEF AND BARGAIN 

The path to healing isn’t always easy, and now Leon is aware of that. 

The year is now 2014 and he’s struggling to forget what happened a year ago. Sometimes, when his mind is quiet, he starts to wonder. Is it possible that there could have been a world without Umbrella and zombies? Leon scoffed and shook off his sweet dreams. A world without zombies? That's something from a long time ago. The future is only going to become a worse hell. Then, he has to remind himself about the great things he has in life. You are one of these things.

Although he has your support, he knows that he’ll only get better walking this path by himself. The winter deciduous forest looked like branches made of human bones. A mixed forest with a walking path spread out. This is a high-end residential area in Bethesda, Maryland, where congressmen and bureaucrats commuting to Washington spend their nights. In the depths of a thicket, there was a slightly open gentle sloping area where the desired building was located. It was a designer house filled with a sense of openness, with all outer walls covered in glass, and it appeared like a model intended to showcase beautiful scenery rather than a place for people to live in. 

The luxury was excessive to the point where it seemed somewhat like a toy. Leon had hidden himself in the thicket away from the road and was monitoring the designer house through binoculars with night vision capabilities. It was an unacknowledged fact, but a traitor to the country was living in this mansion. Senator Steven Air, who had sold information to a bioterrorist organization, was one of many government officials who had been involved in the incident in Tall Oaks where the President became a victim of B.O.W. Simmons, the President's aide, was among those who betrayed the government. And Leon still blames himself for what happened that night. 

Currently, fifteen members of the Division of Security Operations (DSO) and two stealth drones have surrounded Steven's mansion. It was necessary to capture him and extract plenty of information before bringing him to trial. According to reports from aerial surveillance, Steven was on his way home by car from Washington. The distance from the White House to Bethesda was approximately twelve kilometers, and it would take about thirty minutes if he drove fast. Leon shifted his focus to his shoulder holster with a handgun. Of course, capturing him alive was best, but there was no hesitation in shooting the traitor if he resisted.

Leon suddenly remembers. This is Bethesda. The name is derived from the Bible. From the Gospel of John–

“Now there is in Jerusalem near the Sheep Gate a pool, which in Aramaic is called Bethesda and which is surrounded by five covered colonnades. Here a great number of disabled people used to lie — the blind, the lame, the paralyzed. One who was there had been an invalid for thirty-eight years."

Jesus healed the man who had been sick for 38 years. God's love and His miracles. Bravo. That's exactly what this world needs in this hell.

"Target approaching."

As he thinks about the Bible, a communication comes through his earpiece. It's a report from the overhead surveillance team flying a drone. A roadway that weaves through a grove of mixed trees was approached by Stephen's white Porsche, an elegant luxury car resembling a graceful white swan. Perhaps dozens, hundreds of people may have died to buy that car. Such is the life of a villain.

"Visual on the target vehicle. Secure upon my GO signal," Leon whispered into his radio microphone. Both the earphones and microphone were of a bone conduction type that excelled in noise resistance. It converts vocal cord vibrations transmitted through the skull directly into voice signals. It was a perfect gadget for special operations where one couldn't make loud noises or miss instructions in the midst of noise. 

The Porsche approached the garage. 

"GO," Leon said sharply. 

At that moment, two SUVs that had been hiding in a blind spot by the roadway started their engines like barking dogs and closed in on the Porsche at tremendous speed, trapping it in a pincer movement as planned. The driver of the Porsche was Stephen's secretary, with a bodyguard in the passenger seat and Stephen himself in the back seat. 

Suddenly trapped from the front and back, they were thrown into confusion. Leon wondered – would the bodyguard or secretary resist? There was no doubt that they were carrying guns. He didn't want to give them unnecessary visibility, but he would deal with it when the time came. The agents jumped out of the trees. In the next moment, Stephen's Porsche exploded. 

A deafening roar and shock. The high-performance explosive device planted under the car's body lifted the Porsche several meters off the ground, engulfing it in flames. And caught up in it, the DSO's SUVs overturned as well. The window glass of all the cars shattered into tiny pieces, the car bodies twisted and burned the people inside. All six agents from the team on foot, including Leon himself, were blown backwards by the force of the blast. Leon still thinks like he’s floating in the air, an eerie feeling of weightlessness that ended when he felt his body slamming against a tree trunk. In those fleeting moments, his consciousness waned, and it was the closest he had come to death.

Yet, it seemed the Grim Reaper was not yet ready to claim him. 

Pain, intense and searing, jolted Leon’s awareness back to life, a grunt of pain escaping his lips. Leon struggled to his feet, and he threw up, retching repeatedly. His consciousness ebbed and flowed like waves, and he knew that rest was essential. Leon suspected that his ribs and collarbone were either fractured or cracked, but, fortunately, his arms and legs remained unbroken. Gritting his teeth, he managed to force his dislocated left shoulder joint back into place, enduring the excruciating pain, as he tried to work out which way was up. 

There are bruises littered across his skin, scratches and abrasions where the bark of the tree tore his flesh. The shock of the explosion and the fear of death… an unpleasant feeling of internal organs turning over welled up. No matter how many times he experienced it, he could never get used to the terror of a close-range explosion. The air was knocked from his lungs; his breathing temporarily stopped; his eardrums were about to burst; and his knees were weak. He can barely stand. Leon finally sits up, willing his agent training to give him a sense of urgency even though his body is screaming in agony. The stench of gasoline fills the air, but Leon can barely smell it. His sense of smell and hearing are both almost gone. What the hell happened? Leon asked himself in front of the burning Porsche.

He feels paralyzed. 

It was three in the morning when your phone started to ring. 

It was an unknown number, and you had to fight the necessity of hanging up; something inside you told you to pick up the call, which you did. It was Leon, and the way his voice sounded on the phone made you aware that something bad had happened. Terrible, nonetheless. You drove to his location, and you found yourself shocked when you found smoke, fire and the smell of gasoline among a lot of government agents and military personnel. You found Leon sitting in the back of an ambulance, his body covered by a blanket, as he was examined by a paramedic. Not only that, but you had credentials to enter that isolated area, and the way those agents were rushing from one side to the other, talking on their phones, made it clear that someone important had died. You made your way towards Leon, not daring to look around, and when you reached him, you saw tears in his eyes. You hugged him tight, like you were holding the world in your hands. 

“It’s ok, I got you” you said to him, your words full of assurance and kindness. 

Leon refused to be taken to the hospital; instead, he asked you to drive him back home, since he felt he couldn’t do it on his own. The ride back to his place was silent, and you decided to respect his space, although you saw him trying to find solace in something real. He couldn’t stop playing with his finger, showing an elevated level of stress and anxiety. You have never seen him like this before. 

“Can you stay?” Leon suddenly asked when you pulled over in front of his house. “I… don’t want to be alone” 

“Yeah, sure” you nodded, noticing how vulnerable he was, which was odd. 

You heard him groaning in pain once he got out of your car, but he refused your help, insisting he was fine. Knowing him well at this point, you gently held his hand, offering nothing but your support, and Leon quietly appreciated your effort. You helped him sit on his couch and heard him mutter something only he could understand. Judging by the look on his face and the way his hands were still shaking, you knew he was in shock. 

“Do you have any first aid kits or something?” you asked him, hoping you would gain his attention. 

“I’m fine” Leon replies, his eyes fixated on his shaky hands. You sat next to him, holding his hands and scratching his skin softly. 

“It’s ok not to be okay." Your voice is almost a whisper as you look into his blue eyes. “You don’t have to be tough all the time” 

You saw him reach the breaking point. 

Feeling embraced by your kindness and safety, Leon finally allowed himself to feel his emotions — the same ones he fought hard to bury deep inside him — in the same place he swore he would never visit again. In the cozy atmosphere of his living room, having nothing but you as solace, the brunette agent gave himself a break, and when he did that, his eyes started to get watery.

After Raccoon City, Leon shut himself up so he wouldn’t be hurt ever again. He used to keep his emotions contained; he used to not think of them. He kept everything bottled up, because he knew he couldn’t handle it. Leon was so traumatized that the way he dealt with his feelings was to pretend they didn’t exist, in the first place. After Spain, it got worse. Nightmares after nightmares, the paranoia of still being infected with Las Plagas, everything that came after this. 

But here you are, telling him that it is ok not to be okay, that he doesn’t have to be tough, and that it is okay to feel and to be vulnerable. He couldn’t stop sobbing; his hands were still shaking, but he didn't even care about this at the moment. Gently, you started to play with his hair, your fingers slowly going up and down on his head, providing comfort and care — exactly what he’s been missing his entire life. 

“I lost them all” Leon started to say through sobs. “I saw them dead” 

“It wasn’t your fault” you assured him with calm words. 

“I failed them," he says as he looks at you, his blue eyes shining with tears as they fall through his skin. 

“That’s not true. You didn’t know the car was about to explode or whatever happened there” You tried to calm him down. 

“We were watching him; it was my responsibility to make sure they would be safe… it was my job to ensure that” Leon sobs again, and you can see he’s struggling to breathe due to his anxiety attack. 

“Listen, you’re too nervous right now. Come on, take a deep breath with me” you said, hoping he would listen and cope. 

Leon nods between sobs and takes several deep breaths to try to calm himself down. You took a glass of water and gave it to him, then you took his hand into yours, whispering words of assurance and kindness. You decided to put him to rest, and it wasn’t necessary to drag Leon into his bed; the moment you step foot inside his room, you can see how severe his depression is. Successfully, you were able to lay him down and remove at least his boots. Leon curled into his blankets and muffled his sobs with his pillows. 

“Do you want me to stay here until you fall asleep?” you ask, sitting on his bed with him, moving his hair from his eyes. He nodded silently. 

Slowly, his sobs turned into sniffs, and Leon finally fell asleep. It took almost an hour to calm him down completely, but now he was safe and sound into a peaceful slumber, or what appears to be. You don’t recall exactly when you fell asleep on his bed, but you certainly remember when you woke up to the sound of his screams. Leon never told you about his nightmares, and you weren’t expecting that. His chest was drenched in sweat, and he seemed like he couldn’t breathe. His eyes were filled with fear, and he was shaking head to toe. 

“Fuck” Leon mutters, his hand running through his hair. 

“What happened?” you ask him after turning the lights on. 

“Just a nightmare…” he whispers, trying to calm down again. 

“How frequent are they?” It was a bold question, but you needed to know. 

“Every night” Leon ignores your glance, focusing on his shaky hands again. 

“Here, drink it” you give him a glass of water with sugar to calm his nerves. You already had that glass with you the moment you went with him to his room. 

“Do you even like me?” Leon suddenly asks you. 

“What do you mean?” 

“You’re so kind, beautiful, and young, with so much in your future” Leon sighs heavily. “Why would you be with a… broken man like me? I have nothing to offer but traumas and the big baggage of my shitty life” 

The pressure you put on biting your lip was so intense that it was enough to cut your skin and make it bleed. 

“Who says you have nothing to offer? I don’t think that’s true. You’re a wonderful person, Leon. I can see it every day when you come to see me at the store. The way you smile whenever you are around me, the way your eyes shine…” you said to him, hoping it would be enough to give him some comfort. “I don’t see you as a broken person or a man with the baggage of a shitty life. I can’t imagine what must have happened to you, and I know it must be difficult and hard because that's what I see, but, Leon, the darkness around you doesn’t define who you are. Whatever life did to you, it doesn't dictate your present or future."

No matter how many kind words you say, it isn’t enough for him. Leon blames himself for what happened, and you know he won’t forget it so soon. How can he? Those men trusted him and followed him, and now, they’re all dead. Leon thinks he should’ve saved them, even though he knows he couldn’t guess the car was about to explode. 

“I wish I could heal your soul so you wouldn’t suffer anymore, but I can’t” you sigh, then look at his hand. “I wish I could fight all of your demons, but I can’t do that. I’m here and I don’t intend to leave you alone” 

After holding his hand, it was the first night Leon actually slept without any more nightmares. When he woke up the next morning, he felt his eyes heavy and he instantly remembered how he cried the night before after his entire squad was murdered. Then, he also remembered that you were there with him the whole time. Finally, he noticed how strange that feeling was - the feeling of being comforted instead of comforting others. It was a strange feeling indeed, but it was a good one. 

Lazily, he stood up from his bed and decided to look at himself in the mirror, washing his face and taking a moment to see the collateral damage caused by the bomb. There were a few bruises and cuts on his skin, but huge purple marks on his shoulder, which he dislocated. It still hurts, but it’s enough to keep him in the real world. He’s still alive.  

“Morning, princess” you greeted him in his kitchen. “I made breakfast” 

“You shouldn’t worry about that, y’know?” Leon says, leaning against his cabinet. 

“Too late for that. Now is my job to worry about ya” you said, opening the cabinet above your head on tiptoe, which made him smirk. “Are you feeling better?” 

“Yeah, I guess so” he says, nodding his head and helping you get the cornflakes. “Thank you… for sticking up with me last night” 

“You know I care about you, right? Since day one” you glance at him with a warm smile. “I really do” 

“I care about you, too” Leon blushes slightly. “More than I can tell” 

You know Leon pretty well at this point and you know he has trouble speaking of his feelings. You know he can’t express himself properly, and you ain’t stupid. You know someone has hurt him before and you understand why he is the way he is. Fortunately, you are very patient, and that’s enough for now, because you don’t mind giving him time and space. 

“I can look at your wounds; maybe I can help” you offered, finishing preparing the breakfast. 

“This means I finally earned your secrets?” Leon asks, a small smile on his lips, as he references the conversation you had with him a few months ago. 

“You surely did." You nodded, smiling. “Let’s eat first, then I’ll take a look at it” 

Leon seemed to enjoy the breakfast you made for him, and, for the first time since you two met, he genuinely seemed happy. However, you knew deep inside he was trying and fighting hard to hide his true feelings; losing his squad certainly shattered him inside, and caused more damage to him than you could ever imagine. 

Leon is a master when it comes to hiding his feelings. All over the years, Leon had built around himself an impenetrable shell, not allowing anyone to get closer, and all of that because he is scared of being hurt again. However, if the explosion never happened, if his men never died the way they did, Leon wouldn’t be pretending he’s fine when you know he’s not. The damage is so intense that you’re afraid he won’t recover. It’ll always be there with him, rotting inside him. 

You weren’t expecting so many wounds all at once, but when he took off his shirt and you saw his bruised skin, you took a deep breath. He had so many marks, so many stories. You wanted to ask, you wanted to know, but Leon wasn’t ready to share it yet. 

“I got this one back in Raccoon City” Leon quietly says, pointing to the scar on his left shoulder. “I got shot” 

“How did this happen?” you decided to ask him as you gently cleaned a few cuts he had.  

“I was helping a woman named Ada Wong to get a sample of G-Virus, and only a scientist named Annette Birkin had this sample. We were trying to find her and, when we did, she started to shoot Ada. I jumped in front of her, that’s why I got shot” Leon sighs, recalling the events that happened in the sewers. 

“This Ada seems very important to you” you smiled at him, cleaning the other cut he had on his neck.  

“She was, but it was a long time ago” Leon avoids your gaze. “Not anymore” 

“She was the one that hurt you?” you ask him very carefully. 

Leon didn’t answer, but his silence speaks for himself. You can see the extension of the damage and how Leon still struggles to deal with whatever happened between him and Ada. He stays silent, maybe trying to understand how his life turned into this mess. Then, he starts to count every time he was betrayed before until this very moment. His blue irises meet yours and all he feels is… peace. There’s no inner storms inside him, he feels completely at ease. 

“If I ask you a favor…” Leon suddenly says, changing the conversation. 

“What do you need?” you ask him without hesitation. 

“Could you come with me to the morgue? There’s something I need to do” Leon sighs, preparing himself for what’s about to happen. 

“Of course. I’ll tell my parents I’ll go to the store later” you nodded, quickly picking up your phone to text them. 

Leon partially felt guilty, but you were so willing to go with him that he changed his mind after you helped him dress himself — the way he dislocated his shoulder still hurts and he has difficulty with it. You drove to the morgue and judging by the interior of the building, you found out Leon was some sort of agent working for the government. You were able to read the name of the organization. Division of Security Operations. 

“So you’re a badass agent, huh?” you ask with enthusiasm as you walk next to him. 

“I wouldn’t say I’m a badass” Leon chuckles, still feeling tense. 

“Well, if you put your neck at stake to save your country, then you’re definitely a badass” you added, giving him a warm smile. 

When you both stepped inside the morgue, he reached out for your hand, seeking any support you could give him. The back wall was a box-shaped cold storage room, and a row of dissecting tables lined the spacious room. And on those dissecting tables were numerous body bags. It's a body bag with the DSO logo on it. Do they really need a logo even on something like this? Irony floated within Leon's chest. Are they planning to sell products with the logo on them, like DSO-branded body bags, DSO-logoed cigarette cases, DSO-logoed pass cases...?

He walked between the body bags to the sound of his boots. Unlike normal bodies, the victims of b.o.w - related incidents were usually sent for examination to specialized research institutions. Although this time the cause of death was due to a bomb, not a zombie attack, the instruction from above was to send the bodies to various laboratories, so they followed suit. This DSO branch’s mortuary was a relay point for passing the bodies from the scene to the laboratory, like a baton in a relay race. It wasn’t easy to simply bury them in a graveyard. The morgue itself wasn’t scary, but the corpses were scary because they stimulated the imagination. 

“Would they suddenly start moving? Would I end up like this too?” Leon thinks to himself a little bit loud, enough for you to hear him.

“You won’t” you whispered, squeezing his hand to let him know you were there.  

Watching the corpses closely would cause a moment where the elongated shadows would appear like monsters. However, that was before Raccoon City. He had seen too many moments where the dead came back to life. 

“I’m not scared of the mortuary anymore; recently, I’ve been thinking about it a lot” Leon frowned as he moved towards the back while swirling his thoughts. He thought he heard a sound from there minutes before. 

“What do you mean?” you ask him with curiosity as he approaches one of the bags. 

“I was constantly thinking about death and ending everything. I was depressed and thought I had no hope left” Leon confessed, his eyes locked on the body bags in front of him. “But now… I don’t think about that anymore”

He glances at you, finally. Slowly, his eyes meet your hand while you’re holding him and there’s a small smile on his lips, then his blue irises find yours again. 

“I used to be scared of the morgue… but coming here with you… is something else” Leon says next. “I couldn’t do this alone” 

“I’m glad I can help” you said to him with your usual kindness. 

But he stops and turns his attention back to the body bags and sighs. His entire demeanor changed and suddenly, he found himself fighting hard to keep doing this. He needed that. He owed his men at least this final goodbye. 

“What kind of adult did I want to become when I was a child?” Leon thinks to himself as he approached one of the body bags. 

The zipper was slightly open, and the body bag seemed like it was about to move any moment. It’s common for something that seems like it’s about to move to actually move.

Leon carelessly closed the zipper. Was it because of the sharp sound that, suddenly, another body bag bounced behind him? Inside the body bag, the zombie was wiggling and struggling. It seemed unhappy, as if it had been woken up from a deep sleep by force. Leon pulled out his gun from his holster and squeezed the trigger. 

“What kind of adult did I want to become? I definitely didn’t want a life like this” 

V. ACCEPTANCE 

After everything that happened with his squad, Leon knew he needed time off of his office. Decided to get his mind off everything and take a break, Leon chose the Rocky Mountains in Colorado as his destination. Instead of going there alone, he thought it would be good to spend more time with you, mostly because he felt safe around you and due to the nature of his job and everything he saw, he needed to feel that safety only you provided him.  

You had to explain to your parents why you would be going on a vacation, but they understood with no problems; they didn’t know about Leon because you were fearing some trouble because of the age gap, so you felt they weren’t exactly ready to meet him. How could you explain to them you were apparently dating a man eleven years older than you? It would be one hell of a surprise. 

It was 9 a.m. in the mountainous area near Rocky Mountain National Park, located in northern Colorado. The national park was about a two-hour drive from the state capital, Denver. Along the way, there were several viewpoints where numerous travelers parked their cars to enjoy the scenic beauty. Even in the mountainous region of the Rockies, the mountains around this area were not exceptionally high. They were just before the tree line, covered with spruce and fir trees on the subalpine slopes. The forest appeared like a beautifully groomed brush, while wildflowers bloomed modestly, sheltered by large rocks.

“This place is incredible” you sound mesmerized by the incredible view from the hotel. 

“You haven’t been in places like this before?” Leon asks you with curiosity. 

“I barely leave my house” you chuckle, leaving your bag on the bed. “I just work at my parent’s store and go to college” 

“It feels like I’m dating a baby” Leon chuckles, also leaving his bag next to yours. 

“We’re dating, huh?” you teased, taking off your sneakers. 

“Yeah, we are” Leon nods his head, smiling. “I know I haven’t officially asked you, but I’m too old for that” 

“It’s fine, old man. I’m just messing with you” you said, playing with his fingers. 

“Old man? Now I’m offended” Leon teases back, smiling. 

“You said it first” you replied to him, your hands reaching his brown hair. “By the way… I have something for you” 

Leon glanced at you, frowning. The mischievous smile on your lips immediately told him you were planning something. He sat up on the bed and kept his eyes fixed on you, waiting patiently for whatever you were about to do. 

“I got you a birthday present” you said with enthusiasm, catching him by surprise. “I know I’m a few days late, but I wanted to give you something for your 37th birthday” 

“You didn’t have to” Leon whispered in shock as you gave him the small box. 

He unwrapped the present you gave him and found a beautiful dagger, silver and shining, also pretty sharp. Leon knew immediately that you probably paid a lot on that and he felt bad. He took a deep breath and glanced at you. 

“This was very expensive. You shouldn’t waste your money with me like that” Leon says to you. 

“It’s a gift. You can’t give it back” you said to him, a hint of playfulness in your voice as you insisted for him to keep it. 

“That’s not fair” Leon complains, laughing softly. 

“It’s pretty fair to me, though” you said to him, smirking. “It’s just a dagger, not a diamond or something related. I know your job is kind of dangerous and you might need it” 

“Okay, you win. I’ll take it” Leon sighs in defeat. “About my job… I know I haven’t been extremely open about it, but…” 

“It’s okay, I don’t want you to feel forced to share this with me if you don’t feel ready” you stopped him before he could finish his sentence. 

“I wish I could be more open to you” Leon glanced at his hands, feeling bad because of that. 

“Start simple and small. You don’t have to tell me absolutely everything at once” you placed your hand on his shoulder, petting him. 

“Simple and small? How could I do that?” Leon frowned at the idea. He always thought it was impossible to open up about his trauma. 

You pondered for a few moments, thinking about a way to help him talk about his issues in a positive way. 

“Start with something like… why don't you like dogs?” you suggested. A while ago you noticed Leon had a certain aversion to dogs. 

“I… um… I was attacked by dogs in Raccoon City. They weren’t common dogs, they were infected, something like that” Leon found himself surprised by the way he spoke about this issue so easily. “Then, at Spain, I had a few encounters with wolves also infected with a parasite, monstrous things” 

“See? That one was pretty easy” you said, encouraging him to keep talking. “Wanna try to say something else?” 

Leon thought about your question for minutes; inside his head, everything that has happened to him was like an endless movie. The trauma, the pain and the events that seem to be haunting him to this day. It was hard to pick one, but then, he reminds himself of your words of being simple and small. He takes a deep breath and quietly, he convinces himself that he can do this. 

“Back at Raccoon City, it was my first day at the force and I was 21 at the time” Leon starts, his eyes focused on something else. “I was late, but I think that’s why I’m still alive” 

While he was telling you the horrors he saw, you gently placed your hand on his, to let him know you’re there for him. It was a simple and kind gesture, but for him, it meant the world. Leon was only familiar with danger and brutality, so having you by his side providing comfort was enough to penetrate the depth of his former persona. It was enough to rescue the rookie cop buried inside those walls. 

“After that night… everything changed. I’m here because of what I did to survive and I’m not exactly proud of it. I can’t stop blaming myself for my past actions, but…” Leon suddenly stops, taking another deep breath. 

“You can’t control everything around you, Leon. And not everything that happens to us is our fault. You couldn’t know you were going to be stalked and nearly killed on your first day… you didn't know that there was a virus outbreak in Raccoon City that night…” you said to him, placing your hand on his shoulder. “You need to understand that this isn’t your baggage to carry. What happened that day wasn’t your fault” 

Leon had your words playing on repeat inside his head. Even though he was early in the morning drinking his sorrows away, he was still thinking about what you said. He also felt partially guilty for leaving you asleep in the bed while he was drinking, but the other part of him told you knew him pretty well and you wouldn’t be judging him for this. His head was a roller coaster and at this very moment, he wasn’t at the top. 

Leon sat on the first floor of a lodge-style hotel in the rural town. The hotel was two stories tall, made of reinforced concrete, but designed to resemble traditional log construction. There was only one waiter and one chef, making it far from a trendy establishment — a rather run-down place. He was having breakfast in the first-floor restaurant. Though the restaurant wasn't popular, the food was decent. Approaching footsteps came from behind him — two sets of them.

"--To come fully armed to such a peaceful town," Leon said without turning around.

"Leon S. Kennedy, the ace of the DSO, a special agent organization directly under the President of the United States," a voice replied.

Finally, he turned around to see Chris Redfield and Rebecca Chambers standing there.

"Chris and... oh, the renowned expert in biohazard research, Professor Rebecca Chambers. What do you want?" he asked.

"It's work. Cooperate," Chris said in an uncompromising tone.

Chris and Rebecca sat across from him. And it was noticeable that he wore an annoyed expression. 

"I'm on vacation." 

"...In the past, while protecting the President's daughter, Ashley Graham, you fought and annihilated the cult group Los Illuminados. They were using special bio-organic weapons called Plagas," Chris said.

"I've forgotten about that old stuff," Leon replied simply.

"Do you plan on loafing around in this town for another week?" Chris asked.

"I don't know what will happen in the future," Leon retorted.

"Beer, please," Rebecca chuckled at the reference to an old movie, while Chris wore an unamused expression.

Leon called over a passing waitress with a casual wave to place his order, but Chris interrupted him.

"Cancel the beer."

"No, it's not canceled."

“Come on… what the fuck?!”

"I don't need any more alcohol."

"Cut it out. What's going on?"

"That's my line."

The waitress looked between the two of them suspiciously and before walking away. Eventually, Leon pulled out a flask from his back pocket and took a swig as a substitute for the additional order that couldn't be fulfilled.

"You–!" Chris leaned forward.

"Enough, both of you," Rebecca interjected. "--Leon. We apologize for disturbing your vacation. However, we need the information you possess," Rebecca said.

Finally, Leon showed a willingness to listen.

"...What's the situation?" he asked.

Chris and Rebecca had to explain to him what happened earlier at the university. The case was simple. Glenn Arias was a new threat and they needed to stop him at all costs. However, they didn’t know how Leon was suffering inside; they couldn’t know about the recent events. Leon wearily intertwines his gestures and continues, 

"Just before I took my vacation... I was involved in a DSO mission in Bethesda to apprehend a treacherous senator who was selling internal information to a bioterrorist organization." 

The disgusted irritation was evident in his movements, his expression, and his voice. 

"You know..." Leon begins. "Here's the thing: the informant we used betrayed us. We fell into a trap instead. A massive explosion killed many of my colleagues... and then there was the incident with the resurrection of the corpses you guys were involved in... It's all a mess," 

Leon explains, letting out a heavy sigh. It's a sigh that escapes unintentionally, like a burden he carries.

"I had planned to become a police officer in Raccoon City. It was my dream job. But on my first day, there was a massive zombie outbreak, and from there... it never stopped," Leon pauses and shakes his head. "I've been fighting this whole time. There's no end in sight, and it only keeps getting worse. Have I been living just to fight zombies and the people who create them?"

"What are you trying to say? That you don't want to cooperate with us?" Chris asks.

"It's not that..." Leon's tone is uncertain, "Well, maybe it is."

With a hesitant tone, Leon continues

“What exactly is our goal? How far do we have to run? Do we have to keep running endlessly? The villains keep coming, one after another, while the good people keep dying. Maybe it's better to lose our minds."

Then, Chris found himself forced to explain to Leon what they were facing. He showed pictures of Cathy White, the agent that was turned into a bio-weapon. And worse, her son she killed. He showed the photos taken during the autopsy and how Glenn turned people into something else purely because of power. 

"Killing him is the goal," Chris declares.

"That's only your goal, not mine," Leon retorts, his voice filled with resentment.

Tension fills the air between them once again.

"Hey," Rebecca interrupts, breaking the silence just as she did before. "So, Leon, you're exhausted," Rebecca points at Leon and then gestures to Chris. "And Chris, you're frustrated. There's one thing both tired people and irritable people have in common."

"What do we have in common?" Chris asks in response.

They both look at each other with a wide-eyed grin.

"You only think about yourselves," Rebecca replies. 

"I–" Chris tries to interject, but Rebecca continues. 

"Chris, all you talk about is wanting to kill Glenn Arias. After helping me, you didn't say a single word mourning the sacrifices of our colleagues. Leon, you're acting like a college student in their moratorium period. People get tired of running. But if we stop running, more people will lose their lives."

Rebecca takes out a trigger-activated needleless syringe from her small bag. In front of the bewildered duo, she abruptly presses the syringe against her left forearm and pulls the trigger, causing her blood to collect in the test tube attached to the syringe.

"I'll tell you something important. We're already infected," she says.

"What?" Leon's expression tightens in response.

Rebecca continues speaking in a tone reminiscent of a teacher addressing a poor student. 

"The truth is, it's difficult to estimate just how many people have been infected by Arias' new virus. The problem is, we don't know the identity of the trigger that activates it."

As she speaks, Rebecca removes the test tube from the syringe and seals it with a cap.

"The virus is activated by something only Arias knows. When that happens, the dead rise, and living humans become bio-weapons."

Rebecca glances lightly at Leon. 

"If things continue like this, this city will eventually become a living hell. There won't be any safe places."

Leon remains silent, averting his gaze.

"Just so you know, a prototype of the antivirus has been developed," Rebecca says. "It actually worked on me. However, the effectiveness of the antivirus is unstable without knowing the conditions for the activation of Arias' virus. When to administer it and how long it remains effective..."

Rebecca then places the sealed test tube into a small protective case and puts it on the table. 

"My blood should provide valuable data. If I die, make sure it reaches a reputable research institution that you can trust."

"You're not in danger. We'll protect you," Chris says firmly.

"What?" Leon asks, confused.

"It seems like you're misunderstanding, BSAA soldier," Rebecca lightly dismisses Chris's assumption.

There’s a slight smirk on Leon’s lips as he hears that. 

"The forefront of pandemic response is not the BSAA, but the research field. How many doctors and colleagues do you think I've seen die in conflict-ridden African countries or small Middle Eastern nations used as testing grounds for bio-weapons?" Rebecca questions.

Chris tries to say something in response, but his voice gets stuck in his throat, and only faint breaths escape.

"After I left the team, you two might have fought against plenty of mad scientists. But science can only be countered with science. Unless benevolent technology advances, we will never have a chance of winning. We fight not only for ourselves but for others. Have you both understood at least a little of what I'm saying?" Rebecca asks.

She stands up and adds, "Cool your heads," before leaving her seat.

"She's a great woman," Leon comments.

"We can't handle it on our own," Chris remarks, watching Rebecca leave, and he and Leon exchanged a wry smile. 

And then, here it comes. The urge to talk about what happened one year ago. 

"Leon, China was tough," Chris says, referring to that incident.

"Yeah, it was like a zombie version of Black Hawk Down." he nods in response. 

"At that time, I wanted to quit the BSAA so badly," Chris admits, surprising Leon, "After getting involved with Umbrella, I witnessed too many deaths. We..." 

Chris trails off. His expression was heavy, as if lead had settled in the depths of his heart. Then Chris realized: Why does it make me so angry to see him like this? He was too much like his old self.

"It makes you want to quit... makes me want to quit," Chris says, emphasizing his point. Leon falls into silence. And Chris delivers the final blow. "But, the moment we quit, all of our subordinates and friends will have died in vain. We are the survivors of Raccoon City. We carry that burden."

Chris falls silent, and the air becomes still. The waitress looks annoyed by the silence. For a few moments, there’s nothing but the said silence. 

"Leon, I always thought you were a cheerful guy no matter what," Chris breaks the silence.

"No one is like that," Leon replies, “Well… I’m not. I've always been a stress-tolerant guy. I've been able to do what I've done because of it. But now look back on it. In Tall Oaks, I killed the president.”

"Technically, you had to save the President infected with the virus," Chris quickly adds, trying to provide some context.

“But,” Leon shakes his head, "But the fact remains that I pulled the trigger, I shot him, and I was even suspected of assassinating the President afterward. Although I managed to clear my name, the mastermind behind that incident turned out to be the President's aide. The DSO was once called the 'Sword of the President,' but now it sounds ironically fitting."

Chris remains silent, attentively listening to Leon's words.

"Chris," Leon continues. "I've returned to active duty, but every time I face the new President, I feel anxious. I can sense his unease as well. The President's aide had sold his soul to B.O.W. terrorism. Who's next? The Secretary of Defense? The Vice President? What's become of the foundation that supports the soldiers in the field? They keep using us, while the higher-ups continue to flounder, grow bloated... They only think about shifting blame onto others."

He pauses for a moment. There’s so much pain. 

Leon furrows his brow and lowers his voice. "Perhaps the reason entities like Umbrella persist is that our society harbors a fundamental evil... I can't help but feel that way now."

Even agreeing with this stupid mission, Leon can’t go without saying goodbye. He feels guilty, but the moment he sees you, everything feels completely right. He sat at the bed, watching you perfectly asleep, imagining what kind of dreams you were having. Leon sighs and shakes his head. 

“Hey, sweetheart” Leon says when he sees you waking up. 

“Hi” you whisper, rubbing your eyes. 

“Listen… something happened and my colleagues need me. Will you be okay here?” he asks you, his thumb trailing your cheek. 

“Will you come back?” you ask him, sounding a little groggy. 

“And leave my baby girl here all alone? Of course I’ll come back” he smiles sweetly at you. 

“Ok… I’ll be here” you nodded your head, closing your eyes to go back to sleep. 

Something about you made him see, for the first time, the bright side of things. Maybe it was the fact that you were younger than him, and also the fact that you were full of energy - he was just an old and bitter man. But, hey, he’s learning how to cope with every shit that has happened to him. 

Before you, Leon was ready to die. 

He was ready to embrace death, he already had made peace with his inner demons. But everything changed when you came into his life. Suddenly, he thought he could live and find happiness and death wasn’t in his thoughts anymore. It was like you were able to bring him back from his darkness. He wasn’t rotting inside. You were able to rescue him from himself and return the light he needed. 

But if he thought he wasn’t close to death, he was wrong. Leon never thought he would face something like Glenn Arias and come close to death, but he had his job to do. Chris needed his help and Leon finally found closure to something that was weighing on his head; the death of his squad wasn’t his fault and he found the real culprit. He found the peace he was desperately looking for. And he was able to see another sunrise and come back to you. 

It was a repetitive cycle. Leon recently started to wonder if anything he did was futile. That's why he took a vacation and drowned his sorrows in alcohol. It was a kind of protest, perhaps. A protest against the grand concepts of this world and destiny. A statement of "I’m not going on like this forever, I’m not going to do it," or something of that sort. But fate was cruel. In the end, human life rarely goes well by one's own choices. Perhaps humans are merely chosen by fate without their consent. Yet, Leon now felt that it was okay like that. Being chosen doesn't make him a hero by default. He becomes a hero reluctantly because he was chosen. And that's fine. 

The merged form approached Leon with an eerie growl, swinging its massive fist. Leon leaped back to dodge it, and the merged form's punch shattered one of the spires on the rooftop into tiny fragments. It had the destructive power of a construction hammer, with each strike resembling the impact of a tank cannon round. Leon intentionally slid and jumped into the merged form's feet, thinking that at such a large size, close range might become a blind spot. He positioned himself beneath the massive body, lying on his back and firing his handgun. The shots were practically point-blank, but they were still deflected by the hardened muscles and exoskeleton. 

"Doesn't matter," Leon muttered involuntarily. "I'll do whatever it takes, even if it's futile. Today's a good day to die anyway."

The merged form kicked out.

The enemy's movements were deceptively swift, and Leon was sent flying as if hit by a car. His body tumbled through the air until it finally collided with a gargoyle statue, coming to a stop. The impact was so intense that his breath nearly ceased. However, the merged form continued its pursuit. It threw a straight punch, a blow that would surely result in instant death if landed, but Leon managed to evade it with a jump. Not only did he dodge it, but in mid-air, Leon twisted his body and unleashed a spinning kick. His boot-clad foot connected with the grotesque face of the merged form.

Whether it would have any effect or not didn't matter. This strike was my will. Of course, a kick from a mere human wouldn't have any effect. The merged form retaliated with its opposite hand, grabbing hold of Leon.

"Gah!" A groan escaped Leon's throat involuntarily. The massive fist tightened around him like a vice, and within a few seconds, he felt himself being crushed like a tomato.

"Leon!" Chris emerged from the penthouse.

In his fading consciousness, Leon thought about you. The way you smiled whenever you were with him and the sweet perfume you love to use. The way your hands embrace him at night, helping him sleep safely, without any nightmares to harm him. And then, he doesn’t want to die anymore. Please, God, don’t let me die this way. 

Chris picked up the fully automatic handgun that Arias had dropped along the way and unleashed a barrage of bullets at the merged form. For a brief moment, it seemed like the merged form's focus shifted, and its grip loosened slightly, but that was all.

Was my life meant to end here, crushed by this grotesque monster? Leon wondered, his pessimism threatens to shatter him. Leon wasn't the type to easily get this depressed or overthink things too much. Still, he felt more than a little exhausted.

What kind of adult did I want to become when I was a child? I never imagined I would be burdened with the stigma of assassinating a president. At least, I didn't want a life like this ― It doesn't matter what I want. There's no such thing as a person who can live the life they desire. Arias must have felt the same way. In the end…

VI. ABSOLUTION

When he came back, you noticed something inside him had changed. 

After the fight with Arias, Leon noticed that life was much more than death, darkness and depression. At least, he started to think like that when he almost got killed. And his only thought was coming back to you. No, he couldn’t die like that and leave you alone. His arm was injured, but he was alive. And he was back. 

“What happened to your arm?” you asked him when you saw him entering the room. 

“Remember that day in the morgue when you told me I was a badass government agent?” Leon asks you back, sitting on the bed next to you. 

“Yep, I do” you nodded, starting to massage his tense muscles. 

“Well… I’m not this kind of agent. I work under the president’s orders. I fight bioweapons for a living… since that hell in Raccoon City” Leon sighs, finally opening about his job. 

“Bioweapons? Like zombies and shit?” you ask him with curiosity. 

“Worse than zombies, but yes” Leon nodded with a slight smirk. “It’s dangerous, and this time I nearly got killed… thing is, my job requires a lot of my time, it forces me to not be around for God knows how long. It scares me because I don’t know if you can live this chaotic life with me…” 

“Wait, wait, wait… slow down” you held his hand and squeezed it softly. “Everyone deserves a second chance in life, Leon. You were alone for too much time and I don’t mind if you need to go somewhere else to fight bioweapons. If this means I get to see these pretty eyes of yours and this sweet smile every time you come home… I’m willing to live this chaotic life with you” 

Leon couldn’t believe your words. After being deprived of something so human and getting used to it, Leon felt he was about to explode. It was too much for him to handle. At this point, he knew perfectly he was experiencing anxiety. But it was a good one. 

“I don’t want you to get hurt. If we do this, I’m gonna get you wrapped up in something bad someday… and I’ll never forgive myself if this happens” Leon tells you, sounding extremely worried.

“I know you won’t let anything bad happen to me. And besides, I can take care of myself. I made self defense classes” you laugh sweetly, a symphony to his ears. 

“Are you sure?” Leon asks, and those big puppy eyes of his wanting nothing but assurance.

“Honey, if this wasn’t true, I wouldn’t be here” you chuckled, kissing his forehead. 

After what happened, you decided to introduce Leon to your family as your boyfriend. But before that, you convinced him he needed to improve a little. Getting rid of the alcohol was the first step. He started to see a therapist and work harder on his issues, which influenced a lot of your relationship. He was more happy and willing to do things he and you both liked. One year after that incident with his squad being killed and his mission with his friends, you noticed he was ready to meet your parents. 

“I’m nervous” Leon tells you when you both were entering your home. 

“Why? It’s not like we’ve been dating secretly for almost three years. Besides, they’ll think you’re cute, don’t worry” you giggled at him. 

“I’m not so sure about that” he muttered, following you inside your parents place.

You could clearly tell how anxious he was. However, he always felt at ease on your side, and it was like you had the power to make him relax, like nothing could harm him and the world was finally at peace. When you stepped inside the house with Leon right behind you for a Christmas dinner, your parents were already expecting both of you. 

“Mom, dad… this is Leon. The guy I was talking about” you introduced him to your parents with certain expectations. 

“You clearly got my taste for man” Leon heard your mom whispering to you, which made his cheeks turn red. 

“So… um… how long are you two hanging out?” your dad asked and you glanced quickly at Leon. 

“Three years, I guess. We met at the store” you tell your parents. “I didn’t tell you before because Leon has a busy schedule. He’s not always in town, so…” 

“Well, moonpie, if you’re happy, we’re happy too” your mom says with a gracious smile on her lips. 

Leon wasn’t expecting to be so welcomed into your family, but the fact that your parents treated him so kindly melted his heart. He got himself thinking about the dinner for at least one week, mostly because part of him was still thinking it was weird to receive so much kindness and affection, especially coming from a real family. He wasn’t expecting to be playing cards with your dad while you and your mom were in the kitching talking about girl’s stuff, but it was enough to make him see he made the right choice. That it was okay for him to finally experience love. 

“I like your light brown hair now that you finally stopped dying it” you said, sitting between his legs in the living room. 

“My emo era is over” he chuckles sweetly, like a melody. 

“May it rest in peace” you made the signal of the cross. “

“Changing the subject, tomorrow I gotta go to San Francisco. Work stuff” he says to you, softly kissing your neck. 

“Yeah? Am I getting some gift?” you whisper, feeling the shivers down your spine with his lips against your skin. 

“Do I ever go on a mission and come back empty handed?” Leon asks you, his soft lips pressing more against your neck and you can feel him softly biting you. 

The thing is, Leon is like a porcelain doll. He needs to be treated with softness and kindness, because deep down, he is vulnerable. The way his lips met your skin was a clear sign that he was ready for you. He was finally ready to be yours. However, loving Leon also needed patience, and after three years, you could tell he wanted that too. 

“Do you want to do this before you leave, handsome?” you ask him teasingly, holding his hands as he keeps kissing your neck. 

“Yes, I do,” he nods, almost moaning in your ear. 

He gently took you to his bedroom, the place was almost a sanctuary for him. He laid you down on his bed and removed his shirt, and this time, he didn’t seem ashamed of himself. You stood up from his bed and sat him on the edge, your hands trailing down his skin like he was a roller coaster. He closed his eyes, his breath soft and calm, although he anticipated what was about to happen. Leon craved for you. 

“I’ll take care of you” you whispered, leaving soft kisses across his neck and chest. 

You sat gently between his legs, your sweet and soft fingers removing his pants and reaching his already hardened cock. He sat there, observing you with those big and blue puppy eyes, like he was savoring your image. When you took all his length inside your mouth and gently started to suck him, Leon felt he was in heaven. It felt so good, so powerful. 

Tears started to fall from his eyes and he cried. Not because you were hurting him, dear lord, of course not! It was because he finally felt that he deserved to be loved. Your tongue did an amazing job on his cock and when he came, he felt his body at ease. Leon moaned with the sudden sensation, it was stronger than he last remembered. But it was because of you. 

“I love you” he says when you touch his face, wiping his tears. 

Loving Leon needed patience, you knew that already. 

However, living with him brought new challenges that you weren’t expecting at all. He would be gone for weeks, then he comes back out of nowhere. He always forgets to send you a message to let you know he’s coming back, but that’s okay, because his lack of patience to deal with technology amuses you. He always sends an emoji out of context, which makes you laugh and you find it very cute when he gets disappointed for misunderstanding those little and yellow faces. He’s getting there, don’t worry about that. 

When he’s at home, things turn out differently. He always helps you with the chores, likes to tease you whenever you’re cooking his favorite meal and at the end of the day, you two are together on the couch watching some silly movie while he complains about it and softly scratches your leg. Sharing a domestic life was something he never thought he would have, not after everything he went through alone. 

Now that he's back from whatever he did in San Francisco, you have another job to do. Tend to his injuries. It’s a small sacrifice to pay whenever he comes back hurt; this time he has purple marks all over his body and face. You don’t ask what on earth happened, because you know he can’t really give details, but at least he’s safe and sound with you again. 

“Stop moving, old man!” you tell him, trying to clean a small cut he had on his neck. 

“That hurts,” Leon replied back, flinching slightly. 

“I know, but someone has to clean it” you rolled your eyes, applying a Barbie band-aid on his neck. 

“Please, don’t tell me I got the Barbie thing on my neck” Leon closes his eyes, taking a deep breath. 

“Next time I’ll get you a cat one” you wink playfully at him. 

After so many death experiences and the inner wish of being dead, he’s glad that he found the absolution that he always wanted. He looks at you with amusement, part of him finds it hard to believe that he’s so lucky to have you, but the other part is glad that you are real and you love him for who he really is. You took every damaged part of him and loved with such intensity that it was enough to bring him back from that dark place he was at. He forgave himself, allowed his soul to heal and to be loved. Life had gifted him with the second chance to live, made him see the beautiful things again. You took him in when he was on the lower part of his life, and your love brought him back. He knows he’s getting older, but he doesn’t mind spending his days with you, because you are the only thing in his life that makes sense.

And he’s fine with that. 

[gh0st-t0wn3]

I finally had time to make proper designs for the Trio!

Redson: Ver 1

Ver 2

I couldn't decide on if I liked it better with the braids or not so I just posted both, but anyways!

I gotta admit, I used to not like the idea of redson having Bull features (except for a small pair of horn maybe) but the concept really grew on me and now I really love it and wanted to try making my own design and I'm really proud with how it turned out.

I would've added more scars, since Guanyins throne pierced his entire body, but there came a point where it just looked like there was too much going on so I had to get rid of a few scars to tone it down, so we're just gonna say they faded over time, okay? Okay.

I also made him Miao (one of the largest ethnic minorities in southwest China) on PIF's side, and Mongolian on DBK's.

The Miao ethnicity of China has a long history, rich culture, and an ancient folk religion. Adorned in beautiful traditional clothes, possessing natural talent for singing and dancing, they live in uniquely designed indigenous architecture, which I think fits perfectly with how I imagined Princess Iron Fan and with her; Redson.

As for DBK being Mongolian, I saw someone else talking about this headcanon and I just liked it so I decided to use it, I don't really have a specific reason for it, I just thought it fit, not sure why though, it's just one of those things that makes sense even if you don't know why, you know?

Mei:

I made her taller and gave her a long dragon tail (like really long, it drags along the floor if she's not holding it up), though her scales are pretty much everywhere across her body they're most noticeable on her shoulders, thighs, and face (they're a bit hard to see in this photo because they're kinda hidden behind her hair, but I did give her scales beside her eyes)

I also gave her horns these little spiral designs around them, gave her sharper nails, and designed her ears to look like coral, since she's a water dragon and I thought they looked cool.

Honestly idk what else to say about her design, I didn't have anything specific in mind when designing her, I kinda just had to wing it, but I'm happy with how it turned out :)

(I also made her Bengali, on her dad's side, but it's not really important or has any reason behind it, just a headcanon I've had for a while, don't know where it came from though)

MK:

Alot of people have speculated that the monkey form we see during the fight against Azure in season 4 isn't MK's full form yet, that we're just seeing a fraction of what he's yet to become, based on the fact that while he has the weird side burns, the tail and the face marking, he also lacks a natural skin tone, they didn't give him a proper nose etc, so I wanted to play with the idea.

I decided to make him this strange mix between human and monkey, leaving him pretty much human with the addition of his tail(s), and weird li'l monkey feet.

(I was also gonna give MK more arm/leg hair, it was in my first sketch, but I forgot to add them when I was doing the line art and didn't realize until after I saved it as a jpeg, so that's my bad, but I'm gonna add it in to any other art I make)

It's also a bit hard to see in this, but I designed his staff with more details, specifically adding dragon-esque imagery to the Golden ends, this is because (for anyone who's new to the fandom/hasn't read JTTW) Wukong's staff was originally one of the several pillars that held up the sea in the dragon palace, until he stole it and shrunk it down to use as his weapon.

I also did MK's clones :)

Porty MK:

I gave him stripes of coloured hair and gave his tails all different colours, though I don't think he would actually dye it, instead I like to think that he would use that really crappy dollar store spray in hair dye (or hair chalk). I kept the fishnet clothes that I added in my originally design of him for my headcanons post, and decided to give him striped elbow length fingerless gloves.

I also gave him a cropped shirt, ripped shorts and these weird fingerless glove-esque shoes for convenience, since regular shows seem like they would be uncomfortable.

Edit: my dumbass forgot Porty's stupid print jacket 😭

Artist MK:

For Artist MK I gave him overalls and a jacket over it, which he wears specifically for when he's doing paintings so he doesn't ruin too many of his actual clothes (I know I said that this was inspod by Circusapple, which it still is, but this is almost exactly what I wear when I'm painting too, just in different colours).

I also gave him those gloves that digital artists wear so they're hands don't accidently trigger something on the screen because everyone knows that every artist just walks around with their art glove on even when it's not necessary.

Delivery MK:

I have to admit, I was never a big fan of MK's work uniform just being his regular clothes with a work jacket thrown over it so I wanted to try and make him look a little more professional and decided to instead give him a chef coat (similar to the one Pigsy wears on the show as well), with a logo for the restaurant on the chest, along with it I gave him plain black pants, since casual red jeans didn't seem very professional (I know he's just a delivery person, but if you were to look at pretty much any food corporation, even people who do deliveries have to wear uniform, so it's always been kinda strange to me that he's just in regular clothes). 

The shoes were harder to make professional given the whole "half-monkey" thing so I opted to give him the same strange fingerless glove-esque shoes for comfort and convenience, but made them plain black as well.

[howtofightwrite]

Was reading through your torture tag and noticed a lot of stuff that was being said seemed to contradict things that were said on the scripttorture blog... do you have any suggestions on how to clear things up? Im not sure which things to trust

And you're asking us, because they've posted once in the last two years?

I'll admit, I have a fairly low opinion of them, and that's not directly their fault. For years, one of their fans, would regularly send some pretty incendiary asks our way. In fact, some of the less hostile ones were answered, and may be the posts you were looking at. Understandably, the ones simply accusing us of being torture apologists, demanding we redirect all our asks to their blog, or insisted that we should sit down and shut up, did not make the cut. With that in mind, please understand, I'm not going to go digging through their blog to refresh my memory, so some of this might be slightly skewed by the aforementioned deranged fan.

Look for the blog that does not constantly contradict or misrepresent their authoritative sources. Which is to say, if you actually pay attention to Shane O'Mara's work, it's basically what we've been saying all along.

If you're unfamiliar, O'Mara is a Neurologist who was (last I time I checked) working at Trinity College Dublin. He published a, frankly fascinating piece, called, Why Torture Doesn't Work, in which, he set about trying to answer why torture is an ineffective tool for intelligence gathering. O'Mara also had the misfortune of being the only expert who said anything close to the perspective Scripttorture wanted on torture.

An open secret about torture is that it is completely worthless for getting accurate information. This has been widely understood for centuries, if not millennia. O'Mara's question was, “why?”

It turns out, that the neurochemical trauma associated with torture, seriously interferes with your ability to accurately access information. For example: If you're being tortured, you can't tell your torturer where you planted the ticking bomb, because your brain literally can't access those memories.

Torture is evil. Yeah. No shit.

And, this is where ScriptTorture stops. “Torture is bad,” and Jack Bauer is an incredibly unrealistic fantasy, end of story.

Except, this is not the end of this.

Now, generally speaking, I don't blame anyone who wants to get off the ride here. Torture is an unpleasant subject, and wanting to stop at, “oh, it's evil,” is entirely reasonable... unless you want to write on the subject, or if you do political analysis and need to understand why people break out the torture implements.

More than that, this is where my academic background in political science actually comes into play. I'm not saying this as an Eagle Scout who had a couple overly enthusiastic hand to hand instructors when I was a kid. This is (part of) what I studied in college, and I have kept an eye on it since then.

If torture didn't work, you wouldn't see state-sponsored torture pop up repeatedly throughout history. It would not be one of the favorite tools of dictators and despots. However, because it does, and it is, simply saying, “it doesn't work,” isn't instructive or meaningful because it's clearly untrue. Someone is finding value in this, so it becomes important to understand what they are doing, and why they are doing it.

When you torture someone, the information they provide is basically madlibs of whatever leaked through their brain. They want the pain and stress to stop, and they'll say anything they can to make that happen. That often takes the form of what they think their torturer wants to hear. O'Mara's research does explain why they don't simply cough up the truth.

So, why do it?

Torture is a very labor intensive process. You (as an individual) can't, realistically, torture multiple victims at a time, and it is a very drawn out process. Some elements can be automated, your torturer doesn't need to be present at every moment, but they're going to spend hours, if not days, working on one victim. Worse, this is actually a technical profession. It's not like you can just pull in anyone off the street and get the results you want. (Though, technically, this doesn't seem to be as true, however, amateurs do have a shocking capacity to screw up torture. So, the point remains valid.)

The value of torture has almost nothing to do with the victim. It's about the message it sends to everyone else.

Torture is about mass coercion of the population. When you are the state (meaning, the government), and you torture someone, you are telling your citizens that you are willing to do the same to them, if they oppose you.

State-sponsored torture is specifically a tool to suppress political engagement. It is, quite literally, state-sponsored, domestic terrorism.

This even holds true in cases where the state employs torture to extract confessions from criminal suspects. The message sent into the general population is that dissent of any kind will not be tolerated, and that the state has the willingness and power to turn these tools on you if you draw their ire.

I get that this is outside of ScriptTorture's area of expertise, and in fairness, I probably would not have studied this with any intensity, if I hadn't taken multiple classes on revolutionary theory.

Torture from private organizations (which is to say, organized crime, and religious institutions, though cults and some other groups might fit this description as well), follows roughly similar patterns. These tend to do the same things, discouraging dissent, and establishing the organization as having power over the population (or community.) (The technical term would be to “establish capacity.” Which is to say, the organization's capacity to enforce its will. The same term applies to states, though in those cases, the state's capacity is often overestimated by its population. It's only when it starts to falter, for example through military defeats or serious civil unrest, that they really need the capacity boosting part of this equation.)

Zealotry or stupidity can create situations where you have a torturer (or, more likely, someone in a position of power ordering the torture) who believes that it is effectively compelling the truth from the victim. This (or amateurs) can easily lead into a distinct problem, which is that all of this has diminishing returns. Torture one person, and you send a loud, clear message. Torture ten, and all you've added to it is that you're willing to keep going. However, as you start stacking up the victims, you do start sending a new message to your enemies, that being, you're going to get to them sooner or later so it's in their best interest to respond now, mobilize and retaliate proactively, before you get to them. This means that a state which leans heavily on torture can easily instigate the civil unrest that exposes their limited capacity leading to a political death spiral. Alternately, if the state does have the capacity to put down the resulting unrest, it further reinforces their position (which does happen with depressing frequency in the real world.)

You're also going to create new enemies in the friends, family, and loved ones, of the people you tortured. This means that any organization that relies on extensive use of torture will, eventually, start tying a noose around its own neck. (Granted, there are a lot of social dynamics that I'm skimming over here, so it's not exactly as simple as “if the state tortures lots of people, it will result in increasing unrest.”)

If you want a partial citation for the above, you can (ironically) find it in a podcast interview with Shane O'Mara, when he explained why torture has been employed repeatedly through history. (Specifically I think it was episode 15 of Your Welcome, by Michael Malice. Though, I'm not 100% sure off hand.) Though that doesn't cover some of the more in depth elements I just discussed. Some of this is coming from a textbook on revolutionary theory I can't locate (it disappeared in a move a few years back.) Though that was more interested in the general structure of a state destabilizing into internecine conflict. Ironically, my preferred citation on torture, Fear up Harsh by Tony Lagouranis is mostly uninformative in this case, because his experiences were on the ground, rather than from a structural understanding of what his job was really doing. However, he does illustrate my comment about amateurs making even more of a mess, both through personal experiences with a few, and also through the eventual trajectory of the invasion and occupation of Iraq.

But of course, torture is evil... again, no shit. Was that really a question? And, I'm apparently a torture apologist for having a structural understanding of why evil people do evil things. Cool. Evil people don't do evil things because they're evil, they do them because they gain some tangible benefit from those acts, and they do not care about the consequences to anyone else. If you ask someone, “why do people do this?” and their answer is, “it's simple; they're evil,” that person is lying. They may be lying to themselves, but they are lying to you.

Why do people use torture? It's a lot more complicated, and unpleasant, than you'd expect at a simple overview.

-Starke

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[erinwantstowrite]

Let me just quickly say, cross-overs can sometimes get REALLY difficult to map out and write in a cohesive way but you have absolutely NAILED IT!! I absolutely ADORE LoF!!! I usually don’t even bother reading fics with the ‘Richard Grayson is Richard Parker’ premise cause I felt like they were super confusing and overcomplicated but this fic?? SUPERB. ABSOLUTELY INCREDIBLE. OH MY GOD I ADORE IT. Everyone’s characterizations are so nice and wonderful aaaaaaah!!!! <33333

Ok ok I did actually have a question as well: would you be willing to share what your writing process looks like in terms of a chapter you’ve already posted? I was just wondering since I’m also currently working on my own fic (it’s been a few years but I managed to get fixated on an idea and it grew legs lol) and I’m currently fighting the organization of it haha.

How do you keep track of the plot points and/or foreshadowing you want to get a ‘lightbulb!’ moment for later? Do you have any tips?

Thank you so much! I absolutely adore your writing AND your art is so gorgeous omg it adds so much to the incredible story :DDD I hope you have a good day!!

I have a secret: I actually didn't like "Richard Grayson is Richard Parker' tag for a while for the same reason. Sometimes they felt like they missed the mark or it's just. A thing that's there? I almost didn't include it for LoF, but I'm glad I did because it changed the direction in such a big way.

Another secret: this made me incredibly happy because I have read so many wikis and scoured the internet to make sure that I had enough info on both fandoms so LoF could make sense to anyone who's reading it, whether they know Spider-Man, Batfam, or neither at all. Sometimes I worry a lot before I post that I'll miss a mark and will confuse people.

As for the question: I definitely am willing to share what my writing process looks like!

Be prepared for under the cut, I love to yap. It's in my blood to yap. And that's why it took a minute to get to this ask haha

(Spoilers for Leap of Faith!! Everything mentioned has already been published ((Chapters 1-11))

I had to go and find out which chapter I wanted to use as an example and I think we're gonna go with Chapter 5 for the most part :)

My writing process is, as described by alighterwood:

I think the description fits because while I'm all over the place, I have to be very detail oriented and I store everything in one spot.

Starting with the overall process, what I find is most helpful for me, when organizing, is having a notebook rather than doing it all digitally. I've been using a 70 sheet notebook that I had lying around waiting to be used, and as of yesterday, I officially filled the entire thing front to back. It's been an incredible help, for a lot of reasons, but mostly because it's a lot easier to remember something I physically wrote down than it is to remember something I typed. I'm now on to my second notebook for LoF, and I might even have to get a third.

In another ask, startupkat asked me this:

And I shared a little about my outline process there, but I'll try to go into a little more depth here. Emphasis on little because this is so long.

I write a truly insane amount of outlines in this notebook.

This is just what I can show you, but a good chunk of the notebook is just outlines. Over and over and over again. That's because they're always changing/adapting based on so many different factors. Sometimes I get to a chapter I thought I had fully planned out and then realize it just doesn't work anymore. Other times, I get to the chapter and realize I don't want to write that anymore/isn't as interesting as I thought it would be. A few times I got halfway through a POV of a scene I was struggling on and decided to switch POV's, which will change up the outline for a chapter every now and then.

Which is why I don't write incredibly detailed outlines and try to keep it vague until I actually get to that chapter. It's a lot less daunting to rewrite a chapter outline than it is to rewrite the entire outline.

Fic outlines and Chapter outlines look a lot alike.

This is what I said in the other ask, but I didn't elaborate on it all the way.

I make a list just like that, and then I try to put it in chronological order/in an order that makes sense. I keep the Fic outline vague by writing down "Goals" for a chapter rather than scenes. But I also keep notes to myself if I really think something is important. The more important I think a scene needs to be, the more details I write down to make sure my future self recalls what I had in mind when I thought it up.

Really simple example:

Chap 1 Goal: Peter gets to Gotham and meets Babs while running around. Meet Nightwing too? Get shelter.

Chapter 2 Goal: Bats are like "???" about Peter. Batfam dynamic important... Peter stalking Batfam back? Peter meet Batman >:)

When I get to a chapter, that's when I make a far more detailed list of wants/needs/goals. It's the Step 2 from the Step 1. Here are some examples from Chapter 5:

Needed to have:

More POV's from universe 1299 (Peter's home universe)

Tony's POV more specifically, how he's doing/feeling, what he's figured out

What they've figured out on 1299 side vs what's going on in 1300 (Gotham)

Explaining more about Peter's trauma/his past

Dick learning more about Peter, and vise versa

Wanted to have:

Ned being a more central character

Natasha :)

Loki being a little shit

Tony and Cap bickering

Peter talking to Nightwing again

The last name Grayson

Gymnastics!!

(This is the shortened list, because the chapters are so long)

When I looked at this list before writing my outline, I had to figure out how I could incorporate everything. If I needed more 1299 POV's, and I wanted Ned, Natasha, and Loki, there's one scene accounted for. I had to get their side of things and wanted that trio together. I needed a Tony POV, and I wanted Tony and Cap bickering, so those went together, plus I got 1299's POV of Ohnn and his plans explained.

I needed to have Peter explaining more about his trauma, and Dick and Peter to talk/get closer. I wanted a Nightwing POV, to have Peter say his last name, and them doing gymnastics. I knew Peter wouldn't willingly talk about that, so I had him have a nightmare. Not only did it give readers perspective but it made Peter more susceptible to talking to Nightwing because he was more emotionally vulnerable/lonely, and that's how that scene came together.

That's when I would write down the chronological order of these events by writing out "Scene Blocks." (This is what I wrote down but my handwriting was so bad I can't subject y'all to it):

scene 1- Ned talking to Loki. Natasha should be nearby and observing Loki's behavior. They are not on friendly terms. Ned is more worried about Peter than he is as to what Loki could be up to, so Natasha takes on that role.

scene 2- Tony is freaking out about Peter being in an alt dimension. He should attack Ohnn when he's not prepared for it. Beat his ass? Beat his ass. Cap there too.

scene 3- Peter's nightmare. "Ben, where do you go when you die?" "Where do you think?" "With you. Where you went."

scene 4- Nightwing and Peter.

Of course, things come to attention when writing. Like originally, Tony and Cap were arguing in the Tower. But it was a little too much like his and Natasha's argument, and I kept in mind that Tony is smart. Sometimes I forget that the characters are smarter than I am, so I have to account for what they would figure out. So Tony would have picked up the puzzle pieces and come to more conclusions than I originally thought about, and I figured he'd be way more proactive about it than just. Being in the Tower and waiting.

Which means that that scene ended up being as listed above: having a squabble with Cap, learning more about Peter's dynamic with the Avengers in this universe, and seeing how Tony is reacting to it by throwing himself head first into trying to capture Ohnn.

I'll realize I need something else to be mentioned or put in and I'll have to shimmy things around, but that's basically how it goes.

As for other forms of organization:

Keeping a timeline is so important because it tells you a lot about the environment your characters are in. It's also important to remember what a character has on them, what money they've spent, who they've met/who you have mentioned, every alias that is being used, to read your work and write down edits you want to make before you make them, to write down ideas beforehand of situations you can use, and, most importantly: MAKE A MAP!! This has saved me so many times. Sometimes your brain WILL trick you or make it harder on you to envision a scene. Make a map of where your characters are physically!! It will save you too!!

As for foreshadowing and plot points, I'll let you in on yet another secret:

Your subconscious is doing a lot more than you think it is.

Sometimes when I foreshadow something, I didn't even know I was until I got to it. I very often go back to read chapters that came before this to see what I've mentioned and what I haven't, and when I do, I'll see something and go "I have to bring this back" or "I almost forgot about that!"

Other times, I am very aware of what I'm foreshadowing, and that's because I follow a mystery plot formula. You have to keep in mind everyone's intentions, all the time. How are they feeling? What are their motivations? And: what are they doing right now, while this character is doing this?

Like Beck and Ohnn. From the very beginning, I knew I had to make sure that it was obvious Ohnn wasn't working alone. From there, I had to weave through the story and slowly build him up as someone who's working behind the scenes. Even from Ned's first POV, I made sure to mention that this person knows Tony and is tech savvy.

My biggest tip is to make sure you reread your work or at least skip through it, because sometimes you don't even know that you placed something there.

And sometimes, it's very purposeful. :)

I hope this helped! I really tried to keep it short but I am insane and the process is sooooo long. It sounds complicated but it really is simple when you're actually doing it I swear

[burst-of-iridescent]

You constantly portray Katara (in your posts and in your "dissertation") like some damsel in distress who is in a codependent relationship and does not defend her opinion in front of her partner, to the point that she allows him to mistreat her children. But the basis of her character is that she will never tolerate any shit from anyone. She always defends her opinion, and she does not oppose Aang precisely because their values are basically the same with Aang. You cannot agree with this, because then you would either have to admit that Aang is not the terrible person you paint him, or that Katara is not the perfect girl you want her to be. That is why you are forced to humiliate her and completely rewrite her character, just not to admit that she is in an equal relationship with Aang and their values coincide.

In addition, such a "katara" makes even less sense for zutara, because if her character has a tendency to codependence on her partner and a willingness to tolerate shit from him, then their relationship with Zuko would not be healthy, since Zuko is prone to self-pity, selfishness and outbursts of anger even after his redemption and he does not show even a tenth of the maturity that Aang has by the end of the show (and even if you do not agree with this, I hope you understand that if there is a tendency to codependent relationships in a person's character, then this tendency is realized in any relationship, regardless of the partner. And any such relationship will be unhealthy).

well i lost braincells reading this so i expect reparations for that, but i'm in a nice, salty mood today so... sure anon, i'll bite.

She always defends her opinion, and she does not oppose Aang precisely because their values are basically the same with Aang.

you must really dislike katara, because saying that the only reason she never challenged aang is because she never disagreed with him, rather than that her idealization of him blinded her to his flaws is... so much worse. are you telling me she thought it was right for him to recklessly burn her? or yell at her in the desert and abandon her to take care of sokka and toph alone? or kiss her without her consent? or give their airbending child preferential treatment over their other two children?

because katara doesn't hold aang to account for any of the things on that (non-exhaustive) list, and if your explanation for that is that she agreed with him, then we both know who here is really bastardizing katara's character.

do katara and aang share certain core values? sure. they're both kind, compassionate and hopeful people. but saying that katara's morals are "basically the same" as aang's is objectively untrue when they clash in both the southern raiders and sozin's comet over their personal moral codes on the sanctity of life and whether taking one can ever be justified.

neither of these conflicts are ever truly resolved, even by the end of the show. katara and aang never come to any sort of understanding or middle ground, or even raise the subject ever again, despite it being clear that they don't share the same perspective. katara even explicitly rejects aang's creed of blanket forgiveness by stating that she did not forgive yon rha and never will. i don't know about you, but that feels like a pretty major difference of opinion to me.

additionally, the fact that these are the only two times in the entire show that katara actually pushes back against aang's beliefs and decisions - and stands firm on it - proves my point, because she's only able to do so when she has absolutely no other choice. it's only the trauma of her mother's murder and the literal fate of the entire world that forces katara to challenge aang rather than excuse and coddle him. and that is unhealthy both for aang and katara, because an equal partner should be able to call you out on your flaws and mistakes without first having to be backed into a corner to do it.

That is why you are forced to humiliate her and completely rewrite her character, just not to admit that she is in an equal relationship with Aang and their values coincide.

i really adore this recent trend in atla fandom of insisting that it's zutara shippers who are responsible for adultifying katara or humiliating katara or any and all problems that exist within katara's narrative as if we personally wrote the show instead of just... pointing out what already exists in canon.

i'm not the one who robbed katara of all agency in her relationship, or refused to give her arc equal narrative space with aang's, or turned her into a subservient trophy wife with no legacy or voice. you can go take that up with the creators.

believe me anon, i wish i could manipulate canon for my nasty zutara agenda, but alas you can't have everything in life.

Zuko is prone to self-pity, selfishness and outbursts of anger even after his redemption and he does not show even a tenth of the maturity that Aang has by the end of the show

zuko didn't throw a hissy fit because the girl he liked didn't like him back, pressure her for an answer, force a kiss on her, or be preachy and judgemental towards her during one of the most difficult times of her life - but hey, whatever floats your boat.

(thank you for providing no evidence, by the way. saved me a ton of time reading more batshit insane misinterpretations of canon, or lies, or both.)

In addition, such a "katara" makes even less sense for zutara, because if her character has a tendency to codependence on her partner and a willingness to tolerate shit from him, then their relationship with Zuko would not be healthy I hope you understand that if there is a tendency to codependent relationships in a person's character, then this tendency is realized in any relationship, regardless of the partner.

i'm genuinely bamboozled as to why you seem to think that i called katara codependent, because i didn't. i don't think katara and aang are codependent, and i have never once said that. but i understand that sending anonymous, bad-faith arguments is a difficult, underappreciated job, so let's take the hypothetical and assume i did to help you out.

fictional characters are not real people, and so it is possible for them to have different dynamics with different characters. that's why i can ship taang or zutara or mailee but not kat.aang or mai.ko. because each of these relationships are written to fulfil different narrative purposes, the characters involved are not doomed to repeat the same patterns of behaviour in each relationship as real people might be - and the difference between the zutara and kat.aang interactions in canon proves it.

[openphrase123]

hey hi hi i've read everything of curtain call (except, obviously, what hasn't been posted yet) and i HAVE to ask you to share your lost country/skywatcher language thoughts so i can devour them immediately please.

hiiiiiiii so like 90% of the language worldbuilding i did for curtain call was like. very simple sentences and words since i didn't want to make an entire conlang for this fanfiction. what i have written in-fic would fall apart in two seconds if i tried to expand it to any of the lines outside of what i wrote. HOWEVER i have a lot of thoughts about how it WOULD work if it had the capacity to expand outward

putting under a readmore both for curtain call spoilers and because this is going to get long and insufferable for anyone except ME

also if you're not reading curtain call. this is still a fun little analysis about how siffrin's native language influences their behavior. you might have fun with it wheeeee just know that the actual language i'm talking about is not canon. i made it up.

disclaimer: i speak a couple of languages but my knowledge of languages is VERY limited to what i know. so you're going to see a lot of instances of me calling back to japanese or other english dialects. other languages exist and also have these features but i'm just not gonna say anything if i'm not sure of what i'm saying. if you are interested in these concepts in a more academic setting i am NOT the place to find that

second disclaimer: in curtain call, the name for qilaksut comes from greenlandic/kalaalisut which is an endangered indigenous language. this is an open invitation to go learn who, historically, lived in and supported the land you're living on. consider supporting them whatever way you can.

number ONE. dude is it that serious??

nah.

again, i built this for like ten sentences out of a 100k+ fic. so like. there's some inconsistencies, there's some weird stuff. and i know i could have just written all of the curtain call qilaksut in english but italicized, there would have been nothing wrong with that. but i did not because i thought it would be a good exercise in character exploration

because the language you speak has some measure of how you act and carry yourself in the world. (sorry elizabeth if you're reading this. i'm not going full noam chomsky i swear i don't believe in linguistic determinism i'm using this as a literary device) and since siffrin is the only speaker of the forgotten language we see (loop never engages with that in-game as much) and i was a little bit like. okay. why is he like that. how much of that is siffrin and how much of that is the home they don't know

in odile's friendquest she remarks that she only finds similarity in herself within vaugarde because vaugarde is so welcoming to travelers. however odile never went to vaugarde until she was an adult - siffrin presumably lived on the island until he was a teenager, and your personality is fairly Formed by then (at least enough for people to put iterations on it in adulthood) so as much as i could have gone the route of "siffrin it's okay that you don't see yourself in your past" i thought for the themes of this fic it made more sense to go "oh THAT'S why siffrin is Like That"

so as you're reading through this: yes i'm worldbuilding language. but MOSTLY as a siffrin character study. okay! okay.

number TWO. situational meanings.

so ✦‧₊ is "you" and ✧‧₊ is "me/i". but "hello" is ❇✧ which - hang on, isn't that the word for universe and me? no, actually, there's no pronoun suffix (‧₊ denotes when a person is being talked about) so in this context ✧ means "inside". which means ✦ means "outside" in some contexts.

(but harrie, why does "hello" mean "inside universe"?? well i imagine it's the difference between older medieval greetings and the modern "hi". languages morph and drift. this kind of just suggests that without me having to write an Entire Language Family Background. probably a shortening of some corny shit like "within the universe i find you" or whatever. semantic drift.)

and part of the reason i did that was for unicode constraints - there are only unicode characters that look like stars. but the other half is because in japanese and i THINK also in chinese each character has a few different meanings. take 本, in japanese. it has a lot of meanings on its own but let's look at it in situational context. 本棚 is bookshelf. 本物 means real. 本土 is mainland.

so in qilaksut i think these kinds of multi-use words are common. ERGO. why siffrin has trouble thinking of very situational words in vaugardian. if your native language is built up of tangential mnemonic connections, of course you're going to have trouble remembering the word kiln!!

number THREE. reduplication and repetition

take the phrase "✦‧₊ »»⟢" from ch10. in my head, » means "fast" and doubling it gives you "really fast". this happens in AAVE (e.g. "he's RICH rich") and japanese (there is an entire kanji expressly used as a repetition mark so that you don't have to draw complicated kanji twice, it's 々(noma) and as an example, person is 人 but people is 人々)

reduplication is slightly different from this but i think it shows up for words like »», where you're not literally saying the word twice but the vowels double themselves. kind of in a trilling way. i actually say this in inutile and not curtain call but i think the Siffrin Accent wavers a lot and feels like a twinkling star. because i think it's cute

alsooo repetition. wish craft. do u see the vision

number FOUR. pronouns and clusivity

i don't get into the he/she/they or any other third person pronouns in the fic because. well i think the lost country would go so hard on pronouns. there are child pronouns. adult pronouns. pronouns denoting somebody's job or status. hell loop is SO casual about offering to use the "royal we" i genuinely think pronoun usage in the lost country is more tied to interpersonal relationships than gender. but of course that plays a role too

because i think there's a huge amount of gender concoction you could brew in there. i think it would be really fun if siffrin uses he/they because in qilaksut siffrin is mainly referred to as the neutral pronoun mashed together with the masculine one. i think that would be fun.

and then for funsies. clusivity. i definitely think there is a difference between "we" (me+one other person, excluding you) and "we" (me+others+you) in qilaksut. would be fun if this is why siffrin automatically assumes they're getting excluded from things. "where is the vaugardian inclusive we and why has nobody said it to me???"

number FIVE. structure

i don't have a lot of Full Sentences in qilaksut in the fic but in general it follows the pattern place - > noun - > adjective - > verb. and you might be going "harrie, you weeb, that's japanese again" well. i didn't want it to be like french or english. and that's the one i know. so. shut up!!!!

"well why can't it be the same syntax as vaugardian then?" i'm glad you asked. i wanted it to feed again more into the idea that siffrin is more susceptible to getting "lost" in a conversation. hard to focus when your normal syntax anchors are not there!!

but at the same time. i write siffrin as a polyglot in curtain call. they're pretty equipped to learn and absorb new languages. once you learn a second language, in general, your third/fourth/fifth gets easier

number SIX. things i can't do in the fic except for once or twice because of unicode restrictions

well i could do it ONCE. with two sentences that are coming up in tomorrow's chapter: but i think in qilaksut writing, changing the rotation/orientation of the word also changes the meaning. slight spoilers for tomorrow's chapter but siffrin has two ways of saying "love you" for two different people - for odile, it's ❥✦‧₊ and for isabeau it's ❤✦‧₊

this isn't for any particular reason, i just think it's neat in the context of how i do names and titles for the rest of the fic. getting called different names based on your relationship to somebody, using altered terms of endearment for someone. two extra rotations of the heart could exist in theory so one of them is probably "loving your kid" and the other issss i dunno. maybe a closer platonic love nearer to a qpr or something. or what you use for your parents/guardians or your betters. i didn't think that far!!

also word opposites. ✷ doesn't have another version with just the lines, but that means "yes" and i think a hollowed out version of that would mean "no." obviously the ✦/✧ shift goes here too. and i think the inverse of ✪ (little) would mean big. but i couldn't find those in unicode so they do not exist in this fic oops

if you made it this far into the post. hi. thank you for reading :) that was probably a lot more than you were asking for. i won't apologize. anyway this post doesn't even TOUCH how i do name stuff in the fic but that also feeds into this. (and the name stuff was something i took out of an old dnd campaign anyway) (of which i have a DIFFERENT altered version for my original fiction but shhhh)

[my-rose-tinted-glasses]

We Are

A lot has been said about this show over the last 15 weeks. And despite what some people seem to think, most of it has been positive. I tend not to write much about shows in general, and stick to making pretty gifs of the shows I really like. The fact that I made exactly one set for the entire duration of this show should tell anyone who's reading that this will not be glowing review of the show. I'm not going to be mean, but if you loved the show and don't wanna do read someone with a different opinion, I beg you to stop reading. Also sorry if this is less than coherent but I'm tired so I won't be re-reading this a hundred times like I usually do before posting. Which also explains why I don't write a lot here.

We are - the story

One of the things that have been said about this show is that it lacks a plot. I would agree that the show as whole does not have single plot, but a series of plots. At it's most basic definition a plot is a series of events that shape a larger narrative. In the case of a linear plot there is a major plot line that follows the narrative from beginning to end with changes throughout. I'm not going to go into it, there are several ways this can be done depending on the type of narrative but most commonly it goes, beginning, rising, climax, falling, resolution. Now there's no such thing in this show as a whole. No single plot line. There is however several plots inside it, and these different plots do follow their own lines throughout the show. Every couple has its own plot line. And if we could only watch one couple at a time as if they had their own separate show, it would look just like any other bl, although it would certainly not be all that original. I think the friendships are what ultimately brings it all together but that by itself is not a central plot because it basically remains unchanged throughout. It's the anchor but it's not what moves the narrative forward.

We are - the ships

Once again, if you are a die hard fan of these ships do not read any more. Before I talk about them individually I just wanna say that @italianpersonwithashippersheart made an excellent point here about the fact that since we were familiar with most of the ships here, the show had an easier job in making us care for them. All the couples had their own storyline, with different stages of their development happening at the same time. And for the most part the show didn't have to spend a lot of time selling us on the relationships. It made use of a solid, reliable product that could be repackaged and resold. This is not necessarily a bad thing nor is it a new thing. It's thai bl.

Phum & Peem - The main couple. And in my opinion the least interesting one and the one most wasted here. Look, PondPhuwin are good together, this is their third show as a couple so they are a solid bet. So why not give them something with more depth? Why did I have to watch them exchange longing looks for the better part of this show? Don't get me wrong, they are great at it. Pond specially could teach a class on how to stare lovingly into Phuwin eyes. But lord was I tired of it. I mean, I'm sorry but I was fast forwarding through some of their scenes together because I've seen them all. I didn't count them but the amount of times they fell into each others arms must have been some sort of record. Sure, Phuwin is great at the facial expressions, Pond's hair ir gorgeous and he should be doing shampoo commercials, and yes, they can pull off the 'you're the only person in the universe in this moment and time loses all its meaning when I look into your eyes' thing. But enough is enough.

Q & Toey - It's fine. They're fine. They're actually much better than in My School President. Both of them I think improved a lot in their acting. But their story didn't do much for me. I enjoyed Q's change after they were boyfriends, I thought it was fun, but the drama before that, I thought, was so forced so I was not really all that invested. Also not a fan of the jealousy plan even if it did give us some entertaining moments with the friend group. I don't know, they just didn't click for me.

Tan & Fang - Is Tan one of the most adorable simps we've had in thai bl? YES. Did the boyfriend moments of this couple make me grin like an idiot 80% of the time? YES. Did I believe in the reciprocity of this relationship from the start? NO. Tan was the only reason that this relationship had me invested. His loud and unapologetic love for Fang filled the gaps in this particular love story. But the way it started made me have to work extra hard to believe the rest of it.

Chain & Pun - They were my favourites from the start. I waited 15 weeks for that kiss. Was it worth it? honestly, probably not. But at least they delivered in the end. That scene was everything I could've wanted from those two even if I wish it had happened sooner. The change in casting might've been the reason why it had to be this way so I'm not complain about that because ultimately I really enjoyed their story. Marc delivered as usual. Poon was so endearing to watch and his face is lovely. They remain my favourites and I wish I had a bit more time with them.

We Are - The friendships

This is what kept me going. When the episodes dragged and I found myself a bit bored, there was a big group moment and it brought me back to the show. When this show started, in my monthly breakdown I said I thought that @bengiyo comparing watching this show to watching the actors IG reels was a good way to describe the experience. But for me that wasn't always a bad thing. Just like with the couples, the fact that I knew these actors and they knew each other made me feel more connected to those ensemble moments. They felt very natural and grounded, and ultimately I could relate and be touched by them. I think that it's the show's biggest strength.

Well, this got longer than I expected and I never really know how to end these things so in conclusion. It was good fluff, with good friendship moments and solid acting from the couples. I will however forget most of it by this time next week, specially with the amount of ql's I'm watching at the moment.

If you've made it to the end, thanks for reading. 💜

[heavenlymorals]

How a Modern Perspective Skews Historical Characters: A Mini Rant on the Hatred of Female Characters in RDR2

This isn't that organized cuz it's more a rant than a retrospective but fuck it it's my blog, I do what I want-

There are so many people who have actual hatred, not criticisms, for Abigail, Molly, Grimshaw, Mary, and other female characters in the Red Dead universe.

And honestly? I find it very interesting. Sure, men will probably always find a reason to hate a female character, but what I find interesting is how many women also hate these wonderfully crafted characters.

It could be so many reasons as to why this may be the case but honestly? I think it's because people forget that they CANNOT analyze this game authentically through the modern lens of morals and behaviors. This game takes place in 1899 America. Let me say it again. This game takes place in 1899 America.

One more time, just for good measure- this game takes place in FUCKING 1899 America. Women had to be dependent on men because otherwise? They'll either be in poverty, exploited, killed, or all three. There was also the honor system. When had to be the moral high ground for their family so them messing up has consequences on their fathers, mothers, siblings, cousins, and anyone connected to their family name.

Abigail getting pissy at John for getting in trouble all the time? If course it'd feel annoying if you're looking at it through the modern perspective but when you don't, it's a woman telling her man to act like a man and be careful because if he doesn't, she and her son will be destitute and destroyed.

Mary not getting with Arthur but using him? What's the likely hood that the law would bother to help Mary when the two people she needs help with are her father and brother- two grown men who can make their own choices that she literally can do nothing about because as a woman, it wasn't her place to dictate what they do. Arthur was her only option. "Girl, what her family thinks doesn't matter, she still should've gotten with him" girl no, because it's much harder and difficult than that- it's like tearing away an entire identity that you depend on to fucking survive.

"but what about Sadie? She was also living during this time period and she isn't drowned by societal expectations-"

Seriously. Do some research, read a book, expand your knowledge of gender roles and what that entails for people because it explains so many things about these characters in such a human way. They aren't "bitches", they are women of their time and people have to understand that.

No. Sadie isn't a part of this discussion because though she is a fun character and an amazing character, she is a mishmash of historical women who did masculine things to survive at one point but then went back to traditional roles, even if they did occasionally go back to to those old activities for sport sometimes, like Anne Oakley or Calamity Jane. Sadie's entire character is basically "but what if they didn't and committed to the nontraditional lifestyle". There are many inconsistencies that Rockstar did regarding the time period that they established earlier to accommodate Sadie's character better. Sadie is a great character but she doesn't belong in this discussion.

Edit: Ok, since this was a rant, as mentioned previously, I was a bit too rushed with the Sadie aspect of this post and ignored some crucial details. I'm not gonna change the post besides just this though. @hillbillyhipster84 made some great points that Sadie was a reference to Appalachian women and real outlaw women who did run and were accomplices in men's crimes, that I was too ignorant to mention prior beforehand because I didn't do much research. I still don't believe that People should use Sadie to bash the other women though, because those women mentioned above were not the status quo and thus were more trivialized because of it.

So many cultures still operate like this too so if anything, you're just learning something new about another culture.

But I swear, anytime someone talks shit about these characters, y'all got me looking like this-

[jeonscatalyst]

https://www.tumblr.com/jeonscatalyst/763656696583290880/tkkers-never-listen-to-what-they-actually-say-if?source=share

I don't really check on any tags only because they make me want to counter attack their post because those posts would be full of lies and Projection and their takes really makes me frustrated with how they project so in order to not get mad at what they're saying i don't check up on any but since Tumblr wants to give me updates on what others are saying i got two post from tkkrs recommended and in one post it's the anons asking if jungkook really meant AYS trips were best of his life or if he was lying (didn't read what the blogger replied tho) and another one was the blogger (diff blogger) itself saying "what's big deal in staying at some place before going on trip" i mean yes it ain't a big deal even i didn't make any big deal out of it but it's the "staying at some place before going on trip" took me out because they said it like as if jikook were staying at some hotel that company booked or something and not exactly at jk's home itself that too after he came back from US. Mind you these were the same people who dragged jimin saying jimin doesn't even know jk's home because him and jk don't go to each other's home After that vhopekook live where vhope came over at jk's place after jk sent a message asking members to come over if anyone's free and vhope went there and later on left lol. No because I'm sure if tae said same thing they would be on cloud nine but since it's jikook it's either jimin is lying or it ain't a big deal and it's just "some place" and the audacity to say jimin don't know jk's home after jm posted jk's picture on his b'day in 2022 from jk's home where jm visited him with hobi lol.

lol anon

I’m sure I got sent some posts of some blogger swearing that Jk lied when he said AYS trips were his best trips ever but honestly anon, what did you expect tkkrs to say? That was a huge slap in the face to them after they spent a year singing about “private trips” only for Jk to go and say AYS trips were the best trips he ever had in his entire life. Mind you “entire life” which means including the “private trips” taekookers thought was the beginning and end of the universe so what else did you expect them to say? Their whole world blew up in their faces when Jk said that because imagine how painful it must have been for them hear that trips that were taken with Jimin the member who they claim he hates and cannot stand and which also happened to be “company content” were the most impactful for Jungkook? The heartbreak!!!

Jimin saying he spent the night at Jk’s before their Jeju trip shouldn’t really be a big deal because duhhh they are friends and have been band mates for over a decade but it was, especially to them and not in a good way (even though they’ll never admit it) because if you think about it, why would Jimin be with Jk, spending the night with him after a trip instead of Tae if taekook is real? Everyone knows that after trips, people just want to go back home to their lovers and not necessarily their friends but here we had Jungkook going back home, Jimin going over there, Jungkook cooking for him and them spending the night together with Tae nowhere in sight. Doesn’t really read as coupley for taekook now does it especially considering how much tkkrs had been loud about Tae (and Hobi) being with Jk at night before Jk had to leave for LA even though they know there is a huge difference now because we don’t know that Taekook have ever spent a night together before or after a trip like Jikook have. Tkkrs tend to downplay or invalidate anything that Jikook do which their ship doesn’t. They downplayed spending bdays and couple holidays together because their ship doesn’t, they downplayed spending nights and alone time together because their ship doesn’t, they downplayed sharing cars till their ship did it a few times, they downplayed matching clothes till they thought their ship did it and they are downplaying Jikook spending the night together before and after a trip even though that is something they thought their ship did and celebrated it like hell.

Accepting that the AYS trips were the best trips Jk ever had in his life like he said would mean that Jk preferred his company, time and activities on the trips with Jimin over those with Tae. It would mean that the “private” doesn’t hold as much weight and they desperately want it to hold and tkkrs can’t accept that because “privet” is all they have. They can’t accept that Jikook spending the night together before a trip means anything because deep down they know that if taekook was real like they want it to be, Jungkook would want to go home to Tae not Jimin especially since they claimed that Tae joined AYS to spend time with Jk since he was travelling so much (even though Tae was on his phone the entire time). So anon, they just cannot do or say anything else. Jimin spending the night with Jk before a trip doesn’t prove they are real but it kinda debunks taekook just like jikook spending bdays, couple holidays and other special days and times together debunks taekook because why would Jungkook want to do all those things and spend all those moments with anyone other than the person he is romantically involved with. Jikook spend bdays, couple holidays, nights, spend nights with each other after trips while taekook go to concerts, musicals, premieres and go on ski trips where Jk ends up being left behind alone because Tae wants to go back home with friends. Even if you didn’t know the first thing about relationships which one of these seem like things what a couple would actually do? See my point? They have no choice anon.

[xoluvx]

everyone here is acting like they’ve never seen a blurry thigh pic and they talk like children as well as you 😭 you don’t owe anyone anything but why not put your age if you’re not a child? i’m done with people acting like their age is something to be secretive about when they’re posting content like this like grow up! yall get so butt hurt over the truth like how am i not supposed to think you’re a child

it’s the fact that you sat down and wrote this entire thing for me to just tell you to fuck off 🤭 like what exactly do you want me to do with this information? “i don’t owe you anything” .. it really is that simple babe, but maybe i should use my big girl brain and give you a proper response since you’re so desperate for it.

why are we upset that i’m not sharing my age? as far as i know, the only way i could “prove” i’m an adult is by posting my ID. let’s be so fucking for real right now. if you were so concerned about me being a minor posting inappropriate things, you wouldn’t have come at me crazy. think about it.. why would you talk to a minor with that type of entitlement? let me reiterate.. nobody owes you anything. seems like you got “butt hurt” by my response and are spiraling. furthermore, i can pick out a handful of blogs - if not more - that do not disclose their age and are doing crazier shit than i am. but hey, did i mention this is my blog and i can do whatever i want? yeah. there’s that.

you say were scrolling through my page “wondering if my age was anywhere”.. that’s a very peculiar reason to scroll through someone’s blog, don't you think? are you sure you weren’t fangirling at first? i digress.

what exactly did i do “for a reason”? answer your ask with attitude? um yeah.. i absolutely did babe. i may be sweet, but i'm not a pushover and i will defend myself if i need to. come on, we gotta start using our brains!! it seems the only one “butt hurt” here is you. again, i’m so sorry that people seem to agree with me or at the very least, like me enough to engage with my content.

grateful for the scroll? baby, please don’t flatter yourself. i am grateful for my 6k followers though 😘

bonus: this is me actually being petty and going there.. *you’re probably not someone to talk about age and/or how someone speaks when you can’t tell the difference between ‘your’ and ‘you’re’. anyway ..

if you’re still not convinced, just keep reading love.

omg look a legal adult drinking and showing skin!!! blasphemy.

i’m not a child.. so yeah thanks for the (fake) concern. you may kindly fuck off now 💖

[multifandumbmeg]

Alright SCREW IT here's my Kiara defense post:

Is it annoying to watch get paired off with everyone in the main cast? Sure. Let me explain why that's not a character flaw or terrible, unplanned writing so yall can put some respect on her name.

1. They're ALL in love with her, and literally throwing themselves at her all the time. This is so important and well-documented that John B literally tells us IN HIS INTRODUCTION TO THE GROUP in episode one. It is literally so relevant to their entire group dynamic that he brings it up in the first episode summary of who they all are. Guys actually do this I have seen this happen. One of my high school best friends was constantly manic pixie dream girled (despite being profoundly depressed) and several entire friend groups of boys fell in love with her. She dated one guy, who was a piece of shit and dumped her saying it was because of his parents but told his friends it was because she had too much baggage. The fallout was so bad, one guy from one of the friend groups tattled to her and a different guy, who was best friends with the douche, literally got into a fight with him and THE DOUCHE HAD TO CHANGE FRIEND GROUPS BECAUSE HIS BOYS KICKED HIM OUT. I'm serious about these teenage boys all having the same taste and thinking it's a competition.

2. John B kissed HER. She immediately shut him down. Immediately. Everything before that can easily be explained as Kiara being concerned about him after losing his father. Teenage boys are dumb anyhow, but it's particularly easy to see why John B and JJ, who have both been routinely neglected and grew up without mothers (read, any positive female attention/influence) would interpret this as Kiara having feelings for them. They fall in love with anyone who sincerely gives them the time of day, basically. And that's a little too relatable moving on.

3. "Mixed signals" by kissing boys on the cheek. While I would not recommend this, I think there was a very clear pattern to her behavior and I have a theory I'm 99% sure is canon, based on copious textual evidence.

Kiara was in love with JJ all along. I'll come back to this. She only kissed the boys she friendzoned on the cheek. With John B, I genuinely think she never had any sort of romantic feelings for him and just saw him as a best bro. But she was worried about him, and maybe realized he listened to her more when she did it. Nonetheless, the minute he gets with Sarah it's almost like she feels relieved and never does anything remotely mixed signals to him again. Now Pope? That is a rich text. What the hell is going on with her and Pope?

4. When Pope first confesses, Kiara is once again caught off-guard. She once again rightfully turns him down IMMEDIATELY and gives extremely accurate and self-aware reasons. Her rejection of him is surprisingly mature, that the life he plans on and wants is ultimately and assuredly not compatible with what she wants for herself. So why did she kinda date him? Honestly, I think it was an attempt to move on from what she believed were doomed feelings for JJ. After all the things that happen in season 1, after Pope going off the deep end a little bit by smoking weed, getting drunk, and engaging in acts of violence, as well as ditching his scholarship interview, Kiara suddenly experiences a spark of attraction towards Pope.

Because he's acting like JJ. Reckless. Using substances to cope. Chaotic. Spontaneous. She knows these things are bad for Pope, and she's at times put off by how un-Pope-like they are as his friend, but she has a type. So following a moment of attraction and the sudden supposed loss of John B (and Sarah), she decides to give it a go. Maybe Pope's different after everything that happened. And he is, but not quite the way she was expecting. To link this back to the cheek-kissing thing, honestly, I think Kiara lowkey has the ick 😂. She consistently shoves any of the boys who try to touch her at all away except for JJ, the entire series mind you, except for these little cheek kisses like that's all she can manage to do. She kisses Pope like twice and ends up sleeping with him, at which point she realizes she just can't do it. She's not consistently attracted to her, and she can't get past her feelings for JJ, so she calls it off. Again, that's a fair healthy, and kind thing to do. When you realize it's not going to work, especially if you have feelings for someone else, it is distinctly NOT dragging people around to cut it off. If Kie has a real problem, honestly? I think it's that ultimately she wants a man she can fix. And Pope's fine. So that's him out.

My proof that the writers absolutely intended Kiara to have feelings for JJ from day one:

"Did you tell JJ?" specifically. Just JJ. She doesn't want HIM to think she's taken.

Shoving away John B and Pope every time they try to hug her or put an arm around her etc. Letting JJ hug her, take her hand, sling his arm around her etc. She also goes out of her way to touch him by taking his arm, holding him when he's crying, hugging him several times and then almost kissing him. So in a way, I'd very much like you to consider, Kiara was not in fact sending everyone mixed signals, her problem was that she was so consistent. Consistently attracted to and in love with someone she thought had no real interest in her. JJ flirts with her jokingly, and from episode 1 and the convo in the bell tower between John B and Sarah, we know that he's a horny little dude. And that's not surprising either, because people who've been abused tend to go one way or the other- either very physical touch-seeking in an attempt to balance about the bad, or very touch-avoidant. JJ is clearly, demonstably in column A. Not just with Kiara, but he also initiates hugs with John B and Pope, touches their faces, and even kisses Pope on the cheek once. He's clearly a very touchy person with everyone, so I can see how Kiara would be unsure about his feelings when he very much does not communicate his wants or needs with words.

Finally, the proof that Kiara had feelings for JJ, and that Jiara was the direction the show was headed, was in their conversation in thr storage container. When JJ tells her what he wants from life and plans to do with the money, it's a direct parallel to her initial reject of Pope. He wants to travel the world and be spontaneous and non-sedentary and have no use for money. Everything she said to Pope and is always trying to explain to her parents. That was 0% accidental, that was the writers making it clear: these two are a match, they're compatible on a much deeper level.

4. So if they always planned on JJ and Kiara, why didn't those two just get together to start? The answer, my friends, is jealousyy. This is a common tactic in writing to get a couple together: force the reluctant one to acknowledge their feelings by putting the other in a relationship with someone else. Im short: every moment between Kiara and John B or Pope was to show us JJ did not like that and therefore that his feelings for Kiara were serious, unlike how she interpreted them and him being a flirty himbo with other girls. It also helped Kiara realize she wasn't getting over him any time soon, and that she couldn't avoid her feelings either. So it forced them both to give up and acknowledge to themselves that they had feelings for the other.

5. "Teenage girls don't act like her" JOKES. This is the dumbest argument I've seen, I'm sorry. I'm happy you have met such well-adjusted teenage girls but buddy... I have known some teenage girls and people who used to identify as girls at that age who would make you roll over in your grave. Some people don't know what they want, some people desperately crave attention, some people just can't seem to avoid drama or make good choices and sometimes that's even a resulted of untreated disabilities or mental illness. Sometimes it's all of the above. My point is absolutely there are teenage girls who act like Kiara and faaar worse.

6. Lastly, why not John B or Pope? Why was Kiara totally valid for not liking them romantically? Well feelings are feelings so she's valid anyways but can we talk about them both touching her/making moves at inappropriate times without consent?? It's understandable she likes JJ and feels the safest around him when he's the only who doesn't act like he wants or expects anything from her. He never kisses her without consent, let alone while running from the cops randomly. He never tries to put his arm around her or make a move in the middle of them having an emotionally intimate conversation where she is clearly seeking emotional comfort. I'm not saying John B or Pope are bad people, but with Kiara both showed a lot of immaturity and failed to read the room numerous times. They acted whenever they personally felt attraction, regardless of where she was at at the time. There's such a thing as reading body signals, and the only times JJ comes close to making an actual move on Kiara is when she comes to him, gets close to his face and leans in. In the end, he only kisses her after she looks him dead in the eyes and tells him I LOVE YOU. That's on respect. Also, John B and Pope both get their shit together and learn this with their next girlfriends! So good on them!

But Kiara confessed to JJ at a random time too! I hear you shouting. NAY. Incorrect!! JJ is actively avoiding her and having a mature conversation about how they feel about each other, and also the fact that he stole from her family, and that is on HIM. That is a result of his issues and his fear and poor coping mechanisms. Kiara forced him to address it at an inopportune time because she already attempt to address it privately TWICE and he wouldn't let her. So all she did there was clear the air and make her own feelings known, which he needed to hear. That is the last conversation they have before he attempts to apologize and confess back. That is what convinces him that Kiara's feelings for him are both genuine and serious, and that no amount of pushing her away will succeed. She loves him unconditionally, which he did not know was possible until then.

So in short!! Kiara actually behaves like a real human being. She's not crazy, extremely selfish, nor an example of writers just testing out the waters and seeing what the fans want or who has the most chemistry. She is very consistent. The only thing I can really begrudge about her behavior towards her friends (her parents are a different story) is that she's insensitive to both John B and Pope after rejecting them, which I believe is because she doesn't realize they had actual feelings for her so much as thinking she's hot.

[vixstarria]

Kinktober Day 21 - Free Use

For every day of the month of October I will be posting a little snippet following prompts listed in this post. Most of these will not be full fics, but rather short snippets, set-ups, and, in a few cases, copied bits and pieces of fics I have already published. But, if there is a lot of interest and feedback on any of the snippets, they might just evolve into full fics, so keep that in mind.

Disclaimer / TW: Sex club shenanigans. And yes, yes, I know I'm late... It did take me a full 3 weeks to fall behind, at least.

The masquerade masks were, of course, completely inadequate for concealing anyone’s identity. However, they served a different purpose: acknowledging mask-clad acquaintances as such within the mansion, as well as mentioning their presence at the party outside the manor grounds was an unthinkable taboo, and would result in the irrevocable banishment of the offender and their immediate connections. Attendance at the events was a great privilege, one not to be squandered.

Astarion and Asmodea had been invited to the soiree by the owner of the establishment herself. They were encouraged to peruse and, if they so wished, partake, though the actual purpose of their visit was business, not pleasure: they were exploring the possibility of forging business ties between their cabaret theatre and the Scarlet Veil.

“Why this is even more strange than being on the paying end of a brothel,” Astarion murmured to Asmodea upon their emerging from the cloakroom.

"Are you sure you want to be here?" she frowned. "I'm happy to deal with the owner myself."

He waved a hand dismissively before responding.

“I will only ask two things of you: make no assumptions, and ask no questions you do not want to know the answers to.” Not waiting for her to respond, and likewise not giving her a chance to voice any more concerns, he sauntered towards a nearby room, sectioned off by a velvet drape.

"The Burrow," he read a plaque at the entrance. "Hmm, let me guess..."

Asmodea had no choice but to follow him as he disappeared behind the curtain.

Her eyes widened as she was immediately greeted by the sight of a splayed pair of legs protruding from a nearby wall at about hip height. The ankles were in restraints, bound to the wall. The rest of the body disappeared behind a window cut-out, concealed by strip curtains. The figure, or at least the visible part of it, wore absolutely nothing but a pair of torn silk stockings.

"...Ah," Asmodea blinked. "Gloryholes. ...Of a kind."

There was an entire row of these holes further along the wall, she now realised, most of them occupied by grunting, thrusting masked men, their trousers gathered unceremoniously at their ankles.

"Harengon holes, they're called," Astarion corrected. "Because harengons-"

"...live in burrows and fuck like rabbits, yes, I've gathered."

Despite herself, she glanced up at Astarion, and, perhaps reading the unasked question in her eyes, he elaborated further.

"If the manor events are run the way I think they are, the participants here are all thrill-seeking guests, not paid staff. Concealed attendants should be keeping an eye on things on both sides, in case anyone doesn't know how to behave."

They passed further along the wall, observing the activities around them. A halfling, scorning a nearby stepladder which must have been provided for those of their stature, simply stood with their face buried between the disembodied legs. A chorus of muffled moans and howls sounded from somewhere beyond the wall.

The scene appeared increasingly more comical the longer Asmodea observed it, and she bit her lip to hold back a titter.

"Shall we move on before we're kicked out..?" Astarion asked, seeing her reaction. "I don't believe this is intended as a comedy show."

They continued on to the next room.

My Kinktober masterlist and prompts post

[thebramblewood]

I was going to put this in a comment but I had MANY THOUGHTS so I thought I'd send an ask instead.

I'm in the process of reading through your pre-HZID Zhaoverse stuff and Helena's high school video project made me unexpectedly emotional. I love what you did with it and seeing it adds to the current stuff in the story for sure. It's such a great window into Helena's mind — and her heart, that really comes through here too.

It would be really interesting to see Helena pick up her photography hobby again. It can be difficult to do your hobby when you're in a bad place mentally, but maybe photography could her process her feelings and situation. Photography could also help her have a firmer, better understanding of her own identity. She's very much her own distinct person, unwilling to just go along with whatever Lilith or Caleb feels like doing, and taking part in a hobby she likes could help her affirm herself even more.

A potential difficultly (but also a good source of personal conflict) could be that in the Zhaoverse, at least with some types of cameras, vampires don't show up in pictures? Thus, Helena and the most important people in her life at this present moment (excluding Drusilla of course) don't show up in pictures. Maybe the type of camera the spellcasters were using when Caleb was hanging out with them involved mirrors, and this was why it didn't work.

I don't actually remember if it's been established if vampires show up in pictures taken on more recent cameras. There are all those pictures of the Vatores in your Wolfsbane Manor but they might be paintings, I don't know. It would be interesting whether vampires show up in photos or not! If they don't show up, Helena would have FEELINGS about that to deal with. If they do, she's still dealing with how she, her environment, and her life have changed.

Your early Helena posts also have me thinking about if we'll ever run into anyone from Helena's high school years! Helena evidently did not end up in life where she and her peers probably expected she would. I'm not asking if we'll run into any of those sims because I wouldn't like to cause you problems with spoilers or letting your storytelling process do it's thing, but it was sure something I was thinking about as I read through those old posts!

Thanks again for all the work you put into Helena Zhao is Dead.

You always have such good ideas! So much to address! First of all, don't forget we have already seen a few of Helena's high school friends in the story. Yuki went to Foxbury and encouraged Helena to get out of her comfort zone (I don't think she considered how far Helena would take that advice). Darling showed up briefly when the Copperdale Creep, I mean, Helena was in the midst of wreaking havoc on her hometown. And Ash and Molly were in the prologue!

The deeper we get into vampire angst territory, admittedly, it gets harder and harder to figure out where to fit the lighter or smaller moments in. I always found it tricky in the first place to portray Helena's photography hobby, but you're right that we haven't seen her with a camera in awhile - since her Oasis Springs trip with Ulrike, I think! It's definitely a hobby that, A., she hasn't had much time for or headspace to consider but also that, B., as you said, is a little bit complicated now by the vampire lore around cameras... which I've been somewhat skirting around because I'm unsure about it, honestly.

If I hadn't already made Caleb invisible in the photo with the spellcasters, I might have entirely done away with that piece of lore because it's more inconvenient than not, lol. But I think I can still get away with saying they were using a film camera rather than a digital camera because they're spellcasters who like being pretentious and fancy. So, theoretically, I guess that means Helena could take pictures of vampires, including herself! (Though the portraits in their house are meant to be paintings, so technically the only photos we've seen of the Vatores are from back when they were human.)

I like your point about Helena rediscovering her old hobbies as a way to stay in touch with herself and maintain her own personality. I'm currently trying to think of the best way to introduce a whole side of Forgotten Hollow we haven't seen yet, and I'm tossing around a couple different ideas in my head that haven't fully come together, but maybe photography could play into it in some way. Should Helena attempt to make a documentary of this strange little town no humans are supposed to know exists? I'm not sure how some of the inhabitants we're about to meet would feel about that! 😝

[felassan]

David Gaider on Twitter: "Going through my old DAI files and came across the original plan for a playable post-credits Epilogue... which, due to time constraints, eventually got down-scaled to the post-credits cutscene you saw on release. A lot of the meat here was, I believe, resurrected for Trespasser." [source] "At the time, I was pushing hard for an actual denouement - as opposed to always ending the story so abruptly after the climax. Considering how few players ever get that far, I suppose I can see the argument that it's not exactly a great place to focus resources. I did like where the cutscene ended up, mind you. A nice, Marvel-esque stinger that hinted at story to come. Took the sting out of having yet another story plan go awry... which is simply par for the course for game dev. Writing can always imagine more than we can produce. ;) And in case anyone wonders: no actual work was done on that playable section prior to the cut. You can imagine it being this fully-fleshed out, glorious thing, if you like... but it could just as easily have been half-baked and terrible. The team was fully stretched as it was." [source, two, three]

Some further info from follow-up tweets -

User: "It's a bummer, though I understand the logic. A proper end to cap off the experience can make or break your enjoyment of the full game though, imo" DG: "That was indeed my argument. There's a point where we have to draw the line and finish the story, however, and I'm afraid the original plan was... mmm a mite too big. This was far from the only cut."

User: "WAIT. Am I reading this right… Solas drains Flemeth and then COMMANDS the Well of Sorrows drinker to kill Flemeth?" DG: "I think it was Flemeth who commanded it. I'd have to look through the whole document. It's complicated. Part of why it was eventually cut, probably."

User: "Hold on. We were to kill Flemeth on Flemeth’s command to, possibly, prevent Solas from taking everything? Was passing whatever energy she did to the Eluvian her way of preparing for survival ?" DG: "I don't think it was going to be explained any more than it was in the cutscene you got, tbh."

User: "My WoS Lavellan is SCREAMING rn god please help her in the next game" DG: "Keep in mind that none of this *actually* happened. ;)"

User: "Interesting to see this was envisioned as having adversarial encounters between Solas & Flemeth with the well-drinker being ping-pawned between them. I noticed the Inquisitor lurking off-camera in that cutscene and wondered if they were originally meant to be part of it." DG: "Heh. I'm pretty sure the Inquisitor being placed there in the actual cutscene's level was because a player had to be present *somewhere*. Might be wrong, though." John Epler: "the way the cinematics worked, if you had them firing too far from the player character the engine would try to optimize and cutscenes would start jittering" DG: "Yeah, I thought it was something like that! Thanks, John."

User: "Does this have any link to the fact that there are dialogue audios of Morrigan reacting to solas “absorbing” Mythal in the game files?" DG: "Possibly? I finished writing the epilogue, so it's possible some of it got recorded prior to the cut."

User: "So Morrigan would've finally gotten to kill Flemeth herself, and nobody had to turn into a dragon this time? Also, this clears up what even happened to Flemeth at the end. She's definitely dead. Presumably, the spirit or essence of Mythal and possibly Urthemiel are inside Solas?" User 2: "does it? it can be theorized that flemeth commands the inquisitor/morrigan to kill her so solas wouldn't be able to take all her essence. regardless, in the ending we did get it's not entirely clear what happened. but i doubt she's truly gone. she cheated death before." DG: "And remember that what this stuff points at never actually happened. Whatever becomes of Flemeth in the future is up to the current writing team, and is based only on the cutscene you saw."

Summerfall Studios: "Our creative director davidgaider shares some insight into how Dragon Age: Inquisition's epilogue evolved over production" DG: "You want "evolved over production"? *cracks knuckles* Lemme tell you how we cut Corypheus attacking Skyhold. Now *that's* evolution."