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windcarvedlyre · 3 months ago

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I've been following @druidposting's DR2 playthrough on discord and we just had a really good discussion about DR's Closing Arguments. Specifically the way the murderer is depicted as grey and featureless, which until now I found a bit annoying.

In Danganronpa it's repeatedly the case that we don't have the full picture until the talking actually stops- which always goes beyond the end of the trial. We generally vote first and come to understand what the murderer's actual motive was, sometimes filling in important pieces of the timeline in the process, afterwards.

But none of that matters for the killing game because characters' emotions aren't directly relevant to who was the 'blackened'- the only thing that matters to Monokuma- so it comes out afterwards and does nothing to change their execution. It doesn't matter how sympathetic they are (basically everyone) or whether other people share responsibility for the situation (eg. Hanamura, Pekoyama, Momota) or whether they intended to murder at all (Nanami). They objectively pulled the trigger and nothing else matters. Nothing about them as a person matters.

The Closing Argument mechanic might illustrate that problem- literally. They're a dramatic, conclusive summary of the entire case... constructed before the vote even happens, before we know if we're actually right, and they're missing something really important:

The actual perpetrator.

We quite literally don't even begin to see the real person behind the crime, any real exploration of their mental state, anything besides the cold, hard facts of the murder that are necessary to convict them, until the comic finishes and the protagonist makes their final accusation- replacing the grey figure with their real appearance in a shot that's often intensely emotional.

And these comics lack crucial parts of the case's timeline and sometimes important parts of the very scenes they depict that we only find out about afterwards. And those are what we know; characters may die with some pieces of the truth and prevent us from ever learning them. These aren't objective depictions of the murder, they're the protagonist's subjective attempt to connect the facts they have. A join-the-dots portrait of someone with missing dots and no colour.

Even characters' expressions may not match how they truly feel, with the grey placeholder potentially looking way more confident and sinister than they were in reality. Pasting Falter's commentary here since they put it well.

For obvious reasons this could especially be a problem for characters that die before the trial- the ones we never get a post-vote testimony from. DR1 chapter 4 really highlighted that in the way Asahina's huge misinterpretation of Oogami's feelings took up a lot of the post-trial discussion, only for Monokuma to reveal Oogami's real suicide note and recontextualise everything.

It might really be a problem for how Komaeda's depicted in DR2 chapter 5. While he isn't greyed out, we get panel after panel where he's either level-headed or maniacally evil, and even the depictions of his self-torture and death don't humanise him:

But we know that his real feelings were more complicated than that. We have his actual corpse to compare the last page to.

He died afraid.

If we approach the comic as Hinata's mental image of him instead of reality, he died without anyone truly understanding him. He was alarming, very hard to relate to, actively fought against people doing so, ensured even the killer didn't watch him die, and the survivors couldn't begin to understand his motive until a chapter later. The Closing Argument reflects that.

Early in DR1 Togami calls out the rest of his class for judging others by their own standards. However, he, too, is doing this, maybe more so than many other characters; his inability to view other people through anything but the cold, brutal logic of the killing game bites him in the ass in chapter 4. In DR2 chapter 2 voting without a good understanding of Pekoyama's motive or Kuzuryuu's involvement nearly got everyone killed. Komaeda's a walking embodiment of the problems with flattening people into caricatures and not empathising with them, suffered from people doing that back to him, and his case- the Closing Argument for which turned everyone else into grey placeholders- was impossible to solve with objective facts. It was only survivable because the survivors cooperated and one person tried to analyse things the way he would.

The games have always been a critique of the justice system and Japanese society and push us to care about others as individuals, not reduce them to- and judge their right to exist by- something they've done or their net impact on society. There are always consequences when someone neglects to do that, and the above might be yet another way the games explore that theme.

#danganronpa #dr analysis #komaedology #komaeda #.txt #sorry @ non komaedaheads for making it about komaeda again LMAO #that was not the intention initially he's just... a really good exploration of this #and i think about his expressions in that comic vs his corpse and what we retroactively knew he was dealing with a lot #btw don't send spoilers to falter please!! i'm @ing to credit them- this was a discussion not solely my ideas- but they are not done yet #and aren't reading this post until they're caught up for obvious reasons #this came from discussing ch2 since the incomplete picture people voted with nearly killed them #(btw don't @ me about komaeda's description in the second-last paragraph being an oversimplification; i know :p )#(he has nuance- especially outside of the killing game- but i'm just focusing on the thematically relevant broad strokes here)#(eg. i feel like he demonstrates empathy sometimes but kodaka has said that lack of ability to empathise/be empathised with #is a theme for him- and the ways he's been proactive in the killing game consistently lacked regard for others' feelings/individuality #reducing them to interchangeable Ultimates(TM) instead. it's partly why he self-destructed while everyone else #was able to forgive themself and keep moving forwards imo. your worth being defined rigidly by objective contributions to society #does not mesh well with the idea of rehabilitating people who've destroyed the world before they could even start to improve it #and even if he did give them a chance at surviving he still succumbed to his own ideology in the end #killed himself for 'hope' and to be 'important' like he 'wanted' but died terrified and in pain and alone instead of fulfilled #man i wish 2.5's ending/postnwp canon in general dug into that ;-; )#ANYWAY ty for reading all that. i feel like i rambled a lot in this one. i have a headache now ghdkjsfgdsf

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good-to-drive · 6 months ago

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Abuse, Silence, And Why Kevin Can Fuck Himself

I recently finished watching Kevin Can Fuck Himself on Netflix, and, aside from being the most brutally honest portrayal of domestic abuse I have ever seen, I discovered a beautifully written examination of narrative as power and silence as abuse and how this manifests in our larger culture.

Without going into too much detail, the show is filmed in two distinct styles that are interleaved throughout each episode to tell a cohesive story. Allison and Kevin’s relationship as seen by the rest of the world is told through a multi-cam, laugh-track sitcom that depicts a very typical “goofy husband, shrewish wife” mainstream comedy. Allison’s life through her own eyes is told through a single-cam drama/thriller about Allison planning to murder Kevin to escape his abuse.

It’s an absolute masterclass in screenwriting, but more than that, every episode explores the difference between truth, fact, and reality, and how none of these things are quite as much or as little as story. But while the process of transforming the chaotic and plotless reality of life into a story is as involuntary and essential as breathing, misogyny and the degradation of women is just as ubiquitous in our society, and a story that exists at the expense of another person’s lived reality is a refutation of their humanity.

It's also just a great show for anyone who likes to engage with history (or reality TV or true crime or “real life stories” in general), because while we have to tell ourselves stories about her own lives, we have to tell ourselves stories about other people as well. Eternal silence is narrative death, and the perpetual silence of an unspoken narrative is often the last death we can visit on someone whose story we’d rather ignore.

I also pulled up some books – Lolita and Disgrace – that dealt with similar themes, but from the perspective of the abuser. And what strikes me the most is that, across three beautifully written stories about narrative and silence within a culture that normalizes abuse, Allison, who began her story within a state of narrative death, was the only point-of-view character who had any chance of surviving.

One of the main themes of Kevin is that a compelling story is often a story that reinforces what we already believe or like to believe, and while the story may be factual and true it often also exists at the expense of someone's lived reality. The exact same series of events can be a silly joke or a harrowing tale of abuse depending on the lens through which we view it, but historically we've only been willing to see the multicam, laugh track, sitcom perspective on unbalanced relationships.

The alchemical process of turning a series of disjoint facts and experiences into a narrative creates something new and compelling, and erases much of what previously existed. In this way, it’s entirely irreversible. We spin our experiences into a very thin thread, a story we can tell ourselves that elicits something within us, something we need in order to live with the complex, uncertain, and unsatisfying reality of life. In think in many ways the thing we elicit in ourselves is truth. But truth is both more and less than fact, often more a reflection of our own beliefs and desires than the events of our lives. And in telling that truth we may never stray from the facts, but we almost by definition cannot give voice to another person’s reality.

There's a scene in season 2 of Kevin when Allison is hit by a door – a la the classic excuse – because of Kevin’s carelessness. And while he absolutely did not hit her, the way it's written is such an incredible allegory for how Kevin has curated their story and curated their friends' and family’s perceptions of their story such that even if she tells everyone the exact, unvarnished truth of what's happening to her and begs for help, they will only be capable of seeing the laugh-track, sitcom, “Kevin is a harmless goofball and his wife is a total shrew” perspective on the events of their lives.

As so often happens with abuse, their friends and family saw Allison being hurt because of Kevin. But the alchemy of creating a narrative around Kevin and Allison is irreversible, and the series of events they witness can only be spun together to a joke, an accident, a silly, childish mistake. Allison’s reality, Allison’s pain and fear, is completely elided. Like a lost sound in the middle of a sentence, her experience goes silent, and their larger understanding of her relationship never has to change. And you feel so acutely how Allison lives her entire life in that silence.

Storytelling is human, it’s essential, there’s no other way to engage with our own lives. And it’s not lying. It’s never lying to tell the truth. But it doesn’t reflect every reality, either, because another person’s reality can’t be reflected within our own narrative, because that’s what it means to be another person. To spin two different threads.

And because narrative is the essential process by which we understand our reality, denying someone their own narrative, or denying that this narrative be heard, is inherently abusive. To allow someone a voice is to give them humanity, and to suppress it is to strip that humanity away.

Disgrace, by J.M. Coetzee, follows the story of a professor, David, who rapes a student and then fails to protect his daughter, Lucy, from being raped by intruders in their home. He destroys his daughter’s life – not through failing to protect her, but through twisting her rape into a story about why the rape of his student wasn’t wrong. The main theme of the book is generally considered to be exploitation, but Coetzee doesn’t deal with the exploitation of the rape. That’s too direct, too immediate, too easy for the reader to understand as misogynistic and wrong. Rather, Coetzee delves into “the innocuous-seeming use of another person to fill one's gentler emotional needs” (Ruden).

The rape is how we understand David as a fundamentally exploitative person, a person who denies others their humanity by converting them into a vessel for his own desires, who erases their voice in order to speak through them and give himself the things he needs. And that’s how we recognize that the way he absorbs and claims the stories of his daughter and his student is another kind of violation of their humanity. Another way of turning women into vessels for men’s pain and fear and need.

What’s fascinating is that David's student finds her voice – files a complaint against him – and is eventually able to continue with her life. The woman he raped is less damaged by him than his own daughter, because she was the woman he couldn’t permanently silence.

In Lolita, another brilliant novel about abuse, dehumanization, and storytelling, Humbert turns to the reader at the end and says, “Imagine us, reader, for we don’t really exist if you don’t.”

It’s not that Humbert knew he was fictional, but that he knew everyone was fictional. Believed the entire world only truly existed in his own mind, because anything beyond that was irrelevant to his needs. He coped with the collapse of his ability to dehumanize Dolores (who he called Lolita) by demanding that his voice be resurrected. Demanding immortality. Demanding his narrative exist in another person’s world, and thereby be given the existence and humanity that Allison and Dolores and Lucy and David’s student were denied.

Pushing his needs, finally, onto the reader, because we are the only person he has left, and a person like him can only exist through the use of another. In that way, Humbert was powerless. In that way, Kevin and David were powerless, too.

In Disgrace, David’s dream is to write an opera, and at the end of the book he realizes he’ll never finish his magnum opus. He’ll never be able to terminate the process of converting himself, his world, into a story. But he does learn to decenter himself in that narrative. And it’s when he loses all fear of death, and any conception of the self, that he gains the ability to give dogs – who he generally equates to women – a voice within his opera, his life’s work.

It’s in death that we discover our true unimportance as human beings, that we learn to let go of vanity and our conception of the self entirely. And David had degraded women so thoroughly in order to justify how he used them to meet his own emotional needs that it was only in losing all value for his own life that he could gain the ability to see them as equal voices. To actually put those voices into his own life story. It's at the cost of himself that he allows other people to truly exist, in the death of the self that he finally allows the world to exist outside of himself. It’s almost a positive character arc. Almost.

When Kevin finally loses the ability to abuse Allison, he, like many abusers, loses all desire to live. His world was built on a structure of superiority and inferiority, on beings and vessels, on the inherent value of men and the inherent meaninglessness of women’s lives. The system on which he based his entire reality has been destroyed by Allison’s declaration of the self. And, if he was a being because she was a vessel, then in losing the ability to treat her as a vessel, to fully and completely dehumanize her, he has lost his own humanity.

It may be perfectly summed up here: “Become major. Live like a hero. That's what the classics teach us. Be a main character. Otherwise, what is life for?” (Coetzee).

If you’re not to be a main character, if there indeed is no split between major and minor characters, between people and the paper dolls that populate their story, between living beings and the vessels into which they pour their need – what is life for?

Nothing. At least, not for people whose narrative must exist at the expense of another.

And that’s why I say that only a narrator like Allison could survive this kind of story. Despite beginning her story trapped in eternal silence, her reality fully elided no matter how immediate and obvious it became, Allison was the only point-of-view character of any of these three stories who didn’t establish her power through the degradation of another. Who didn’t conceptualize the world via being and vessels. Whose narrative didn’t exist, by necessity, at the expense of another person’s humanity. Whose thread could exist in a larger tapestry without destroying her sense of self.

Don’t get me wrong, she’s not generally a likable character. She’s misogynistic, cruel, selfish, jealous, desperate, afraid, and in pain. Like anyone in an abusive relationship, she’s not at her best, and she’s often pushed to do things that are ugly and disturbing because she’s simply been pushed too far.

But, for me, the power in her character is in how her last scene never felt like a final scene. Her story didn’t have to be killed, her conception of the self didn’t have to be killed, in order to reveal the brutal reality of stories twisting and intertwining without any inherently superior truth or narrative among them. Allison’s story was one of declaring herself. And that’s why it didn’t feel like it ended at the end. Instead, this felt like a beginning.

#this is probably the most egregious 'post that no one asked for' that I've ever written #but man this show HIT me y'all #and then I went back and reread parts of disgrace and that hit me too #it also made me reconsider my online presence and how I myself engage with narrative in the very small little world I'm a part of #I caught some shit a while ago and made a conscious decision to never comment on the narrative around mental health #and to be clear I was just talking about a general narrative in society at large I wasn't bringing up anything specific or attacking people #more how larger social narratives filter into and sometimes come to define individual stories #but it was upsetting to people and I figured instead I can just try to express a compassionate perspective on the mentally ill myself #but now I wonder if I've gone too far #idk without naming any names I'm getting unblocked by people who should definitely still find my mindset intolerable to their worldview #and I don't blame them because we all have reasons for the things we believe and we're all just doing our best #but it's a canary in the coal mine #it makes me think I've become so focused on not ruffling feathers that I'm tacitly approving some disturbing beliefs #and I think I could have happily ignored that if I hadn't just watched this show #posts that no one asked for #kevin can fuck himself #kevin can f*** himself #op #longer rambles

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canisalbus · 10 months ago

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I've only known about your art for a little less than a year but I think it will forever leave an impact on me. Your style and designs and imagery. Even if at some point I move on from your blog, tumblr, internet, there will be times when I'll fondly remember this one person who would draw gay anthro dogs. You are unforgettable. Thank you.

Auh, that's too kind ;_;

I'm honored you think so highly of what I do! Thank you so much!

#lately I've been pretty focused on making only the kind of stuff I feel close to #things that feel good and natural to draw #which right now (as you've probably noticed) is just endless Vasco and Machete #and while it's fun and satisfying it also makes me feel a little guilty about being self-centered sometimes #it means the world to me to hear my creations resonate with someone out there and people seem to genuinely care about my dog guys #even if they might be somewhat niche and personal in nature and I'm not doing anything special with them #maybe that's just the way I see it though I could be overthinking things it's late and I've had one of them emotional days #answered #kruncher

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jtl-fics · 2 years ago

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Fluent Freshman - Part 29

“Neil, why do you have Smith’s phone?” Andrew asks as the two of them are setting out plates for lunch. Neil startled and looked down at the phone that he had just sat at the table and furrowed his brow.

“What do you mean? This is mine?” Neil asks. He knows his phone even if he’s not really the best with them.

The one that Andrew had given him his Freshman year had died after it got run over by the Maserati when Neil left it on the roof of the car by accident. The second one Andrew had gotten him had been destroyed in rather spectacular fashion earlier in the year when he’d had a bit of a freak out on January 19th. The team knew better than to text him on that particular day now but Andrew had said that he’d take custody of his phone this year. Wymack had stepped in with a phone that same day before Andrew could buy him a new one and that phone had been launched at the Baseball captain that summer.

All this to say, Neil is now looking at the phone in concern because it is highly likely he swapped his with FF’s.

“No it’s not.” Andrew sighs and points to a corner, “You cracked yours up here.” He opens the phone and then the contacts and sure enough Neil doesn’t see his own contacts but the ones that Nicky had programmed into FF’s the day before.

“Oh, I guess I switched them at the hospital.” He says with an embarrassed blush. Maybe he should get a little accessory to differentiate his phone from the other ones that Wymack has gotten.

There’s a slight commotion in the kitchen, “Kevin, stop trying to add vanilla protein powder to Smithy’s soup!” Nicky shouts.

“He needs protein to heal properly! That nutritionist might just feed him a loaf of bread since he is using an outdated model!” Kevin argues back.

“Kevin the doctor said clear soup also do you want to make Smiths sick? Vanilla protein powder and chicken broth?” Aaron asks disgust evident.

“I’d use unflavored but this is all that’s in the house and I am not going shopping until this weekend is over.” Kevin argues back.

“Smiths went out shopping on Black Friday and came back unscathed. He even went out into the worst of it just to get some groceries for baking and breakfast.” Aaron says with a huff.

“He still got stabbed!” Kevin returns.

“Kevin, he was definitely not grocery shopping when he got stabbed.” Nicky shoots back.

“He needs-“

“Przywiążę cię do krzesła.” Neil hears Smith’s Grandma cut Kevin off. Her tone is so sweet just like it has been the last couple times she has interrupted an argument between them all. She really has warmed up to them since Andrew confessed.

Nicky lets out a loud bark of laughter.

“Are you okay?” Aaron asks.

“Yeah, cutting onions make me laugh.” Nicky returns quickly.

Kevin walks out of the Kitchen with the same gooey expression he’s gotten every time Smith’s Grandma has said something sweet to him but considering how often and how hard Nicky laughs at what she says he wonders if she’s just sassing him in a sweet tone.

He really needs to pick up a phrase book.

He might like her even more if his theory is correct.

“It shouldn’t be a big problem.” Neil says but he is a bit more careful as he moves FF’s phone away from where it could get damaged. “Smith is definitely asleep. He looked really tired.” Neil says and it twists his own stomach to think about how FF looked in his hospital bed. FF wouldn’t take anything more than the bare minimum when it came to pain medication.

Each “I’m fine.” He gave had him coming to a deeper and deeper understanding of how frustrating it is to have someone who is CLEARLY not fine say they are.

“I’m more concerned about who might text you.” Andrew says.

Neil shrugs, “Ichirou is more the type to just show up.” Because it’s true. Every time he’s met Ichirou there had been very little warning.

Andrew frowns but then Nicky is coming out with lunch. It was nothing fancy but a home cooked meal always made Neil feel warm. Smith’s grandma had just been using what was in their pantry so far but the two other meals (and her pie) had been amazing.

“Lunch is ready. We’ll head back to the hospital afterwards to see when Smithy can get discharged.” Nicky says putting a large bowl of pasta in the center of the table. Aaron came out a moment later with the Parmesan shaker and the protein powder bottle.

“Here you go Kevin, add as much as you want to your own meal.” Aaron says in a sweet tone just like Smith’s Grandma.

“Eat shit Aaron.” Kevin scowls now knocked out of his gooey expression as fills his plate with pasta and reaches for the Parmesan.

Neil can’t help but let out a puff of laughter at the interaction and lets the worry of being away from his phone slide away. FF was sleeping, he was safe, and Ichirou had not expressed any interest in talking to him.

“Pass that to me when you’re done.” Neil asks pointing at the Parmesan as he fills his and Andrew’s plates.

***

There had been a plan.

Nathaniel Wesninski was supposed to be at this hospital at least according to his cell phone location. His future investment was not the best at keeping that device on him though so he was willing to wait when there were no signs of the Wesninski. There would, of course, be a cost for his patience. He had his men go seek out the uninvolved civilian. If Wesninski came back and found his friend threatened due to his lackadaisical nature with his phone perhaps he’d remember to keep it on him.

Except now that very uninvolved civilian is sitting in front of him. The ’Smith’ that Wesninski had spoken of.

He sees Wesninski’s phone sat on the table and his eyes go back to the young man in front of him. He wonders if this was some ploy by Wesninski, some statement. This young man in front of him took out one of the Butcher’s top men on his own.

He’d confirmed it when he’d gone to see Jackson earlier that day. He went to remind them what would happen if they tried to turn over anything to the Federal agents and to see how two of his biggest headaches had been taken out so suddenly.

Jackson talked about how Wesninski’s friend hadn’t seemed surprised to find him in the alley, had seemed like he had been expecting it and how swiftly he had been taken out. Wesninski’s guard dog had gone out afterwards and they’d lead Romero into a trap that resulted in his arrest and this civilian swearing up and down that Romero was the one that stabbed him even though Romero asserts that he never had a firm grip on the knife.

A great way to ensure he was held by the police while they were fully investigated. They wouldn’t have much time to investigate either of the Butcher’s remnants. Ichirou was only offering the choice between something painful or something easy.

The young man in front of him offered nothing, waiting for Ichirou to begin the talks. His expression clearly showing that he’d happily wait Ichirou out as if he was long used to tense silences. There is no doubt that this man in front of him knows exactly who he is but he still has the audacity to wait him out.

“Where is Wesninski?” He tightens his fist at having to ask first.

“That’s not Captain Neil’s last name anymore.” FF returns with the first hint of expression on his face being a frown.

The first piece of information given. So, loyal to Nathaniel and not to the Wesninski line. Loyal to Captain Neil.

“Captain Neil is getting lunch.” He answers, “I’m the only one here for you to talk to right now.” He adds after a moment putting his hands on the table.

Ichirou can understand what isn’t being said.

“Does, Josten, realize you’re here?” He asks taking care to use Wesninski’s new last name knowing he wouldn’t get his answers otherwise. He has a hard time imagining the man who was so loyal to his friends purposefully leaving this one to act as defense for him.

Wesninski had been very clear during his brief phone conversation with him, “Smith was just caught up in all of this. He’s not a threat to you Lord Moriyama.” He had said voice steady and without a hint of a lie.

“In the hospital? Of course.” He returns, “Down here talking to you? He’ll probably be upset.” he says after a moment.

“And yet, you’re here.” He says mirroring the man’s own relaxed posture.

Loyal but willing to do something that might displease the one he is loyal to if it would keep them safe. Ichirou stops himself from looking to his left where his most loyal man stood. Connor had stepped in front of threats he hadn’t seen coming plenty of times, had questioned him even when Ichirou had threatened to cut out his tongue for it, and had always had the courage to look Ichirou in the eye when he explained himself no matter how injured he was or how irate Ichirou was.

It’s something rare and it seems like it is something Wesninski has found unknowingly.

“Yes, I’m here to talk about Friday night.” He says, “I assume you’ve already spoken with Romero and Jackson.” He says moving the conversation away from Wesninski. Bringing Ichirou’s attention and possible ire to himself.

A truly rare find in his world.

“Yes, let’s talk about Friday night.” He agrees.

***

What was it about the Smith family and making great food?

It was just a simple combination of canned tomatoes, butter, pasta, onions, cheese, spices and garlic but it had Neil going for a third serving. Smith’s Grandma had really made enough to feed an army and when he’d commented Nicky had just reached over and tried to pinch his cheek fat only for his fingers to find little to grab onto, “You’re too thin! Eat more!” He exclaimed before repeating it to Smith’s Grandma in Polish who nodded earnestly.

Wymack was at the table after he took a shower. Kevin was still trying to convince Aaron of all people that he should be allowed to put protein powder into the clear soup that was simmering on the stove top for FF. The dietary restrictions someone faced while they were healing from stomach surgery was no joke.

The other Dealer had dropped despite Wymack and Neil’s best attempts to get Lisa to stay. Seemed determined to head back to her small town and rejoin the family cult she had escaped from. He’d been worried about her going home but she had insisted she’d be back.

It was unfortunate but it was also Lisa’s choice.

His stomach twists wondering if FF is going to go back to Washington with his Grandma when he gets released. There had barely been a whisper of danger from Neil’s past since Ichirou had put that bullet in Riko’s head and now one of his few friends that had been entirely uninvolved in that nightmare was in the hospital because of him.

Andrew elbows him.

Neil turns to look and Andrew is carefully putting a penne pasta on each prong of his fork, “I can hear you worrying.” He says in Russian.

“What if Smith leaves?” He responds back in the same language.

“He has the right to.” Andrew shrugs and shoves the pasta into his mouth.

“I don’t want him to.” Neil admits, FF is a friend. A good friend.

“He still can leave even if you don’t want him to.” Andrew says as he proceeds to once again put a penne pasta on each of his fork’s prongs. “I don’t think he will though.” He adds before shoving his fork into his mouth again.

Neil blinks, “Why?” He asks.

FF isn’t like how Neil was his Freshman year, he’s steady and sure but Neil wouldn’t blame the Freshman if ‘possibly being killed off by remnants of my Captain’s crime family’ is a step too far for FF. Wouldn’t blame FF if he runs.

“He still calls you Captain Neil.” He says reaching over and squeezing Neil’s knee with his hand.

Neil blinks.

He thinks.

FF laid out on the concrete as Andrew worked to stem the blood from his stab wound, “It’s a weird sex alley Captain Neil! I don’t know WHAT to tell you!” He exclaims ready to make a joke even as he’s bleeding because of a situation Neil’s existence put him in.

FF still floating from the initial large amount of pain medication he was on pulling on Neil’s sleeve, “I’m glad you’re okay Captain Neil.” Before falling back into his drugged sleep.

FF’s eyes softening as Neil offered to get a nurse to give him more pain medication, “Really Captain Neil, I’m fine.” He says.

He lays his own hand over Andrew’s.

“I guess he does.” He offers a small tentative smile.

“Eat your pasta Junkie.” Andrew says in English now.

“You’re too thin!” Nicky reminds him and Smith’s Grandma must have picked up on the terminology since she nods earnestly in agreement as the two of them were packing up leftovers and the soup Smith’s Grandma had made for him so they could head back to the hospital to keep FF company.

***

“Why did you go out into the alley?” Ichirou asks.

“Isn’t it better that I was in the alley?” The man across from him asks with a raised brow, as if Ichirou was asking a strange question. “If I had stayed in the club, who knows what would have happened or how many people would have been hurt.” He explains without Ichirou needing to lower himself to asking.

There’s truth to that.

It’s been on the news that the remaining Wesninski inner-circle had been captured but since there’d only been one injury it had been largely overshadowed by news regarding the mass injury incidents surrounding Black Friday. If Romero had started had gotten the general public involved this would be much harder for him to silence the ones involved.

Still…

“This has caused me quite a bit of trouble. It does not look good that I am not the one who found them.” He says because there’d been talks from some of the old men he had yet to rid himself of from his Father’s time. They had wanted the remaining Wesninski men to be brought back into the fold but there was little chance of that happening now. Ichirou planned on disposing them after showing that they were worthless and using it as an excuse to start removing some of the dead weight from his father’s time.

Ichirou was not a man who tolerated incompetence.

“Isn’t it better that they were taken into custody like this?” The man across from him asks, “They were some of the Butcher’s best from what Captain Neil has told me. The fact that it only resulted in me going to the hospital and they were taken out by Andrew and I is one of the better outcomes.” He says.

Ichirou pauses and considers it.

The two men that those relics had wanted for their ‘competence’ and ‘ability’ had been taken out in a way that showcased what Ichirou had thought of them. They were sloppy, they were over-confident, and worst of all they were incompetent.

“Before I forget.” Smith says and his hand goes to the bulge in his jacket pocket.

Ichirou can feel Conner tense behind him and he wonders where this had gone wrong or how the conversation had broken down but he doesn’t have long to wonder about it as Smith pulled something out that was unmistakable as a toy with it’s bright yellow coloring. Smith sets it on the table between them and Ichirou cannot help the confusion that must show on his face despite his many years of training to keep his face blank.

“What is that?” Conner asks sounding utterly bewildered behind him.

“I used this to temporarily blind Jackson during our fight. I figure it would be useful evidence for you.” Smith says.

He hears a bark of laughter to his right as Michael reaches for the toy.

Useful evidence indeed.

It would be easy to show this as a sign that those relics could hardly be trusted to have an opinion in how he ran his empire. Those men they so prized taken out by a children’s toy.

This has gone to his benefit.

“So it would seem.” He finally says, “I will make sure to reward your assistance.” He says wanting a stronger hold over the man in front of him, a tie of some sort to the Moriyama family.

Smith shakes his head in the negative. “I didn’t do anything noteworthy. Whatever it is should go to Captain Neil.” He argues.

Rare find indeed.

“It will be done.” He says and figures with the additional cash flow eliminating the search for the Wesninski men, the removal of his father’s hanger-ons, and the blood he can squeeze from the family Romero and Jackson had intended to go to ( a supposedly allied family) he could more than afford to drop what his three Exy investments owed him as a percent.

His eyes shift over to Smith across from him and finds that he was even more willing to lower those percentages if he could not only drop the dead weight of his father’s empire but perhaps gain someone useful. “Still, I like to reward those who have directly benefitted me. We will take care of any and all hospital fees related to this incident.” He looks to his right and Michael nods.

Smith’s face doesn’t give much away, his pokerface was quite exceptional.

“Thank you." He accepts and says nothing else so Ichirou decides to make his offer.

“I have heard that you are studying languages.” He says.

“I am.” Smith says.

“Which ones do you know?” He asks.

Smith blinks, surprised by the question, “Fluently? French, German, Spanish, Polish, Dutch, Italian, R-“ he pauses and shakes his head, “Recently, I’ve been studying Japanese, Chinese, and some Korean.” He says strangely stumbling over a word for the first time this entire conversation.

A useful skill.

“If you ever find yourself looking for work,” Ichirou snaps his fingers and Conner had a card in his hand in an instant, consider reaching out.” He says before he offers it with both hands and is pleased when Smith accepts it with a slight bow before taking it with both hands. “I see you are also studying the etiquette.” He adds.

Smith looks up from the business card and he looks paler but Ichirou chalks it up to the fact that bowing slightly with his current stomach status likely hurt far more than he had let on. “If you don’t know the etiquette you only know half of the language.” He says and Ichirou quite likes the sentiment.

“Tell Josten that I no longer need to speak with him. Our conversation was satisfactory.” Ichirou says as he rises to his feet.

“I will do that…Lord Moriyama.” Smith says bowing his head politely.

***

The sight of Ichirou Moriyama was always going to be one that made Neil nervous.

The only good thing about seeing him right now was that Kevin had gone with Coach and Aaron in a separate car so that the two of them could continue their argument about protein powder in FF’s soup and Andrew had snagged a spot up front while Coach would have to park farther back.

“Lord Moriyama, I did not expect to see you here.” He greets head down and he almost goes to his knees if it wouldn’t have attracted the sort of attention that Ichirou hated from the public. He just hopes that Andrew isn’t scowling and that Nicky and Smith’s Grandma can keep quiet.

“Perhaps if you kept your phone with you then my appearance would not be such a surprise.” Ichirou comments idly, “Though I suppose I did have a very beneficial conversation with Smith. Quite a bright young man you have as a friend.” He compliments and Neil’s head shoots up in surprise at it.

Ichirou had spoken with FF.

FF who was fading in and out of consciousness.

“I have faith that he will not reveal anything.” Ichirou adds and Neil clenches his fist and wants desperately to ask what happened. Wants to know what state he’s going to find his friend in. “I have not done anything to harm him, you are lucky to have a…friend like that.” Ichirou says as if physical damage was the only thing that Ichirou Moriyama was capable of.

“Yes Lord Moriyama, he is a very talented and skilled defenseman.” He says hoping that if nothing else Ichirou’s desire for Neil and Kevin’s future profitability would have him reconsider doing anything in the future to FF to ensure they would have good showings for the professional teams.

“Yes, he was quite talented in your defense.” Ichirou nods, “I will reach out with details of our new deal once some affairs have settled. Take care of your friend, Josten.” Ichirou says before continuing out of the hospital.

New Deal?

Neil banished the thought from his head. They needed to get up to FF’s room and he needed to make sure his friend was okay and find out what exactly had happened.

Andrew’s hand came to the back of his neck and squeezed, “Calm down.” Andrew ordered voice soothingly blank even if Neil could feel the way his grip stuttered. “Let’s go.”

***

The Nurses were saying something about ‘aggravating stitches’ and ‘lucky nothing tore’ but it was all white noise to FF as he continues to think about the business card burning a hole in his pocket.

Ichirou Moriyama.

He’d just had an entire conversation with Ichirou Moriyama.

His stomach was already hurting from his ill advised walk but the moment he’d seen that name on the business card he had accepted his insides had been pure acid. He missed his Pepto Bismol more than anything right now, what he would give for just a single hit of the sweet pink relief.

He couldn’t figure out what was worse.

The fact that he had given over EVIDENCE to the head of a Yakuza group (was it a yakuza group or was it a mafia group?).

The fact that he’d been right in his thoughts from the abyss that the man in the cafeteria looked like a Yakuza member (was it a Yakuza or Mafia?).

The fact that he’d just seen a Japanese guy and thought ‘Oh, must be the Japanese FBI guy I’m supposed to talk to’ which means he’d still been kind of racist.

The fact that he just realized that he had Captain Neil’s phone and not his own meaning that Ichirou had been telling Captain Neil to come to the cafeteria and FF just showed up like a dipshit trying to pitch their lie about the alley.

Finally there was the fact that Ichirou Moriyama had apparently been impressed enough to offer him a spot within his Yakuza group (Yakuza or Mafia?)

Would it be weird to ask during the interview process? Is there an interview process to join organized crime? Do they have benefits? Wait a crime family is paying for his hospital stay right now. This is too much.

He considers asking the nurse to yes please crank up the pain killers and just let him slip into a nice not embarrassing coma but then Captain Neil and Andrew were rushing into his room. “Smith!” Captain Neil exclaims.

Well, too late to ask for that coma.

MASTERPOST FOR ALL PARTS OF FLUENT FRESHMAN AU

@i-have-three-feelings @blep-23 @dreamerking27 @andreilsmyreligion @belodensetdust @rainbowpineapplebottle @yarn-ace @iwouldlikesometea @lily-s-world @obscureshipsandchips @booklover242 @whataboutmyfries @sahturnos @pluto-pepsi @dreamerthinker @passinhosdetartaruga @leftunknownheart @aro-manita-muscaria @hologramsaredead @Chaoticgremlinswishtheycouldbeme @tntwme @tayspots @nick-scar @crazy-fangirl2524 @blue-jos10 @stabbyfoxandrew @splishsplashyouropinionistrash @sammichly @the-broken-pen @bitchesdoweknowu @very-small-flower @ghostlyboiii @its-a-paxycab @bisexual-genderfluid-fan @cheesecookie @theoneandonlylostsock @foxsoulcourt @blueleys @adverbialstarlight @elia-nna @can-i-just-stay-in-the-corner @nikodiangel @foxandcrow-inatrenchcoat @hallucinatedjosten @satanic-foxhole-court @vexingcosmos @chalilodimun @insectsgetcooked @angry-kid-with-no-money @queer-crows @lillyndra @themundanemudperson @readertodeath @apileofpillows @mortalsbowbeforeme @hellomynameismoo @next-level-mess @youreonlylow @interstellarfig @notprocrastinatingatalltoday @percyjacksonfan3 @queenofcrazy27 @bsmr261 @ghostlyscares @spencellio @adinthedarkroom @harpymoth @sufferingjustalilbit @anxietymoss @oddgreyhound @ohno-myhyperfixation-itsbroken @ken22789 @atiredvampire @isoldescorner @not--a--pipedream @azure-wing @bushbees @roonilwazlib-main @crumplelush @foldedaces-paperbirds @thesenseinnonsense @let-tyrants-fear @ketchupandfries @legowerewolf @deadlydodos @but-we-respect-his-craft @cariniqe @zanypersonapricotbiscuit @lesbian-blackbeard @lesbiansupernatural @silvermasquerade @thepeachfuzz @minniemariex @kazoo-the-demjin @gaypomegranate @ji-nk-ies @neilimfinejosten @omgrubelangel @itsyouitsmeorpheuseurydice @percabethotplove @cozyrosykay @foxyatlas @theoneandonlylostsock @cindersapsecrets @scornedethnographer @hugemotherfuckingnerd @givemethedamnflowers

The requests to be added to the tag list keep being spread out across a few different areas. If I missed you please just ask again in the replies I promise I just missed you.

As stated before if you’re up here and I spelled it right but you didn’t get a notification there might be something switched around in your settings that won’t let me tag you properly?

If you didn’t get notified on the last part it’s probably because I used tumblr mobile to post and our most beloved garbage fire site just didn’t like that.

Polish in this chapter:

Przywiążę cię do krzesła = I will tie you to a chair

#Fluent Freshman AU #MAN that was a long one #Also just like having to build that misunderstanding took forever #I need a nap #which is to say that I'm going to bed since it's 2 AM #Not pictured is Michael pointing the McDonald's Happy Meal Toy at Conner and pulling the trigger #And Conner going Shit that's bright #And Michael now has to drive the car #The Moriyama men who were looking for Smith absolutely got a talking to #Like a man of THAT caliber got within spitting distance of Lord Moriyama? Unacceptable #Just be grateful he wanted to TALK.#Also not pictured is Kevin and Aaron continuing that argument in the car as Kevin tries to rope Aaron in #to making the perfect protein supplement for Smith's recovery #Kevin is thankfully so focused on this that he just flat out misses that they parked like four cars away from where Ichirou Moriyama is #Neil may Velcro his phone to him now.#Man can you imagine Neil having his Josten Jorts(tm) and he's added a velcro strip to all of them #Andrew just looking on like yeah I still think he's hot and sighing to himself #This is where you've laid your affections Andrew #DEAL WITH IT #Alright it's like 2:20 AM after doing the tags and @-ing everybody #AFTG #AFTG AU #AFTG OC #Andreil #FF - Pt. 29

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