#i'm not putting in paragraph breaks deal with it

[lxnarphase]

do you have any advice for new writers who want to start posting on tumblr?

Oh man, I'm gonna give you a list of things I wish I could've told myself when I first started posting.

Some Basic Tips:

Don't be scared to post! You'll never see growth in your followers, mutuals, and even your writing if you don't post!

Be open to asking others for help or advice if you struggle with writing. I sometimes ask some of my mutuals for help or read fanfiction to see how others write a scene. Then, I take the knowledge and write it in my own way. For example, I do well with writing dialogue but find myself always struggling with how to start the story.

Don't be afraid to post about non-writing things, too! Remember, you deserve to have fun on your account, so post what you want. You aren't a machine. You are a person!

The number of notes you get doesn't determine your worth or skill in writing. In my opinion, Tumblr has shifted a bit, making it harder for smaller writers to get likes, reblogs, or comments on their works.

But at the end of the day, in order to enjoy being a writing blog on Tumblr, you have to enjoy what you are writing and posting. Do not feel like you have to force yourself to write just for the numbers, let it happen naturally. Things will start out slow at first, as all things do, but you'll get to a point where you can barely keep up with things.

Post and Blog Formatting + Style:

Formatting is really important! Break up paragraphs, ask a friend to be a beta reader, and for longer works, go back and proofread if you have the time! It's okay if you have minor mistakes, though. I tend to miss things in my writing, and when I return a week later, I just fix them. No big deal!

Nowadays, aesthetics is HUGE for fanfiction posts and your account. Channel your creativity and style! Make your blog super pretty in your own way! It can be pink and cutesy, black and edgy, simple and clean, or colorful and cluttered! Don't have a blank blog!

PUT YOUR AGE CLEARLY SOMEWHERE! In your bio, pinned post, SOMEWHERE IT IS EASY TO SEE. I have had writing accounts follow me but no age, so I don't feel comfortable engaging with them.

You can take inspiration from other accounts (don't outright copy, though) on how they format their fanfictions. You will probably notice a lot of accounts have headers, dividers, or colored text. You can do that too, as it can catch the readers attention.

I get headers from doujins and mangas I read, websites such as Pinterest are good for cute ones, and Twitter is your go-to for more NSFW headers.

Create a tagging system to make navigating your blog easier, and have a pinned post with links to your rules/byf/masterlist/etc.

Try to put warnings in your writing. A lot of people have filters on to avoid the types of content they don't want to see, but there are the occasional people who don't put warnings in the writing post itself. It could be a simple tag or a list of themes at the beginning of the post.

An example would be a post with the tag #dubcon #tw dubcon OR putting "cw: dubcon" in the post itself before the writing itself.

This is a tag vs. in the actual post

Tagging and Reblogs

Speaking of tags, USE THE TAGGING SYSTEM! If you don't tag your post with popular fanfiction tags, it will be hard for people to find you.

Only the first twenty tags will show up in Tumblr search, including your own blog. Reblogs will not show up in tracked tags or searches.

However, don't feel bad for reblogging your own works again. Do it as many times as you want. You created something and should feel proud of it! I still reblog things from January just because.

Making Mutuals

Don't be afraid to engage with other accounts. That's how you make friends on here! But here's something important:

Be genuine. Make mutuals because you enjoy each other's work, AND both have fun talking with each other! If someone doesn't add you back as a mutual, that is okay; don't feel like they have something against you! Making mutuals shouldn't be your only goal when posting on Tumblr. Otherwise, you might tire yourself out mentally. It took me a while to make mutuals on here, but I'm glad it did it naturally instead of trying to force it.

Asks and Anons

Once you build a following, you will get the most wonderful, loving, and supportive anons in your inbox! Cherish them, respond to them, and have fun with them! Because there is a very high chance, you will also get assholes in your inbox.

I say this from the bottom of my heart but do NOT give hateful people your attention because that is what they thrive on. I still get them, but when I tell you I am at so much peace, I block and delete the messages and carry on.

If a certain message bothers me for a bit, then I just take a little break, talk to some friends about what happened, and do what helps me calm down so I don't act rashly. Don't be afraid to turn off anonymous messages for a while. This is YOUR blog, not theirs.

Don't feel pressured to answer every ask or fulfill every request. Take your time because that can burn you out! I love socializing so much, but sometimes I just pull a blank on how to respond to my asks. I always ensure my mutuals and followers know that I'm not ignoring them and just tend to go blank-brained with some asks, OR I save some of them to look at when I'm sad!

Overall, just start and DO IT FOR YOURSELF.

That's the best advice for when you want to make anything. You just have to start posting and learning and improving as you go on. Hopefully, this will sort of help. I know it's not the best list of advice, but it's just some things I would tell myself back when I first started.

If you have any other questions, I can try my best to answer them!

[scificrows]

i like to make fun of murderbot for being all "i hate everyone, i don't care about anything or anyone, fuck off" while simultaneously caring very much about the people around it and the situations it finds itself in. i love how it "accidentally" ends up caring quite a lot about the friends it makes along the way. but i think something that i tend to forget is that murderbot actively decides to care - at least at some point in its story.

idk, as a person that struggles with depression, this paragraph from artificial condition really resonates with me. prior to all systems red, murderbot had contracts. it had routine and it had protocols. it knew what it had to do to just get by, how to perform so no one would notice it had disabled its governor module. it was deeply depressed, yes, but it was functioning (for lack of a better word). in artificial condition, murderbot's routine is gone. it cannot go on in that state of numbly going-from-contract-to-contract, putting in as little effort as possible, consuming media to cope. that option is gone because it escaped (and note that escaping the company was not an active choice, it kinda happened to it). murderbot has two options now: it can either gather all its energy; actively do something new and difficult and distressing; change something in its life and try. or it can let the numbness and the emptiness take over and stop trying. if murderbot wants to survive as a rogue secunit, it has to try. no matter how difficult that is. the wording in that paragraph really hits home for me. the way the non-caring sees an opportunity to slip in and to take over. does murderbot even care? does anything really matter? is anything really worth the hassle? wouldn't it be so much easier to just let your mind slip away a little, to go numb, to be passive, to watch media and wait for things to happen to you? wouldn't it be nice to stop thinking and struggling and feeling complicated things? to stop making an effort? you've been dealing with a lot lately and maybe it's time to just shut down. maybe you'll just take a little break. just slip deeper into this chair and start the show. time flies when you're not paying attention. trying is exhausting. who cares if you don't do the things you wanted to do, you were supposed to do. it'll be fine. let's just ignore those things for now. just let the non-caring take over. just stop thinking. you can deal with the aftermath later. just watch your shows. who cares. but murderbot cares. it decides to care. it decides to fight with all it has and i think that is so brave. and i think in the later books caring is less of an active decision for murderbot. once you start caring, it's easier to keep going than to stop; and murderbot, for all its "i'm a grumpy rogue secunit, leave me alone" behavior, knows just how important caring is. so it's not that it doesn't know what's happening; rather, it lets itself care. tl;dr: caring is not the default for murderbot, it's just the more difficult of two options. and it decides not to take the soft option. it decides to struggle. it decides to care. and so it does.

[toskarin]

how did you get started making music, tools-wise?

I've talked about this a bit before and I don't necessarily recommend doing this, so skip the following two paragraphs and go right to the one under the break if you actually want the method I recommend

I lied to a girl I liked from my school and told her that, because I could play guitar I could also play piano, so I could teach her to play piano. both of these statements were lies.

I had to panic and learn both guitar and piano one week ahead of the lessons I was giving her as an excuse to hang out. so I self-taught in a haze of panic and "maybe she'll like me" (she did not) (but she kind of did) (but she was bicurious) (but she was wishy-washy on if she wanted to get together and her parents didn't like me) (and her parents were homophobic) (I think she might have texted me at one point years down the line to tell me she had a girlfriend but it was after I deleted our text history and I'm chronically unable to remember to put people's names into my contacts so who knows)

but that's all an aside. that's a bad method.

anyway if you want to start making music in earnest, doing what I did when I got serious about making songs instead of trying to impress girls whose parents wanted to destroy me with their minds here's a better answer

go acquire FL Studio. it's apparently really easy to do this because people have been acquiring it for years, or so I've heard. FL is good for learning because you've got 20 years worth of free tutorials available to you on youtube to dig through and plenty of stock vsts to play with out of the box

FL Studio is, realistically, the only tool you actually need to start making music. you could get away with less, but it's what I used, and as long as you don't pick up Specific Bad Habits, your experience with it will transfer to other DAWs if you decide to switch it later

that's all, really

if you go this route, the golden rule I'm going to impart on you right now is that you need to have a limiter on your songs. the default FL studio song templates have one, so you should keep it until you know enough to know why you might adjust something like that

it doesn't matter if it sounds fine in the editor without a limiter. everyone thinks it's not a big deal at the time, but as you get more experienced, there's literally nothing short of getting in legal trouble that you'll regret more than realising that your old work is almost entirely unsalvageable because you didn't put a limiter on it and now half of the audio is just lost data to clipping

I'm gonna put a few more recommendations for things I've used, just so you can consider them if you need something else to chew on. everything past this point is entirely optional and you'll do just fine with FL Studio alone. in fact, probably don't worry about everything below the line

-=-

items marked with [F] are free.

DIGITAL AUDIO WORKSTATIONS THAT AREN'T FL

for tracker-based editing and chiptunes, use Renoise. you'll either love or hate trackers, and while they have a steeper learning curve than piano roll DAWs, they might come more naturally to you. I personally think that Renoise is a lot of fun to use. it kinda has an "addictive" quality to it, as funny as that is to say

for quickly sketching songs, use [F]Jummbox. it's an html workstation (multiplatform!) that writes your sketches to a url, meaning it's pretty easy to collaborate on musical sketches. Jummbox is good for making chiptune style instrumentals, but what makes it especially accessible is the fact that it works on a piano roll system, which will be familiar to you if you're working in FL

for writing sheet music, I recommend starting with [F]Musescore. I'll warn you right now that there aren't really any good notation editors and you're making lesser-of-evils decisions when you pick any of them, but it's probably the best compromise out there right now. it's the one I use when I need to hand something to a physical musician. you can also export pieces as midi, although there's better ways to do that lol

-

VSTs

if you can acquire Pianoteq, do that. if you feel uncomfortable with acquiring it, [F]Keyzone Classic is free and can sound pretty nice with a bit of work, but you really have to learn to work with it

if your workstation can handle it performance-wise, go pick up [F]Vital - Spectral Warping Wavetable Synth. there's tons of free presets for this out there and it sounds good. cool synth. Serum: Advanced Wavetable Synthesizer is also good and has plenty of presets, but it's on the pricy side, so consider how comfortable you are with [finding a friend to buy it for you]

[F]Decent Sampler doesn't do much out of the box, because it's just a tool for playing sample banks, but if you go to [F]Pianobook, you can find tons of weird and fun sample packs of just about everything you can imagine. sounds derived from folk instruments, industrial equipment, lego sets, stylophones, choirs, whatever. incredibly useful.

Valhalla VintageVerb. this is the reverb plugin. you want this one. [F]Valhalla Super Massive is also good but it's more focused on alien-sounding reverb effects and enormous spaces, so it's kind of got a niche use case and you should be a little careful with it

if you've heard a lo-fi hip hop song on youtube, it probably used [F]iZotope Vinyl. this one can save you a lot of time if you're going for that sound because it comes with all the little vinyl flourishes outside of compression (like dust crackling) that you'd otherwise have to add yourself

[F]Genny VST is advertised as giving a genesis/megadrive sound, but what actually makes it shine is that it's an actual synth emulating the YM2612 and SN76489 sound chips. this means you can create your own sounds that work within those specs, which is a lot of fun! definitely beats just using samples, if you ask me

-

HARSH VSTS THAT I PERSONALLY LIKE BUT WHICH ALSO MIGHT !!HURT!! YOU. SO BE VERY CAREFUL USING THESE.

[F]Tritik Krush is a bitcrushing plugin. it does a good job of bitcrushing and downsampling. I use it a lot in my songs, but you've really gotta know how to keep this one under control, because it's fully capable of making painful sounds on accident and can completely devour your mix

[F]FSA Latcher is a gorgeous noisebox. it screams in horrible ways and makes dying machine noises in various colours. this is the musical equivalent of working with radioactive material, so be extremely careful using this in anything you don't want to hurt the listener's ears

girlfriend just told me I have to recommend [F]Noise Engineering Ruina to you if I'm making a category with this heading. I don't personally use it, but she likes it (she's better at music than I am) and it's free, so you should go pick it up. "it annihilates sounds very deliciously" (maybe I should use it)

-

hope that helps a bit!

[sunshine-zenith]

I remember someone pointing out that even by anti-fairy standards, Irep's cube shape was unusual, and that it might have something to do with Anti-Wanda craving/eating rectangular objects all throughout her pregnancy lmao. And even if he can change his head shape- I'm assuming that changing his name to Irep specifically to match Peri was also a choice and he's just really committed to the bit.

But I do hope he comes back, if for no other reason than I'm fairly certain they were on good terms by the end of the original series; or at least, Peri didn't hate Irep, and was actively trying to befriend him. Did they pull a Hazel and Dev and that friendship only lasted until Irep got jealous of Peri again and then the cycle just. Continued infinitely. Why is Peri gloating and laughing in Irep's face these days.

Like I don't think Irep has really changed through the years, but Peri definitely has and it's clearly impacted their relationship.

I just wanna applaud those last few paragraphs because you helped out to words another thing I was thinking about — Peri grew up, and he looks it. Irep hasn’t, if anything he’s gotten less mature. Him still looking like his infant self could be a reflection of that, either by the writers out of universe or as a subconscious manifestation in universe (or, yeah, it could be all those couch cushions lol)

He did specifically call Peri’s name change irritating, so I’m imagining there’s some bitterness on his part at least

I do desperately hope that if we get a season 2, we get something to fill the gap between Irep and Peri’s infancy and adulthood — a flashback, some sort if magic hijinx, even an off hand comment. Outside of their parents, they are each other’s most long lasting relationships, and there was some serious growth by the end of the original series for both of them

When Cosmo and Wanda said to Dev that Peri was waiting for him to call and that he thought they were just “on a break,” it made me wonder if something similar happened between him and Irep — like at some point, they had their own falling out (possibly closer to what Dev and Hazel went through throughout the series’s than Peri and Dev), and Peri just Waited. He waited for Irep to cool down, to call. He put in so much work to befriend Irep, got to know and treasure him, and he was possibly in denial for the longest time about losing his friend (which, again, would just be another loss for him — he lost his brother, he ended up low/no contact with his parents for a while, and now he’s lost his first ever godkid. Having lost Irep would be another thing for him to deal with along the way)

That might even be why he acted so smug about Jorgen putting Irep in his place — it could’ve been a little bit of that years old hurt leaking out, combined with the fresh hurt of his godkid basically rejecting him. Maybe not the most mature way to handle things, but hey, Peri was going through it that episode

I would love to see them possibly reconcile, as a way to officially close the arc from the original series (but that would require them to handle the whole Letting Peri Almost Die From Magic Build Up thing. I give Dev a lot of leeway with that since he legit had no idea, but Irep had to know he was basically committing manslaughter, even if he didn’t think through the fact that if Peri dies, he probably also dies. Dude needs to at the very least give Peri an I’m Sorry for that one first)

[toxicpineapple]

writing tips masterpost

hello to my loyal tumblr followers... i am often asked to give writing advice but usually when people ask me this i'm nooooot completely sure what to say despite having a ton of advice to give. it's such a broad question when there are so many different things i can advise on, right? so i thought i'd make a sort of writing advice masterpost where i can compile the tips that i think people specifically in fandoms could benefit the most from hearing, OR that i wish someone had told me when i was still finding my footing as a writer.

hopefully this will be helpful to you. i am putting all of the advice under a read more since this is going to be a long one. let's roll!

✬ paragraph breaks are your friend

the fastest way to get me to stop reading a fic is if i click in and see that there are NO paragraphs made and the entire piece is in a huge block of text. no matter how good your work is, i just can't read it at that point. the giant paragraph makes me get lost, i can't focus on anything... it's a huge no.

the trick is you want your paragraphs to sort of act as a guide for your reader, taking them through the story, keeping them engaged. do not be afraid to do short paragraphs! i can understand wanting to shy away from one or two sentence paragraphs for fear of not having "enough substance" in your work, but the truth is, a thousand short paragraphs is ten times easier to read than a huge block of text.

realistically, you want to have a good amount of variety in your paragraph length. variety is key. readers will notice when your work gets formulaic, and some people will like that, but for others that can turn people away from your work. but don't force it! a paragraph should end at the end of a statement, or if the paragraph is getting too long then cut off the thought and continue in the next paragraph with a transitional phrase.

as a general rule of thumb, you want lines of dialogue by different speakers to be put in separate paragraphs. you also want to avoid doing huge chunks of narration or exposition in the same paragraph as you introduce a new speaker. just make a new paragraph! no big deal. i guarantee you your reader will be way more engaged and nobody is going to come at you for doing more rather than less.

✬ make sure the reader knows who is speaking and when

you don't have to end off every line of dialogue with "she said" and in fact i would really recommend you don't. but you ALWAYS need to have some kind of indication in the text as to who is speaking, otherwise the reader can get lost.

this doesn't necessarily mean that you always have to explicitly say who is saying what, though. if it is obvious in a scene who is saying something -- so for example, a scene where there are only two characters talking OR the dialogue has some kind of phrase, statement, etc that makes it obvious who the speaker is -- then in that case you can just let the dialogue speak for itself. sometimes in writing less can be more. you disrupt the flow of a scene if you start to exposit unnecessarily when the reader could reasonably work something out for themself.

✬ "said" is your friend too

related to the last piece of advice, here's another note: don't shy away from using the word "said".

don't overuse it, either. obviously, you don't want every single line to be "he says" "she says" back and forth, especially when they might be asking questions or shouting, in which case the word "said" probably isn't all that applicable at all. but it's a nice default. if you catch yourself busting out the thesaurus, my recommendation? quit it. just use said. it's not going to hurt you and the reader isn't going to mind.

but yeah, in the event that a character is raising their voice, whispering, inquiring -- there are tons of other words you can use in lieu of said and then an adverb. it's just context-dependent, and also, you don't really want to lean too far one way or another. like i said, variety is key. too much of the same breaks immersion.

✬ if you wouldn't say it yourself, probably don't use it in writing

another related tip. look, i get it. you want to spruce up your writing with synonyms. but the fact of the matter is that a lot of these words that "mean the same thing" on paper actually have wildly differing connotations and if you don't understand what those are you're going to look kind of silly whipping out a word you just found off the internet. we can usually tell, too.

your vocabulary will naturally grow and expand as you continue to read and learn. you don't have to try and force it to seem smarter in your writing. people who can write compelling prose and dialogue without throwing in fancy words they barely understand look a lot more intelligent than people who have a thesaurus at the ready 24/7.

✬ if there's a simpler way to say it, take it

this one can be sort of style-dependent, so if it's not your cup of tea then feel free to take or leave this tip, but in my opinion, taking a whole seven-line paragraph to describe a simple action wastes both your and the readers' time.

how many times have you read a fic where the main characters are having a conversation with these long rambling paragraphs between lines of dialogue? sometimes this makes sense! if you were writing a death note fic it would absolutely make sense for light or L to be pausing every few seconds to carefully analyse their opponent's move... but that's not always the case. sometimes characters are just making small talk.

i'm not saying you can't show off. you should show off where applicable. but there's a time and place. sometimes a scene benefits more from you taking the easy way to describe something and moving on. flowery language is great, but if you're meandering too much the reader will lose interest and attention.

✬ a metaphor is useless if nobody knows what it means

writing is subjective and highly personal. write for yourself first and foremost, and use the metaphors that feel right to you -- but the best metaphorical pieces, to me, are the ones that people can understand and identify with.

you've read a story like that, haven't you? with a reoccurring theme or motif that comes back into play at the end in a way that makes you feel so satisfied and complete? THAT'S what you aim for with literary devices like that. if you write a story that nobody can understand, with metaphors that just don't make any sense -- then you haven't really successfully told a good story, have you?

i understand wanting to have a magnum opus. i think it's easy to fall into the "misunderstood writer" mindset where you want your pieces to be so magnificent that only the likeminded will get it -- but writing is a form of communication. metaphor is just another means with which we can illustrate how we feel. you WANT your readers to understand what you're doing with the metaphors, you WANT the people who step away from your story to know what you were trying to say. you don't have to be obvious, just make it good. make it something that can be reasonably drawn from the text.

at the end of the day flowery language is just flowery language. that doesn't actually make your story good.

✬ grammar intermission

(.) period/full stop: used at the end of sentences. oftentimes not used at the end of sentences in dialogue, because lines of dialogue are considered a fragment of a larger sentence. use a period/full stop at the end of a line of dialogue if the dialogue is followed up by another complete sentence. example:

"i just went to the store," he said, scratching his head.

"i just went to the store." he scratched his head.

(,) comma: used in the middle or to separate different clauses (parts/sections) of sentences. used for incomplete clauses, AKA sections of the sentence that could not function as individual sentences. also used to indicate a slight pause. example:

she reached for the ripest banana, plucking it from the bunch.

a comma can also be replaced by a conjunction like "and" or "but". example:

she reached for the ripest banana and plucked it from the bunch.

(;) semi colon: used to separate different complete clauses in sentences, AKA sections of the sentence that are related but COULD function individually as their own sentences. example:

he sighed as he looked out the window; it had been so long since he stepped outside.

not to be confused with

(:) colon: used at the end of a line that leads into or introduces another line. example:

his fingers drummed restlessly against the window sill. it was finally happening: he was finally leaving this place.

(-) hyphen: used to connect compound words like three-years-old or hyphenated surnames like jones-smith.

(–) en dash: used to indicate ranges of time or distance, like 3–4 hours.

(—) em dash: a girl's best friend. slash j. but an em dash is used to indicate a few different things: an abrupt end to a thought or sentence, a "cut-in" where you interject something tangentially or unrelated before returning to the original thought, or a diversion in the sentence/thought. examples:

"no, listen, you don't understand—"

he scowled—an ugly look on his usually handsome features—and told her to be quiet.

it's not like she had wanted it to go that way—but when had it ever mattered what she wanted?

(()) parentheses: used to add additional context, information, or a semi-unrelated thought that would break the flow of an ongoing sentence without completely taking the reader out. example:

"no, i'm sorry. i just forgot to call you this morning," he said, looking away. (in truth, he'd sat by the phone for fifteen minutes trying to psyche himself into it, but hadn't been able to muster the courage.)

✬ show don't tell, and tell don't show

show don't tell is one of the classic pieces of writing advice that i do, often, think is correct -- but it's a little more nuanced than just never telling your readers what a character is thinking. you want the work to speak for itself without you implanting messages or themes into the reader's brain. at the same time though you don't want them to be doing too much work because it breaks immersion.

this ties into what i was saying above about simpler being better sometimes. you want to be concise especially in scenes that might call for it. a fight scene should be quick and snappy. no need to dig into the physical sensation of being enraged -- just say the character is pissed! but if a character is having a meltdown or panicking, you can get SO much more out of describing how that feels than just outright saying it.

✬ remember your perspective

another huge thing with show don't tell is that you don't want your character to be able to objectively say what everyone else is thinking and feeling -- unless that makes sense for them within the context of the story. really dig into it. DOES the character have a reason to know what their opponents, friends, etc are thinking? how well do they know the other characters? how attentive are they to the emotions of those around them?

it's better to focus on descriptions than labels in that case. say what face a character is making, describe their body language or tone. your character can have impressions, just make it clear that those ARE their impressions. and let your character be wrong! they do not have to be a completely objective source of information.

✬ when it comes to representation, if you aren't confident you can do it well, don't do it at all

i'm one of those people who's kind of of the opinion that white or cishet or otherwise systemically advantaged people have no place being the loudest voices in conversations about representation, least of all AS the representatives. if you are someone with systemic privilege and you choose to portray someone who is oppressed -- that's not necessarily a bad thing. but you need to be willing to do your research and have a sensitivity reader, and you have to be ready for people to say you did it wrong.

not much else to be said about that. your voice on the matter isn't actually all that important. there are people from the demographics involved who DO have stories to tell about themselves that will be MUCH more valuable than your perception of them, so it's honestly better to just let them tell it. that's how i feel.

✬ don't break the rules unless you know how to follow them. in other words, your rebellion should be obvious

a lot of times i see people breaking grammar or other rules and citing "stylistic" choices as their reasons why. which is all good and well, to an extent -- but you want it to be very clear that you ARE breaking the rules on purpose in a way that adds to the artistic merit of your piece.

if you don't know the rules, then it really just comes across like messy work. you both have to know how to apply the rules, and also how to break them in a stylistically significant way. if it doesn't make sense for the rules to be broken, if it says nothing... it's honestly better to just follow them. that's my take.

✬ don't be scared of names and pronouns

i said before that you want variety in your work, and that is very very true -- but it's also true that certain words like names, pronouns, etc will sort of blend into the background in writing. people don't notice them. that means if you're using a name or pronoun a lot in a scene to make it clear who exactly is being referred to...

hey. look into my eyes. breathe. it's okay. you do not have to resort to highlighting arbitrary characteristics of the characters. i know. just breathe. it's okay. use their names. they have them for a reason. it's all good.

this isn't to say that you SHOULDN'T do that, just do it when it makes sense to. if height is something the characters are noticing then use "the shorter boy". if age is relevant, eye colour, hair colour, whatever -- go ahead and use them. but don't be excessive with it. i should not be having to read the bluenette more than i'm reading shuichi's actual goddamn name.

✬ read

this is the huge one. reading other works informs your writing. it teaches you skills and tricks you can use. it helps expand your dialogue and your world view. it might even highlight to you things you do too much of in your own writing. read, all the time, whenever you can. it doesn't have to be books. it can be fanfic, articles, whatever -- just keep reading, because you will be passively absorbing knowledge during that time and it'll help you grow as a writer.

✬ practice

BOOOOOO TOMATO TOMATO TOMATO! SHE SAID THE THING SHE SAID IT!

but listen, it's literally just true. i write almost every day for at least a couple of hours and i have been on a trend of consistent growth for the past five years. go read my fics from 2019 if you don't believe me. i've grown fast and i've grown constantly. you just DO grow through constant practice, even if it doesn't always seem that way.

not only that, but you start to build confidence too. writing a lot helps develop those muscles to a point where you start to realise that you ARE that good and you DO have that dawg in you. or whatever. you just have to keep at it. you're not going to magically improve thinking for six months about how you want to be a better writer without practicing anything about it.

✬ yeah, betas are good

you want to have a good editor. i know that that can feel like having someone ELSE be the reason your piece is good, but that's genuinely not it. a beta reader is a second pair of eyes on your work, someone who can tell you about the issues and mistakes you're missing. they'll tell you when something doesn't make sense. they'll point out your punctuation errors. you don't NEED to have a good editor for every crummy little oneshot... but it's good to have one.

✬ numbers are fine and all but don't compare yourself to other people

i think almost everyone in some kind of creative pursuit wants to get some kind of acknowledgement for it. we want to be the best we can be, and it can be discouraging to receive utterly no validation along the way! i get it!!

just don't get caught up in crunching the numbers. you are not as good as your fanbase is. you alone know your skillset and you absolutely should not say "well this other writer got THIS much attention" because that'll just wear you down. it really will. external validation will only keep you going for so long, and you'll always end up needing more. you HAVE to build your own personal confidence first or you'll crash and burn.

✬ read your writing out loud

there is no quicker way to see if something is wonky in your prose than reading it out loud and seeing if it makes sense verbally. i highly recommend this to anybody who struggles with sentence flow. it's a good one.

✬ yippee hooray!

🥰 and that's what i've got for now. thank you if you made it this far, please take all these tips as you will, it is all subjective of course, these are just the tips that help Me the most when i sit down to write something.

please feel free to ask me for additional advice (on specific topics if you could!) at any time, i love encouraging new writers and i am passionate about writing so i will gladly offer support in any way i can, including beta reading works for anybody who might need that.

take care now 💖

[wheels-of-despair]

The Letter Pairing: Eddie Munson x You Summary: Evil Woman gets a letter in the mail and says it's not a big deal… but to Eddie Munson, it's a very big deal. Contains: A misunderstanding, a dumb boy, a happy ending. Words: 1.4k

Eddie knocks twice, just to announce himself, before letting himself inside your house. "You don't have to knock, Eddie, you basically live here," they'd all told him several times, but he still felt like they deserved a warning.

Her mom has pulled a chair from the kitchen table closer to the phone mounted on the wall. She smiles and waves at him, gesturing for him to go on to the bedroom where his other half is probably getting ready for their favorite kind of date: Markdown Day at Tape World. They'd raid the clearance bin for new cassettes, then stop by the pretzel place for their usual. He'd get something salty, she'd get something sweet, and they'd split both and wash it down with a shared pop. Perfect.

"Yeah, the letter came earlier this week. She's playing it cool, but I think she's excited. She'll fit right in at Penn."

Eddie feels his blood run cold.

Of course the child of two college graduates is going to college. The thought had crossed his mind a few times, but he was always able to distract himself and banish it. But now…

His feet carry him to her bedroom while his brain spirals.

"Hey! Ready in a sec, just let me finish… oh, fuck it." She slams her textbook shut and tosses it from her place on the bed to the backpack by her desk. She rolls her eyes when it misses, then gets up to shove it into her backpack. She may not be getting a basketball scholarship, but of course she's college-bound.

She could have a real life. A future. A career. She could do anything. Hell, she'd taught him things in a week that the teachers of Hawkins High had been trying to beat into him for years. She's a fucking miracle-worker. Why would she stick around a shitty little town like this? For someone like him?

"Priorities," she smirks, wrapping her arms around his neck. She's so fucking beautiful. How is he gonna keep existing when she's not here? "You okay?" she asks, tucking a wayward strand of hair behind his ear. "You look paler than usual."

He closes his eyes and nods. She feels his forehead. If she cared so much, why would she leave him? "You sure?"

"I'm fine. Just tired," he lies. He misses her already. "Ready?"

She kisses the tip of his nose, and he tries not to cry.

"Let's blow this popsicle stand," she grins, grabbing a jacket.

Eddie forces a smile and feels his heart breaking.

*~One Week Later~*

"Switch those two paragraphs around, and I think you're good," you note, passing Eddie his essay back. You're sitting beside him at your kitchen table. Your brother is making a sandwich at the counter. It's the picture of domestic bliss.

"Thanks," Eddie mumbles, sticking the paper back in his English folder.

"We still on for Tape World tonight?" you ask hopefully. Maybe a good deal on some new music would perk him up. God knows he needs it.

"Dunno," Eddie mumbles without looking up, "got a lotta campaign stuff to work on."

"It's Markdown Day," you remind him.

He shrugs and starts gathering his stuff.

"Alright, what's your problem?" You snap the book in front of you shut, making your brother jump instead of Eddie. Oops.

"No problem," he lies, still not looking at you.

"Bullshit. You've been going back and forth between clingy and distant all week. What's your fucking problem, Munson?"

"I don't have a fucking problem," he spits as he starts shoving stuff into his backpack.

"Kay, this was fun, but I've gotta go do literally anything else!" your bother announces loudly as he scampers back to his room with his hastily-made sandwich, leaving his PB&J supplies open on the counter. Like he was raised in a barn.

You wait until you hear his bedroom door slam before you continue your attack on Eddie, who has run out of room in his backpack. (Your lunchbox, Eddie. You shoved your lunchbox in there.)

You put your hand on a folder and slide it toward you, out of his reach. He glares.

"Talk to me."

"I am," he says defiantly.

You consider beating him to death with his math folder.

"Give it," he orders, reaching out a hand for his folder.

You slide it further away from him, daring him to come get it.

"Or don't, I don't fucking care, I'm just gonna fail again anyway." He drops his overstuffed backpack on the floor and stomps toward the door.

"Eddie!" you call in shock. You stand as if you're going to physically stop him from leaving, but your feet don't want to move.

He gets to the kitchen door and puts his hand on the knob, but doesn't turn it.

"When were you planning on telling me about getting into college?"

"What?"

"I heard your mom on the phone, talking about your acceptance letter," he says to the door.

"Oh."

"Oh?" He turns around with an accusatory glare.

"I didn't think it was that big a deal," you shrug. And it wasn't... to you. You knew he was sensitive about the subject. He visibly bristled when anyone mentioned the c-word. You planned on breaking the news to him after graduation. One thing at a time. And right now, getting a high school diploma in Eddie Munson's hand was the only thing that mattered to you.

"Of course you wouldn't think getting into college is that big a deal."

"Eddie, I didn't mean it like that," you say gently.

"I guess moving a few hundred miles away from me isn't that big a deal either."

"What?"

"Don't play dumb, alright? I know you're going to Pennsylvania, where you won't have some dumb loser townie holding you back. Your mom seemed real happy about it."

Pennsylvania? You're going to… you connect the dots, and a laugh escapes you. You clamp your hand over your mouth.

His eyes fill with tears. "Yeah, it's gonna be real fuckin' funny when the love of my life runs off and forgets about me, just like everybody else did as soon as they graduated." This boy is giving you emotional whiplash. He turns around and reaches for the doorknob again.

This time, your feet cooperate. You rush over and wrap your arms around him from behind before he can get the door halfway open, and he tenses. You can feel his sides shaking. He's trying not to cry.

"That's not gonna happen."

"Bullshit." His voice cracks.

"Eddie, that's not gonna happen to us. Look at me."

He takes a shuddering breath and turns around, but keeps his eyes on the ceiling as he tries to blink back tears. You go in for a hug anyway. He resists for a second, but soon gives in and wraps his arms around you.

"I love you," you say into his neck.

Silence.

You thump him on the back. "Say it back."

"I love you, too," he mumbles.

"Do you trust me?"

He pulls back and looks at you with his big wet eyes and nods. You cup his face, kiss him on the tip of his nose, and smile. "Come with me. I gotta show you something."

"What?"

"Just come on," you grin. "Let's go for a little drive."

You scribble a note for your brother, in case he dares to venture out of the safety of his cave before you get back, and lead Eddie to the car.

Nineteen silent minutes later, you pull into a parking lot, find a space, and turn off the engine.

Eddie looks around quizzically at the parked cars, the people rushing by, and the bodies lounging on the grass. Then he looks to you.

"Where are we, Eddie?"

"Isn't this where your mom works?"

"Yeah. But where are we?"

He stares at you blankly. He's lucky he's pretty, because he is so damn dumb. You've never loved anyone more.

"C'mon," you smile, getting out of the car and waiting for him on the sidewalk. He watches you from the passenger's seat for a moment, until curiosity gets the better of him. You wait patiently, then hold out your hand when he approaches. When he takes it, you lead him toward the main building, where your point will be easier to make.

You stop and point at the massive stone sign. "What's that say?"

He huffs out an annoyed breath and reads, "Pennhurst Coll… oh." You see the realization dawn on his face, soon accompanied by a blush. "I'm an idiot."

"You're my idiot," you grin, pulling him close. "And I'm not going anywhere without you."

A Note From Wheels: Honestly can't remember if I've ever mentioned it, but in my mind, Evil Woman's mom has always been a college professor. 😂 EW will be attending Pennhurst because it's cheap (well, free, since Mom's got the hookup) and close to Eddie. 🥰 I'd imagine Pennhurst is not a very prestigious university, so Mom could probably get Eddie in if he wanted to go. (He absolutely does not.)

[copperbadge]

Amateur Translation Programs

So I had a lot of imaginative and informative responses to my post about looking for an amateur translation program -- something where I could load in a foreign language and it would insert a box where I could add a translation every-other-line. The idea was that this way I could practice translation with more advanced texts, and texts I chose, and thus move away from Duolingo, which at this point is good for drilling and daily practice but not for more advanced learning.

I didn't find precisely what was needed but I did get some inspiration for further explanation, and I also learned that adding the term "glossing" (thank you @thewalrus-said) into my searches helped a great deal in terms of weeding out programs that were either "Let this AI translate for you" or just endless promotional links for Babbel and Duolingo and such. I thought I'd collect up the suggestions and post them here; at the end I'm including my best swing at designing what I wanted, and why it doesn't work yet.

Suggestion one, from many people, was various ways to generate a page that is simply fixed Italian text with space underneath each line to add in a translation. This is pretty simple as a process and there are sites that will do it for you, such as this one that @ame-kage suggested. However, most of these don't allow for movement in the Italian text, and many produce a PDF which you would need to print out in order to write on unless you're willing to open it in Acrobat (and deal with Acrobat). A good solution for some but not what I'm looking for purely because I'm trying to make this super frictionless so that (knowing myself as I do) I will actually do it.

I did find this version interesting, suggested by @drivemetogeek: Have one word doc saved as your "template" doc and set the line spacing as 2.0 or higher. Select your text from source and paste it into the template doc as text-only. Ctrl a, ctrl c to select all and copy, then open a new document and "paste special" as picture. Right click and set the "wrap text" as behind text. Now you have a document where you can, basically, type over the existing text because it's the background of the page. This seems like the most frictionless version, because you could set up a bunch of them ahead of time. If you wanted to move between desktop and mobile, however, you'd need to ensure that the pasted image was fairly narrow so that you don't have to sideways-scroll.

Relatedly, people suggested generating a document that is simply the Italian text with empty space beneath it for typing in of the translation. This can be done either semi-automated, using a macro or a language like Python, or find-and-replace on, say, the stops at the ends of sentences. It basically outputs the same as above but with a more digitally accessible format, without any more effort than above. If you were to do this in Google Sheets you could also fix the column width so that it didn't do anything weird when you opened it on your phone. But it is still very friction-y, and does not allow for easy shifting of the Italian as needed. There's high probability of the translation breaking weirdly across the page. Still a top option in terms of simplicity and access.

@smokeandholograms suggested another variation illustrated here where essentially you're converting the text to a series of tables, with each paragraph a row, and an empty cell next to it for the translation. I might play around more with this one eventually, since I think I could possibly make it a three-column and put the Italian in one, the translation in the next, and the auto-translate to let me know where I might be slipping in the third. (Not that I trust auto-translate but comparing a hand translation to an auto translation can be useful in terms of working out when I've messed up the way a tense or mood is read. I tend to read indirect verbs as automatically imperative because I'm a weirdo.)

@wynjara linked to an add-in for Word specifically designed for translators, known as TransTools; this appears to employ a macro to do the same thing, though it does have a format where you can place the translation next to each sentence directly rather than in a separate cell. The full suite of tools is only $45 which is reasonable for my budget, but for what I need I think I could also just create the macro.

Using LaTeX as a tool specially designed for glossing was an option on offer, but I don't know enough about LaTeX to figure out the pros of this one, which is in itself the major con -- there's a learning curve that I think varies widely by person but for me is unfortunately a wall. It came out of a discussion on Reddit about trying to find something like what I want; also in that discussion is a link to a code generator that allows you to…do something…to the initial language, but it's not entirely clear to me (I'm sure it's clear to people who understand coding) what you would then do with it that would allow it to be output in the way I'm hoping for. Like, I could turn a paragraph of text into HTML, I understand that far, but any Italian I find is already on a website.

Moving more into apps that might work, Redditors on the LaTeX discussion suggested SIL Fieldworks, which is a professional language tech tool. Fieldworks isn't a program I'd previously encountered but much as with the ones I had, it looks like the learning curve is fairly steep and it is definitely overkill generally for what I need, though it might also harbor within it the thing I want. It is free, so I may download and play around with it.

@brightwanderer suggested using note-taking or "whiteboard" apps such as Freeform or Nebo; these are generally a kind of "infinite canvas" in which you can drop objects, text boxes, or handwriting. I don't know that Freeform would be measurably different to just using Word and a macro, since I'd still have to input/format all the text and then be stuck with the same "fixed text" setup -- and it's also iOS only -- but for some folks it might be more helpful. Nebo is a similar infinite-canvas with unfortunately the same issues, though on the plus it's available for Android, which is where most of my mobile property resides.

@bloodbright suggested that I was looking for a CAT tool, a professional translation tool mainly used by translators working in the field. This was a concept I'd encountered, but I hadn't found a good starting place. They suggested Smartcat and OmegaT. Smartcat bills itself as an AI translation platform and is HARD pushing the "don't translate it yourself, hire a translator or let AI do it" angle, so it's difficult to tell what it offers in terms of actual tools for translators, and it's also cagey about pricing, so I can't really evaluate it. OmegaT is free and gives off big "some weirdo homebrewed this in their basement" vibe (which I am here for) but I also recognized it from screengrabs that were the reason I veered away from professional-grade software: it looked too complex. Realistically, the major downside of OmegaT is that I don't think I can put it on my phone. One thing I did find interesting is that once you translate a portion of the text, the original language goes away, though I assume you can turn that off if needed. I do kind of like that because it means my distractable brain is looking at Less Stuff.

So where did I end up?

Well, it looked like I was going to have to try a homebrew myself. I had the idea of trying some of the initial suggestions but in reverse -- designing a document where every other line was a single-cell table fixed to the page. You could paste in the Italian, which would wrap around the cells, and then enter the English in the cells.

You can fix a table in place in Google Docs -- you click on the table, then under Table > Style select Wrap Text, Both Sides, and Fix On Page. Getting the whole page set up is a little labor intensive but once you did that, you could just save it as a template and make a duplicate of it each time. And this actually works….on desktop.

Unfortunately, if you open it in the mobile Docs app, the app can't handle the fixed tables and automatically moves them all to after the text that's been pasted in. I tried redesigning it so that it's a table within a table -- one for the Italian, then within that a series of them for the English -- but when you nest a table in Google Docs, it doesn't let you fix the second table in place. And you are also still dealing with the wrap issue, although you can resize the page and add a large right-hand margin as a kludge of a fix for that.

You can build this same kind of document in Word, so I tried building one in Word and then uploading it to Drive, but when you open the Word file in Docs (or in Microsoft Word for Android), it still strips the fixed positioning -- there's just some functionality missing from both apps that doesn't allow them to handle fixed-position tables.

So, the design is sound, just not the final execution. If I could program an app, I could probably remedy the issues with it -- it's simply a series of text boxes nested inside one another with different formatting. I would imagine that's relatively basic to set up, although given that neither Docs nor Word can handle fixed tables in mobile, perhaps I've stumbled on a much bigger problem that everyone is ignoring because nobody actually needs or wants fixed tables in mobile. :D

Experimentation is ongoing, anyway. I might simply have to resign myself to the fact that my translation study is going to have to be in front of a computer, which might be for the best anyway when I inevitably want to compare my translation to an auto-translate to see where I might have read something wrong.

[cornyonmains]

I finally got around to watching X-Men '97. It was better than it had any business being, and I'm just so disoriented.

Episode one. Almost immediately you know they've got someone on the deck who knows how to hide gay shit, because one of the first things you see is Gambit in a crop top.

So, Charles is MIA, but he put Magneto in charge. He rolls up on the mansion looking like a whole-ass Herbal Essences commercial. Him, Rogue, and Gambit spend most of the season in horny jail, and I'm just sayin' Krakoa can have more than one threesome but I digress.

Morph is thirsting hard for Logan. There's a brief scene where they're going to troll him in the shower that looks like something I read on Joe Phillips' website in 2003.

Scott Summers has finally gotten his day. He's still so tightly wound you could use him to launch a cotton ball through Wolverine's skull, but you finally get to see him be as good as he is in the comics. They had him ice skating around with his beams, doing figure eights before he ass blasted sentinels into next week. Bishop was there, he ass blasted them back to the current week to avoid a paradox.

There's a scene where Scott tells Logan not to break Jean's heart. We all know what's going to happen on Krakoa. I did not miss that shit.

Where's Storm you ask? In horny jail with Forge. In the desert. Fighting demons and horseback riding. Jubilee? Locking down a sugar daddy and finally having her powers developed.

And all this isn't even going over the plot, which is genuinely good, and deals with heavy subject matter such as discrimination and genocide in heavy tones that don't condescend, instead of that after school special kind of tone cartoons that aren't specifically geared towards adults often have. The kids watching are going to hate the villains passionately instead of just finding themselves waiting for the X-Men to save the day.

Did I mention Magneto's fabulous hair yet? It looks like what would have happened of Fabio had believed it wasn't butter. Or if Farrah Fawcett found that flower from Tangled. He looks like he's having the kind of sex you read about in dogeared copies of Lost Souls during your teenie goth phase.

I wish I knew how to take things seriously enough to give this show the review it actually deserves, but I'd get two paragraphs in and decide I want to play Scribblenauts instead. Anyways, my point is, watch the show.

[archon-maenad]

oh my goddddd I am so so so not normal about the concept of the endbringer truce, even more than I am about kill orders (and I am very not normal about government licensed assassinations).

the endbringer truce was ratified. and cauldron was obviously responsible for it crossing from cultural phenomenon to an actual set of laws, but to push that in the first place they had to make sure the concept was deeply important. and it is, it's become a cornerstone of both caping and just being a citizen of earth bet.

that leads to a lot of different ways to look at the concept. there's the cynical outlook, the bitterness the ordinary citizen feels when villains get away with running roughshod over them just because they show up to endbringer fights. heroes have their own flavor of this too, because there's a very real sacrifice of morals that comes from working with a nazi. even if people agree the ends justify the means here that doesn't mean those means don't cost you something. no hero on bet has clean hands, and they know it.

then there's the emotional outlook, where all the feels congeal. I'm such a sucker for humanity banding together, even in the face of hopeless odds, and the endbringer truce makes me tear up when written right. a week from now they'll be at each other's throats but in the moment, with levi or behee or simmy looming above, with the wreckage created surrounding the aftermath, villains and heroes work together. it's beautiful.

and then there's maybe my favorite aspect, the comparative outlook. how starkly the differences in mindset are between earth bet citizens and those of other worlds enchants me. that society has normalized setting aside grudges for the sake of survival in a way that most people can't, because the emotional hurdle is too much to pass even if they get the logic, and stories where that shows are just the best.

I read a post-gm isekai fic where taylor's gambit to rally a group of people against a bigger enemy failed, and that moment stuck with me because she specifically noted that it failed since she assumed the world would have responded like bet would have, and that even baseline humans from her home dimension would have understood the plan. and y'know what they fucking would have. because everyone agrees you Don't Fuck With The Truce.

having to actually explain first why the truce is important just did not occur to her, the argument was focused on why the enemy was obviously truce-worthy. but tay listed out the core concepts and people Did Not Get It and that was such a wild bit of culture shock from her perspective. being too cowardly or morally uptight or selfish to put aside grudges so you can survive gets culled real quickly on bet, but in that new world it was the norm.

it also let to a hilarious moment where she stone cold maimed (or maybe straight up bodied I don't remember) a guy who broke truce and to her surprise people were absolutely horrified. for once tay was not actually trying to deal psychic damage and someone sane could agree that everyone else is overreacting, because maiming or killing people who break truce when birdcages or life sentences aren't available is a completely reasonable response on bet!

I love exploring culture shock and reactions to it in the context of earth bet citizens on other worlds, and the endbringer truce is one of my favorite avenues to do so. it's status as a cornerstone of that society led to a fundamental shift in mindset that truly I am very very very not normal about as evidenced by this nine paragraph post about it.

[dr-spectre]

Ranting about the Splatoon Fandom Wiki....

I wanna quickly make fun of the Splatoon fandom wiki because like most fandom wikis, it's covered with ads unless you use an adblocker, is poorly formatted, poorly structured, has less info than Inkipedia, doesn't update frequently, has missing information, and genuinely is less "professional" than Inkipedia. It also just copies and pastes info from Inkipedia too so there's that as well... I'm not exactly sure how fandom wiki works and how the moderation works but it seems scattered and not good enough by any means.

Like Callie's page for example has this weird ass paragraph that says Callie was left unstable after Splatoon 2??? And it contains a lot of errors and a very weird subjective piece of text in what is supposed to be an objective as possible page, cause you know, ITS A WIKI!!!

She wants to splat shielded Octarians over and over again because that's just in line with her character, she's energetic and silly, she doesn't give a fuck that you need to go behind them to attack them better, she's just gonna splat them up front with her roller, that's just who she is, she represented team Show No Mercy in Splatoon 1 for a reason. Also that dialogue is cut off from what she actually says to further paint this idea that Callie is some broken unstable girl who was a victim of kidnapping and forced brainwashing, for some fucking reason i don't know. I can't even seem to find the original dialogue they stated because THEY DON'T LINK SOURCES!!! HOW DOES A WIKI NOT PROVIDE SOURCES TO THEIR QUOTES!?!?? WHAT!?? I tried checking Inkipedia and even they don't have this dialogue from Callie, so idfk man. All I know is that the dialogue was cut off. Ugh...

From my memory i don't even recall Callie having a new facial animation where her pupils shrink, or it's just so incredibly minor that it's not worth bringing up at all. She also wasn't smiling to hide her panic when her grandfather was kidnapped and insulting Mr. Grizz what the fuck? She was frowning when Cuttlefish dried up and died for a moment!! She was UPSET! and didn't hide it at all! What the hell?! Also facial animations in Splatoon work by the characters swapping between different mouth presets in quick succession, you can see it for yourself when you watch the Idols perform and sing, their mouths don't move smoothly and it makes sense because their language is just gibberish and clipped together audio clips. You can't animate that smoothly unless you spent an INSANE amount of time to animate their mouths incredibly smoothly to match the intentional gibberish and messy vocals. And you gotta do that for EVERY. CUTSCENE. IN. THE. STORY. MODE. That's why the developers just do the cheaper and simpler option to save on time, money and labour.

The "Plenty!" line in response to Shiver's "what is wrong with you?" Is most likely a reference to her quote on quote "airheaded" personality and a subtle nod at her putting the shades back on again and again.

Callie does seem to have mental health issues but it wasn't caused by some "brain warping evil shades oooo", it was due to various things prior to that. Waking up very early in the morning every single day and working non stop, getting harassed by paparazzi, being incredibly lonely and having a strained relationship with someone you used to care about would fuck up anyone's mental health and cause you to overthink and make bad decisions, like join the Octarians and end up wanting to adopt their ideals due to not wanting to go back to your old life and having to deal a fractured relationship with a family member that you think insulted you multiple times on live television, and those feelings and that darkness inside your heart get further amplified by hypnotic shades that cause the restraints in your head to finally break through. But i digress....

Another BIG issue with the fandom wiki is that it's not updated at all, it's extremely outdated, you can check for yourself, find your favorite Idol or character and see if they have the latest info on them, chances are, they don't.

Marina's page is missing Side Order information and new songs.

Shiver's is missing a LOT of gallery and Splatfest information. (No info on Suffer No Fools and "What would you do at world's end?" Splatfest)

Same with Frye. (Frye has the most up to date info on her Splatfest wins and loses yet Shiver doesn't? Huh?)

DJ Octavio's page spreads the incorrect narrative that he uses music to directly control Octarians which has been proven false.

Inkipedia gets it right by saying it's more like propaganda and military marches.

(Although i have my own personal issues with how sometimes Inkpedia talks about Hypno Callie but at least they bothered to include the god damn relationship chart in her page.)

Yeah the Splatoon fandom wiki is just.... bad man. it's awful. It's dogshit. Sometimes i see it as the top result when i search for characters and other Splatoon related content, i don't want casual fans and newcomers to go on that website which has false and outdated information. Please give all the support you can to Inkipedia. It's incredibly rich in information and updates fairly quickly. As a game wiki it's insanely well put together and one of the best wikis out there. It's amazing. If you want to do a wiki scroll and you're mildly interested in Splatoon then it's a great place to get lost for a while and spend some time in.

I just wanted to do a little ranting is all right now. I know that a large majority of people in the community don't like the fandom wiki and Inkipedia is superior by 10000000x but. I just wanted to rant a little. Get my thoughts out there. I'm too attached to a certain cephalopod woman to let poor information about her slide under the radar.

[btr-rewatch]

Big Time Rush Season 1, Episode 18: “Big Time Concert” (Part 1)

Well, it only took me (checks blog) 35 weeks, but I finally made it to the last episode of season 1. Much like "Big Time Audition," this one will probably be posted in multiple parts. Let's jump right in.

Highlights: Like one paragraph of actual episode content, followed by me spiraling into a rambling over the original unaired BTR pilot

The boys run into Gustavo's office all excited. Their first album is finally complete!

They're also going on tour!

Their first show is in two weeks, and we get a daydream sequence where the guys imagine what the performance might be like. The footage from their fantasy is actual footage from a concert they performed in Times Square. I think it might have been their first-ever actual performance in front of an audience like that?

I remember watching that concert special when it premiered on TV.

Just like when they first arrived in Hollywood, Gustavo enlists the help of Mr. X to put them through some grueling boyband boot camp. But with an added twist.

After a montage of the boys bumping into each other, running into walls, and falling off the stage, they make a break for it and run to a nearby supply closet to hide. Sensing his buddies are close to throwing in the towel, Kendall launches into what might be my favorite opening lines to one of his pep talks.

Leave it to Kendall to be like, "On top of his terrible personality, you know what else Gustavo is? Ugly."

At the urging of the other three, Kendall puts his speech into hockey terms, and that made me think about how several of Kendall's pep talks this season have included hockey analogies. I wonder if that carries on through the rest of the series. I know they continue to sprinkle in reminders that the guys are into hockey, but I don't remember it being quite so prevalent as the series goes on.

Onto the Katie storyline. She's up in 2J, hard at work making BTR shirts to sell for the upcoming concert tour. Mama Knight isn't thrilled with the idea of her daughter becoming a bootlegger, but she's swayed once she hears how much money Katie stands to make. I do like her initial reaction to hearing Katie's plan. "How did you get like this? I never dropped you. Not once."

We go back to the guys, who have returned to their concert training where Dak Zevon is ready to teach them all about the art of dealing with rabid fans.

I don't think I've mentioned him much, but I love Dak Zevon. What a fun, goofy character. Curt Hansen is great in the role, and I am always SO GLAD that he was replaced as the original series lead. He's a wonderful Dak, but not such a great "Curt Knight." I remember watching clips from the original pilot back when they were first leaked, and it was like catching a glimpse into a weird, alternate universe. The audition scene especially!!

(this is something I probably should have included in my posts on Big Time Audition, but I didn't think to at the time)

LIKE!!!! Everything about this is so off. Even Gustavo doesn't "feel" like Gustavo. He feels reserved. Not nearly as loud and angry and exasperated as the Gustavo we all know and love. Where's his fire??

It is nice that James got to sing more of his audition song, though!

But the entire scene is off. All of it. Curt is talented, but BTR needed Kendall. I genuinely, truly believe the series (and band) wouldn't have gone on to be successful without him. I'm not sure it even would have survived season 1.

Curt has too much swag?? That's the best word to describe it. He's too pretty boy. Plays the character much too confidently, like he KNOWS how cool and handsome he is, which is so. Not Kendall. Even just the mannerisms. It's hard to put into words, but there's something almost...dainty (?) about Kendall Schmidt's performance throughout the whole series. Like...his mannerisms at times, the way he moves. He's Mr. Captain of the Hockey Team Jock Guy, but he's also delicate? Does anyone know what I'm talking about???

↑ this

Basically, Curt is no tall, blond, and eyebrows. I don't see him having been able to pull off the same level of physical comedy that Kendall does or having that same level of anxiety Kendall carries with him—that constant frenzy of fixing everything and worrying about everyone and holding things together.

(and don't get me started on the original Knight family. That whole scene feels like something out of a bad Disney channel movie)

Well...that was a fun little rant. All that to say that I DO genuinely enjoy Curt as Dak, and I think everyone ended up exactly where they were supposed to be.

Let's pull this massively derailed thought-train back on track. Dak has the guys practice running along the stage to high-five fans. James goes first and is immediately pulled off stage and disappears into the sea of rabid fans. The response to this is delightful.

And because I got so sidetracked while making this post, I'm going to put a bookmark in it right here. Guess we'll find out James's fate in the next one.

[writingjourney]

I’m in need of some advice and kind words. As a fellow writer I’m really struggling to believe people will and want to read my stuff. There’s no real engagement anymore and I’m worried that if I post my long-form fic that no one will give it a chance. It’s really bringing me down because I love it so much but it feels like no matter what I try to do my stuff just doesn’t get seen or liked? I’ve even thought about changing my entire way of how I do things since I don’t think the way I write is working for the masses. How do you keep up the motivation as a popular writer and do you have an advice?

Hello anon!! I feel like this is something many of us currently deal with. And first of all I seriously hope that you do share your story!! ♡

To be completely honest with you the lack of engagement in the fandom has for sure impacted my own motivation which is why I haven't been putting as much time into longer fics (nor the Friday Nights series or IKNBS, I do write but I refuse to force myself). I don't feel any urgency because uploading fics hasn't made me as happy as it used to. It feels like only other active writers are reading fic atm and it creates a lot of pressure on creatives to stay super active.

I'm aware that I'm insanely privileged to have the engagement that I do have, that the type of stories I want to write are also the type of stories that generally seem to appeal. However, engagement tells you NOTHING about the quality of your work, only how many people are active in a fandom or like a specific pairing/character/trope. Your own unique voice matters more than numbers.

I also notice that a lot of people who used to read my works have disappeared which I completely understand. The fixation can ebb away during times of inactivity or when a certain hype dies down. People just don't get that dopamine hit anymore and move on. It's also entirely possible they get tired of a certain style of writing and prefer other writers at times, what do I know. I definitely don't blame anyone for that. First and foremost people should read for their own enjoyment and engage with fandom in a way that makes them happy. It makes no sense to pressure people into engaging. A huge issue right now is people overthinking these things which makes support transactional instead of genuine.

I don't care much about notes but I REALLY miss the feeling of sharing a fic with people who are excited for it, that sense of an active community. BUT the activity will come back – the movie will come out, new music and videos, heck even a whole new Papa!!! That's the natural flow of things. We can't be excited and super active all the time, we need phases of calmness as well (which is an act of rebellion in the capitalist hellscape of overproduction and churned out content. I am honestly glad Ghost is taking it easy).

Now, I recommend you write your story exactly how you want to!!! do NOT change it for the sake of popularity because it will lose its very soul and you will struggle to be happy with it by the end. You know how you want to tell your story and nothing else matters. It will find its readers or you can wait and share it at a later point. I recommend that you approach other writers and readers and intensify that contact, make friends and talk to them about your stories, hype each other up, share snippets. It's even more meaningful to know people you like enjoy what you do. I am currently working on super niche fics for non-Ghost characters and I'm honestly having a great time chasing that dopamine by just writing what I'm really into and sharing it with friends. Fandom is community, fandom is fun and we can work to make it better for everyone.

A few general tips when it comes to making stories accessible: Format them to be readable (paragraphs!!), add a "read more" break, add proper content information and a nice summary to draw people in, add some visual appeal like a banners or stock image edits (like i do for IKNBS) and then tag the fics with relevant tags (and only those). Also make sure to tag the OG post, tags on reblogs do nothing for reach. Engage with the community when you feel like it and it's likely that the community will engage back. Being supportive is worth it, being kind is always worth it even if it amounts to nothing.

[tea-cat-arts]

Disclaimer: this is 3am rambling. Whether or not this rant ends up being a cohesive thought is between me and God. Also, I'll be switching around what pronouns I use for Shi Qingxuan and He Xuan every paragraph

"Shi Qingxuan should've chosen He Xuan! Shi Qingxuan would never chose anyone other than his brother-" man, if choosing He Xuan was one of the options he was given, I honestly do think Shi Qingxuan would've taken it.

Cuz here's the thing: Shi Qingxuan was thoroughly sick of their brothers bs. They wanted to go their own way, they wanted to break out of the house, they wanted to handle their demons on their own, they wanted to choose their own gender expression without getting told to "put that thing away", they disagreed with their brothers actions and what he did to turn them into a god... they wanted to get away from their brother, but they never got the chance to unpack or deal with any of that because both of their lives were constantly being put in danger (so they were kinda distracted).

And I don't even know where to start with how Shi Wudu had been breaking down their self esteem, getting them to second guess all their wants/desires/choices, and pulling the "big brother knows best" card on them for god knows how long. I know it came from a place of love, but it still had to have done something to Shi Qingxuan's brain chemistry

Shi Qingxuan options were never "He Xuan or her Brother," it was "chose to abandon your luck for both your lives, or chose yourself and become a murderer" so ya, of course she's gonna go with the first option because she's not a terrible person. Shi Qingxuan probably would’ve chosen He Xuan (who was her best friend, who'd been going along with her antics for centuries, who remembered which resturant she wanted to go to even after the breakup), but that wasn't a card they put in her hands, and even if it was, its not a real card if she had to kill her brother to get it. At that point, giving up revenge and finding love again wasn't an option He Xuan had even considered yet, and it'd be unreasonable to suggest Shi Qingxuan should've come up with a secret third option off the top of her head given she only knew the full story for like what? A minute before she was forced to make a choice? And even though she tried choosing the option that would hurt the least amount of people, Shi Wudu could not for the life of him respect her choices. Kinda makes me think Shi Qingxuan never really was given any choices to make in the first place 😒

Anyways, I'm choosing to believe at some point, He Xuan realizes this, spends the rest of her life trying to make amends, they get some time being a ghost couple together, and then they eventually find peace and disappear into the afterlife

[brighteyedbushybrowed]

𝐂𝐨𝐦𝐩𝐥𝐢𝐦𝐞𝐧𝐭𝐬

𝐒𝐮𝐦𝐦𝐚𝐫𝐲 The Papas and Copia and how they react to your compliments. 𝐌𝐮𝐬𝐡𝐲 𝐌𝐚𝐲 𝐏𝐫𝐨𝐦𝐩𝐭 Compliments 𝐒𝐡𝐢𝐩(𝐬) Cardinal Copia x GN!Reader, the paragraphs for the other Papas can also be interpreted as Papa x GN!Reader 𝐂𝐨𝐧𝐭𝐞𝐧𝐭 No smut but mentions of sex in Copia's section so 18+ only, MINORS DNI 𝐖𝐨𝐫𝐝 𝐂𝐨𝐮𝐧𝐭 588 words. 𝐍𝐨𝐭𝐞𝐬 My body is too warm and it's making sitting in front of my laptop uncomfortable so I'm using today to take a break from writing Mary fics. I've v briefly proofread this to make sure I don't use gendered pronouns or terms for reader but if I've missed any lmk! 𝐊𝐨-𝐟𝐢 𝐓𝐢𝐩 𝐉𝐚𝐫

When Primo receives a compliment from you, it’s usually waved away dismissively as he mumbles something along the lines of ‘you waste these words on an old man like me instead of one who would appreciate them more’. It doesn’t stop you giving them to him though, now written on a note attached to a new plant or flower you’ve bought for him to plant in the gardens so he can’t brush them off. He always finds you afterwards, lightly chastising you for being far too kind and generous to a man of his age. Every time, without fail, you press a kiss to his cheek and tell him to stop being silly. It makes him smile fondly.

Secondo pretends not to be affected by the compliments you give him. You tell him he doesn’t need to put on such an act around you, and yet he does it anyway. He grunts, muttering about how you’re exaggerating and trying to be modest. Your compliments are always accompanied with a pot of tea served with his favourite cups and saucers and a plate of amaretti biscuits that you’ve freshly baked that morning. Sure, he grumbles about being distracted from his duties whenever you enter with a tray laden with biscuits and beverages, but he makes sure to thank you before you leave every single time, lips pressed to your forehead in gratitude as he promises to thank you properly later.

Compliments between you and Terzo become a competition. You’ll engage in compliment combat each time you cross one another in the corridors, lashing one another with kind words and affection until one of you smiles or laughs first. It used to startle the siblings of sin when they passed you both in the corridor during these times but now it’s such a common occurrence that they merely shake their heads and chuckle before continuing on with whatever they were doing prior to encountering you both. Terzo has won more of these compliment battles than you have and you’re okay with that. Just getting to see him smile and bask in the affection you offer him brings you an endless amount of joy.

At first, Copia didn’t deal with compliments too well. Each time you complimented his outfit or his moustache or even something his office space he’d bristle, assuming you were making fun of him like your fellow cardinals used to before he became the frontman for Ghost. It took months of building up trust and friendship for him to realise that you were being genuine and honest, showering him with affectionate words and reassuring smiles. Lingering eye contact and the touch of an arm that lasted longer than perhaps was appropriate between the two of you became more and more frequent.

Eventually, the kind words and compliments you exchanged resulted in him bedding you. Featherlight touches exchanged between two cardinals pining after one another became caresses and kisses in places that had you arching your back, aching for him. Whispers and giggles became moans and whimpers as you explored one another’s bodies in the dead of night, sneaking around the cardinals’ quarters and other places in the abbey after curfew. Shared books passed to one another innocently in the library became an excuse to meet up there after hours and desecrate the librarian’s desk with your head between his thighs and vice versa. What had started out as acts of kindness turned into a relationship and sexual encounters that were etched into your memory long after they’d happened.  

[trashcanfanfics]

CAN U DO BILL CIPHER YANDERE HUMAN X READER WHERE THE READER MAKES A DEAL TO SAVE THEIR DOG!!!????

why are you yelling at me?? ; -; also this is going to get bad really quick, like there's a small mention of gore in the first paragraph so I'm putting this under the cut

You don't know what led to this. What decision in your life caused this? If you could go back, you'd change it in a heartbeat. Your dog, the only thing that got you through your tough times. Your sweet baby. A soft whimper was heard as the dog tried to struggle to get to you, but a leg was caught and the other almost completely de-gloved. You sobbed as you tried to get to your best friend. A desperate plea ripped from your lips for something, anything, to save your one bit of happiness.

Obnoxious, god-awful laughter filled the air, accompanied by bright blue light announced his arrival. This demon had been haunting your dreams and bothering you to no end. Bill Cipher. He laughed at your state; caught in the same trap as your sweet pet, too far to help them and too hurt to fully get yourself out.

"You should see your face, sweetcheeks. Priceless!" He floated closer to you, bright yellow bricks hurting your vision further. "But I'm not here to admire you right now. You seem to be in quite the situation!"

"Please not now. Please, just don't." You felt more tears run down your face as you hung your head. The forced growl and whimper from your dog ripped at your heart more than the barbed wire did to your arms. He huffed out an amused sigh.

"That's not how you talk to someone who's here to help." His words made you look up with a slight glare. Help? Help? He's never once helped you! All he's ever done is torture you with nightmares and held you captive in his dreamscape and turn your world upside down! He ignored your defiance. "That's right! Here to help you and this little thing!" He floated over to the dog that shrunk back from him and caused more pain to itself. A yelp and another whimper stabbed your chest.

"What do you mean? Why would you want to help?" You basically spat as you watched his hand gently pat the dog on the head. You tensed, readying yourself to see your dog eviscerated by this monster.

"Why wouldn't I want to help you? You're my precious little treasure! My sweetheart!" He floated back over to you and put an arm around your shoulders. You grunted at the fresh pain it caused you. "Now, here's the thing, I can't help you without something in return. So we gotta discuss a deal." You looked at your dog, caught and bleeding out.

"Fine! What do you want?" You looked back at him with fresh tears and desperation. His eye squinted as if he were smiling. You got an uneasy feeling in your stomach.

"Simple, I want you!" He reached his other hand and pinched your cheek. You winced and pulled back. "I want you to stay by me and with me for the rest of eternity. Your life will be tied to mine, you'll be mine until the end of time. All this and I'll free the pup." He pulled away from you and held out a hand wrapped in blue flame. You looked at him and then to your dog, who stopped moving and was breathing heavily and whimpering. The sight made your heart break. You looked back at Bill, eyes full of tears and resignation.

"No harm will come to my dog again. Save us both from this and make sure no harm will come to my baby again." Your glare hardened with each word you spoke. Bill nodded.

"Yeah, yeah, sure." He moved his hand closer to your trapped one. "Just take my hand and I can make everything you can think of come true." You reached as much as you could through the wires towards his hand. As soon as your hands touched, there was a bright light.

You sat up in your bed, sweat dripping from you face. You looked around, your room was just as you left it. Clothes on the floor, desk covered in papers and computer shoved to the side. Your dog. Where was your sweet baby? You looked to the foot of your bed to see the furry creature, perfectly fine and no sign of blood or even bandages. Was that a nightmare? You got up from your bed, your dog stirred and looked at you as you threw open your curtains. The sunshine nearly blinded you as you saw your street, perfectly normal. There wasn't a weird thing in sight. Not like how you remembered it at all. There wasn't fire or flying eyes, nothing out of the ordinary.

"What...?" Was that part of the nightmare too? A sudden feeling of something else being in your room caused your hair to stand on end. You swiveled around to see the offending triangle. "You! You caused another fucking nightmare you piece of shit!" You pointed an accusatory finger.

"Guilty as charged! It was worth it, though! I mean, look at what I got out of it!" He circled around you and ran a hand over your arm, causing goosebumps to rise. You glared at him.

"What the fuck are you talking about?" You swatted his hand away as it came to touch you again. He laughed in response.

"You don't remember our little deal? I save the dog, you become mine for the rest of eternity?" he walked two fingers up your arm before booping your nose. You moved away with a look of disgust.

"That was just a dream! My dog wasn't in any danger! The deal is null and void!" You felt a pit in your stomach as he laughed again. It was condescending and loud. He grabbed your hand and brought it up to his eye while looking you in yours. You tried to pry your hand from his grip to no avail.

"You asked me to get your dog out of the situation in front of your eyes. Mind's eyes count too, you know. So the deal is still very much valid." His eyelid changed into a pair of lips that he pressed to the back of your hand. "So let's get started with our eternity together."

[stark-reading-mad]

if possible, i'd love to ask a quick follow-up again on your response to my q on apps you use as a law student :) you mentioned xodo & pdfexpert as two apps you use for pdfs. as a fellow law student, i've struggled with finding an appropriate way of reading/organising/annotating long pdfs.. if possible i'd love to ask two quick qs!

could i ask how you use each app? i'm not very organised so i'm thinking of committing to one but not sure which

could you give a step-by-step rundown of your approach to studying a new topic/section of the law? (e.g., do you read before a lecture/annotate handout/notetaking in seminars) my course introduces a new legal area each week per module so was wanting some professional advice on how to manage :') tysm!! <3

Hi again! This is how I use XODO/PDF expert:

(take my advice with a grain of salt I don't really have a stellar academic track record and the only thing I'm good at is spending all my hours studying and coming up with ideas that need a lot of years to perfect. I'm hoping the hard work will pay off in later years but everything's more of a WIP at the moment. I don't have an estimate of my own credibility)

Whenever I have a long 500 page judgement to get through, I break up the long judgement by adding an index in the app. The apps lets me add my own index. If it is a textbook, I already have an index so navigating in between the pages is easier, and it also helps me get a bird's eye view of the subject/topic

After indexing it, I assign a specific color to a specific sub-topic. One judgement, for example, deals with several issues, like Secularism, Federalism, etc. I assign a color to them, and as I'm reading the judgement, I highlight specific lines with their specific colors that basically sum up the argument being made. So I know which paragraphs talk about which sub-topic.

When I've highlighted the main arguments, and then I glance through the document, a little mind map begins to form in my mind. I learn to separate small nuggets of ideas and learn how they're linked to each other.

I also sum up the paragraphs or put in key phrases on the margins when I feel that they have switched to talking about a distinctly separate idea.

Now I switch to other note taking apps for the next step. Usually, I use Obsidian to make my notes.

After understanding the basic framework of whatever text I am reading, I make my own mind map or framework with my own words. This step is very important, because it is very easy to lose yourself in the topic and not know how to make a head or tail out of it. Especially legal text.

Finally, I have personally found that it is important to set up a strict timeline to when you want to be done with a specific topic and move on. The temptation to go deeper into any topic is very real and negatively affects your ability to get a grip with the subject as a whole. Do not give in to it. Whenever you sit down to study a topic, restrict yourself to one document/text/judgement/whatever class notes you're handed. Do not try to look up something, and get trapped in the hyperlink loop.

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TLDR;

1. I use pdf readers to highlight topics by different colors so I can break up the text into topics and learn how the different ideas are linked.

2. I then make my own framework from the text with my own words and put that in my notes