#i'll probably make those rambles a different post

[mattodore]

birthday boy 🎂

[lucabyte]

Finally: The NoHats AU doodles. Plus some sprite edits.

Usually I'd let things speak for themselves and keep my chattering in the tags, but I'll ramble about my context thoughts...

So. First of all here's a link (x) to the Nohats Origin Post for those coming in and going ????.

Anyway. These doodles are not in any obvious chronological order, though Loop going from pilfered bandolier (my headcanon for how Siffrin has all those pockets) -> custom outfit made by Isabeau, is supposed to generally denote 'just after the ending' -> 'a few months down the line'.

And speaking of, Design & Characterisation notes:

Overall: NoHats is suppooooosed to have the range to not just be ULTIMATE MISERY ALL THE TIME (but if you're a major whump/angst fan. go fucking nuts.) so these are supposed to be. The steps toward overcoming and living with grief but. The Misery Is Kind Of The Punchiest Part.... Oops....

Mirabelle: Taking the lead, continuing to carry the weight of the world on her shoulders. In the game proper she's already shown to, while yes, be emotionally fragile at times, be prone to trying to hold the team together. I feel she'd do the same here. It also would help that she'd presumably be medicated again? But I can't imagine her chosen-one anxieities would be super ailed by the death of her friend. I wanted to try and give her more differences? She follows the change belief after all and is thus liable to switch up her style in general... But I didn't have a strong vision for this, so. The ball is in anyone's court. Her design changes here are keeping one of Sif's safety pins a la qpr bonding earring, and has the bell pendant at Loop's (oddly pushy) suggestion.

Isabeau: Taking it. Badly. Depression mullet and beard in tow. However, you best believe he is trying real badly to hide it. Loop very much does not reveal their identity to him because What The Fuck Would That Even Do. That's Scary. but they do try to comfort him while mentally regarding him "off limits". Backs themselves into some very unfortunate corners by alluding to their unfulfilled relationship with their Fighter as a point of common ground. I don't imagine this would go super great when recontextualised later after Loop is inevitably found out. Just in general oh good god what the fuck. this is like a radioactive pit of survivor's guilt.

Bonnie: Taking it probably The Worst. This is a child. Who was already feeling guilt. This is who everyone else is trying to keep it together for. Mirabelle and Isabeau would likely be putting up far less of a front without Bonnie around. They take the hat and take on Pocket Duty. They also have slightly more sif-y hairstyle but... Don't worry about it. They'd have Nille to fall back on once she's picked back up, and Loop almost certainly attempts to redouble efforts on making them feel better but seeing as how closed-off Bonnie can already be, it'd likely be difficult. However they would probably take Loop's identity reveal best...?

Odile: Odile's design.... ! Does not seem to have changed? How odd! Well. I'm sure she's dealing with things in a regular and non-cloistered manner. I already think that a regular Postcanon Activity for Odile could be her finding out about the potential for sif/loop to translate books and thus Knowledge in their native tongue assuming that ability sticks around postgame. Something something culture can never truly be wiped out etc etc. But putting it in this context. Makes it more desperate, more of a deflection for something else.

Loop: Helpful Loop. Well. They win! I feel like the entirety of ISAT being about Siffrin's mental state means I don't need to spill much ink here? You get it I think. I can't outdo the source material man. Anyway I imagine Loop is given clothes by Isabeau before they know who they are, but after they've become genuine friends. The outfit is in genuineness, on both sides from Loop and Isa, in having the cloak be a nod in respect to Siffrin, since Loop's "shared culture" would have to come up vis a vis cultural funerary traditions. Hard to avoid divulging that one...

[mayordea]

Happy birthday to the number one princess in the world!! 💖

~from her biggest fans :)

ramble of my scattered thoughts on the piece under cut as usual cuz i love talking 😋

This has been an idea I've been cookin for a while, and it was so cluttered and unlike any other ensemble piece I've made... and I decided I oughta do it anyway. I love Miku, I love Vocaloid, and I wanted to do something really ambitious and crazy for her anniversary. Crazy that she's turning her "canon" age this year TwT

I had the idea floating around since like, May...? And then finally started acting on it around June 18. I'm terrible with deadlines, obvious with how I can never make a silly birthday post in time, so I started wayyyy ahead to make sure I have some room to be lazy lol, especially with an idea as ambitious as this.

This was finished on July 12! So I had to sit on this for an annoying amount of time. Very difficult for someone like me who just wants to talk about everything I'm working on to the masses. But at the very least, that gave me the time to work on the draft for this post.

~~~

Here's some ~behind the scenes~ scribbles leading up to the finished piece!

Left is the chicken scratch plan i made in my handy dandy notebook (whenever things are getting real and ambitious, i always made a rough ROUGH plan in there. Usually I'd do a rough pass of the full thing, but this was too complicated for me to do traditionally. I majorly benefited from digital tools to make this possible). CyberDiva and CyberSongman were considered, but I ended up cutting them cuz I just didn't feel like drawing them sorry-- (just pretend they're off to the side. They gave Ruby and Clara the pizza lol). Right is the "final" completed sketch (before I decided to include Chika mid-way through coloring and VY1 and VY2 near the finish line). I started by drawing the main "groups" separated on a different canvas so I can plop them into the main canvas for easy rearranging and transforming. However I got lazy and ended up drawing everyone in the bottom right corner directly on the canvas since I liked seeing the big picture of everyone's positions. Y'know.

Almost excluded Chika! But I like her design so much that I just felt like including her last-minute. You win this time, Chika fans. VY1 and VY2 were very close to being cut! I added them when I began doing the banner and thought "eh why not". I figured their non-human designs would be pretty easy to include pushed back in the bg. Ik VY1 is more commonly associated with the fan design, but I referenced the hairpin cuz it was simpler and the fan looked very annoying to draw 😭

Sorry to the fans of many Vocaloids I had to cut because this composition was insane enough as is. I promise I wanted to include fellas like CUL, LUMi and Sachiko 😭 I will admit I was a little biased on who I wanted to include over others. Like, I don't normally care for Bruno and Clara, but I wanted to get some more international 'loids in the mix. Also wanted to stick in the realm of official designs and not fan-designs since, as much as I can appreciate those, are just a whole "wait who is that guy supposed to be" situation I didn't wanna deal with. I also did wanna include even more character references through the balloons, but they ended up being kind of ugly and overcomplicated the BG :,) (Oh, and while this was originally planned to be a Vocaloid-only piece, I did end up including Teto, Neru, and Haku 'cuz those are Miku's besties dude!!! They may not be Officially in the club but they're her girls and it would be criminal to not invite them to her birthday).

Anyway, this project marks the first time I've drawn a lot of Vocaloids. Lily, Piko, Rana, Yuki, Yukari, Miki, Maika, and many more lol. All of 'em I've heard or seen in passing, but now I actually drew them, and some have really cool and fun designs!! I got into a habit of drawing Merli after this since I just love her design for example. And I'll probably be drawing more lol!!

Oh and the last thing I'll add for now!! The cake is indeed made up of various song references!! I wanted to reference the "big four" producers, just absolute icons in Vocaloid history. The pink/black checkerboard is "World is Mine" (Ryo), the crescents on the side is "Rolling Girl" (Wowaka), the smiley faces is "Matryoshka" (Hachi), and the three hearts on the side is "The Vampire" (DECO*27, which is sort of a symbol of his whole Mannequin album tbh). I know "The Vampire" is a bit modern but I couldn't think of anything else off the top of my head. I'm a fake DECO fan I know 😔 "Matryoshka" was originally going to be referenced in the colors of the candles but believe me it looked like shit so I just went for something else last minute 😭

That's all I have to say!!! Hope you didn't mind the text wall if you made it here. I hope you like it as much as I do!!!! Happy freakin' birthday Miku!!!!

I have to deal with tagging all these characters now for my page,,, in the drafts my tags got cut off after a certain point so I think I'm massively breaching the tag limit 😭 um... I'll figure that out later...

not losing sleep that i can't tag everyone, even for page organization purposes because some characters have pretty generic names and some are a little hard to see in full yknow. If you're one of those people who tag every character in the art piece you reblog... I am very sorry.

[blackkatdraws2]

I'm involved in a Stanley Reblog Chain and put effort into these drawings so I'll post them here too.

[The other characters belong to insomniphic / beartitled / and marionette-j2x]

[Just me rambling underneath!] ↓

Tumblr has a tag limit and it grates my nerves to no end to know that I can't ramble as much as I'd like to...

Stanley and the bad bitch he pulled by being a loser. Imagine having a hot babe deform reality just to be together with you because he sensed you were feeling lonely without him. [WHEN IS IT MY TURN?!]

It's funny because with the general vibe of their AU, it would make sense for him to show up in the most flashy but also unnerving way possible. The Narrator's [Black's] arrival has to grab people's eyes since attention and views are what he's all about.

I wasn't sure what type of characterization they had so I just played it safe and [tried to] draw how my characters would respond instead of blindly guessing how the others would talk or act around each other. [My Stanley is antisocial and an anxiety-ridden freak.]

Also, I've been wondering what their height differences actually were when I saw my Stanley have to look up at Marionette's Narrator [since this guy is pretty damn tall] so I did a bit of digging and this was what I found.

I had a lot of fun making this by the way. It's been a while since I've participated in any Reblog Chains that involved character interactions and making comics, so it's a real throwback to when I first started posting TSP art in 2023.

Stanley here is an absolute social shutoff teehee, but he does talk back when talked to. His responses usually leave no openings to continue the conversation though. He's the type of guy to stay on the corner and watch everyone else.

As for the Narrator [Black] he's a bit strange. He's proper in public, but he doesn't think the other people are special [or not as special as he is at least]. He just doesn't care to be honest, he keeps to himself [along with Stanley] and that's it. It's a miracle for Stanley to have even pulled somebody like Black considering their personalities are the type to clash with one another. [They love each other though, genuinely. Despite how deranged they can be towards each other sometimes, that development took a long time to be nurtured into something healthier for those two.]

Also, 4th wall breaking in action!!!!!!!!!!!

Black didn't want to interrupt this comic since it was made for Stanley but after the other three came in he lost reservations and came in as well.

[Copy and Pasting the tags of my other post because I am NOT re-writing all of this...]

These two would probably just stay in their own spot [somewhere quiet and more alone]. This place is a bit too crowded for their liking. But I would be very happy to jump on any opportunity to make my guys interact with the others!!!!! Don't be afraid to throw a bone [prompt] for me to bite on, okay?

[tritoch]

Have you got any thoughts to share about Sphene? I saw your post about how misrepresented FFXIV’s female characters are, and I’ve been hoping to see anything more than the typical “Evil AI colonizer etc.” or “Tragic woman who can never change ever” or “Wuk Lamat’s girlfriend”. Maybe our interpretations will differ but I’ll be happy if you can provide anything more complex than those.

Sure! Throwing all this under a read-more for anyone who hasn't finished 7.0 yet. I think I'll probably expand on this more later but wanted to get initial thoughts down. (Note after writing: I meant this to be brief but uhhhh brevity is not my strong suit sorry. This take just sort of ends abruptly because I realize I'm rambling.) Again, spoilers through the end of 7.0 MSQ.

I think Sphene is the sharpest work the game has done yet in casting the antagonist as the noble double of the protagonist (a well it returns to a lot with Emet, and Zenos, and Golbez, and...). But because the protagonist here is Wuk Lamat and not the Warrior of Light, that's also a much more defined and interesting role. To me, Wuk Lamat is, above all, the Righteous Queen, who rules thoughtfully, wisely, and justly, and whose claim to the throne is justified by her moral clarity. Sphene, in turn, is also a wise and good queen, one who undertakes all her actions with her people first in her hearts, a sense of compassion towards all, and a clear eye for the consequences and costs of her intended course of action. And it leads to utter disaster, for her, her people, and the people of Tural. That rocks!

The first half of 7.0 is about justifying the fact that Wuk Lamat's going to be Dawnservant. Wuk Lamat is compassionate, curious, wise, and open-minded. She wins over rebels and malcontents not by asserting her authority or by strength of force, but by taking her obligations to them (as her subjects) seriously. She knows many of her subjects personally and takes a great interest in their lives, and she respects even those who openly oppose her.

And everything Wuk Lamat does, Sphene does to 11. Wuk Lamat respects her subject peoples and is curious about their cultures? Sphene forcibly annexes Yyasulani, but goes out of her way and expends Alexandria's limited resources to enable the remaining Xak Turali to live in their accustomed way if desired (…to the extent allowed by the new permanent lightning storms and the internal conflicts caused by regulator adoption). Wuk Lamat cares about her people not just in the abstract but as individuals? Sphene visits sick kids, knows them by name! Wuk Lamat understands the burden of rulership is too great and cedes half her power to her brother? Sphene recognizes her own weaknesses and makes a deal with the devil to keep Alexandria's culture alive! Wuk Lamat is willing to die for her people? Sphene will forcibly traumatize herself into being a better queen, if that's what rulership demands.

For an expansion that spends the first half being like "wow isn't this perfect candidate for the crown so likable and humble? wouldn't it be nice to be ruled by a good king?," it sure is funny that the final boss is THE QUEEN ETERNAL and she hits you with attacks like LEGITIMATE FORCE and ABSOLUTE AUTHORITY and ROYAL DOMAIN. This, to me, is Sphene's role: she complicates and questions the themes we've developed in the first half. Most importantly to me, she makes us ask: what is devotion to a people or culture even worth?

There's a thing I kept thinking of constantly during Dawntrail, not because I think it directly influenced the game in any way but because the parallels were so stark and startling. It's Jonathan Hickman's New Avengers #18 (2014). Truthfully, I'm not a big comics guy; I only know this sequence because Ta-Nehisi Coates cited it as inspiration for his Black Panther run on Twitter once (I also didn't read TNC's run, I was following him for politics talk). Forgive me, comics people, if I get any details wrong. The parallels are almost comical, though. It goes like this:

A superhuman secret society formed of some of the smartest heroes (and villains) in the land re-forms to oppose an existential threat caused by incursions from other dimensions that threaten to cause literal collisions between Earth and its alternate dimension counterparts. Seeing no other alternatives, they undertake work on a weapon to destroy these other worlds. T'challa—king of a fictional hyperadvanced nation called Wakanda, and also the superhuman Black Panther—meets with his ghostly predecessors, the previous Black Panthers/kings, for he fears the moral stain on his soul and the souls of the people of Wakanda, if they survive explicitly by killing their alternate counterparts, will be too heavy to bear. His ancestors are not impressed.

To them, there is no question at all. A king's duty may be complex in the execution, but it is simple in its conception. Your people come before all others. Always. This is, must be, the fundamental ethic of a good king. To do otherwise would be a betrayal of the social order on which this imagined good monarchy is built. In a situation like this, the only option is to do what you must to protect them. "Will there be a cost? Yes. Might the universe burn? Let it. . . . You will kill them all if it means Wakanda stands. The golden city must never fall."

"I will do what I must" is Sphene's guiding principle. It is so important to her that when she recognizes that her sentimental attachments are making her waver in her duty, she severs them entirely, sacrificing her whole identity to the throne. It is also implicitly Wuk Lamat's position: she has no choice but to fight Sphene because to do otherwise would be to fail to protect her people. In fact, it's briefly even sort of the Warrior of Light's position, as when you tell Sphene before her trial that you understand what you must do, which is shut her down to protect others.

(One quick thought about the Warrior of Light: one cool thing about the antagonist this time being a double in a more exact way than Emet or Zenos is that it means other characters get a chance to relate to her differently than Wuk Lamat. The Warrior of Light, for example, is pressed into her service immediately upon your first meeting as the Queen's Champion, there to defend her if need be against all evil. This role is further affirmed by both robot Otis and Endless Otis, who essentially hand off their role as her knight to you, and reinforced when you flash back to the "might I call upon your aid" moment right before the end. Except, of course, you are loyal not just to her, but to the principles she represents, which her own acts betray, and so your ultimate act of aid is to essentially pass judgment on her and execute her. In a sense, you become the internal safeguard that a political system is supposed to have to protect against this very issue, and which Alexandria explicitly lost when it cast out/forgot Otis. Very Voeburt/ShB tank quests, it owns.)

But really, it's Sphene who embodies this sort of grim logic best. Aside from her transformation into the Queen Eternal, it's also why she suggests you simply become Alexandrians. It's the only way for her to reconcile her values and worldview, which have backed her into a corner where preserving Alexandria has come to mean a maximalist declaration of war on all life outside its borders because the kind of absolutely pain-free life she envisions for her citizens is completely unsustainable.

In this reading, one of Sphene's main beats is to unsettle what has preceded her in MSQ. In nearly all respects, she shares your values. She prizes life, is curious about other cultures, believes in the greatest good for the greatest possible number. But she is also a queen, and therefore irrevocably (in her eyes) tied to her state. Gulool Ja Ja and Wuk Lamat (and Koana) are the mythical wise rulers, thank god--but what if Wuk had inherited a Turali state that wasn't desperately in need of cross-cultural understanding, but one in a state of war? What value would her deep love for the people of Tural have held then? Sphene says, it would have held no value. If the survival of your people means harming the innocent, you harm the innocent. Kingship allows for no alternatives.

But she also concedes, in the very next breath, that she is still kind of wrong. Because what happened here was not inevitable, despite her programming (a brief note: to me Sphene being programmed is exactly the same as Emet being maybe-tempered, it's a fantasy gloss on the idea of social and cultural education. "I was programmed for this" is really no different from "I was trained and educated for this"), because the truth is that this kind of thoughtful, principled devotion to the state and its people is also a form of sentimental attachment, in the end. One that is maintained not because it is natural, and necessary, but because the monarch, too, likes it, and gets something from it.

In so many ways, in so many senses, the monarch is the state. Kings and queens may fancy themselves merely a reflection of their people's needs and desires, but of course even a cursory glance at history will tell you that far more often, states reflect their rulers. Sphene and Wuk Lamat both suggest that their conflict was inevitable, but was it? Or is the truth, as Sphene glancingly acknowledges here, that she turned her own fears and desires into the same policy goals that led to this tragedy? And if so...what does that say of our Good Queen, Wuk Lamat? Perhaps this could be different if they met earlier, says Wuk Lamat. But when? When did Wuk Lamat ever not love her people so dearly that she would not have sacrificed herself for them, or caused mass death for the sake of their survival? When did Sphene not believe the Endless to be people, or the preservation of Alexandria to be the most important thing? Maybe she means "had we met before you met Zoraal Ja," but of course, we the player actually saw their meeting. And we know that Sphene even then was not the hapless naif she'd like to pretend. She always knew exactly what she was doing.

We know the price of this kind of thinking, this Hobbesian view that states are engaged in a struggle of all against all. Living Memory lets you walk through it. To preserve Tural, we exterminate the Endless. We befriend them, learn about their lives, promise to remember them, and then we destroy them and their homes, leaving nothing but a bleak blank landscape and the sound of wind. This is what Sphene would have done to Tural and Eorzea. Indeed, it's what she's already doing to the people of Yyasulani, because no amount of well-intentioned aid can make up for trapping people under the dome for 30 years and systematically eroding their culture through the resonators.

To me, this is what makes Sphene really work, that way she has of forcing Wuk Lamat and the player to commit the same kinds of sins she has. We'd like to think ourselves better than her, but of course, we've already reconciled with and integrated Mamook's brutal eugenicist regime back into Turali society well before we ever met Sphene. At the end of our long "wow isn't having a wise queen cool???" expansion, we are met with "Legitimate Force" and "Absolute Authority" and see them for what they truly are: nothing but tools of violence. No longer does the idea of the Warrior of Light hanging around Tural as Wuk Lamat's advisor have the same attraction, now that we have been reminded of the way the putatively unquestionable logic of kingship can ultimately lock even the wisest and kindest rulers into a path of war and exploitation and destruction.

I think Sphene is FFXIV's most interesting and nuanced depiction yet of a leader. She really, truly, wants nothing more than to save her people and protect them from pain. But even seemingly loving and compassionate goals like these can readily lead us down dark paths. She's a "hard men make hard choices"-type character, a noble but misguided opponent, but as a loving and elegant fairy queen instead of a grizzled knight or extremely sad man. She fucking rocks.

[ramblingautisticman]

Here is part 1 of my new series 'And They Were Gamers!', a series in which Logan and Wade play video games and be cute and gay- enjoy!

I'll be posting it here and on A03! I've got about three-ish chapter ideas/things I'm writing, any suggestions or idea please comment!!

(Based on this post!)

(Tagging @ineffable-monster-romancer because you gave me the idea for the tiny house and flowers!!)

------------------------------------------

It had started simply. Wade scrolling through YouTube at 3am due to insomnia, and wasn’t that how most things started?

He was used to staying up late, his body refusing to give in to the tiredness running through him. Logan had tried to get Wade to sleep easier- tried to find a way to get him relaxed enough to pass out- but nothing had seemed to work, so he did continued to do what he always had, didteacting himself with his phone until he either fell asleep or it was morning.

Eventually, he moved from tiktok to Youtube, and after awhile he found a video that seemed interesting. Something about a game called Minecraft. He had heard of it- the kids at the mansion had talked about it briefly when he was there a few months ago- but he had never actually seen it. So he pressed play and lay in bed watching it, finding himself quickly enamored in the video.

Before he knew it, he had spent the next 5 hours watching videos and looking up the different versions, and quickly it had become something he needed to play.

It seemed like a fun little time waster for when he couldn't sleep, plus, it seemed very relaxing compared to the other games he enjoyed.

So when Logan finally stirred, Wade had quickly started rambling about it, telling him anything and everything he could about the game- coming up with 100 and 1 reason as to why he should buy it- and even if Logan had no clue what was happening, when he left to go shopping and left Wade to watch even more videos about this game, he threw in the copy of Minecraft Wade had wanted (and yes, he had to message Laura to ask what one Wade needed for the switch thingy he played on, and spent a good hour being annoyed at how many different versions of it there seemed too be).

When he came home, Wade had helped bring the groceries to the kitchen, spending the whole time talking about a video he had watched about someone making a castle in the game- and by the end of his ramble- the only thing left in the bag had been the game.

Wade had nearly exploded with excitement when he saw it, quickly wrapping his arms around Logan in a bone crushing hug and thanking him about 50 times, before grabbing Minecraft and rushing over to his Switch.

And that was Wade for the next 3 days solid. It was all he did, and thank god they had no missions, cause honestly? Wade would've probably just taken the thing with him.

Luckily, Logan found his excitement over it cute so he was allowed to get away with not doing much else. And it seemed to be helping Wade when he couldn't sleep which was a bonus.

After about a week, Wade had greeted him at the door after walking Mary Puppins, tears in his eyes as he held the screen up for Logan to see.

"My dog died!! I had him since the first night! And now he's dead and I didn't even get to finish the dog house! Stupid fucking skeleton shot him!! I'm such a bad dog owner! Don't let Mary near me!!" He cried, tears now rushing down his cheeks, a frown on his face.

And Logan really didn't know what any of that meant, but he didn't like Wade being this upset. And he didn't like hearing him think he was a bad dog owner. "Hey, it-s okay- you are a real good papa to Mary." He said softly, gently holding the dog closer to Wade, watching as she licked his face.

It seemed to help alittle, Wade gently holding her with one arm, kissing her forehead before looking back to the screen of his Switch. "I wanted to make him a house...I was so close to getting a nametag for him.." He muttered, looking back up at Logan with those big sad eyes that made his heart ache.

"I'm sorry baby, why don't we cuddle up on the couch? You can show me the monster farm thingy you were making, yeah? Maybe you can get another dog?" He suggested, gently guiding Wade to the couch and gently sitting down, listening as Wade slowly explained that the monster farm was called a 'Mob Spawner', and that he didn't know if he could find another dog because of where he lived.

Logan thought that maybe it would pass in a few days, but Wade was still heart broken about his Minecraft dog, and Logan needed to fix it. So, he devised a plan. Well- him and Laura.

It seemed that Wade had messaged her about it, because she knew exactly what Logan was on about when he had sent her a text for help. Initially, he just thought that Wade could find another dog, and even though that was technically true- Wade didn't seem very happy at the idea of going and getting another one. Something about not wanting to go exploring and loosing all his XP if he died.

So Laura suggested something else. She had suggested that Logan learn to play it so that he could go and find Wade a dog himself. Which made him very very confused. He wasn't good with technology- had only just figured out smartphones- but he wanted too. Wade deserved to have his dog back, and here he was, sneakily using Wade's switch to try and learn the game.

It took a few days to get the controls down, but Logan quickly got used to them- and honestly? He began to understand why Wade loved it so much. The relaxing music, the cute animals, the addition he was gaining to mining.

Now, playing it himself, Logan understood why Wade had gotten so upset when his dog died. It was easy to get sucked into the game- to shut your brain off while collecting wood or getting attached to a chicken you managed to hatch from a random egg- and it made him want to get Wade his dog even more. That, and play it with Wade himself.

It took another few days to get a dog. He had to wait for Wade to go on a mission, but as soon as he left the apartment, Logan booted up Wade's world and got to work. He still wasn't good- he had to Google a few things- but eventually he found and tamed a dog.

Logan spent about an hour getting it back to Wade's house, and then proceed to spend another hour figuring out how to fish for a name tag. As soon as he started fishing, he realized that maybe he was enjoying Minecraft more than he had expected. It surprised him to enjoy a video game- he had only ever really played a few in the 80s with the kids at the mansion- but here he was, 4 hours later still playing.

He hd originally just wanted to get a dog for Wade, name it Mary Puppins and be done, but he couldn't help but get more and more into it as he contuined to play.

At first he realized Wade didn't have an anvil, so he went mining for iron. Then he needed some more levels for the name tag to make sure he didn't used Wade's, so he went and killed some mobs. Then he decided to make the dog alittle house, even if it was just a square of wood, then he found some flowers and decided he wanted to decorate with them.

Before he knew it, Wade was opening the door and loudly announcing he was home. Logan tried to save and exit the game quickly- but as usual- Wade was faster than he was, quickly looking at Logan with a confused expression.

"What is this??? Your using technology beyond an old android? Am I dreaming?" Wade said dramatically, taking his mask off and plonking down next to Logan on the couch. "Wait...why are you on Minecraft?.."

Logan looked up from the Switch and over to the man sat next to him, blushing slightly, as if he'd been caught with his hand in the cookie jar. "Oh well- you seemed so sad about your dog- ya know? And I wanted to cheer you up, so I messaged Laura and she said about me finding you a dog so you didn't die with your XP, so I tried to join on a different profile thing but I couldn't, so I logged in on your one- I promise I didn't lose any of your XP or use any of it- and look! I found you a dog- and I called her Mary Puppins, and I even made her a house! Also, I found some red and yellow flowers, so I thought that would look nice....." He rambled, suddenly worried he had upset Wade. Should he of asked before he played? Did he mess the world up?

He held the screen infront of Wade- the same way Wade had done to him a week and a few days ago- and glanced at it, pointing at the little dog. "It's a grey dog, so I thought she kinda looked like Mary, ya know?.." Logan added, looking back at Wade, who seemed to be crying? Shit.

"Sorry- did I ruin it? I just wanted to help- I can get rid of the dog hou-" like usual, Wade interrupted him.

"Oh my god! Peanut! That is the most amazingly romantic thing that someone has ever done for me! You learned how to play it- and then got me a new dog?? And you got yellow and red flowers to decorate? Our colours!? You are the most amazing boyfriend ever!! I'm going to keep her so safe in her adorable little house and-and I'm buying you a Switch and we are going to play together and make a house together and we can put our beds together!" Wade rambled, somehow with on breath, and Logan couldn't help but smile widely at his excitement.

He kissed Wade's cheek softly before handing over the console. "Yeah, that sounds good...I've already been looking at one actually- Minecraft is really fun. And I'm glad your happy." Logan said softly, laughing alittle at how stupid it was he was nervous about this. It was a video game, why did he need to be anxious?

"Oh, I am buying you whichever Switch you want, I'm buying you Minecraft, and we are going to spend the weekend making the best house ever." And honestly? Logan wasn't going to argue.

[cripplecharacters]

What is a good way to research disabilities to be as accurate as possible?

Hello lovely asker!

We have this post written by mod Sasza on how to get started on research. There's also this post which talks about how to get started too.

It really depends on what condition you choose for your character. Some are more uniform in how they present, others are completely different person to person (like EDS or Hypopituitarism). The character and their personality should also be taken into account when writing it.

If you're writing a character with chronic pain for example, and you read a lot about chronic pain in the lower extremities being more common. What if your character does work with their hands though. They might have more chronic pain in their hands than their legs because of the work they do. Or entirely it could very well be that they have bad chronic pain in their legs and that's why they do work primarily with their hands.

There is usually a basis to a condition of "these are the defining characteristics of this condition". Pain is the main key characteristics of chronic pain for example. Then things like nausea, fatigue, exhaustion, those are almost secondary symptoms because not everyone will experience those. Some will, but also some don't.

When I research I like to look at medical stuff first (journals, books) and then I'll follow up with people's personal accounts and favor those more for building your character. The medical stuff is going to give you the basis of what the condition "Generally" looks like. Personal accounts are going to give you a more accurate realistic depiction of what it feels like. The whole point of research is collecting all the is different information so that when you're done you can piece it together and use the bits you want or see what fits.

If your researching something congenital then another thing to keep in mind is that with puberty and growing, the condition can look different/present different from a child to an adult. Very long rambling short, you can do accuracy as a basis of what to work with but once you get to making the character, one person's "accurate" isn't another person's. If you think something isn't accurate, as long as it's not harmful, it will probably be alright. There's even a chance that you're representing someone with pin point accuracy to them and they can connect to your character or book.

Sometimes wanting to be too accurate can end up creating stereotypes too. If everyone depicts the same characters in the same manner it becomes a stereotype and in turn there's less diverse representation. Make sure you aren't separating the characters personality, hobbies, from their disability, because that is what also changes in everyone and how we go about our conditions, it's what makes everyone different and unique.

Hopefully this (maybe) helps a bit. Happy writing!

~ Mod Virus 🌸

[severus-snaps]

a ramble and some open questions for fandom elders (and others) about whether Snape was only made more sympathetic on account of Alan Rickman's popularity/casting, and similar things

so I stopped engaging with a tiktok creator for a while who I'd previously found very interesting because nearly every time they brought up Snape, they'd throw in some casual "if Harry was a girl, Snape would be really creepy/predatory about it" or some other weird Snape take not rooted in anything (to my mind). Like, it was weird to me because they bring in book quotes or pottermore/interview snippets to other analyses of other characters and ideas, but never Snape - for Snape, it was always just about vibes and feelings. For Snape, the fact we never hear that he killed someone or the fact we never heard that he stalked Lily is, in fact, strong evidence that he did do those things - or certainly thought about it - and certainly enough to be considered predatory and likely to dose Lily (and later a hypothetical Harriet) with a love potion or keep them in his basement, or something.

I disputed that idea in the comments one time, and some Snape supporting comments outside of mine got removed and users blocked, meanwhile my comments were (I think deliberately) misinterpreted. I stopped using tiktok entirely for a while, and never went back to see if the comments got deleted or whatever. Tiktok never gave me any further notifications about it upon re-downloading, so I guess they were removed? Idk. I have no desire to check.

but all of that is background really; she's lately posted some videos (I still find the rest of her content interesting, but apparently snape content is a no-go lool) saying that Snape's whole characterisation is different after the 'three year summer' - that is, that JKR saw how popular Snape was in the films, that she had to find a way to keep Alan Rickman on board when he wanted to leave, and that when she took her break between writing GoF and OotP I think, Snape sort of morphed into a new character and she had to attempt to redeem him (which, in her eyes, he's not redeemed even at the end which is like. ok). She implied that there's no evidence of James' bullying prior to OotP, no evidence of Snape ever having had a relationship (much less a friendship) with Lily, and that all of that was tossed into the later books retroactively to 'redeem' his character. (Obviously, I have Thoughts on that, which I'll come back to).

Of course, with the sort of... bad vibes she's built up around pro-Snape comments on her videos, all of the comments were in agreement with her. I'm also new to HP/Snape in terms of actively engaging with the fandom online, as it somehow passed me by at the time. But now I have Thoughts

So with all of that in mind, and just because I want to hear other people's thoughts but TikTok comments are a nightmare on their own with the character limit, inability to read them properly/in order, and general vibe of TikTok comments (even without the creator deleting/getting antsy about pro-Snape ideas), if anyone wants to discuss this lot, I am keen to hear people's thoughts:

Was Snape always a popular book character, or did that change/skyrocket with Alan Rickman? (For my part, I don't remember hating Snape when I read the books the first time around - in fact, I hardly remember registering him at all - but I do remember hating Umbridge).

How true is it that Snape was made 'more sympathetic' following the films? To me, it doesn't make sense; the first big, weighty suggestion of the marauders bullying Snape was in PoA, which was released mid-1999; the first evidence that Snape was spying was in GoF, in mid-2000. The first film didn't even come out (Alan Rickman's charisma included) until 2001. Weirdly, the PoA stuff the user is convinced just says that Snape was jealous of James (probably true, not denying it) but in the exact same book Remus/Sirius all but admitted to Sirius trying to kill Snape, which seems like a massive overreaction to Snape being an annoying little hater of a teen that she never comments on because, I guess, Snape deserved it?

Also, does it matter if he was made 'more sympathetic'? ootp was published in 2003, and in early 2002 Alan considered leaving. sure, JK might have added/exaggerated SWM to make him more sympathetic, but the reasons for adding in scenes don't change the fact that that's now part of the fabric of the character - a character who, by this point, had already been revealed in PoA to be the subject of a near-murder plot at the hands of the Marauders and was Very Not Okay about it; the marauders had already been described as troublemakers; Snape was already shown to be wary of Lupin for reasons that weren't solely about him being a werewolf, but about the Prank/Trick/Willow incident. An incident, much like SWM, that occurred because Sirius thought it would be "amusing" to put Snape in a horrible position. if JKR wanted to, she could've made Sirius the ringleader in SWM - but for Snape, I think she just wanted to solidify why a grown man hates a child who looks exactly like his father, which was also referenced in the early books and strongly prefaced by the events of PoA in the Shack (I don't think she had it 'all planned out' from day dot, however, but went with the vibes and fleshed out the details later). Obviously, to this creator, Lupin's idea that Snape was solely a little bitch because he hated that James was better at Quidditch is to be taken at face value, despite the fact the conversation then moves on to Snape's near-death following Sirius 'trick'ing Snape into the willow

Same as above but with his characterisation; she acknowledges that the later books are darker and have a more adult tone, but somehow it's still suspicious that Snape's sympathetic backstory was never once alluded to in earlier books (which, again, I think it's fair to say it was alluded to, but in sufficiently lacking detail so that JK could deal with it when she got there). Also with PoA and GoF especially, there are hints of Snape going from his more 'silly evil teacher' which he kind of was in books 1 and 2, heading towards the more realistic, but still delightfully bitter and flawed, adult character as the books aged up. I haven't read the books in a while I'll admit, but from the Snape passages I have read, I never noticed a sufficient difference pre or post three-year-summer that didn't match the wider tone of the books changing also.

Unlike the tiktok creator, I also think that Snape's reaction to Harry in general is almost entirely to do with James, rather than Lily's so-called rejection, and so there's no evidence that Snape would be weird to a 'Harriet' that resembled his mother, or weird to Lily if he saw her again; I think with his characterisation it's more likely that Harriet would've been treated like Hermione, Ron, or Tonks - being largely ignored with the occasional insult and told off for causing trouble - aka, how Snape would treat most people. Outside of the one isolated 'mudblood' incident, Snape was a bit of a doormat when it came to Lily (bless his heart). He followed her from the train carriage without comment, backtracked when she appeared angry in the post-prank conversation, even the "I won't let you" seemed more "I won't let you turn him into some kind of hero" or even, at a stretch, an "I won't let you be with him" out of Lily's own safety or something than "I won't let you leave me", to me - because he did just let her leave him in school? James and Snape continued hexing one another in 7th year, but there's no suggestion that Snape ever tried to be weird to Lily.

To my mind, there's no suggestion that Snape stalked Lily, no suggestion that he asked Voldemort to capture her - just to spare her. And then Snape went to Dumbledore anyway, probably immediately based on how harried he is on the windy hilltop scene, because he knew Voldemort wouldn't spare her, and even if he did, Snape would probably have to keep up the ruse of 'desiring' Lily, and do the sorts of thing Snaters suggest he wanted to do, just to keep her alive. But with Dumbledore involved, Snape wouldn't ever have the chance to imprison/love potion her - and that wasn't what he wanted. He just wanted her alive so he wouldn't have played a part in her death. I also doubt that Snape had much time to think when Voldemort revealed who he was choosing to kill; it's not as though Voldemort makes decisions by committee. He'd have revealed his plans and Snape would make a quick, panic-stricken decision to tell Voldemort that he desired Lily (which he may have done, to an extent; he'd need to draw on something to back up his request when Voldemort undoubtedly looked into his mind to see why Snape wanted to spare his Priority #1 victim). And like I say, he then set up a meeting with Dumbledore, probably immediately/as soon as he could, sensing that that wouldn't work (was he not convincing enough? Did he just know Voldemort too well? I have so many questions about how that conversation went down, and subsequent conversations about Lily which presumably occurred after V's resurrection).

anyway, no conclusion, only thoughts too rambly for tiktok comments

[cobaltbluesu]

you know, I'm really not hyperfixated on outer wilds anymore. At least not as much as I was. Most of the time it was pretty terrible! Little content for great demand, and liking Slate and Feldspar's dynamic was even harder, even though i was really passionate about it, there's always a sort of feeling of loneliness surrounding it. 99% of the time. But there is also that one percent, of all the happiness and excitement and all I managed to achieve. I mean, I made a pretty long comic in some... what? 3 months? I had friends with me and I learned a lot. Thrill Chasers had a simple plot, where i pretty much just wanted to play around with the concepts, but I liked doing it, and i had people who followed me through the journey. And maybe I miss that passion. I'm probably healthier now, detached from it but, there's always a sort of regret in letting go. It was very fast. I always end up letting go without warning, to things I probably shouldn't. But accepting grief is recognizing the love that you felt, and that you still do, even if everything is somehow a different. It is quite funny how the little events in life resonate with one another, as ripples collapsing on a shore of waves. Outer Wilds still talks to me through change and sacrifice. The characters i used for long to not have to deal with reality (not entering in details, but leaving people behind for sure), tell that story through the microcosms of my interpretations of them. Life mirrors art, and art is one's feelings channelized into a labor.

(a panel from thrill chasers, one i believe summarizes it well) This might have been a pointless sunday night ramble, but I suppose exposing my thoughts in a somewhat organized manner might work for something somehow :) its not like anyone will read this anyways, its late.

if you did read it, maybe check the comic out!

[hellionyura]

Jackunzel Animatic: Wherever You Are

Hi fellow Jackunzel shippers! I have something exciting to share!! I just made an animatic for Jackunzel. You can watch here: https://youtu.be/V8ey7SKI9_8

And a little preview:

Please give it a like and share if you could, it would really make my dreams come true to have more people watch my creations! <3

Anyways heavy texts below if you're interested to hear my ramblings thoughts while making this animatic: (Contains a little spoiler if you haven't watched the animatic yet so go watch it right now! Hehe)

This idea came to me in January 2023, when I heard the song 'Wherever You Are' by Kodaline. It was about finding each other and I related to how Jackunzel has two different appearances, and so I made them go through different lifetimes, and how they always find each other in each one. Also huge shoutout to @justinepush for inspiring me with this cute animatic.

1st life: Human Jack & Magic Hair Rapunzel

In their first lifetime, the story roughly follows the original Rapunzel's fairytale, where the witch found out that Rapunzel has been seeing the Prince secretly, and banished her from the tower, then threw the Prince out of the tower, landing on a bed of thorns below, thus blinding him. They managed to find each other years later, reunited with their twin children. In this animatic though, they both lost their lives to the thorns, and Gothel was shocked/surprised not because she was worried about Rapunzel, but because her treasured golden hair is no longer usable. So in this one, Jack was either a Noble from Corona Kingdom, or a Prince from a neighbouring kingdom?

2nd Life: Guardians Jack & Rapunzel

Rapunzel was chosen as a Guardian, with healing powers. I don't have much thought on her center, it was probably something along the lines of Guardian of Wish/Longing because of how Rapunzel's wish in Tangled was made true by herself (with the help of Flynn yeah but she was the one who initiated it).

I needed a simple design for her Guardian appearance so I whipped up something quickly:

3rd Life: High School students

They're both normal humans now, and meeting by coincidence, not confronting any dangers or whatever, so hopefully they can take it easy now and enjoy each other's company for a long time :)

I think it's interesting to note that they may not remember each other from their previous lives, but something does click when they meet each other. But I leave that interpretation up to you. They can also remember each other if you want ^3^

The only pairing I haven't touched is Guardian Jack and Brown-haired Rapunzel. I'll whip up something for those two in the future probs so look out!

This whole animatic took me a whole month, but of course the planning and conception was cut short because I wrote down the main plot back during its inception in January 2023. While drawing each picture, I would always lose confidence saying things like "yeah this isn't going to work out" or "aahhh this looks trash no one will like this" or "maybe i should just stop now because this didn't turn out as amazing as I thought it would be", and I had to take care of myself before burning out and quitting it altogether. I also lost confidence because my style is so anime-like, I thought people wouldn't like it since it's way different from the studio's artstyle, but anywayss...

This was my first animatic and deciding to draw 60 different coloured illustrations wasn't a good idea for a first-timer, but I kept going because even if people won't like it, I'll just do it for myself.

This was a long post, but whewww. I'll probably draw some fanarts of their High School AU. Thanks for reading! (If you actually reached here lol)

[catboybiologist]

Imma make an observation that literally is just an observation for its own sake, but it's gonna def be borderline toxic and self deprecating. I genuinely only want the observation part about it, and I'm really not being hard on myself or the community here, but if that distinguishment is gonna be hard for you just be warned.

Cool? Cool. Unfocused ramble under the cut.

Now that I've face revealed, I'm kinda curious observing from the sidelines the reactions that people aren't saying. Obvs I'm not a popular enough person to be like "WOAGH SISJDJDJ OMG ITS A FACE REVEAL" but I'm more talking about the general psychology of passing itself now that I show my full face vs when I hid it.

With that tiny scrap of markup covering my nose, chin, and mouth, I had people ENDLESSLY telling me that there's NO WAY I don't pass. OBVIOUSLY whatever I was hiding was the absolute PINNACLE of femininity. My ask box was literally fucking filled with those comments to the point it was obnoxious- "why do you hide your face you're so pretty" or something like it, DMed and anoned to me over. And over. And over again.

I've really only shown my face in "perfect angle" pictures now, and even then it's obvious that I don't pass. Likely, my face looks nothing like what most people imagined. I got this from a lot of people I showed my face to in discord as well- you'd be hard pressed to say that I fully pass now. Best you could do is probably "yeah you look femme but def clocky to the right eye", and I get a lot of "pretty but clocky" type "compliments" from people.

Don't get me wrong, this isn't a "woe is me I'll never pass I'm horrific" post. Now this is Tumblr, and the core group of trans people that I love interacting with largely don't care, or even find the clockiness hot. I'm also gaining confidence in the twinkhon vibes myself, while also knowing that I still have a LONG way to go on HRT, and whatever my face looks like now, it'll be way different in the years and months to come. In the end, passing or not, I don't care. And obviously, that's not a binary thing, blah blah, insert all the passing discourse here. That's not what this post is about.

What it IS about is how far the perception of my face drifted from people's actual assessment of it when I face revealed. When I had the clockiest features of my face hidden, there was an intrinsic assumption that they were more femme than they actually were.

I've also gotten slightly less interaction on my selfies in general (aside from the initial face reveal) but that could just be a byproduct of my reduced activity on Tumblr overall from road tripping. I'll have to see what it's like in the future, but I highly suspect that a large number of lower interaction people now view me as less attractive. I'm not saying they're avoiding me in disgust, I'm saying that when their was a gap in their perception, their brains autofilled a more attractive image than actually existed. This doesn't apply to my core group of moots that are high interaction and comment n stuff (love y'all) but the large scores of people who leave simple tags or reblog and like in passing- I think I just got less attractive in people's minds.

What does all of this say? Honestly it's hard to say. This is more observation than anything else. It might be linked to beauty standards, or just a bias of "unga bunga skinny white woman with conventionally attractive body must have conventionally attractive face" which turned out not to be true, or whatever.

Again, just a weird ramble. Bug summary is that people, on average, assumed I passed before I showed my full face, and now, far less do.

Oh yeah, and inb4 "and omg you actually pass though"- this post isn't for you. There's lots of people who see me and think that I don't, including in Tumblr. Passing varies on a person to person basis, and what I'm saying here is that face revealing flicked a switch in many, but not all, people's brains from passing to non-passing.

[penncilkid]

Been thinking about my experiences as a POC within fandom while also being an artist and how much that sucks sometimes. This is primarily in regards to the Redacted fandom, but could be applied to any other fandom honestly.

Proper "fussing" under the cut (for those who would rather not see):

Sometimes, I really stop and think about what it must be like to be a white person in fandom, especially when you're an artist. To see yourself reflected in the spaces you exist in all the time. There are some exceptions to this, of course. For example, lack of body diversity is just as much of a problem in my opinion (Like fat people exist. Disabled people exist. Fat, disabled people exist. You can draw them, y'know? /rhet) But generally speaking, it's not difficult to find designs that probably look like you. There will be blondes, brunettes, redheads even— It's everywhere you look.

I don't think most people realize how isolating that ends up feeling though.

Because it's not just the fact that most of the art/designs you'll stumble upon won't resemble you. It's the fact that the prevalence dictates how everyone else interacts with fandom too.

Do you know how much it sucks seeing a post saying "So we all agree that Asher's blonde, right?" and knowing that most people are thinking of a white guy and nothing else?

Or noticing how Alexis, a generally "hated" character in the fandom, is the only vampire most people are willing to make visibly brown?

How about the fact that Gavin, the "thrilling" and "sexy" incubus, has so many black and brown designs— But I can count the non-white Lasko designs I've come across on my hand?

People can do whatever they want. I've said it before, and I'll continue to repeat it when I make these rambles. If you want to make every single design you have varying shades of white and never stray from that, that's your prerogative. But for the love of god, I wish I didn't feel like I was fucking crazy for talking about how much that shit sucks to see as a person of color.

On top of that, do you know how frustrating it is to watch white artists get praised for generic diversity when POC artists have been consistently bringing forth such compelling, stunning designs to table? Like I see the kind of shit that gets praised in this fandom and what doesn't. Racial ambiguity or the slightest addition of a curl gets treated like it's revolutionary— And that's only if it's the "correct" character. It has to "make sense", right? The same way Sam has to have sun-kissed, golden skin even after he's been turned, or the way Guy has to be white because there's no way someone with that personality could be anything but.

Do you know what it's like to be filled with such a sense of joy because someone made a design where a character had your skin tone or hair texture or facial feature? Like, I genuinely have a strong reaction whenever I find a black or brown design in this fandom because they're so rare in comparison to everything else. And when I really stop to think about that, I realize how fucked up of a phenomenon that is.

I love the designs that I've made, but I've also noticed which ones "do better" comparably. I don't change much of anything with how I go about posting or promoting them. The only difference is that some of them fit what is considered widely "canon" in fandom. And the others... don't. I go out of my way to make every design POC in some regard, and you can usually tell visually even without the addition of colors. I'm not gonna stop doing that because I know why I started in the first place. But fuck, it does start to hurt seeing white artists with the same general white designs get hyped up endlessly while I internally debate if I should even make another character look like me or not. If it'll even matter to anyone but me.

Some days, I just really wish it didn't feel like shit being black in this fandom. I hate knowing that I'm gonna post this, and I'll probably get responses for other people of color primarily.

But maybe putting this out will help that pill get easier to swallow.

[salpho]

Current plans (rambles and ideas) for the DCTL redrawn project

First off, I just came up with that title on the spot and it works super well so I'll stick with that probably pffh. Follow the tag if interested in participating !! Anyways, here's my rambles.

I wanna do some more research on Chris Hastings. Fellow Bendy wiki staff have pointed out that he adapts the books rather than illustrate them, which I didn't realise had any difference beforehand. Basically means directing stuff like backgrounds, setting, etc from my knowledge. They sourced this user that seems to know a thing or two about him and his work, along with getting an early copy of the graphic novel. I'll do proper research and make a seperate post soon for this.

Moving onto the project itself, I've got some jumbled thoughts I'll try and make sense of-

I'll reread DCTL to understand the book properly, all work going foreward from there

Design work will start after this, all characters will have set, universal designs based off of canon, official (such as meatly's word), book descriptions and more, such as racecoding (I'll do justice for Thomas and Norman) and time period. I'll likely be designing them alone, but I may listen to other participant inputs and ideas to make sure they're the best they can be.

This novel will be drawn from scratch !! We won't base or reference anything off of the original graphic novel, we'll only be using the original DCTL book and its word.

Every page will act as a "map part", basically having one artist do an entire page/pages. Some may want to collaborate with others (such as one person doing the backgrounds with the other doing characters) for their pages which is more than welcome.

Newer/less skilled artists are more than welcome to offer to participate, please don't let your skill level or own perception of your art discourage you !! I'd love to give you all a chance.

I may be pinging those who said they'd be happy to participate once I make the call post. Once ready to make that post, I'll be starting a discord server for communication. This will also include a google doc or something similar so we can get full quality pages from everyone rather than compressed images from the app.

The project's novel will begin with foreword. This will include background for why it was started, clearly state it was made as a protest against the original graphic novel, Mike's view of minorities in fiction and will also state it was made because we care and love this series, and want it to do better. It will credit and link to the artist who drew the original and explain why we believe the artist was mistreated and should've had more time and pay. Stuff of that sort.

Every page will have the artist's signatures/@'s in the margins, and the novel will have a glossary of all who participated.

Things may change, we'll see, but these are the rough plans I've got so far. Would love to hear your thoughts and ideas as usual !!

[edgeray]

Ray! 🍅 anon again here xD

Was hanging around twitter and saw @arlecock (yes, wtf is that name) wondering what happens during Arle’s periods (I mean. Valid concern?) she’s probably so used to going on and functioning with them.

Indulgent yes but any Thoughts? I personally do want to spoil her with a massage and warm hugs and cuddling her if she ever had any cramps! (Okay this is just an excuse to spoil her but still) Though I would feel like Arle would be one of the ones who is so used to pain period cramps don’t really faze her anymore…

(Or when there’s a long established relationship post canon and Arle also uses it as an excused to get babied)

Lullabying Arle to sleep… hehehhehehehehehehehehehhehehehe.

She deserves it.

Hi 🍅 anon! I'm not going to be using this as a request since you're only asking for my thoughts, I'll just keep it to kind of a ramble lol.

first of all, arlecock is a valid af (and real af) user, have you seen the users on tiktok? lmfao, there's way worse on there. slightly irrelevant, but i saw a tiktok video of a literal arlecchino pride flag at a pride parade. what would that even be called? arlesexual?

anyways

arle powers through periods like nothing, regardless of how painful her cramps are. she has so many better things to worry about and concern her than whatever her body decides to do once a month (her curse hurts way worse anyways, cramps are incomparable.) I'd imagine she also uses her pyro vision to help relieve her cramps. i doubt many people can tell the difference between when she's on/off her period, except maybe you and her children. She's a bit more snippy, a bit more impatient, but besides that she doesn't really give off any signs of when she's on her period, and if it doesn't bother her, then she feels like there's no need to tell you.

however, you do you tracking them, mostly be noticing when your guys' shared bathroom's feminine products have been depleting. of course, cuddling arle is a given. she loves to cuddle with you and she will most definetely fall asleep to your pretty voice humming/singing to her as you stroke her hair.

to me, arle also seems like the type of person to secretly have a sweet tooth. i don't know why, but she strikes me as those type of people. you'll also buy her lots of dark chocolate candy to also help. you also make her a warm bath before she comes home, and that's where you usually massage her. y'know what's another thing that helps with cramps? sex.

I don't think think I need to say more about that.

but yeah, those are just this silly axolotl's thoughts <3

this may not be... super accurate in terms of what you should do for cramps, considering that I'm very fortunate to not have cramps during my periods.

[sansalealea]

@afreakingdork chapter 40 has me in shambles!! /pos

I roughed out a stupidly quick sketch, the proportions and size difference are super janky, and not what i had in mind (i wanted to make donnie much bigger whilst still having him all 'small', vulnerable & wrapped around Darling </3 but i kinda forgot when I was drawing until it was too late🧍‍♀️), I was just too excited and wanted to post it so i didnt fix those tid-bits in my hurry!!! :,) ahfsgugjd!!

Also, I think I accidentally took some creative liberty with the pose they're in... The audhd hyperfixation brain totally took over, I was on excitement autopilot when drawing, sorry...🙇‍♀️🧎‍♀️

That aside, I think I'll have another chance to make smth better because im still riding that emotional & creative high after reading the chapter!! So much happened!! I rambled on and on about it all on Ao3 like a freakazoid, so my apologies for the essay, Miss Dork 🙇‍♀️🙏🏻

Ok, i think that's all?? I shall return with more sketches... probably!!??

Kisses! Xx

[for-those-who-wait]

I said I would talk about wax cylinders so here I go a rambling again

So the wax cylinder was first invented in 1888 by Thomas Edison (so they're usually called Edison cylinders or phonograph cylinders). As you can probably gather, it's a cylinder made of wax. It was the first piece of technology that would record and play back sound that was sold commercially (they technically made an earlier version using tin foil back in 1877 but it was shit and was never commercially produced so we don't talk about that one). Wax cylinders by 1889 were typically sold with pre-recorded music on them that had to be live-recorded every time. They were typically bought up by nickelodeons (I could make a whole post about those as well but I'll save you the Google and say they were basically old movie theatres that cost a nickel to attend) before they ever made it to households

To play and record wax cylinders, they made a whole machine for it called the phonograph—and you can stop right there, it's not the one you're thinking.

This one came before the record was even thought of, but it basically works the same as your regular disc phonograph. It was a large box that contained a holder for the cylinder, a way to turn it, a (usually) sapphire-tipped needle, and a horn to expel the sound. Some boxes also contained gears and motors to support two different speeds, which would thus alter how much music you could fit onto a cylinder (or disc). To explain how playing the cylinder works, I'll first explain the process of recording onto it.

To record on a wax cylinder, one would have to first purchase a recording needle and recording horn. These were usually sold with the machine, but the stuff could also be sold separately. When the motor starts and the recording needle is placed onto the cylinder, you would speak loudly into the horn. The vibrations from your voice, focused by the horn, would cause the needle to create very subtle waves and divots in the wax; this would literally scrape the wax off of the cylinder and create a bunch of string and dust you would have to brush away. These divots work in the same way that vinyl records do when you're playing them. You place the needle on the surface, turn on the motor, and the needle runs over those really small divots to replay the sound. Ignore the stupid watermarks this was the best picture I could find on short notice

Now, the problem with wax cylinders was that they could only hold about two to two and a half minutes of sound. The other problem is the fact that they're literally made of wax. The wax they used at first (beeswax and paraffin) was soft and squishy and not a very hardy material in the least. They're easily damaged, they melt, and with all the very small divots etched into the surface, any damage at all severely impacts the quality of the sound. Not only that, but even playing the damn thing is enough to ruin the quality of the sound if you use it too many times.

And guess how many times you can play it before it starts getting all messed up.

Just guess.

If you guessed twenty then you're correct.

As you can imagine, this was completely unacceptable, and the softer wax was eventually changed to a more hardened wax, which could be played over a hundred times. But even that wasn't enough for our cylinder overlords, and they started producing hard plastic cylinders made of celluloid instead that could be played thousands of times (pictured below)

(Also it's called gold moulded because this was when cylinders could now be mechanically mass-produced using the mold from a single master cylinder)

Now I know I was just shitting on the wax, but the one good thing about it is that because the cylinders were very thick and soft, you could shave it down and re-record onto it like it was new. Not so with the plastic. But hey, the good thing about plastic is that it's damn near permanent and it's harder to break. This is also around when they started introducing new colors that you could get the cylinders in. Any shade between brown and white was the OG wax color, which they changed to black when upgrading to celluloid, but they could also produce cylinders in blue as long as people were fine with having slightly reduced sound quality.

Things were good. People loved their cylinders, loved playing them, loved buying and recording on them, it was great

But then in 1912, the pesky phonograph disc was invented and it completely took over the market.

We're mature enough here to admit that the cylinders are bulky and spatially inefficient. There was a new version by this point that could hold up to four minutes of music, but it was no match for the novelty of the disc phonograph and the ease with which someone could make a larger or two-sided disc to completely swamp that length. Discs were cheaper, easier to use, and easier to store. We were no match for them

Although Edison still supported owners of the cylinder phonograph with new tracks, they were recorded off a disc phonograph instead of live, so the quality was actually worse than it used to be. The cylinders fell out of style a few years after the discs' corporate win and their popularity slowly declined until their discontinuation in 1929. So all in all, the wax cylinder survived for 41 good years but became completely obsolete in about 24. Which is actually not bad for a piece of technology like that? It's probably a prime example of the exponential boom of technology getting infinitely more advanced and infinitely more quickly. Like I don't know what modern, highly-consumerist thing can manage to stay relevant for 24 years, that's just insane to me. Like even CDs started getting the shaft at around 19 years

Anyway RIP the wax cylinder I love you