#i'm not even the one who invented the trend

[iersei]

o7

i love that the “art-for-votes” type voter fraud is just a staple of the dndads fandom now. like we’re doing it for our Own polls. hot glenn autumn you will always be famous

[itoshiexx]

when you call them "husband" - part. 2

how the blue lock boyfriends react when you call them "husband" - part 2

pairings: itoshi rin, michael kaiser, mikage reo x fem!reader (no descriptions tho, just the words "wife" on rin's part) (separate) | warnings: established relationship, fluff, lovesick boys

notes: I'M ALIVE! i cant believe how long it's been since i had time/energy/creativity to write something, ohmy goddddddd. i'm so sorry for all the time it took to post this, but i wanna ty all so much for all the love on part 1 and all the requests for part 2! hopefully this will meet your expectations ♥ as always, i went a lil' overboard with rin's part. enjoy!

part 1 / masterlist

Itoshi Rin

rin was not a fan of social media. it was clear with the way his instagram only had 8 pictures despite being years since his career started, and even more so by the fact he had no other social media besides that. if he wasn’t so famous, people would say itoshi rin was a ghost or some artificial intelligence invention. 

it was one of the reasons people were very shocked when he started dating you, an influencer with millions of followers on every platform. rin was a private person, and you… well, you shared your life on the internet for everyone to see. to say you were polar opposites was an understatement.

however, you never forced your boyfriend to appear in any of your socials, only recording things for your own fun and memories and posting only what he allowed. rin was glad for that. he didn’t mind doing dumb things with you to see you smile, as long as the rest of the world couldn’t see how whipped he was for you.

also, you were kind of glad the professional athlete was so unaware of social media, because it meant you could do a lot of tiktok trends without the risk of him already knowing what was coming — which made everything more satisfying. 

and the trend you chose that day was especially good.

“hey everyone, it’s y/n here!” you chirped, waving your hands in front of your phone. however, you were actually recording rin, who was at the other side waiting for your sign to appear on the screen.

you continued speaking. “today i have a very special guest, who i’m sure you’re all very familiar with.” you gave the camera a little cheeky wink, and your boyfriend rolled his eyes with all your theatrics. “please welcome itoshi rin, my handsome husband!”

rin gave a step forward to start his way to you, but suddenly, his whole body froze, brows furrowing in what you could only call utmost confusion. silence took over the room for what felt like an eternity, and you had to suppress your laugh seeing the imaginary ‘loading’ wheel on his head.

rin.exe stopped working.

“baby?” you decided to intervene, honestly a little scared of how immobile rin was.

“you— i’m— did you just— did we—”

you could no longer hold your laughter, and rin’s favorite melody echoing through the walls of your shared apartment was probably what snapped him out of his trance. he immediately scowled and crossed his arms, cheeks burning red from his pathetic stutter.

“i am never doing these dumb videos with you again.”

“no, no, i’m sorry!” your giggles kept going, and you approached your pouty boyfriend, squishing his cheeks between your hands. the smooch you gave him was almost enough to make him melt. almost. rin still had some self respect.

he also didn’t want to admit how abnormally fast his stone heart was beating with the mere thought of being referred to as your husband — and, even better, referring to you as his wife. 

fuck. that certainly did make him feel lots of things. those stupid butterflies that were born the minute you met were roaming freely in his stomach, soaring with all the love he had harbored just for you. 

“i’m sorry, baby,” you said again, smiling like you swallowed the sun and all things good in this world. you might as well have. how else could rin explain the way you were his everything? “it was a prank i saw on tiktok.”

he arched his eyebrow, arms uncrossing to put his hands on your waist. “oh? so you don’t want me to be your husband?”

the itoshi was satisfied to see you flushing this time. “i— w-well, you see…”

and then you started rambling, just like you did every time something made you nervous. and rin could only look at you as if nothing else was worth looking at, because really, to him, it wasn’t. 

…well, maybe the sight of you walking down the aisle would get the cake. he might have to find out soon. 

Michael Kaiser

once you started dating bastard munchen’s star, michael kaiser, it was natural to have his world collide with yours. everything from football to blue hair dye to weird sleeping habits became a part of you as well, and you nourished every expanse of your world his presence alone was able to give.

your favorite part, besides learning all of him — his little habits, quirks and love languages that seemed to be crafted solely for you — was definitely immersing yourself in his culture. germany always seemed distant and quite detached from your life, and you loved to learn new things from different perspectives. 

food, traditions, language… michael loved teaching you things, giddy and secretly grateful for your excitement. it was his sparkly eyes that prompted you to learn a few things by yourself to surprise him and make him happy. 

the tiktok trend was just a nice coincidence. 

you phone was hidden on the kitchen balcony, camera recording and waiting for the moment your boyfriend would arrive in your shared apartment. luckily, kaiser was very punctual, and you didn’t have to wait much longer.

“liebling, i’m home!” you heard him scream from the front door, and you giggled to yourself, pretending to be busy chopping vegetables for dinner. 

you waited for his footsteps to near where you were, and, as soon as you felt he entered the camera frame, you answered:

“welcome home, ehemann!”

you didn’t have to turn around to see the way kaiser completely froze; arms stopping just before reaching your waist as if your figure was an illusion created by his tired mind. you fought hard to suppress your grin.

“what… did you say…?” his voice was low and uncertain, but there was no annoyance in it; just pure confusion. 

turning your head around to finally look at him, you were pleased to find your mikka with rosy cheeks and a bashful expression, so extremely unusual for a guy like him you couldn’t help but feel your heart flutter on your chest. 

you gave him your best innocent look. “huh? isn’t that how you say boyfriend?”

“i-it’s husband, liebe. you called me husband,” his tone was still incredulous, and this time, you couldn’t keep your smile off your face. 

“oh, did i?”

your countenance seemed to finally snap him out of his trance, and michael’s eyebrows shot up, scoffing slightly — albeit still endearingly. his arms circled your waist and he pressed a kiss on the side of your neck. 

“how mean of you, baby. playing with my heart like that.” he trailed more kisses on your neck and jaw, making you squirm. “you tryin’ to kill me or something?”

you giggled again, both from the ticklish kisses he was giving you and the huge amount of love you had harbored just for him. “of course not, baby. i need you alive to make you my husband,” you jested.

“oh, yeah? you wanna make me your husband?”

“yes.” you shifted, giving him a sweet kiss on the cheek. kaiser hugged you a little tighter, feeling something fuzzy inside his chest. “is that a problem?”

“never,” he answered immediately. because it was true.

boyfriend, fiancé, partner, husband… michael didn’t mind what title would be bestowed to him — as long as he could keep being yours.

Mikage Reo

being the heir of one of the biggest corporations of the country and a professional football player made your boyfriend’s schedule pretty busy. therefore, thursdays like these, where you and him could have a nice walk around the park under the warm sunlight, hand in hand, were extremely rare — hence why they were so appreciated.

reo knew how much his frenetic agenda was a hard toll on your relationship, affecting both of you with distance, longing and short periods of time together. and, well, everyone knew how much of a goner he was for you, so it wasn’t surprising to see him give in whatever spare time he had in his hands — even going as far as making such time exist if there wasn’t any — to be with you for as long as he possibly could.

how could he deny your pretty little eyes pleading to have a stroll in the park with him ‘just for a few minutes?’

god, you were so selfless. he wanted to give you all of his minutes, hours, days, weeks, months and years. and for all that’s worth, reo would never deny you of such a thing — he’d rather shoot himself than make you think you weren’t loved with every fiber of his being.

the weather was nice; a gentle breeze kissing both of your faces and making everything more pleasant. you were both chatting and appreciating the calm environment when you spotted an old lady a few feet ahead, selling different colored roses for the passersby. a smile was etched onto your lips, and you impulsively let go of reo’s hand to run towards her. 

“why hello, dear. would you like to buy a rose?”

your boyfriend watched you beam to the lady and slowly approached you, though still keeping his distance and trying hard not to intervene and buy all the roses for you. 

“yes, please! a red one would be perfect.”

“oh, who will you give it to?” asked the woman, already taking one flower from the bunch to hand it to you. 

your smile became slightly more bashful, “it’s for my husband!”

and fuck, if reo wasn’t already completely in love with you and thoroughly believed you were his soulmate until then, he certainly would after that very moment. he could feel his cheeks burning and his tongue rolling inside his mouth with how speechless he became. his heart soared with your words, excitement coursing through his veins with a love so overwhelming he nearly fell on his knees right there. 

heavens, he loved you so fucking much. and you made him realize it was about time he proved it to you (once again).

his hands easily found his phone in his pocket, and a quick call to the jewelry store was made while you busied yourself with paying for the flower. reo couldn’t stop smiling like a lovesick fool, but he didn’t mind.

“hey, mr. fuji, it’s mikage! you know, i think it’s time for that visit i mentioned a while ago…”

he might not fall to his knees right there, but he would drop at one knee very soon.

[directdogman]

(Sorry if I have bad English, I'm from Spain.)

I'm super hyperfixated on the original managers, so I have 2 questions.

1. In Dialtown, Tango/Terrence says no one called him Tango before. Assuming that in the DSaF universe he also liked that nickname, did any of the other original managers call him Tango or not?

2. A headcanon I've seen in the DSaF fandom is that Abel hated everyone BUT the real Scott Cawthon, and that Scott was the only one that tolerated Abel (some ppl even ship them). Is that close to canon? Or the og Scott Cawthon also hated Abel? I really want to know what they thought about each other.

Btw, I really love your games, I've played the DSaF trilogy many times, and the Dialtown demo (I haven't played the full version of Dialtown yet, but I've seen gameplays and I'll buy it for my birthday), thank you for making 4 incredible games <3

I don't answer many DSaF questions these days, but this one's interesting so here goes:

1)Tango's nickname is a DT invention as far as I remember. If he preferred the name in DSaF's universe, Harry would've used it for sure, given how much he liked Terrence and since he's literally using a name he doesn't believe is really 'his' because it makes him feel better. He of all people would understand.

2)Yeah, that's a pretty good way of stating it, but there's a little more nuance to it that explains a little bit more about Abel/Joe's rift.

Basically, the original Scott Cawthon was a unifying figure. He got on with every single one of the original managers and they all thought the world of him. The Phone Guy process was started in an attempt to recreate him by Abel (and the other managers at first) and you gotta consider why they'd all want to do that. He was the glue that held the group together, the only manager liked by everyone else there without exception, someone who could defuse tension and resolve conflicts amicably.

It's true that he had the most patience for Abel and never badmouthed Abel to the other managers and even defended him earnestly, knowing Abel the best of the other managers and knowing some of Abel's early life and where he came from, while the others were more willing to honestly discuss Abel's short fuse and occasionally mean nature (even Terrence to some extent!) This led Abel to develop more of a bond with him than the other managers and somewhat distrust the others.

While Abel was essentially Scott's number 2, as time went on, Joe became more and more integral to the running of their budding company, since he was a skilled accountant and managed to balance the books despite Scott's somewhat reckless spending at times (he was overgenerous to the point where it sometimes led to financial trouble for the company, a stark contrast to what Freddy's became later.) Since Joe was so blunt (and Abel's biggest critic), Abel was incredibly jealous and insecure that if the trend continued, Joe would supplant him.

This also explains why Abel was so willing to toss his other managers into the 'machine' when each of them suffered accidents. Ultimately, it wasn't just sheer cowardice, it was him trying to recreate the past - to recreate the one person who seemingly saw him as anything other than a vampire. Someone who actually wanted him around. Of course, no two snowflakes are ever exactly the same. Abel was a poor replacement as the owner of the company, Joe was barely able to keep things afloat amidst a messy and chaotic expansion and Harry wound up presiding over the company's demise.

There's a pretty widespread narrative theme in DSaF of damaged people trying to recreate something they've lost - Dave trying to turn Jack into the new Henry, Jake and his family, Harry and his former identity, the Kennedy family reuniting.

“Can’t repeat the past? Why, of course you can!”

But, the fact is, you can't recreate the past. The only way forward is to pick up the pieces and build something new.

[seramilla]

Hmmm after Emily learns the truth about WHO her mothers are, wouldn’t she also want to know how and why they got together? Wouldn’t she want to know the REAL reason behind Carmilla’s fall? And wouldn’t Sera feel obligated to tell her everything (within reason Emily doesn’t have to hear about their love life) because she’s kept Emily in the dark for so long now Sera must face these bright and unbearable realities. Like how she had to hide her pregnancy from the elders. How different Carmilla is from the slander spread by the elders. And Emily notices an unsettling trend with each answer she receives. The elders keep coming back as a point of conflict.

This is slowly turning into a merger with the Homophobic Heaven/Carmilla Fell Later AU, because I am really enthralled with the idea of how Carmilla fell in that timeline, not as a follower of Lucifer, but because she loved Sera so much. These two may eventually be one and the same AU, so just a heads-up if you're noticing a lot of similarities between the two. My brain was already rolling with angsty thoughts of how to describe Carmilla's falling to Emily, and it just came out that way. I may end up making a fic out of this somehow, if I can wrangle the two timelines together and make it make sense. There's just something about Carmilla and/or Sera having a secret daughter, combined with religious guilt and convoluted, angsty confessions of love for their children that gets me in a WAY. Tell me I'm not the only one!

"How did you and Carmilla meet, Mom?"

Emily's been asking a lot of questions lately. That's to be expected -- the very nature of Emily's relationship with Sera has been turned on its head. The younger Seraphim is making up for a lifetime of not knowing how she really fits into Sera's life, and it's the least Sera can do to fill in the blanks for her.

This particular question makes Sera smile a little. She hasn't thought about how she met Carmilla in so long. She has so many fond memories of those times...probably the only truly wonderful, carefree days she's had since Carmilla fell.

"I had just been appointed High Seraphim," Sera says. "It was only me back then. Carmilla was in charge of Heaven's holy arms. They weren't called Exorcists yet...this was before Adam took over, before Lucifer fell...even before the Garden was a place humans could dwell. Carmilla and I were both so young, and I was what you might call...a workaholic. I was stubborn in my ways, and only cared about making Heaven perfect. That's what I was created for. It was a lonely existence."

Emily is listening to Sera with rapt attention. The younger Seraphim has never known Heaven to be without its strict enforcers, without Winners, without all the pomp and circumstance of the nobles and elders who would bring down the proverbial hammer on anyone caught getting out of line.

Sera thinks, things had so much simpler back then. Right had been right, wrong had been wrong, and nuance did not yet exist.

Until Carmilla had taught her differently.

"Carmilla was always a dreamer, like Lucifer. She was also much too smart for her own good. Always inventing things, imagining things...wonderful things, but also things that could kill an angel, if she wasn't careful. That's how we were introduced. She was experimenting with some new contraption she'd built...something she probably shouldn't have been testing so close to a noble's house, if I'm being honest. Some Dominion angel or another who would throw a fit if even one of the flowers in his garden got trampled."

Emily giggles. She knows exactly the types of angels Sera is talking about. The uppercrust of angelic society. The Lord's favorites.

"There was a complaint filed by this particular...individual, and when I arrived to investigate, Carmilla and this gentleman were...having a bit of a spat out in an empty field. It looked like a few punches had been thrown, because they were both covered in scrapes and bruises. The moment I laid eyes on her...I knew she was going to be trouble."

Emiliy gasps. "They did not! Did he hit her?!"

"Oh, I'm sure he did, but you should have seen the other fellow...he was in much worse shape than Carmilla was."

This particular memory sends warm, mushy pangs of fondness directly to Sera's heart. Even though she hadn't thought it at the time...she'd always admired Carmilla's ability to defend herself. To not take any bullshit from anyone for any reason.

"I asked what was going on, and the Dominion complained that this 'ruffian soldier' was experimenting with deadly weapons on his property. When I asked if this was true, Carmilla didn't even attempt to deny it. She made me aware that it wasn't his property, though, and come to find out, she was right. He had tried to remove her by force, and she had retaliated. In the end, both were charged with misdemeanor crimes. Carmilla spent a few days in a jail cell...her sentence would have been longer, but I pulled some strings to get her out early. Heaven's army couldn't be without its commander, after all."

Emily shoots Sera a particular look. Like she knows Sera probably had ulterior motives, that had absolutely nothing to do with Heaven's army, and everything to do with the fact that Sera was fond of Carmilla.

"Uh huh. Suuuuure, I totally buy that excuse. There was no other reason for you to get her out?" Emily quips.

"Well...yes, but I didn't know it at the time! We had just met, and I...I felt sorry for her! It didn't have anything to do with love yet."

"Yet," Emily repeats, grinning like a maniac. "You are so transparent, Se--Mom! It's not even funny!"

Sera rolls her eyes in defeat. "Fine! Yes, something about her was...intriguing, even back then. And as soon as they let her out, she came directly back to me...to thank me, so she said. But...she started coming back every day! And I let her! It was all downhill from there..."

"OoOooOooh! You liiiiiked her!" Emily starts poking into Sera's sides, jibing at her mother to just admit what she's slowly building up to saying anyway. Sera turns toward her and starts jabbing at Emily with her fingers instead. Emily giggles, shouting, "I give! I give!" when Sera won't let up.

Sera smirks. "Now are you going to let me finish?"

"Yes! Just get to it, already!"

"As I was saying..." Sera starts, looking over at Emily to make sure she won't interrupt again. Emily swipes over her lips like she's locking something up tight, and pretends to throw away the key over her shoulder.

"Thank you. As I was saying...Carmilla started coming to visit me every day. At first, it was to thank me with words...then gifts...then invitations to go out on the town. To treat me, she said. I had never once been on a...date, before, even though we never called it that. We would never use those words within earshot of anyone. And before too long...she admitted she had feelings for me, and I didn't know how to respond. I shut her out, denied it, for so long. But she was stubborn. She never gave up on me. And eventually...Heaven, it was probably years, or decades later, after we'd fought and made up about it several times. Eventually, she convinced me that she really loved me...and I had to admit to myself that I loved her back."

Sera pauses for just a moment, reliving the memory in all of its warm, fuzzy details, and then looks over at Emily, who is staring back at her, eyes huge and glossed over, like she's about to cry. She's holding her hand over her mouth, to keep from interrupting again. Sera smiles at her.

But then Sera looks down, at her lap, and braces herself. She knows the tone of her story is about to take a dark, desolate turn...she's readying herself for it, so she can get past these painful memories for her daughter...so her girl will finally know the truth.

"Carmilla and I loved each other very much. I felt guilty about it, at first. Heaven had always taught me that same-sex relationships were dirty, and wrong, and sinful...but over time, she taught me there was nothing remotely wrong with what we had. And I believed her. How could there be anything dirty about us loving each other with everything we had, heart, body, and soul?"

Sera pauses again. Things are about to go south pretty quickly, and she's readying herself, and Emily for it -- for real, this time.

"We had...well, we did things that people in love do. It went on like that for years. Maybe we got cocky, or weren't careful enough, thinking we would never get caught. But someone must have seen us, at some point...or put two and two together. They never implicated me in the act...but someone told the elders Carmilla had a female lover. They took her into custody immediately. They did...so many horrible things to her. Tortured her. I begged with her to come clean, and just tell them it was me, and maybe I could get us both a lesser sentence for cooperation or good behavior. But she wouldn't have any of it."

Sera is the one crying now. Toward the end of that last statement, her voice wavers, and tears start falling down her face in rivers. The old wounds in her heart are slowly being ripped open again at the telling of this story, bleeding anew. She does her best to keep it together, for Emily. But reliving these memories is not easy for her, no matter how much she wants Emily to know.

"They gave her a sham trial. Everyone knew the result before it ended. Lucifer had fallen not long before this, so I knew what was coming before it happened. I watched them...I watched them push her. She fell, right over the edge, like she was nothing. She was my everything. They made an example of her...a spectacle of her. Just like they did with Lucifer and his followers. And right before she went down, she told me she loved me one last time. And then she was gone. And somehow, that made it so much worse."

Sera is actually sobbing now. Crying ugly, wet tears into her hands, trying to keep Emily from seeing, so she doesn't have to watch her mother break down in front of her. Emily rushes toward her, hugging Sera tightly around her shoulders. Sera leans into the smaller angel, letting Emily carry some of her weight...along with the weight of her sorrow and pain, that she's been keeping to herself for all these years.

When she's managed to calm down a bit, Sera continues her story. The next part is much happier...as happy as it could be possibly be, at least, after having just watched her partner receive a fate worse than death.

"What made it so much worse was that the same day that she fell, I found out I was pregnant with you. I had just lost my love, my light, my reason for being...and suddenly I had to find new purpose again, in order to keep you safe, and hidden. I hid away for a while, as best I could, and kept you a secret from the elders until you were born. I claimed that I'd commissioned you, from the same place that I was forged, because with all the new Winners entering Heaven, I needed an assistant. They were so gullible, never imagining I would double-cross them like that. So I raised you as my sister...as my heir. And that's how we wound up here."

Emily has been sitting in silence for a long while by this point, and she continues to be silent, in heavy contemplation, for several moments after Sera concludes her story. Sera reaches over, and rubs her hand against Emily's face. Emily looks up at her, and then holds Sera's hand against her cheek to ground herself.

"Thank you for telling me all this," Emily says, voice a mournful and somber timbre, like she's been reliving all these moments right along with Sera. "I'm sorry for making you...have to recount all those painful moments. But I understand now, why you did what you did. I'm so sorry you had to go through that, Mom. I can't even begin to imagine how awful that was. I love you so much."

Emily starts to cry then, too, and Sera pulls her into her arms, and they just sit and hold each other for a while, and cry together, mother and daughter.

"I care about you so much, my love," Sera says. "You were the reason I held on for so long. You are my everything now, Emily, in her absence. You saved me. I could never imagine my life without you in it."

[dropthedemiurge]

Some language comments for Gray Shelter [Episode 5], just like I promised!

"Do whatever/however you want to. (literally: 'Do it the way your heart desires') You do things how you want to anyway."

"I'm sorry" - the translation is correct, it's just it's funny how Yoondae's level of apology to his friend he just lashed out at last time + he wants to ask him for HELP, and all he says is: 미안 (mian). The most informal and short way of apologizing possible. He's so teenager-minded still.

Even when he asks "Can I leave my stuff in your dad's warehouse?" it comes out grammatically more of a demand, like 'Let me do that'. Yoondae is talking like someone who has a lot of walls and doesn't reach out to people, he doesn't talk kindly but he's honest and straightforward and he cries easily but he's very angry about it.

I especially love his facial expression, even when he's at his most miserable, he'll make it everyone else's problem, as if being pitiful is the worst thing that could happen to him. "I have no one else I could ask for help but you >:(("

Fun fact about Korean's sentence structure, when you quote someone or express your thoughts, you put your sentence this way: "quoted phrase" and then + "that's what they said/what i thought/etc". So oftentimes, I see Kdramas use that trick when characters say a phrase... and then take it back with "that's someone else's thoughts" or "that's what you thought I'd say, right? LMAO". It's funny how the translators' way of transferring this was using the word "Sike!" xD

"It wasn't a mistake to me." "If it wasn't a mistake, then [what]? Since you started talking [about it], let me ask you. So what if it wasn't a mistake? What do you want to achieve with me?" "Can I do anything about it? In the past or now, you're the one who runs away and avoids me. I asked you, can I make a decision (do I have any choices)?" "You made the move but you want me to decide? Fine, then. Let sleep together once and end it once and for all. Go wash up first. I don't have time, I only left office for a short time."

The way they both care about each other but their dialogues and words are very sharp and bitter almost all the time, especially here, aaaah. That's the contrast that hooked me for all these 5 episodes. Soohyuk doesn't swear but he's talking to Yoondae very harshly and emotionless here, and for Yoondae harsh talk is the default, it's like Soohyuk is lowering his manners to talk on his level, to provoke him (or maybe that's also how he distances himself from the discovery that Yoondae has feelings for him).

And Yoondae is holding back his frustration and tears, but he understands the way such words were aimed to hurt him, so instead of lashing out back at Soohyuk, as he probably wants him to, he swallows and unusually calmly, almost softly says: "Let's talk when you can be honest. Because I will shut up and wait for you."

And it makes Soohyuk stand there in shock and contemplate.

I'll add next scenes in READ MORE since this post is getting long!

Here's the moment when the boss asks their youngest employee to write something more 'trendy' for their marketing text xD It's very true that trends in Korea come and go very quickly, they also love to invent new terms and phrases all the time. Like "MZ slang", there are many phrases, and the one trendy phrase the boss uses as the example is 킹받네 (king-pad-nae) which literally written as 'receive the king' but means "I got angry" - but with a teasing/playful subtext, like friends could say each other 'ah you're so cute, it makes me angry'.

If I'm not wrong, this phrase was widely used like 1-2 years ago and not really in its trendy peak as well right now but kudos to boss to even learning it xD And it's funny how translator chose to (I assume) use "[living in my head] rent-free" phrase as a substitute. Another fun fact, they ended up using some trendy lingo in their ad that translator gave us as "no cap!" but that part of phone msg was so blurry, I couldn't see which exact Korean phrase they ended up using x)

"Hyung, if you have any ask for help, say so. For you, 2 million... No, I'll try to give you until 3 million won in any way."

Can I just say that we had this character for one moment and I'm so not ready to let him go, I want Jeongwan to have his own storyline and everything and he's too sweet and also caring for strangers/his colleagues, and so he stole the spotlight for me xD

Yoondae said there's no food at home. But also, as you can see, there is: beer, water, rice that you can cook in the microwave, kimchi for a side dish and some other microwaved food. According to my Korean friends, typical Korean person (poor like student) can survive if they have rice, kimchi and also ramyeon. That's their the most basic food. Just a fun fact. xD

Also he was on his third can of beer, and he already made a drunken longing call on the verge of tears to Soohyuk, lying about being hurt and bringing trouble just so he'd return home. "Is that okay with you?" - just shoot me, please. :')

"I called [the cleaning service/you] to tell you to stop it [sleeping outside of home]" "Let's have that dinner [that I promised you] today. Wait for me."

After days, Yoondae was ready to give up, he "tricked" Soohyuk to return home just so he could tell him he'll move out and stop pushing any talk. And then, Soohyuk brought up the dinner (the feelings) that he kept avoiding. No wonder Yoondae looked so struck and confused. It just gave him his hopes back (and viewers too, but we probably should've known better with this kind of series haha)

Interesting cultural context: they are getting samgyeopsal - grilled meat, chosen by Soohyuk because Yoongdae said there wasn't anything he wanted to eat. And usually, the youngest one has to set the cutlery and grill meat, out of respect for the seniors. And here we see that Soohyuk is the one choosing the place, menu and even grilling the meat and pouring soju for Yoondae.

Once again, it shows that despite Yoondae's emotions and pleads, he is not mature enough, he is not ready to focus on other people. We know he can't plan his own future, he doesn't know what to do, and we see where their relationship stands now - Yoondae is still more of a burden than an equal partner to Soohyuk, and Soohyuk is more of a parent.

Even when they drink soju (in Korean drinking etiquette usually you don't drink alone, you toast together and drink together), notice how they don't even clink their glasses together, then Soohyuk is the only one drinking and Yoondae wants to follow him but puts the glass back. He's taking a shot later, when Soohyuk grills the meat again. They are totally unsynchronized at this point of their lives, and it's painful to watch.

"I said he [my father] was dead because that's the truth/reality for me. There was no other [hidden] meaning. I didn't plan to lie to you."

"I moved out completely. If I don't organize my life starting from doing this, then I don't think I'll be able to live like all the other [normal] people."

The fact that Yoondae started thinking about improving his life (the word 'organizing'), immediately made Soohyuk stop in surprise. So he started asking what does the normal life like others mean to him, hopeful to find that equal adult footing from Yoondae... but Yoondae's thoughts stopped there. And Soohyuk offered his own goal and life meaning: "to have a place to go back to, that's enough for me".

Here's when Yoondae thoughtfully agreed with him: "It's important to have a home", and took the meat tongs from Soohyuk, saying how high-maintenance he is. Yoondae embraced that realization, he took the responsibility (even a small cultural gesture) and even though Yoondae nagged him, Soohyuk smirked. Because it wasn't a completely hopeless situation. And Yoondae proved it, by saying how eating like this and going home together is his normal life as well. (and yet they were still unsynchronized until the very end! we can't have happy ending yet)

AND HERE IS WHERE I HAVE TO MAKE A SECOND POST! Because tumblr only allows 30 images in one, and I can't stop screenshotting the last conversation so I'm going to make another post that you can find in 'gray shelter comments' or 'dropthemeta' tags (upd. or here's the link to the post!)^^

[wizzard890]

Hello! I'm someone who really enjoys makeup, but has recently in the past few years begun to view makeup and the makeup industry more broadly as something that is really detrimental to women. You seem to be in somewhat of the same position, and I admire your thoughts, so I was curious how you reconcile those positions or if you feel the need to reconcile them at all? Please ignore this ask if it's intrusive or weird lol

You can't reconcile them. You really can't. The beauty industry exists to churn out propaganda, inventing flaws and offering us fixes for a price, before moving on to the new (usually opposite, so you don't already have the tools) trend.

I'm in my thirties, I've seen the beauty industry turn into a nightmarish hydra that I never could have imagined as a teenager. The speed with which people create and zero in on new physical nitpicks, the ubiquity of filters and plastic surgery, that skincare (literally unless you have a specific ailment, a soft cleanser and nothing else will do you just fine) has become a lunatic self-flagellation in the name of some kind of nebulous Purity, just the endless chasing and chasing and chasing of that new thing that new miracle bottle, whatever will finally make you less disgusting for living in a human body. It's rancid. But it’s always been like this. Just slower.

And it's important to be intellectually honest about all this. The reason we think we look better with our lips a certain color, or our skin being a certain texture is because beauty culture has spent hundreds of years and trillions of dollars rotting our brains. None of this is real. You know that you find the people you love the most attractive when they're comfortable and bare faced and being themselves. Contour would change literally nothing about your feelings in that moment.

I enjoy makeup. I like gold eyeliner and deep berry lipsticks and a stain of blush. Why? Because I also have brain rot, and think I look Better with it on. You can't dismantle the entire wretched apparatus on your own, but you can be clear with yourself about why you believe what you believe. As my wife pointed out when I talked to her about this ask, even saying "I just like to decorate my face" doesn't hold water. You don't know what you natively like to do with your face, when it comes to beauty. You've spent your whole life marinating in propaganda. It gets into everything.

Due to my Ancient Years, I am no longer expected to be Young And Hot, which means I don't put on makeup on to run errands, and I don't feel like a full face is necessary to see friends or get dinner on a weeknight. I've started trying to treat makeup like I'd treat a pair of high heels: sometimes it's nice to feel dressed up, and in some environments heels are part of the dress code. Sometimes you wear heels to show your partner that you put in extra effort for them, or to make sure someone knows you took an occasion seriously.

Tellingly, heels also exist to fix a "failure" in your appearance.

It's like finding smoking sexy. Smoking kills you, unambiguously. And yet....it's hard not to feel like you'd be cooler if you had a cigarette in your hand. No one is immune to the manipulations of propaganda. But it is propaganda, plain and simple, and we shouldn't twist ourselves in knots to defend the lies it tells us, or try to make them ~praxis~. Beauty culture is exactly the same.

[y-rhywbeth2]

Lore: Elven Culture #1 - OBSOLETE

(An incomplete compilation.) Link: Disclaimer regarding D&D "canon" & Index [tldr: D&D lore is a giant conflicting mess and it's borderline impossible to cover everything. Larian's lore is also a conflicting mess. You learn to take what you want and leave the rest]

OBSOLETE - Has been reworked into other posts:

Physiology and quirks | Names & Clans and Houses || Pan-Cultural things: Social life | Time and Age Categories | Homes | Language | Art | Entertainment | Technology || Elven 'Subraces' still a wip || Philosophy and Religion & Pantheons || Half-elves |

--- How to flip somebody off in elven culture. Random elven pan-cultural highlights ranging from marital traditions to poker.

Key elven philosophical concepts that inform their entire cultures. Farming, architecture, opinions on undeath, stages of life (Astarion's 200 years too old to be acting like an ardavanshee, but there we go)

Default elven society, including the family units (Clans and Houses), nobility, and the absolute monarchies with the divine right of kings that're tasked with herding cats.

Forewarning, this is a long post! And I still cut stuff... I was going to include the specifics of the seven individual surface elven cultures, but it was getting too damn long.

---

Random little things before we get into the wordy stuff:

The equivalent to giving somebody the finger amongst elves is to crook the middle finger inwards towards oneself and then bring it upwards in a diagonal movement across the body. For the greatest show of insolence, the elf in question may then hold eye contact and slowly lick the tip of that finger. I have no context for how this come to be, or why it's insulting, but I'm sure it's quite the story.

Elves rarely make their piercings out of metal, instead preferring to craft them from the bone of their ancestors and departed loved ones.

The elven term for their own people is Tel'Quessir ("of the people," or simply "the people). The name refers to the fact that all elves are inherently spiritually linked to each other, the Seldarine and the Weave. They are capable of a form of low-level telepathy where they can share emotions, surface level thoughts and reverie with each other. As a result, non-elves who are not part of this interconnected whole are N'Tel'Quessir or N'Quess - "not of the people."

The elven spirit, or soul, is referred to as ues. The ability for elves to link their minds and share feelings and thoughts is a state referred to as "communion."

The elven term for "stick-in-the-mud" is irrquarlan - which I'd imagine is often used by moon and copper elves to refer to sun elves.

When an issue is considered to be "black and white" - as in a choice lacking any moral ambiguity, where one is wrong and the other right - elves would say it is "sun and moon," as in anybody with working eyes can tell the difference between sunlight and moonlight.

The elven equivalent of "no shit sherlock" is “Trees grow, no?”

Elves have a gambling game called kholiast, involving a deck of over 1,000 cards. The hands are determined randomly by dice roll, and the point system would apparently "drive even the most dedicated Candlekeep scholar completely mad." Needless to say, moon elves love it and probably invented it.

Haven't found much on elven coinage, but the one familiar in human lands is the "blueshine" coins; silver coins with a blue-green lustre bearing the image of a crescent moon (the holy symbol of Corellon Larethian). Presumably equivalent to a silver coin in any currency.

While they can be made of the materials used in reality, elven bowstrings may be crafted from spider silk (especially if of dark elven make), elven hair, and sometimes magically-treated spun silver.

Elven fashion varies by specific culture, location and individual tastes. The trend is for loose and flowing garments with no footwear (except for the sun elves, who refuse to go out in public without some kind of shoes). An alternative to shoes is to use some kind of minor magical accessory that allows one to hover just above the ground, able to glide around without getting one's feet dirty or damaged. They tend to have few or no taboos about nudity, so garments may be quite revealing. Elves believe that their dress should be a reflection of their home nation, and the peace and prosperity that it cultivates.

-

The generic term of reference for ones committed romantic partners is one's "mate." Elves practice marriage, and the terms "husband" and "wife" have been seen, although it seems "consort" is just as - if not more - popular.

Elven marriages may be sealed through the use of one or two lower level High Magic rituals;

Quamaniith, "the vow made tangible," causes a vow made to be woven into physical form. In the case of a wedding, it's about the size of a fist. It usually takes the form of a stone, carved with inscriptions relating to the vow, though artistic mages may craft a figurine. When used for marriage vows, the created object is called an Aestar'Khol, a "marriage stone." Should the two divorce, or betray their vows, the stone will shatter. There is no other way to damage it, it will always remain perfectly unblemished.

U'Aestar'Kess, "One Heart, One Mind, One Breath" - this ritual creates a permanent passive mental bond between an elf and another living being (who may also be an elf), and it sees use most often as part of marriage rites. It allows the linked beings to know instinctively when their partner is in danger, detect and sometimes share their mood, and if they concentrate they can communicate telepathically.

-

Due to the fact that elves don't sleep, instead spending four hours in reverie, an elven home will not include a bedroom. Personal rooms resemble something closer to studies and sitting rooms; furnished with comfortable chairs, lounges and divans, furnished with personal affects and whatever projects the owner might be working on.

The other side effect of the reverie is that since elves have a full 20 hours of activity, can see just fine at night, and don't necessarily have fixed sleeping hours, elven communities don't fluctuate in activity levels. Villages, towns and cities will be as busy in the dead of the night as they are at every hour, and elves have more free time than others.

-

Elves have perfected birth control. While technically the magic rituals involved in this came about for practical reasons - including ensuring a child would not be conceived in harsh conditions like famines, plagues and wars, where its birth would cause suffering for both it and its family - elves now just use it as an everyday thing when they don't want to get pregnant. No elf will be having children if they don't want them, those who do want them will only be conceiving them when they intend to, and attempting to change their mind will be considered an infringement of their personal freedoms and bodily autonomy, and be met with hostility.

-

Linguistics: The elven language is called Lalur, "the Singing." All elven languages are written in the Espruar script, which has two forms. One features more loops and curls, and the other features a series of curved lines, dots and dashes, which has come into fashion more recently. Another elven language is Seldruin, which is almost extinct. It's the language used in the casting of elven High Magic, and is written in a unique script called Hamarfae.

Local dialects, informal and formal registers and drifts occur all over the place.

Elven accents are usually described as "musical" - they tend to pronounce "s" softly, drawing it out and their voices shift up and down the vocal register more than is usual. Elven vocal chords are odd, allowing them to reach over an octave-and-a-half, which they can sustain for longer than a human could. Elven vocal chords are capable of producing two completely different notes at the same time. The overall effect of the elven voice and accent is likened to chiming, or little bells.

Elven songs are usually either wordless vocalisation, or feature multiple overlapping voices singing different lyrics. The typical "mood" of the music varies by culture: for example, sun elves prefer solemn songs with gravitas; wood elves enjoy a good rhythm; moon elves prefer something fun, whimsical, and sometimes bawdy. Some elves have a rare genetic quirk that allows them to use their vocal chords to speak two different things at the same time; the "secondary" voice is much fainter, and limited, but in music is allows the singer to produce a layered, echoing quality.

Elven musical performances feature galadrae - three dimensional illusions depicting scenes to go along with the song, not dissimilar to what one might see at a modern concert.

Musical instruments most often seen are woodwinds and strings, especially harps (which are strongly associated with elves). Elves are the only people thus far who have worked out how to build their instruments to be capable of sustain. Elven music has been compared (out of universe) to Enya, Loreena McKennit, Genesis and ELO.

Music and song is an important part of romance in elven culture... alongside erotic dances, apparently. But anyway, courting is accomplished by writing each other love songs and singing them to each other, or by composing poems for similar effect.

Non-elven languages are rather charmingly referred to as Glahkery, which translates into something like "strifeful sounds."

-

Key Philosophies: An important part of elven cultures is the concept of laraelever - technically referring to undamaged forest, "as it should be." This does not mean nature should be "pristine" or untouched by humanoid life. It means that the way the world is found in its untouched state, unmodified by another's desire, is how it is meant to be. The lives of others should not impose on the world more than they need to. The natural world is to be without blight, unburnt and unharmed by careless logging, overhunting or depletion of resources.

It also applies to the elven approach to life and the passage of time: things will generally occur when they're ready and grow/proceed at the speed they're intended to. One should never rush. Non-elves and younger elves tend to find this attitude incredibly frustrating, while "adult" elves find them dangerously impatient.

This may also be a part of why elven cultures tend to value independence and individual freedom - that one must "accept life as it is", implies you can't force things to be anything else.

The "way life is supposed to be" does not include dark magics that tamper with natural cycles, and the elven word for undeath is mormhaor - "corrupted death." Undeath is a blasphemous attempt to impose one's will on the world and force it into a shape in the most horrific way possible, and is heavily tied to the loss and violation of free will, and its believed that undeath destroys the soul (whether this is correct or not in D&D varies by source). The state is generally considered worse than death - the elf is cut off from their people, their gods and their path, and denied their chance for spiritual enlightenment and the afterlife. The sole acceptable form of undeath exists in the baelnorn; a form of elven lich that was created willingly and is sustained by positive energy instead of negative, in the name of continuing some duty or other for the sake of their people. They are sponsored by the Seldarine, and tolerated by the elven deity of death. Elves respect their sacrifice, but are usually still uneasy around them.

This philosophy appears in the rest of their societies in the way that they build their homes and furniture; a chair may be "constructed" of wood that was carefully grown into shape and harvested with careful consideration to the timing, rather than by unnecessarily cutting down an entire living tree and taking more wood than is technically needed and whittling it down to shape.

Elven architecture is built to complement its natural surroundings, blending in with it. The design concept is that a building should seen as much a part of the landscape as the trees or mountains and enhance their beauty. To help these buildings blend in, elven doors are designed to disappear into their surroundings, and they can be incredibly annoying for outsiders to spot (elven children grow up learning to see them, and so elves don't have this problem).

Buildings are preferably constructed by growing trees into shape rather than by constructing from timber or stone. If they are made of stone, they're still usually "grown" by shaping them with magic, creating a seamless mineral structures.

From non-elven perspectives, an elven city resembles a garden or park more than a settlement. They favour building in the trees themselves more than anything else (for example, the city of Suldanessellar in Baldur's Gate 2 is built on platforms built around the trees, high in the canopy). The higher constructions are linked by bridges and swinging ropes.

Ground dwellings are typically built for children, the elderly, and the disabled, and others who might be unsafe with heights and getting up and down them. It's also where elven realms that have contact with outsiders build their inns, taverns, warehouses and businesses. Elves don't clear the area a great deal when building their ground dwellings, their roads and streets are built around pre-existing natural structures and can meander a lot.

The ground level and higher parts of the city may be linked by teleport magics and enchanted platforms that function as lifts/elevators.

This preference to leave things untouched doesn't mean that elves never alter the world for their own desires - especially since obsessive, eccentric artists are a staple of the elven population. Wealthy Houses are known to make roofing materials out of precious stones. Some cities, such as Leuthilspar, get artistic with their roads. The main road there is magically constructed from some kind of glassy, clear crystal and is nicknamed the Diamond Road.

Each building typically belongs to a single Clan or House (often the building is an entire living, ancient tree), and if they belong to a culture that builds tombs, they will also have a family tomb. The rest of the city, outside of residential buildings, is not considered owned by the elves but simply under their care and stewardship. It belongs to the other lives as much as them. Elven communities often have neighbours from other fey races; dryads, faerie dragons, treants, fauns, nymphs, pixies, etc. Elves and fey tend to be relatively close, and the elven and seelie fey pantheons are often worshipped by all of them.

Elves do not farm in pastures and fields - it's more that they cultivate the world around them without disturbing it too much (I don't remember the technical agricultural jargon here.) They'll try not to disturb the rest of the ecosystem too much, but elven farmers will nurture the plants they desire while removing harmful plants and pests. They don't introduce plants or disturb the soil, merely encourage what's already there for healthier and higher yields of whatever grows. A lot of outsiders can easily stroll through a farm without realising it. Farmers are the only elves who count the passing of years, due to the need to keep track of crop yields and the ages of plants and animals. The equivalent of a year to elves is a grouping of four years known as an aeloulaev, or more commonly as a pyesigen - "four snows" (plural pyesigeni).

While Houses might have their lorekeepers, who preserve and record history, the typical elven opinion on time tends to be that "history is the weave of things outside of life, not for those still within its loom." They see history in their reverie, they don't need to worry about it in their waking hours.

-

Yet another elven philosophy is of the Road of Life: a multi-staged, twisting spiritual path every elf walks, and one with many potential branching paths to explore.

It is, in part, a shared path because all elves are part of the greater whole that is the Tel'Quessir - but at the same time, no elf can walk the path for another. All should care for the community and support fellow elves in being able to walk their path, so that the community can support them as they walk theirs; “We are on this shared path together, but at the same time all of us are finding our own way.”

Elves under 100 years old are walking the first section of the road. Their life experience and perspective is the equivalent of a human of the same age. They don't yet perceive time and think in terms of the passage of decades and centuries as a "mature" elf does, and from their elder's perspective are incredibly (annoyingly) impatient. Due to this gap in understanding, young elves often find themselves more comfortable in the company of humans, who share their feelings and perceptions.

It's the elves in their first stage of the road who are usually found adventuring and living in human cities, they're "whimsical dabblers, ‘flighty’ and inclined to plunge into something new or [grow] tired of something and move on without feeling the need to shoulder responsibilities, or [care] overmuch about consequences," "...almost like the humans in their passions of youth, and they adapt to their more transient surroundings. They eat over-spiced animal flesh and other abominable foods; they wield simpler, cruder, combat-oriented human magics; and they even mate with non-elves."

These younger elves, in the throes of rebellious youth and lack of patience, may be prone to selfishness, ruthless ambition and disrespecting their elders as they turn their nose up at elven values. This particular phase is referred to as Ardavanshee - "the restless young ones."

Older elves mostly leave the youth alone to make their own mistakes, assuming they'll grow out of their crueller and selfish behaviours with time and experience.

An elf under 90 years old is not considered experienced enough to be allowed to hold leadership positions.

All elves will begin their journey on the road with a basic magical education during childhood: Magic is an everyday part of elven cultures at every level of society, and every elf grows up surrounded by it. Even the copper elves, who have little interest in arcane magic, surround themselves with druidry.

Basic martial training in traditional elven martial arts is also part of the standard for all elven cultures, involving the bow, sword and rapier - elven blades tend towards being long, very thin and flexible. Elves have a long and bloody history of conflict, and every one of them is be expected to be able to defend themselves and their home, should the need arise.

Whatever other education their family sets for them, elves have childhoods much like any other race's children. They learn their history through creative retellings form their elders and are let loose to run around and engage in physical activities - climbing trees and swimming. They're taken to play in the outdoors and encouraged to take interest in the natural world, learning of the animals and plants they share the world with.

Reaching the elven age of majority, and the second stage of the path, occurs some time in their second century of life (120 years old, on average). As they mature and outlive the human lifespan they tend to settle into the elven ways, and focus on their spiritual ties to their communities and faith.

Mature elves typically take things very slowly. They spend a lot of time in contemplation, consider all facets and nuances in a problem, and try to predict all potential consequences that could be born of a choice (even those domino effects that may occur decades after the fact). They prefer to implement these choices very slowly, watching what ripples are caused through the course of years and responding accordingly - they may continue, stop, or make revisions as they go.

Occasionally an "adult" finds themselves drawn back to adventuring and a faster paced life outside of the elven homelands. This is accepted as simply a natural part of that elf's particular path.

The other branch on the road is one where an elf finds a passion and devotes themselves to it; fine art, playwriting, magic, architecture, the martial arts, literature, faith, music, whatever. They become hyperfixated on whatever has caught their eye; they keep the company of others who share their interest and talk about it to the exclusion of almost everything else (others are warned to beware engaging an elf in conversation about a topic dear to them, because they will tell you every single detail there is to know and will not stop).

Elves will dedicate months and years preparing for their projects; spending time in reverie and contemplation as they meditate on ideas, praying to the gods for guidance, and traveling leagues to gather materials and discuss with experts or observe others' works for inspiration.

The last stages of the road are stages of seeking spiritual enlightenment; they reflect on their long lives and many, many experiences with the world and contemplate the bigger picture and the nature of the universe and the People. They will begin to feel the Seldarine calling to them in their reverie, summoning them to the afterlife in Arvandor (Sehanine Moonbow's call, in particular).

The mythical final stage, occurring past 700 years of age, is one where an elf's contemplation successfully leads them to enlightenment. They become at peace, and their understanding puts them in perfect unity with the universe. These elves are faced with the choice of returning to Arvandor to join the gods, or to remain in the mortal world and use their wisdom to guide their people. Thus far the only elf said to have achieved this state was the elven queen Amlaruil, who chose to stay behind.

---

All this philosophy aside, elves still run businesses, have class and wealth divides and squabble amongst each other for power and prestige like anybody else does. The common elf is a priest, a guard, a farmer, a hunter, a cook, a maid, a tavernmaster... In daily life, most of the daily function of the realm involves cultivating the plants that grow in it (farming, construction, maintenance) and security (scouting, guarding, patrolling).

Although, elven society is steeped in magic all over the place, so in regards to things like maids and household chores, elves are more likely to simply use magic to clean the house and lessen the amount of physical labour involved.

---

Society (Houses and Clans, and the Government):

The concept of the Merchant Clans and Noble Houses aren't unique to drow; these family dynasties are part of larger elven culture, be they categorised as high, wood or dark. All elves are part of a larger extended family, known either as a House or a Clan, from which they take their surname.

Elves will generally be loyal to their Clan and House before their nation, and they have their own laws that members must follow, generally set by the matriarch or patriarch (the later only existing in non-drow cultures). Some have multiple leaders, ranging from a duo (House Nightstar is governed by twin sisters) to a council of elders. Each clan/house has different methods for choosing their leader/s, some are hereditary and others are elected. For larger Houses that span multiple regions, there will be a hierarchy with local leaders who answer to a family head that oversees the entire bloodline.

Elven nobility belong to Houses, which are generally known for each having certain political ideologies, and they often specialise in training their members in specific skills.

The elven concept of "aristocracy" is granted by a ruler, who makes that elf and their clan a Noble House as a reward for some exceptional service to elvenkind (this is very hard to achieve). The status cannot be revoked by a ruler, nobles can only be exiled and stripped of their House name by their own family.

Some families restrict their membership, and will not acknowledge the spouses or children of their relatives who are of certain elven cultures, non-elven races or half-elves. As a rule of thumb, moon elven culture would frown upon excluding anybody of elven blood from the family. Everybody tends to make an exception for drow - you are not bringing a dark elf into this family tree. Houses may adopt others into their family, and it's also possible for a House to adopt N'Quess into their ranks, usually as servants (so one could find a human cook who happens to be a member of an elven House).

Houses are generally associated with a specific elven culture, although the family usually contains a mixture of backgrounds. House Le'Quella, for example, has prominent mixed moon elven and green elven ancestry. The copper elves have mostly abandoned the concept of Houses, though some prestigious and historically important ones remain. Green elven cultures have long forsaken the concept, along with most of the trappings of the elven society that caused them thousands of years of suffering. Sun elves pay greater attention to their elders and important ancestors, and consider their Houses more "legitimate" than moon elven or wood elven Houses, and take House politics and affiliation far more seriously. Due to this, their Houses usually hold greater status than those of other elves'. Within the vast majority of dark elven societies, House affiliation and prestige is a matter of life and death, and being without a House to protect you leaves you open to enslavement and death.

Each House has two colours associated with it (sometimes they have more, less strongly associated colours), as well as an insignia (for example House Aelorothi's colours are pale blue and green, with a red swan for a crest. House Starym's colours are silver and maroon, with two falling silver dragons on the crest.) It seems like Clans may also have colours and insignias, but that may only be for the most prestigious of them. Even within the larger Houses, there will be members of the House who are nobility, and those who are common servants and footmen.

Clans and Houses are not tied to specific realms, and members and family units may be encountered anywhere in the world. "It's a mistake to think of elven Houses as equivalent to human [noble] Houses [...] in some respects you can almost think of an elven House as a small, extremely long-lived organisation with blood-ties."

Some Houses have existed for over 10,000 years, and these houses usually boast the highest status.

Status is a fluctuating thing; it depends on many factors such as wealth and prestige, the actions and reputation of its members, its relationship with other houses (feuds and alliances), how many powerful and talented mages - especially High Mages - it hold in its ranks...

Elven Houses may have smaller, related Houses attached to them called Septs, much like human dynasties have cadet branches. Septs are formed when a noble marries a commoner and takes their clan name, rather than having their lover marry into their House. A Greater House has many Septs, and a Lesser House fewer or none.

Arranged marriages do - or did - exist. They're primarily practiced as part of House politics, mainly by sun elves, and this historically caused some irritation in the time of Myth Drannor, when the Houses started using arranged marriages to call dibs on promising mages to bolster their own family's retinues and reputations. When elves marry, the elf of the less prestigious Clan/House will be considered as marrying into their spouse's more prominent Clan/House.

Surface elven Houses are as prone to intrigue and politicking as their Underdark equivalents, but they are significantly less likely to murder over it.

-

Most surface elven realms are city states, ruled by a Coronal, who is "speaker among the trees with Corellon's voice and bidding."

While this means that Coronal has absolute authority, the assumed role of the ruler is to keep the peace and maintain harmony between the various elven peoples and Houses within their realm. On an individual level, elves won't necessarily respond well to attempts to meddle in their personal lives, and sometimes trying to organise the masses is like herding cats.

The Coronal's word is law, but the entire realm may discuss and debate it before that word becomes law, and the Coronal cannot pass a law before at least a month has passed since its proposal.

While elves must accept the law of the land once made, mass migrations of entire clans and houses are known to occur in response to an unpopular proclamation as the elves leave for somewhere they don't have to listen (assuming the response isn't something more along the lines of an assassination...). While they might move to another elven settlement entirely, these elves won't necessarily leave the geographic area, they may simply settle on a patch just outside of the Coronal's jurisdiction and govern themselves. Sometimes elves just build an entire demiplane (small alternate universe) and move there instead.

In larger realms, such as the former empire of Cormanthyr, the Coronal oversees the realm and the individual cities within are been governed by a local council made up of the heads of the most influential Houses, who govern the minutia of daily life in their own city and have no influence outside of it.

Coronal is not usually an inherited position (especially in the modern day). How one achieves the position varies by place. In Cormanthyr, this was determined by blade-rite. The applicant draws an enchanted, sentient blade from its sheath, and the sword judges their intentions for the power they seek. If it decides they don't have the Tel'Quessir's wellbeing at heart and will abuse their power, then it kills them on the spot.

Rulers are advised by a council of elders, who as always are usually the family heads of the local Houses.

Larger surface elven society saw a slight shift towards matriarchy in the reign of Queen Amlaruil Moonflower on Evermeet, and women usually wield the most influence in elven politics.

The entirety of elvendom was technically ruled by a (popular) royal family at one point, situated in Evermeet. However the queen has vanished in the last century, and it seems the monarchy no longer applies. Even when she was alive, some of the elves were merely humouring the notion and didn't pay it much mind. Loyalty came mostly because she was likable and her people felt she cared for them and served them well.

Nobility is defined as the Houses in "good standing." Those who possess more "wealth" - although elves don't value things like gold the way others do, so they don't put the same weight on it - and those who have a fancier family history, which gives the family more weight when councils convene to make realm-wide decisions about enterprises and social policies being made for the good of all.

Some particularly arrogant Houses feel they have "claim" to a particular patch of forest, in the same way a human noble might claim estates, but nobody else would agree with them, and collective elven society considers the world outside of their front doors to be public property that happens to be under the People's care.

While no house is beholden to the realm it resides in, and owes no duties, society expects the elven aristocracy to provide warriors, funds and resources to the wellbeing of the realm as a matter of honour. In peacetime this means providing the guard patrols and hunting parties, and providing for the sick and elderly of their communities who require aid.

---

While the dwarves and some human cultures can give them a run for their money, elves are quite possibly the proudest people on Toril. Theirs was the first and longest humanoid empire, theirs is the greatest grasp of magic, theirs is the longest lived of the common races of Toril, theirs is the blood that runs in the veins of a god... Suffice to say, the People tend towards being arrogant and stubborn. It never occurs to a number of elves that their ways might not be the way, and between that and their resistance to being governed when the rulers want to change things, the dwarves have invented a saying regarding attempting to change their minds on something: "If you want to tell an elf what to do, be sure to bring your axe."

Where the halflings and gnomes blend in, elves (and dwarves) are the most likely to stand out as distinct, separate cultures within human cities. On average they're proud of their history and their ways of life, and won't be trading them for others. How aloof they are exactly will depend on factors like personality, and how fairly treated they feel they are being by their neighbours.

[rey-jake-therapist]

Sorry, I have to get this off my chest because I'm starting to see trend on x.

One thing that kind of baffles me is when I see Haladriel shippers who like to ship Halbrand and Galadriel like they were together in S1, which is perfectly fine... except, the part that I'm raising my eyebrow at is when they turn around and condemn the fellow shippers who accept that Sauron and Halbrand are the same person, and enjoy the added layer of complexity and darkness to their relationship. Like, ok you like extra vanilla and cream in your coffee while I like mine to have more expresso. No issue with that... except they often like to make it an issue when they come across anyone/thing that explores Saurondriel or fangirls over it. It's rly weird and smells too familiar to those puritans who preach that Haladriel (Sauron included) shouldn't be shipped because they take Sauron as a black and white villain.

Essentially, they treat Halbrand like he was never Sauron in disguise, and I'm like, okay sis, you do you. Whatever floats your boat. But please don't act morally superior over it because that makes you no different than the same purists that sht on anything that's doesn't align to traditional Chris/tian values, and nor does it make you better than the lorebros who insist that Galadriel cannot ever love/marry anyone else after Celeborn because she's an elf. But you know, I don't like to engage with discourse so I just stay in my lane and am humbly grateful we're still on the same coin, just different sides I guess. Until they start to side with the puritans and/lorebros as a copout and/or to feel better about themselves. Very peculiar.

I never came across those shippers so far, but I agree it's very... strange? And a denial of canon I'd say even, because the fact is wether they want it or not, Halbrand = Sauron.

Maybe there are people who used to ship Halbrand and Galadriel before it was revealed that Halbrand was Sauron, and were very disappointed at the end? It's a pity if that's the reason, but doing some mental gymnastics to separate Halbrand from Sauron entirely is... certainly a choice.

I mean, as Halbrand was probably the closest we saw Sauron to be what he used to be before Morgoth corrupted him, aka Mairon, but even then, Sauron was never far away. It's not as if Sauron had parasited Halbrand or something. They're literally the same person, and at no point did the show tell us otherwise.

It kinda reminds me of other ships involving a villain, where shippers seem to feel bad about shipping the protagonist with the bad guy who does all these terrible things, so they turn the narrative upside down and literally invent non canon "facts" that make the villain a anti hero, a victim who's not responsible for his actions, and yell at those who choose to see him as he really is, aka... a complex character, who still has a glimpse of goodness in him but still chooses evil anyway.

As much as I'm annoyed when people strip of a villain of what makes them complex to reduce them to a two-dimensional carboard cut-out villain (like I often see Sauron reduced to on Tumblr), it's equally annoying when the contrary happens. What makes characters such as Sauron, Darth Vader, Kylo Ren, the Darkling etc. interesting, fascinating even, IS that they're complex, and thus sometimes sympathetic. And shipping a protagonist with such a character is way more fun, imho, than shipping said character only with the best version of themselves.

[mattzerella-sticks]

With Benedict coming into his own as a bi man, here is my thoughts on how next season could play out if it truly is his turn to get married.

So what I'm thinking is Sophie Beckett as a gender fluid character in the television adaptation of Bridgerton, who will at times be presented as masculine but also feminine. And Benedict happens to fall in love with both versions of how they present themselves.

How?

Well, Sophie decides to go to the Masquerade Ball as the 'Lady in Silver' and Benedict is so charmed by them that, even after they leave, he is obsessed with finding them.

And in his pursuit he enlists the help of a Servant Boy (Sophie) who he does not recognize.

In Benedict's pursuit for the Lady in Silver, he starts to find himself growing fonder and fonder of the Servant Boy he has partnered with, however still holding out hope for the 'Lady in Silver' as his one true love. Meanwhile Sophie, not believing Benedict would be as keen to accept them if he were to find out the truth (that his dream girl is some poor servant), decides that this might be the only way they can spend time with Benedict.

However, secrets don't last long in the ton. And Sophie will confess to Benedict, expecting to be let down and turned away. Except Benedict is relieved that this love triangle he had invented was between two people, him and Sophie, and he expresses his love for them and they become engaged.

And Sophie wears a tux to the wedding but is painted to the high heavens because we're playing with gender here and it's the 1700s and no one's done it yet so they'd be setting a trend and we're having fun with historical romance fantasy.

And after the wedding, Benedict refers to Sophie as 'her' when she dresses feminine and 'him' when they choose to dress masculine but also I could see there being an effort to introduce 'they/them' pronouns into this universe as well.

That's just my take on what could happen, let's see what the writers come up with in 2 years.

[hastalavistabyebye]

Every so often I'm thinking about what Coruscant culture (and art) would look like.

Because it's one hell of a melting pot, that's for sure. But it has also been the Capital of the republic for a very long time. People have been there for generations after generations, living on top of each other's. So there would be a Coruscanti culture. But it's also very divided between the elite in the hight levels -very wealthy, very powerful- and the lower levels -very poor, very numerous and diverse. And it's a giganormous metropol which means that it's always changing, always evolving. And since it's the litteral Capital at the center of the Republic, it also most likely has access to the newest inventions and highest tech...

So what would its culture look like ? Would it be defined by contradictions too, like the rest of the planet ?

Maybe the music would be the form of art that unify it the most easily, with its easy way of propagation. Of course there would be lots and lots of different scenes (with various cultural influences, genres...) but it could have something that sounds distinctly "Coruscanti" just like it's easy to know when our music is from the US because this mainstream music sounds "American". Because of course coruscanti music would be wild spread through the republic too.

Fashion and clothes would have the same tendencies too. Very different clothes depending on how hight you are of course. And Coruscant wouldn't be as famous for its fashion trends as Naboo, obviously. But it could still have quite the influence (especially if we think some people copied the Jedi clothes to be trendy or what not, who says it would be the only style copied like that ?)

But what about the other art forms ? There would be an Elite art and a lower levels art ?

The elite art would be like every elite art around the world, very luxurious, good and bad tastes alike (just like I've already thought about with space Palissy and Cellini). I tend to think from what we saw in canon (especially with Thrawn's art collection in Rebels and Luthen's gallery in Andor) that the elite favor sculptures and other tridimensional arts more than pictural art. The only time where we saw pictural art having a major cultural importance was for the Mandalorians and their armor paint really, anyway.

And the Lower levels are completely submerged in urban life. I don't think sculptures would be the favorite medium here, especially with the restrictive spaces they live in, all piled up like that. So maybe graffiti and murals would be commonplace. It would definitely be a more "people art" if I can say it like that, something with a soul and value for the people making it, but without the intellectual, artistical research and such of the elite. Something not simpler necessarily but more organic, living with the people. Made of everything at hand, knick-knacks and such. Maybe holographic? But I don't know how that could be done. Yeah, graffiti for sure (there would be so much surfaces for that too). But I'm sure there would be other mediums too.

Coruscant really is something complex and a bit monstrous. And it's so so hard to gauge its depth, including when thinking about how it even works. So here's some of my thoughts on its culture and art. Do tell me what you think.

[rose-tea-and-strawberries]

Hey, I sent in this ask and Tumblr ate it, so here it is:

You know how Yuu getting turned into a child because of a potion accident or a spell mishap is a pretty popular trend in twst headcanons and imagines. I'm thinking about the same scenario with Yuu while she's on her shift in the club. It either happened because of one of Von Drake's inventions accidentally zapping Yuu or someone was messing with Fairy Godmother's wand again.

I mean the chaos and panic that would ensue in the club when Yuu gets hit by a spell gone wrong, and she straight up disintegrates except for her clothes. Everyone's like "OH NO, WE KILLED OUR KID!" And Donald's reaction is like this. But then the clothes start shuffling, and they all find a cute baby Yuu.

If you thought they clubgoers were bad before when it came to competing for the custody over Yuu, it's worse now. Hell, even Mickey is twitching to grab his sorcerer hat and keyblade. Any disney character who's a parent are fighting over on who gets to hold Yuu next. Pepa Madrigal is summoning a biblical storm outside because Triton was taking too long holding Yuu, and it's supposed to be her turn. The parent characters all miss holding a baby.

"Your five minutes are up! Let me hold her!"

The couples are all high on baby fever when they get to hold Yuu. I can see Ariel really missing when Melody was a baby and turning to Eric to say that they should have another kid.

The villains to Yuu: Come to the dark side we have cookies.

I can see just cuddling with the Winnie-the-Pooh characters since they're technically anthropomorphic stuffed animals and soft enough to sleep on.

Even characters who I don't see as parent types take to Yuu so well. Gaston finally gets a turn, and he gets quiet. For the next five minutes, his hubris goes away, and he's so gentle with Yuu. Belle and Adam are in awe because that's what got him to shut up? I mean they get it. Yuu is adorable but still.

Lol. I think went too far with this ask.

"Oh no, we killed our kid!" *Side eyes the villains* it's not like any of you have ever attempted child murder before

That Donald link is everything and it is now canon that that is exactly his reaction when Yuu, his nephews and Max are in danger (I've never watched Ducktales so I don't know if there are any other kids Donald hangs out with)

I absolutely love de-aging fics. It's been one of my favourite tropes in practically every fandom I've been in. I actually did have this one story line I was brainstorming in my head during this very long car ride where some magic caused Yuu, Ace, Deuce, Leona, Azul and Epel to de-age to around 6-7-8 and the NRC students had to deal with that (it kind of played along the lines how the day before the magic accident Yuu said that if she met the NRC gang when she was younger, her younger self definitely would've wanted to be friends with them - there was even this scene where smol Yuu 'meets' baby octopus Azul and he gets all teary-eyed that this pretty 'stranger' thinks that he's nice - and there was another one with little Yuu and cub Leona where they take a nap together) but I digress.

So I'm not going to go for baby since there's not much a baby can do so I'm going to say she's reverted back to a 5/6 year old.

Lilo, Alice and Wendy insist that she spends most of her time with them. They see Yuu as a big sister and now that she's younger, they are much more protective of her. Christopher Robin is included in that group not because he's part of the Yuu Protection Squad but because he's close friends with Alice and Wendy so he's dragged along for the ride. Lilo doesn't want Yuu to hang around with the villains or the NRC boys - she's made badness charts of both Yuu and the villains to show her friend how dangerous they are. Lilo and Yuu definitely get Horace to play Elvis songs because Elvis is amazing.

It doesn't matter how old Yuu is, if she sees our favourite tubby little cubby all stuffed with fluff she is hugging that silly old bear for as long as she can (lucky, lucky her). The tv show called 'My Friends Tigger and Pooh' and one special episode of 'Doc McStuffins' show that the Hundred Acre Woods gang love hanging around children even if they aren't Christopher Robin - let's just hope, Tigger doesn't get too boisterous with his bouncing. Speaking of which, Roo is very happy to have another kid to hang out with (he excitedly asks his mother if they can bring Lumpy with them the next day) and Kanga finds herself doting on Yuu even more with the other animal mothers (etc: Perdita, Mrs Jumbo, Bambi's mother, Duchess etc)

Since Simba (canonically in the first movie) and Ariel (in the non-canon sequel) are the only prince and princess to have children, I think that they would argue that they are the best suited to looking after Yuu - only for Baloo to pipe in that he and Bagheera have plenty of experience in caring for mancubs (the fact that Mowgli was raised by wolves who are still very much alive seems to be completely forgotten by the bear)

Tiana has to literally restrain Naveen and Charlotte from either kidnapping Yuu on the spot to go gallivanting to every toy and dress shop they know or just going to said shops anyway and buying everything they see.

Aladdin and Robin Hood are really good with kids in their movie (and Aladdin's TV series) so they would be having a blast regaling Yuu with tales of their adventures.

Wait, wait Jack Skellington and Sally canonically have kids in the epilogue of their movie so they would have some experience to boast about (in the movie's soudtrack with Sir Patrick Stewart at least)

Unfortunately, none of the heroes trust the villains to go within five feet of child!Yuu for completely logical and justifiable reasons so Yuu the villainous sidekicks usually end up sneaking around nearby

(At some point, Yuu ends up giving Ed the hyena a hug, headpats and a forehead kiss and he never lets anyone forget that)

All the Disney parents are living their best life with Yuu around. I think King Stefan and Queen Leah are especially happy because they never got to see their daughter, Aurora, at that age and they kind of feel like they get a chance at seeing what could have been.

Someone should also probably keep an eye on Fauna incase she pulls a Lilia and straight up kidnaps Yuu

[mariaelenaariente]

The Most Stylish Astro Placements

For a limited time only, I'm offering in-depth tarot readings for just 8$. Only 10 slots available. Find out more here

In-depth Natal Chart Analysis - reconnect with your Soul and uncover the Divine within you

Taurus placements - let's start with the obvious. Taurus placements will forever take the crown as the ones with the greatest eye for beauty, details, aesthetics, luxury, and style. Their creativity (especially enhanced if they're placed in the 5th house) knows no bounds and is truly inspiring. You can spot someone with heavy Taurian energy from a mile away, although the manifestation of this influence will heavily depend on how these placements are aspected and which planets are involved. If you're struggling to connect with your creativity as a Taurian, you can ask me for personalized guidance and insight based on your chart.

Leo placements - although their approach to their style is not as intuitive as that of Taurus placements, they wish to shine and eventually get there. If there's Scorpio influence in their chart they may also be very pragmatic about the clothes they choose to wear and how they style them. A very creative sign, those born with these placements have a strong desire to express themselves, even through clothes.

Virgo placements - I hope no one's surprised by this. Virgos are known for their attention to detail - they generally look well put together and may often choose the "clean girl" aesthetic for themselves. Although their style could be more on the simple side rather than super creative, it is still very personal and prioritizes what is in tune with their lifestyle. They may be particularly interested in accessories.

Libra placements - I personally feel that those born with a strong LIbranian influence often choose to follow trends rather than create them, but they do so in such a pleasant, harmonious, and natural way that you'd think they invented it. The mediators of the zodiac, they're great at putting things together and making it seem effortless.

Honorable mentions: Aquarius and Pisces placements - the way Aquarians approach their style may be very unique but will be heavily influenced by the rest of their chart. Still, they're often the ones coming up with unique inspiration and daring looks. Pisces placements have tons of creative energy in them, so those Pisceians who are living in tune with their nature can have a real blast when it comes to clothing and accessories, but that is not as common and we often see them being quite indecisive and uncertain when it comes to their personal style.

I feel like there's also something to be said about Gemini placements and their playful approach to creativity and style, but I can't quite pinpoint it yet in a general one-size-fits-all definition.

Moon in harmonious aspect to Venus - these people integrate emotion and beauty beautifully! They're naturally inclined to look for comfort both within and outside of themselves. If they channel this into fashion and their personal style, you can bet you're going to see the most beautifully put-together outfits.

Sun in harmonious aspect to Venus - their desire for self-expression could often manifest through intricate/aesthetically pleasing clothing choices. If Pluto is involved here, there could also be some sort of obsession regarding one's style and appearance.

Venus in harmonious aspect to Neptune - the creative potential here is absurd! Depending on the houses, these aspects can bring a strong desire for a coherent and beautiful, almost dreamy style.

For a limited time only, I'm offering in-depth tarot readings for just 8$. Only 10 slots available. Find out more here

In-depth Natal Chart Analysis - reconnect with your Soul and uncover the Divine within you

[princessanonymous]

I just have to say I LOVE the vampire series you just wrote ❤️. It is by far one of the best platonic fic series I've ever read and has inspired me a lot in writing the fic for another Fandom. Your usage of words is incredible and perfectly suits the given situation.

I just have a teeny tiny question. Why do vampires feel uncomfortable to sleep in bed? (safety of the coffin aside) 🤔

Sorry if it's such an irrelevant doubt I just wanted to know why. Have a lovely day 💖💖💝

𝓓𝓮𝓪𝓽𝓱 𝓑𝓮𝓭 (Ask)

When Night Comes asks Platonic Yandere Vampire Story Chapter list

Vampires, for all Dorian’s spiels about their superiority, should be dead and in many ways, they are. They shouldn't be, yet they cling to what little remains of a mortal existence they once had. Vampirism puts the body in stasis, resigning them to a perpetual stillness. They cannot age, their injuries heal due to peculiar supernatural abilities brought by their condition. Still, there is a certain longing. Barely noticeable, but it still is there subconsciously. It is in their slumber that vampires are the closest to their real state. Some say it is a way of nature to remind them that they don’t belong, that they are meant to be dead. This is precisely why beds aren't comfortable to vampires; beds are meant for the living.

A coffin is for the dead and this is where they are meant to be. This feeling is instinctual within vampires, even though most would never be able to explain it. They are dead and must therefore sleep the sleep of the dead.

Dorian, forever extravagant, preferred lavishly decorated coffins. His was made of a dark brown wood with gold handles and carved with intricate patterns resembling vines. To him, like many other vampires, their coffin represented a sign of wealth and social status. This idea was profoundly important to him which was why he was adamant that his partner and daughter also had the finest resting place.

Kilian viewed it differently. Even though as humans, Killian came from a higher background than Dorian — who only gained a noble status as a vampire — he had never really cared at all about appearances. Comfort is what he truly looked for. At least, that was what he liked to say. It didn't change the fact he preferred caskets for their novelty in the mortal world. It was quite a recent invention compared to its older counterpart. In a way, it made Killian feel closer to humans and some of their trends. It made his existence feel less stagnant.

┉┈◈◉◈┈┉

Yeah that's basically it ! Thx for asking! (Can't believe I'm a source of inspiration for somebody. Thank you very much for these nice words.)

[toast-in-a-cowboy-hat]

The whole debacle with the Felix Remix of biscuits and gravy is equal parts hilarious and unfortunate for me, in particular, because like, ya know, yeah, Oreos in beef granules, Oreos & Beef, that sounds bad.

To most folks at least, probably.

I, tragically, am haunted by the presence of, in my opinion, a much worse sounding execution of that general concept.

That beast being the Oreo Stuffed Cheeseburger.

Which is something I have seen, irl, at both local restaurants and fair grounds, and, as you might could guess from the name, is where they take a beef patty, put Oreos in the middle of said patty, and then follow it up with the rest of the steps one might take to produce a cheeseburger.

And it's been a while since I seen it, so I'm not entirely sure but I think they also put either icing, crushed oreos, or both, on top of the patty with the rest of the condiments.

I've seen another version too, the Deep Fried Oreo Cheeseburger, which is a cheeseburger with deep fried oreos on top, and then again I think the icing and maybe crushed oreos.

And who knows, maybe that actually sounds good to y'all, idk, but that seems worse to me. Like Felix's thing just got beef and oreo, cookie and sauce, these you have the beef and the oreo, but theres also cheese, mustard, onion, etc, etc... all along with a bunch more oreos, and none of those things are something I'd want near an oreo to begin with so.

Sounds bad!

But people eat and enjoy all of these things, I had people tell me that they thought it sounded bad, but it was actually surprisingly good!

And so! It's very funny to me because like, that means Felix is not entirely wrong! Oreo and beef is a flavor combo people enjoy, people would like his biscuits and gravy, there's places you can buy this sort of thing from out there in the world, right now.

There's even been kinda similar concepts served widespread via chain store like, you ever thought your cheeseburger wasn't sticky enough? Well, you're in luck, there was a point you could buy the Peanut Butter Bacon Cheeseburger, and also the Peanut Butter Bacon Milkshake, which yes, had real bacon chunks in it like Look at these things

People ate these People enjoyed these

To me that sounds awful, but a whole lotta people really liked them

And so between that and the Oreo Cheeseburger, I think Felix's true calling in life was to have some sort of food truck. Like, he should be at a state fair, making concoctions of questionable edibility that people are either disgusted by or adore, and instead, alas, he was British.

This man is gonna end up visiting Outlaw in Texas one day and accidentally start a trend, like, he's gonna invent the Brown Gravy Oreo Cheeseburger or some shit like that. We're gonna end up with Cowboy Felix where that's what he does now, no more assisting with horrific medical experiments, he's making his own, in the culinary field!

Let him have fun with strange food combinations, he deserves it

[themoonandtheprincess]

Tasha Davenport and Davenkids headcanons for Mother's Day!

•In the first episode, Leo says Tasha and Donald met on online dating but I think it would be much more realistic if they met while Tasha interviewed him about an invention.

°And Donald's brain just short circuits straight out of his head and he drops this million dollar, brand-new technology right on the floor and it breaks into a million pieces.

°He cries about it to Adam, Bree, and Chase later but all they do is make kissy faces and mock him because they're around 11-13 at the time.

°So, Tasha has known about them for a while and they were, at one point, the final straw in their relationship because she couldn't handle how Donald wasn't even treating them as humans.

°She threatened to take them with her but Donald had bullied her, saying she knew nothing about science or robotics and wouldn't be able to keep them alive without their bionics and millions of equipment and tech.

°So, she stayed with him but emotionally away. And kept Leo away from him for the longest time. The first episode was the first time he had been in Donald's house. Their relationship only started getting better when Adam, Bree, and Chase were "freed" from the basement.

°Leo didn't meet Donald until three years into their relationship and they then got married five months later.

•And it wasn't until Chase started dating Sebastian that she saw essentially a mirror of her relationship with Donald. That is to say, toxic. The only difference being Tasha and Donald actually healed their relationship and regained trust, if rocky.

•When they were Davencourting, Donald promised her she would never had to work again but she told him that reporting was her passion.

•How they would do the "Pass the phone" trend.

"I'm passing the phone who married a millionaire scientist yet still insists on keeping her reporting job."

"I'm passing the phone to someone who programmed a home security system to bully him."

"I'm passing the phone to the home security system that literally has stopped nothing from coming in. Also he doesn't have hands so it cant be passed to him."

"I'm passing the phone to the smartest man on earth who insisted his first gay relationship didn't fuck him up."

"I'm passing the phone to someone who got a job at Mighty Med to pop bones back in place with his super strength and ended up breaking them."

"I'm passing the phone to Skylar."

"Adam! That's not how you're supposed to do it!"

"Oh, well, you already passed me the phone."

• She dyes Skylar's pink streak by having her hover over the bathtub then Oliver shoot water at her when it's time to rinse. Impractical but they find it fun.

• Her children had disaster coming outs.

°It started with Bree in the lab, putting away training gear, when Tasha had approached her. "Bree," she said. "I have nothing against it, but you need to stop looking up 'girls kissing' on Donald's computers."

Bree watched Tasha pick at her fingernails. "But," she started. "That's not normal? Just like growing up in a basement?"

"No, no, no." Tasha rectified. "It's normal- the girls part, not the basement part- but it's being sent to Eddy."

Bree's mouth made an 'O.' "But Chase looks up two guys kissing and it never gets sent to Eddy."

Chase's head perked up from where he was tinkering with a project. "That's a perk of being half-robot, sis!"

"The Perks of Being Part Robot," Adam laughed. "They're gonna make into a LGBT movie."

"So..." Tasha drawled out. "Do you like guys, too?"

"Oh no," Adam grinned, bouncing on his toes. "I just kiss my homies goodnight."

•Tasha loves Kaz. Especially because she can relate to him on a personal level growing up in a poor household and being forced to parent younger siblings.

•Kaz also teaches her basic medicine for the team and she has basically all of Mighty Med out after a mission.

°She finds him infinitely times better than Sebastian but only tells him that once.

•Nobody even thinks about getting into an argument with her, let alone raising their voice, because the only person who did that was Chase.

°It was when he was dating Sebastian and he was trying to convince her that he was a good guy and wasn't paying attention to when he raised his voice at her.

°For the smartest man on earth, it was a very easy and very big fuck.

•She refuses to be mediator on any argument. Even the simplest thing like when Chase and Adam argued about boxed water.

•Leo's dad left when he was four but Donald has never had the "I'm not trying to be your dad" talk with him.

•When Skylar started dating Bree, she brought Tasha and Donald a dead pig. "It is an offer for your daughter's hand in courtship and proof I can provide for your family through the winter."

•Before Kaz and Chase's relationship was out, Kaz would catch on flames from anxiety if Donald or Tasha saw them even remotely next to each other.

•She was the one who suggested to Kaz that Adam could work at Mighty Med to pop bones back in place or whatever required super strength.

•Donald offered to make her bionic but she said she'd rather die.

•Donald used to cut the Rats hair when they were kids and it looked terrible. (It's why Chase's hair is so spiky. Ha. Spiky.)

•Also, Tasha never got used to Spike coming out. It scares the shit out of her every time.

[msmargaretmurry]

but what if i want to hear about the similarities between how ovi is written in sid/ovi fic and how leon is written in some matthew/leon fic

hello from fully three weeks later i am finally answering this, sorry to you and the anons who asked about it after i posted my sid/ovi thoughts for that ship meme 500 years ago. (also maybe helpful reading are my extended thoughts on how the ovi media narratives played into all that.)

disclaimer that i am absolutely not saying that ALL matthew/leon fic is like this because it very much is not (and i'm sure not all sid/ovi fic is like this either, i haven't looked at what's going on in that pairing tag for probably like a decade). i'm also not at all trying to call anyone out or say they're writing fic "wrong" or suggest they're wrong for enjoying these types of narratives. truly people can do what they want with their own fanfiction. i'm just speaking to general trends i've personally observed and find interesting!

the comparison here obviously arises from how we have two rivalry pairings of a north american anglophone character and a european character, who are pitted against each other by a combination of regional rivalry and media narratives. so it's totally understandable that this would lead to some similar themes/plots/etc/whatever.

what immediately stood out to me when i started reading matthew/leon fic was the tendency of a lot of the fic to center the experiences and feelings of the north american anglophone character—usually being from their pov—while the foreign character is treated with less nuance, often embodies some light stereotypes, and kind of serves as the reward the anglo character gets in exchange for his troubles. i think of this as the "x derserves a nice thing and y is a nice thing" story and it is definitely not limited to these pairings, but it is pretty prevalent.

like i don't think anyone would argue that there is a LOT of woobification of matthew in fic for this pairing (especially in the "keith's a+ parenting" subgenre), and much less so of leon. and honestly i don't think there's anything wrong with indulging in a little bit of woobification — i don't even think there's anything wrong with inventing difficult family situations for your woobified guy to be saved from (as long as you stay aware that you are making shit up and don't imagine abusiveness onto real-life people, obviously). a lot of people, especially young people, use fic to work through their feelings about those types of situations, and also fiction is allowed to be personal fantasy and it's allowed to be problematic, don't like don't read, etc, whatever. this post isn't here to fight that fight, lmao. anyway!

it's not a one-to-one comparison (they are all different people, obvs, and among other things sid's canadian hockey savior archetype is quite different from matthew's bratty american archetype), but the point is that to me that the centering of matthew's experiences and feelings while leon is kind of relegated to the role of hot european rival who unexpectedly saves our boy from his suffering/is the nice thing our suffering boy deserves feels SO similar to sid/ovi fic centering sid's experiences and feelings while ovi played a similar role (except with way more emphasis on his russian-ness, honestly i feel like the russian stereotyping was worse than the german stereotyping is now). i feel like you can also see this when fics emphasize behavoiors associated with negative stereotypes — e.g. ovi getting a kind of "sexy caveman" treatment, leon being characterized as overly rude or abrasive (as opposed to, like, self-admittedly sometimes grumpy and abrupt as facets of his larger, nuanced personality).

part of this obviously is just a inherent fanfiction thing. people love tropes and archtypes, they see these tropes and archtypes and they just run with them without thinking to hard about it. and i also understand how anglophone north american characters might seem more accessible as both pov guys and vessels for fantasy from a fanbase that is largely anglophone north american. like i said, i'm not trying to call people out or anything. but i do think the parallels are SUPER interesting and speak to the ways that we, hrpf fandom as a larger whole, engaging with hockey in transformative ways, are so very deeply NOT immune to the way the media and our sociocultural contexts shape our thoughts about players and teams and narratives in an often overwhelmingly north-american-centric and anglo-centric way. and that is worth thinking about!

"but becky," you might be saying, "doesn't haw engage in a lot of the things you just described?" well — yeah kinda! first of all, when i say WE are not immune, i very much include myself in that! but also, haw was an attempt by me to kind of interrogate and/or subvert those things (although i'm not sure how well i succeeded, lol). the story was borne out of my experience reading several "matthew deserves a nice thing and leon is a nice thing"-type fics and deciding that i would really like to read a story that was more like "maybe matthew DOESN'T really ~deserve a nice thing~ because he's just constantly creating his own problems, but in the end, after a long character journey, he accepts that he deserves love anyway. because he's a person and people deserve love." like, matthew in haw sees leon at first as this rude and abrasive guy — but that's not who leon actually is. matthew in haw has a complicated and kinda strained relationship with his dad — because of the mental place he's spiraled into, not because his dad doesn't love him. etc etc.

like i said, who knows how well i succeeded at actually subverting/interrogating that stuff. maybe i didn't at all 😂 but i wanted to mention it as a hopefully helpful example of how thinking about all this can expand one's fanfiction horizons, not limit them.

okay i think that's all i have. once again this is really not targeted at anyone specific or meant to make anyone feel bad or wrong. just something i noticed that i found really interesting and that i think is worth thinking about!