#i'll do his later!!

[pierceaugust]

@milaswriting

Molly Renae, English student at Lehsa University (she/her)

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22 yrs old, 171cm, biromantic graysexual, loves writing + photography

ROs: Blaire Holden and Kiana de la Renta

(Faceclaim: N/A for now)

(Template: @/yeonjvnz)

MORE INFO UNDER THE CUT

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MAKEUP STYLE: simple: concealer, eyebrow pencil, peach toned eyeshadow, eyeliner, mascara, pink tinted lip balm

CLOTHING STYLE: i'd say modern chic! very unique style, long skirts or flared pants, lacy shirts, buttoned shirts, oxford shoes, a sweater or blazer

She's always dreamt of being an author since she was a little kid. Molly had a big fairytail book gifted to her from a friend when she was younger and it's something she holds near and dear to her heart :')

lover of all arts though for sure!

[bixels]

Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.

Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).

Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.

Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.

Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).

AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.

But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s

At the time of writing this, it's 4:46AM.

[petricorah]

pov your vibes are yikes [id in alt] wip maybe or maybe it's done, whos to say...

[xandrikart]

HAPPY 9TH ANNIVERSARYYY!

I accidentally found out that I drew my first CR fanart extremely close to March 12th. So I decided to revisit the piece two years later!

[poorly-drawn-mdzs]

Who will deal the most damage?

[crabsnpersimmons]

thanks for the positive response to himbo Moon! he also wanted to say thanks:

some extras under the cut!

Edit: Image descriptions added!

no text version:

oh and in case you're curious about what his new body looks like, i managed to remember to take a picture of the sketch before inking! he basically has glamrock freddy's model design, except his legs and feet are more slender so he can be more light on his feet:

also... i did the math (meaning, i eyeballed a height chart with freddy's model and put the numbers in an ellipse calculator i found online)—freddy, and therefore moon here, has a bust size of 179.74 cm or 70.76 inches (almost 5'11" circumference).

writing muse: not thicc enough. the world record for the largest muscular chest is 74 inches!

...do with that information what you will

this is what i did with that information (with a cameo of @vacantfields's android moon! they've got a bit of rivalry/affair/kismesis between each other ♠️)

poor hairdresser himbo moon isn't as flexible as he used to be :')

[aroaceleovaldez]

Nico and Percy's dynamic through the series is eternally funny to me, because it's just. like.

Percy's having a constant mental struggle between his fatal flaw of loyalty with a promise he made to Bianca to protect Nico, versus his Big 3 kid desire to maim other Big 3 kids / Poseidon descendant urge to totally maim Nico specifically. He hates Nico so so much. He thinks Nico's annoying and weird at best, and creepy/sketchy when he's older. The only positive thoughts Percy has towards Nico are "He's Bianca's brother and Bianca was my friend and I owe her/He's Hazel's brother and Hazel is my friend and would kill me if I was mean to him," "He's a powerful asset and useful ally (if questionable)," and "He's kinda pathetic and I feel maybe a little bad about it." Percy has multiple occasions throughout the series where he strongly considers - and on one occasionally actually goes through with - throttling Nico.

Meanwhile, Nico is following around Percy like a lost puppy. He explicitly can never bring himself to even dislike anything about Percy no matter how hard he tries. He has a whole bit in BoO where he's mentally going "UGH he's so stupid BUT IT'S ENDEARING HOW DARE HE." He's totally smitten. He's making deals with his dad for Percy. He's making convoluted plans to help Percy stand a chance against Kronos. During the entirety of BoTL it's like he's playing tsundere - "I'm helping NOT PERCY SPECIFICALLY with this quest! Me helping Percy would be SILLY because I DEFINITELY HATE HIM." Then he proceeds to show up to Percy's birthday party to basically ask him on a weird date and spend the entire next book scrambling around trying to help him or protect him or impress him. And Percy could not give less of a shit.

Just. That dynamic is so funny to me. Percy is the founder of the Nico Protection Club in that he's the one they're all protecting Nico from and meanwhile Nico is throwing himself at Percy to the point where the literal god of gay love calls him out on it.

[ohitslen]

Tending wounds.

[royalarchivist]

Tubbo's remixing Skeppy and Puffy's part of Badboyhalo's song, "Muffin" in his current DJ session (with an interesting emphasis on a certain section 🤨)

[thilsiktonix]

small little doodle page for you @niceguyanonymous !!!!!

((I tried my best, I'm not a very good writer, but I hope you like it <33 sorry I didn't put too much detail into this one, I wasn't sure how exactly to interpret it!))

[t-u-i-t-c]

ROBIN FURUYA as Takashi Iwanaga Love is Better the Second Time Around (2024) │01x04

[ambivartence]

maknaeznextdoor !

[blindmagdalena]

The Fall

2.8k mostly sfw homelander x reader. christmas adjacent. depowered homelander.

Summary: After being struck by an unidentified projectile that renders him powerless, Homelander crash lands in your backyard, wholly at your mercy.

this is a rework of this original prompt. inspired by the fable of the mouse that aids the lion whose paw has been stuck by a thorn.  ♡

Homelander is over a hundred feet in the air when he hears something whistling through the sky behind him. Some kind of projectile. A small missile, maybe. It's nothing he hasn't handled before: It could blow up in his face and he would be fine. He’s more curious about what exactly it is, who’s stupid enough to fire it at him, and where it’s coming from. 

With that in mind–in that split second he has to react–he decides to forgo dodging it and instead attempt to catch it.  However, as the mystery projectile gets nearer, his vision begins to tunnel. 

What the fuck? 

His reflexes slow, and before he knows it, the projectile strikes him hard in his left side rib, exploding in fumes that fill his lungs and coat his skin. In an instant, he feels pain like he's been turned inside out, a sensation worse than anything he’s felt since childhood. Instantly he's plummeting towards the ground, crashing directly into your backyard in an eruption of snow and yard furniture.

With his vision going black, the last thing he hears is the sound of the world turning deafeningly quiet.

When Homelander comes to, he's being shaken. No–compressed, hands over his chest, pushing again and again in a steady rhythm. Warm lips press against his, and a rush of air fills his lungs. His eyes snap open, and out of pure reflex, he drives his fist into your unfamiliar form, sitting up with a frenzied look in his eyes.

You should have flown back thirty feet with a hit like that. Instead, you only fell back onto your ass, coughing. Homelander's hands are shaking as he looks at them, and he can feel blood dripping from his ears, taste it in his mouth. He's disoriented, his whole body heavy. He's having trouble breathing, every ragged inhale a struggle, and his heart is pounding.

"Someone tried to kill me," he rasps in disbelief. Not surprised that someone tried, but that someone very nearly succeeded. "Someone... Someone tried to fucking kill me," he says again, growing more hysteric the more the pain sets in. His own brain is hammering against the confines of his skull, beating at the backs of his eyes.

He’s certain that he’s halfway to cardiac arrest, but no matter how he tries to focus, he can’t calm himself. His strength is gone. It’s gone. He looks at you, you, who should have a hole punched through your chest. Instead, you’re staggering to your feet, totally unharmed. 

"Homelander!" You address sharply, audibly trying to rein in your own bubbling panic. He can see his own fear reflected in your eyes. You’re just as confused as he is. Just a stupid little mouse that crawled out of your hole and found him like this. "I can help you, okay? Let me help you."

There’s something about the sharp authority in your voice mixed with an undeniable quiver of compassion that catches his attention. It could be the degree of his vulnerability sinking in, but after a second of dumbfounded staring, Homelander nods.

It must be pure adrenaline that gives you the strength to help him into your house. You don’t look like you should be able to carry him. He's practically dead weight in your arms, barely keeping himself on his feet as you both stumble into your living room. The height difference does neither of you any favors.

You get him down onto the couch before fetching a wet rag, a bottle of water, pills, and a first aid kit. He watches you fumble with it, hands shaking. He assumes it’s adrenaline, though you lack the acidic stench of it. No, you probably don’t. He just can’t smell it anymore. He can’t smell anything except the faint tinge of blood, and whatever nauseating scented candle you use to stink up your home. Though, even that’s distant compared to what he’s used to. However, he finds he doesn’t have it in him to panic. Is this what shock feels like?

He takes the water you offer him, but denies the pills. “No, no. I have no idea what that shit will do to me right now.” You nod, setting the bottle aside. You then lean over him, inspecting the level of damage. His ears are ringing, and his whole body is throbbing with sharp, painful aches. Maybe the pills would help, but he’s never had to take painkillers before. He’d rather swallow tacks than lean on something so pedestrian.

As you work, he notices a mottled mark blossoming darkly across the center of your chest, just under your collarbone, approximately the size of his fist. Without thinking, he reaches up to touch it, remembering the blow he’d dealt you.

You startle, looking down where he touches with a wince. The skin looks as tender as he feels. It must sting. Is he bruised like this beneath his suit? The thought of these same ugly dark marks mirrored on his own body brings him visceral disgust. 

"Don't worry about me," you tell him, as comforting as your voice can muster. You grasp his wrist and gently lay it back down at his side.

I'm not worried about you, he thinks derisively. "That should have caved in your chest."

"Guess it's my lucky day, then," you say absently, more focused on using a wet cloth to wipe away the blood from his temple, up into his hairline, seeking the injury. You're meticulous but gentle in the way you handle him, cupping the side of his face to turn him one way, then another.

If not for how clumsy your movements feel, he’d think you’ve done this before. There is care and determination in the way you tend to him, but no obvious medical expertise. Even the kit you pull from looks out of date and sparse. You probably picked it up from a gas station on a whim because you needed safety pins. "I think these need stitches," you say as you carefully apply bandages, brows furrowed. Homelander's gaze lingers on your lips as you speak. What kind of person sees someone fall out of the fucking sky, blowing a crater in their yard in the process, and then thinks to give them CPR?

"I'm calling an ambulance," you say, moving to stand. That breaks him out of his stupor. He catches you by the wrist, stopping you in your tracks, despite how pitifully weak his own grasp feels. "No, no, not... Don't do that," he says, screwing his eyes shut briefly. No one else can know that this happened. Besides, if those psychopaths are still out there, it will draw them right to him. "Too much attention, I just... give me a fucking minute," he says, flexing his hands. They still feel weak, tingling like they've fallen asleep, but the bizarre sensation is gradually beginning to abate.

Whatever was done to him, it doesn't seem to be permanent. 

He hopes to fuck that it isn’t. "Okay," you say tentatively. Instead of leaving, however, you reposition to continue wiping the blood from his face, gently rubbing from his temples down his jaw. He watches you like a hawk, rolling his fingers in and out of fists, gradually feeling his strength return to him.

He's unaccustomed to the way you're handling him. One hand cupping his jaw, ginger in the way you move his head only when you absolutely need to. The concern wrinkled between your brows is so palpable, so sincere, that for a moment he almost forgets you're strangers to each other.

"What're you doing?" He asks eventually, voice low. You pause, looking down to meet his eye. "Oh, I just... There's still blood, and I didn't want to leave you alone."

Your response tightens something in his chest, like a steel coil wrung too tight, leaving him uncomfortable. He feels small, vulnerable, and the tenderness of your touch is doing nothing for it. "I don't need you," he snaps defensively. "I'm fine."

"Okay," you respond, aggravatingly calm. Still soothing. "What do you need?" Homelander opens his mouth, but hesitates. Your earnestness is infuriating, waiting on bated breath for what you can do for him. He closes his mouth, jaw tight. His gaze flickers back down to the bruise on your chest. It's darker now, varying shades of purple and yellow fading into one another.

Looking back up at you, he schools his expression into calm focus. "Close the blinds," he says, gesturing with his head to the window, where you have twinkling white Christmas lights strung up. 

"I need to lay low awhile." He can feel his powers steadily returning. Once he gets back to Vought, he'll find out who it was, and rip out their fucking spine.

You've already gotten up to do as he asked, drawing the blinds down, and then closing the curtains over them. Afterwards, you turn to leave.

"Hey," Homelander calls, frowning. You stop in the doorway. "Where are you going?"

"The kitchen," you answer, hand on the doorframe. "You can call if you need something."

"Stay here," he says, ignoring the bit of petulance he can hear in his own voice. He doesn't care if you're confused. He doesn't care that he doesn't entirely understand himself. He just wants you to stay.

He watches you take a seat at the end of the couch, near his feet. He exhales, closing his eyes. It isn't as though you could do anything if proficient killers did appear, but for whatever reason, no matter how useless you would ultimately be, he feels better for having you near.

Even a curtain is better than no door at all.

After half an hour, his senses begin to sharpen again. It begins as a dull, irritating buzz at first. It has him rubbing at his ears, screwing his eyes shut. It rolls in and out of focus, making it difficult to adjust to. “Are you okay?” You ask from the other end of the couch, where you’ve been sitting with remarkable patience. Maybe you’re afraid of him. He hates not being able to tell by the rate of your heart.

“Peachy keen,” he replies flatly. “Hearing’s coming back.”

“That’s good,” you say, though the inflection you end with makes it sound more like a question.

“Yeah, yeah, it’s good, it’s just… Loud,” he says, grinding the heel of his palm into his temple. His skull is still pounding. “Everything’s all… Coming back in a jumble. Giving me a fucking headache,” he says, though as he speaks, he realizes he’s able to focus fairly well on the conversation, drowning out the more intrusive ambient sounds. “Keep talking.”

You look surprised by his demand, but after a beat, you oblige. After maybe an hour of idle conversation, he learns your name, that you work from home, you like decorating for Christmas even when you spend it alone, and that you've lived a thoroughly dull, ordinary little life until this very moment.

That’s just what you’ve told him.

From his personal observations, he's learned that you’re a perpetual fidgeter, that you touch your face when you're nervous, and that you would rather laugh than take any of his disparaging remarks about your mundane life to heart.

"I think it's lucky for you that I’m so boring. I might not have been here otherwise," you counter. Your smile is so inexplicably charming–nose wrinkled like you’ve somehow pulled a fast one on him–that Homelander forgets to refute your point. Instead, much to your alarm, he sits up.

"Oh, steady! Are you sure you're okay?" You ask, standing as he does, hands out as if to catch him. He stretches his hands out in front of him, and then curls his arms back in. Exhaling, his eyes flare crimson. He likes the way it makes your heart jump when he looks at you through the red glow.

His lips quirk, lasers fading out. "Good as new," he says confidently, though the aches of his fall still linger in his joints. Not quite new. He takes a few long strides across your living room, pausing in the doorway to your kitchen, where he can see through to your yard, and the absolute crater he left in it. "Vought will... take care of that," he says, gesturing vaguely to the destruction.

You can't help but laugh, crossing your arms loosely to survey the damage with him. "I appreciate it, but really, I'm just glad you're alright," you say honestly, staring out into the wreckage of your yard.

Homelander purses his lips slightly, glancing at you from his peripheral. Above him, he feels something brush the top of his head. When he glances up, what he sees hanging in the doorway makes him smile deviously.

Without warning, he puts his hands on your waist and spins you to him, lips landing warm and firm on yours. He absolutely devours the surprised little noise you make against him, halfway tempted to see what other sounds he can wring from you.

Your heart quickens to a race in his ears, and much to his delight, you kiss him back. You even surprise him by grabbing the back of his head with both hands, deepening the kiss of your own volition.

Not one to be out done, he adjusts his hold on you, one arm wrapping properly around your waist while the other slides up to cup the back of your neck, gloved fingers gently squeezing your bare skin.

To his delight, you retaliate with your tongue, slipping it between his lips and coaxing his forth.

Just full of surprises, little mouse.

Maybe you aren't so boring after all.

He meets you eagerly, exhaling a rough, excited little huff through his nose, dropping the hand at your waist to grab a cheeky squeeze full of your ass, wringing a soft moan from you that sends a bolt of heat straight to his cock.

When Homelander pulls back, you're flushed warmly all over. You smell of antiseptic wipes and peppermint, like Christmas in a hospital. It’s bizarrely appealing.

"What was that?" You ask, dazed.

"Mistletoe," he purrs, tipping his head back without taking his eyes off you, settling his hands back on your waist.

You look up slowly–taking a solid few seconds to process–and huff a gentle little laugh, nodding at the aforementioned ornament dangling above you. 

"Is this your way of saying thank you?" You manage to ask after swallowing back the lump in your throat, your shoulders relaxing, though your heart continues to gallop in your chest. "I hope you're still going to pay for my yard."

It's Homelander's turn to laugh. "Oh, no. I haven't even begun to say thank you yet," he assures you, hands lingering on your hips. 

The kiss had been pure unrestricted impulse, nothing he intended to follow through on. However, now that you're toying with the hair at the nape of his neck, your skin warm against his, your eyes half lidded, he’s not sure that he wants to let you go. Your lips shine where you’ve licked the taste of his from them. 

“I think for your good deeds, you’re owed a very merry Christmas,” he says, waggling his brows. 

You give a flustered, incredulous bark of laughter, covering your mouth as you look away from him, that flush of yours intensifying, making your whole body thrum warmly. You wouldn’t need to worry about keeping warm on these cold winter nights if he had his way with you.

“Okay, well, uhm, thank you for… for that thought,” you say, tripping over your words in a way you haven’t this entire encounter. “You hit your head pretty hard, though so maybe before you make any promises, we make sure you get checked out by an actual doctor,” you say, pushing lightly against his chest.

He maintains his hold for just a second longer, utterly immovable. It feels good to be himself again. He runs his tongue along his teeth, downright predatory in the way he stares down at you, but he does relinquish his hold.

“You should come with me to the tower. You know, now that you’re… Compromised,” he says, folding his hands behind his back. “Someone might come looking for me here. Interrogate you on my condition.”

Real fear flashes in your eyes at that. “Wait, you’re serious?”

“As a heart attack,” he gives back gravely.

“Uh… Okay. Uhm, let me… I’ll pack a bag,” you say nervously, stepping away from him to do just that.

“Okie-dokie,” he gives back simply, glancing around your home while he waits. He picks up an odd little gnome with a big red hat that covers everything but a little button nose, and a long white beard. Maybe he’ll convince you to bring along some of your festive decorations.

Merry Christmas to me, he thinks, already daydreaming about twisting the head off of whoever hit him with some kind of neutralizing agent.

He might thank them for the impromptu date while he’s at it.

[daenerystargaryensgirlfriend]

Daenerys book differences

{only the firsts three seasons}

In S1, we mostly see how badly Daenerys was treated by Viserys and then how, with Drogo's help, she proceeded to go against him and then become the mother of dragons. In the first book, we actually see how she herself started to outshine him; she started to grow as a leader and started to create her own circle of people. To give an example, there's this scene when she orders the khalasar to stay behind ("you're learning to talk like a queen," "not a queen, a khaleesi"), and Viserys gets mad at her (as usual). In the show, it's a man from the Khalasar who humiliates him and takes away his horse (Rakharo, if I remember correctly). In the book, it's Daenerys; she's the one who humiliates him using her dothraki knowledge. This shows not only that she was starting to defy her brother but also her leadership's growth.

Still in S1, in the last episode, there's the speech where she says, "And I swear to you, that all those that will harm you will die screaming." There's a similar speech in the book, but she says that all the men who raped a little girl will die screaming.

In s2, when she sends people away and she sees how her people are not doing well, she looks frightened, and she needs Jorah to tell her that "she needs to be their strength" (completely erasing her leadership moment). In the book, however, she already knows that she needs to be their strength and that she can show no weakness or fear.

Still in s2, when they arrive to Qarth, she just starts screaming in one of the seven that she will burn down cities and whatever ("we will lay waste on armys and burn cities to the ground"). Also when they enter and they don't agree to take her to Westeros, she gets mad again and looks childish. In the books, however, the seven let her stay in Qarth out of curiosity, and she's also the one to explain to Xaro how business works, showing her intelligence.

In S3, she wonders whether to buy the unsullied or not. In the book, she affirms that she wants people to follow her because they believe in her and not because they've been bought. Does that sound familiar to you? of course, because they gave that whole speech to Ser Barriston, again taking away her intelligence.

Also, with the second sons it's not Daario that guides her like it happens in the show. In the book, Daenerys is the one who plans the attack against Yunkai, giving them different information to trick them and getting the second sons drunk. Again, her intelligence and leadership were given to her male advisors.

[hyakunana]

Happy Birthday, Rasputin!!

[wildflowercryptid]

i made an edit for mjv!bb kieran so ya'll know what that means. enjoy the memes, everyone.

kieran's edit underneath the cut!

i only did a half-body like i did with florian bc there was no fucking way i was redrawing their entire official art, i don't have the energy rn. 😭