#i'm not sure WHAT this is guys

[legobiwan]

For a writing prompt: maybe something with Luigi and polterpup? Or just Luigi and ghosts in general. The fact that ghosts are Real and Present in that world has always been super fascinating and a little upsetting to me haha. Could be as light or as angsty as you wish I just think Luigi being terrified of ghosts and having to (or in polterpup’s case, choosing to) be around them constantly is a fun concept to toy around with.

Apologies this took so long, anon. I vastly underestimated the demands of my travel schedule over the past few weeks. Oof. But now we're back!

Minor TWs in this one for general talk of death, existentialism, and broad references to both animal and child death (nothing graphic, nothing extreme, no on-screen death).

~~~~~~~~~~~

Of Ghosts and the Afterlife (Luigi’s Mansion 1)

Luigi didn’t like to think about death.

Not that there was much he could do about it. Death was as inevitable as a subway car with broken air conditioning on a hundred-degree day.

There was no such thing as the afterlife, Luigi having long ago abandoned the faith his brother and what remained of their family clung to, a practice more cultural than spiritual, steeped in the mores and traditions of a country and people he shared little in common with beyond his last name and an untamable mane of wavy, thick brown hair. 

For Luigi, death was death - game over, end of the line, see you never. A philosophical problem he didn’t enjoy contemplating, but one he could easily shove into a forgotten closet of his subconscious, the more pressing concerns of his daily life taking up his mental energies, banal things like scraping up enough plumbing jobs to pay the rent, dealing with corroded spark plugs in the repair van, and being forced make a meal of the questionable meatball subs from the corner bodega.

Death was death. Religion was religion. And ghosts were…a fairytale, a folklore conjured to rationalize away the heavy weight of existential dread. That, or something used as a cudgel, to keep people on the side of moral righteousness, lest they be doomed to walk the earth for all eternity in the shadows of existence.

Ghosts were a thought experiment. A fun diversion in a cramped Bensonhurst studio, the heating bill long unpaid, he and his brother buried under a set of fraying blankets, their father’s hefty industrial flashlight in hand, competing to see who could scare the other the most as the D Train rattled its metal bones past their window at two in the morning.

Mario was good at stories. (Mario was good at everything). And it wasn’t that Luigi was afraid of the spirits his brother would describe in gruesome detail, the way they’d seep through cracks and keyholes, wrapping their grey, misty arms around skinny, lost children who kept too many secrets. No. He couldn’t be afraid because ghosts weren’t real.

Not until he had been unceremoniously dumped into the Mushroom Kingdom, that was. 

He could deal with the existence of Boos. Well, that wasn’t entirely true, but he could at least assign them a category outside the paranormal. Boos were just another strange species, a bunch of floating marshmallows that looked like ghosts and acted like ghosts, but in no way were actual ghosts. Boos were something real, something alive, but beyond Earth’s limited taxonomies, just like everything else in this impossible world of talking mushrooms and tyrant turtles and evil wizards and booted dinosaurs and a million-and-one things that could leap out with fangs or fire or spikes and kill you at any moment - 

Death, he had once nervously told his brother over a campfire on the outskirts of Toad Town, felt like it had become a way of life. 

The letter had arrived on a crisp autumn morning, the early sunlight peeking through the gaps of Luigi’s drawn curtains. He remembered thinking it was a clean kind of light, unsullied by the drudgery of heavy coats and thick scarves, of greying slush and oily puddles pooling in the gutter, cigarette butts bobbing up and down like the stained buoys off Brighton Beach. Life had been, if not normal (he didn’t think he’d ever consider his existence in the Mushroom Kingdom normal), at least less chaotic than usual. There had been no invasions, no kidnappings, no pleas from neighboring kingdoms for help. For the first time in a long time, his daily routine was…pedestrian. A little boring, even. It was a nice change of pace.

He should have known better. Did know better. 

No one gave away mansions.

Yeah, and I’m sure they also have a bridge in Brooklyn they’d like to sell me he had muttered, crumpling up the notice, tossing it into a dented, mushroom-shaped garbage pail without another look as he groped for a gurgling coffee pot.

Three days later, a short, wiry old man was thrusting a souped-up vacuum into his hands, blathering all kinds of nonsensical instructions about ectoplasm and strobe lights and hearts and all that Luigi could think through the high-pitched static descending on onto his brain is that my brother is in danger and holy shit this entire mansion is filled with actual, real ghosts.

There was no time to wrap his head around the metaphysics of it all, the very real danger of being killed by an entire army of irate specters overriding any considerations as to the how or why of the entire situation. Ghosts apparently existed, not only as Boos, but as colorful, globulous forms, as cantankerous old knitting women, as mechanical, murderous toy soldiers, and worst of all, as small children and even screaming babies, the terrible implications of which rattled around Luigi’s already frenzied consciousness as he sucked the heart from a wailing infant, in all likelihood murdering it a second time. (A hazy memory had surfaced, a small, doll-like figure laid on a cheap, linoleum kitchen table, legs unstable as a small cadre of extended relatives wept and laid kisses on the child’s forehead. Forty and eight hour, their great-grandmother had commanded in broken English. To be sure the true dead. Spirito.)

It had been less than twenty-four hours, he reminded himself. Mario wasn’t dead. Or undead. Or whatever. Not according to tradition, and certainly not according to Luigi’s empirical observations (which seemed to be holding less and less weight as the paranormal evening drew on). No, he had seen his brother through the marble fangs of the dragon’s head. He was in the painting, banging for his life against an invisible prison of oils and canvas, his mouth open in a silent scream.

A victim of magic, but not a ghost.

Not if Luigi had anything to say about it.

He ran. Up broken, splintering sets of stairs; down dimly-lit corridors with threadbare rugging; through trap doors and flocks of toothy, golden bats, vacuum hose at the ready, sucking away at anything even resembling a ghost (how many curtains, how many dresses and bedsheets had he whisked into shreds all because of the ripple of a breeze or a trick of the light?)

He fought his way through chamber after chamber, slurping phantasms from earthly existence, unwilling to consider just what he’s damning his enemies to, if he’s killing them again, if they can feel pain or remorse, if this whole situation is maybe a figment of his imagination and in reality he’s back in Brooklyn, or worse, committed to a padded cell in Bellevue, colorful apparitions dancing on blank, white walls, the evidence of a broken mind. 

He found his brother’s portrait hung in a baroque, gilded antechamber, the room something as alien as the specters he had been fighting, his grimy boots sinking into blood-red, lush carpeting as gems and pearls and other precious-looking stones twinkled in the light of a silver candelabra. 

The keeper of Mario’s canvas prison turned to greet him, a gargantuan Boo with a jeweled crown named “King Boo” - an uninspired moniker if there ever was one - who pontificated at length, swearing vengeance on both Mario and Luigi, demanding reparations in blood and soul for crimes Luigi couldn’t even begin to understand, no less remember. 

Did I kill him? Luigi had panicked, rooted to the spot, Poltergust in hand as the Boo continued his long-winded diatribe. Is that why he’s a ghost? Did Mario do something? Luigi tried not to think too hard about the ethical dilemmas of their adventures, of their roles as protectors of the Mushroom Kingdom. Sure, people got hurt, that was the nature of the beast, but…

It didn’t matter, not when King Boo conjured a several-story tall likeness of Bowser, whisking Luigi through a portal to the stark rooftop of the dilapidated mansion to engage in a twisted game of cat-and-mouse (ghost-and-plumber), the giant Koopa puppet doing its best to stomp Luigi into a fiery, broken heap of ashes.

He escaped with his life. That, and the promise of retribution from beyond the grave, King Boo spitting all forms of vile epithets and visions of eternal pain as Luigi sucked the last of his bulbous form into the squealing, smoking Poltergust. 

When Mario was spat from E. Gadd’s printing machine, tumbling across the floor in a confused pile of limbs - his brother, real, corporal and definitely not dead - Luigi didn’t know whether to laugh or cry. 

He never wanted to see - never wanted to think about another ghost again in his life.

Of Dogs (Luigi’s Mansion 2)

He supposed it made sense. In a way.

After all, if there were Boos, if there were ghost adults and ghost children and ghost babies - there were bound to be ghost dogs. Maybe ghost cats, as well. Hell, maybe an entire ghost civilization living (dying?) in tandem with his own flesh-and-blood world. 

He hated the idea. It trampled on every tenet of thermodynamics he had carved into his brain at the age of ten, made a mockery of the physics and chemistry and engineering that had carried him through adolescence and into adult life.

The Mushroom Kingdom - that was something he had at least managed to rationalize, had begun to construct a loose schematic for, notebooks upon notebooks filled with messy diagrams and rambling equations, an inadequate translation to his Earth-bound science, but one that allowed him to find some kind of solid footing in this incomprehensible new dimension.

Ghosts did not fit into his neatly constructed template. 

Least of all, ghost dogs.

Of course, the dog had to eat the key and run away, leading Luigi on a wild goose chase (he dearly hoped there was no such thing as ghost geese). He ran pellmell through gardens, through labs, through a series of mansions and other haun - 

Other decidedly creepy spots in the Evershade Valley. Places where he was left to battle groups of angry, globulous…shadows. Specters. Phantoms. Spirits. Poltergeists.

Ghosts. 

Again. 

He would have been angry if he weren’t so terrified. 

The dog, as much trouble as he was (He? She? Did it matter?) had at least not fallen under the spell of the Dark Moon, making him the Least Frightening Ghost of this particular run-in with the ethereal undead and King Boo.

And Luigi could almost get himself to…well…maybe not like him, but tolerate him. Even though the dog ate his keys, left messy trails of crumbs and soggy, half-eaten baguettes, slobbered all over Luigi’s pants, and managed at least once to urinate in a public fountain, a phenomenon Luigi would be puzzling over for months after the fact.

Best of all, the dog, unlike almost everyone else here, wasn’t bent on killing him. 

He was just a normal dog.

Who happened to be a ghost. 

Luigi wondered if he had had a family in life. Children to grow up with. A big house with a yard. He acted more like a puppy than an adult dog, his exuberant chaos reminiscent of the little Golden Retriever pup his second cousins had gotten when their family moved out to the Island. Oyster Bay, he remembers, real fancy stuff. Sal and Tony’s house had had trees. A garage. Separate bedrooms. He and Mario had begged for a dog for weeks after visiting, shuffling furniture around their tiny-windowed room, marking out places in purple chalk for the dog’s water bowl, his kibble, his toys.

Their father had grunted at the proposal, noting the two brothers would have to sleep in the same bed to make the space for their imaginary new pet. This ain’t no place for a dog, you two. You want animals, get a job with the pound. What, you’re still going to beg? Santa Maria. You two share that bed for a week without beating each other up and then come back to me. But I don’t like the odds. You boys haven’t shared a bed since you were seven. Five’ll get you ten you last forty-eight hours before someone’s fist is in the other one's face. 

They lasted three whole days before Luigi had planted his foot in Mario’s kidneys at two in the morning.

They never saw the dog in Oyster Bay again.

A car accident, real unfortunate stuff, Aunt Maria had told them later.

The memory haunted Luigi as he unholstered the Poltergust, forcing his fingers to twist dials and push at levers. He needed that key. It wasn’t just his life on the line if he failed. 

He squeezed his eyes shut as he sucked the ghost dog into the machine, trying his absolute best to ignore the little whines and terrified yips of the struggling not-animal. After what felt like an eternity, he heard the tell-tale “pop” of the Poltergust, signaling his success in capturing yet another ghost, the silver key clanging to the cobble-stoned ground.

Luigi had never felt less heroic in his life.

I just think he wanted someone to play with, E. Gadd had commented offhandedly later, emptying the Poltergust's canister into the gigantic silver ghost vault with his usual detached efficiency, oblivious to the way Luigi's features had paled at the comment.

When he got word of the dog’s escape a few hours later, Luigi didn’t even try to deny his relief.

Of Half-Lives and Vengeance (Luigi’s Mansion 3)

Fatigue. Carelessness. Hubris. Naivete. 

Or maybe it had just been sheer stupidity.

An invitation to vacation at an exclusive, luxury hotel, addressed to him. 

Nice things never happened to Luigi. Or if they did, he could hardly enjoy them, waiting on tenterhooks for the other boot to fall.

The boot fell that evening. It was ghosts. Of course, it was. Nearly twenty floors of ghosts. At this point, he could say he was almost used to it, the creeping shiver up his spine, the gluey residue of ectoplasm which would leave him tattooed with ugly, mottled rashes for weeks on end.

Once again, he had to act as a one-man army against the mass of spectral, malevolent will. Once again, his brother had been trapped in a painting.

There were differences, of course. Polterpup was by his side, the ethereal puppy proving more loyal to Luigi than his fellow spirits. (Luigi could never say Polterpup was "his" in the way most pet owners would lay claim to a regular cat or dog. The ghost puppy had a disturbing tendency to disappear for weeks, sometimes months on end, only to make his return in the most startling manner possible, more than once sending Luigi screaming, flailing off his bed at some weird, inconvenient hour of the night. But for as much as Polterpup could have a "home" - Luigi's house was it).

Luigi also had the help of his pseudo-clone, Gooigi, a horrifying creation of E. Gadd's, an unholy combination of ghostly discharge (the nature of which Luigi did not want to know), coffee, and, Luigi's own biological samples. An impossible being with whom he shared an inexplicable telepathic connection, and if Luigi had had any semblance of a minute to consider what that all meant (was he part ghost now? Could Gooigi outlive him? Would he maintain that consciousness after death?) he would have likely run screeching into the night.

(The fact Gooigi had proven essential to his continued existence did not distract from the wildly dubious ethics behind Gooigi's creation, an issue Luigi was definitely going to have a long talk with E. Gadd about at some point. If he could manage to broach the topic without falling into a breathless panic).

But the most striking aspect of his third encounter with King Boo and his minions, something that wriggled at the base of Luigi's cerebellum as he fought floor upon gimmicky floor the largest array of ghouls he encountered yet, was the element of premeditation.

King Boo had easily disposed of Mario, the Princess, and the Toads during their first midnight encounter. Sure, Luigi had escaped down a laundry chute, chest heaving as he toppled onto a pile of dirty towels. But that shouldn't have posed an issue for this crazed version of King Boo, a being who could literally phase through walls.

Luigi should have been dead, or worse than dead, ten times over.

No, King Boo had decided to wait. To draw out the deep, sustained hum of terror far beyond its final breath.

Security cameras were posted everywhere in the hotel. Luigi had no doubt the ghostly tyrant was following his every move, watching, salivating as he fought and struggled against Egyptian gods and malevolent Mozarts, and bearded, Bayou beasts. (Were these the literal souls of the departed? Was Mozart truly in these walls? Or was this like a ghost Halloween, a once-in-a-deathtime opportunity to fulfill that longing urge to finally be someone who you will never be?)

(He remembers being six years old. Remembers dressing as his brother for Halloween, Luigi stealing Mario's iconic red t-shirt, his parents pleading with him to go as anything else - a spider, a rat, a baseball player - Luigi refusing each entreaty. The other boys aren't going to like it, Luigi, his mother had said, consonants slurring. You're going to get the snot pounded out of you, Dad had added a beat later).

(In the end, he had thrown an old floral bedsheet over his head, not even bothering to cut out eyeholes. I'm a ghost! Luigi had boasted. You're a loser, Vinny Malanga had laughed).

And worst part of it was, Luigi knew it. Knew he could turn any corner, go down any dark hallway and be met with that signature violet gemstone, that bladed, fanged smile ready to slam an empty frame down on his head and trap him for all eternity in oil and canvas. 

Death waited in every shadow.

And King Boo was going to enjoy every minute of it.

Of Death (Epilogue)

Luigi thought he knew death. After three, separate encounters with buildings chock full of the undead, after countless hours spent in the company of the best paranormal researcher he knew (the only one he knew, admittedly), after providing part-time shelter for a genuine ghost puppy, after meeting his half-undead clone - Luigi considered himself, if not comfortable, at least conversant in the hows and whys of the afterlife. 

One day, he tried to stop a wedding between a princess and a monster.

Death, he would learn, was only the beginning.

[inkskinned]

she's singing in another room and my dog is asleep at my feet. my grandma asked me why i haven't found a man yet and i laughed. oh, you know. i like my house clean.

my girlfriend is also my man is also "my partner" if i'm in a professional setting. yesterday we went to a ren faire and a man mimed at me - you're together? and at my delighted nod, his baffled, you're gay? made me laugh. a woman with rainbow hair said i love the two of you together. you're both so beautiful it's absurd.

my dad introduced my partner as my "..... friend. or whatever" the other day. he knows we're dating. in the same way, i was never able to get my sister's husband to stop saying that's gay like it's 2008. he still uses the word fa***t, and my sister's defense of him has always been well, he's just kidding.

my lover and i dance to old music in a tiny kitchen. we judge new music together and take food critique very seriously. we watch love is blind before we fall asleep and agree that if they had a queer season, it would be bloody but also make for excellent tv. of fucking course queer people would know someone for only 2 weeks and agree to get married. what are you saying.

at a bar with friends, a man puts his hand on my wrist. got a boyfriend? and yes, i do have a boyfriend, she's amazing. i am texting her while i wander around a gas station named after geese. i am visiting a swing state for a wedding. in the candy aisle i overhear: she's actually like a lesbian it's disgusting. two teenage girls with packaged sandwiches in their hands, giggling. no literally, like. i'm not, like. okay with her being there while we're all, like, naked and changing.

my girlfriend and i tailgate, drink gin and cider out of cups. from the frat group beside us, a man corrects himself with one of his friends: bro, i mean, nonbinary entity, and it makes everyone around him laugh, myself included. he razzes his friend the same way i would have killed for at 19 years old - like nothing happened, he continues: you apply sunscreen like an alien. he does a little sassy (and fairly accurate) dance interpretation of the motion. his friend is laughing so hard they're crying.

i am lucky, i live in a safe neighborhood in a safe state. my masc passenger princess comes up from DC. i drive her for an hour to where all the leaves are a violent arrangement of color. we walk along the trails, letting autumn into our blood. in this part of the state, there's a lot of pickup trucks and trump signs. when we chastely kiss before getting into the car, i accidentally make eye contact with a woman holding her child's wrist. she looks disgusted. she looks fucking pissed.

two hours later my girl and i are eating dinner on a patio, soaking in the last warmth of new england sun before the chill of winter sets in. we are giggling and trying to talk through plastic vampire teeth. at another table, i see a young woman sit up straighter. i watch her watch us. she blushes and takes her partner's hand from across the table. shy, like the taste of evening has just become something deeper.

it's worth it for this moment, i think. my lover is still humming the same song she's been singing for four days straight and i don't want to kill her for it. her guitar is beside my bed. her toothbrush is in my bathroom. in a few moments i will make us lunch. we are lucky enough to have found each other. it is lucky enough to be in love.

[paintedcrows]

they make me feel unwell

(continued: Stan & Young Ford)

[deathricedrawn]

i'm ready to try

[poorly-drawn-mdzs]

Daddy, don't go.

[First] Prev <–-> Next

[knifearo]

ultimately when it comes to shipping and fandom space treatment of aspec characters i just don't accept "aro/ace people can still date/have sex" as an answer from nonaspecs. like yeah. mhm. okay. now i think we both know that you're not saying that out of real interest in the diversity of aspec experiences. so you can turn in your seventeen-page essay on why and how you plan to examine this character's aspec identity within the context of a romantic or sexual relationship complete with evidence from canon and peer reviews from multiple aspec people within the next week or i'm putting you in the pit from the edgar allen poe story

[egophiliac]

I have never been more concerned for a JP update from your art than I am seeing a Cheka knowing the context of Leona’s dream.

My bois ok right?????? My sweet nephews ok right??????

well

uhhhh

I'm sure the real one is fine :)

[loumandforyou]

Snapping could mean killing the customer or using their power against them.

[front-facing-pokemon]

[hopefulsapphic]

i'm an early seasons steve harrington apologist. sorry. he was not a bad person he was not a bad boyfriend he was literally just 17

[danieyells]

Tokyo Debunker Stigmas, Artifacts, And Other Possibly Combat Relevant Information

Since we've met all of our current ghouls, I decided to share my non-comprehensive list of the stigmas and powers and weapons of the ghouls we've seen so far!! This isn't all of them because they haven't all been revealed or explained. But it should be everything we've seen so far! Let me know if/where I've missed things! I've also mentioned some other details for some of them, namely the less human ghouls.

Jin Kamurai

Stigma

Incantation - Bianerus

Effect - forces the target to obey his command.

Currently cannot be activated without the PC's enhancement. At present, only Tohma, the PC, and few if any others know this.

Incantation can be recited mentally

Continuous commands("kneel") only seem to last a few minutes at most

Artifact

Sword - teleportation

Can be used to cut a portal into the air for teleporting someone with him, but doesn't appear to need this for just teleporting Jin

Tohma Ishibashi

Stigma

Incantation - Argeas

Effect - "lets him send vibrations long distances"

Vibrations include the vibrations from his voice, allowing his voice to carry longer distances, making him heard further away

When enhanced he can break through anomalous soundproofing and better specify the direction his vibrations carry(as neither Kaito nor Luca heard his voice from outside the room)

Artifact

Halberd - ?

Other

Tohma naturally has "brute strength" which, combined with his stigma, allows him to essentially make earthquakes.

Tohma has the trust of Darkwick, allowing him to easily get access to powerful common artifacts such as the skeleton key

Lucas Errant

Stigma

Incantation - Iggnaim

Effect - creates a barrier.

When enhanced the barrier becomes visible. It's significantly larger and supported by a large anomaly that's invisible to everyone but the PC and perhaps Kaito, even unable to be seen on cameras or by Luca himself.

Artifact

Twin blades - ?

Appear identical aside from a difference in color.

Smashed through reenforced glass to choose him as their new master.

Apparently sound to Luca like a crying child. He believes the child must be begging for his help.

Other

Carries around a knife.

Kaito Fuji

Stigma

Incantation - ?

Effect - "can see auras sometimes?"

So far hasn't been seen/used, and Hyde didn't sound certain about what it does.

Kaito has notably enhanced vision, able to see things that are further away and surprisingly skilled at reading lips.

Kaito screams when Luca's stigma is enhanced, looking straight up at the anomaly it spawned despite no one else but the PC appearing to see it. While it's possible he only saw its aura, it's likely he saw the anomaly itself.

Artifact

Rogue bow - ?

Produces magic arrows that veer nonsensically off path when shot, except, seemingly, if there's a malicious or threatening target(?) at which point it will veer to save an endangered target(such as the ghost boy being taken by the arms) and/or go directly for the source of a threat or malice(such as the faceless anomaly about to attack the PC and Riku or the glowing grave of Natalie Hunt.) When the magic arrow hit the glowing grave it "blew the whole thing apart."

Other

Pretty acrobatic despite not training, flipping and cartwheeling across the graveyard to dodge the ghostly arms trying to grab him.

Alan Mido (Alan Todoroki)

Stigma

Incantation - Yagsal Olbalsa

Effect - ? "Seems to be an extremely dangerous ability" -B's Log

Seems to enhance his strength, as he punched Takeru's tulpa in half

Seems to make him uncontrollably violent, seeking to kill his enemies(looking for Takeru's tulpa's head and crushing his throat) and possibly reduces his awareness of his surroundings(light removed from the eyes of his sprite and panel art, grabbing and pulling the PC without realizing he was hurting her, continually attacking Takeru despite being aware he couldn't take him out with punching, only regaining his senses when Sho grabbed and spoke to him)?

Artifact

Lead pipe - ?

Leo Kurosagi

Stigma

Incantation - Haxs

Effect - super hearing.

Increases distance and precision of his hearing. Does not allow him to hear through anomalous soundproofing.

When enhanced increases distance further and allows him to hear through anomalous soundproofing.

Had the PC enhance it in order to find the escaping possessed guard during the prison riot. Uncertain if this allows him to hear ghosts or if he simply needed the increased precision due to the surrounding noise.

Makes Leo sensitive to sounds and noise even when it isn't active, resulting in noticing noises other people can't hear and frequent complaints when in noisy environments or around loud or high-pitched people.

Artifact

Bubble gum - can be manipulated into any shape when blown.

The longer it's chewed, the longer he can manipulate it

"So if I chewed this one a bunch and stuck it over your nose and mouth...

"...you'd suffocate. Bye bye Honor Roll."

suggests that it can't be removed until the time he's manipulated it runs out?

Cannot capture incorporeal targets.

Shohei Haizono

Stigma

Incantation - Spurno

Effect - "just jams stuff"?????

Primarily seems to push things or result in change of direction, possibly able to cause sensory scrambling resulting in uncoordinated movement or temporary stunning(as with Takeru's tulpa?)

Leo says it can be used on incorporeal targets, but Sho says it can't take something down unless it's "super weak"

Used in Episode 2 to prevent Takeru's tulpa from walking straight

When enhanced in Episode 2, pushed Takeru's tulpa back with greater force, but didn't push him away, or cause him to release the PC(stunned him?)

Used in Episode 12 to remove the ghost of the prison guard possessing Alan and push the ghost into a cell to lock it there until it moved on

Artifact

Motorcycle - ?

Her name is Bonnie. She eats food placed in her fuel tank instead of gasoline, including chewing it and even burping. She's picky about what she eats. Her favorite food is barbecue sandwiches, but she also eats jerky.

If she isn't fed three times a day "she gets sulky and refuses to start." Her engine won't start at all if she's hungry.

She's described as a "large motorbike" by the PC's narration, and Subaru apologizes for the amount of space he's taking up on the wharf in Hotarubi to feed her, corroborating this.

She seems to have some control of her own movement as Sho rewards her for staying upright when stopped and made to buck by Luca's barrier.

Sho drives her just about everywhere and drives her around at Leo's request as well. She has a travel permit that needs to be shown when leaving and reentering campus, however she's able to break through the checkpoint with enough speed.

She's kept on her artifact chain when not ridden.

She's able to comfortably be ridden by two people but three is very tight.

Haru Sagara

Stigma

Incantation - Bahnti

Effect - reduces gravity's effects on his own body.

Reduced effect of gravity allows him to move extremely fast.

Makes his body much more fragile when used. Possibly includes weakening his immune system?

Artifact

Deck brush - ?

He rides around on it while distracting Otohime, skidding across the floor on the brush until he tips over.

Towa Otonashi

Stigma

Incantation - ? (has an audio file, but the spelling hasn't been shown.)

Effect - Controls weather?

Towa exhibits control over weather as his primary ability, however because it's not shown to be in response to his incantation it's somewhat dubious as to whether or not it's actually his stigma.

Others' understanding of Towa's stigma is only that he controls lightning and that other weather patterns are random, not in response to Towa's feelings.

The weather reacts to Towa's emotions, causing the sky to darken in preparation of rain, lightning, or snowstorms when he's angry.

Towa is also able to predict weather that he doesn't control.

Towa can create lightning(which he uses to electrocute enemies), rain, wind(used to create a pillar of water for the PC to land on when falling off the boat and to direct the rain sideways to wash bubble soap off of Kaito), snow, and possibly earthquakes(the ground is noted to start shaking in response to his anger.)

His lightning may be able to be used under water without being conducted into non-targets, however it's also possible he used harsh winds instead of lightning when destroying Otohime and her minions.

Artifact

Bubble wand - blown bubbles cause explosions.

The explosions are powerful enough to destroy glass that withheld a full grown Kraken.

Towa warns not to touch the bubbles, as they will kill you.

Not all bubbles seem to cause explosions as he blows bubbles from atop the Capybus without there being any harm done.

Other

Towa's nature is implied to actually be quite malicious and uncaring, especially towards things that are weak and especially towards humans, however he claims he changed because of "love." Several home screen lines, his full awakening line, and his response to being touched by the turtle anomaly in the Dragon Palace support that he hasn't fully changed his mindset, only represses it.

Towa cannot speak during the daytime and is only able to talk when it's night. This includes being in Obscuary, where it's permanently night, however the cover of clouds doesn't allow him to speak during the day meaning it's not related specifically to the visibility of the sun.

Can speak to and understand anomalies, even those that lack speech capabilities(such as the tree on the hill.) Haru is aware of this ability.

Able to see and hear ghosts(Zenji) and possibly other things that only people who are "special" can see(the tree on the hill, which even Ed cannot see.)

When Towa was away from Jabberwock for a day the nature conditions deteriorated significantly, with water drying up and the sky dark despite it being sunny the previous day and the anomalies beginning to behave violently. According to Ed, if Towa is away from Jabberwock for too long the anomalies within will begin to die. Ed suggests that Haru is unaware of this fact.

Can jump so high he can essentially fly, although this may be related to control of wind(though there's no notation that the wind blows when he jumps.)

Anomalies fear him and obey him, particularly when he's angry, even to the point of kneeling out of fear when he's furious.

Says the PC smells nicer than before, perhaps able to smell their curse's advancement due to the flowers that would grow on her as a Kyklos.

Ren Shiranami

Stigma

Incantation - Raothtas

Effect - Cleans things?

B's Log: "According to him it seems to be a power with little use."

Has only been used to remove Calamari's ink from the floor when wiping it up failed.

Artifact

Swim ring - restrains target.

Cannot be removed by the wearer.

Has a rope attached that allows the wearer to be reeled in.

Taiga Hoshibami

Stigma

Incantation - Malab

Effect - ?

Artifact

Tommy gun - takes anything broken into small enough pieces and fired from it as ammo.

Damage type seems to vary based on what was placed into it. Shards of glass created a swirl of glass shards, whereas bronze from a statue shot heavier rounds.

Doesn't seem to require ammo to fire.

Doesn't seem to work on everything as Taiga says his bullets don't work on anything lately. Possibly limited to hostile entities? (He was able to shoot the Oblivion Dealer, but not able to shoot the Kyklos--which ran away--or the Barong--which was non-threatening.)

Other

Carries a knife and a pistol.

Appears to occasionally be aware of things that he has no way of knowing about, sometimes even seeming to know the future.

Eats anomalies, though not exclusively, and gets hungry whenever he goes on a mission. His hunger for them results in varied behavior from minor irritation to nearly losing control of himself to the hunger. He can eat any physical anomaly thus far, being shown or referenced to eat anomalous animals, plants, objects, and "enzymes", and he finds anomalous plants and enzymes converted into beverages suitable for human consumption to taste unpleasant. He eats normal food and drinks normal alcohol without a problem. It's difficult to tell how he feels about and after eating anomalies, as it varies, although he enthusiastically expresses his desire to eat the Kyklos. It's hard to tell how new this behavior is as Romeo seems disgusted but not surprised by it and Taiga attempts to warns Romeo when he wants to eat the Barong mask(not in speech bubbles but able to be discerned in his audio.)

His hunger may be able to be triggered or increased by smelling or seeing anomalous blood(such as the PC's.)

His memory is very poor, although he can remember things and people with prompting.

Romeo Scorpus Lucci

Stigma

Incantation - Tiris

Effect - "turns things into bombs".

Able to turn anything into a bomb, including non-explosive objects. Seems to require that he throws them?

The size of the blast depends on how attached to the target object its owner is. If Romeo truly values something he's blowing up, the explosion is quite destructive.

Hyde has him testing various types of prototype anomalous explosive materials for Darkwick on missions.

"To me, these prototypes are a path to catching anomalies in one piece." which implies most of Hyde's prototypes cause non-lethal explosions. One of his home screen lines mentions, for example, a tear bomb.

Artifact

Sniper rifle - ?

Maintains his bullets himself.

Doesn't always carry the same types of rounds. For example, he only had smoke bombs in the prologue.

Ritsu Shinjo

When used against the Arachne in Episode 9 it blasted a large hole into its head? However when he fired it to gain the attention of the audience and when he shot at the door in Episode 8 the impact didn't seem as great, suggesting the impact/size of his bullets varies as needed.

Other

Has the trust of Darkwick(or at least has Hyde's favor?) allowing him to carry around common artifacts as though he owns them(hammerspace briefcase which he added a custom case for; fox robe)

Stigma

Incantation - Acimo

Effect - hardens his body. Increases his weight.

Prevents damage from concussive attacks such as kicks and bullets. If you kick him while it's active it'll hurt.

Doesn't seem to experience pain in this state.

Can survive explosions and escape from collapsed buildings unharmed.

Artifact

Compendium of Laws - ?

Has the contents memorized?

Taiga taught him to use it as a blunt weapon, although he forgot he did this.

Appears to glow somewhat when held, although what this suggests is unknown.

Subaru Kagami

Stigma

Incantation - Talnandio

Effects - psychometry.

Experiences memory fragments through almost anything he touches.

Passive, activates on contact with people, animals, anomalies, and objects without incantation.

Using it exhausts him to the point of needing a significant amount of rest, possibly even passing out shortly after usage.

Wears gloves and avoids crowded places to try and avoid accidentally setting it off. Feels bad about being able to learn people's secrets.

Artifact

Parasol - ?

Sturdy enough to destroy a possessed doll.

Haku Kusanagi

Stigma

Incantation - ?

Effect - ?

Implied he prefers not using it?

Artifact

Flute - ?

Used flute to remove himself and the PC from Kisaragi Station, knocking them out with some sort of ethereal water and causing them to wake up back on the empty train car.

Other

Able to see and communicate with spirits.

Able to perform various rituals such as laying spirits to rest and making talismans that allow people close to a spirit to see and hear them.

"Cordoned off the area" of the train and station the PC was on, which should have prevented interference from civilians. May be part of his Artifact or Stigma, or part of his capabilities as a Shinto priest.

Performs the stigma test for Darkwick.

Zenji Kotodama (Taro Kirisaki)

According to Taiga he's able to remove curses if the anomaly that caused the curse is in front of him. It's uncertain if this is his stigma, part of his artifact, or another power.

Haku has the trust of Darkwick, allowing him to easily get access to powerful common artifacts such as the skeleton key

Stigma

Incantation - ?

Effect - ?

Artifact

Doll - ?

Heavily resembles his brother as a child, according to Zenji. When Zenji and the doll protected Jiro, Zenji said "You've always been there for him when he needed it most." suggesting that there may have been a third Kirisaki brother.

Won't let anyone but Zenji and Jiro touch it. Protects Zenji and Jiro.

Appearance slightly changes to that of an oni when angered.

Has a mind of its own, or is perhaps possessed. Wanders around campus without Zenji, much to his concern.

Other

Able to damage and destroy ghosts?

Joined Zenji in protecting Jiro from being eaten by the Arachne and seemed to be fine after the Arachne was destroyed while it and Zenji were inside it. Attacked the Arachne from within (with Zenji?) to distract it with pain so Jiro could attack it.

Darkwick is unaware Jiro is present as only Haku and Towa(and eventually Subaru and the PC) are aware Zenji's spirit lingers. If Darkwick were to become aware of Zenji's presence they would want him laid to rest.

As a ghost, Zenji cannot be touched, meaning he can't be damaged or killed. However he covers his ears when Haku performs a ritual to lay spirits to rest and covers his face in Subaru's warding card with incense, suggesting that he would be laid to rest under the right circumstances.

Zenji is not bound to Darkwick despite being a ghost who died on campus, and can come and go as he pleases.

Due to Obon, people in Japan are more sensitive to spirits and anomalies are more frequent, causing Zenji to sometimes be visible or audible during the summer.

Zenji brings his doll with him most everywhere, however people can only see the doll and not him. The same happens with his biwa. If he carries them, they appear to float.

Zenji can touch physical objects(his doll, his biwa, and his phone) and his footsteps are audible if he doesn't silence them. He can ride the Galaxy Express as well. Because one has to show their phone to the conductor cat to take the Galaxy Express, it's probable that the cats can see or hear him and simply don't report him.

Afraid of ghosts, possibly the dark, and maybe dead bodies.

Edward Hart

Stigma

Incantation - ?

Effect - ?

Artifact

Cane - ?

Other

Edward is, or was historically, the world's strongest vampire, implying a great deal of hidden power. As he is 400+ years old, he knows a great deal about anomalies that Darkwick doesn't listen to for some reason. However being old has also made his body and mind much weaker. . .allegedly.

Ed has immense power, which we've only heard of him using on the singular mission he participated in. Using it he obliterated an anomaly and a building in such a way that Darkwick struggled to cover up(unlike Tohma's destruction which was able to be explained as poor maintenance and age) suggesting he more or less vaporized it. It's unknown if this is a vampire power or his stigma.

Ed is able to produce a purple mist that seems to be able to enthrall humans(as Rui and Lyca didn't need to hold their breaths when he used it.) The PC mentions feeling "good", comfort, and euphoria, her mind slowing down, light on her feet, and she began to think thoughts that aligned with what Ed wanted of her made and her body feel weaker. When she managed to fight against it and speak for herself Ed stopped producing the mist and she was able to recover quickly. When Ed used it on the humans in the mansion they experienced similar symptoms(feeling good and beginning to think they didn't need to call the police for help) but fell into sleep quickly unlike the PC. It is unclesr whether or not this is his stigma or simply a vampire power.

Ed mentions on the home screen that there's a miasma in the garden of Obscuary that humans are susceptible to. He also mentions a miasma in the breeze during summer. It's uncertain if he's referencing the mist he produces, although it's unlikely in the second case as he mentions no desire to go outside.

If Rui touches him, the touched part will break off(at which point it can be reattached simply by pushing it back into place,) ache intensely for a time, or he will die temporarily.

As a vampire, Ed is immune to curses and is immortal. He claims that sunlight will eventually reduce him to ash and in the pre-prologue before jumping off of the balcony he implies that whatever is waiting for him at the bottom will be the death of him as well. One can become a vampire by drinking the blood of a vampire, and this will overwrite curses such as the Kyklos' curse. It's uncertain if this would overwrite Rui's reaper curse.

As a vampire, Ed is rapidly exhausted by sunlight. Sunlight won't kill him instantly, but it will cause him to collapse. He claims sunlight will turn him to ash eventually, and he cannot be outside in the sun without a parasol. If it's cloudy enough or he's in enough shade, Ed is able to be outside during the day. He's usually tired during the daytime, but still seems to sleep during the night.

Ed is physically and mentally weaker during summer months, but stronger during autumn and winter.

Ed primarily drinks tears, although he mentions that he does drink blood in his character story and on the home screen. He finds that human food doesn't taste like much of anything.

Ed is able to transform into a bat and fly around in that form. He doesn't seem to be able to speak in this form, only screeching and squeaking. Based on the campus chibis he may have bats as 'familiars' too.

Ed mentions that Lyca's soul is misshapen, however it's unclear if he can actually see his soul or if he was merely teasing him.

Ed cannot see the tree on the hill that Towa speaks to, but seems to be aware that something is there.

Rui Mizuki

Stigma

Incantation - ?

Effect - temporary relief of pain and discomfort

Incantation has only been said in his head.

It's unclear if blowing a kiss is required to activate it or if that's just for flair, but it did produce a gold smoke that applied to the hurt area.

Artifact

Scythe - allows Rui to conceal himself in darkness.

Rui admits to using his artifact to keep an eye on others on campus.

Other

Suffers from a 'Reaper Curse' which effectively makes him a reaper.

Cannot make skin contact with most living things without them instantly dying. This includes humans, animals, plants, and even mold! Sufficiently strong living things(such as Ed, a vampire) will not die instantly when touched, but most things are too weak to survive. On contact, the touched thing's life force is absorbed into Rui's body through his mouth as a sort of green smoke that emerges from them.

Absorbed life energy goes straight to his body, extending his life filling him with so much energy that it prevents him from sleeping. He keeps himself as busy as possible as a result of having so much energy to spare.

In the case of Ed the reaction we've seen in-game when he was touched was the touched limb popping off(resulting in a spray of blood.) On the home screen he mentions Ed simply dying temporarily on contact and Ed mentions places they accidentally touched aching nonstop. It's uncertain what other creatures are strong enough not to die right away and how they would be affected by contact.

Wears gloves, a turtleneck, and avoids crowded places to avoid committing manslaughter and killing anything he touches.

Lyca Colt

Stigma

Incantation - Ramsochisa

Effect - allows him to follow any scent he's smelled before.

Artifact

Claws - ?

Other

Half werewolf. Able to show or hide his wolf tail and ears at will, but they pop up when he's sufficiently aggravated.

Transforms with exposure to the full moon. "The speed of his transformation is affected by how much he's exposed to moonlight and his mental state." Sometimes feels his skin crawling when the full moon is near?

Covering his head when he's outside under the full moon prevents or regresses his transformation. Collapses after his transformation regresses from half wolf and doesn't transform while unconscious. Nothing happens to him if he's not exposed to the full moon on a full moon night. Obscuary is always a crescent moon, allowing him to be there safely during a full moon.

Werewolves have four stages: Human, partial wolf, half wolf, and full wolf. At 'half wolf' Lyca is an anthropomorphic wolf. However, he loses control of himself after he's been transformed for a while, and may attack indiscriminately.

He doesn't remember much when he transforms. He might remember less if he fully transforms?

Yuri Isami

Stigma

Incantation - Agnihaet

Effect - "hyperstimulates his braincells"

"allows him to logically process information and solve complex equations almost instantaneously."

when enhanced seemed to make the information processing instantaneous and extremely accurate?

Artifact

Syringe - Causes injuries received by the individual injected with its contents to damage the entity that inflicted them.

Jiro Kirisaki

Stigma

Incantation - ?

Effect - ?

Artifact

Chainsaw - ?

Blunt, making it a bad match for webs(which simply got stuck in it) and things that need sharpness for effective cutting, but able to 'cut' through more solid things that don't require sharpness or precision, presumably by just crushing them with the rapidly spinning dull blades.

Other

Jiro is noted to be especially strong.

Jiro was in a coma until an undisclosed time ago, when Yuri was able to awaken him from it. When he was comatose and for how long and why hasn't been relayed yet, however he was said to be particularly violent during The Clash, meaning he was likely awakened before or during it, or fell into a coma during/shortly after it.

As a side effect of his condition and mysterious illness, Jiro has a poor memory, immunodeficiency, and his wounds reopen very easily. He needs four treatments a day, and they take around an hour to complete. Yuri is the only one who can administer them, and Jiro isn't able to do so himself. Even with his treatments he's forgetful and prone to being sick and has a bit of a fragile constitution. Abrupt changes in temperature, for example, make him choke.

Jiro doesn't react much to his wounds and being in pain, but he will eventually collapse from overexertion or illness if he misses a treatment or has taken too much damage.

[lilybug-02]

Bribed with Chocolate. The way it should be.

Part 22 || First || Previous || Next

--Full Series--

More to come as this is a two-parter. But you know how I am with schedules.

Bonus:

I think this was an equally possible reaction from Chara.

[sualne]

your body isn't your own

[seawitchkaraoke]

never gonna get tired of Aabria and Brennan playing dnd together, they know each other so well, they are so fun, they're clearly having so much fun ''does Evan have a grenade??'' ''idk will you let me? :)'', ''you know what I'm gonna ask'' ''yeah I throw myself in front of Sam, absolutely'', ''I'll give it to you, if you detach your shadow'' ''.....(pause, clearly aware that with Aabria as a dm, this will have Consequences) yeah I do it, I want to get all of them'', ''is my shadow back with us?'' ''no :)'' ''okay. (concerning)''

And that's just this episode, but there's so many little moments in all of their campaigns that really read as ''I will fuck you up <3'' ''I know and I am walking into it with open eyes <3'' from both of them, never hold any punches, because they know the other one doesn't want them to, just. Inflicting emotional damage on each other for funsies is a love language I guess?

It's beautiful

[luna-loveboop]

'I've never been in a dungeon before' and 'Who's Ganon?' have literally made some of the BEST reaction panels in Lu I just-

They are very similar conversations- where a Link is pointing out/asking about something that the others have experienced and they haven't. Which is really cool to compare and contrast but they all just freak out about it

Genuinely some of the best conversations in Lu

The lesson here is that apparently the Links will always be freaked out when one of them has missed out on one of the Zelda Fundamentals™

.

Art by Jojo @linkeduniverse au :)

[poorly-drawn-mdzs]

I ABSOLUTELY ADORE YOUR SQQ HE LOOKS SO FUCKINH DONE WITH LIFE

The recipe for SQQ is: calm on the outside, screaming on the inside.