#i'm also expecting to be wrong about aziraphale

[commonmexicanname]

Good Omens Thoughts

What if Aziraphale's "I forgive you" wasn't for Crowley, but for whomever is listening in?

Hear me out, Metatron admitted to Aziraphale that he's been watching them. However Az doesn't know if that also means listening in on their conversations.

It's cannon that Aziraphale mouthed 'trust me' to Crowley, so why not also Az mouthed something to Crowley during the last 15 mins? Desperate attempt to convey a message to him without them listening to it.

So if during their whole 15 min conversation Az is thinking, 'they're watching, they're listening, how do I tell him?' and then...

What is happening... That wasn't part of the plan...

Do that again... "I- I-..."

Wait.... They're watching. They're listening. They know now.

They can't know.

"Don't bother."

No... that's not... what I meant...

What have I done?

[commonmexicanname]

If I may also add…

This reaction is coming at the heels of being praised by the voice of God. The same voice of God who stopped archangels from threatening Aziraphale and Crowley. The same Archangels who have talked down to Aziraphale, telling him he's expected to fail in season 1, and whom he responds with these facial expressions:

To me, these and the ones above are similar. There's more hurt in the original set than this set, but both are telling us how hurt he is and how he's trying his best to mask it.

And now Crowley basically admitted that no matter what Aziraphale is planning, Crowley doesn't believe in Aziraphale either?

I think I understand a whole lot better than you do.

From my point of view, Aziraphale responds to Crowley's hurtful comment the way he has responded to other's hurtful words in the past. Just... ya know... even more hurt than ever before because this is coming from the person he cares about the most...

all this to say: when crowley says "I think I understand a whole lot better than you do," what aziraphale hears is you idiot and how can somebody as clever as you be so stupid and I was right, I was right, you were wrong, I was right. and he's fucking sick of it.

[piratewinzer]

ever since i laid eyes on these images i have not known a moment of peace

[dalliancekay]

Aziraphale, misogyny and the female character treatment

I don't know if anyone wrote a post about this but I see from time to time comments to this end - that Aziraphale is treated like the female leads in films often are, obviously especially romantic films. So I'm gonna try to point how I see this. I welcome further insights of course.

Say we take a basic premise of a romantic film: A girl is wooed by a bad boy for example. And she is a good girl, from a good, proper family and everything so she refuses his advances. This goes on through his various ploys to entertain and romance her, do things for her etc etc and frustrates us as the audience because we can see the bad boy is actually good, her family is oppressive and holding her back and that she (deep down) cares for him (if only she was brave enough to admit it to herself) and so we want her to open her eyes and say she is actually in love with him cos her life will be so much better should she (finally) give in and run away with him.

Familiar? Reasons Aziraphale is not her and the analogy does not fit (but that I so often see in metas and takes about her):

Aziraphale always knew her family is shit. Or at least longer than Crowley did. She was already anxious in Before the Beginning about what she thought Angel!Crowley could and could not say or do without getting into trouble.

She knows Crowley is good. She never doubted him. Whatever he says or does or pretends to do or must do for his job. Aziraphale knows he's inherently good and would always do good if he can.

She knows she's in love - I mean we can argue about when each realised this and also when each realised the other loves them back just as fiercely, but they both know. And they both love. And they both long to be together. Aziraphale is not ashamed of her feelings nor hiding or suppressing them for fear they are wrong or immoral or other BS like that.

Aziraphale doesn't need to overcome her love for her family/employer and finally make the leap to be with Crowley. They simply can't leave their bosses without punishment. Neither of them. They live in a dictatorship with nowhere to go. And just because Crowley experienced both sides, doesn't give him some huge insight that Aziraphale completely lacks. Both places are awful. Their separation isn’t about fear of societal judgment (or Aziraphale's unwillingness to give up Heaven, being seen as good, being an angel - and to what end, to Fall? I really don't know what takes like this want from her, it would not work anyway), it’s about survival in a system that won’t let them be together.

Aziraphale doesn't want to change Crowley. She never did. She asked for Crowley to come to Heaven as an angel because that was THE ONLY option she had for them to be together in any capacity at that point. It was NOT an attempt to “fix” him—it was a desperate bid for a way they could be together at all.

One thing I don't see as much anymore is the call for Aziraphale to change. Obviously she's pretty but she would be prettier if she lost those century old clothes maybe and started listening to something made after 1950? Be more cool to match Crowley? Less stuffy?

These kind of film premises are already pointless, offensive and make me roll my eyes, but to stick them all over Aziraphale and huff cos she doesn't do what the clever sexy man in dark clothes and sunglasses says she should - well that makes me angry.

And so do takes and mischaracterisations that ignore Aziraphale as silly, her worries as pointless, sometimes excessive - maybe she's just hysterical, you know? The one time she shows more emotion, in F15, she is so often completely ignored in her obvious distress just because Crowley is trying to confess his love at the same time and seemingly 'not getting through,' because Aziraphale is not reacting the way everyone expects. So many takes that always assume Crowley is right, no matter what. Even when he calls Aziraphale an idiot. If Crowley says that, it must be true. No matter that the book spells out in Terry's voice that the angel is extremely clever.

Aziraphale’s charm lies in her kindness, her love for books and knowledge, her whimsy, and her quiet courage. These qualities don’t make her naive—they make her resilient. She often hides how she truly feels, hides her grief, her pain, her true desires, hides what she really thinks; always always to protect herself and her beloved. She is often forced to say stuff she doesn't mean. Again. To keep the one she loves and their fragile relationship safe. But where people seem to catch on with that on Crowley's side, they don't with Aziraphale. She is fierce when pushed and will defend the defenceless (humans) and the ones she loves (Crowley) to her last breath (whether she needs to breathe is irrelevant right now okay).

She loves her bookshop. She built this home, full of knowledge for herself and her demon and you can take this HC from my cold hands. That she was forced to leave it, only emphasises how little choice she had in Final 15. Good Omens has two main, equal characters; who are both gorgeous and complex and deep and neither is right or wrong or in need of saving or learning some huge lesson to get to their goal and be together. What needs to change is the world, the system they live in. And they will change it.

Just look at her!! Anyway. I love her. P.S. Just to add, many, many (if not all) bad takes on Aziraphale are also bad takes on Crowley. They mischaracterise and misunderstand just how deeply and unconditionally he loves Aziraphale. How he adores her and understands and accepts her just as she is. He does not expect or want Aziraphale to change in any way. He knows why they are not together. And it's not Aziraphale's fault, it's because of circumstances, not because of her choices. Crowley would never ever want Aziraphale to suffer, he wouldn't expect her to come back from Heaven saying how sorry she is for what happened, how stupid and blind she was and how he was always right. That's just not going to happen. ------------------------------------------ @tenok I simply must highlight the awesomeness you put in hashtags!! EVERYBODY please read:

Thank you sm for this!!

[gotholdladywithadhd]

Unpopular opinion, probably.

So I've read many metas, and thought a lot about it and have come to my own personal conclusion about the final 15.

I'm taking it at face value.

Because it was the most human Crowley and Aziraphale have probably ever been and I think that is at least part of the point. Love makes people stupid and they are navigating a very human thing in very unhuman circumstances, and it's hard enough to do as a human in human circumstances!

I think Aziraphale believed the Metatron about Crowley bc he was expecting the worst when TM mentioned Crowley but instead got the one thing he wanted most (him and Crowley together and safe, not Crowley being an angel. ) Crowley was absolutely the carrot here. (and no I do not think Crowley would have been safe or happy, but that's besides the point.) I can't tell you how many times I've believed patently ridiculous things because I wanted to believe them so badly even though if I was looking at the same situation objectively from an outside POV I would see how ridiculous it was, so I totally get it. This isn't to say I think Azi had a real choice to go to Heaven or not and I think he did understand that as well, but I get the temptation the Metatron threw out to him, I really do.

As for Aziraphale literally saying all the wrong things to try and get Crowley to come with him? Um yeah been there done that too, the nerves take over, the brain shuts off, the mouth goes into autopilot pulling stuff out its ass, and "WITAF did I just say?" happens.

Crowley not taking any of it well and only hearing what he expected to hear (I'm not good enough for you bc I'm a demon and you only really want me if I can be an angel) *and* also being more able to see through heavens bullshit bc he has lived it, and can see it from the outside, *and* all whilst being the most honest and vulnerable he has ever been with Aziraphale in 6,000 plus years (or in fact possibly to anyone, ever. the closest before this admitting he was lonely to Azi during the Job minisode,) *then* hearing what he took to be the same Heaven will save us line from Azi was enough to trigger a massive bout of RSD and a broken heart. Everything was supposed to "vavoom and sorted! " and instead the stupid awning broke and everything went wrong. I think I've said it before that at this point Crowley can't hear anything over the sound of his heart breaking into a million pieces.

That's a whole lot to pack into the brief moments before Azi has to leave with the Metatron (who let's be honest was rushing him before he could change his mind) esp when neither of them are used to discussing their relationship openly. They didn't have time to think, to ask questions, to share information, (like hey guess what really happened to Gabriel?) Crowley tried to communicate as much as he could about his feelings with the kiss but Azi didn't have the time to properly process all that and said the wrong thing again and Crowley was rejected (he thought) again and it all just went so very wrong. You can't fix a 6,000 year relationship in 15 minutes, you just can't no matter what the story books say.

It's about two people wanting the same thing but not being able to get it (yet) because of circumstances and personalities. All of S2 was about them seeming to be closer than ever (and in many ways they were) but really they were opposed at almost every turn. (in RL not the minisodes, those actually showed them working together and coming out okay mostly, if you don't count wee Morag or Crowley getting dragged to hell) The way they both handled the Gabriel situation, how they both worked to solve the mystery, even how they tried to make Nina and Maggie fall in love were all either done alone, or in opposite ways. I've said it before and I'll say it again, as it was pointed out right in ep1, their exactlies aren't the same and until they are, they aren't going to be able to be together. The one time they did work together in the season, they produced a 25 lazuri miracle. That is the point of the final 15, and the whole season 2 in my opinion.

They'll get there in the end though!

[commonmexicanname]

'but that's the book version! show aziraphale is different!'

Let me show you a passage from the script book:

i LOVE crazy meta posts and wild speculations, i write unhinged interpretations myself, and fandom is first and foremost about having fun.

but i am very, very tired of seeing serious theories that constantly call the final fifteen fake/a conspiracy/a magic trick/etc. retconning that scene would take away the ENTIRE emotional weight and the importance it has for both their character archs.

[paperclipninja]

I think I'm in a minority and lordt knows I've been very wrong about stuff like this before, but I have zero concern that Good Omens will end with Aziraphale and Crowley being human. None. Not even one iota of worry about it happening.

Why?

Because Neil Gaiman is a really good storyteller. And he, as a really good storyteller, knows that would be an unsatisfying ending.

Obviously this is pure speculation on my part, but a really good storyteller doesn't go to the effort of constructing such an intricate story, in which the challenges and desires of having eternal life but not being able to share it with the one being you want to, are so carefully laid out only to have them end up mortal. Because then what? Crowley ends up back in hell anyway and maybe Aziraphale does too? Or they end up back where they started? Nah.

My guess is that it is not going to play out as a rom-com might (I mean, it's not a rom-com), or with anything particularly overt being shown between Aziraphale and Crowley, and any "it may not be the ending you want" is, in my mind, getting way out in front to manage expectations.

By the time season 3 airs we will have been consuming years of fanfic, fanart and fanon and of all people, Neil knows the way that begins to shift the expectations and hopes of a fandom. It's really easy to drift away from canon or forget the kind of show it actually is (and that's totally fine, gimme all the fics and art that take me to where I want my faves to be), but it also means that fandoms can end up "disappointed" that some of the fan thinking and creating didn't come to pass.

So mah point is, any comments from actors or creators about a season not being what we want- that doesn't mean it's going to be rubbish storytelling. It means that some of the things people are hoping for won't happen.

And until we see what actually plays out on our screen, I, for one, am going to keep immersing myself in the brilliant creativity of this fandom and just

EDIT TO ADD: also need to acknowledge that Terry Pratchett is also an incredible storyteller and these two had it all figured out nearly 20 years ago and one thing's for certain, and that is that neither author, or Neil in seeing through the vision they both had, is going to drop the ball at the last minute

[missninapea]

Honestly, I don't care that we didn't get what we wanted.

I think we're getting too obsessive with our expectations and headcanons.

And we get pissy and throw a hissy fit whenever they don't appear in certain media.

I don't like how this fandom is becoming overly obsessive with their predictions and all that.

That's my least favorite thing about the Good Omens fandom. And that goes for other fandoms, too.

And I have headcanons myself, and I'm totally fine when they don't appear in my favorite shows.

I'd rather let the movie finale surprise me.

And I don't care what anyone says, 90 MINUTES IS ENOUGH FOR US.

And to be truly honest, I also don't like how we're obsessing over the South Downs cottage. It's cute, don't get me wrong, but I've been seeing too much of it. I'll miss Aziraphale's bookshop and Crowley's flat. If we do get the cottage ending, that's great.

But I'm not expecting that ending. I prefer what we're getting from the finale. A surprise!

I don't care that it'll be "too short" or "rushed". Just lemme be thankful and excited that we finally have Good Omens 3.

🤍🖤

[aziraphales-library]

hi :D big fan of what y'all are doing here, it looks like a lot of work/time <2

I was looking for fics that involve the language of flowers, since i haven't found a lot

thanks :D

I'm sure we've recommendations fics like this before, but can I cannot find the posts. Oh well, here are some for you...

Honeysuckle and White Jasmine by HolyCatsAndRabbits (E)

While on a bad blind date at a coffee shop, bookshop owner Aziraphale meets a gorgeous red-haired barista. Also Aziraphale knows flower language and he's not afraid to use it. So now Aziraphale was going on a date with someone Tracy knew. Since Tracy had arranged it, Aziraphale let her pick the place as well: Double Double, a new coffee shop. Tracy had promised that the shop was lovely and had a selection of rich desserts, which was honestly the part that had convinced Aziraphale. Aziraphale’s one bit of defiance was the flowers. He had a book or two in his shop on flower language, and he’d decided that the bouquet was going to be the sweetener for the day (besides the dessert), the spoonful of sugar that helped the medicine go down. Yellow carnations: Disdain, disappointment, rejection. Red snapdragon: Deception. Purple columbine: foolishness. White candytuft: indifference. And finally butterfly weed, a bright little orange cluster flower, which meant Let me go! Armed with his passive-aggressive (but quite lovely smelling) bouquet, Aziraphale took a cab to Double Double.

i am just the (new invention) by littlesnowpea (T)

A list of hobbies Crowley has picked up over the past 6000 years: -gardening -cooking -fashion -pining for Aziraphale -making YouTube videos A list of hobbies Aziraphale has picked up over the past 6000 years: -reading -book restoration -music -pining for Crowley -commenting on Crowley’s YouTube videos When Aziraphale starts giving Crowley flowers, Crowley takes to his YouTube channel to discuss the meaning behind it, where Aziraphale comments encouragement to confess his feelings – under an alias, of course. There is absolutely no way any of this could ever go wrong.

The Language of Flowers by GreenGlitchBitch (T)

“We can communicate through flowers! It’s being talked about in Britain. Hasn’t quite caught on yet, so we wouldn’t be too suspicious” Aziraphale said. Basically, Crowley and Aziraphale are in love throughout the ages, and in order to keep their respective head offices from knowing, they use flowers to send each other messages.

you took my soul and wiped it clean by staringatstars (G)

On a summer afternoon, a stranger in a cream-colored vest and coat walked into Crowley's flower shop with a rather odd request: "What sort of floral arrangement would you make for one whom you love very much, even whilst knowing they could never feel the same?"

Pressed Flowers by TheNoctambulist (T)

A romance between two business owners of London's SoHo. Anthony Crowley, proud owner of Eden (Producer of Fine Flowers and Bouquets since 2008), didn't expect to find love in his life. Ever. He had his plants, and what more could a florist want? But when Aziraphale Fell, a slightly fussy, altogether chaotic bookshop owner wanders into his shop looking for a bouquet, he begins to question what he really wants at all.

Pray For Us, Icarus by Atalan (Series, G-T)

For three centuries, Crowley has been reincarnated over and over as a human with no memory of his past. Aziraphale has tried to find a way to restore him to his true self, but all he seems to do is hurt them both. This time, he only means to steal a brief moment when he walks into Crowley's flower shop. But Crowley can't let it go...

- Mod D

[halemerry]

On Aziraphale, Protection, and the Greater Good

Alright folks. I’ve already written quite a bit about the ways the Metatron was trying to manipulate Aziraphale here, but I wanted to give credit where credit is due and talk a little bit about how I don’t think that necessarily means it worked nearly as well as the Metatron thinks it does.

Because Aziraphale? Is not stupid. It’s one of his defining traits that though he might occasionally be slow, he has always been intelligent. He has also always been a fighter. And a bit stubborn. And though the fact he is allowed to be all that and still stay soft is one of my favorite things about him, that does not mean he is soft and soft alone.

With or without Crowley, Aziraphale has nearly always been a character who, above all else, does what’s right. This is part of what Crowley loves about him and it’s part about what we as the audience love about him too. He shelters a demon on the wall he is meant to be guarding. He gives away a sword to humans and lies to God about it directly to Her face. He struggles immensely with being asked to do anything he cannot reconcile with his morals and, even if he might fight against his impulses as to what’s right for a little bit, when push comes to shove he almost always falls on the right side of that scale. It’s important especially that this is also true of him even without Crowley in the equation.

Now, Crowley makes it much easier for him to be this person. He encourages and enables Aziraphale to be himself. He complicates and challenges Aziraphale’s worldview but in a healthy way that helps him grow and develop it, but never forces Az to be someone he isn’t. He also, most importantly, gives Aziraphale someone he understands. He is a connection. And a connection that allows Aziraphale to take his time and to make the excuses he needs to, at least for a little while. Because he understands that while Aziraphale is slow to change, he is not as resistant to it as he often reads to be - especially when he thinks that change can benefit the greater good.

Because Aziraphale fundamentally loves Earth and the people on it. And he knows beyond a shadow of a doubt that Crowley does too. Not taking an opportunity he has to help someone has never sat well with him - even if that person is a naked Gabriel showing up on his doorstep. He does not run away with Crowley in season 1 because it would have been wrong to run away when he felt he could help and the same principle applies here too with the decision he comes to about the Metatron’s offer.

While I definitely think the Metatron was using lovebombing and other manipulation techniques on Aziraphale I highly suspect he is underestimating his new Supreme Archangel. And I highly suspect that what is happening here is not Aziraphale folding back into this own cult as much as much a few other things that could be happening.

I may poke around at a few more of these later but for now I want to focus on Aziraphale lied theory laid out here by @las-lus. This whole season has focused quite a bit on Aziraphale lying/using sleight of hand for Crowley's sake. It makes sense he would do this too to protect him from the Metatron and critically I don’t think it’s an accident that the only shot we get of his conversation with the Metatron are flashbacks from Aziraphale's narrative point of view. Reading this actually changed the whole trajectory of this meta so please take a look at it if you've got the chance! I really love this theory a lot and would've slapped this all on a reblog if it wasn't so big. (Though I'll be the first to admit I'm biased to anything that lets Aziraphale do some rescuing.)

At it's core this makes this action a protective one. He is a guardian given a flaming sword by God. He was built to protect. And we see him in this role throughout the series even if it's not always in the way we expect or in the way he was necessarily built for.

I want to start before the beginning. This scene is an important one for a lot of reasons, but for the context of this the important bit is that Aziraphale is already anxious. He’s a bit starstruck and a little baffled by the strange angel he’s stumbled into chatting with, but his primary focus in the meat of this scene is actually concern for this stranger's welfare. The instant the topic turns critical he immediately starts glancing around anxiously. This scene ends with him saying, "I'd hate to see you getting into any trouble." and giving us one of the most worried expressions I've ever seen on his face.

Then again at Eden, the first time we meet Aziraphale, we are shown him acting twice in a row for the sake of keeping others safe. We see him offer Crowley shelter from the storm and also give away his God given weapon to protect Adam and Eve. A lot of people tie Crowley to Eden for obvious reason but I think people often forget that, yes, without Crowley humans don't leave Eden but without Aziraphale they do not survive it.

We then see him in conflict over the Flood. As far as we know he doesn't act here but he quite clearly thinks it is wrong. He's high strung and tense and his attempts to rebuke Crowley's frustration feels more like him trying to convince himself.

Now we get to Job. This minisode is so fascinating to me for a lot of reasons because through most of it, against pattern, we have Aziraphale as the driving force throughout it. First we get Aziraphale checking in with Heaven to make sure there wasn't some official solution to this. (We also get a line in there that I think says a lot about Aziraphale's priorities when he specifically draws attention to his concerns for Sitis being old enough birth that many times would be hard and risky.) Once Heaven fails him here Aziraphale is the one to reach out to Crowley and Aziraphale is the one to press for them to work together. He takes a gamble, hoping that his instinct that Crowley does not want to hurt kids is accurate, and gets up in Crowley's face to challenge him when Crowley refuses to prove him right. It is not Crowley taking the lead here, bringing Aziraphale in but rather Aziraphale trusting his owns instincts are right.

Aziraphale is also crucially the one constructing the charade Crowley plays in front of the angels as Bildad the cobbler/midwife. Aziraphale immediately and without hesitation provides Crowley with the pieces he needs to make the lie convincing enough. He tells him that what they need is an expert on human births and Crowley rolls with it and then clarifies very quickly that Gabriel witnessed Eve's birth, signaling to Crowley that mimicking that would be the play.

He is trying to tip the scales to get the outcome he wants - to keep this family safe - before he ever utters a lie. And then he does. He lies directly, giving his word as an angel. This is an act that eats him alive inside. He literally thinks he has fallen for this and has perfectly resigned himself as being damned to Hell for it and does it anyway. Because he knows it was right. Because he thinks a family of five he has no real connection to are worth falling to protect.

By the time we hit the Globe in 1601 Aziraphale's primary objection to their Arrangement has evolved from concern about what Head Office will think into concern specifically for Crowley's safety.

Then in 1827, even if it's in a misguided way, his concern starts out on Elspeth and her soul. He tries to protect her and very quickly changes his tune as soon as he's given proper evidence that what she was doing was net good. Again he is the one driving most of this narrative and the duo's actions forward as Crowley drifts along trying to get him to see that some actions aren't fully good or bad but can exist in a moral gray space. We also get him verbalizing his own moral code here explicitly when he wants to heal Morag.

He continues to have concern for Crowley on the forefront of his mind - asking very quickly after his good deed for Elspeth if he's safe or if hell noticed and then a few years later denies Crowley holy water out of concern that it could destroy him.

In 1941 we first get him operating under cover trying to unsuccessfully lie his way into dispatching some Nazi. We then get him offering himself as a magician for Crowley's sake and using sleight of hand to keep evidence of their relationship from making its way to Hell.

In particular I want to draw attention here to the fact the episode we revisit this moment in has two very similar moments toward the beginning and end of it. This episode opens with what the episode is named for - Shax hitching a ride with Aziraphale. He's relatively amicable with her until she at one point implies harm to Crowley wondering out loud why he would risk destruction for Az. Then toward the end when Furfur enters the dressing room, Aziraphale is pleasant and kind until the moment it becomes clear Crowley is being threatened. In both cases his expression turns more neutral and his body language becomes more focused and serious. He is ready to protect at all costs and is done being polite to these people who threaten his demon.

From there we go to 1976. Here as he hears about Crowley's holy water heist, he makes a choice. Even though he does not want Crowley having this weapon at all and tells Crowley as much that that position hasn't changed he realizes how dangerous trying to steal it could be. So he decides to make it as safe as he can in the circumstance, putting aside his own wants and feelings for the sake of minimizing even potential harms.

Even good old 'you go too fast for me' is a form of protection here. Even if it hurts and even if it's not want they want they need at least one of them to pump the breaks to make sure they are not discovered.

Then the world nearly ends. I won't examine what happens there too closely but I think we can all agree Aziraphale was willing to do quite a lot to insure the world and Crowley were safe once Crowley gets him on board with raising Warlock. Though I do want to note I don't think it's an accident that a lot of what Aziraphale says to Crowley at the end of six has echos of the bandstand - the last event Aziraphale has to reference that he knew would make Crowley go away.

A lot of the core of the current season is built around all sorts of protective Aziraphale actions. The flashbacks all gesture at it in some capacity, and anther notable one is him sacrificing books both as weaponry and to make the ball happen. He has committed to securing their safety before a single demon even shows up looking for Gabriel. We also get him willingly risking war to defend the people in his shop. Episode six in particular shows us a lot of Aziraphale in this mode, which he's pretty much locked into from the moment the demons arrive, Whether it's protecting Gabriel, Nina and Maggie, or at one point putting his body between the demons and a whole crowd of people including Crowley.

This season is a season that emphasizes that Aziraphale is a liar. It is one that draws attention to him pulling tricks and on him learning to do that for the greater good. It it about him learning that sometimes the choices we make are often more morally gray than we would like. And most importantly it is about Aziraphale believing this world and the people in it are worth protecting.

And who does he want to keep safe more than anyone? Who did he fight to share his life with? It makes sense to me that he would do this for Crowley. It's perfectly in character and gives Aziraphale the due credit I think a lot of theories lack. Because, to me, Aziraphale isn't the one that walks away from Omelas, Aziraphale is the child who would willfully sacrifice himself to keep the people he loves safe.

[somehow-a-human]

Whose POV is it Anyway?

Bodysnatchers & Cosplaying a bookseller

DO NOT ASK NEIL ABOUT FAN THEORY

I'm back! I took a few days off of doing internet thingsss so I took a break from writing this series of posts but I'm back and continuing with episode 3 in its entirety!

For reference & context, I recommend reading these posts:

Whose POV is it Anyway? - Introduction

Lens Filters

POV "Your 'Something's Wrong' Voice"

POV a Trip to Hell and a 25 Lazarii Miracle

POV a Companion to Owls

POV The Dirty Donkey & I think I Found a *Clue*!

Shall we get cracking?

Episode 3 gifts us the arrival of Muriel! Sweet adorable Muriel! We see them arrive to the bookshop, with the Bronze Glimmer Glass filter in full effect. Aziraphale is the only one there so it makes sense we'll have Aziraphale's POV to start. Cupperteas ensue, and Crowley arrives to be grumpy but fully accepting that Aziraphale is taking their car, I mean, he's already brought the plants inside. His sideburns are long here as well.

When the duo head into the backroom to discuss what's going on, the filter changes, the lighting is much cooler toned, and we're now looking through the Black Diffusion FX filter in Crowley's POV. Crowley's sideburns are also short now, and if my theory that POV is also correlating with his hair length, it's standing here.

As Aziraphale drives off, we see Crowley watch him from the window and sigh, sideburns still short, still his POV.

I'm going to stick to the present day storyline and switch to the bodysnatchers minisode at the end!

The time Aziraphale and Crowley spend apart in this episode is interesting to say the least. If we're trying to look at the lighting and possible lens filters used to determine the narrator or POV for these scenes... I think they're switched!

When we see Aziraphale driving the Bentley, the scene isn't awash with glowy warm lighting which we know isn't reserved just to the bookshop since we've seen it used in the record shop, coffee shop, and in the Job flashback.

It's rather cool toned lighting for a yellow bentley. Aziraphale's whole trip to Edinburgh is cool toned. The time he spends in The Resurrectionist, the graveyard, everything. I would have expected Aziraphale's magical little newspaperman cosplaying extravaganza to be dripping in his golden glow through the gorgeous Edinburgh when I started thinking about the scenes and these lense filters and these metas.

But then you look at the opposite, Crowley alone in the bookshop with Jim. Something he would hate right? Sounds like worst case scenario for him. He loves the bookshop but he's there alone with Gabriel who tried to kill the person he loves more than anything and didn't have an ounce of compassion, while Aziraphale has taken himself and his car very far away.

But what is Crowley's experience like? He and Gabriel are chummy as ever, they talk about rainstorms, vavooming, gravity. Crowley dresses down and is wearing sleeve garters? A bit old fashioned for Crowley but not for Aziraphale no? He's playing bookseller, carrying books around, albeit not quite correctly, chucking them at the end. Every scene is drenched in warm golden haze and Crowley's sideburns are long the entire time.

They aren't together, but they've always probably got one thing on their mind...

I think we're seeing these scenes through each other's eyes, or the POV is swapped if you will. Maybe that's why Crowley is wearing sleeve garters and cosplaying bookseller and being very kind to Jim? And Aziraphale is being the worlds cutest little investigator to ever exist. I think maybe they're imagining each other, or it just points to the idea that they're apart but still the only thing they're always thinking about.

Okay, cute lovebomb, now let's talk digging up dead bodies!

There isn't a lot to go off of for lighting in this minisode, but there is one detail I wanted to point out that has to do with Crowley's hair length. In all locations BUT the crypt his mutton chops are longer. When they enter the crypt both times, they are shorter.

You can see they are a distinct "J" shape in most scenes but in the crypt scenes (for example when he drinks laudanum and busts through the roof) they have been trimmed back). So if I'm going just on hair length, all scenes except the crypt are Aziraphale's POV.

If you can look past my terrible image quality, you can see on the right image his chops are notched where on the left they're doing the opposite.

NEXT

POV 1941

[commonmexicanname]

But of course, this may not matter if all Crowley heard was...

I mean... I'd be pretty hurt too.

Honestly, after my first watch, I was confused as to why it seemed everyone thought that Aziraphale wanted Crowley to change. He didn't say that, it was the Metatron that said "restore". However, after digesting other people's thoughts, I can now understand why so many people were hurt.

Different exactly's.

I have hope that Crowley wasn't fully hurt (a little yes, but not completely) and understood what Az meant. I'm basing this hope on the fact that he still asked Az to stay. He didn't immediately push back with a "how could you ask me to go back to being an angel?". Then again, it takes me a while to digest information, maybe it'll hit him during their time apart.

And if it turns out Crowley was completely hurt by this, then I hope they talk in season 3. Really talk. Heal together. About this and everything.

Like old times, only even nicer. Much nicer.

Good Omens thoughts:

Aziraphale doesn't want Crowley to change.

Sure he got to know Crowley a bit as an angel, developed a puppy crush even, but he's fallen in love with Crowley as a demon.

"He said I could appoint you to be an angel."

Appoint. Not change. Not transform. Not revert. Appoint.

Aziraphale wanted to give the title of Angel to a Demon.

[vvanillavveins]

I'm just going to say it: i love Good Omens for its ace-coding (and/or potential aro-coding, too). And, i think that it's very easy to view Crowley & Aziraphale as queerplatonic. When i say that, i don't mean that people are wrong for seeing their dynamic as purely romantic, i'm not at all dismissing the pair's obvious love and care and devotion towards one another. All i mean is that, if you want to, it's easy to read that love and care and devotion as platonic, i.e., a love for the other person's soul, above anything else. And that aspect of it heals a little part of my own soul every time i watch it.

Idk, it's just something about all of their little rituals, the thoughtful compliments, the favours and the gift-giving- done out of genuine kindness, not expecting anything in return except for getting to watch the other smile. Every interaction is full of symbolism and meaning, yet without being based on overt romantic love. It's also about how they can admire each other without touching- not because they don't love each other exactly- but because they are already so aware of their inherent togetherness that there is no real need to prove it through touch. Their relationship transcends physicality in the same way it seems to go beyond the boundaries of traditional romance. Even with the kiss in season 2, we know that it is not part of their established ways of showing affection, and we are shown that neither of them are comfortable with it because of that.

They've spent 6000 years cultivating their own unique love language, and the show goes to great lengths to keep expanding on that- not just throw it away or completely change it once Heaven and Hell are less involved in their lives on Earth. Crowley & Aziraphale's development together really is a beautiful thing to watch- and idk about any of you- but positive or even just neutral portrayal of non-traditional, sexless relationships feels like a rareity, especially when it comes to television. That's why this show is such a big source of comfort for me personally.

I'm autistic- so this might just be yet another case of me just not 'getting it', since i can't read faces or tones of voice- and therefore i'm just not seeing what everyone else is, but i'm hoping at least one other person out there interprets it this way too.

...

[I am talking about the TV show here; their asexuality felt a lot more overt in the book]

[drconstellation]

The Charge of the International Express Man

As often happens, I was in the middle of something else when I thought "oh, I should check that line, it sounds familiar, actually."

"Ours is not to reason why, ours is to deliver packages."

This is from S1, 1x04. Leslie the International Delivery Express man is saying goodby to Maude on Saturday morning.

It turns out that this is a misquote of a famous poem The Charge of the Light Brigade, by Alfred, Lord Tennyson. It comes from the second stanza:

“Forward, the Light Brigade!” Was there a man dismayed? Not though the soldier knew    Someone had blundered.    Theirs not to make reply,    Theirs not to reason why,    Theirs but to do and die.    Into the valley of Death    Rode the six hundred.

The poem itself describes a brave but misguided action during the Battle of Balaclava where about 670 cavalry riders charged the wrong Russian artillery battery on the field, and were summarily decimated.

So while the orders on the day were misinterpreted, and there was tragedy, its also looked upon as the tragedy of blindly following orders. Because that's the thing - good soldiers follow orders (and Aziraphale doesn't.)

Over time, the lines have been misquoted as "Ours is not to reason why, ours is but to do and die" and interpreted as not to question the will of the Almighty and just to accept what comes your way. But the quote has nothing to do with the Bible.

So I'm wondering, seeing as there seems to be a bit of emphasis on following orders and bringing an expected outcome about, is this a hint that orders may been misinterpreted somewhere, and everyone is charging towards the wrong target?

It also adds to all the horse symbolism we keep seeing, in both seasons.

[klikandtuna]

2024 FIC ROUNDUP

Oooookay I barely know what I’m doing here but I’ll give it a shot. 😁

What fandoms do you write in?

It’s allllll Good Omens. After S2 broke my brain, I started sending tiny snippets of fic ideas to a couple of friends, which over the course of a few months really snowballed beyond any pretense of control. I’m gone, y’all. This is my life now.

How many words have you published in 2024?

WELL this number is about to jump with the posting of Find Every Sky next week, but at this moment I’m sitting at

✨758,377✨

Which is pretty cool! To be fair, a good chunk of that was written before I had joined AO3 (it took those couple of friends about six months to convince me to join up), so it wasn’t all written this year, though certainly most of it was.

What is your greatest achievement this year?

Aside from actually joining the fandom at all, this award definitely goes to the TWENTY-TWO CONSECUTIVE WEEKS, May-October, in which I posted TWO CHAPTERS PER WEEK without missing a single update. Find the Light and Sky Clear Blue were written back-to-back without any break inbetween, and while the schedule for SCB got a little dicey for a while, my beta-reader and I managed to keep that Tuesday/Friday ride going allllll the way to the end. Pretty proud of that.

What are your top three favorite fics you wrote this year?

This is so unfair because they’re all my babies 😭😭 I pour so much of myself into everything I write that I really hate choosing favorites, buuuuut I’ll try.

When You Go (101k Reverse Omens, complete but there’s a sequel coming, rated E)

My human AUs receive by far the most attention (and I’m not complaining!), but I want to give some love to my Reverse-Omens fic because I’m pretty darn proud of it. Each chapter bounces back and forth between an ongoing present-day storyline and anecdotes from their past, and it was my first attempt at switching tenses for effect (which I really got the hang of in Sky Clear Blue, haha). I feel like I really nailed the characterizations here, and it was a joy to a) flesh out the Starmaker as the Seraph Baraqiel and let him be his full glorious self, and b) experiment with what the Fall might do to someone as sweet as Aziraphale; while I did give him the demon name Azazel, I did NOT make him a goat demon because frankly that’s all wrong for him. I went a different direction and it’s FRIGGIN COOL, Y’ALL ☺️

Sky Clear Blue (289k human AU, complete, rated E)

Obviously 💛 Time travel, coming out, the beautiful transformative power of love. My biggest piece to date, started as a tiny seed and germinated into something really beautiful. Also at some point I started illustrating every chapter which was a real game-changer, and makes me feel a weird obligation to KEEP DOING THAT for all of my fics.

Naked and Afraid: Jingle Hell (24k human AU, complete, rated T but only for, like, mildly suggestive themes)

Okay my new favorite thing EVER is to take an extremely silly premise and make you FEEL THINGS 🥰 "Aziraphale and Crowley are participants on Naked and Afraid" is not a thing I would have expected to be received with joy and tears, but here we are, and I'm very very happy with how this one turned out.

What was your biggest Pit of Despair moment?

...That's awfully dramatic, but I guess when the SCB posting schedule was really catching up to me and writing was more of a HAVE TO thing instead of a just-for-fun thing. But that didn't last long, and it never got to the point where I wasn't enjoying myself. Writing is a real passion of mine and I'm having the time of my life with these fics.

What have you learned?

Honestly...I've learned that I can do this. I really can. I can take an idea, just the tiniest glimmer of silver in the aether, and follow it and draw it out and spin it into something magnificent. I can write things that make people Feel (including myself!). When I reach, the story is there, and I can trust that I'll find it as I go along.

I've also learned that a good beta-reader is worth their weight in gold, rubies, mithril, any incredibly valuable thing, and that it's okay to open myself up to criticism, and that accepting suggestions from someone smart and articulate and caring makes my writing soooo much better.

What fic did you want to do, but never made it off the ground?

The Naked and Afraid piece would have been my answer here, except I found a way to make it happen 😁 I have a bunch of half-formed, nebulous ideas floating around, but really I've just been going for the stories that I want to tell. I guess we could count the When You Go sequel here, haha. As soon as I've had some time to absorb and process Season 3, the sequel is ON

Did you beta any fics? Any faves you want to give shout out?

I kiiiiinda did one soft beta-type-thing just last week, but that was my very first time! I'm usually soooo busy with my own projects that I barely have time to read anything anyone else writes, much less offer thoughtful feedback. Maybe one day...

What three fics have you read this year that you love?

See just above — I don't have the tiiiiiiime. I did read For Loving One by @thescholarlystrumpet and it was gorgeous (she even embedded a piece of fan art I did in one of the chapters, which was very exciting for me), and I read Love, Uh, Finds a Way by @heretic1103 which was a delight, annnnnd oh! oh! I stumbled upon Lay Thee Sinner, 'Neath the Cross and Pole by @thenerdalert and have been enjoying the updates!

What ideas are percolating for next year?

Okay NOW I'm excited, because as I mentioned above, I've got a brand-spankin'-new BIG multichapter human AU on the waaaaay and the first chapter is going to drop on December 31! The title is In His Hand a Burning Coal and it has officially consumed my entire heart. Can't WAIT to start sharing this one. It's tapped into some deeeeep, lifelong reservoirs of love and nerdy passion for me, and I think that comes through in the writing.

ALSO, in late February we're going to do something REALLY FUN. What do y'all think about a Choose Your Own Adventure FANFIC?? Like, I post a poll with options for the next chapter, you vote, and I write in the direction of the winning option? I'm super excited to give this a try. I do dearly love a good prompt, and if we can get a bunch of people in on the voting action I think it'll be an absolute blast. Soft and sweet? Hysterical crack? Enemies-to-lovers or a tooth-rotting meet-cute? ALL OF THE ABOVE??? YOU choose! 😃

Is there anyone you'd like to thank?

First and foremost, always, I thank @suzypfonne. A random comment on one of my fics has become a friendship I treasure dearly. She's smart, she's funny, she's deeply kind and caring and generous, and she's the best friggin' beta-reader I could imagine. She has made me a better writer, and I'm always excited to turn over a doc to her. 💛💛

Huge thanks as well to @sparklyshinymagpie, who messaged me out of the blue one day to say "hey I could help code the social-media stuff in your fic, if that's something you'd be interested in." HOLY SHIT YES. She has put a huge amount of time and work into making my stories so much prettier, and our next project will be compiling the PDFs for my big stories so I can finally make print copies available for purchase! She is VERY talented and patient and I APPRECIATE HER VERY MUCH

I'm also tremendously grateful to @e-rated-beardo for the unspeakably gorgeous gift that is this incredible recording of the titular song from Sky Clear Blue. One of the lovliest gifts I've EVER been given!

And a final thank-you to @lolalu16 for her tireless cheerleading. They sometimes get early access to chapters, just because I like them 😁

OKAY this was fun but also took forever, haha. I'd love to read others' posts on this subject, so feel free to go for it!

[denaliwrites]

Making Biscuits

Aziraphale x GN!Reader

Summary: Aziraphale knew that Crowley could turn into a snake, and he suspected that Beelzebub could turn into a fly. What he didn't know, until after meeting you, is that this is actually a common trait among demons. Another thing he learned from you? The animal traits carry over.

Requests: Open!

Warnings: Cats.

Aziraphale didn't understand the obsession you had with his stomach -- you knew this. Sometimes, you tried to contain it. No, really. He knew and you knew that demons weren't exactly known for their restraint, but you put in the effort for your darling angel.

At night, though, when the two of you were alone in bed, no matter what you were doing, or what he was doing, you simply couldn't help yourself. Most of the time he didn't seem to mind, so at least there was that going for you.

For the first month or so of your relationship with the angel, you left it to simply cuddling around his midsection. You didn't want to scare the poor guy away, after all.

It was around the one month mark, though, that Aziraphale discovered that you can shift into a cat. You were surprised to find that he not only seemingly didn't mind, but also that he didn't seem surprised. You expected it to be a much bigger deal than it ended up being.

He explained that his other demon friend, Crowley, sometimes turned into a snake. Admittedly, this did in fact fix your confusion.

A few nights later the two of you were, as usual, cuddled in bed. The angel was reading a book, as he typically did, and you were lightly drifting in and out of snoozing, nestled up somewhere in the meeting between chest and stomach.

As you fell into another little bout of sleep, your arms stretched out, then as they pulled back towards your body, your hands began kneading, claws digging into the flesh of the angel's tummy in steady intervals.

You jolted awake as he let out a startled sound, and you looked up to see what disaster was befalling you.

"Sorry, my dear," he said placatingly, though you could hear something else in his voice. Annoyance?

"What's wrong?" you asked, instinctively fearing you'd done something wrong.

"It's -- it's nothing," he tried to tell you. When he saw the look in your eyes, though, he sighed. "It's just that your nails... they're a little sharp to be making biscuits."

"M... making biscuits?" you asked, trying to contain your amusement.

"Well -- yes! When I found out you... turn into a cat... I did research on cat care! There were many articles about cats' interest in making biscuits! It was all rather cute."

"Why did you look up cat care?" you wondered aloud, blinking up at him.

"Well, when Crowley's a snake, he likes to be cared for like a snake. I assumed this meant that when you're a cat, you like to be treated like a cat..."

The look he sent down your way was adorably perplexed, and you simply smiled and blinked slowly in response.

"I also read," he went on, excited to finally be sharing the things he'd learned with someone, "that cats blink just like that to tell their owners they love them!"

You froze, and he seemed to realize then what he'd just said. "Oh, but -- I -- well, I didn't think, you know, that it all translated perfectly. I'm sure there are some differences..."

You didn't reply at first, simply settling back in, your hands returning to biscuit making.

When you did finally respond, you did it with a slow blink. "Oh, no, I do love you."