#i'm keeping my icon so it has something people are used to now

[cherphadetseuk]

URL Change

lucky-cat-cafe -> cherphadetseuk

I know I just recently changed my sideblog url but here we go. I got no excuse but yeah, I am weak and I am okay to admit it.

so now here on my main I am cherphadetseuk and on my gif sideblog I'm oyeixcher

Yes, I know what you gonna say but I'm obsessed and as I said, weak, so I'm just going with the flow. I will miss them and this show once it's over this weekend and I'm not ready to let go so here we are keeping the legacy lol

[misshugs]

The Cameragirl || snc

You've been Sam and Colby's cameragirl for some time now. Usually, nothing too crazy happened to you in most investigations, but this time...

warnings: paranormal activity, reader getting attacked, near death experience, strangling(?), cursing, angst?

a/n: took a bit of inspo after watching the boys' video of the asylum, but nothing exactly like it. just the fact that the place is an asylum

[part 1] [part 2] [part 3]

word count: 3.6k

[u n e d i t e d]

✮ ⋆ ˚｡𖦹 ⋆｡°✩

As they were making their iconic intro and explaining what this new place was about, you made sure to have a sturdy pulse whilst filming them.

"Today, it's just me, Sam and our lovely cameragirl, Y/n." Colby said, letting you shift the camera towards your face and smile at it.

"Hello there." You said, making sure your face was extremely close to the camera, merely because it has become your way of introducing yourself.

"And since it's only us today like the good old days, we decided to make something fun. ALL of us." Sam explained to the camera and smirked, looking directly at you.

You batted your eyes, looking at them while they kept on smiling menancingly at you. "This wasn't a part of the contract." You said, gaining a laugh from both of them.

You zoomed onto his face and began talking with this soft, almost narrative voice. A voice you very well knew they enjoyed. "What is this oh so fun idea you seem to be hyping about, mr. Golbach?"

"Why thank you for asking." Sam nodded slightly, moving his attention towards the camera. "The three of us are gonna do a little challenge tonight." He clapped his hands together as you began unzooming the camera, putting Colby back on frame.

"That's right, we're going to walk alone, lights out throughout some of the most haunted corridors from this place." Colby continued. "The owners of this place told us it gets freaky when people are alone, so we thought this might get us some good activity."

"We have some cameras with nightvision but we're not gonna see shit." Sam added, "After a while, we all should find our way back to the main lobby."

"So stay until the end to see how that's gonna turn out." Colby says, getting close to the camera before covering it with his hand, making you stop the recording for the cut.

"That was pretty good." You said, looking at the video slightly.

"You're still good with the challenge, right?" Sam asked, looking at you. You scoffed.

"Please. I wouldn't have come if I wasn't sure about it. Remember you told me about it before the video?"

"I know, I know. Just making sure, you know how I am." He laughs. "Wouldn't want you to do something you're not comfortable with."

"You're saying that like we haven't known eachother for how long?"

He chuckles. "You're right. I'm sorry."

"Alright, so since we're all settled, should we start right away?" Colby chimed in, looking at both of you.

"Not yet. This place has some good cinematic potential, lemme cook first." You said, looking around with your flashlight.

"Aight, we'll let you do your thing, I'll go ahead and look for the equipment." Colby said.

"Oh, shoot. I forgot to ask the owners about something." Sam said, taking out his phone.

"Go out with Colby, I'll be here waiting." You said, fixing back your camera to start recording.

"Alone?" They both asked, looking at eachother and then at you.

"I do my best work alone, gentlemen. You know that." You begin walking towards the shadiest corridor you've seen in your life, without even looking back.

"Oh wow. Fearless. She's trying to do the challenge before us." Colby laughed.

"Alright, I'll be super quick. If anything happens, just yell. As loud as you can." Sam said, smiling.

"Copy that." You laughed.

In the blink of an eye, you were left alone. You were used to these type of things, so it didn't bother you much. You've somehow become numb to all of this paranormal adventuring.

And that was one of the main reasons why you liked to take control of the camera, since you were able to keep your cool in stressful situations, making it easier for the viewers later on.

Plus, you didn't know how to act on camera and they were the professionals... allegedly.

Whenever something odd happened, you made sure to try and record as much as you could, in the best angles possible. You liked to joke around and call yourself a professional in your craft, although sometimes it wasn't even a joke.

You were passionate about it. The videos and the ghosts, it was only natural to try and do more, risk yourself to do something more interesting and outgoing.

That's a piece of yourself they loved about you. You were simply a perfect match in their combo.

As you began to do your cinematic, you began to have shivers. A sudden draft of air passing through you, as if a window suddenly opened.

Looking around, there was no possible way of that happening. You were in the middle of the corridor, absolutely no chance of an air draft simply passing through so randomly.

You thought it might've been a bit odd, but nothing you haven't felt before anyways. While you kept on making some videos, an eerie feeling of someone watching crossed over your spine.

The sensation of a presence slowly getting closer to you behind your back.

Almost feeling the heat of another person behind you, towering over you.

Hurriedly looking back, you were met with Sam's hand almost touching your shoulder. He stopped midway, knowing he got caught trying to scare you. "You bitch." You spit out, making him laugh.

"Damn it!" He said mid laugher. "I was so quiet this time, how do you always seem to know?"

"I can feel you lurking closer, you stalker." You looked away from his gaze, trying to ignore the thoughts of his pretty face. You began walking back to where he came from, meeting Colby in the process.

"I'm not a stalker, if anything, I'm protecting."

"Quietly from the shadows, sounds like a stalker to me, but you do you." You smiled softly, looking at the confused Colby.

"I left for a second, what did I miss?"

"Stalker behavior, nothing else." You said, putting your camera up again and ready to record.

Colby shook his head from side to side, already being on your side of the story without even asking further questions. "I can't believe you brother."

"Wha- it wasn't-..." Sam sighed, defeated. He knew you were joking, so he wasn't going to win anyways.

You laughed and pointed the camera at them. "Ready when you are." They nodded and you began to record.

"So as you can see, in our hands we have some devices that we'll scatter throughout this first room. If you've been here before, you'll probably be familiar, but if you haven't, these are basically some motion censor devices that will let us know if something walks infront of it." Colby explained, turning one of the devices on and showing to the camera how it worked.

As they organized everything, the REM-POD immediately began beeping. "Oh, shit. That's the rem pod." Sam said, stopping on its tracks. "That was the temperature dropping."

You made sure the camera caught that as you got closer to it. "Oh fuck. I was feeling a bit cold since we got here." Colby added. "Alright. I think we're ready."

"Okay. If there's any spirit around that would like to communicate with us, we would like for you to use any of these devices we've put up for you." Sam started, as you made sure to get far enough from everything for the shot.

"You can touch these lights on the floor, or maybe this device I have on my hand." Colby continued, pointing towards the EMF reader. "We mean no harm, we'd just like to talk to someone."

A couple of seconds passed, looking around, waiting for something to happen.

"Maybe they don't want..." Sam began, before getting interrupted by the REM-POD beeping, making you hurriedly move your camera angle. "Oop. Nevermind. Thank you very much. Can you do that again if you're here with us? To let us know it wasn't something else?"

Silence filled the room for a while, before the device started to beep once again.

Excited, they began asking questions to this entity, expecting for it to be somewhat intelligent enough to give answers back.

Luckily, it was. It seemed to be someone that died inside the asylum, a woman. Curious about the story of this woman, they kept on asking questions. Some of them being answered, others being completely ignored.

Asides from the constant beep from their device, you heard a knock coming from one of the corridors. Quickly looking around, they stopped talking. "What?" Colby asked.

"Heard something." You whispered. The room went silent, followed by what sounded like footsteps getting closer. You turn the camera back at them and their faces were shocked.

"Holy fuck." Sam whispered.

"That was like... thumps. We're the only ones here, right?" Colby asked him.

"Yeah, we're supposed to be." Sam says, walking towards the place they heard the sound, quietly. You followed close behind. "Hello?"

Nothing. They kept on looking around, searching and at the same time waiting for something else to happen. "There's no one here." Colby says. "But that was clear as day."

"Super clear, the camera must've have heard that, for sure." Sam said, looking at you as you nodded. "That was crazy."

"Yeah, let's try something else but closer to this area, maybe it's more active." Colby said, and all of you nodded.

A couple of minutes later, and you were all set up. This time around, they turned on a spirit box to try and communicate better.

The idea was to first use it as normal, then for Colby to do the Estes Method.

And so, the spirits began to talk.

"What's this." It spat out. Colby and Sam looked at eachother, smiling.

"Hello, this is a spirit box, you can use it to communicate with us. Would you mind telling us who you are?" Sam said, looking around.

"Hello?"

"Hi, hello." Colby responded. "Who are we talking to."

"I'm scared."

"Scared? Scared of what?" Colby asked, furrowing his eyebrows whilst looking at the camera.

"Behind you."

They quickly looked behind them. "Oh, fuck. I hate that." Colby said, as you smiled at their gestures.

It quickly faded away when you felt the familiar presence of someone behind you.

Heart racing, you looked around for a second, but there was nothing there. It didn't mean the feeling went away, though.

"Monster. Care..." It seemed the audio cut before finishing the whole word.

"Monster... care?" Sam asked, confused.

"Or maybe it meant careful? Like, careful of the monster?" Colby questioned.

"It would make sense. What monster are you talking about? Is it harming you? Are you scared of this monster... or... person?"

It took a while before responding. Last thing it said, before a screech filled the radio was... "Run."

Quickly, they turned it off. They looked at eachother. "That was terrifying." Colby said. Sam nodded and sighed.

"Let's try and look around for some other place. This doesn't feel safe." Sam said and everyone agreed.

For the past hour of recording, moving around and joking here and there, you felt a bit uncomfortable. Usually, you weren't the type to get scared over the paranormal, but this place felt more eerie than usual.

You heartbeat has been increasing slowly, as well as a slight pain in your chest that quickly faded. You felt watched.

There was a point where you even felt slightly touched, quickly warning the boys about it.

Due to this, they almost discarted the idea completely, thinking you might be getting targeted, scared that it might do something to you. It took you a couple of minutes of convincing them to keep on recording before the conversation was dismissed.

You tried to brush it all off, as 'something you've felt before', but deep down you were really anxious about it. Perhaps it made you feel better to think about it being just the nerves.

But you weren't the type of person to feel these nerves for no reason.

"Hey, you good?" Colby touched your shoulder and whispered to you, noticing you seemed a bit weird. "You seem out of it today."

"Yeah, I'm good. I was just zoning out."

"Yeah, I noticed." He chuckled, looking into your eyes. "You sure you're okay though?" He raised an eyebrow, seemingly concerned. "You don't look well."

"What? Do I look like a ghost to you?" You asked, smiling, which quickly made him show that gorgeous smile you loved.

"More like you've seen one." You shook your head.

"I'm fine. I've just seen some shadows running in the corners of my eye, but nothing too big to point out."

He batted his eyes. "You've what?"

"Calm down, you know I see those things all the time. It's nothing new." Half of it was true. The other half, well... there was a chance you might've seen a whole figure standing close to a doorframe, but you felt your imagination was tricking you too much tonight, so you didn't say anything.

You weren't a psychic or a medium or something close to it anyways. If anything, you'd probably consider it more like a hallucination due to the constant lack of sleep you've been having lately.

"I know, I know, but still. You could tell us about it, you know? Maybe we all see the same thing you do and since you don't point it out, we don't notice."

You rolled your eyes playfully. You were about to say something, but a breeze passed through your ear, a soft whisper saying "Come play."

You jumped, covering your ear and walking closer to Colby. "Shit." You whispered.

Confused, he held your shoulders. "What? What? You heard something?" His worry was enough for Sam to stop setting the cameras up and walk closer.

"What happened?" He asked. You looked around where you were standing.

"Did you guys not hear that?" You asked, the shook their heads. "I heard something like... right next to me." When you said that, Sam began recording once again.

"Alright, so... apparently Y/n just heard something right next to her." He began explaining to the camera, pointing it at you.

"It was like a whisper, it.. uh... it just said 'come play', like, the creepiest shit you can say. I even felt the air on my ear, that shit made me jump." You tried laughing about it to not let the mood down, but it wasn't working much.

"Although I really want to, maybe we shouldn't do the challenge." Colby said, looking at Sam straight in the eyes, genuinely worried.

"Guys. Come on. Don't back down when we're this close." You said. "We're basically done for tonight, this is the last thing we're doing and we're out, right?"

"...yeah." Sam whispered. "Let's..." He sighed. "Let's do it. Just like she said, we walk through the corridor and come back straight away."

Althought skeptical, Colby nodded. "Fine. Let's hurry up then. The quicker we begin, the quicker we're leaving this place."

And so, everyone held their cameras and said their goodbyes. The three of you went through your respective corridors and began walking, alone, with no light.

"Alright guys. I'm not good at, like, talking to the camera but I'll try." You sighed, pointing the camera at your face while slowly walking the dark corridor.

"Honestly? I'm usually not as creeped out when we come to places like this, but this one is like... up there. It's giving me the chills, making me paranoid, I feel like I'm... seeing thing. Or maybe I'm just sleep deprived. That's... that's also an option now that I think about it."

Looking around with the camera, although it's absolutely useless, you started feeling out of breath. Almost as if the air didn't reach your lungs anymore. "It feels... hard to breathe." You took a deep inhale and shakily exhaled.

You gulped, your throat suddenly feeling dry as the lack of oxygen was evident.

"I'm just gonna walk... faster. I wanna get this over with..." And so, you did. But the further away you got, the worse it all felt. You felt your vision starting to get blurry although you could barely see anything.

You paused as your vision began to get used to the darkness.

At the end of the corridor, what you could shape out like a human figure was standing there. Seemingly the same one you barely saw before.

This time, it didn't seem to go away.

You were also alone.

Unable to breathe.

You don't know when it started, but you were unable to breathe properly. You choked, trying to regain yourself from the feeling.

Your neck feeling tight, your stomach hurting at the sudden feeling.

Putting your hands on your neck, you coulnd't feel anything that would make you feel this way. You started to get worried.

You felt as if you were being choked. You tried to scream, but all that you could spat out from your lips was a soft, quiet, 'help'.

Trying to turn around and walk back, you saw the figure again and got scared, falling towards the floor. You coughed for air, sucking back as much as you could but being unable to.

Leaving the camera behind, you tried to crawl back to where you came from, but the lack of circulation on your body failed you as you coulnd't handle it anymore.

Your body falling on the floor, the camera seemingly recording your movements come to a halt.

Your eyes closing, leaving you unconscious.

It didn't take long before Sam and Colby got back to the lobby. Waiting for you, something seemed off.

They knew the corridor wasn't as long as theirs. You should've been the first one out by that logic. They've been waiting long enough and they were starting to get worried.

Even though the concept of the challenge was to be alone in the darkness, the idea of you being in trouble was too much to bare.

Heck, even if you were pranking them, the anxiety of you not coming back on time was driving them insane, they were ready for a scare if it had to come to that.

But the scare they were expecting wasn't the one they got.

Minutes of walking and calling out your name came to a stop when they saw you on the floor.

Hurriedly, they ran towards you and fell to the floor, yelling out your name. "This isn't funny, Y/n!" Sam yelled, moving your body, only to notice how cold you felt. His heart sank.

"Y/n, come on!" Colby said, putting himself on the other side, looking at Sam. The color from his face was gone when he felt her body. Colby, worried, touched your body and understood why he looked that way. "Oh, fuck. Fuck!"

Throwing the camera to the side, Colby quickly checked your pulse. "Sam. Call 911. This is serious." You still had a pulse, but you weren't breathing. First thing that came to his mind was CPR.

While Sam began to call, Colby was trying as hard as he could to help out. He began doing mouth to mouth, trying to bring some oxygen back to your lungs.

Tears streaming down both of their faces. Colby started making compressions to your chest, while Sam was talking to the 911 dispatcher and using the flashlight to illuminate Colby.

Luckily, they weren't too late. You began to cough and moved to the side to spit out some saliva. You breathed heavily and both of the guys sighed in relief.

As you tried to catch your breath, they softly held you up in place while your color came back to you. You blinked a couple of times, adjusting your view to your surroundings.

When you looked at them, they hugged you tight. "Fuck..." Sam whispered. "Let's get the fuck out of here right now." He held you softly and helped you out, as Colby grabbed all of the cameras.

It was hard for you to walk. It felt as if a ton of weight was keeping you from even standing up. It felt as if your limbs went numb, the lack of oxygen probably acting up.

Sam noticed, and didn't hesitate on holding you up and putting you on his back so that you could rest. They began walking as fast as they could, reassuring you that you will be fine.

You were focused on getting your breath back while listening to them scream at the spirits.

"You are not allowed to follow us home." Listening to Colby talk like this, while taking all of the equipment made you feel light. You started moving your arms and made sure to hold onto Sam, closing your eyes.

"You'll be okay. We're leaving." Sam reassured you, waiting for Colby to grab everything and get out of there in a rush.

After the police arrived and handed you an oxygen mask, you started feeling much better. You had some marks on your neck, like some hands were just squishing the air out of you.

Your body... at first, you could even see your veins pop out of your legs because of your lack of color. The poor circulation that ran through your body for a couple of minutes really drove your body to its limit somehow.

It took you a while to be able to stand on your two feet again, but before the police left you could walk on your own just fine. Sam and Colby however still managed to help you out.

"Let's head back home." Sam whispered to you. You nodded slightly and tried to walk on your own, only to be held up by Colby.

"Don't force yourself right now. You need some rest." He said, taking you back to the car. Your face having a rush of blood because of the gesture.

"I... I can walk."

"Let us do this. Please. It's too much already that you fainted right when we weren't with you." Sam said, looking at you, your heart racing at the look of his blue eyes upon you. You gulped.

"...f..fine." You said, resting your head on Colby's chest, making him smile.

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part two is up!! the link is in the beginning! <3

thanks for reading all the way! likes, comments and requests are much appreciated.

-nikkõ

[jonnywaistcoat]

Hi Jonny, if you don't mind I have a question about the TMA TTRPG! So I noticed that on the player's guide there's this guy, who my friends and I assumed is probably Jon. If it is him, is this a canon design, or more like some of the non-canon stuff that's in the merch?

So, I hope you don't mind if i use this ask to go a bit off on one. I'm not specifically dragging you (I'm actualy glad you asked, as I've thinking about posting on the topic), but all the discussion around the RPG art and how "official" or "canon" it might be is, to my mind, slightly silly.

First up, is it "official" art? I mean, yeah, its art for the officially licenced Magnus Archives RPG. This means Monte Cook Games have commissioned someone to do a beatiful illustration broadly based on some aspect, episode or character from the podcast and it goes in the book. But that's kinda all it means. "Official" is a legal distinction, not an artistic one. The fact that it's in an official product doesn't make it any less one artist's cool interpretation of a character that has only been vaguely described in audio.

Second, is it Jonathan Sims the Archivist? I mean, it's probably based on the idea of him, but it's certainly not set in stone. When we were first discussing art with MCG, we advised that character pictures be more vibes-based and not explicitly tied to specific people (ie. a portrait inspired by Tim wouldn't be captioned "This is Tim" and wouldn't be placed opposite a profile for Tim Stoker, archival assistant.) This was mainly because we wanted the artists to have plenty of freedom to interpret and not feel too tied down by the need to know everything about the podcast. But, to be frank, it was also because we know that there are a few fans out there that are kinda Not Chill about what they've personally decided these characters look like and can get a bit defensive over depictions that differ.

It strikes me as particularly strange to be having this discussion about art that's for a roleplying game book. Something that's explicitly and solely designed to give you the ability to play in your version of the Magnus universe. The idea that this is the thing where we'd for some reason try to immutably establish unchangable appearances for these characters would be pretty funny if some folks weren't taking it so seriously. Similarly ridiculous is the idea we could reasonably have said to MCG "We'd love for you to make a huge beautiful RPG book of our setting... Just make sure you don't depict any of the iconic characters or events from it!"

But... is it "canon"? Now, to my mind, this highlights a real weakness in a lot of fandom thinking around "canon", which is that it generally has no idea what to do with adaptations. All adaptation is interpretation, and relies on taking a work and letting new creatives (and sometimes the same ones) have a different take on it. Are the appearances of the Fellowship of the Ring in the LOTR movies "canon"? How much, if at all, does that matter? Neil Gaiman's book Neverwhere was originaly a 90s BBC series made with a budget of 50 pence; is anyone who makes fanart of Mr Croup that doesn't look like the actor Hywel Bennet breaking canon? What about the novel that describes the character differently? Or the officially licenced Neverwhere comic where he looks like neither of them? Which is his "canon appearance"?

Canon is an inherently messy concept, and while it is useful for a creative team trying to keep continuity and consistency within a creative work, for thinking about anything beyond that it tends to be more hinderance than help.

Anyway, all this is to say that the above picture and all the others in the RPG are exactly as canon as every other picture you've ever seen of the Archivist.

[genericpuff]

What do you think about Reachel's new redraw?

I feel like the characters look good but the background is too gray compared to the original one 😕

It's pretty rough, ngl. Not even necessarily because of the art itself, but because it's not a panel she should have ever redrawn to begin with.

The whole point of that scene was to showcase Persephone bringing life into the Underworld, a place where only death existed, but in this redraw it completely lacks that messaging, resulting in a scene of Persephone and Hades simply hugging each other in the dark with very dead-looking foliage surrounding them.

On a structural level, the composition has gone from vertical to horizontal, giving us way too much empty space around them which, again, is failed by the background being so dull and lifeless; Persephone's somehow become even smaller; and worst of all (though I'm sure some people will think I'm overreacting) her hair isn't tucked up in Hades' arms anymore, it's just sort of falling perfectly over his shoulder as one solid goop of pink, strangely changing shape as if it's resting on something but there's clearly nothing there.

That said, my opinions should be taken with grains of salt because I also have a lot of personal beef with a redraw like this - that original panel was my phone background for like, 2 years, and the episode it came from is still one of my favorites of all time in spite of all the criticisms I now have of the series, with art that originally inspired me to want to learn how to draw like Rachel.

There's been a lot of evidence over the past year or so to suggest that Rachel has "fallen out of touch" with her own work and these redraws that she's been making lately feel like tangible proof of that. The context in which she created those original panels no longer exists so to try and redraw them fundamentally misses the point of why they were so iconic to begin with.

I can understand that feeling of falling out of touch with your own work, to the point of not even seeing the appeal of it yourself anymore, but that's all the more reason to keep moving forward, not back. The fact that she's still just muddling around with LO stuff despite announcing two more projects and seemingly not making any progress with either the TV show or Rachel Smythe Presents... it really does seem like she's stuck in limbo. The deadlines and contractual obligations aren't there to motivate her anymore, and while that may now have freed her from the burden of creating LO in such a cramped and unhealthy space - now being able to create it simply for herself - I think the years of working on it have definitely taken its toll on her ability to create the way she used to and so we're seeing those growing pains now.

The real bummer about it is that it's being celebrated as "growth" but it's about as much growth as the illustrated environment above - dead and bleak.

[ms-demeanor]

Hello! First, I wanted to say thank you for your post about updating software and such. I really appreciated your perspective as someone with ADHD. The way you described your experiences with software frustration was IDENTICAL to my experience, so your post made a lot of sense to me.

Second, (and I hope my question isn't bothering you lol) would you mind explaining why it's important to update/adopt the new software? Like, why isn't there an option that doesn't involve constantly adopting new things? I understand why they'd need to fix stuff like functional bugs/make it compatible with new tech, but is it really necessary to change the user side of things as well?

Sorry if those are stupid questions or they're A Lot for a tumblr rando to ask, I'd just really like to understand because I think it would make it easier to get myself to adopt new stuff if I understand why it's necessary, and the other folks I know that know about computers don't really seem to understand the experience.

Thank you so much again for sharing your wisdom!!

A huge part of it is changing technologies and changing norms; I brought up Windows 8 in that other post and Win8 is a *great* example of user experience changing to match hardware, just in a situation that was an enormous mismatch with the market.

Win8's much-beloathed tiles came about because Microsoft seemed to be anticipating a massive pivot to tablet PCs in nearly all applications. The welcome screen was designed to be friendly to people who were using handheld touchscreens who could tap through various options, and it was meant to require more scrolling and less use of a keyboard.

But most people who the operating system went out to *didn't* have touchscreen tablets or laptops, they had a desktop computer with a mouse and a keyboard.

When that was released, it was Microsoft attempting to keep up with (or anticipate) market trends - they wanted something that was like "the iPad for Microsoft" so Windows 8 was meant to go with Microsoft Surface tablets.

We spent the first month of Win8's launch making it look like Windows 7 for our customers.

You can see the same thing with the centered taskbar on Windows 11; that's very clearly supposed to mimic the dock on apple computers (only you can't pin it anywhere but the bottom of the screen, which sucks).

Some of the visual changes are just trends and various companies trying to keep up with one another.

With software like Adobe I think it's probably based on customer data. The tool layout and the menu dropdowns are likely based on what people are actually looking for, and change based on what other tools people are using. That's likely true for most programs you use - the menu bar at the top of the screen in Word is populated with the options that people use the most; if a function you used to click on all the time is now buried, there's a possibility that people use it less these days for any number of reasons. (I'm currently being driven mildly insane by Teams moving the "attach file" button under a "more" menu instead of as an icon next to the "send message" button, and what this tells me is either that more users are putting emojis in their messages than attachments, or microsoft WANTS people to put more emojis than messages in their attachments).

But focusing on the operating system, since that's the big one:

The thing about OSs is that you interact with them so frequently that any little change seems massive and you get REALLY frustrated when you have to deal with that, but version-to-version most OSs don't change all that much visually and they also don't get released all that frequently. I've been working with windows machines for twelve years and in that time the only OSs that Microsoft has released were 8, 10, and 11. That's only about one OS every four years, which just is not that many. There was a big visual change in the interface between 7 and 8 (and 8 and 8.1, which is more of a 'panicked backing away' than a full release), but otherwise, realistically, Windows 11 still looks a lot like XP.

The second one is a screenshot of my actual computer. The only change I've made to the display is to pin the taskbar to the left side instead of keeping it centered and to fuck around a bit with the colors in the display customization. I haven't added any plugins or tools to get it to look different.

This is actually a pretty good demonstration of things changing based on user behavior too - XP didn't come with a search field in the task bar or the start menu, but later versions of Windows OSs did, because users had gotten used to searching things more in their phones and browsers, so then they learned to search things on their computers.

There are definitely nefarious reasons that software manufacturers change their interfaces. Microsoft has included ads in home versions of their OS and pushed searches through the Microsoft store since Windows 10, as one example. That's shitty and I think it's worthwhile to find the time to shut that down (and to kill various assistants and background tools and stop a lot of stuff that runs at startup).

But if you didn't have any changes, you wouldn't have any changes. I think it's handy to have a search field in the taskbar. I find "settings" (which is newer than control panel) easier to navigate than "control panel." Some of the stuff that got added over time is *good* from a user perspective - you can see that there's a little stopwatch pinned at the bottom of my screen; that's a tool I use daily that wasn't included in previous versions of the OS. I'm glad it got added, even if I'm kind of bummed that my Windows OS doesn't come with Spider Solitaire anymore.

One thing that's helpful to think about when considering software is that nobody *wants* to make clunky, unusable software. People want their software to run well, with few problems, and they want users to like it so that they don't call corporate and kick up a fuss.

When you see these kinds of changes to the user experience, it often reflects something that *you* may not want, but that is desirable to a *LOT* of other people. The primary example I can think of here is trackpad scrolling direction; at some point it became common for trackpads to scroll in the opposite direction that they used to; now the default direction is the one that feels wrong to me, because I grew up scrolling with a mouse, not a screen. People who grew up scrolling on a screen seem to feel that the new direction is a lot more intuitive, so it's the default. Thankfully, that's a setting that's easy to change, so it's a change that I make every time I come across it, but the change was made for a sensible reason, even if that reason was opaque to me at the time I stumbled across it and continues to irritate me to this day.

I don't know. I don't want to defend Windows all that much here because I fucking hate Microsoft and definitely prefer using Linux when I'm not at work or using programs that I don't have on Linux. But the thing is that you'll see changes with Linux releases as well.

I wouldn't mind finding a tool that made my desktop look 100% like Windows 95, that would be fun. But we'd probably all be really frustrated if there hadn't been any interface improvements changes since MS-DOS (and people have DEFINITELY been complaining about UX changes at least since then).

Like, I talk about this in terms of backward compatibility sometimes. A lot of people are frustrated that their old computers can't run new software well, and that new computers use so many resources. But the flipside of that is that pretty much nobody wants mobile internet to work the way that it did in 2004 or computers to act the way they did in 1984.

Like. People don't think about it much these days but the "windows" of the Windows Operating system represented a massive change to how people interacted with their computers that plenty of people hated and found unintuitive.

(also take some time to think about the little changes that have happened that you've appreciated or maybe didn't even notice. I used to hate the squiggly line under misspelled words but now I see the utility. Predictive text seems like new technology to me but it's really handy for a lot of people. Right clicking is a UX innovation. Sometimes you have to take the centered task bar in exchange for the built-in timer deck; sometimes you have to lose color-coded files in exchange for a right click.)

[cryiling]

thinking about that bkdk edating in middle school trope, except they're amino boyfriends 💀

they meet on an all might amino community. katsuki is one of the community mods, and izuku is the leader of an analysis club on there. izuku's posts were often featured and very popular in the community (he was def a microcelebrity), and katsuki always gave him a ton of amino coins on his posts.

for a challenge he's hosting for his club, izuku makes a huge deep-dive post analyzing all might's rise to fame in his bronze age. this post gets close to 10k likes, and katsuki gifts him 5k amino coins on the post. when izuku sees that number, he freaks out and assumes it must be a mistake since that's a huge number, who in their right mind would give him that much money??

he messages katsuki (who's username is 𝓓𝔂𝓷𝓪𝓶𝓲𝓰𝓱𝓽 ⛓️💥) (LMAOOOOO) and asks if the amount of coins was a mistake + offers to give them back. katsuki tells him that there was no mistake, and that he just really liked izuku's post. izuku is really flattered that this guy liked his analysis so much, and they continue texting back and forth for a while.

they follow each other and put each other in their bios under "bffs," and a month or two after that, they officially become boyfriends. izuku buys amino+ using all the coins katsuki had given him (katsuki keeps spending his allowance to buy more amino coins so he's super rich). they start matching profile themes after that, switching to a new theme every month. they have matching profile frames and chat bubbles and everything, and izuku makes a sticker pack of all might faces to use when texting katsuki (sometimes katsuki uses the stickers too, but only when texting izuku)

everyone on all might amino knows they're dating, since they're both such high-profile people in the community. they become the community's it-couple, and people love commenting on their walls how cute their matching profiles are. katsuki comments under all of izuku's posts praising his analysis, and izuku always replies with a string of all might heart-eye stickers.

6 months into their relationship, izuku tells katsuki he can call him by his real name. up until now, izuku had gone by the nickname "golden" in honor of all might's golden age. when izuku tells katsuki his name, though, he doesn't get a response. the next day, izuku wakes up to find that katsuki's profile has been deleted entirely.

izuku feels like throwing up. he doesn't know what happened to dynamight, if he caused this, what could have caused this. he debates deleting his account too, ashamed and confused and hurt, but ultimately decides against it. he changes his profile theme back to an aesthetic picture set of all might in his iconic golden age pose, and continues posting on all might amino as if nothing happened. he doesn't reach out to new people on amino again.

when izuku gets into ua and his workload drastically increases, he stops finding time to post on amino, eventually deleting the app entirely (his profile stays up, though).

in second year, izuku is sitting in the common room with his friends, somehow having been roped into a conversation about dating. "you've never been in a relationship before, have you, deku-kun?" uraraka asks him.

his friends' eyes all focus on him, and he blushes. "well, i had an online boyfriend in middle school, but i'm not sure if that counts." his friends gape at him, clearly surprised. some other people lingering about in the common area also tune into the conversation. katsuki is one of them.

"really, midoriya-kun?" iida says, doing his best to hide his blatant shock. "i must say, that sounds rather out of character for you!"

"did you guys break up or something?" todoroki asks.

izuku grimaces, remembering what happened. "i told him my real name, and then he deleted his account. i think it was because of my name, but I guess i don't know for sure."

uraraka frowns. "that sucks! he didn't deserve you anyway. what an asshole move." the rest of izuku's friends nod in agreement at that. out of the corner of his eye, izuku sees katsuki get up from his armchair and storm out of the room.

months later, izuku and katsuki finally start dating for real. izuku is so overwhelmed with happiness, and katsuki's eyes light up every time he sees izuku. one night, though, katsuki pulls him aside. "there's something i need to tell you."

izuku frowns in confusion. "what's up?"

katsuki takes a deep breath. "...i'm dynamight."

this does not clear izuku's confusion. "um... yeah, i know what your hero name is."

"no, it's-" katsuki cuts himself off, then starts again. "i was dynamight on amino, too."

izuku feels his heart drop. he's not sure what katsuki is saying, why he's bringing it up. "you... we were... you mean we dated back in middle school?"

katsuki nods, eyes on the floor. he doesn't say anything else.

"why did you..." izuku licks his lips in apprehension. "why did you delete your account?"

katsuki is silent for a moment. "i freaked out when i found out who you were," he finally says. "i mean, you know how i was treating you in real life back then. and we had been texting all that time, and i had been comforting you from the bullying you were going through, only to realize it was me who was- i didn't... i didn't know what to say. and obviously i was really immature at the time and wasn't ready to process my feelings yet. but that whole thing helped me realize my feelings for you, even though i didn't want to accept that at the time.

"but," katsuki continues, clearly on a roll now, "that still doesn't excuse what i did. it was a shitty move. and i know i've apologized for how i bullied you before, but i'm sorry for this, too, izuku. i know i hurt your feelings. i swear i'll be a better boyfriend this time, i promise. uh- only if... if you still want to be together."

izuku can't even think of what to say for a moment, still silently reeling at katsuki's confession. eventually he says, "no, i- i get it. we were both pretty immature at the time, and to be honest i kind of got over it a while ago. but," he smiles, "that apology really means a lot to me. and of course i still want to be with you."

he leans in to kiss katsuki briefly. izuku doesn't think he'll ever get used to that.

katsuki rests his forehead against izuku's, eyes taking in izuku's face. "i swear i'll be an even better boyfriend than dynamight was, golden."

and then they lived happily ever after :>

[cleolinda]

The Scariest Movie I Ever Saw in a Theater: The Ring

I'll tell you up front that the story I'm going to tell you is about "The Ring (2002)," in the sense that it is about The Ring in the year 2002.

See, I don't know what The Scariest Movie Ever is. A quick google says that the consensus is The Exorcist (I haven't seen it, because I never felt like scheduling a day to freak myself the entire fuck out). But horror is specific, and not just to a person, but to a time and place, even. When I saw The Shining as a teenager in a well-lit living room with other people, I didn't even really flinch, but I bet it would play very differently to me now. I don’t think The Ring is at the top of anyone’s list, but twenty years ago, I had a personal interest in it—at the time, I was running a dinky little Geocities site devoted to movie news. Links curated and compiled from all the other, bigger sites I followed—basically, it was the linkspam format I have used on multiple platforms, including here on Sundays. And so, as someone who followed theatrical releases pretty closely for two or three years, I saw the trailer for The Ring, and I immediately knew it was going to be huge.

To locate you in time, this was just after three self-satirizing Scream movies and the Overcomplicated Serial Killer films of the '90s. The Ring was something completely different: chill aqua-blue color grading a good 5-6 years before Twilight; a mournful Hans Zimmer score; no jokes, no quips; and a slow, inexorable sense of doom. Grief, even, given that the movie begins with the death of the main character's niece. What immediately struck me about the first trailer was 1) the melancholy of it, and 2) how much it doesn't explain. Onscreen, you get the title cards,

THERE IS A VIDEOTAPE IF YOU WATCH IT SEVEN DAYS LATER YOU DIE

Concise! Understandable! A woman (Naomi Watts) is freaking out upon discovering that her young son has just watched it! Admirable job setting up the premise and the stakes of this entire movie in thirty seconds flat, without even any dialogue. That's all you need to know, and thus, the remaining minute of the trailer can do whatever it wants, and what it wants to do is be fucking weird. Echoing voices, TV static, a closeup of a horse's eye, ladders, a girl with dark hair, people reacting to things we don't see, drippy doorknobs, rain. Characters don't give us the whole plot in convenient soundbites of dialogue (like they do in a later trailer); we just hear lines, overlapping, murmured out of context—

did you see it in your head? she talks to you... leading you somewhere... showing you the horses... you saw it. did you see it in your head? she shows me things. Everyone suffers.

That you saw it has lived in my head ever since, and not once have I charged it rent. But the "best" part is Naomi Watts screaming at the end, because you don't hear her voice; you only hear this heartless telephonic beeeeeeep. It's 2002 and I'm watching this trailer, thinking, I have no idea what the fuck I just saw. This is going to be huge.

And it was, to the tune of $249 million on a $48M budget.

At risk of recapping what you might already know, Ringu, aka Ring, is a media franchise that spiraled out from a trio of Koji Suzuki novels into Hideo Nakata's film Ringu (1998), a landmark of Japanese horror, plus several other movies, some TV series, many comics, and even a couple of video games. The overarching story is about a murdered girl/vengeful ghost named Sadako Yamamura whose rage and pain have created a cursed video tape, you watch it and you die unless you pass the tape around like a virus, seven daaaaays, etc.

The "ring" in question is the rim of a well. Keep that well in mind.

The movie I saw is the U.S. remake, which itself had two sequels. (The iconic Sadako is now named Samara Morgan. Keep her in mind, too.) Director Gore Verbinski moved from The Ring to Pirates of the the Caribbean (!), and so Hideo Nakata himself would direct The Ring Two. I... honestly have only seen the first one. And I was right, it was huge, and it kicked off the American J-Horror Remake genre, for better or worse. But what gets forgotten about The Ring is its marketing campaign, which I followed pretty closely for my doofy little news site.

It was inspired.

The story of The Ring is partly the story of the sea change in the media landscape—how we watch movies. And the story of its marketing is a picture of the very last years before social media changed the wilderness of the internet into something that feels so big, like a billion people could see anything we say, and yet so small—only a tame handful of places to say it, owned by three or four companies, and corraled by algorithms.

Back around 1997-1998 or so, I worked at a video store (Movie Gallery, where the hits were there then, guaranteed) for about a year and a half. By the time I left, we had started adding DVDs to the VHS tapes on the shelves, but we hadn't replaced the entire stock. Video stores might have transitioned fully to DVD by 2002, I'm not sure, but people still commonly had both VCRs and DVD players in their homes. And I remember that The Ring was sold in both formats when it eventually hit home video. Which is to say—you know the analog horror genre today? Marble Hornets, Local 58, The Mandela Catalogue?

Analog horror is commonly characterized by low-fidelity graphics, cryptic messages, and visual styles reminiscent of late 20th-century television and analog recordings. This is done to match the setting, as analog horror works are typically set between the 1960s and 1990s. The name "analog horror" comes from the genre's aesthetic incorporation of elements related to analog electronics, such as analog television and VHS, the latter being an analog method of recording video.

Okay, but this is just what home media was like, and 2002 was at the very tail end of that—boxy black VHS tapes that degraded with time and reuse were just how we lived. At the same time, I'd been using CDs for music since about 1991, and all our software installs came on CD-ROM discs; a "mixtape" by that time had shifted to mean a rewriteable CD rather than a cassette tape. In college, I—well, I'll plead the Fifth as to whether I downloaded mp3s via Napster, but I was also taping Mystery Science Theater 3000 on VHS over the weekends. It was Every Format Everywhere, All At Once, and we kept half a dozen kinds of players around for them. Here in 2023, we stream and download everything invisibly, unless we choose to engage in format nostalgia. (I've already run into the problem of Apple Music deleting songs I really liked, due to this or that licensing issue, because I was really only renting them.) The year The Ring hit theaters was the edge of a last shimmering gasp of physical media where iTunes had only come into being the year before, and iridescent discs were still mostly what we used, but cassettes, both video and audio, were still viable. And so, people did not think it was terribly weird when they started finding unlabeled VHS tapes on their windshields.

Movieweb, quoting TikTok user astro_nina:

"Their marketing strategy was essentially 'let's get this tape viewed by as many people as possible without these people being aware of what this is, sort of raising intrigue," she says. One way they achieved this was by airing the tape, which allegedly marks its viewers for death within seven days, as a commercial with no context. The video would air between late-night programming "with no words, no mention of a movie, for like a month...so people would run into it and it would just go on to the next thing, and people would be like, 'what the f--k is this?'"

I remember seeing the Cursed Video as an unexplained ad at least twice, by the way. That TikTok also indicates that DreamWorks straight-up sent copies of the tape to Hot Topic stores, as well as planting them under actual movie theater seats. While running my movie site, I heard at least one story of someone finding a tape on the sink counter of a restroom at a club. Did the marketing department actually plant tapes in bathrooms—or did a freaked-out recipient leave it there, hoping to dodge the "curse"?

(I haven't embedded the Cursed Video here, by the way—but I could have. If you'd like to see the American take on it, you can watch both the full version and the shorter variant that appeared in the movie itself. A text description of what the fuck you're even looking at is here [content note for both: blood, insects, animal death, body horror, and suicide by falling]. The original version from the Japanese film is shorter, and it's eerie rather than gruesome.)

BUT WAIT, THERE WAS MORE: DreamWorks had something of an alternate-reality campaign going with a handful of in-character websites. This was only a year after Warner Bros. ran the groundbreaking "The Beast" ARG for A.I.: Artificial Intelligence: "Ultimately, fifty websites with a total of about one thousand pages were created for the [A.I.] game." (I lurked in the Cloudmakers Yahoo group.) Marketing for The Ring did not go anywhere that in depth, nor did it need to; it was both a smaller film and a smaller story. I saw at least two “personal” websites (seemingly amateur and a little tacky, like my own), but the one I particularly remember was about someone who owned/trained horses? I'm not sure if it was meant to be the actual Anna Morgan character—Samara's mother—or maybe someone who had noticed that the Morgans' horses were disturbed? I'm not even sure anyone even remembers this but me. Reddit users dug up a few other archived websites, but they're about Sadako, the curse and/or videotape; they aren't as subtle or character-oriented as the site I remember. (Honestly, I wonder if weird shit like "What Scares Me" or "SEVEN DAYS TO LIVE" were made by fans rather than a marketing department, but who knows.)

[The “About” page from Seven Days to Live on the Internet Archive.]

[The entirety of An Open Letter on the Internet Archive. “UPDATE” is a now-blank pop-up. I would bet $5 that it was originally a pop-up of the cursed video.]

I need to point out here that Facebook did not exist in 2002. It would not exist for another two years, and Twitter wouldn't exist until 2006. Even MySpace was not a thing until the next year. I didn't start my Livejournal until October of 2003. What we had, for the most part, were independent forums and blogs. We also had Creepy Internet Fiction like "The Dionaea House" and "Ted the Caver"; their use of the blog format, of people out there seemingly living their lives until something fucked up went down, gave the stories the shape of reality. And it helped that these blogs had comment sections, sure—sometimes more story unfolded there—but for the most part, an author could "abandon" a blog, and you'd just find the story there via word of mouth. Like the Ring blogs I remember, it wouldn't seem strange if no one replied to you, whereas today, you'd have to hire a writer to sit on Twitter, or Reddit, or even Tumblr, and interact with people in character. Could you do something like The Ring's mysterious, weird-ass blogs today? Would anyone even notice?

So: It's 2002, my head is full of Alternate Reality and eerie images and you saw it, and I'm hype as hell to go out and see The Ring. I'm perfectly happy to go see movies by myself, so I went in the early afternoon (best time to get a good seat). The movie ended up being a sleeper hit, and the first weekend, the public was still sleeping on it, so there were only 7-8 other people in that theater, grouped in maybe two clusters. I was off in my own little pool of darkness in the upper right quadrant. Functionally, once the lights went down, I was alone.

Despite some middling reviews at the time, The Ring is something of a horror classic nowadays. If you want a scary movie this Spooky Season, check out The Ring. Or don't, because it nearly killed me.

We're at the last, I don't know, third of the movie? And Our Heroine has tracked down the origin of the Cursed Videotape to some creepy mountain motel or whatever. SPOILER, it turns out that it was built over the Cursed Well (everything in this movie is cursed) that Our Villain was thrown into—that's why Sadako/Samara is a vengeful wet murder ghost crawling out of TVs now. While investigating this decrepit hotel room, intrepid journalist Rachel and her, who is it, her ex-husband? her kid's dad, idk, discover the well under the creaky old floorboards. And then, wouldn't you know it,

NAOMI WATTS FALLS INTO THE WELL

NAOMI WATTS FALLS INTO THE FUCKING WELL

THAT'S WHERE SAMARA'S BODY IS

[The rather slapstick moment when Rachel falls into the well. Does not include what actually happens next.]

I go absolutely rigid in my seat. Naomi Watts is splashing around this dark-ass death swamp of a well and I know, with as much certainty as I have ever known anything in my life, that Samara is about to pop up in all her pasty, waterlogged glory. All the sad creepy dread, all the desperation to figure out what the fuck all that shit on the tape was and stop Samara from killing Rachel's son, all the horrible contorted victim faces, all the alternate reality I’ve been soaking in, it has all come to this. I have to leave the theater. I cannot be having with this. I have to be gone from this place. My legs do not work. I cannot feel them. I am frozen. I want nothing more in this life or any other to get up and leave this cavernous pitch-black room, and I cannot. I start praying for death. I want you to understand that I am not trying to be flippant or humorous. This is genuinely what went through my head. I was too scared to even think, "You know, you could just pray to pass out or for motion to return to your limbs or something." No, I sat there in The Ring thinking, Please for the love of all mercy just let me cease being.

You know that scene in Mulholland Drive (also starring Naomi Watts)? Winkie's diner and the EXCRUCIATING tension? It was a little like that, except I wasn't watching it, I was experiencing it, and Samara was my dirt monster out behind the diner.

Except that the jump scare didn't actually happen. I mean, yes, Rachel finds Samara's body down there, but—I don't remember exactly, please don't make me go watch it again to tell you what actually happens. It's played more sympathetically on Rachel's part, as I recall, and she and her ex get Samara's body out so that she (Samara) can have a proper burial.

And then it turns out that this is not the end of the movie. It turns out that Rachel has Fucked Up.

I think I was relatively okay through the rest of it, although the climax is Samara emerging from a TV in her full glitching swampy glory to scare [SPOILER] to death. I don't recall praying for death twice. There's a point when you're so exhausted from fear chemicals that you're like, yeah, this might as well happen. Bring it, Soggy. I did have a hard time prying myself out of that seat afterwards, though, and my mom says that when I got home, I had the classic thousand-yard stare. How was the movie?

"It was great," I said, and I meant it.

I've seen things that were objectively scarier (I watched much of The Haunting of Hill House from behind a pillow, to be honest), and it's not like I've never experienced fear in real life. But I respect when a movie that can make me feel so intensely, and there's something weirdly precious about the way horror is a safe roller coaster, as it's often been said. So I love telling the story about The Time The Ring Nearly Killed Me—a movie that actually made my body stop working—and I love thinking of how embedded in a specific time and place that movie was for me. The last gasp of VHS when the Cursed Videotape still seemed plausible; the way the internet was still wild and weird and free; where I was in my life, keeping up so avidly with all the movie news, and finding myself in such a little pool of darkness early one afternoon. It's the scariest movie I saw in a theater; that's the alchemy of circumstance.

[dracowars]

I know u hv a lot to do but could u do a draco x yn potter but lily n james r still alive??

part of the family | draco malfoy

pairing: draco x potter!reader

word count: 1,1k

summary: where draco meets y/n parents, james and lily, for the first time

a/n: my first os since forever!! this came in when my draco requests were still open and i loved the idea, i'm a sucker for draco x potter!reader. i'm truly sorry for taking ages, i hope you enjoy either way <3

warnings: none

universe: harry potter

If anyone had told Draco in first year that he would be sitting at a dinner table with no other than Harry Potter himself, he would have laughed at them and asked what potion they took. But that was before he met you. Because Draco does still laugh now, but for a completely different reason: he is happy to be sitting here, next to you, in the home of the Potter family.

Your father is just telling one of his iconic stories from his time at Hogwarts, about how he and his best friends once roamed the huge halls of the castle, and the overall atmosphere in the room is so far away from what Draco usually associates with family dinners.

No tension, no awkward silence, no fear of saying or doing the wrong thing at any given moment. An hour ago, Draco would have believed that it couldn't be any other way. The second he crossed the threshold into your family's house, however, he was convinced of the opposite.

James and Lily are the kindest people Draco has ever met. They welcomed him with open arms straight away, even though they didn't even know him - expect from what is general knowledge in the wizarding world about him and specifically his family of course. And maybe from the stories Harry told them, when Draco and Harry were still very far from ever sitting anywhere near each other. But over time, many things have changed and you played a big role in improving their difficult relationship.

At first, you couldn't believe that the boy who usually treated your brother like shit had suddenly turned into a completely different person in your presence. But he did and it didn't take long until stronger feelings developed. Harry certainly couldn't believe it but here you are, eating your mum's homemade food, chatting and laughing away.

"Tell me, Draco. Have you mastered the Patronus Charm yet? Y/N told us that you tried it in Defence against the Dark Arts recently. Should have happened way earlier in my opinion, but oh well", James asks your boyfriend, a smile on his lips and genuine interest evident on his face. Draco's parents wouldn't even think of asking something like that.

"Not quite. I mean I managed it, but unfortunately it hasn't taken on a shape yet", Draco replies kindly, but doesn't maintain eye contact with James as he's too uncomfortable. You know that such an answer would probably be punished by his parents if he ever were to say it aloud in front of them, which is why you reach for his hand under the table. On his thigh, you intertwine his fingers with yours, the silver sigil ring cold against your skin. Looking at him from the side, you squeeze his hand and softly smile.

"Oh, don't worry about it, sweetheart! You'll get to it", your mother cheers him up, smiling between the two of you and you just know she saw your intertwined hands and loving gaze. You also know that Draco did not expect such a kind reaction and even though he visibly relaxes, he doesn't know what to answer.

The topic of the conversation changes and your dad can't help himself but to ask Draco all about his Quidditch tactics. Obviously, he can't tell him a lot about it since Harry is sitting right next to him, but seeing the three most important men in your life talk so passionately about something they love makes your heart jump. They keep on chatting over dinner and when it's time to clear the table, they don't even notice your mother and you collecting all the plates, too focused on their conversation.

You smile to yourself, following your mum into the kitchen where you put the dirty dishes into the sink and let the water run over them. Immediately, you notice her staring at you with a soft smile on her lips.

"What?", you ask, not being able to hide your own smile.

"Nothing. It's just..", she says, stopping herself as if to think how to best phrase her next words. "You two remind me a lot of your dad and I when we were younger."

"Really?"

"Yes. The banter, the loving gazes, the not keeping your hands off each other", she giggles, drying the dishes you hand her with a towel. "From what I have seen so far, I feel like you're truly meant for each other. It seems like you compensate the weakness of the other."

"Mum, stop it", you chuckle, feeling the blush creep onto your cheeks but you know that she is right. She always is. And you truly feel like you can be yourself when Draco is around so you are glad that she genuinely accepts him.

"Don't tell your brother or your dad that I said that though", she then laughs, both of you knowing that the Potter men can be really protective. The moment Draco enters the kitchen, you stifle your laughter.

"Can I help you with something, Mrs. Potter?", he asks your mum politely and the knowing smile on your mother's face is so obvious you want to sink into the ground.

"Draco, how often do I need to tell you that you can call me Lily-"

"We're almost done, but thank you so much for offering. We'll be right back", you answer and Draco nods, leaving again.

"He is so sweet! What a gentleman!", your mum almost squeaks but lowers her voice so he can't hear her anymore. All you can hear as an immediate response to your mother's comment is a snort, coming from Harry who just entered the kitchen with two glasses, putting them into the sink.

"You're just jealous because you don't have a girlfriend", you mock him while your mum tries to hide her giggle.

"You had all the guys of Hogwarts at your disposal and you seriously went for Draco Malfoy", is all Harry says before leaving again, but deep down you know that if they truly hated each other the way they always pretend they do, they would not be sitting at a table together and they would definitely not be talking about Quidditch.

"He'll come around, don't worry", your mum tells you, stroking over your shoulder as she finishes drying off the last glass. Once all the dishes are back where they belong, you go back to the dining room, happy to see that they are still chatting away.

When Draco meets your gaze, he reaches for your hand and helps you sit down on your seat again. From the corner of your eye you see your parents looking at each other, understanding the other without a word and you can't stop thinking about what your mum just told you about their own young love back then.

"I hope we will do this more often from now on", your dad says, smiling. "And I do not accept a no because you, Draco, are part of the family now."

[tangyswriterstudio]

sweet sypnosis; nrc boys with reader who nicknames everyone after a candy/sweet treat and has a big sweet tooth collab with; Riddle Rosehearts, Ruggie Bucchi, Floyd leech, Epel Felmier a/n i used japanese honorifics and some might me japanese romaji, maybe a bit of suggestive themes in floyds??

RIDDLE ROSEHEARTS aka "Jello-san"

-Why would you do this to him?

-He already has Floyd to deal with and now you call him these silly names?

-He's asked about why jello to which you responded with "Whenever I think of jello, that iconic red pops up so you're Jello san." he doesn't find it too bad, atleast you're not saying he's small.

-He is a bit concerned on how much sweets you eat and asks Trey to check up on your teeth from time to time. Sometimes he even gives you a special tea that 'cleanses' your insides.

-Bonus! When Riddle first came close to you, you smelled like an actual candy store.

RUGGIE BUCCHI aka "Karameru-san" or "Caramel-san"

-Confused at first, then gets used to it might not respond to it sometimes

-Sometimes you give him salted caramel treats and he deeply appreciates that small sentiment.

-You've assigned him the name caramel since he's very salty if you don't return a favour you owe.

-You once mentioned you had a vault just stuffed with candy and the next day the vault was gone. He gave it back the next day but all of the chocolate bars with caramel in them was gone!

FLOYD LEECH aka "Puccho-san"

-Everyone pack it up, the duo has arrived nuisances

"Eh? Why Puccho?" his initial reaction.

"Because you squeeze people so easily like gummy, Puccho has soft gummy. I rest my case."

"Aww! C'mere Shrimpy~!"

-You give him those burger gummies and he bites into it like an actual burger

"You... psycho!" staring at him with disbelief holding the packet of burger gummies.

"Hehe~ I can bite other things shrimpy!" slowly taking steps towards you.

-Most definitely makes jokes saying that if he squeezes you hard enough then gummies will come out.

EPEL FELMIER aka "Kororo-san"

-Doesn't care that much until he finds out that the candy is a small, squishy gummy and thinks you're calling him small.

"Is that nickname supposed to mean something?!" trying to keep his cool since Vil's somewhere nearby.

-You have to explain to him that you just love the candy and he might be a little red, I mean if you loved him you could've just said so!

-It is not easy to share candy with Epel since Rook is a snitch love him so you sneak some into his palms under the desk during class time.

-To Epel just feeling the warmth of your hands fit into his feels comforting

-Since you two have p.e together you always sneak some lifesavers into his palms for energy

"No I'm not flustered ya hear me?... Thanks for the candy..."

-Won't tell you but getting candy from you is the best part of his day, probably has a tin just full of candy wrappers from you and wants to give you something special too!

-Will probably carve an apple shaped like your favourite candy.

erm can you tell I have a favourite

[mythologyolympics]

Ancient World Dashboard Simulator

🐢 aristotlestortoise Follow

I'm so sick of these philosophers waving dead chickens around to prove their point like that's not contributing to unnecessary food waste when children are starving in Gaul

🦷 diogenessimp Follow

and who says they didn't eat the chicken afterwards you presumptuous garum sipper

besides how would that benefit a starving child in gaul diogenes did that in athens thats like 6000 stadia away from gaul

🐢 aristotlestortoise Follow

As if donating a day-old chicken that had been used as a prop isn't a hazard for food poisoning or something geez

How about you bring in a live chicken and demonstrate your point with that and then donate it to a godsdamned farmer who can do something with it

🦷 diogenessimp Follow

look neither of us understands diogenes whole school of thought as well as he does and if he thinks using poultry for props is the best choice then imma trust he knows what he's talking about

🦣 giantwoolybones

do you guys know that you are arguing about a dead chicken

24,874 notes

👨‍👦 corophilus

not to be an art critic on main or anything but has this sculptor ever heard of a dynamic pose

#a boy this age would be moving!!

3 Notes

✊ p-o-p-u-l-a-r-i-s Follow

The people just don't seem to care about how Caligula keeps beginning new construction projects with public funds. People are homeless and starving and he puts up a new theater in the middle of the city as if we need that.

Now he's claiming to be a god?? Plus there's rumors he has sex with his horse.

It's very important that you contact the members of the senate to let them know the people are ready to rise up if they don't depose Caligula. We should get organized and flood the streets.

🎽 crixusstan

I see you not reblogging this. Come on, this should have 200k notes

14,381 Notes

💸 achaemenid Follow

Dude, this invention of the coin is so iconic. Cyrus is gonna go down in history for this one. I mean that in a good way.

🪙 lydianmetallurgy Follow

Sorry but Cyrus stole the entire concept of the coin from us and I'm sick of people acting like we didn't have contributions to make to advancements in science and culture just because we were conquered by your stupid empire. Cyrus is a tyrant and just wants to gather as much power as he can.

🦁 daniyye

Cyrus let my people go back to our homeland, so he's all right by me

#by the rivers of Babylon we sat and wept when we remembered Zion #now we don't have to do that anymore!!

18 Notes

🥇 gladiatorheadtohead Follow

Remember, you're voting for who you think would win the fight, not who you like the best.

24 Notes

🐺 lyca

just left my den and there's just 2 human babies lying on the ground all alone

wtf do i do

🐺 lyca

so i happen to already be lactating so i guess... i just have 2 more cubs now?

🐺 lyca

guys these babies are so cute. i think they're going to do great things one day

#personal #do not reblog i mean it this time 6 Notes

🍆 miletus-leather Follow

The best sex toy shop in Miletus. Come see our selection!

🦌 artemisbow Follow

I'm not one to harsh on a small business trying to make it but I've been to this shop and women are an afterthought here. You'd think the only people interested in dildos were men the way they act here.

🍆 miletus-leather Follow

Women should be weaving and taking care of their children, not coming into our sex shop.

😈 hermescock Follow

K

🐐 blessedsatir

U

64 Notes

[bi-badass-geek]

Hades 1 vs Hades 2 Designs

● Hermes besides Hypnos was first character that made me think when i saw him oh some time has passed since Zag's escapes indeed, makes you feel that time skip. In this particular debate between those i'm really digging both but if needed to say which i prefer would go with second. I feel it should be said he sure rolls nicely with longer hair i would say darker outfit too but that's probably because pallet that's used for levels.

Ps. I saw post that mentioned how his ring is the same as ones Charon is wearing in first game and if it's a hint at something i'm here for it!

● Zeus for this god specifically there is discourse about how his pose is less dynamic and oh boy if i don't agree with that so much. In first game you see him and his look makes you think yeah this is the king of gods while in second game man is just there with posture i take often because i'm useless gay that don't know what to do with my hands and feels like they took all this might and put it into chiseling his nipples & abs into his golden chestplate. Not to mention the detail of missing the iconic bolt! Don't think it needs to be said but 100% would pick Hades 1 design out of those options.

● Poseidon the King of the Sea another example in my humble opinion where they went with flattening that dynamic looks exchanging it for man that just standing there chilling which is good for him but where first screams cool uncle second one goes uncle that wants retirement. I really like how we can see the trident now tho and need to point out his outfit sure got more print on it. When it comes down to pointing out which one is the winner in my eyes it would be 2020 one.

● Aphrodite if she wasn't the one that got thrown into drama because people double standards and hypocrisy. Design from first game and the pose straight up makes you think of love, lust, seduction all the things that are associated with said goddess. As for Hades 2 version i have no clue why it feels like this considering it's actually the opposite because we can see armor on her legs now but she feels less covered for me, do i find it negative or in any way problematic? Not one bit let the woman show off all her assets all day long! Really love the adds of her weapon and shield makes you immerse in the store of oh fights are happening around these parts. From seduction to i stand here at the ready kinda vibe and i'm really digging it.

Ps. Another post i read was about fact that her war paint i will call it (not 100% sure if that is it or just line for the giggles) is reference to Ares and considering her myth i really like that touch!

● Hypnos was the first OG i saw and was like man not only catching up on his sleep but also got such glow up i absolutely adore the design. Not to say he looked bad in Hades 1 but there it was like okay nice to Hades 2 like Damnnn and his lil helpers that keeps him up! Love the fact that of all things they made him be tucked into his cape like burrito.

Ps. I really do hope by the end of the game we get to wake him up so he can try out that nectar that we all leave there waiting.

● Chaos so many things to say and at the same time silence says it all. Seen people focusing on fact some out there call them he or how it's a downgrade from previous but don't even elaborate why they think that because everyone has right to have their own preference but at least put it into words instead of going trash next..there was also notion how they resemble Meg and while i see where people get that idea from for sure before reading that my mind didn't went there at all. I think both designs really work with someone who is primordial originator and how time goes so can their form. I find it very fascinating that they put old skeleton with new one and adore galaxy under suit makes me think of Nyx right away and how they're connected. Can totally see how between those two gamers got major stance that left reminds them more of male and right of female beings but at the end of the it chaos is chaos. Gotta take chair routine from Meg while they at it! The face on the shoulder surely throws me in loop tho fits? Sure. Does it disturb me in micro scale? Yes. About frames and poses don't have much to say cause both caption the essence of i mind my business everything unrelevant until i say so.

Ps. I know it's about physical aspect but let me say Chaos roasting Mel about how her brother is amusing one out of two Hades spawns is living rent free in my brain.

[topazadine]

How to Kick Ass at Worldbuilding

Worldbuilding. You either love it and spend all your time dreaming up rules rather than writing, or you hate it and try your best to avoid it despite writing fantasy or scifi.

Or you are in the middle, which is where you should be. You have a healthy appreciation for what makes worldbuilding so special, but you also don't obsess over it.

Worldbuilding does not need to be complicated to be effective, as I've harped on a few different times now. So how do you strike the right balance? Let's take a look.

As always, this is just my opinion based on my own efforts creating The Eirenic Verses. You can disagree and that is fine. However, I hope you'll consider thinking about what I offer here as you craft your own world.

A lot of what people focus on when worldbuilding is not what the audience cares about.

Very few people like to read a book littered with random terms they have to keep track of. We want to build a unique world, but we also don't want to throw such an extreme amount of lore at our readers that they tune out.

When worldbuilding, we want to consider the cognitive load on our audience. This is how much information the reader needs to remember throughout your story so that they can follow along.

Cognitive load includes things like:

Character names and appearances

Relationships between characters

Place names, such as cities and countries

Unique mythological creature or fauna

Backstory, including mythology and folklore

Language names

The general plot (who is the protag, who is the enemy, etc)

Magic usage (who has the power, how they acquire it, any conditions it comes with, etc)

Power dynamics between characters, countries, and so on

Political systems, if included

Even in the most barebones fantasy story, this is a lot to remember. As such, we need to consider what is most important for our readers to generally understand the plot and emphasize this, letting the rest serve as background information that is not quite as essential. The more emphasis we put on something, the more we direct a reader's attention.

At the same time, we want to create a world that feels lived-in and interesting so that readers want to know more. How do we do this?

Consider what you think about foreign countries in our world.

Most of us will have a general concept of a country but only will think about the specifics if it is currently relevant.

Let's take Japan for an example. (I'm a bit of a weeabo, okay?) Here is what I personally think about when I imagine Japan, in order of what I consider important.

Japanese cuisine (sushi, ramen, ochazuke, sake, lots of rice dishes, seafood)

What the people are like according to my own stereotypes/cultural perceptions (polite, quiet, respectful, hardworking, punctual)

Climate and geography (temperate, island country, volcanos, mountains, beaches)

Unique flora and fauna (cherry blossoms, flowers, Nara deer, giant salamanders, pretty birds)

General landmarks, but not necessarily specifics (castles, temples, busy cities, red bridges, torii gates)

Clothing styles (kimonos, school uniforms, business suits, kawaii fashion)

Cultural icons (samurai swords, samurai armor, Shinto shrines)

General overview of the history (samurai, daimyo, feudal system, bushido, Meiji restoration)

Language, but not necessarily specifics of the language (Japanese, kanji, hiragana)

Religion (Buddhism and Shintoism)

Folklore (ghosts, kami, tsukumogami, evil spirits)

Any festivals I might know of (cherry blossom festivals, moon viewings, Obon)

Your own list may have these in a slightly different order, but it's probably what you most think about.

Notice that you will likely not think about these things:

Political system

Specifics of the language

Interpersonal hierarchies

International relations

Specific landmarks

Specific historical events

Famous figures

So why do we think like this? Because in real life, we also have a cognitive load that we must balance with things that are more relevant to our everyday lives.

If I tried to memorize specific details of every country in the world, I would go insane. I have better things to do, so I create a general image of a country based on pictures I've seen, people I've met, food I've eaten, and so on. You do the same thing.

To be realistic, you do not need to be specific. You need to approach worldbuilding the same way people generate their world knowledge: basic concepts and visual imagery.

What to emphasize in worldbuilding

So let's break this down on what you want to think about when creating a world.

Food is one of the most accessible elements of a culture.

Food is how many people learn about different cultures for a simple reason: if you have the ingredients, you can cook food from anywhere. You don't need to be introduced to it by a native of that culture.

Plus, humans tend to like food. We kind of need it to exist.

Think about these things when considering national cuisines and eating habits of your fantasy world:

Do they have spicy food? Bland food? Heavy hearty dishes?

Is most food served hot or cold?

What kind of spices and vegetables do they use? Root vegetables, beans, cinnamon? Salt?

What type of meat do people eat (if any)? Seafood, poultry, beef, pork?

How is bread prepared? What is it made of? (Look, nearly every culture has some sort of bread, we love carbs)

What about pasta? Does that exist here?

Are desserts important? What are they made of?

What kinds of drinks do they have? Coffee, tea, milk, lemon water?

Is alcohol a thing? What kind of alcohol? How often do people drink? Are there bars?

How often do people eat, and when? Do they have the typical three square meals, or do people eat kinda whenever they feel like it?

Do people prepare food at home or are there restaurants?

Are communal dinners common?

Cultural stereotypes provide tension and can help craft your characters.

Are people in your culture known for their boldness? Their cunning? Their resilience? Their standoffishness? Their fiery tongues, or their passive-aggressive jabs?

You can play with a lot of this, either confirming or denying the assumptions through your characters.

Landscape gives us an idea of where we are and what to expect.

Landscapes are some of my favorite aspects of worldbuilding rather than intricate magic systems and political concepts. Readers get a good sense of environment when you focus in on landscape and how it impacts the characters. You can also build a culture off your landscape, such as how certain geographic features may influence peoples' attitudes and lifestyles.

For example, a coastal landscape will have beautiful views of the ocean, sparkling beaches, and maybe tall cliffs. Being a fisherman may be seen as an honorable but dangerous profession. People might cliff dive for fun.

Mountainous areas may produce cultural enclaves, especially in a fantasy setting where everyone is more isolated. One mountain town may have a completely different vibe than the town over.

Flat, wide-open plains mean people can spread out, but since moving from one place to another is easier, there may be a more cohesive culture.

An area with caves will have a sense of mystery and fear; there may be a lot of superstitions about the caves.

A swampy area can also be very mysterious as there are so many places to hide out and a lot of dangerous animals.

Climate influences how people behave.

Hot climates make people need to conserve energy, so they may take afternoon naps in the worst of the heat. They might value relaxation and calm over industry and productivity because bro, have you ever tried to even walk outside in the Florida heat? Shut up and get me air conditioning.

Cold climates make people need to stay active to stay warm, but they can also produce a sense of isolation. Think about how outdoorsy the Finnish are but how they looove their personal space.

Temperate climates are probably a bit more even-tempered, but as weather changes get more extreme, people will vary their behaviors based on the seasons: spending more time outdoors during summer but holing up during winter. The culture may emphasize hospitality because people need to rely on one another to survive, and they have time to meet their neighbors during the summer.

I am very partial to temperate climates, being from the American Midwest. We're known for being nice and hardy people. You should come visit.

Flora and fauna help the world feel real.

When I worldbuild, I often base my cultures on a real place and what kinds of animals or plants are there. For example, Breme is based on Mongolia so I have herbivores, big raptors, and a lot of grasses.

A warm climate will have lots of reptiles. Sea life will be important in a coastal area. Swamps might have big predators. Mountains will have hardy creatures that can climb. A savannah area will have huge herbivores and fast, hungry predators.

General cityscapes or villages are great for providing a sense of place.

Do people build low spread-out cities or tall rickety homes? What kinds of building materials do they use? Are there lots of markets, bars, apocetharies, temples or churches? What do homes look like here? What are any unique architectural features?

This gives a sense that we are in a different but specific world that has a rich culture.

Clothing tells us what people prioritize.

Cold places will have lots of layers. Hot places will have soft draping outfits or very skimpy outfits. Natural materials that are easily available will make up the majority of the clothing in a fantasy setting. You wouldn't have people wearing cotton in a place that doesn't grow cotton. If there are lots of sheep, people will wear wool. If there's lots of cattle, people will wear leather.

You can also think about adornment. Is jewelry common? What type? Why is it important? Is it a status symbol, a way to keep wealth, or perhaps ways to honor ancestors?

Cultural icons demonstrate what the society values.

A warlike culture will prioritize weaponry. A pacifist culture will think about art and music. A nomadic culture may have a rich oral tradition. An agrarian society will emphasize farming rituals.

Think of a few things that symbolize your society, whether that's musical instruments, weaponry, textiles, statues, or jewelry. Consider how those traditions could have come about and why.

Folklore and mythology offer an offbeat but important sense of history.

Folklore is often tied up with many other factors of a society, such as their religion, landscape, history, and overall values.

For example, the Japanese believe items survive for over a century gain a kami, or spiritual essence. This shows that the Japanese cherish their long history and their material culture, and it also infuses their Shinto belief into folklore.

You can also think about cryptids or ghost stories. Isolated and difficult terrain often makes people think of monsters lurking in the woods. Areas with lots of caves will have myths about what is down there. Coastal areas develop myths about ghost ships.

Idioms, turns of phrase, and gestural quirks tell us more about the culture without overwhelming readers.

This one can be more challenging (I haven't done much with it) but if you can manage it, you'll have a very rewarding story.

I'm not talking about making a whole new language here, but rather about idioms and turns of phrase. Think about all the fun idioms that English has, like "beating around the bush" or "break a leg." Without cultural context, you can't understand them, so you'll have to incorporate an explanation without actually stating it.

For example, you can have a character say "the horses are running fast" as they look out the window to see a sheet of rain. We can guess from this that the idiom is rain = horses, so lots of rain = fast horses. We'll understand from this that this culture probably loves horses; maybe they're a formerly nomadic race.

Gestures, like whether people give thumbs-up, point with their index, or bow with their hands to their chest all give us a feeling of the culture without being overwhelming.

What not to emphasize

Now that we've gone through some things to focus on, let's talk about what you don't need to make up for your world.

A whole-cloth language

Please, you don't need to create brand new words for things that exist in our world. You can reference a language, but do not make people memorize nouns they don't need.

Don't even make up the language at all. Say there's a language and then write the rest of it in English.

Made-up languages are irritating for readers because they want to focus on the characters and plot, not mysterious words they need to translate.

It's possible to make languages interesting without going into specifics. For example, the Bas-Lag trilogy by China Mieville has a species that communicates in clicks but the species can also learn human languages if necessary. There's a language called Salt that's basically the common tongue blended from everything else.

Do we need to know how Salt works? No. Doesn't matter. We're told someone is talking in Salt, or they're learning it, or they switch to it when meeting someone from a different culture. That's plenty.

Specifics of a magic system

You're not going to instantly summon up all the rules of magical realms when you visit a new country; you might not even know them. And your readers won't be too interested in them either.

For example, in The Eirenic Verses, I have High Poetry. Readers will come to know that this was a magical system where certain people given the power can recite a poem and whatever they speak comes true. Every poem can only be used once.

It was given by the goddess Poesy to a specific woman, Saint Luridalr. It was so successful that the goddess started giving it to more women and a whole religious system arose.

I don't need to explain exactly how it works because no one cares. Someone makes things happen by coming up with a poem: that's about it. We don't need to question whether certain rhyme schemes or meter or punctuation impacts anything. That's too technical.

If you've got pages and pages of notes on all the intricacies of the magical system, you have too much. Pare it down.

Political systems

Unless you're writing a fantasy where politics are absolutely critical to the plot, you can just reference the political system in passing and maybe elucidate a few key elements, like who the leader is, how power is transferred, etc. You don't need to go into all the specifics because most people are not going to care.

Hierarchies

Please don't lay out the entirety of an army's ranking system or how someone is promoted. Make up something consistent and stick with it, but don't go into exhaustive detail. People aren't going to sit and question whether a captain is above a lieutenant or how long it takes to become a general.

We'll know that a general is a big deal if the characters make it a big deal. We'll know who the head of the army is but we don't need to know how they got to that position.

Exact city layouts

You do not need to tell us where everything is in relation to one another. Tell us characters are moving from one landmark to another. You could say "this is across a bridge, this is up in the mountains, these buildings are right next to one another, these two buildings are in opposite ends of the city." That's plenty.

If somewhere is very far away, just show them travelling there and how long it takes. You don't need to measure it in miles or leagues or whatever. We will guess that if it takes them a week to walk there, it's pretty distant.

Economic systems

We just need the basics here: mercantile, capitalist, bartering, etc. We don't need to know if the coinage is pegged to a certain precious metal or if people invest their money or how people are paid. That's boring.

In my world, I have two currencies: quillim for Breme and barnals for Sina. What's the exchange rate? I don't know and don't care. How much is one quillim worth? One quillim is not a lot but 2,500 quillim is. How much is the average person paid? Doesn't matter. Do people keep lots of coins on them? No one is asking that. It's not important.

Transit systems

Tells us if the roads are cramped, spread out, nonexistent, poorly maintained. Tell us if there are road blocks or toll booths. Tell us if there are roving bandits. The more physical and sensory you can get, the more real it feels.

Few people care about the specifics of even their own transportation system. I know highways are fast, I know tollroads are expensive, I know parkways are pretty, I know some cities have weird turnabouts and dead ends. That's exactly what I need and what I care about.

That's what I've got for you today. If you liked this, maybe you'll consider checking out The Eirenic Verses series, which follows most of these principles.

I've been told that my fantasy writing is very approachable, even for those who don't usually like fantasy, specifically because I don't get too insane with my worldbuilding. So maybe you'll enjoy it too!

[catboybiologist]

Hi! I’m CatboyBiologist.

Formerly a femboy, now a trans woman just starting HRT, and a PhD student in molecular biology. I started using this online persona as a fun, shitposty way to explore gender a few years ago. I post selfies (generally sfw, but somewhat sexy, so minors and ppl who don’t like that have been warned), rambles about science, tutorials and advice from the stuff I’ve learned by being a femboy in the past, nature pictures, stuff about the ocean, my adorable grumpy little tortoise, and unsolicited opinions on random nerdy topics. Any pronouns are fine. I don’t plan to socially transition for a while, and still present as a man most of the time, so I’m used to whatever you wanna use for me (for now, I’ll update this if that changes). Please send me pictures of your pets or other cute animals in your life!

As a scientist, I’m also documenting my transition! This google sheet will be updated at least monthly. I also have additional metrics I’m keeping to myself, and pictures that go with this, but I’m not sharing them publicly yet. Keep in mind that this is just one person’s experience with HRT, and may not represent universal trends!

Adding a little something here, bc I think it was an interesting bit a writing: if you want to see me respond to a transphobe about what "biologically female" means, here's a thing I wrote about it. CW for transphobia and discussion, obviously.

Also, if any of my measurements look weird, its entirely possible I fucked up. Let me know if anything looks off!

Here’s some of my favorite pre-HRT pictures:

If you want to see more of my pre-HRT selfies, browse the “femboy” tag on my blog!

And as of this writing, I’m only 2 days after the start of HRT, so here’s a picture with my tortoise that’s technically post-HRT (but with 0 time for actual changes):

If you want to see my future post-HRT selfies, browse the “trans selfie” tag on my blog!

Also here's another really cute picture and fanart of my tortoise by @whalesharkcat:

I have affectionately given my tortoise the title of The Grumpus.

I also wrote a couple of tutorials and general vibes about being a femboy before I started HRT:

Sometimes I make shitposts of myself, I don’t take myself too seriously:

This includes the way I came out on tumblr:

And here’s an overly serious, long ramble about trans thoughts and things that I wrote shortly afterwards:

Later addition: Someone asked how I take selfies, so I wrote a quick and dirty guide with some tips on how I do so in response to their ask:

Oh yeah and apparently I was a 196 microcelebrity? I never to thought I was popular enough for that but apparently some people do 🤷‍♀️. So uh, hi 196 tags, I'm abusing you for my pinned post LOL

As for terminology, I personally do think of myself as a “man who is becoming a woman” as opposed to having always been a woman. If that doesn’t resonate with your experience, I totally get that! But that’s why I freely call pre-HRT me a femboy, while still calling post-HRT me a trans woman. I’m also keeping the blog name as CatboyBiologist for the forseeable future, because at this point, Catboy just seems like a gender neutral term to me.

I’m also trying to put together a script for a podcast regarding how studying biology influenced my perspective on sex and gender- lmk if there’s any interest in that! It’s probably gonna be way too long and indulgent but oh well.

So uh. Yeah. I don’t end these types of things well. Byeeeeee

[mars-ipan]

HEY FOLKS!

sooooo. remember when i was posting about being up way too late for a powerpoint thing i was doing with friends? yeah i'm posting that final powerpoint now.

allow me to introduce you all to...

THE KOMAHINA BIBLE

(aka a demonstration in unmedicated ADHD)

120 slides. 163 MB. somewhere between 14 and 22 hours of work. sleep deprivation. influence from @anonzentimes , respected komahina scholar. this bad baby has it all this is a powerpoint presentation summarizing and analyzing just about everything you need to know about komahina in sdr2 (and a bit from adjacent media as well). we go in-depth and we prove beyond a shadow of a doubt that komahina real and love wins (loses?)

WARNING: THIS CONTAINS MAJOR END-GAME SPOILERS FOR SDR2 (AS WELL AS DR1). IF YOU WISH TO REMAIN SPOILER-FREE (OR YOU ARE SOMEONE WHO I HAVE BEEN TRYING TO KEEP SPOILER FREE (YOU KNOW WHO YOU ARE)) THEN DO NOT VIEW THIS POWERPOINT PRESENTATION UNTIL YOU KNOW. I AM NOT RESPONSIBLE FOR YOU HAVING BEEN SPOILED

ok cool! some other things to keep in mind under the cut:

THIS IS LIGHTHEARTED THIS IS LIGHTHEARTED THIS IS LIGHTHEARTED. IF YOU DO NOT SHIP KOMAHINA THAT'S LITERALLY SO FINE I KNOW THERE IS KOMAEDA SEXUALITY DISCOURSE GOING ON RN FOR SOME GODFORSAKEN REASON KNOW THAT I DO NOT THINK EVERYONE HAS TO SHIP KOMAHINA PLEASE I'M LITERALLY A MULTISHIPPER PLEASE. PLEASE DO NOT CRUCIFY ME FOR FUNNY YAOI POWERPOINT

i made this powerpoint in two sittings across 2 days, each sitting about 8-12 hours long

i got about 7 total hours of sleep in that time. not for each day- total. i was mad scientist delirious by the end of this

originally, i wanted to include far more- i wanted to analyze other media in depth (like the stageplays, the drama CD, komaeda's official songs, and even official art and materials) but i did not have the time for it. maybe i will make a new testament powerpoint detailing these as well as fandom analysis but that is not currently in the works

this is a presentation! as such the intended way to consume it is As A Presentation! unfortunately i am not someone who records videos so i cannot present it to you. if you would like to present it to you feel free. if you would like to present it to your friends feel free. if you would like to present it to the internet i'm honored but would like for you to talk to me about it first. cool

the original target audience for this was my friends and not all of them are anime people so. i am using the more english-friendly terms (as well as first names). i don't think this will bug any of you but i'm making it clear anyways

all art included in the presentation is credited with a caption linking back directly to the original artist's account. if you see your art in here and you do not want your art in here: let me know! i will take it down immediately and without question.

i may have missed some details/glossed over some things! if you think i've made a mistake somewhere or have missed something important, talk to me about it! i'd love to discuss it and if i make the new testament sequel powerpoint then i will include your corrections at the beginning :)

a lot of the jokes i make happen in the transitions of this powerpoint. some of them use audio- click on the little speaker icon to play the audio and time the animations yourself i suppose. i'd recommend playing it as a slideshow ^-^

have any questions about a particular point i make? ask me! i will elaborate for you

ok that's all i can think of!! have fun folks :]

[petew21-blog]

Second hand cigar

Halloween has passed, but some parties still had a costume party theme. For example Travis here, a very queer, blonde hair guy unable to find a good last minute costume. His queer friends specified, that it must be something straight-looking, destroying all his plans to go as one of his gay icons.

His look - bleached hair, round colourful glasses and his noticeable gay mannerisms complicated this task.

Travis decided to get inspired in the city, heading to the second hand costume thrift store. He dismissed the idea of going as someone in a uniform, revealing his chest, he was so shy about. The thrift shop manager came to assist him. Before he did, Travis noticed his homophobic looks he gave him, but decided not to make a scene. He really needed the costume.

The manager handed him a biker shirt. "Try it out. I got some other stuff here for you, that would fit you." Travis went to the booth to try it out. He took off his clothes, avoiding the mirror. The shirt slipped right on him, fitting him perfectly. Travis looked back at himself. "I feel so weird, egh. Straight people really have a weird taste."

Suddenly a hand moved the curtain. "It comes with a beanie, jeans and a jacket, I will get it ready for you, before you leave."

Travis felt a weird impulse in his head to take the hat from the guy. He put it on him.

Manager:"You look much better now, sir."

Travis felt as if his confidence was boosted somehow. He felt really good. But it scared him. He wanted to take off his new clothes to return them, but the manager noticed. "No, don't. I want you to have it."

Travis:"I... thank you. I don't know if this is the right fit."

Manager:"I'm sure it is. In fact, I think you look so good in it, I want you to keep it. Free of charge."

Travis struggled a bit financialy, so the fact that he wouldn't have to pay made him feel a bit calmer. "Really? Thank you so much."

They went to the cashier. Travis felt more and more confident in his new clothes. He didn't even notice, that he left his glasses in the booth.

Manager:"Ok, here is a bag for you. Oh, I see you're getting comfortable in your new outfit." manager pointed at Travis's hand in his pants

Travis was shocked to find his hand there, he didn't even notice that he did so. Actually he normally never would have done this. "I am so sorry, sir. I am not really sure what's happening to me right now."

Manager:"You're feeling great in your new costume. That's what this is. Ok, this should be all and you're set to go. By the way, I left a bit of a gift in the jacket for you to use later."

Travis thanked the manager and left the shop. He was so taken back by the fact that he was acting differently. He wasn't sure why, but there was no time to worry about that. There was a party he had to get to.

He threw the jacket in the backseat and sat in his car. He took off his new hat, but another shocked awaited him. "What the fact?! What happened to my hair?!?" his blonde hair turned to its original brunette. But that was not the only thing that changed, his beard grew a bit, giving him a scruffy look.

Travis looked at himself. If he wanted to pass as a straight biker, this would definitely be a good look for him. He didn't want to admit that out loud, but he kind of liked the new look, that the clothes gave him.

He remember the gift, the manager mentioned. He looked through the pockets of the jacket and found a few cigars. "What should I even do with this? I don't smoke..."

He played with the cigar in his hand and looked at his reflection. He placed it in his mouth and looked again. "Oh this looks even better. I'm gonna have the best costume out of all of them." he found a lighter in the same pocket a spontaneously light it.

Travis sat there, enjoying himself. The smoke filling his lungs and the car, the ash falling on his lap. He felt amazing. He didn't look like a fag anymore. He was a man now. Wait. Did he really think that about himself? What about his crush? His crush was a man. But he looked so much better as a biker now than before.

He looked at himself in his camre. He loved his new look. He wanted to be more and more confident. He loved this new rush that the clothes gave him. Maybe if he wore the jacket, he would feel complete. A proper MAN.

Travis reached to the back, the cigar still in his mouth. The jacket smelled like an ollder musky man. Travis was hard now. He was about to wear some other man's clothes. He was gonna be in the clothes that another man was.

The jacket was on and Travis was finally happy. His look was complete. Screw the party. He should be in a bar showing himself off to other people.

But while those tiny transformation took place, something else was happening. Travis didn't notice, that his will was weaker, someone wanted to have a turn in the spotlight. To control this new straight biker body. Travis, drunk by the confidence just simply let go. The force didn't feel dangerous, no. Something that made him feel this good wanted to enjoy the goods too.

Travis closed his eyes, but someone else opened them instead. An ominous gold glow appeared in Travis's eyes for a second.

"Daddy's home." the stranger said in Travis's voice making his voice sound deeper than before. He gave the cigar a large puff and then exhaled.

The stranger immediately grabbed his bulge.

"The fuck... he could have picked a better one. Mine was bigger." he looked at his reflection now.

"Not bad. Gonna give you some improvements and maybe I could keep being you."

Travis's body dialed a phone number. The name of the costume shop appeared above it.

"Hey, guess who's back?!"

Manager:"Finally. I wasn't sure he wouldn't throw the clothes away."

Stranger:"What happened to the original plan, huh? You promised me a hot jock to turn into a biker. This one looks like a fairy."

Manager:"He is one. But that makes it even better, right? We'll get to cancel out some votes as well. Anyway, go to my appartement. The rest of your stuff is still there."

Stranger:"Thank you, brother!"

2 weeks later

Travis was long gone. Or at least that's what Travis's friends told each other. It was something they told themselves to ignore the fact, that their originally queer friend was now a MAGA supporter and a cigar smoking, biker.

Fuck, Travis even changed his looks completely. Whatever happened to him changed him completely. He was now walking shirtless in a vest, very openly showing off his hairy chest, he shaved his head and even gave himself a goatee.

Meanwhile, Dale was now living his second chance at life. His brother helped him get a new body and turn it into a better version of him. He was happy to smoke cigars again, taste alcohol and fuck pussy as he did in his life before. So yeah, fuck the old Travis. Life is amazing!

A story for @hypnosmoke420 with his own original photos. How cool is that? :D

[bianca-mii]

One of the most iconic kisses between our guitarists from the 2022 tour. I can't write as beautifully as @woodswallow, but I made this gifset as I thought there is a very interesting thing to point out.

The Auslaender outro started almost as usual, with Richard feeling the music probably somewhat more.

But this moment shows one massive difference from arguably every other Auslaender's kiss: Richard is not smiling. He's not focused on seducing Paul with that evil grin. There's no tension, no predatory stare. He is... sad? He looks Paul in the eye, and while Paul is in that playful-teasing-I'm-not-that-easy-to-get mode of his, in which he rather avoids eye contact with Richard, he must realize something is off with the lead guitarist...

But they both go for the kiss. In the beginning, I thought maybe Richard was sad, at least partially, because during some of the 2022 shows Paul seemingly didn't feel like having that little smooch. From what I've read, Paul is very uncomfortable with PDA and, in general, tries to keep his private life as far from the public eye as possible. 2019 kisses were fun and outrageous, which Paul loves, and also had a political impact. But by the half of the 2022 tour, it was obvious nobody cared about any political impact anymore and the guitarists kissed just because they like it. Richard doesn't care if people are watching, he may even like it better that way, so perhaps he couldn't entirely understand Paul's hesitation. Also, on the previous show, still in Europe, their kiss was very quick, too quick for Richard's liking:

He made that gesture with his mouth as if he wanted to say: "Ahh, it ended before I could even taste it!" On which Paul said something, maybe like: "I've told you already: quick pecks - for the audience, the actual kisses - only you and me, no witnesses..." And Richard was like: "Oh, okay, but a boy can dream, can't he?"

Going back to Chicago's kiss: so it's not the case that Richard is sad because he thinks Paul wants no public kisses: they go for it as usual. I also don't think he's sad because he'd prefer the kiss to be longer - that doesn't sound like an actual reason to feel sad. It has to be something else.

Whatever it is, Richard tries to pull away first as he probably thinks the kiss will be over by that time anyway. Indeed, it's usually been (if not any other time) Paul who pulls away first; I also think Richard's hand on the back of Paul's neck used to be there for that extra control, to keep him in place just a little bit longer, but it wasn't hugely sufficient. This time though, again, Richard thinks the kiss will be over just after a moment. But what happens next? Especially from this angle, it seems very clear: Paul doesn't let go. And his reaction is really intense: he keeps his lips locked with Richard's, his right hand, put on Richard's shoulder, grabs it more firmly; you can see all his body leaning on his partner; if you look at his butt, it slightly goes up as he maybe even gets on tiptoe.

I remember reading suggestions Richard was that surprised because maybe Paul slipped him some tongue. I'd love to think that, but what I believe really happened was that Paul sucked hard on Richard's lip to keep their mouths together as Richard tried to pull away.

This is not the best quality, but it sort of confirms that theory: you can briefly see Richard's mouth, and then how it literally gets sucked:)

Paul pulls away when it's over but also slightly pushes Richard: "now, that should do!", but Richard, despite experiencing a massive WTF?! moment, remains sober enough to put some pressure on Paul's nape, doesn't let him go, and pulls him back close again, for a hug. He also starts to laugh so heartily that it makes my heart melt. Perhaps he's realized what face he's just made and laughs, just a little bit, at himself too. Paul, on the other hand, briefly returns the hug, but then is all like: "there, there, don't overdo it, babe." He gives Richard a few pats on the back, like the male friends with no benefits would do - he is back into his no PDA mode, and puts his right hand back on Richard's shoulder, this time trying to push him away.

But now Richard does not have it: "nah love, not so fast, you should have expected now I need to thank you for what you've just done... *mwah*". Another kiss on the lips, brief one this time, and finally Paul can go, obviously showing to everybody: "look! Just look at this little naughty thing right there!", Richard is doing something similar for a moment, too (what a complete pair of dorks:D).

So, I imagine Richard was so surprised because Paul not only didn't want to end the kiss quickly but literally forced it to be longer. I love this moment so much for two reasons: it totally makes sense Paul is uncomfortable with PDA, but as soon as Richard feels worse, or Paul gets sentimental himself (like by the end of tours), Paul stops thinking about any discomfort and goes for it with no hesitation, which pretty much says that comforting Richard is simply much more important for him. I think we saw it here, we saw it during Puppe 2023 or this tour after the German football team lost.

What I also more than love, is how Paul's little mouth-to-mouth treatment really brings Richard back to life and turns the night into the day for him (no wonder, who wouldn't be more than alive if they just got a kiss from Landers himself?). Richard is over the moon here, and seeing him undergo such a 180-degree mood switch is an almost otherwordly experience...

Here's the whole video cropped by me, original credit to till_lindemann_pics on ig. One of the other gifs by @davecumstaine, the other one - I can't tell, I downloaded it a long time ago and can't find it here anymore, many apologies;(