#i'll also try to post more of my art and stuff here as well

[kingofgay-art]

Photography dump!

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[journey-to-the-attic]

one thing about ik is that she will always reach out

[loppiopio]

just some 🥥 related sillies i've made for that fic we all know.

[arcadian-vampire]

Nervous giggles

Even more nervous giggles

There are so many professional paintings here, so many technically advanced, highly impressive works, and I'm just like [slaps some crayons down] y- yeehaw,,

I'm keeping the Escape Motions site Exciting. keeping it Interesting and Ridiculously Colorful

[piningpercussionist]

(ooc)

I want you all to know that if I had the energy for it. There are so many posts stored in my drafts I long to queue... but neglected to preemptively tag, despite knowing I am Like This....

Anyway, there is a slight chance the queue might run out tomorrow unless I can get more responses in there-- I am,, tired,,

[wombywoo]

Hello!!

I wanted to ask if you would be willing to share how you go about finding the references for the injuries you depict in your work? Your pieces where the CoD boys are sporting injuries, fresh and old, are always so lifelike and to my untrained eye seem entirely medically correct.

I have been trying my hand at drawing the boys retired and resting as well, but I’m finding it difficult to decide what work injuries to add and how to find the respective references.

How do you decide what injuries to portray? And how do you go about finding the reference material?

Your huge fan, amustikas

Oooh ok ok! I'm gonna post my answer publically because I think others would find this interesting too!

To preface, I am definitely NOT a medical professional, and as such, a lot of the stuff I choose to depict in my art is not so much..ah, medically accurate as it is....aesthetically pleasing 🤭

I'll start with scars, as a lot of us enjoy slashing up Simon's face with them, lol. Generally, I'll do a cursory google image search for the type of scar I'm looking for (be warned, these can be graphic) with searches like 'burn scar' 'surgery scar' etc. But I find that for things like cuts and lacerations, real-life scars are a bit innocuous and lame 🤷‍♀️ Unfortunately not everyone's skin wants to retain that perfect slash look™️😔

So what I usually end up referencing are costume prosthetic scars ✨

As you can see, they're pretty gnarly:

And you definitely don't have to go this intense, but I find that the dramatic, carved-like appearance of these translate better to art than a realistically healed wound 🤙

The other thing to consider is the prevalence of injuries in the military. From what I've gathered, the most common will be back/shoulder/limb injuries, just a general fucking up of the whole musculoskeletal system in general due to constant overuse 🤕 Hearing loss, shrapnel/blast/burn injuries are also common, as well as all the negative psychological effects :') goooood times (not)

I think it's neat to look up real-life examples of these things, but it can get a bit intense if you're squeamish...

SafeSearch is OFF, the horrors are REal 😳

So yeah...I tend to tone things down, all things considered...😅

For this particular piece:

I researched broken humerus injuries and treatment 👍 Poor boy 🥺(Yes, I am aware that I consumed entire articles and did a shit ton of research about this just to go ahead and put a female's x-ray in this fucking picture sdfghjkl rip💀😭)

But here you can see the actual process for applying the brace for this particular injury:

Neat, eh?

When I draw Johnny with a knee brace, it's usually a real authentic one you can buy on amazon:

Product placement blast!!!💥✨ Bezos, where is my cut?? 🫰

As for ones like this:

I tend to just...scatter some wounds around and patch them up accordingly, lol. Bruising around the eyes is common with any head injury, and surgical stitching will offer a nice puckered skin effect mmm 👌 (I swear I'm normal abt this)

I'm sure the medical malpractice lawsuits are stacking up for me now, but again--it's usually more about the ✨visuals✨

My parting advice would be--go nuts! Feel free to maim and mutilate and mangle to your heart's content 🥰

Thank you for the question, Amustikas! I love your art as well 💗🫶

[kozachenko]

[Click for better quality]

Ok yay I'm back from my vacation yipeeeeeee. I started this drawing of Keiki before I left and I was half considering just giving up on it.... until I did a short study of facial planes and then got motivated to work on this again! I'm glad I didn't give up on it though, as I'm actually really happy with this one!

Artist's Notes;

So as I mentioned in my last post about Touhou 17, I wanted to finish this by the game's five year anniversary but with how progress was going I didn't want to rush this so I decided to take a long break from it. Mainly because of the face. For a while now I was kind of feeling like I was stagnating with my drawings, not really in the clothing but in the bodies. There was something about the way I was rendering them that I just wasn't happy with, and after talking with someone else about this issue, I realized that the reason I felt this way was because the faces were too flat and didn't match the rest of the drawing and that I needed to find a way to make the rendering of the face feel consistent with everything else. So after doing a short study of the plains of the face (I used this 3D head model from art station as a reference for my short study, please go give this person some love as they are a lifesaver) I went back into this drawing and applied what I learned here. It was only after that that I finally became motivated to finish the piece, and while it started off as just a simple character sketch like Saki and Yachie's were, the moment I added in Keiki's little fire dragon I knew I had gotten in too deep and now here we are with a full on background. OK it's not super crazy or anything, but it gets the job done and it's better than there just being an empty void behind her. It's rare moments like this when I use brushes other than the Clip Studio Default Charcoal Brush and use the Clip Studio Default Paint Brushes as well (god bless the oil paint and dry gouache clip studio brushes, they were amazing). I don't know why but painting fire has always been really fun for me, there's something oddly satisfying about it y'know? I do think that another reason for this problem was because I was drawing faces like I would in my more sketchy style that didn't mesh well with my lineless style, so I'm glad I've started remedying that.

After adding in the fire dragon I had an idea to kinda make it feel like splash art in the way the composition works... probably because I have been playing Reverse 1999 again and it has taken over my brain. I do feel like Keiki's tools get a little lost in the composition, and I didn't fully render the metal parts of them mainly because I didn't feel like they needed it, but that's just something for me to improve on later down the line.

If you guys are wondering where I went for my vacation, I went to New York and got to go to the MET and the Museum of Natural History. In both places I found Kofun period stuff and I was so happy to see it you have no idea. I remember one of the Haniwa I saw had some neat face paint under the eyes that I tried to replicate with the makeup under Keiki's eyes in my drawing, though I think I'll gave to figure out how to draw makeup on characters because this reads more like blush to me than anything. While drawing this I also looked up some references of Kofun period jewelry and really liked the stuff I found, which also meant that now she has proper Kofun earrings instead of earrings shaped like Kofun tombs. I put some of the things I referenced with a closeup of Keiki's face as well down below. I made her outfit more reminiscent of the outfit I gave her at the beginning of the year with the buttons and all, though I do want to try and draw her in some more period accurate clothing like the Haniwa I took a picture of at the Museum of Natural History. I wish I could find a way to make her handercheif look better though as I wish I made it a little bit bigger, though I think I'm saying this because I've looked at this drawing for too long lmao. Once again something to work on for when I next draw her. Also want to get better at rendering hair, as some details (like the little strands in front of her ears) kinda got unreadable due to the similarities in colour lol.

Now you may have also noticed the little cracks I added onto Keiki's face, and that's because I have fallen in love with the idea of Keiki's body being made from ceramic and that she crafted her body herself. While they aren't very visible I also tried to add some doll joints to her body, which is an idea I played around with in the past but never went to far with. I also want to get better at rendering cracks in ceramic, porcelain, etc, as I'm not sure how those read in the drawing. I also have a headcanon where the cracks in Keiki's face show up because of heightened emotions, and while Keiki is aware of this and does her best to make sure her face doesn't break off.... she will still end up with at least a few cracks during any given day, and she can often forget to repair her own body quite frequently so Mayumi has to remind her quite a lot. Mayumi even taught herself some basic sculpting techniques to help repair parts of her body that are so badly damaged to the point where Keiki can't repair them herself, i.e. if both her arms broke off, Mayumi would put them back together for her so Keiki can at least have something to repair herself with rather than nothing. I also like to imagine that if Keiki created her own body, if you took a look at Keiki from the beginning of her life she would look completely different compared to now.

BTW If you guys are wondering what a very very angry Keiki looks like....ok in order for this to make sense have any of you read volume 11 of Land of The Lustrous? Am I bringing back some memories for those of you that have? Ok good, glad we all got that mental image brewing in our minds, I'll probably draw a version of Keiki that is somewhat inspired by that one day as it's an idea I've had for a little while now. And to those who haven't gotten to that volume yet and are confused.... don't worry about it, just keep reading :)

[justheblueberry]

handbinding of A Study in Scarlette by kittebasu

There are people who want to live forever, and then there is Shinichi, who just wants to live a little longer than this.

this bind has been in my head since i first read the fic like, three years ago. i dreamed up so many ideas for it, for so long, and now it's finally done! the typeset was actually done in early 2022, back when i was still using google docs, but it went through a few iterations because i was just. so. fiddly. with every aspect of this book. it needed to be perfect (as close to perfect as i, an amateur bookbinder out of my depth, can get) and it had to be absolutely over the top, to reflect the insane amount of love and care that the author put into the fic itself.

the first time i read this fic, i barely knew what detective conan was, much less all of the intricate plot details; i was just along for the ride, but by the end i was completely invested. i went back and watched through the anime as well as a few movies (it took me six months) and then read the fic again. and then a few more times. kaishin and the world of dcmk has utterly gripped me. it's 100% this fic's fault and i love it so, so, much.

i went through a few iterations of visual designs and i'm really happy with the little details i managed to squeeze in.

the entire color scheme is based around red, because 1) it's a murder mystery, 2) for scarlette shinamoto (and the title of the fic as well as the original holmes novel it references), and 3) the irony of "lady red" actually being red. the secret fourth reason is that i think red/gold is a super sexy color combo.

i sewed the textblock with red thread to reference holmes' "scarlet thread of murder".

another detail i love is the five yen coin bookmark, it was one of my first ideas and it turned out even better than i thought.

i wanted the endpapers to evoke a sense of the white marbled floor of the ballroom, with the glow-in-the-dark kaitou kid caricature being the luminol on the floor, and the little pops of red looks like blood that's been mixed in. i lucked out in that the other side of the endpaper was like a lavender-purpley color, i like to think of it as a little wink wink nudge to the color of the actual Lady Red.

the chapter pages got a few reworkings, but i'm happy with the illustrations i ended up doing for each of them. the chapter titles are one of my favorite things about the fic, each one has so much meaning packed into it and flows so beautifully, and i wanted to put as much care into making them pop as possible.

the cover was a linocut carving i designed and carved, which i then printed onto the bookcloth, and ironed on htv on top.

i also threw in a couple of my drawings of my favorite scenes.

this is getting way too long, so i'll end it here. i'll have a separate post detailing the process every step of the way, if anyone wants to take a closer look. this fic is kind of directly responsible for getting me into fanbinding, so it's safe to say it altered the course of my life. i now spend way too much time (and money) looking at book stuff.

kittebasu, if, somehow, you see this and would like an author copy, i would be honored to make one and ship it to you; i would be overjoyed to gift you with any art i have the ability to make, because the fics you wrote have irreversibly altered my brain chemistry, and being able to give back in any capacity would be a dream. (thank you.)

a few postscripts:

i am not selling any copies of this fic. partially because i believe in the gift economy of fandom as well as firmly keeping fanbinding a hobby that will stay unmonetized, but also because it took me months (years, if we are counting when i first finished the typeset) to finish this and i do not have the strength.

however, if you are also a fan of this fic and would like a copy, i honestly, fervently, encourage you to give fanbinding a try! renegade publishing and its discord server are an absolutely wonderful and free resource. i knew nothing about bookbinding and had zero materials when i first started, but i've learned so much thanks to the lovely people there. if you're still apprehensive about getting started, i'd be willing to share my typeset of this fic as well as answer any questions about the making of this book if you DM me.

[geopsych]

re: the tumblr ai stuff, please don’t wipe your blog!! your blog has been so important to me and many others as a place of authentic light and beauty and i would hate to lose it forever 💕

there is a way to download the contents of a tumblr blog (it’s in settings, i don’t remember rn, but i’ll find it if you need it) maybe you could upload to another site or a personal site?

i know this is very serious, and i hate how we are unwillingly contributing to synthetic art, but the world would be poorer for me without your pictures <3

Thank you. Your words mean a lot to me.

This is a dilemma for me. I have loved doing this blog and going out to look for pictures and interesting things to bring here has given me motivation and meaning through years of struggle with depression and several kinds of grief. Going out to look for pictures has put me in situations where I have seen incredible beauty, much of which I never really managed to capture. Also, the many warm and kind messages I've received from people all over the world have given me heart and made me feel less meaningless as a person and more connected. Sometimes I've been criticized for buying the checkmarks and giving money to Tumblr but I wanted to do what I could because Tumblr has been my one happy and safe place online. But now this. To me AI in relation to creativity is just a way for well-to-do but untalented people, the proverbial tech bros, to profit from other people's hard work and creativity. It has no redeeming value in relation to creativity and is actively harmful to artists of all kinds. <trying to figure out how to put a read more link here> I don't even count myself among the real creatives, artists and writers and others who have worked hard and put years into honing their crafts, into learning to translate their hearts and unique spirits into their creative expression. I just see beautiful things and take pictures of them. But it would still make me sick to see AI works based on my pictures, on these times and places that have meant so much to me. Recently I saw a set of cat 'photos' on here that everyone was reblogging and exclaiming over but that to me seemed to just be AI art that was more convincing than most. As time goes on more and more output of AI is going to be almost indistinguishable from real works and unscrupulous people will pass them off as real, getting credit for what was actually created by others. Whether they profit from them becomes almost irrelevant at that point because what's worse is that we will have less and less sense of what is real. And as some have pointed out AI will now also be scraping from AI, muddying the waters further from here on in. This is an apocalypse of sorts, an apocalypse of creativity, ultimately likely to kill the joy of artistic endeavor for many who would otherwise produced brilliant, beautiful, funny, and/or shockingly original things. I'm still parsing and dissecting my thoughts and feelings about what Tumblr has done and how to react. Staying and leaving my blog up feels like consent. I am not confident in the integrity of anyone connected with scraping sites for AI. I'm not convinced that a little toggle in settings is going to make much of a difference in the long run. On the other hand I like posting here and I have received enough messages over the years to know that my blog is a positive influence on some lives. I was looking forward to May and June and posting pictures of the incredible beauty of eastern Pennsylvania in those months. And I was planning on making a side blog for posting some poetry I've been working on. It will break my heart to leave.

I haven't decided yet. Believe it or not this whole thing has given me awful physical symptoms. I'll let you know when I decide. Thank you again for your kind and lovely note!

[egophiliac]

I was wanting to try doing an art piece in the style of the signature spell poster art pieces you create. But I’m not really the best at coming up with a composition for such a thing.

Do you have a process for how you come up with the compositions for them?

oh, awesome! it is an INCREDIBLY enjoyable style to work in; I hope you have fun with it! :D

I'm not great at putting my thought/art process into words, so my apologies if this doesn't make a lot of sense, but I'll try! my first step is always to do a LOT of thumbnails to figure out both the idea and how I want to show it; not trying to do a real sketch or anything, just little doodles to figure out what exactly I'm trying to portray. (I also call these "garbage passes" because they're not meant to be any good, they're just there to throw things out. aha. ha. ...anyway.) I think it's important during that first stage to really focus on the idea and the layout and not to get too bogged down in the actual drawing yet!

I tend to save my final thumbnails, so I'll use 'em as examples (I posted the ones up through episode 5 here if you're interested!) (and, uhhh, spoilers through episode 5 also in this post, hopefully that won't be an issue!)

the main thing I try to think about in composition is balance -- not necessarily in terms of symmetry, but in where each element is placed and how much space it's taking up. remember, empty space is still space! it's also really important to think about the parts that don't have anything in them, as much as the parts that do!

personally, I like to divide things up roughly by both halves and by thirds -- there's a lot more in-depth info out there on why the "rule of thirds" in particular works well visually, but in short, our brains tend to focus on things that are placed closer to imaginary division lines, instead of in the exact center of an image. so even when I'm doing something that is very centered and symmetrical, I try to keep that in mind and generally aim around those for landmarks like faces/eyes (or...where they would be, anyway) and other focal points.

it's not a formula of "the character's face should be in this division of this grid" or anything, more like "our minds like to focus on these areas, let's think about how to use that", if that makes sense! and of course rules are made to be broken, art is lawless anarchy, and so on. but it can be a good starting place for deciding where you want to put things!

(blue - thirds, red - half)

and against the finished versions, because they do usually end up changing a lot (including the empty space of the border):

(...these actually lined up a lot better than I thought they would. :') it makes me look like I do things way more intentionally than I do.)

other stuff I just try to keep in mind is that our eyes like following arcs and paths, which can be a good way to guide the eye:

and frame and control the focus:

honestly, composition is one of those things I feel like I struggle with a lot, so I'm not sure how much of this is helpful or actually makes sense outside of my head. but hopefully it helps a little! it's all just stuff to think about while drawing and not anything hard-and-fast, so don't, like, stress out about making sure things are lining up exactly on the thirds or anything. again, it's more "our brains think these are the dopest parts of the rectangle" than anything else! take advantage of the cool parts of the rectangle!

NOW GO HAVE FUN DRAWING seriously though, it is always super cool that other people like this idea and style enough to want to do it themselves and for other/their own characters! thank you! ❤️❤️❤️

[jemichi90]

okay OP, in your recent art you mentioned that "you will explain if needed" and gave a detailed explanation of what might have happened (to Charlie and Maxwell).

I'd LOVE to hear more of your thoughts, and the "explanation" that you said you'd provide (⁠ﾉ⁠◕⁠ヮ⁠◕⁠)⁠ﾉ⁠*⁠.⁠✧

ps i really like your art.

Oh! Hello there! 👀

And yes indeed I did. Alright then, get ready for the brainrot. xD

For a long time I've thought that Charlie died and came back wrong, and in the recent updates there have been several things hinting at it.

Here is a list of the ones I can remember right now:

Maxwell says ”There's a story behind that...” when inspecting a touch stone.

After the recent update, the ”dark side” Winona can sense traces of Charlie on the touch stone, confirming it's related to her (the quotes vary).

In the Encore animated short, there is a brief flashback of Charlie with the Ancient Fuelweaver behind her, and then her Chess piece is seen falling and sinking inside a black square on the board - some heavy symbolism there, sparing us from the gory details, I guess...

In Charlie's stageplay, the doll that represents her breaks, but she's brought back to life by the Mirror (Them?) - alive but different, as she says.

And then there are things that fall more into the headcanon territory, until more evidence comes up that either proves or debunks those ideas entirely, but I'll explain those as well, since they heavily influece my art inspiration.

I subscribe to the idea that the two characters in the ancient murals represent Maxwell and Charlie themselves in their early years in the Constant (but depicted by the locals that were unfamiliar with human anatomy). Time moves differently in that world so it could have been thousands of years ago, but the two made contact with the locals and briefly improved their life through the use of Their magic – until it backfired and the entity that must have been sealed for a reason broke free. Assuming the character with the torch really is Charlie, she died protecting Maxwell from the consequences of his own mistakes. In the final mural image, only her cracked head can be seen.

Another headcanon I have comes from the fact that one of shadow Charlie's arms seems to be entirely made of shadows (curiously, there are also arm bones attached to the touch stone, although they could have belonged to a pigman too, like the heads), so I think that whatever happened to her basically shattered her to pieces, and some pieces may still be missing - like that arm. But details like this are only a headcanon for now.

This also falls in the time period between 1906 and 1910-ish, when apparently some crazy stuff happened that Klei hasn't showed us much about – yet (according to their own post some years ago). ^^

So based on all this, my idea is that Maxwell summoned the Fuelweaver (as seen in the murals), but he messed up big time and Charlie got caught in the crossfire trying to protect Maxwell. She died a gruesome death (that may have torn her to pieces even more brutally than in my drawing). Maxwell in his desperation made the touch stone in a hurry (which is why it looks so rough compared to all his other constructs), carried what was left of Charlie there, and made a deal with Them to bring Charlie back to life no matter the cost. And they did. They just didn't bring her back exactly like she used to be, and she would probably fall to pieces and die instantly if she was separated from the entity that she now shares the body with...

I think Maxwell had been able to move freely in the Constant (maybe even out of it, based on his disappearances earlier) until then, but deals like that come with a price, so he lost his freedom and became Their tool (sold his soul to save Charlie?). Or something like that anyway.

There are also the parallels between Charlie and Abigail with their connection to their special flowers, as highlighted in the newest animated video. Charlie just might be another ghost inside a flower herself, but thanks to Them, she got to keep her body, or at least a form that resembles her body.. But I prefer to think that her actual broken body is still a part of the deal, as messed up as that is. We already know that They can keep a body that should have died a long time ago alive for an eternity, thanks to Maxwell. When he was released from the Nightmare Throne and time caught up to him, he didn't just die, he turned to a skeleton that crumbled to dust in an instant..! That's some old corpse, but he'd been conscious all that time because They wouldn't let him die.

So yeah, these happy thoughts inspired that piece. I might draw more about that if I still feel like it later. :D

[kittybroker]

Intro post!

I'll reblog cat pictures and value the kitty.

Now I'm sure you're all saying kitties are all valuable, and while that's true one cannot simply dismiss the importance of proper accounting in today's economy.

If you want to submit a picture of a cat you can use either the ask function or send in a post submission and value it yourself. Feel free to tag me into any kitty post you want.

Please make sure to read the FAQ below before sending in any questions.

While I am mostly a joke blog, please be wary when sending overly personal/strange asks, particularly when I do not know who you are. Absolutely do not ship this blog with other blogs, and particularly do not make comments to me about this.

Tagging system: I'll tag all the cats here with #crazy kitty The pricing of kitties is set into one of five categories:

#free bin - $0 kitties #bargain bin - Under $5 #discount kitty - Under $20 #valuable kitty - Under $50 #premium kitty - Anything over $50

#alt currency is used for any kitty not using kitty dollars.

Note that kitties from before 27/01/24 may not include the #bargain bin or #premium kitty tag as those tags were introduced after the blogs creation.

#set deal - For pairs kitties sold together #collection - For collections of different kitties in a collection

#silly kitty - For memes and humorous kitties #art - For drawings of kitties or kitties with art attached #fake kitty - For kitties that aren't really actually kitties at all

#text post - For posts that aren't actually evaluations #asks - Posts that are sent via ask #tagged - Posts sent via tagging #in the replies - Tags from the replies of a post #my cat - For pictures of my cat #kitty music - For self-promotional music posts or music performed by kitties (meowsynth)

I'll probably post my own cat a bit here as well and tag that with #my cat.

Submission: You can submit kitties by tagging me in posts or sending asks (when the inbox is open). I will not always get around to tags as sometimes there is too many to get to or I have already evaluated the post. I prefer people tag me into a post over DMing, and will not evaluate a kitty sent in DMs. I would also ask you to not send too many asks or tags in a row simply to avoid too many posts being sent in at a time and allowing others to send stuff in. If you are unsure on how to tag me please refer to the FAQ, do not message me asking how to tag me into posts.

Rules for submission: Please no real people or anthropomorphized cats. Anything that is pretty much just human is a big no go zone for evaluation (particularly evaluating real people). As long as it's clearly an animal I don't really care. Do not tag me into more than 2-3 posts at a time.

FAQ

Why hasn't my ask been answered? I get a lot of asks, and I can't answer everything. It usually takes a few days to a week to get around to answering an ask. Sometimes the ask may also contain a submission that cannot be posted, ie you submitted a real person, a cat in the harmful situation or with wounds. For text based asks I cannot get to everything and am frequently inundated with comments. Not all will get a response. If you ask a question answered in the FAQ I will not answer.

How do you evaluate the kitties? The economy guides my hand, I merely see the truth of what is already there.

I tagged you into a post, but you never responded? I get a lot of tags, and often a lot of the same post. I will try to avoid responding to the same post multiple times (sometimes I forget!). Sometimes I just have so many tagged posts to get to I have to cut some out. I do see every tagged post though so you're post will still be seen, even if not answered.

What is the most valuable kitty ever? Our current estimates would put Intergalactic Shiro, now at an impressive 720000000000

What currency are the kitties evaluated in? They are all in Kitty Dollars. I've never heard of this "USD" or "Euro" stuff. None of it is real.

I want to tag you in a post, but I don't know how? To tag me into a post you will need to reblog the post and add the tag into the text field of the post (no the tags!). If you type @kittybroker you should see this blog appear in a dropdown menu. Select kittybroker and then reblogging the post. You can also tag me into the replies of posts by opening the notes, heading to the replies section and tagging me there with the same method.

Can I submit myself? Many before have attempted this perilous feat. Yet I remain strong. No real people will be evaluated!

Kittybroker, you reblogged a bad post! Sometimes I reblog posts that I should by mistake. Please notify me if this is the case, ie. the cat is in danger, the video is not safe or harmful. I do my best to try educate myself on what the best, but I still miss stuff. THIS DOES NOT APPLY TO FANDOM DRAMA/PROBLEMATIC USERS. DO NOT MESSAGE ME ABOUT THIS.

Kittybroker, I want to support you but I hate capitalism! Good news for you! The best way you can support me is to check out the #kitty music tag! I write a fair bit of music and you can find it at my old soundcloud, or you can find my recent piano sheet music here! Completely free! I really appreciate any support with my music work outside of kittybroker and sharing or listening to my stuff helps a lot!

Do you have a cat? I do, although I rarely post it out of both privacy concerns and the sheer number of other kitties sent in. The rare occasion I do however they will all be tagged. His name is Boris and he is around nine years old. He is very crazy.

That is all for now! Remember to stay crazy and kitty!

[starving-mimi]

Hey guys, remember when I made a poll about the new tumblr community feature? Well it's finally here!

HOW TO JOIN?

Simply interact with this post (like,reblog,comment) , send me a dm or something in my ask box ( if you ask via my ask box make sure you say your username or just don't be on anon tho (I obviously won't be publicly answering the asks sent, I'll just send the invite and then delete the ask )) and i'll try to send you an invite!

If after a while I still haven't sent any invite, don't hesitate to try sending another message! I have no idea how many people will want to join and might miss some people :')

Currently, communities are in beta so you can't join them freely :( So I'll have to send individual invites to anyone who wish to join,,

What are communities?

The tumblr communities are a new feature currently in beta! In there you can post and reblog things, kinda like if you were on the classic dst tag, but here there's no need to filter any noisy web design company, posts about daylight savings or being touch starved or any other things that aren't don't starve related! You can also reblog stuff into communities as well as post! ( Doesn't even have to be your own, awesome right?)

How to post there?

Once you're invited, you can do a whole new post there, or reblog a post you made outside the community inside of it! ( I'd reccomend posting art outside and then reblog inside of the community)

For now the community feature is new and needing to send private invites obviously mean that it's not exactly open for everyone imediatly, meaning there might not be a ton of activities in there, but hopefuly as the feature starts leaving beta and become more open and easier to find thing's will start to pick up speed and be a bit more used!

( The community feature is obviously new to all of us, so I might make some oopsies and get things wrong as we discover this new feature together :') )

If you plan on joining don't hesitate to reblog too! That way more people can join and we won't just be a handful of people kinda confused and not using the feature :')

[angelpuns]

I digitized the sketches cause I have been thinking about these guys literally all day-

Also idk what type of turtle Donnie is yet??? Idk I haven't decided. Since Raph and Mikey are both Map turtles maybe he could be a slider of some kind.

also Leo really likes star motifs cause he's sweet and he gave them all a little star keychain so they could all match ( sobbing actually I'm crying over this rn )

Anyway I have lots and lots of comics planned, but they're primarily sad. I'll work on getting some /pos ideas down but we'll see. This IS all about examining my own childhood after all lmao

Anyway here's some things about these guys to start off with ( I will happily ramble about them later as well )

Leo:

-Blunt, but has trained himself to be less so ( its the heavily masked autism )

-love Galaxy Adventures and secretly writes fanfic for it.

-transmasc! Also likes neopronouns but unsure about them

-likes plants, does not have a green thumb

( there is a lot more about him cause he's just me, but uhhh I'm trying to only put the /pos things for now )

Mikey:

-art!!! He's very good at it!!! really likes horror art!!

-favorite brother of all the brothers.

-very messy, Leo gets onto him for it a LOT

-new hobby every week

-undiagnosed audhd baby

Raph:

-also an artist, but hates that he's not as good as Mikey ( :( )

-likes plants even more than Leo, but actually has a green thumb

-L O U D

-somehow a morning person???

-Will wear anything. Not really into any particular style, but likes to wear things that piss Leo off ( ripped jeans mostly )

-likes to piss Leo off

Donnie:

( he's the least figured out tbh)

-IT guy fr fr

-love Galaxy Adventures just as much as Leo, but they fight over who likes it more

-also v blunt but does not hide it.

-v good at tech stuff!

-he cooks for everyone!!

So yeah those are the bare bones of this iteration , I'm not gonna start posting comics for it til after Kid Leo Au but just know that I will be thinking about them <33

[fuckyeahmhawkefenris]

MAJOR update

So I don't know if anyone else even cares about this stuff, but I made some huge progress with tagging/retagging things here. For some time I haven't been tagging any posts at all lacking motivation because, seriously, does anyone even look at tags these days?

Still, my love for this ship keeps me going. Maker, I'd forgotten how therapeutic the process is. For a few days I almost stopped dwelling on my own personal issues.

Anyway

Allow me to remind y'all that this blog has a list of TAGS, a rather extensive one. I shudder to think how much time I spent compiling it all, but it does make me happier somehow

We have an impressive collection of fanart, so many comic bits they had to be separated into their own category to make it possible to navigate through all the artwork, writings that I don't think can be found anywhere else. In the beginning this fandom also used to produce a lot of memes and jokes, not so much of it now, but we don't forget our history! There is so much to uncover and rediscover.

I guess that canoodling/hugging/cuddling/snuggling tags are still a mess (always have been) despite my best efforts, but I genuinely tried to make it make sense somewhat. Having 8000+ pieces of art for your ship gets you there. Hard to believe it used to be almost nonexisistent in the beginning. It was so easy to navigate in 2012...

I didn't even try to sort out the comics, and fiction is not tagged either, except for the most basic basics.

Well, if anyone has any better ideas/suggestions don't be shy about @ ing me. Hell, if you can think of any new tags worth adding, let me know. And if you could reply to the relevant posts with it, it'd be fantastic.

If you're bored and don't mind spending some time with Fenris and Hawke, observing them love each other, please take a look at the list. There are also separate pages for the people who make fanart and write stuff for us, so you can always find more of their works by looking up the artists name in the tags. Though this page is forever in progress.

There's always room for improvement, so if you have anything to say, PLEASE SAY IT.

Also, the pornstash is up again, and now there is some semblance of a system.

It is a members-only blog, since almost all of its content is flagged and can only be viewed by members. So you need to become one. Everyone is welcome to join, but please don't follow it. All you need to do is like this post. I'll see your username and send you an invite. After that you'll need to check your e-mail (NOT tumblr inbox!) and follow the link you'll find there. And please read the post i linked carefully, there's vital information in it.

I'm just really tired

I'd really like to sort this place out completely so that when I retire, and someone is willing to take it off my hands, I could be at peace.

[blckbarbiedoll]

Million Dollar Baby

Chapter 4-Advantage, Zweig

CONTAINS NSFW CONTENT (fingering, p in v sex, kissing, etc.)

September 12, 2007-Stanford, California

"I missed you." Tashi said as she took a bite of her food.

"I missed you too. I'm gonna try to come visit more."

"So, what've you been up to?" Art asked. "Ya know, besides being the best tennis player in the world?"

"Definitely not the best. Maybe second best." You joked.

"Oh, come on. You're fucking phenomenal. You've won two grand slams and you're going to the Olympics at 19. You have an Adidas brand deal."

Tashi's demeanor changed. She looked a mix between annoyed and sad. You rolled your eyes and laughed.

"Guess what." You asked.

"What?"

"I ran into Patrick at the U.S. open."

They both paused their actions for a moment and looked at each other.

"Cool." Tashi responded.

"You can't avoid him forever. I know he misses you guys."

"Come on. We're gonna be late for the movie." Art stood up, changing the subject.

🎾

"We should do something over the summer." You suggested.

Art's arm was wrapped around your waist as the three of you walked into the campus.

"What about Florida?"

"Babe, you can go to Florida anytime. Let's go somewhere tropical."

"Well, when you win the Olympics next year, we can go somewhere to celebrate."

"I'm definitely not gonna win. I'm just happy I qualified."

"You're definitely gonna win. And I'm gonna be watching on tv cheering you on."

You rolled your eyes and kissed him softly. Once you got into the school and into the elevator, you parted ways with him.

"I'll meet up with you later. I'm gonna hang out with Tashi for a bit."

"I'll miss you."

"I'll send you a post card from the other side of the campus." You both walked into her room and you flopped onto the bed. "You okay?" You asked her. "You've barely said a word since we walked out the theater."

"What's your goal here?"

"What do you mean?"

"Are you tryna get back at me for something?"

"Tashi, what're you talking about?"

"It seems like lately all you've been doing is bragging about your perfect little boyfriend, and your perfect little career, and your perfect little life."

"Are you jealous?" You stood up.

"Yeah. I guess I'm fucking jealous. Jealous of the life that should've been mine."

"What?"

"I spent my entire life trying to get where you are. I worked, and I sacrificed, and I busted my ass for what I have. You didn't even want this!" Tears fell down her face as she walked closer to you. 

"Look, I'm sorry you got hurt. I really am. But that's not my fault and you don't have to take it out on me."

"It should be me going to the Olympics! It should be me with Art!"

"Art? So now this is about you wanting my boyfriend?"

"You're traveling most of the year! He doesn't need someone like that! He needs someone who can be there for him!"

"You intolerable bitch." You scoffed. "When you're done projecting your insecurities onto me, let me know."

"Sometimes I wish you got hurt instead of me."

Your jaw clenched and you felt your eyes begin to water.

"Patrick was right about you." You opened the door and hesitated a minute before opening it. "The worst part is even after all this, I'll probably still love you." You walked out and made your way to Art's dorm. You wiped your tears away before you knocked, not wanting him to worry.

"Hey. That was quick."

"Hey, I'm gonna leave a few days early, okay?" You walked in and set your suitcase on the bed.

"What? You just got here last night."

"I know. I just think I should go now." You shoved your stuff into the bag, avoiding eye contact with him.

He grabbed your hand to stop you from packing. 

"Slow down. Are you crying? Did something happen?"

You wiped your face again and pulled your hand away.

"Tashi and I had a fight."

"But you guys'll be okay, right?"

"I don't think so." You took a deep breath. "I also think we should take a break."

"A break? Did I do something?"

"No, Art." You grabbed his hands. "You didn't do anything. I just need a little time. Between just coming from the U.S. open, organizing the brand deal, training for the Olympics, and now this fight, it's just too much. But I love you so much. I just need some time."

"How much time?"

"I don't know. But I'm always gonna love you. Okay?"

"Yeah. Okay."

You gathered the rest of your belongings and hugged him goodbye. You kissed his cheek and headed towards the door.

"I love you, Art."

"I love you too."

🎾FOUR YEARS LATER🎾

You waited anxiously by the door, waiting for a knock. After pacing back and forth for twenty minutes, you heard the sound you had been waiting for.

"Hey, Pat." You smiled as you pulled him into a hug.

"Hey, beautiful. Nice room. I mean, The Ritz? The Adidas money came in, I see."

"Thanks." You laughed and led him inside. "Do you want a drink? I made the dinner reservation for 8:00."

"Sure."

You grabbed two beers and sat on the sofa. You patted the spot next to you, signaling for him to sit.

"So, tell me what you've been up to." You took a sip.

"Uh, well, I still haven't won a slam."

"You'll get there. It's almost a new year."

"What about you? Gonna be a two time olympic gold medalist."

"I might not win."

"You will."

"Maybe."

"For sure."

You laughed and set your beer on the coffee table before scooting closer to him.

"You seeing anyone?" You asked him.

"Nah. Ya know how it goes. They always wanna come, but they never wanna stay."

"They're idiots then. Any girl or guy would be lucky to have you."

"You got a boyfriend?"

"No."

"Girlfriend?"

"I've just been keeping to myself since Art and I broke up."

"What happened?"

"I just needed a break." You sighed. "But, c'est la vie." You shrugged.

"Ayesha?"

"Hm?"

"Why'd you invite me to your hotel?"

"I heard you were in town, and I had the night off."

"We haven't talked in four years. Why now?"

"I missed you, Patrick."

"You missed me?"

"Am I not allowed to miss my friend?"

"Is that what we were?"

"We were both taken, so yeah. That's what we were."

"And what about now?"

"I think...the night is still young. Who knows what could happen."

"Huh." He smirked as his arm draped over the back of the couch. "You wanna know something?"

"Sure."

"Sometimes I wish that I had gotten your number instead of Tashi's."

"Well, you have my number now."

"I do."

You smiled and leaned in to press your lips against his. He held onto your waist to pull you closer to him. You grabbed Patrick's hand and led him to the bedroom.

"I missed you so much." He whispered while he was urgently taking your clothes off. He kicked his shoes off and lifted his shirt over his head. "I think about that night at the hotel a lot." He said while unzipping your romper. "I regretted not fucking you that night for years."

"Well, now's your chance." You kissed him roughly as your hands made work of his pants buttons. 

You pulled your romper down and tossed it onto the floor. He did the same with his jeans before picking you up and carrying you to your bed. He set you down and started to kiss your neck. Your hand went down to rub his dick through his boxers.

"Fuck." He groaned as his fingers slipped under your panties. "You're so wet for me already." 

"Patrick." You sighed as two of his fingers entered you, his thumb circling your clit.

His fingers continuously pumped in and out while he marked up your neck and chest. Your hand grabbed his bicep and squeezed it as the pleasure became too much to handle. 

"That feels good, doesn't it?"

"Oh my god, yes."

"I've been waiting for years to touch you." He kissed the spot right under your ear. "To make you cum."

"Oh, fuck." You groaned.

"You gonna cum for me?" He whispered into your neck.

"Yeah." Your nails dug into his skin as he moved his thumb faster. "Shit!" You cried out as you came around his fingers. 

He slowly pulled them out and brought them to his lips. "You taste so good."

You flipped him over so that you were on top of him. He helped you pull your panties down and you threw your bra onto the floor. You hovered so that he could get his boxers off. He kissed you while your hand went down to slowly stroke him. You lined your hips up with his and sank down onto him.

"Shit." He groaned. He held onto your hips while you rocked back and forth.

"You feel so good." You moaned against his lips.

The room was filled with the sound of skin against skin and heavy breathing. You knew neither of you would last much longer. He moved his hand down to rub your clit.

"Art said you were good, but fuck, I didn't know you'd be this good."

"You talked about me?" You asked as you continued to move your hips.

"Yeah. He used to call me and I'd ask about you. He didn't tell me everything, but the little he did had me hard as a fucking rock."

"Did you jerk off while thinking about me?"

"Fuck." He sighed. "Yeah."

"That's so fucking hot."

He took the opportunity to copy you and flipped you over. He started thrusting into you while looking into your eyes.

"You're close again, aren't you?" He asked. You nodded, which made him smirk. "Words, baby. Lemme hear you."

"Yeah. I'm close."

"Me too. Where do you want it?"

"Inside."

"You sure?"

"I have an IUD. Please, Patrick, I want you to cum inside me."

He cursed under his breath and rubbed your clit faster as he felt himself letting go. You threw your head back against the bed as you finished with him. He rested his head in the crook of your neck while you both caught your breaths.

"Tashi was right." You spoke.

"Huh?"

"You do have a big dick."

You both laughed and laid together, basking in the afterglow.