#i'm not sure i like the way it ends but

[unsung-idiot]

don't show him modern technology; it won't end well

bonus under the cut:

[vaguely-concerned]

the strength it must have taken for illario to not immediately go full 'lmao since when have you even had a kiss hello lucanis' sibling violence mode during the café talk. inspirational. rook and lucanis really were doing all that right in front of his salad huh

[tenderjock]

I’m with you, my love The lights shining through on you Yes, I’m with you, my love It’s the morning and just we two

[divorcedfiddleford]

and you may say to yourself: "my god! what have i done?" and you may tell yourself: "this is not my beautiful wife!" and you may tell yourself: "this is not my beautiful house!" and you may ask yourself: "well, how did i get here?"

time isn't holding up, time isn't after us, time is a pony ride! (images described in alt text)

[xuxudio]

sometimes you gotta give the coolest most badass character you know a really silly trait

[sparta369]

I bought slay the princess but haven’t started it ‘cause it kinda intimidates me, can you convince me to play it?

Ok now I know you just asked me to convince you to play it but hear me out

Don't play it yet

There's a huge, Free Content expansion coming out on the 24th of this month, in just 8 days called The Pristine Cut, which is going to expand the game by about 35%. The Devs themselves have said to wait for the expansion release if you haven't played it already lol

That being said, I'd never pass up an opportunity to gush about one of my favorite games ever created

I realized far too late that I'd accidentally written far more than either of us probably wanted. So I'll try to sparknotes it, and leave the full thing below the cut.

The less you know going in, the better. However, it is still a horror game. You can find a list of content warnings here. It's just a list, so it doesn't really reveal very much.

A single playthrough lasts about 3-4 hours on average, though I can guarantee you'll want to do more than one. The game is positively dense with choices. It's impossible to see everything in one playthrough, and one would be hard-pressed to have the exact same playthrough twice.

Words cannot really capture how much I love this game. It's story masterfully crafted with a vast ocean of choices for the player to make, all of which make a true and profound impact on the narrative. If you enjoyed Disco Elysium or The Stanley Parable, You'll like Slay the Princess. The game was lovingly hand-drawn, pencil on paper, and the music was beautifully composed. The voice acting, featuring the talents of Nichole Goodnight and Jonathan Sims, are also, in my opinion, phenomenal.

I truly cannot express the emotional impact this game has left me with. It's a game I'll carry with me for the rest of my life.

Whether you intend to stop here or read on, I'll leave you with this one screenshot. It's only text, and it's literally the second thing you see upon booting up the game, so don't worry about spoilers lmao

"Whatever horrors you may find in these dark spaces, have heart and see them through."

"There are no premature endings. There are no wrong decisions."

"There are only fresh perspectives and new beginnings."

"This is a love story."

Oh boy you clicked the "keep reading" button :o) I wrote this over the course of most of my day today before I realized exactly how long it was. Besides a small change to the end, I'm going to leave most of it un-touched, just for the sake of preserving whatever the hell was going on in my head at the time :o)

Slay the Princess is one of those games where, the less you know going in, the better, So I'll do my best to convince you without revealing anything.

Still, though, It is a horror game. If you would like to look through it just in case, you can find a list of content warnings on their website here. It gives a list of many things you may encounter, but there is a 0% chance that you will encounter all, or likely even half, of the things described in there. In addition, they present these things in a way that reveals as little as possible. Still, I would personally recommend against reading through them, but there's no shame or judgement if you go dig through it. You know yourself better than anybody, if you think ya need it that's fine.

There's also some flickering image effects & a parallax effect that has caused motion sickness for some players, but both of these can be disabled in the settings.

With all that out of the way...

Words truly cannot explain how much I love this game.

It is an absolute masterwork of interactive narrative storytelling. No other game I've played or heard of in my life gives as much weight to every single choice you make, every little thing you do. There are so many choices and possibilities, and not once does the game ever make you feel like you've chosen "wrong." It's impossible to see everything in one playthrough, and you would be hard-pressed to get the exact same playthrough twice. Quite literally, every time I've watched somebody else play the game, they happened upon something I'd never seen before, despite me having 100% of the achievements.

One playthrough usually takes around 3-4 hours, but you will almost certainly want to do more than one.

There are also a number of places where you can safely and logically pause and come back later, should you need to.

The narrative itself is expertly woven. The storytelling is phenomenal, interweaving paralyzing fear with heart-aching beauty, while also carrying a healthy amount of comedy at carefully chosen places. The themes carry through beautifully. I've cried actual tears on more than one occasion, and it's not easy to get that out of me. Slay The Princess is a story that will be a part of my heart for as long as I live.

If you've played and enjoyed Disco Elysium, you'll enjoy Slay The Princess.

If you've played and enjoyed The Stanley parable, you'll enjoy Slay The Princess.

I know that I often struggle with games that require a lot of reading, and that includes a lot of visual novel type games.

Thankfully, the game is, for the most part, fully voice-acted :) The very few bits that aren't voiced are that way for narrative reasons hee hoo

The voice acting itself is, in my opinion, phenomenal. Both actors put their heart and souls into their roles, and their care shows in their performances. The Princess is voiced by Nichole Goodnight & the Narrator is voiced by Jonathan Sims (Who you may recognize from The Magnus Archives, if you were ever into that).

The art of the game is beautiful. It is all lovingly hand-drawn, pencil on paper. Thousands of images, and even a few animations, all coming together to form a wonderfully unique visual style that lends itself well to the game itself.

The soundtrack of this game, composed by Brandon Boone & with vocal performances by Amelia Jones, is absolutely breathtaking. It does a phenomenal job setting and supporting the tone of the game, whether it be tension, fear, hope, joy, or anything between and beyond. I can't put it's beauty into words.

Brandon Boone actually just recently won the "Game Music Award" at the World Soundtrack Awards for his work on Slay The Princess, and I deeply believe that it was 100% deserved.

This is... probably far more than you ever asked for. But I mean it when I say that Slay the Princess is one of my favorite games of all time. I mean it when I say that Slay The Princess is a story that will be a part of my heart for as long as I live. I'll take any opportunity to make more people play it, in hopes that it might impact them even a fraction as much as it has impacted me. I've bought a total of 11 copies of this game (1 for myself, 9 which were distributed to friends, and one that's coming with the Collector's Edition)

As my final word, I'll once again remind you:

"Whatever horrors you may find in these dark spaces, have heart and see them through."

"There are no premature endings. There are no wrong decisions."

"There are only fresh perspectives and new beginnings."

"This is a love story."

[revvethasmythh]

On the topic of FCG potentially being reincarnated--it makes sense as an option the party might organically consider attempting, but, as we saw with Laudna's death (and even Percy's way back when), input from the player is a really operative aspect of whether a character will be resurrected. Marisha clearly did not want to let Laudna go, so they pursued a long road to bring her back. Alternatively, Taliesin was totally willing to let Percy go if he thought the ritual offerings wouldn't be enough (shoutout to Vex's nat 20 persuasion check for this one).

And Sam? Well, Sam, as a player, loves to fail. Because failing is interesting, usually far more interesting than succeeding. We're talking about a guy who openly derides luck points and fervently refused to use the halfling luck feature except in the ONE instance where succeeding the roll would have had a worse outcome than failing. Regardless of how I or anyone else feels about losing FCG and/or wanting them back, Sam does not strike me as the kind of player who would want to bring FCG back after going out like this, available reincarnation or not. I would both suspect and anticipate that this will be FCG's final showing, just based on what I know of Sam as a player

[mikakuna]

are we ready to face the truth that is bruce did not love jason as much as jason loved bruce?

[nnjthndr]

Joels kind of like a shonen mc in wild life especially the finale, where once he declares you part of his "family" you can't hurt him. Not that you can't try to, everybody except gem and grian tried to kill him many many times, it's just when they do they can barely graze him, hell half the time he's not even aware that they're trying to kill him and even when he is he just shrugs it off (there is something deeply wrong with him)

[vaguely-concerned]

having seen at least the rough outlines of all the romances now I have to say that I think emmrich's is probably objectively the best in terms of coherence and completeness of story arc (with the understanding that ultimately the 'best' romance is whichever one makes YOUR heart sing anyway so objectivity is a silly thing to claim that way, it just felt like it's the arc with the most well-paced focused content and the least dangling threads)... but lucanis' is my favourite haha. just. the whole kneeling before your beloved full of reverence but without any of the distance that usually implies??? his complete undramatic certainty and calm in every scene with rook after this, having spent the whole game caught between fear and longing???? mr. lives in a pantry but it says nothing about my psyche don't worry about it it's purely for tactical reasons that I keep myself contained in a small dark room not entirely unlike a cell, love among the parsnips -- finally coming to rook in their room and it's so comfortable and comforting???? after all the times rook supports and comforts him through the game he's finally able to return the same to them when they need it while being so calm and steady and it's so fucking sweet and feels so effortless and with no price attached?????? he basically assigns himself the role of your bodyguard and he WILL stab a god over it??????????????? the turn to protector (which was in his heart all along longing to get out and find a place) of it all????? he sounds like he's found himself unexpectedly stumbling into such a soul-lightening state of revelatory existential relief, full on 'you only have to let the soft animal of your body love what it loves' mary oliver style, and he goes and he shares that with rook and protectively envelops them in it when they're hurting??????????????????????????? hello for the maker's sake hello can anyone hear me?????

[cake-emu]

Coronation Street | Carla Connor

Carla Connor: consistently gobby

Bonus:

[galaxy-fleur]

Replaying RE4R, and I am once again thinking of how Leon just straight up murders a guy the moment he attacks. Like yeah, sure, he lunged at him with a weapon, there is a bloody badge of an officer, things are sketchy to say the least, but still. It all happens so fast, I doubt he actually had the time to fully put two and two together quite yet.

And you can't tell me that Leon, a trained agent, just overestimated the power of his kick on accident. That ↓

Was a pretty much deliberate kick. What's interesting is that in the OG RE4, he at least tells the ganado to freeze a good couple of times (or maybe once, I don't remember the specifics, but my point still stands) before actually proceeding to harm him. Remake Leon, meanwhile... just breaks his neck without a second thought.

And his reaction right after makes it... pretty obvious, honestly.

There is no strong reaction there to offing an old man in his home. Now, granted, he hears a scream right after, so it's not like he has much time to stand and ponder over what happened! But the only thing he says right after is: 'This is not good.' And, yeah, true, but we do know Leon is capable of expressing some level of distress over something he finds disturbing, and he proceeds to do that literally a few minutes later once you start exploring the village. So really, it's an interesting scene and a very intriguing way of introducing this hardened version of Leon we'll be playing as.

I wouldn't be thinking about this as much if not for the circumstances surrounding it. Not like Leon is aware that this man is infected with anything. Up until the moment he gets back up, he could be just some disturbed, paranoid old man or something. And he did just walk into someone's house. He's an intruder here, really. But the moment danger presents itself, he eliminates the threat without a second thought.

I think it speaks volumes of the past 6 years that passed for him, and how they shaped him. We don't know much of Leon's job: what it entails exactly, what kind of work he does on the daily, how the entire structure operates. And before the events of RE4, it's not like he was a well-known agent, if I remember correctly. It's his successful rescue of Ashley that got him high in the ranks. His status as a Racoon City survivor didn't do that. Throughout RE4R, we see him regain his humanity through the connections with other characters, going from the cold, robotic way he caries himself at the start of the game, to the determined, emotionally-invested man we later see carrying Ashley to Luis' laboratory.

It's very neat to think about! And while we all love Leon for his kind heart and his drive to save innocent lives, he is more than capable of violence, and that's an aspect of him I wish was talked about more. That neck break was definitely not the first one for him, just saying.

[starlight-eclipsed]

The only lights besides the eerie glow of malice are the dizzying dance of poe lanterns floating through the halls. Dark will never admit the how those little spots of brightness comfort and calm him, even though he does not need light to see.

Howdy, folks. I'm sleepy and can't think of anything funny to say, so I'm just gonna cut to the chase: Go read A Dark Among the Lights by @luckylectio on AO3.

[nadiajustbe]

I think the most beautiful thing about writing of Howl and Sophie's pair is that they are written as people before being written as a pair. Let me explain this very quick.

The thing about book Sophie and Howl is that they are not really fully fitting into any "classic" romantic trope. They are not exactly enemies to lovers, as their angry chats are definitely cannot be considered a life or death battle, they are not rivals to lovers because the only aspect of rivalry between them is the cleaningness of Howl's room. They are not friends to lovers, as their relationship just doesn't fit into "friendship" structure at the very start, nor they are roomates (yes, they live in the same house but that's not the core aspect of their relationships). Of course, you can go on and fit the name of the trope you found specifically for them, but that's the thing.

They simply cannot be processed through a pairings lenses only, in order to understand how they act in relationship you need to analyse them separately, as a characters first of all. Cause that's what the book itself does!

Sure, it doesn't have a whole lot of romance instead, but it gives us time to learn and observe the life of incredibly written, alive characters, understand them as personalities first of all, while slowly immersing the dynamic between two characters (in this case, Howl and Sophie) into work. They are written as personalities, both being fully separated and interviewing, changing eachother's point of view.

It's difficult to find a trope for them. They're are not a trope. They are Howl and Sophie, and that's probably the only way their dynamic can be properly described. Just as real people, they are not really fitting into the boxes of linial character progression, but go way deeper into being complex, filled with little differences and moments only people with their personality can have in romantic (or any different) kind of interaction. They're imperfect, and silly, and multidimensional and the reader knows them well enough to imagine them interacting way beyond of what the book says to them.

They are being people before being a ship, a pair of a trope — and that's why they work so perfectly charming in the end.

Howl and Sophie are unique in being themselves.

[iliothermia]

Anons are off because I'm done with people lying in my inbox, insulting me, and just piling on. I am one person who is trying to deal with hatred from multiple sides but those sending these messages see themselves as just one person throwing in their opinion because you can't see the other 15 messages I get insulting me for the same thing. I feel like I've been clear about my stance and why I function how I do in my small space online. If you find issue with how I function then please just unfollow me and leave me alone. I'll be offline for a while but I appreciate everyone who's sent me caring messages and things to consider a lot. I'm genuinely disappointed though, that this all comes from me saying I love my Jewish community and I hope they're doing okay- My first message directed at supporting other Jews I've made, after months of reaffirming my care for Palestine. Stay safe yall.

[lunarharp]

more phoenix wright situations