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just-dreaming-marvel · 3 days ago
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Love That Burns ~ 35
LOVE THAT BURNS MASTERLIST
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< previous chapter
Word Count: 3,090ish
Summary: You and Logan fight to save Mariko.
Warnings: wounds, fighting, near death experiences
Notes: I have loved all the reactions I've received! Please keep them coming. They all mean so much to me! This is the last chapter before we start on the two different endings! Ending 1 will come out before ending 2. Also, before the ending 1 starts coming out, I'm going to post the one-shot for this series about their everyday lives from the ten year gap.
Reminder: I DO NOT do taglists. Please don’t ask. Please follow and interact! I appreciate any reblogs, likes, comments, and asks! 
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You gasped as you woke up naked on the medical bed you had died on. Looking around, you could tell that you were alone. Meaning that Logan had followed through with going to save Mariko, which was what you had asked of him. You were honestly surprised that you had risen from the dead again, but you couldn't waste any more time. You needed to get to Logan.
You quickly found some clothes to wear and the location of Yashida’s birthplace. Thankfully, rich people always had a few cars lying around, and you were off. Racing to get to Logan before he did anything incredibly stupid.
~~~
Logan’s anger was fueling him forward. He needed to rescue Mariko and finish off Dr. Green. He needed to get his revenge for you. When Logan arrived at the town, he was met with Harada, waiting in the streets for him. Logan could sense that there were others nearby, hiding in the shadows.
“I see you’ve come to fight,” Harada stated, coming towards Logan. ��It’s pointless. You’re outnumbered. The Black Clan has protected the House of Yashida for 700 years.”
The Black Clan began emerging from the shadows, from the alleys and the rooftops.
“Is that all the men you brought?” Logan challenged. “I’m going to get to Mariko.”
“We are grateful for your protection of Mariko. But there is one more sacrifice you must make for her family.”
“Go fuck yourself, pretty boy.”
Harada yelled, and the fighting began. It didn’t take long for the other Black Clan members to jump down and join, with more continuing to appear on the rooftops. Hard ordered them to begin firing arrows as Logan started to run through the streets. Logan got halfway through town before the arrows began to have heavy wires attached. Logan grunted as he tried to continue on despite the resistance of the wires. He groaned as a poisoned arrow hit the middle of his back. His vision began to blur, but Logan continued to move forward. The Black Clan continued to shoot wired arrows into his back until Logan collapsed face-first into the snow.
~~~
You followed the tracks of a fight in the snow once you reached the town. Your heart clenched at the sight of the clear marks of someone being dragged. You knew it had to be Logan. You continued to follow the tracks, slipping into the large house on the hill. With your powers fully restored, it was easy to take down the Black Clan members in your way. Eventually, you reached the center of the building, revealing to be a large, open lab spanning the whole building. 
Glancing down, you saw Logan locked up in some machine that kept his hands facing outward. You could see him moving slightly and groaning like he was waking up. With a sudden tug, you could see Logan trying to free himself. Slowly and quietly, you began to sneak down.
“Stand back," Dr. Green ordered the nearby Black Clan members as she waltzed up. “There is no need.”
“Where’s Mariko?” Logan demanded. “Where is she?”
“Are you pinning for someone who is not your wife? For shame. Where is your wife anyway?” Logan simply growled. “Did she not make it? Too weak?”
“Shut the fuck up!”
Dr. Green smirked before looking away at the giant samurai nearby. “Impressive, no? He is made of adamantium, just like you.” Logan continued to try to break free. “Oh, Logan, you know what, I get it. You’re frustrated.” 
She pressed some buttons, moving the machine that Logan was stuck in forward. The machine pulled his arms forward, away from his body. Logan kept heaving breaths as the machine kept him still, drilling into him and inflicting pain.
“I know Mariko is here,” Logan panted. “I want to see her.”
"You want answers,” Dr. Green stated.
“Yes, I want answers!”
“I’m sorry, I wish I could say more, but I was hired in part for my discretion.” Dr. Green leaned forward, up against the machine, taunting Logan. 
“I’m sure you were."
“That and a certain talent for combining biochemistry and metaphysics. High-grade toxins are my specialty. It helps to be genetically immune to every poison known to man, as I am. And immune to the toxin of man himself… as I am.”
“I’ll tell you what, you twisted mutant bitch, why don’t you open these bracelets, and we'll see who’s made of what?” Logan released his claws. Almost as soon as he did, the machine clamped down further around his fists, preventing his claws from retracting.
“The claws,” Dr. Green smiled. "Now we can begin. The suppressant bug you found inside of you and your wife was mine. You took it out on your own. I didn’t see that coming. Did you take your wife's out, too? Is that why she’s not here?”
“You don’t deserve to talk about her!”
“You are strong. You have courage. Real courage. But that won’t help much now.”
The giant metal samurai ripped itself free from the wires it was connected to. It stomped over to Logan, going around him, before stopping in front. You arrived on the same floor they were on in time to see the giant samurai pull a huge sword out and line it up with Logan’s claws. Your eyes widened as you noticed the sword heat up as it lifted. You rushed over and threw yourself between Logan and the samurai.
“Stop!” You shouted. 
The samurai lost its concentration, hitting the back of the machine Logan was in, throwing you, Logan, and Dr. Green around while the samurai fell back. Logan grunted as he landed on his knees.
“Y/N!” He yelled.
You looked up and over at him, shooting him a smile. “Hey, handsome,” you breathed out. “Miss me?”
Logan opened his mouth to say something, but before he could, he noticed the samurai getting back up. Slamming the leftover wrist clamp against the stairs, it came clattering off. He ran over to you and grabbed your hand, tugging you up harshly to stumble against his chest. His lips quickly captured yours for a brief kiss.
“You gotta stop doing that, sweetheart,” he whispered. 
“Gotta keep you on your toes somehow, honey,” you replied with a smirk.
He smirked back. “You’re gonna be the death of me.” The samurai stomping closer caused Logan to start to drag you in the opposite direction. “Run! Go!”
You and Logan ran side-by-side. You noticed Dr. Green rushing to cut you off. You threw your hands out, launching her over the railing and down a few floors in a ball of flames. Harada and Mariko rushed out of a room a few floors up.
“Go!” Logan urged, waving them off. “Run!”
The two of you began running down the stairs. The giant samurai jumped down to the level you had reached. Logan let out a roar as he flung himself at the samurai, causing himself and the samurai to fall down a few levels.
“Logan!” You screamed, looking over the railing to see him squaring up with the samurai. 
You spun around and tried to take the stairs two at a time to get to Logan. You could hear him groaning, straining to keep the samurai’s sword still as he used his claws as a shield. You reached the floor in time to see the samurai pull out a second sword that was quickly heating up. Using the railing, you launched yourself onto the back of the samurai and took hold of the heated sword with one of your hands. You focused on heating the sword up further, causing it to begin to lose its shape. It dropped the melting sword and reached back. It grabbed you and threw you over the railing.
“Y/N!” Logan roared.
You cried out in pain as you harshly landed a few floors down. You could hear Logan and the samurai fighting for a few moments before you heard a thud close by. Logan was quickly kneeling beside you, checking you over.
“Are you okay?” He asked, eyes still frantically searching you over. He carefully helped you sit up.
“Honestly, I’m ready to go home,” you responded.
He let out a hearty chuckle. “Me, too, darling.”
The samurai dropped down onto the level the two of you were on. Logan pulled you up and dragged you over to the electrical boxes. Using his claws, he ruined the boxes, turning off most of the lights in the building. You and Logan quietly hid behind nearby posts as the samurai searched for the two of you. The samurai passed the two of you, allowing Logan to jump on its back and retrieve another sword it had. 
“Y/N!” Logan shouted. 
He tossed you the sword, and you caught it. Holding it with both hands, you began to heat it up. The samurai spun around, kicking Logan down, allowing you to cut the head off the samurai. Logan launched himself at the samurai again, forcing him and the metal monster down to the bottom floor. The samurai slammed against the wall, breaking a hole into it that Logan was launched through.
“Logan!” You yelled.
You ran down the flights of stairs as Logan climbed back into the building. You dropped to your knees in front of him, the two of you quickly wrapping your arms around each other. In a blink of an eye, the samurai grabbed your ankles and tore you from Logan’s grasp.
“No!” Logan shouted, hands barely brushing against your arms as you’re torn out of reach.
The samurai spun you around and grasped onto your hands. The metal clamped against your wrists, and three drills from each of the metal hands appeared and began drilling into your fists, right into your bones. You screamed out in pain.
“Let her go!” Logan demanded.
The middle of the samurai opened up to reveal Yashida.
“Logan-san,” he greeted. “Don't look so shocked. With you at my side, I survived Nagasaki. Surely, I could survive this.” You let out another scream as the drills pushed further into you. “It’s alright. It won’t take long.”
“What are you doing to her?!” Logan didn't know what move to make without hurting you.
“Dr. Green and I have been waiting. It’s only this armor that's kept me alive. We built it to make me strong so I can take what you would not give. And transfer your unwanted healing to my body. It’s only by mere coincidence that your wife could also provide what you would not give. My legacy must be preserved. Your mistake was to believe that a life without end can have no meaning. It is the only life that can.”
Logan was watching as the life slowly drained from your body. You were growing older while Yashida was growing younger. He couldn’t get his eyes to look away from you. He couldn’t force himself to move.
“Logan!” Yukio shouted, throwing one of the large swords in his direction.
Logan caught it, gripping it with both hands, causing it to heat up. He stood up and, with a shout, threw the sword into Yashida’s head. The metal hands retracted the drills and let you go. Logan caught you before you could collapse onto the ground. Yashida stumbled back, gasping for breath, before falling out of the building to his death.
“Sweetheart,” Logan shook you, trying to get you to gain consciousness. “Wake up… I really can’t handle this again… I need you to wake up.” Yukio slowly came over, watching the scene. “Come on, honey.” 
The only hope Logan had was the fact that you were still breathing. You had to wake up. Yukio placed a hand on Logan’s shoulder.
“We need to get her some medical attention,” Yukio said.
Logan nodded, hoisting you further up into his arms before standing up. Yukio led the way out, where Mariko and Harada were waiting safely.
“Logan! Y/N!” Mariko exclaimed, rushing towards Logan. “Oh my gosh!” Mariko looked you over, immediately seeing your increase in age. “We need to get her to a hospital.”
“No,” Logan pulled you closer. “Too dangerous.”
“Logan, I have my grandfather’s business under my control. I have resources. The two of you have helped me so much. Please let me return the favor.”
“Mariko can help,” Harada agreed.
Logan scoffed. “Not really caring for your word right now, bub,” he muttered.
“Trust me,” Mariko pressed. “I won’t let any happen to either of you anymore.”
~~~
Logan snarled at anyone who tried to pry you from his arms the moment Mariko had the group escorted to a private wing of a nearby hospital. Yukio and Mariko had to work together to coax him into setting you on the bed. He insisted on staying near you the entire time. 
The doctor Mariko had called in specialized in mutants, giving Logan hope and making him even more cautious. Logan’s eyes created a rotation going from your rising chest, your face, to the monitors and back. He wanted to know everything and not miss a second of anything. He stood on the edge of every room you were brought into, like a constant guarding shadow. Mariko and Yukio took turns trying to get Logan to rest, but he couldn’t leave you.
It took a few hours for the doctor to get any results from the tests they had run. The doctor informed the group that you were slowly healing and de-aging. They said that you’d be fine in a day or two and would most likely sleep the entire time. The doctor encouraged the group to keep you there until you woke up, and Logan reluctantly agreed. 
“There's one other thing,” the doctor added, after updating the group. “I talked to Dr. McCoy on the phone, and he informed me of the incident that happened ten years ago when Y/N returned from the dead like a Phoenix.”
“What about it?” Logan asked. 
“Was that the only time?”
“No. She did it about a day ago.”
“That would explain what we saw in the blood we took.”
Logan took a protective step closer. “What did you see, doc?”
“Mr. Howlett, your wife is a powerful mutant, but when she rises from the dead like that, it sucks away at some of her abilities. The tests we ran and compared to previous tests that Dr. McCoy had run, show that her mutation is slowly decaying.”
“Are you saying that she’s dying?”
“Not exactly. She could still live another hundred years as long as she is careful. The more she rises from the dead, the faster her mutation will decay, meaning the faster—“
“She’ll die… Can she use the other parts of her mutant?”
“Of course. But I would be wary of bringing her into any more life-threatening situations. I have sent our findings to Dr. McCoy for his records, and so that he can keep track of Y/N himself.”
Logan clenched his jaw as he stared at you, processing the information. Mariko stepped forward and placed a hand on Logan’s back.
“Thank you, Doctor,” Mariko said.
“Of course,” the doctor replied. “I’ll be around if there’s anything you need.” 
The doctor left as Logan walked over to your bedside. You were slowly returning to the woman he knew. But, even if you hadn’t, Logan would have loved you anyway.
“I need to take her home,” Logan murmured.
“I’ll have the plane ready for as soon as she wakes,” Mariko said.
“No,” Logan shook his head. “I need to get her home now.”
“Logan—“
“I appreciate what you’ve done. But it’s my duty to take care of her and the best way I can manage that is at home.”
“If you’re sure.” Logan nodded, causing Mariko to sigh. “I’ll go make the calls.”
Mariko left to go to as she said. Logan gently took your hand and lifted it up, pressing a kiss to the back of it.
“We’re going home, sweetheart,” Logan whispered. “And we’ll never leave again.”
~~~
You needed to move, but you were trapped. The familiar weight of Logan’s arms around your waist was comforting, with his head resting on your shoulder. But you felt like you hadn’t moved in days; your muscles were stiff. As you slowly opened your eyes, you quickly realized that you were no longer in Japan. You were home. Logan’s head was on your shoulder, with his arms around you, keeping you against his bare chest. You lifted your arm and began scratching Logan’s arm. He groaned as he began to wake.
“Sweetheart?” He mumbled into your neck.
“It’s me,” you whispered.
Logan’s head lifted to fully look at you as his arms tightened around you. “You have to stop worrying me… I can’t take anymore.”
“I'm sorry. I’ll try hard not to.” Logan leaned down and kissed you softly. “When did we get home?”
“Last night. The doctor cleared you, and I wanted you home.”
You reached up and cupped Logan’s cheek. You could tell that the concern was still lingering. “I’m sorry I scared you.”
“I know, darling.” Logan grabbed your wrist and turned his head to kiss the palm of his hand. “There’s something I need to tell you.”
Logan then explained what the doctor had found out about your ability to rise from the dead. You could feel Logan trembling as he spoke, like he was finally letting all his concerns out. Once he was finished, you pulled him to lay on top of you. Logan was careful not to fully put his whole weight on you but appreciated you holding him.
“I’m not going anywhere,” you quietly promised Logan.
“No more danger,” Logan muttered. “No more missions.” He pulled back enough to allow your eyes to meet. “I need you safe. I need you here.”
“I won’t promise that unless you can promise the same thing… I can't lose you either.”
“I’m not the one with the habit of dying.”
“I promise I don't try to.”
“I know, sweetheart… Alright, no missions. No danger. For either of us.” He leaned down and gave you a brief kiss. “I never asked, how are you feeling?”
You smiled up at him. “I’m fine.”
“You sure?”
“I’ll let you know if it changes, okay?”
“Okay.”
“I do have one thing, though.”
“Anything.”
“Can we stay in bed all day?”
Logan gave a hardy laugh as he wrapped you in his arms and rolled over so you were on top of him. “Sounds like a plan, sweetheart.”
Ending 1 next chapter >
Ending 2 next chapter >
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novankenn · 1 day ago
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What If...
Pyrrha was also under the sway of Salem Cinder and Pyrrha love each other (Pompeii) Jaune and Emerald are married (Topaz) Jaune and Emerald have a child (Jasmine Esmeralda Arc) Jaune and Emerald are on the run from Salem & Ozpin
Scene : A cheap motel in Argus
==> @cheeseeater2 - What if Nora and Ren find Jaune and Emerald with the kid and let them go if only for the child to be safe. Jaune says even if they hate him forever he loves them and hopes they can be happy one day.
Of all the things Ren and Nora expected after hearing that Jaune had left with Pyrrha during the fall, and then discovering that he and Emerald were on the run from Salem's agents. Finding himself held at gun-point by the man he used to consider a brother, was not one of them.
It had been a stroke of luck, finding out Jaune and Emerald were expecting. It was through idle chit-chat with the other tenants of the apartment building Jaune and Emerald had been living in for the last almost year... before vanishing days before a fire gutted the building. So as they continued their counter operations against Salem's machinations, they kept checking local medical centers and hospitals.
At a stop over in Argus, about a year after the last lead that went cold at the apartment complex. Nora had decided on a whim to check the local hospital, and much to her utter shock she caught site of Emerald leaving with a bundle cradled in her arms. So cautiously she followed the obviously new mother, tracing her back to a rather shabby motel.
A scroll call and Ren was beside her with in twenty minutes. A hint of intimidation and they had the room number. The flimsy wooden door was no obstacle for Nora. She was through it at the first hit of her shoulder. Ren was inside a fraction of a second after Nora burst through the door. The screaming of a startled child, and the yells of a young women, filled the room. But what Ren really focused on was the cold barrel of a rather nasty pistol being pressed against the center of his chest.
"You don't want to do this Jaune." Ren calmly informed his former team leader. "This will just make things worse."
"You right Ren, I don't want to do this, but to protect my wife and my daughter... I will." Jaune replied, his voice measured, and forced like he was fighting the potential of his own emotions surfacing. "Back away Nora."
"Jaune, why?" Nora asked as she stepped back away from the door she had just smashed in.
"I made a mistake." Jaune replied. "Both Em and I did."
"And what do you call this?" Ren asked nodding towards the pistol pressed against his chest.
"Protecting our second chance." Jaune replied. "Em, are you and her okay?"
"We are, she's just a little scared." Emerald answered, as she gently rocked the bundle in her arms. "Shush that's okay sweetie. It's okay, daddy will keep the bad people away from us."
"We're not... bad people." Nora countered.
"Really?" Emerald asked. "You've been trying to find us for years. Chasing us from place to place. Making us uproot, time and time again just so we can have a life away from all the bullshit."
"But..."
"We made mistakes. We were lied to. Led on." Emerald cut Nora off. "We figured it out too late to stop them, so we left."
"And have Ozpin's and Salem's minions dogging us all over Remnant." Jaune added. "We're out. We want to be left in peace. We know nothing, nor do we want to know anything. We're out."
"Jaune, you know..."
"Who says it can't be that way? Ozpin? Salem?" Jaune countered. "Fuck them and their little war!"
"Jaune, language!' Emerald hissed as she continued to placate the fussy infant.
"I'm sorry, but the point remains. We're out. We just want to make a life, for us and our daughter. A quiet life." Jaune expanded upon his original statement. "Both of you away from the door."
"Jaune, this isn't the right way. Come back with us? Ozpin can..."
"Ozpin is a failure." Jaune rebutted. "If he had any brains or sense he would have at least had an idea that Salem was trying something after the breach."
"None of us..."
"No, we didn't." Jaune agreed, "But we we're students, why would we have? The ones in power should have been protecting us. Like I will Em and Jas."
"Jas?" Nora asked as she moved as far from the door, as she could without getting any closer to Emerald or the infant. "Is that her name? Jas?"
"Jasmine Esmeralda Arc." Emerald informed the group. "She's named after our mothers."
Jasmine started to fuss more.
"Is she..."
"She's hungry." Emerald answered as she adjusted how she was holding Jasmine while lifting the left side of her shirt to feed her bundle of joy.
"I'm sorry it came to this." Jaune commented as he moved himself to be standing between Emerald and the now sitting Nora and Ren, his pistol still trained on Ren. "I never wanted to hurt you, either of you. You mean too much to me, but..."
"Jasmine and Emerald mean more." Nora finished his statement. "I can understand that."
"Are you truly happy Jaune?" Ren asked, keeping his hands flat on his lap, in clear view. "I mean really happy?"
"I am." Jaune replied. "I... we made our mistakes, but Jas is the best of both of us, and she deserves a future."
"A future you're willing to kill to protect?" Ren asked.
"You need to understand, Ren. I don't want to, but I will. To protect Em and Jas, I will put down anyone that comes after us."
"What are you going to do now?" Nora asked, trying to lean just enough to see Emerald and her baby.
"Same as we always do when you two or Cinder and Pyrrha get too close. We'll leave, and find somewhere new."
"That's not much of a life." Ren commented. "Always on the run. Is that fair to Jasmine? To Emerald? To you?"
"If I could change it. If I could fix it, I would... but there's fat chance of that happening, isn't there."
"Can I... can I hold her?" Nora tentatively asked. "I won't do anything, I swear, I just... I just feel this need..."
"I don't..."
"It's okay Jaune." Emerald cut him off. "I trust her enough not to hurt Jas. She's not the type."
Emerald stood, up after burping Jasmine, and slowly approached, keeping out of Jaune's line of fire. She loved him, wholly, and she understood is consuming drive and need to keep her and their daughter safe. She had the same compulsion.
"Watch her head." Emerald softly instructed Nora as she lay the precious bundle of joy. Jaune and her little miracle into Nora's arms.
"She's so small." Nora whispered, a sad smile on her face. "She's so small."
"Jaune, put it away." Emerald smiled at him as she crouched next to Nora who was completely enamored with little Jasmine.
Jaune hesitated for a fraction of a moment and then reached up and pushed the pistol back up into his sleeve. Ren heard the click of the mechanism resetting.
"Ren," Nora softly spoke. "We can't keep chasing them. We need to help them."
"Nora?"
"She's so small, and innocent. She shouldn't have to suffer for Jaune and Emerald's mistakes." Nora commented her eyes never leaving the beautiful if but slightly chubby face. "This is a fresh start for them... and us."
"Us?" Ren asked.
"I hate what Pyrrha did. How she used us all. How she broke our trust... but I want to help protect this little one. I want to do that more than chasing Jaune or Emerald." Nora made a kissy face as Emerald smiled. "Everything we're doing is about the future right? Protecting it?"
"I guess." Ren responded.
"Then let's help them. Let's let this little one have the family the Grimm robbed us of..." Nora's eyes started to tear up, emotions she thought long gone washing over her.
"It's okay, Nora." Emerald comforted her one time enemy. "It's okay."
"There might be a way." Ren sighed as he spoke. "Because to be honest I'm tired of chasing you Jaune."
"If it's any consolation, we're tired of being chased by you." Jaune gave his former teammate a soft smile.
"Would you stay in Vale, if we could get you in without anyone knowing? If we could help you get settled? Would you stay?"
Jaune looked to Emerald who was still hovering over Nora, rubbing her back in gentle circles as Nora tried to get control of her emotions. Emerald gave Jaune a smile and a nod.
"I would, if we can be safe. Unmolested?"
"Only Nora and I would know. Not even Ozpin will be any the wiser."
"Tell me why?" Jaune point blank asked.
"I want my family back together, despite the mistakes we've all made." Ren replied. "You're our family Jaune, and we miss you."
"I miss you as well." Jaune responded.
"So, can you really help us? Keep us secret and safe?" Emerald asked as Nora, at Emerald's urging, transferred Jasmine back into her arms.
"We can." Ren replied.
"No," Nora spoke her voice breaking slightly. "We will."
Jaune swallowed hard, and moved forward, his arms spread accepting Nora and Ren into a hug that had been forever in the making. A familial embrace they had all missed.
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tinfoil-jones · 2 days ago
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Gravity Falls: A Few Minutes Won't Hurt
Summary: Alternative Title: Repressed Baptist Seduces Menace to Society. I said I would post the smut chapter in CH.13 of For Your Own Good if that chapter got 10 reviews, and I got those within like 2 hours. Well, I'm an author of my word(s), so here's your NSFW Fiddlestan content. Cross-posted on AO3 Here.
One shot from my other work, "For Your Own Good", but you don't necessarily need to read it first to read this.
Rating: E for language and sexual content. Also this whole thing is just smut with some plot and feelings.
WARNING: TW/ Mentioned past sexual abuse.
Of all the things Fiddleford thought he was willing to do to help his dear friend and colleague Stanford, seducing his identical twin brother to buy time while he fixed the houses power grid was not one of them.
While Stanford didn't ask him to do this specifically, he had asked him to distract Stan just long enough for him to get the power back up. And what else was he to do?
Drugging him was an option, but keeping him here against his will was already morally objectionable, he didn't want to add drugging him against his will (again) too. He had at least some standards here compared to Ford. Plus, Stan had an alarmingly high tolerance to substances anyways. He still shivered in remembrance of the crushed Ambien incident.
Brute force was also an option, but Fiddleford had no weapons on him. Hand-to-hand combat? Fiddleford was a lot stronger than his willowy build would lead others to believe. He grew up on a farm with hogs, and he had the strength to back it up. But Stan was a fighter - not just a fighter, but someone who's lived the past decade having to fight to survive. Fiddleford has personally seen what a rat in a corner can turn into, and he wasn't going to see what happened when the same thing happened with an adult man who was bigger than him. Not to mention, on the way downstairs, Fiddleford saw the man had already grabbed the items Ford had confiscated from him when he was brought in the first time, which included a switchblade and pair of knuckle dusters. It didn’t matter how strong Fiddleford was, when he was completely unarmed and Stan was most definitely not.
Reasoning with him?
There was no reasoning with him - and what could Fiddleford possibly tell him? That he needed to be held captive against his will in some mad scientist's basement in the middle of the woods? Stan couldn't even be convinced Stanford was really his twin and they looked almost exactly the same.
So that left, as Stan so eloquently put it, a 'honey trap'. Stan had been flirting with him relentlessly since they met and Fiddlefort had to bet all of his chips on the chance that Stan was actually attracted to him, and not just doing it to mess with him. Although not a betting man, Fiddleford must have made the right bet because now he was pinned against the wall, chest-to-chest with one wrist being held over his head, and a chapped pair of lips against his own.
Maybe, just maybe, Fiddleford was just looking for an excuse…
Given Stan's initial aggression, Fiddleford had fully expected the vagabond to go all-in on this encounter - with tongue, teeth, groping, and all. Yet, Stan was only kissing him - firm, but not rough, and no tongue. The grip on his wrist wasn't even hard, almost like it was a suggestion or invitation. With the power out, most of the lights in the basement laboratory were also out, but there were just enough autonomously-powered machines down there to keep them out of the pitch dark.
Stan put his remaining hand on Fiddlefords shoulder and lightly pushed it down, exposing more of his neck. He withdrew from the kiss and started instead planting butterfly kisses on the engineer's neck and throat. Just enough pressure to make Fiddleford feel hot under the collar, but not enough to leave marks.
Flustered at this almost romantic treatment, Fiddleford wrapped his free arm around Stan's waist, pulling him closer- close enough to rub their crotches together. Fiddleford had already undone his belt and zipper, leaving his trousers halfway down his thighs with only his briefs covering him, while Stan was still fully dressed save for his hoodie which he'd slid off earlier.
He noted Stan stiffened up for a second, but then relaxed again. Curious. He was so eager about this, and yet he was showing some signs of what seemed to be apprehension. Fiddleford would have to keep an eye on that, he wasn't going to do this if Stan actually didn't want to.
Stan nuzzled his chin and then moved onto trailing kisses along his jaw.
Fiddleford chuckled and turned his head to peck his lips "Stan," he teased with a heavy breath "I didn't realize you were such a gentleman."
Stan didn't respond, instead letting go of Fiddlefords wrist, which quickly moved down to hold the other man's hip.
"May I?" Fiddleford asked, thumbing the hem of his jeans - Stan didn't wear a belt, likely because of his thicker gut. Stan nodded, and took a step back.
Fiddleford turned them around so Stan's back was against the wall instead, and he was in front of him. Licking his lips a bit, Fiddleford undid the button and zipper of Stan's jeans before kneeling down and yanking both his jeans and boxers down to his knees.
A slight, full-body tremour ran through Stan's body and he almost seemed to back up even more against the wall as he was exposed. He wasn't completely hard yet, but his tip had a generous bead of precum already forming.
Fiddleford licked his lips again- usually this wasn't something he did, because his throat was sensitive, but given Stan's other actions so far he doubted he was going to try to face fuck him like so many other guys tended to do.
Fiddleford licked him from base to tip, before eagerly engulfing just the head. He didn't want to start off with too much all at once, he wanted to savour this a little bit. He heard Stan gasp aloud but abruptly stop.
He looked up as he slowly took in more of his length- he was surprised to see Stan had slapped his hand over his mouth, presumably to keep quiet. He was looking down at Fiddleford however, and when their eyes met his face turned an interesting shade of red and his eyes rounded out just slightly, almost like he didn't expect Fiddleford to look at him at all.
Fiddleford took in about half of him - that was enough to ease his throat for a moment, and he could feel the appendage swell and stiffen under his ministrations, giving him a perverted sense of pride.
He felt Stan place a hand on top of his head, and he quickly exhaled through his nose as he mentally prepared himself to be fucked in the throat and his hair to be yanked. Which was always fun, but he preferred taking his time.
However, that isn't what happened. Thick, calloused fingers tangled into his sandy blond locks, but not enough to pull at his scalp, and instead began stroking his hair back. Hesitant at first, before finding a clear rhythm to follow.
It was Fiddlefords turn to blush. All of this gentleness was the exact opposite of what he expected from Stan and he almost felt guilty for even assuming the vagabond would be rough or demanding. Fiddleford shoved his free hand down his briefs and gripped his own member, palming himself best he could in his current position.
Humming, he started to bob his head - slowly at first, but picking up pace after a few tests on his throat. He internally pouted that the only response he was receiving was well-muffled noises he had to strain to hear.
Fiddleford pulled his mouth off of Stan's dick, leaving an obscene string of saliva between himself and the weeping tip. "Stan," he said, looking up at the other man, who seemed confused, "I want to hear you." When a look of uncertainty crossed the vagabond's eyes, he added "There isn't anyone down here besides you and me, and the cameras don’t work right now, it's okay."
Stan slowly removed his hand from covering his mouth, and Fiddleford flashed him a small approving smile before quickly swallowing down most of his length in one movement.
"Fuck-!" Stan gasped, his tone so surprised and lewd it made it worth Fiddlefords now stimulated gag reflex. Fiddleford felt himself harden up even more and he jerked himself with even more vigor.
It'd be a good time now to switch to the main act, but it sure would be a shame if he didn't get a taste... especially with that deep, pretty moaning egging him on like this.
Though his hand movements stayed light and affectionate, Stan began to shake and stutter "-F, g-gonna-... I-Im close."
Fiddleford used the hand on Stan's hip to press him against the wall as far as he could, while taking his entire member, gag reflex be damned. Stan practically cried out as he cummed, and Fiddleford swallowed it all eagerly even if he had to cough a bit because of his now angry throat. It took a few strokes for Fiddleford to follow him in release, and his hand was cramping because he hadn't pulled himself out of his underwear to do so but he couldn't force himself to care about that right now.
Fiddleford slowly pulled off, feeling Stan's fingers continue to stroke his hair, albeit a bit clumsily with the aftershocks still wracking his body. "Y-You're pretty good at that, stretch." The brunet chuckled breathily, and Fiddleford felt his own face go hot "What else are you good at?"
Swiftly wiping his mouth with his lab coat sleeve, Fiddleford stood up again and cupped Stan's cheek with his hand, lightly rubbing his jaw with his thumb, which Stan leaned into almost unconsciously, his pupils dilating even further.
Fiddleford brought his face close to Stan's, close enough to feel each other's heavy breaths. "You're just the sweetest thing - like a summer peach. How about I show what else I can do?"  He offered, boldly moving his hand from Stan's hip down to his ass.
Stan breathed out a small laugh "Think you could handle me?"
"Only if you want me to."
Stan relaxed a bit more at that "All yours, specs... You got a condom?"
"Yes-" Fiddleford hastily felt around his jeans for his wallet, and after fumbling a moment Stan got a thoughtful look in his eye before reaching down to his own discarded jeans and sheepishly handing the engineer the wallet. "You stole my wallet while I was-"
"Force of habit. Sorry." Stan apologized, though Fiddleford doubted this would hinder him from doing it again in the future.
Rolling his eyes, Fiddleford rifled through it for a condom, which he quickly produced "Do you have lube?" He asked thoughtfully, though he doubted it. He personally wasn't against using spit but he knew it wasn't that effective.
"Don't need it." Stan answered a bit too quickly. When Fiddleford gave him a curious look, he added "I had some fun in the bathroom while you guys were gone."
"Is that all you do when you're left to your devices?" Fiddleford teased, even as felt his lower regions twitch back to life at the implication. "I must say I'm almost intimidated to be entertaining someone so... voracious."
"Did you eat a dictionary for breakfast this morning, specs?" Stan teased back, rolling his eyes "I don't exactly have a lot of stuff I can do down here… bathroom’s the only private place."
Fiddleford leaned his head against Stan's shoulder and gave himself a few tugs to harden up again- just enough to properly apply the condom. Through the contact he could feel and hear the other man's breath hitch, and his heart rate increasing further. But he also started to... shiver? Just a little, subtle enough Fiddleford wouldn't have been able to see it, but enough he could feel it while being so physically close.
"Wait." Stan said as he abruptly put his hands on Fiddlefords shoulders just as Fiddleford finished applying the condom, not to push him away, just to get his attention. Fiddleford glanced back up at him to see his eyebrows knitted together in concern.
"What's wrong darlin?" He asked.
"Nothings 'wrong'," Stan insisted, but paused "you... You're nice, right? You'll be nice?"
"Nice...?" Fiddleford blinked in confusion.
"You're not going to try to fuck me so hard I'll bleed?" Stan clarified, and there was a grim edge to his tone, like asking Fiddleford to not hurt him was an exception and not a rule "You'll... stop if I asked you to?" There was hesitation when he asked, as if he was overstepping and asking for a favour.
Fiddlefords eyes widened "Of course- Stan of course I would stop if you wanted to stop! Why would you think..." He trailed off when Stan's eyes almost seemed to dull, and grew a bit shiny, a hint of tears.
"I was in prison, Fiddleford." He explained, slowly, strained, "The guys there aren't like you... they don't ask. They're not nice."
"..." In spite of the compromising position and state of undress they were in, Fiddleford straightened up and pulled Stan into a tight hug, which surprised Stan but he didn't push him away "Oh Stan," he said, kissing his cheek lightly "I'm so sorry. You didn't deserve that. No one deserves that."
Breath slightly shaky, Stan didn’t return the embrace, but hid his face against Fiddlefords hair. Considering Stan’s tendency to talk about his various trauma as if it were a joke ir a point of pride, this must have been the first true moment of vulnerability the vagabond had allowed himself in who knows how long. At least, the first one that Fiddleford had seen himself.
"We don't have to do this, we can stop here." Fiddleford assured him, but Stan shook his head.
"I want to- I want you. I like you a lot. I just... I don't want it to be like the other times..."
Fiddleford nodded and pecked his cheek again. "Okay... I'm going to pick you up and we can do this against the wall, is that alright with you?"
Stan quirked a brow "I'm fine with that position, but are you sure? I'm not light." True, not only was Fiddleford considerably thinner, but despite one of Stan's nicknames for him being ‘stretch’, he was also a touch shorter than both of the Stan twins.
“Saddle up, city boy.” Fiddleford said with a wink, before abruptly grabbing Stan by the hips and lifting him straight off of his feet, balancing him between the leaning forward of his own hips and the wall.
“Woah- ah.” Stan briefly gasped in surprise before quickly throwing his arms over Fiddlefords neck, and his legs around his hips, clinging for what he perceived to be dear life. But Fiddleford didn’t seem to struggle holding him up at all, as though he were as light as a feather. “I-if you fucking drop me…”
“I won’t, don’t you worry none.” Fiddleford assured. When he was sure Stan was holding onto him tightly enough, and leaned forward so he could have him more properly pinned between himself and a wall, he let go of him with one hand - pausing to make sure Stan wasn’t unbalanced - and reached down to grasp onto his own cock. He was still a bit sensitive and flaccid from his recent orgasm, but that was going to change very soon. “Are you ready? This might sting a little.”
Stan just nodded, still keeping his arms over Fiddlefords neck but leaning back slightly, trying to keep his body as slack as possible, allowing the engineer to slip inside of him with little resistance, though Stan did still hiss slightly through his teeth.
“Lord have- mphh.” Fiddleford moaned as he pushed up, pulling Stan down enough to where he could be fully hilted. He felt very soft inside- and so, so warm. He could tell from the few times they’d physically interacted before this that Stan ran a bit hot, but nothing like this. It was enough to make his head dizzy, enough for a rare swear word to slip out of him “Fuck, you feel good.”
“You too.” Stan muttered next to his ear, before burying his face into Fiddlefords neck. For a moment they both just stayed like that so Stan could adjust to the intrusion properly. After a few moments, Fiddleford rolled his hips upward, softly, experimentally, and when Stan gave him a slight hum of approval, he continued to do so with more vigor.
Gravity did most of the work for him, he could push Stan upward as softly as he wanted but he always came down much harder and that was the friction that was driving the engineer insane. It didn’t take long for Fiddleford to start snapping his hips up in tandem with the other man coming down on him. He would have started pulling him down if he didn’t remember Stan’s anxiety about being treated rough.
Stan shifted his arms from over Fiddlefords neck so he could cup his face with his hands- his eyes were still as impish as ever, but they were hazed over, Fiddleford could only register that fog as lust before Stan pulled his face in so they could kiss again. Fiddleford fluttered his eyes closed and breathed heavily through his nose as he daringly introduced tongue- something which Stan allowed this time around.
As sweet as Stan;s more romantic inclinations were, Fiddleford was honestly very pent up. Yes, he’ll admit privately to himself at this moment - might as well, he was balls deep in the other man - that yes, he had been using the honey trap as an excuse. Stan had been so relentless with his attention and flirting that it’d been increasingly difficult to not feel a certain way about it in these past weeks.
Stan was crude and used dark humour to cover his multitude of trauma’s, and he made it no secret he was an unabashed scoundrel who would jump right back into criminal mischief the minute he could. And his uncanny resemblance to Stanford had made Fiddleford a bit uneasy at first - how could he possibly be attracted to someone who looked exactly like his best friend? What did that say about Fiddleford? And there was the most glaring issue of Fiddleford being an accomplice to Stanford holding Stan prisoner against his will.
Wanting to have sex with your best friends identical twin? That was bad enough. Wanting to have sex with someone you were holding captive in a basement in the middle of the woods? That was just immoral, unethical, and illegal. 
Those issues didn’t go away, per se, with this encounter. But there wasn’t anything Fiddleford could do to physically keep Stan from tossing him aside like a tumbleweed and just leaving, so Stan had only agreed to a quickie because he wanted to. If that really wasn’t the case, Fiddleford didn’t think he could forgive himself.
But it was really difficult for the sinner to hate the sin when said sin was this tight and hot around his dick, stimulating the nerves in his groin so much that shocks of pleasure shot up and clouded any thoughts Fiddleford had involving logic and ethics.
“Hey, you.” A flick against his temple brought him back out of his head, he could see that Stan had separated from the kiss and they were just panting each others hot breaths again “Pay attention to me, won’t cha?”
When all Fiddleford could do was nod dumbly and snap his hips up and not respond with actual words because absolutely no blood was going to his brain, Stan let out a shaky laugh - pretty close to a yelp given its timing with a particularly steep thrust - before grabbing his shoulders and pushing at them slightly to get his attention.
“Y-You’re pretty tightly wound, huh? Lemme do some of the work here.” Stan offered, and motioned behind both of them “Sit in that chair and I’ll ride you.” Fiddleford nodded and made sure he had a tight grip over him before walking a few feet backwards - Stan was not a fan of this - until he was seated in the chair.
“You coulda just put me down…” Stan huffed, although this didn’t deter him from scooting up a bit before sinking back down, letting out a pleased sigh as he took in all of Fiddleford, and pausing. Fiddleford gripped Stan’s hips with both of his hands, tempted to start moving him himself but deciding to instead watch what the other man would do. 
Stan at first grinded his hips down in a small, circular motion, before beginning to lift himself up, and then dropping back down while tightening around him, making them both moan in unison. Keeping one hand on Fiddlefords shoulder, he moved his other hand down to stroke himself in tandem with his movements.
“Was this- hhah- what you were thinkin’ bout earlier?” Fiddleford began, voice straining to stay even “When you were diddlin yourself?”
Stan paused abruptly and really seemed to consider stopping entirely before continuing his current movements, jolting slightly in pleasure when Fiddleford thrusted upward into him just as he was moving down “Th-that country accent is cute and all, but if you say that word again I’m out.” He chided gruffly, still actively palming his wet and swollen member.
“Not answering my question, darlin.” Fiddleford teased a bit, though he knew he was pushing his luck against Stan’s patience, so he didn’t tease any further when Stan didn’t answer. Maybe after the fact.
Pressure built up in his lower abdomen, good pressure, and Fiddleford felt like a knot being pulled as taut as possible, about to snap-
“Oh f-fuck I’m gonna fucking cum.” Stan practically whined out, unknowingly voicing his partners thoughts. His movements on Fiddleford became uneven and frantic and as did his hand around his dick, his eyes rounding out but his pupils constricting as he became wholly focused on reaching that peak. Tightening his non dominant hand on Stan’s hip. Fiddleford reached over with his other hand to replace Stan’s, taking over his rough jerking with a firm but more delicate touch, much easier with all of the precum he was leaking out.
“Loooord, Stan-. L-like that, just like that-.” Fiddleford rambled, his entire body and especially his face burning “You’re doin so good- you feel so good, I don’t wanna stop-.” If he weren’t so busy pitching woo, Fiddleford might have noted how strange it was that Stan had dug his hands into his hoodie pockets and taking them out just as quickly, but it was so quick he might not have noticed anyways. 
Fiddleford was the first to cum this time, the feeling of the engineer tightening his grip over his length as impulsively roll his hips for friction to ride out his orgasm, it sent Stan down the same cascade of release, Fiddleford coming with almost a shout and Stan with a moan similar to a deep sigh.
Fiddleford hadn’t even started coming down from the high of peaking before Stan abruptly shoved his mouth against him, while also grabbing his wrists and pinning them down on the armrests on either side of the chair. The roughness surprised Fiddleford, but maybe this is just how Stan got right before the afterglow? Regardless, Fiddleford wasn’t complaining, he simply fluttered his eyelids closed and returned the kiss; despite the aggressive entrance, the kiss itself was as gentle and almost chaste as the ones they’d started with. 
Riiip
"Uh-? Huh?” Fiddleford broke away from the kiss at the strange, sharp sound he heard to his left; he looked over to his left to see that his hand on that side was now zip-tied to the armrest, before he could react properly he heard the same ripping sound as before and looked over bewildered to see Stan had just finished securing another ziptie on his other wrist, rending Fiddleford stuck to the chair and unable to free either of his wrists.
“I’m really sorry about this.” Stan muttered as he pulled off of him; he kneeled down to reach over to tuck Fiddleford’s now flaccid cock back into his pants, and quickly re-doing his fly and belt for him. Once he finished with that, he walked over to his own discarded pair of boxers and jeans and yanked them both back onto himself.
“Wait.” Fiddleford almost stammered “Did you just-? Why?”
“I gotta say, I didn’t think you had it in you specs.” Stan said as he dressed himself again, and in spite of what they’d just been doing less than a minute before, Fiddleford felt himself flush. “You’re more devious than I thought you were. Unfortunately, you weren’t going to out-scheme me.” With the nearby sink, Stan quickly washed his hands and wetted some paper towels, and briskly walked back to wipe up the cum he’d practically sprayed onto Fiddlefords chest. 
 “Did you plan this?”
“I probably woulda fought you if you tried stopping me in other ways.” Stan admitted “But I told ya, honey traps are one of the oldest tricks in the book. A reverse honey trap? People don't see that one coming, not even smart ones like you.”
Fiddleford huffed to himself - on one hand, he did feel some humiliation for his own plan backfiring against him; on the other hand, it was Stan's cleverness and gile that had endeared him to the vagabond in the first place. “So what was that to you, then?”
Stan was still kneeling in front of him, pausing right after he tossed the dirty paper towels into the nearby wastebasket. For his part, he did look conflicted. “I meant what I said earlier, Fiddleford.” He told him, standing up just enough to lean over and kiss his cheek “I like you a lot. And I had a great time with you just now. But I didn’t break out of five prisons just to rot in some mad scientist's basement, no matter how hot his assistant is.”
Fiddleford felt his heart skip a beat. The whole time Stan had been down here, he went out of his way to not use his or Stanford’s names, he went out of his way to exclusively refer to them by nicknames. But one particular behavioral quirk Fiddleford noticed in Stan was that he did know their names, but he would only use them if he was being sincere. Given his unscrupulous disposition, that wasn’t often. 
“I like you too, Stan. I’m not saying that to trick you or keep you here.” Fiddleford replied, Stan nodded and briefly pecked his temple before standing fully upright and taking a few steps back.
“I wish we coulda met some other way, but I’m glad I did meet you. In the future, if you ever make friends who aren’t insane, and I’m not dead in a ditch somewhere, we should meet up again. If you want to.” Stan turned heel and started his way up the stairs and out of the basement.
Fiddleford didn’t have a response; what could he possibly say? He’d played a game and lost because he underestimated the other player. 
He waited for Stan to be out of earshot, before muttering out loud to himself. “Standord owes me after this… He owes me big time.”
Just as he finished that sentiment, all of the lights flickered on, and many machines whirred back to life. The power was restored.
The End… Go Home.
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coffeegnomee · 9 hours ago
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its not that deep but i really really hate orbitals and claymores and arrow cannons. can we have original idea and not the redstone machine i saw people use last season.
though i do like the on brand theme this time
ok i actually have a lot of thoughts about this. bc like, zam is doing the void traps again this season right? but last time the void had a whole mystique and lore and presentation that made them the super villains that they were.
the void was hungry. the void was consuming the world. they were doing permanent damage to the server.
Those are all very specific quirks of the Abyss arc that made it not just "we made void traps" so when we make void traps s6 it's not the same. s6 void traps are a desperate play to kill minecrafts strongest player who refuses to just fight uneven fights so you need a trap to kill him. The claymore was Fine for that, whatever, but even then it's such an instant kill that there's (imo) no way that would actually be satisfying and there's no way mane would accept that (idk its just predictive negativity i know)
But like s5 original arrow cannon was awesome. It was fnaf birthday party hosted by squiddo. It was classy and silly and absurd and when they all lined up for cake they all died instantly. 10/10 funny trap.
But then using it to ban the server and only getting bacon was also dumb, as was the claymore bc it was nothing more than just the arrows. Nothing unique.
Blowing up builds over and over with just tnt and nothing else is boring.
Using an orbital to demand 50 hearts completely out of left field is boring.
Becoming the Joker and doing psychological warfare on top of it and using withers and making people decide builds and doing moral dilemmas is cool.
Becoming medusa to destroy the spawn builds and crafting a long undercover detective story for the server to solve is cool.
It's all in the presentation.
They haven't brainstormed the super villain side of their plots and its showing. They're just villains. nothing super about them.
----
hoping the star wars theming will give them inspiration to do something actually interesting with the orbital's presentation but i'm not holding my breath.
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ballpitwitch · 1 year ago
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KEANU REEVES in 1999
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omarfor-orchestra · 2 months ago
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icewindandboringhorror · 2 months ago
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Various recent pictures of things
#or.. recent ISH.. this was still a few months ago lol#photo diary#EEEee... it's like over 45 minutes away from where I live but I finally found an arcade to go to that's not like entirely in the city and#is less busy. I went like the second they opened at 11:55am on a tuesday while school was still in. So there was basically no other people#there aside from like 5 staff. + wearing high quality KN95 mask and limiting my time there to under 1hr..#Also this was before the current summer covid surge happening since June in the US. so... I got to do One Single safe activity for once lol#skee ball my beloved.....#I actually don't like a lot of arcade games so I basically just spent 70% of the time doing skeeball ghjbjh#But I did weirdly like that pearl themed machine.. even though its one of those foolish games where you just drop items#and hope that they build up enough to let coins fall. like very boring not skill based or etc. But the Aesthetics of it.. I was drawn#to.. I wanted to crack the glass open and harvest the smooth white orbs from inside.. it would have been even cooler if they were#actually pearlescent in some way. but the round bubbly design and the blue and white water and shell theme entranced me#I love air hockey also but this machine was really flat and weird. like not enough air was pumping and the puck was very cheap and flimsy#An afterschool daycare place I went to once as a child had an air hockey machine that they would allow kids limited use to sometimes#and the air was always BLASTING up from the table so much that you could lay on it and it was like being hit by a slight breeze. and the#puck was very hefty and more of a satisfying clunk when you shot it around. I mastered skee ball with two arms#where I would load up a game on two machines right next to each other and throw one ball with my left hand to the left machine and one#with my right to the other and still got an okay ish score on both lol. But I do forget arcades can be very sensory overwhelming like#bright lights and noises and stuff.. walking past every blinking machine chirping at me like SHUT UP I'm trying to get to SKEE BALL#leave me ALONNEE. ghjhb... ANYWAY.. other stuff.. some images of clouds as usual.. a quaint little breakfaste#of eggs. pickled onions. grapes strawberries. and some turkey bacon. Also ofcourse Cat In Weird Position image.#he's always sitting with his legs stretched out funny#I kind of hate arcades on principle since much is a waste of money and time and many games are rigged (especially claw games) where#theres like some Illusion of Skill but so much of it is just random. I simply do not have the patience for that sort of thing. And usually#all the stuff you can win is bad anyway. BUT I also love active games.. if there was a place where I could JUST play skee ball. ddr.#air hockey. and like games where you have to aim at stuff (shooting games. wack a mole. etc.) then I would go there instead.#Active Games Only arcade. It bothers me sometimes to have to walk past all the scammy games to get to the decent ones lol..#Begone.. Out of my site at once... wretched claw machines.. and those things where you try and stop a light or whatever
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shirogane-oushirou · 3 months ago
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meowdy... <3
#i'm so close to caught up on everyone's lovely art and fics ;_; hghghgh and if you've sent an ask i'll answer it soon!!#[to the one person who knows who she is: KJSNKJN. KJSNDKJNDKJ. AAAAAA???? (positive)]#i've been very avoidant lately of online spaces ;; pt has been hard on my wrists so i haven't been able to work much on my plushie#and typing has been just as hard -- if it isn't the pain it's the inflamed nerves wrecking my hand-eye coordination#so i think i'm pressing keys when i'm not or i'm pressing all of the wrong keys. so it takes me twice as long to type anything ;;#i'm hoping we're building a good rapport tho and finding an equilibrium between Not Pushing Enough#and TOO MUCH TOO MUCH OW OW OW (week-long whole-arm nerve pain) kjsnfkjn so. i hope that means i'll be able to type regularly again soon!!!#we're just in the learning phase of both of us figuring out what my nerves can handle without exploding lmao. turns out: not much!!#i really want to talk to people again rghhhh i miss everyone sm!!! i keep being like 'wow i'm so lonely i wonder why that is'#<- has been disconnected from friends for many weeks#i WAS finally able to finish ren's face tho! very slowly! and i'm close to done w the body embroidery!!!#excited to have that done. not excited to start hand sewing. wish i had a working sewing machine even if i could only sit at it#for a few minutes at a time sjdfnskjn life could be a dream...#HENNYWAISE. hopefully i will soon have my carpal tunnel and pinched nerves reined in. my mars anniv is tomorrow#and i don't have anything to show for it bc of my wrists so. blows a kiss into the sky for her <3 my beloved oc-ified oushirou KJNSDKJN#i'm rambling and dont want to edit things bc pain from today's appointment ok i love u byebye 👋🏻👋🏻👋🏻👋🏻👋🏻#📌 [ my posts. ]#💭 [ my thoughts. ]#vent -#<- just in case
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kingdomoftyto · 9 months ago
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"Carlos, if you could just pause your experiment for a second--if you could only hear me out, hear my hypothesis! I think once you understand the science of the situation, you--" Carlos opened the door. He was crying. She had never seen him cry. He was overwhelmed and unsure of how to express his emotions, since he usually only did so in carefully worded sentences, not with water from his body. "The science of the situation?" he snarled. "That Otherworld. I was trapped there, Nilanjana. I couldn't see Cecil for ten lonely years. I was kept away from the people I love, in that desolate place where you never get hungry and you never have to drink water and so you never live. It is a place that devours. It is a place that is empty. That is the science of the situation, and I study it so I can fix it. Only I can do that. Only these experiments can do that. I'm sorry, Nilanjana; I'm not going to stop so you can tell me what science is."
🫠
#Tyto listens to WtNV#spoiler warning I guess for a book that came out a few years ago now#anyway yeah hi I finished the book#the resolutions to the plot and to Nils' character arc were pretty good. nothing to write home about but fun and serviceable#I personally get annoyed whenever a story pulls a ''you thought this romance would end with these two TOGETHER? lol NOPE''#like we get it it's more realistic for whirlwind romances to end in a breakup and sometimes it's better for people to just stay friends#but firstly this isn't real life; it's fiction. with narrative devices and such.#and secondly WtNV of all media does NOT get to preach about realistic relationship trajectories when its lead fell in love at first sight#lmao I'm just saying. I'm not MAD about it or anything it just made me roll my eyes.#ANYWAY. that aside: it was good. and I do genuinely like the friendship Nilanjana builds up with Darrell at the end#but obviously the real star of the show was Carlos and the completely unprecedented character depth that they smothered him in.#not ONLY recontextualizing over a year's worth of the podcast but ALSO saddling him with LAYERS of guilt over the events in this book#he *KILLED* the *GODDAMN* *CENTIPEDE*#after his beautiful little speech about not killing things just because we don't understand them!#he was just SO traumatized by his time in the Otherworld and SO afraid for his family after Janice nearly got Got that he KILLED IT!!!#and THEN!!!! not only do they find out that the centipede wasn't responsible for the destruction!!#but it turns out it was HIS OWN MACHINE THE WHOLE TIME!!!!!!!!!!!!!!!!!#his attempts to keep everyone safe were what actually caused the danger!!!! AUGH HE WAS ONLY TRYING TO HELP#HE'S JUST SCARED AND HE WANTS EVERYONE TO BE SAFE AND NOT EXPERIENCE THE SAME HORRORS HE DID AUGHDUSHGHDH#...anyway yeah back to my regularly scheduled episode listening tomorrow
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rimouskis · 1 year ago
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I need more ways to incorporate discipline in my life. a lot of random factors mean very little is demanded of me in a variety of ways, and my historic lack of self-discipline evidently means I can't be relied upon
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united-under-skyfall · 1 year ago
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#i think one thing i really didn't prepare for w overnights is just how fucking lonely it is. like yeah 80% of the reason i took it was to#get away from customers but like. it worked. and the night shift team is v v small. there's only 4 of us and we've never been scheduled all#at once yet. and usually we're running around on completely opposite ends of the building going long periods of time without#radioing each other. and then i come home all amped up and the rest of my house is still asleep. and then when they wake up#it's just to get ready and go and we don't really have time to talk. and by the time they get back i'm sleeping#and it's my first night off and i can't fuck up my whole schedule i worked so hard to switch over to w them flipping me all over the place#so now i'm just like. sitting in the half light trying not to wake anybody up not doing anything. the only places near us open are#gas stations and i can't exactly loiter there and what would i do even if i could. and it's too cold to go for a walk or to the park#or something. and i feel like i haven't talked to another human being about something that wasn't related to work in years#and it's only been a week.#and we can listen to music or podcasts or something but our carts and machines are so loud you miss half of it. and we can't hold#super long conversations when we ARE in the same room for the same reasons. plus we all want to die so none of us feel like talking.#and just. im tired and lonely and want to sleep and im already regretting this but i'd feel bad for backing out now when they have so#few options and i volunteered for it in the first place#and then there's also like. even just doing my usual solitary thing at home feels so much more isolated bc there's not the noises#of other people existing nearby. the nearest signs of life are some coughing and then a car on the other side of the block#just. what am i even doing here.#tag ramble
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tyrannosaurus-trainwreck · 2 years ago
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Can’t wait to lie to my coworkers on Monday like this Thanksgiving didn’t deal so much unexpected psychic damage that I spent the next two days writing 750 words of life advice begging the internet not to make the same mistakes as my Lovecraftian-curse-laboring family and 5,500 words of sapphic fanfic for a movie I’ve never seen because it doesn’t fucking exist.
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sunnywalnut · 3 months ago
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No but I'm still looking for the Denny's that is still in the middle of nowhere
having cis guy friends is so funny like youll ask if they wanna hang out and theyll send you to the dark woods
#no joke#my brother. fresh out of the house. 19#years old. rolls up to our house right after midnight with a car full of teenagers. tells me and my little sister to get in.#obviously we're asking questions. where are we going. how long are we going to be gone. what are we doing. why are all these people in here.#and a big ol barn that quite literally looks like it's from a Scooby Doo snapshot. it's falling apart#the whole shebang#he answers NONE of them.#so we get in the back seat. I'm being gay with my friend at the time. and we're chilling listening to tunes on the radio.#except now they're talking about a Denny's. i look to the front seat where my brother is driving and he pulls up pictures on his phone#of the inside of somebody's. house. What?#and if that wasn't weird enough. we had already driven 20 minutes off a sideroad into the middle of nowhere. nothing but grass#and a big ol barn/farmhouse that looks like it came straight out of a Scooby Doo snapshot. it's dark as hell out. the lone building appearin#blue in the dark. with a single orange lantern lit hanging from the top. i look to my brother who has never lead me astray before.#and I feel like i am part of Scooby Doo. five teenagers in a car. in the middle of the night. wondering where the hell Denny's went.#now finally my brother has some wits to him. and we take a tight u turn and turn ourselves around. good. shows over right? WRONG.#this bitch pulls up YET ANOTHER place on his phone and starts driving 15 MINUTES UP ONTO A DIRT ROAD AND KEEPS DRIVING.#we're going to a haunted bridge boys!#in the middle of the night! at like 3am! the witching hour! great plan broski. sounds awesome. good thinking there.#we get to this haunted bridge. and this mf is barely 5ft across. but the water below is dark and murky and my lil sis INSISTS she sees a#dude down below. so I'm silently freaking out because what the hell do i say to that. she's like. 13. i tell her it'll be okay. because#that's what big/middle bros do. we drive over the bridge. nothing happens. cue relaxation. my brother is audibly disappointed#“well that was useless” bro you almost took us to Denny's in some cannibalistic farmdudes basement. i think I'll take the barely haunted#bridge. my brother. who still wants to show us an adventure. and probably save face in front of his friends. flips us around yet again and#starts heading off into a whole NEW direction. towards the World's Largest Gas Station!#it is like 4am by now. we're hungry. we're cramping. losing our marbles with exhaustion. and still processing our latest episode with the#Mystery Machine. so fine. I'm taking a nap. just don't get us killed in the long run.#we survived. btw. if that wasn't obvious. and we did actually make it to The World's Biggest Gas Station. and it was pretty fun.#as far as gas stations go at least. i got some honey sticks and a lollipop in the shape of a bear. i don't really like honey. but it wascute#there were walls FILLED with stuffed animals.a whole clothing department. a candy shop. and even a full fledged restaurant on the other side#i think there were even two levels to it? i can't remember. but anyways. we eat. we leave. we survive. end of story.
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sailoragere · 24 days ago
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In terror but bold
(I wrote this approximately year ago but I'm reposting it here)
I re-emerge a little braver as the, (presumable), pioneer of this headcanon. As a life-long age regressor myself from trauma, I’ve held onto this interpretation of Minako being an age regressor for similar reasons for many years, fearful and possessive of others (notably “those communities”), stealing and tainting an idea so precious to me.
This can apply to canon AND/or within AU (the latter IS where this began, after all), but let’s try to narrow the scope to canon for just this once. Keep in mind this is 90s anime focused. Also, although I don’t closely follow the manga or Crystal/Eternal/Cosmos, I’m open to hearing how Minako being an age regressor could work into other iterations!)
You may leave comments and reach out to me, but reblogging will be disabled. Just like last time, not brave enough. Yet? Maybe someday…
EDIT: I will allow reblogs after all. But be warned
I honestly would cry and thr*w up whether I attract positive OR negative attention with this ridiculous balls-deep epic of mine. Just please I'm begging of you, don't even interact if you're nasty. I am very against those labels and what they encompass and will not hesitate to block you.
Inevitably, this will reach essay length and be comprised of infodumping to an extent. I’m autistic, I headcanon Minako and Usagi being AUDHD, and Sailor Moon is my SI,so yeah—I’ll try my best to highlight the key points and not make it too TL;DR. Prepare yourself, because this will be a lot. Both literally and emotionally a lot.
Contains spoilers; for those who wish to avoid those!
TW (Trigger Warning): for mentions, descriptions of self harm, talk about agere negativity, people/communities who fetishize regression, considerably heavy topics, harsh realities/canon (for real, coming back to this, I realized it's kinda brutal oops), some swearing.
Yeah uh. I wouldn't read this at all while regressed.
🌟🧡🧸(Alt text: separator emojis of a shining star, an orange heart, and a teddy bear)
Consider, Minako who learns she experiences age regression.
She gets to the point of playing the body double part of the princess so flawlessly, she can’t so easily find in herself where “the princess” ends and where “Minako” comes back in anymore.
Does this whole thing start during Classic? Oh, I’m thinking it could very well have. While Minako stayed often guarded around the others, and in a leadership mindset throughout, there were little moments between she and Usagi wherein they felt on the same level. That could be attributed to Mina already trusting and openly loving her long lost princess, not really caring how she’s perceived by Usagi as much as Rei, Ami, and Mako. She wants to make a lasting impressive, well, impression.
Regarding mimicking Usagi and playing into regressing, it couldn’t have been strong, frequent or apparent enough yet in Classic for anyone of them to notice. Not even Minako.
Ever so slowly fitting her piece into the friendship puzzle. Spending much more time together in a group, attending the hanami picnic, joining in the Snow White play, eventual integration into their strategy meetings at the Shrine… until about halfway through R that Minako opens up even more to the rest of the girls. Including giving it her all to step up and help them while they were sick, despite mostly failing and inadvertently torturing her friends…
But, S season and beyond is where she seems to shine and embrace her true self without much inhibition. The third season was also the point in the show when Mina’s onscreen “twinning” with Usagi noticeably increased.
I mean, Minako literally disguised herself as part of a plan. And it worked. She almost blew it by running her mouth, (in an Usagi-like fashion to boot), but it worked.
Therefore, I’d most likely place the scenario of her regression and increased “twinning” occurring anywhere between S and the end of Sailor Stars.
Suppose the real deal begins as an in-group joke that keeps going on right after she disguised herself. It’s funny at first. Mina puts her hair again in that wonky version of Usagi’s odango to humor everyone and herself.
“Oh, we do look so similar!”
“Could they actually be twins?”
The other three all pretend to mistake one blonde for the other, at times, poking fun at both Usagi and her. Minako could’ve been the princess, see? She can play the part AND protect Usagi!
Then all of a sudden, Ami is helping Minako more with studying and generally communicating more. Calling and checking up on her unprompted, comforting her. Those two are said to have the weakest friendship in the group, so it’s surprising and unsettling at first coming from Ami.
Makoto is more lenient and gives in to Minako’s abnormally childish chaos. She stops inviting her out to shop and spar together, instead waking first thing to walk with her to school, much to Mina's confusion. Making and bringing her her favorite food and sweets. Mako makes a beeline to protect and stand over her shoulder just a little more.
Rei on the other hand, is beginning to talk down to, criticize and spark silly arguments with Minako, just like she does with Usagi. She is now finding herself attached to Minako and Usagi’s shenanigans to an almost equal degree.
If it takes place after SuperS, the outers could very well be doing similar things. Would they be patronizing about it though? I haven’t watched up to that point in the anime yet, and don’t have as good understanding of their characters as the inners. So I’ll leave that part up to outside interpretation for right now.
Mars and Jupiter are alike in battle, rather than meeting Venus on the same playing field or following her leader command, they’re calling the shots. Tuxedo Mask shields her in his cape, treating her like a sister. (Earth and Venus joke lol we'll get to that in length another time), Chibi-Usa scrutinizes, plays, and fights with her, but is right by Venus’s side during an enemy fight. Just like a miniature Rei.
Initially, Usagi super minds all this, gets defensive and prickly as usual when being teased in that manner by her friends and also feeling kinda ignored, replaced even. So can Minako please not dress or act like her anymore? Please take out the buns, Minako. But knowing Usagi, at the same time, she’s probably the very first one to find Mina’s act concerning and worry about her.
To Minako, it feels all part of the ongoing joke at first. From just laughing it off, to the hand waving, weak protesting insisting they give it up.
The more she puts on the “Princess” act, play-squabbling with Rei over the littlest things (can’t really tell whether Rei’s serious or playing too), merciless begging for tutoring from Ami, climbing all over Mako, making her be her chariot when she’s the slightest bit tired, fake pouting and crying at the drop of a hat, feigning further clumsiness, snacking and lazing about, skipping school and training. Minako being content with Usagi peddling the bike every next time.
It becomes harder for her to abstain from body doubling. That almost familiar naivety becomes some sort of a comfort and a habit, like breaking something and always having someone bigger and stronger sweep the glass away. Out of sight, out of mind. Playing ‘the delicate flower’, the most precious lovable fabled savior of the universe, being treated and seen as a twin, she falls head over heels for this extra attention and later takes full advantage of it.
After a few weeks, this “joke” Minako created still hasn’t fizzled out for anyone. It seems to get dig deeper and deeper in her head, and their continued treatment of her isn't making anything easier. The longer this act goes on, the more it grates down on her deep seeded insecurities. She grows anxious and desperate.
Could it be that everyone caught on as well and has been acting out of concern the entire time?
If Usagi figures her out, however soon she does, does she alert the others?
Or are they all in on some indirect intervention to get Minako to realize what she’s been doing is foolish and she should just be herself again?
Would the others adore a Venusian princess just as much as one of the moon?
Would everyone love and protect her just the same?
But if they knew the truth, would they turn on her? A traitor to the end?
Now she's kinda spiraling out of control. Minako playing it up even harder in order to figure out the answers. Her original intent for disguising herself in the first place completely out the window. Out of mind, out of sight. She forfeits her volleyball and other athletic skills in favor of incompetent clumsiness. Continues to unintentionally demean Usagi’s feelings instead of encourage them, through her exaggerated immature behavior.
Mina is such a bad girl, she big time fucked up. And now she's shitting all over herself, in addition. Gets in the way and jumps in front of enemy attacks towards her comrades. Venus meets commands rather than giving them, getting bloodied and bruised without a care. Beaming around broken teeth like an ignorant. Committing to this terrible habit of escapism and self harm as a punishment for stepping out of line of duty.
No longer good enough to be the leader. She must be.
What starts out as her leaderly determination to divert the enemy’s attention towards her and protect the princess, ends selfishly on her part. Her resentment grows to cause her to be so fed up with playing the irrationally likable, childish and cute persona. Worrying everybody at this point, including Luna and Artemis, they finally corner her. Artemis will without a doubt be the one to push her over the edge with an insensitive comment that snubs. Being called out and yanked back to reality by your only caring guardian and cat has to sting.
Her mask crackling, she pops like those clay popping videos. She's beyond angry, she's cartoon-style steaming and red-faced while crying, shouting "No," and bellowing-just like when Spongebob got to the breaking point of his cousin Stanley getting throwing him under the bus and breaking his comfort object, his spatula. (I guess it's an off-topic note, but I love this scene in Spongebob, and I can compare his anger to how Minako might feel sometimes.)
They all had the audacity to compare the Goddess Venus to Serenity?! Is that how they actually see her? As a double of Usagi? Some carbon copycat?! Even if Minako portrays the princess without a beat, the actual princess will always come first in line. Why? Even though Sailor V started fighting first. As soon as Venus finally woke up, the whole world forgot all about every aspect of her. Sailor Moon will always be revered. Everybody loves her! It's not fair!! What about Sailor V? She was a hero even before her and did it better! What about Minako? Usagi hasn't been forced to fight all alone! She hasn't had to murder anybody! She didn't have to kill her first crush.
It's always all about Usagi, Sailor Moon, the princess, who gets all the leeway in the galaxy to cry, piss and moan! But whenever Minako reaches out for the love and care of her friends, duty and destiny call and take over the landline. Venus is indebted to her as her inferior for eternity after eternity. She feels she exists as nothing more than to be punished for her past self's failure to save the solar system that time, too. And so should they. Why?! So cruel...
She's feeling 13 again; a naive, selfish, gluttony mess of a teenage girl with the fate of the world suddenly dropped upon her shoulders. Hiding huddled in her bed. Reluctant to fight, thrusted into a nightmare. Normal girl Minako wants to forget. She has to. No one is more shocked than Artemis, of course. Usagi is obviously in tears and blaming herself. The rest are confused and upset, trying to console the pair of utterly frustrated and distressed blondes.
Are Minako and Usagi distanced by their first real argument as a result?
Or do they understand each other better and become closer than ever before?
How do each of the others personally feel about the situation?
It fully occurs to everyone, including Minako, that she has been progressing backward. Regressing.
But this longing for a sensible life was brewing inside her all along. I like to believe what happened is she lost touch with who she was before, after the initial awakening and memory regain, becoming stuck in a state of hyper-responsibility while searching for her fellow reborn comrades. Minako just didn't know how to regain her warrior-naive selfhood. Gaining back the rest of her past life’s memories near the end of Classic stuck the nail in the coffin against ever going back. That wasn't all, either, because she's still uncovering new forgotten memories from that time. Minako knows only how to guide her subordinates through, nothing of how to cope with her own feelings.
I imagine age regression, its reach and research would be especially unheard of prior to the 2000s. (2016 is the assumed year online agere communities first emerged). Daring to explore herself more by pursuing any kind of external help or items like pacifiers would more likely than not be met with misunderstanding, mockery, and ostracization. At least not by her friends, but everyone else. She would probably end up in the wrong spaces like I did back then, falling into a rabbit hole of people who fetishize childhood. Shit's traumatic.
This is something she can't live down. Minako is convinced something's fundamentally wrong with her, that she's weird. That she might even be a pervert of some kind. In conclusion, in canon, it would likely take many years into adulthood for Minako to come to terms with her age regression, if ever.. Okay, I'm f*****g depressed now.
I hope Usagi and her other friends understand. Show their friend more outward care and support, but maybe they don't. Personally I believe in my heart they would, not perfectly, but through trying their best to accomodate Mina when she needs a break from her responsibilities. Sadly, due to the canon being set in the time period of 90s Japan, the result of this tangent is largely unsatisfying, but realistic.
🌟🧡🧸(Alt text: separator emojis of a shining star, an orange heart, and a teddy bear)
SFW INTERACTION ONLY, PLEASE AND THANK YOU!
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whumptober · 3 months ago
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WHUMPTOBER 2024: PROMPTS LIST
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Welcome to Whumptober 2024 — Seventh Time's a Charm!
Please make sure to read the Event Info and FAQ below carefully, as most of your questions will be answered there already. For everything else, you are welcome to come to our ask box or ask questions in our Discord server here.
This year’s AO3 Collection can be found here.
This year's playlist can be found here.
The 'Anatomy of a Whumptober Prompt' post can be found here.
And our 'Resources for Writing Sensitive Topics' post is here.
We’re very excited to see the community come together for another year of Whumptober! Go wild with the prompts, and support your fellow creators - we wish you all the fun!
Best of luck and happy whumping,
Mods Vanne, Yenn, Kitty and Surro
(Text versions of the prompts, as well as event information, rules and FAQ are posted below the cut!)
Whumptober 2024 Prompt List
No. 1: RACE AGAINST THE CLOCK
Search Party | Panic Attack | "If only we could hold on.” (Icysami x Renegaderr, Strangers.)
No. 2: TRUST ISSUES
Amusement Park | Role Reversal | “You got away with the crime while the knife's in my back.” (Charlotte Sands, Rollercoaster)
No. 3: SET UP FOR FAILURE
Fingerprints | Wrongfully Arrested | "I warned you."
No. 4: HALLUCINATIONS
Hypnosis | Sensory Deprivation | “You're still alive in my head.” (Billy Lockett, More)
No. 5: SUNBURN
Healing Salve | Heatstroke | "If my pain will stretch that far." (Lottery Winners, Burning House)
No. 6: NOT REALISING THEY'RE INJURED
Unhealthy Coping Mechanisms | Healed Wrong | "It's not my blood."
No. 7: ONLY FOR EMERGENCIES
Unconventional Weapon | Magic with a Cost | "It's us or them."
No. 8: SLEEP DEPRIVATION
Isolation Chamber | Forced to Stay Awake | "Leave the lights on." (Coldplay, Midnight)
No. 9: OBSESSION
Broken Window | Bruises | “Frame me up on the wall, just to keep me out of trouble.” (Fall Out Boy, Irresistible)
No. 10: BLOW TO THE HEAD
Slurred Words | Passing Out from Pain | "I can't think straight."
No. 11: SEEING DOUBLE
Convenience Store | Loneliness | “Leave no trace behind, like you don't even exist.” (Taylor Swift, Illicit Affairs)
No. 12: STARVATION
Underground Caverns | Cannibalism | "Just a little more."
No. 13: TEAM AS A FAMILY
Familial Curse | Multiple Whumpees | "Death will do us part." (Set It Off, Partner's In Crime)
No. 14: LEFT FOR DEAD
Hunting Gear | Blackmail | “Because I want you to know what it feels like to be haunted” (tiLLie, kooL aiD mAn)
No. 15: CHILDHOOD TRAUMA
Painful Hug | Moment of Clarity | "I did good, right?"
No. 16: NECROSIS
Swamp | Wound Cleaning | "No, I can't feel anything."
No. 17: NOWHERE ELSE TO GO
Ruined Map | Shipwrecked | "We had a good run."
No. 18: REVENGE
Unreliable Narrator | Loss of Identity | “I see what's mine and take it.” (Panic! at the Disco, Emperor's New Clothes)
No. 19: BLOOD TRAIL
Abandoned Cabin | One Way Out | "Is there anybody alive out there?" (Bruce Springsteen, Radio Nowhere)
No. 20: EMOTIONAL ANGST
Shoulder to Cry On | Giving Permission to Die | "It's not your fault."
No. 21: BODY HORROR
Body Horror | Tattoo Gun | Spirit Possession | “Let the bedsheet soak up the tears.” (Apparat feat. Soap & Skin, Goodbye)
No. 22: BLEEDING THROUGH BANDAGES
Tourniquet | Reopening Wounds | "Oh that's not good."
No. 23: FORCED CHOICE
Public Display | Broken Pedestal | "I'm doing this for you."
No. 24: RADIATION POISONING
Collapsed Building | Equipment Failure | “I never knew daylight could be so violent.” (Florence + The Machine, No Light, No Light)
No. 25: SURGERY
Stitches | Being Monitored | "It's for your own good."
No. 26: NIGHTMARES
Breakfast Table | Parting Words of Regret | “I'm haunted by the lies that I have loved, the actions I have hated.” (Poe, Haunted)
No. 27: VOICELESS
Laboratory | Muzzled | “I have no mouth and I must scream.”
No. 28: DENIAL
CCTV | Exposure | "They caught me red handed."
No. 29: FATIGUE
Labyrinth | Burnout | "Who said you could rest?"
No. 30: RECOVERY
Hospital Bed | Holding Back Tears | "What have I done?"
No. 31: ASKING FOR HELP
Therapy | Making Amends | "I'm alive, I'm just not well." (Elliot Lee, Alive, Not Well.)
Alternatives List:
Body Swap
Communication Barrier
Finding Old Messages
Forgotten
Friendly Fire
Motion Sickness
No-Holds-Barred Beatdown
Regret
Secrets Revealed
Shivering
Survivor's Guilt
Time Loop
Used As Bait
Venom
Vermin
Event Info & Rules
WHUMPTOBER is a month-long, prompt-based creation challenge (think: Inktober, but whumpier). There are 31 official themes this year - one for each day of the month - which can be used, skipped, or combined in any way you’d like. They are meant to serve as inspiration without being taken literally (e.g. you don’t have to include the exact wording of prompts into your work). Feel free to run rampant on interpretation. For example, if the prompt is “flame", you could create something with reference to a candle/campfire, your character could have suffered a burn, or the flame could be a reference to an ‘old flame’ - an old relationship. It’s truly down to you!
In total, there are 4 prompts for each day. These are optional suggestions and can be used in conjunction with the theme, or as options/alternatives.  We want to give everyone as much creative freedom as possible, as well as increase event accessibility for folks with triggers and squicks. There is also a list of 15 alternative prompts that can be subbed in for any day, again to give participants as much creative freedom as possible.
Creators can PRODUCE work in any media they choose, including but not limited to: writing, visual artwork, photo/video/audio edits, paper crafts and elaborate recommendation lists (not just a list of links). Creators can PARTICIPATE as much or as little as they want (i.e. you don’t have to do ALL the prompts if you don’t want to) and prompts can be used in any order. They are also free to use even after the event ends.
When uploading Whumptober content to your blog, be sure to tag it with:
#whumptober2024 …..(the event tag)
#no.1, #no.2, #no.3, …..(theme number)
#bruises, #stabbing, …..(the theme or specific prompt you chose)
#altprompt …..(if you use an altprompt, tag the post with the number of the prompt you replace)
#fandom or #OC, …..(ironman, original content, oc, etc.)
#medium …..(gifs, fic, podcast, art, etc.)
#teeth, #etc …..(trigger warnings & any additional tags. Keep in mind not to add “tw” in front but only use the word/trigger itself)
#nsfwhump …..(only for nsfw content)
#your own tags go here
PLEASE BE DILIGENT WITH YOUR TAGGING. Only properly tagged posts are considered for archiving on the official @whumptober-archive blog. They must be tagged in the order above. An elaborate post about our tagging system can be found [here]
Unfortunately, due to the sheer number of participants in recent years, we cannot guarantee your work will be archived. A random selection of properly tagged posts from all genres will be reblogged each day.
Whumpers who produce content for 31 total theme days are considered event completionists and will be tagged in a masterpost at the end of the month. A form will be published at the beginning of November asking you to tell us if you completed. This is based on trust and we will not check this.
Frequently Asked Questions
Please read this before you send an ask!
TIMELINE
July: Trope voting form released. Late August: Prompt list is released for at least four weeks of preparation time. Tropes cannot be posted earlier than August 25th because of Moderator obligations in real life. (But, you know, go ahead and start writing/drawing, and add the themes in later, if you want!) September: Do as much or as little on your works as you want. You can prepare everything in advance or let September go by with vibes and start working in October. It’s up to you. October 1st: Challenge begins! A storm of whump breaks upon us all! During this time, some posts will be reblogged to the whumptober archive blog. We open the yearly AO3 collection for posting (optional). November 1st: The challenge is officially over! Completionist form opens for those who want to be included in the hall-of-fame. Early November: We release completionist and participant badges, solicit feedback, and post a hall-of-fame list of completionists by the 10th.
PARTICIPATION AND COMPLETION
Q: What counts as participation? Create or continue at least one work inspired by one of this year’s prompts. Q: What counts as completion? Creating work(s) inspired by at least one prompt from each day (or alts), for a total of 31 unique prompts. Q: Do I need to create 31 works? No. You can, if you want. Or you can create one work that you add to every day with a new prompt. Or several works that combine prompts. You can also update an existing work by adding new material with the current prompts. Q: Do I need to post my works somewhere to be a completionist or a participant? No. Q: How do you know I actually completed the challenge? We’ll take your word for it! Q: Do I have to finish my work(s) to be a completionist? No, you can post WIPs. And you’re not obligated to finish them in October, but if you want it to count towards being a completionist, you must have completed 31 prompts by the end of the month. So for example, if you’re writing a long fic and you fit 31 different prompts into the writing you did in October, it’s okay if that fic isn’t finished by the time October ends, you’ll still be a completionist. Q: Is co-writing/illustrating allowed? Yes, absolutely, and it would count towards being a completionist for both/all of you. Q: Is there a min/max limit on word count for written works? No. Q: Is there a min/max limit of quality for art? No. Q: Do I have to do something each day to be a completionist? No. You can skip days whenever you want, and as long as 31 daily prompts (or alts) are in your works done in October, you can be a completionist. For example, if you wrote a 1000-word ficlet that covers prompts in days 2, 3, and 17, you can check all three days off your list even though it’s only one work. Q: Is this challenge just for fics? No! Artworks, GIFsets, headcannons, rec lists, poetry, moodboards, or any other creative work is encouraged. Q: Can I combine Whumptober with other creation challenges? Absolutely, as long as the other challenges allow it too.
PROMPTS
Q: How do the prompts work? There are FOUR prompts per day: a theme and three ideas. You can use one, two, three, or all four prompts for each day. If you don’t like any of the daily prompts, you can substitute one of the ALT prompts instead. Q: How strictly/literally should we interpret the prompts? As literally or as figuratively as you want. For example, if the theme is WATER, that could mean drowning, waterboarding, raining, swimming, take place underwater, be lost at sea, construct a metaphor about a character’s mood that changes like a flowing river, crying, or whatever else you can think of that fits that theme. Q: Can I combine prompts? Is there a limit on how many? No limit and combine as many as you’d like. If you create a work that checks off multiple prompts, that work will count for a fill of multiple prompts. You need to address 31 different prompts to be an official completionist, but you don’t have to produce 31 separate works.
WORKS
Q: What’s whump? Hurting a character, whether that’s physically, emotionally, intellectually, psychologically, or any other way you can think of. Comfort afterwards is optional. Angst is emotional whump, so it counts. Q: How do I know if it’s whumpy enough? If your character is just mildly inconvenienced, it probably needs more whump. However, no participant has to prove whumpiness to the mods. Whatever you write is up to you. Q: What kind of characters can I create for? Anything. Generic “whumpee,” OC, PC, NPC, major characters, minor characters, or whatever you want. There are no limits. Q: Does it have to take place in a specific fandom? No, you can create works for your own worlds or for fandoms or for both. You can also create more generic or pan-fandom works. You can do cross-overs or use OCs, whatever you want. Q: Can I create AI-created works? We will not reblog or promote any works we know to be generative AI-created. Q: Is there anything we’re not allowed to write? As long as it contains whump and is based on our prompts, it’s fine. Please courtesy tag your works if you post them so people who follow the #whumptober2024 tag can filter according to their preferences. Q: What about sex, minor characters, and potentially disturbing content? You can create whatever works are legal in your country and post them accordingly. Please courtesy tag anything you think might be objectionable if you post to Tumblr so people who follow the #whumptober2024 tag can filter according to their preferences.
POSTING
Q: Where can I post my work? Post where and how you want. You don’t even have to (cross)post it to Tumblr. Just keep in mind if it’s not on Tumblr we will not be able to add it to the blog archive. There is an AO3 archive for Whumptober 2024, as well as the parent collection for works completed outside of the event. Q: Can I start posting early? You can, but this is an October event and wouldn’t it be more fun with everyone doing it at the same time? We won’t be reblogging any work predating October 1st. Q: Can I post late? Yes. For the sake of our hardworking Post Fairies, only a day’s themes will be reblogged to @whumptober-archive each day of October. But you can post whenever. Some of us are still working on and posting Whumptober fics from years ago. Q: Do I have to use your tags? Only on Tumblr and only if you want us to reblog your work on @whumptober-archive. Q: How do I have my works reblogged to the archive? Properly tagged posts will be reblogged to @whumptober-archive. If you want the official archive blog to reblog you, post on Tumblr and tag correctly (see this FAQ link for more info on tagging). Please note not all posts will be reblogged each day. Q: Can we @ you? For questions and comments, of course. We’ll be getting a flood of notifications, so if you really want us to see something send an ask. Q: Can I cross post on other blogs? Yes, multiple platforms and blogs are perfectly acceptable, as long as they allow cross-posting (to us). You can also post different works to different accounts under different names, without posting them everywhere at once. If you post some works under your main and others under an alt blog, that’s fine for completionist purposes. Q: Can I upload/repost my Whumptober content to other social media platforms? Of course! We’ve created an AO3 Collection to archive any fics posted there, which can be found here. The blog is the official archive, so please respect the personal boundaries of any whumpers in your social circle (don’t out anyone as a participant who would prefer not to be outed).
Most importantly, have fun, create, and enjoy all the whump posted this October!
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pseudowho · 5 months ago
Text
"Hey, Nanamin!"
Kento looked over his newspaper, to the bubblegum boy gleaming into the staffroom. Kento hummed, his cover-all noise for greeting, confirmation, disapproval, etc.
"I'm buying us lunch today. Know anywhere good to eat?" Yuuji bubbled, pulling his wallet out with a flourish.
Kento frowned, firm in his chastisement. "You should save your money, Itadori-kun. You don't buy lunch when you're with me. It's wasteful, frankly, for someone with minimal income such as yourself. You should be more sensible with your money."
Yuuji's bottom lip puckered, but he remained bright and doubled down. "It's just, you buy lunch every time I'm on a mission with you, and-- and I'm really grateful, it's just that today--"
"I appreciate the offer." Kento stood, clipped, moving over to you, witnessing the exchange from your place by the coffee machine.
Kento turned away from Yuuji, pouring another coffee. "But it isn't necessary. I don't expect you to be offering to buy an adult lunch, when you should be building some savings. When you have time, I can talk you through what sorts of savings accounts you can--"
"Ahhh no no no Nanamin it's okay, I...I'm good. It's okay. I'm...I'm good." Yuuji deflated, his rainbows muting. "I'll uh...I'll see you after you eat, then, yeah?"
Yuuji closed the door. You tippy-tapped your fingers on the counter, looking shrewdly at Kento as he washed his used mug. You mused aloud.
"Yuuji hasn't got a dad." Silence. Splashing water. You sipped your coffee. "Hasn't got a grandfather either." Kento bristled, wondering as to your meaning, placing his mug upside down to drain.
"I assume you have a poin--"
"It's Father's Day." Kento froze. His brain whirred. "You buy your Father lunch on Father's Day to show you appreciate him--"
"Please excuse me." Kento walked to the staffroom door, frantically paddling below a smooth surface. The door closed, clicking politely. You heard Kento's steps speed up as he ran down the corridor, hearing him growing fainter as he called in the distance:
"Itadori-kun. Come back! Itadori-kun! Buy me lunch!"
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Kento's fingers itched to reach for his card in his favourite coffee shop, clenching his fists instead as Yuuji counted out his cash. Kento couldn't deny, sat at the window with a casse-croute, that seeing Yuuji's face light up with the joy of gift-giving, made it all exquisitely worth it.
Yuuji's joy was fragile. He broke the silence over his panini.
"...I'm sorry it's not much."
"It's perfect. This is my favourite meal. I'm..." Kento broke off, his voice thick, his mind lost somewhere in the bustling crowds beyond the window. Yuuji brimmed with pride.
"...thank you, Yuuji."
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