#i'll also try to post more of my art and stuff here as well

[dogtoling]

General life- and blog update , since I assume at least a few people might have been wondering where I've been and what i've been up to recently. I obviously haven't been posting or drawing much this year in general. This will probably be an important post if you care about stuff on this blog, and I already rambled on Sheezy, but that site isn't very populated yet and it's also very good at hiding journals so let's just ramble again...

The summary of this post if you hate reading: I'm heavily considering just stepping away from Splatoon. That decision obviously would affect this blog (mostly, my OCs, which is kinda most of the blog at this point). I don't think the blog itself will go anywhere, and I'll probably use it for something in the future... alternatively i'll cherry pick stuff from here into an archive for people who like the worldbuilding.

Longer post under cut:

So what have I been up to this year? The answer is quite simple: NOTHING. Like, actually absolutely nothing. Aside from Art Fight, this has probably been one of my worst art output years of all time, which is really frustrating. That's between my horrendous mental health and depression chasms this year and a complete lack of both focus and inspiration (which can also get chalked down to the depression to a degree, yeah). So the very real reason to why there hasn't been much activity on this blog this year is because I just haven't Done Anything in general.

Now because I know there will be a few people who think "that's fine! you shouldn't judge yourself based on productivity!" you're right! I also agree. However the issue for me specifically is that most (if not all) the time I spend NOT drawing or creating, I spend sitting around wishing I could start drawing or creating, because that is like the 1 thing that keeps me sane on this freaking earth. Unfortunately coming up with OC scenarios in my head doesn't really result in output I can feel fulfilled by in any form as much as I wish it did, lol.

Now; The Issue. It doesn't take a genius to see that if you spend 9 months trying to finish like a dozen OC pages that you COULD do in a week or 2 if you wanted to, then there's probably more than just the problem of executive dysfunction (even though that's at least 60% of it for sure). Obviously my other major problem is that I live by imaginary rules and structures that make sense, but aren't actually useful at ALL in reality and are more than a hindrance if anything (the mental to do-list in my head that says i can't do X until I've done Y doesn't do very much if task Y takes 10 months and I also don't want to do it, and it also has no structured ending).

How does this tie into stepping away from Splatoon, you may ask. Well, the issue is that I have foreseeably fallen out of love with the series. Which isn't exactly news lol. Currently, I'm not even sure i will get the next game, if and when the time comes. Yes, the loss of interest is also expected, given that Splatoon 3 has ended and every fandom has this kind of downtime and lukewarm in-between-titles period. But the truth is that modern Splatoon (almost 10 years old!!!!) is tangibly different from the way the series was back when I fell in love with it. That was Splatoon 1, and while the series has improved in a lot of aspects and is thriving, it's grown in a direction that I just don't really like. Splatoon 3 had the most freaking horrendous, immersion breaking story mode they could've done, then they followed it up with a DLC story that was pretty cool but also compounded a lot of my fears about the series' future and played into every single thing i do not want Splatoon stories to be - fully character focused, random fucking villain, mundane event that's unrealistically world-threatening just because a kids video game needs a scary climax even though it's immersion breaking AGAIN, the whole thing taking place in cyberspace and thus offering basically no worldbuilding even though there is SO MUCH WORLD. I COULD GO ON.

The gist of it is that nowadays, rather than playing Splatoon and being inspired and excited at what comes next, I mostly find myself dreading what dumbass plot they will do next to throw a wrench in the otherwise good stuff. And when that's like THE main approach I have to what's supposed to be my favorite series, it is HARROWING. I can't even really blame the game for this; the story is NOT its selling point, the developers probably do their best to get the bits to us that they really want to tell, and at the end of the day the game is unfortunately a product. Worldbuilding for Splatoon is fun to a point. It's less fun when in order to actually write or create something coherent, instead of filling in the blanks, the blanks are 90% of the freaking thing. At that point you're just better off making something of your own instead of being anchored onto an IP that gives more problems than answers and occasionally shoots you with like a machine gun. Working in the realm of Splatoon is frustrating because more often than not, the questions I have ARE NOT MINE TO ANSWER, and the likelihood that the specific-ass questions I need answers to will ever be actually addressed is really low.

Tying this back to my OCs. Obviously I love my OCs more than I love myself which admittedly isn't that high of a bar but you get the point. The problem is that I spend a lot of time mulling over worldbuilding that, again, frankly isn't mine to do. Because if I want it to be Splatoon, then it should be mostly accurate to how Splatoon is! But the problem with that is that there's really not THAT MUCH worldbuilding in the series that you can work with, and most of the core game mechanics are just abstract enough that it's actually horrendous to try and come up with workarounds and ways for things to make sense that don't require just constructing a full knockoff version mirror dimension of the game and saying fuck everything that's in place here because Inkopolis Plaza literally has no roads in or out of there and I have no fucking idea how that's allowed when your only option is to jump the fence (or, nowadays, take the train which also isnt connected to a street as far as I remember). Between the face value issue and the lack of REALLY IMPORTANT worldbuilding, like - I will always come back to this - THE INK TANK'S FUNCTION 10 YEARS DOWN THE LINE - there's a goddamn ocean of plot holes and things that end up being obstacles to creativity rather than inspiration. I feel like I'm pretty solidly at the point (and have been for a while) where hanging onto Splatoon is really only contributing to creativity block and frustration with lack of freedom and the ability to actually do things.

So I guess those are my reasonings that I've put together just sitting here for the time being. The TL;DR is that I wish I could just do stuff without Splatoon's canon getting in the way, which is a really stupid problem to have if you're making Splatoon OCs. I feel this frustration extremely strongly every time I have to work with actual bigger aspects of the world; we still don't have an Inkopolis map, we don't know what the world around Inkopolis looks like, we don't know what the wilderness is like aside from Just Normal Forest and Desert and very few snippets as to what modern wildlife MIGHT be, I still don't know how the fuck the Inklings teleport to the goddamn arctic ocean to play a turf war at Shipshape Cargo co. These are all actually really important things if you're trying to establish a setting in any kind of storytelling that's outside of immediate city bounds (and even there, you need to know the layout of the city and its important areas). Also a fucking mutant bear and a baby salmon and a squid not wearing suitable gear went to space and fought on a rocket in space. These are some things that would give me peace of mind to not have to deal with in my own writing, probably.

So where do we go from here? Unsure. I haven't really made a decision on this front yet, though right now I'm leaning more towards actually going ahead with trying to do my own thing. That will result in obvious design and setting changes for my OCs whenever I get around to it. This blog probably won't go anywhere (again, unless I impulse delete it during a mood swing like i've almost done on like three separate occasions this year), but it will probably get less use, and I will probably end up making a new blog to post about whatever I end up doing once I get to a point where it feels like it makes sense. There's a chance that I will delete this blog and put all the interesting stuff on an archive blog for the people who are here just for the worldbuilding. My actual true passion for a long time now hasn't even been Splatoon anymore, it's just been cephalopods. I'm kind of done having Splatoon get in the way of the cephalopods, as thankful as I am that it introduced me to them...

If you read this to the end heres a treat for you = 🍪

[kingofgay-art]

Photography dump!

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[journey-to-the-attic]

one thing about ik is that she will always reach out

[loppiopio]

just some 🥥 related sillies i've made for that fic we all know.

[seventh-district]

again and again i find myself lamenting that audio roleplay isn't taken more seriously by some people. like yeah, they often have a romantic element, and by nature they usually directly involve/address the listener- and i totally get that those things aren't to everyone's taste. no art or entertainment is universally appealing, and that's okay! but.. it still makes me a lil sad that the "cringe" reputation of asmr/audio rp precedes it. there's a whole lot of talent and creativity being poured into these audios by so many people that i feel goes unrecognized and/or disrespected simply due to the medium that the stories are being told through.

[arcadian-vampire]

Nervous giggles

Even more nervous giggles

There are so many professional paintings here, so many technically advanced, highly impressive works, and I'm just like [slaps some crayons down] y- yeehaw,,

I'm keeping the Escape Motions site Exciting. keeping it Interesting and Ridiculously Colorful

[piningpercussionist]

(ooc)

I want you all to know that if I had the energy for it. There are so many posts stored in my drafts I long to queue... but neglected to preemptively tag, despite knowing I am Like This....

Anyway, there is a slight chance the queue might run out tomorrow unless I can get more responses in there-- I am,, tired,,

[wombywoo]

Hello!!

I wanted to ask if you would be willing to share how you go about finding the references for the injuries you depict in your work? Your pieces where the CoD boys are sporting injuries, fresh and old, are always so lifelike and to my untrained eye seem entirely medically correct.

I have been trying my hand at drawing the boys retired and resting as well, but I’m finding it difficult to decide what work injuries to add and how to find the respective references.

How do you decide what injuries to portray? And how do you go about finding the reference material?

Your huge fan, amustikas

Oooh ok ok! I'm gonna post my answer publically because I think others would find this interesting too!

To preface, I am definitely NOT a medical professional, and as such, a lot of the stuff I choose to depict in my art is not so much..ah, medically accurate as it is....aesthetically pleasing 🤭

I'll start with scars, as a lot of us enjoy slashing up Simon's face with them, lol. Generally, I'll do a cursory google image search for the type of scar I'm looking for (be warned, these can be graphic) with searches like 'burn scar' 'surgery scar' etc. But I find that for things like cuts and lacerations, real-life scars are a bit innocuous and lame 🤷‍♀️ Unfortunately not everyone's skin wants to retain that perfect slash look™️😔

So what I usually end up referencing are costume prosthetic scars ✨

As you can see, they're pretty gnarly:

And you definitely don't have to go this intense, but I find that the dramatic, carved-like appearance of these translate better to art than a realistically healed wound 🤙

The other thing to consider is the prevalence of injuries in the military. From what I've gathered, the most common will be back/shoulder/limb injuries, just a general fucking up of the whole musculoskeletal system in general due to constant overuse 🤕 Hearing loss, shrapnel/blast/burn injuries are also common, as well as all the negative psychological effects :') goooood times (not)

I think it's neat to look up real-life examples of these things, but it can get a bit intense if you're squeamish...

SafeSearch is OFF, the horrors are REal 😳

So yeah...I tend to tone things down, all things considered...😅

For this particular piece:

I researched broken humerus injuries and treatment 👍 Poor boy 🥺(Yes, I am aware that I consumed entire articles and did a shit ton of research about this just to go ahead and put a female's x-ray in this fucking picture sdfghjkl rip💀😭)

But here you can see the actual process for applying the brace for this particular injury:

Neat, eh?

When I draw Johnny with a knee brace, it's usually a real authentic one you can buy on amazon:

Product placement blast!!!💥✨ Bezos, where is my cut?? 🫰

As for ones like this:

I tend to just...scatter some wounds around and patch them up accordingly, lol. Bruising around the eyes is common with any head injury, and surgical stitching will offer a nice puckered skin effect mmm 👌 (I swear I'm normal abt this)

I'm sure the medical malpractice lawsuits are stacking up for me now, but again--it's usually more about the ✨visuals✨

My parting advice would be--go nuts! Feel free to maim and mutilate and mangle to your heart's content 🥰

Thank you for the question, Amustikas! I love your art as well 💗🫶

[kozachenko]

[Click for better quality]

Ok yay I'm back from my vacation yipeeeeeee. I started this drawing of Keiki before I left and I was half considering just giving up on it.... until I did a short study of facial planes and then got motivated to work on this again! I'm glad I didn't give up on it though, as I'm actually really happy with this one!

Artist's Notes;

So as I mentioned in my last post about Touhou 17, I wanted to finish this by the game's five year anniversary but with how progress was going I didn't want to rush this so I decided to take a long break from it. Mainly because of the face. For a while now I was kind of feeling like I was stagnating with my drawings, not really in the clothing but in the bodies. There was something about the way I was rendering them that I just wasn't happy with, and after talking with someone else about this issue, I realized that the reason I felt this way was because the faces were too flat and didn't match the rest of the drawing and that I needed to find a way to make the rendering of the face feel consistent with everything else. So after doing a short study of the plains of the face (I used this 3D head model from art station as a reference for my short study, please go give this person some love as they are a lifesaver) I went back into this drawing and applied what I learned here. It was only after that that I finally became motivated to finish the piece, and while it started off as just a simple character sketch like Saki and Yachie's were, the moment I added in Keiki's little fire dragon I knew I had gotten in too deep and now here we are with a full on background. OK it's not super crazy or anything, but it gets the job done and it's better than there just being an empty void behind her. It's rare moments like this when I use brushes other than the Clip Studio Default Charcoal Brush and use the Clip Studio Default Paint Brushes as well (god bless the oil paint and dry gouache clip studio brushes, they were amazing). I don't know why but painting fire has always been really fun for me, there's something oddly satisfying about it y'know? I do think that another reason for this problem was because I was drawing faces like I would in my more sketchy style that didn't mesh well with my lineless style, so I'm glad I've started remedying that.

After adding in the fire dragon I had an idea to kinda make it feel like splash art in the way the composition works... probably because I have been playing Reverse 1999 again and it has taken over my brain. I do feel like Keiki's tools get a little lost in the composition, and I didn't fully render the metal parts of them mainly because I didn't feel like they needed it, but that's just something for me to improve on later down the line.

If you guys are wondering where I went for my vacation, I went to New York and got to go to the MET and the Museum of Natural History. In both places I found Kofun period stuff and I was so happy to see it you have no idea. I remember one of the Haniwa I saw had some neat face paint under the eyes that I tried to replicate with the makeup under Keiki's eyes in my drawing, though I think I'll gave to figure out how to draw makeup on characters because this reads more like blush to me than anything. While drawing this I also looked up some references of Kofun period jewelry and really liked the stuff I found, which also meant that now she has proper Kofun earrings instead of earrings shaped like Kofun tombs. I put some of the things I referenced with a closeup of Keiki's face as well down below. I made her outfit more reminiscent of the outfit I gave her at the beginning of the year with the buttons and all, though I do want to try and draw her in some more period accurate clothing like the Haniwa I took a picture of at the Museum of Natural History. I wish I could find a way to make her handercheif look better though as I wish I made it a little bit bigger, though I think I'm saying this because I've looked at this drawing for too long lmao. Once again something to work on for when I next draw her. Also want to get better at rendering hair, as some details (like the little strands in front of her ears) kinda got unreadable due to the similarities in colour lol.

Now you may have also noticed the little cracks I added onto Keiki's face, and that's because I have fallen in love with the idea of Keiki's body being made from ceramic and that she crafted her body herself. While they aren't very visible I also tried to add some doll joints to her body, which is an idea I played around with in the past but never went to far with. I also want to get better at rendering cracks in ceramic, porcelain, etc, as I'm not sure how those read in the drawing. I also have a headcanon where the cracks in Keiki's face show up because of heightened emotions, and while Keiki is aware of this and does her best to make sure her face doesn't break off.... she will still end up with at least a few cracks during any given day, and she can often forget to repair her own body quite frequently so Mayumi has to remind her quite a lot. Mayumi even taught herself some basic sculpting techniques to help repair parts of her body that are so badly damaged to the point where Keiki can't repair them herself, i.e. if both her arms broke off, Mayumi would put them back together for her so Keiki can at least have something to repair herself with rather than nothing. I also like to imagine that if Keiki created her own body, if you took a look at Keiki from the beginning of her life she would look completely different compared to now.

BTW If you guys are wondering what a very very angry Keiki looks like....ok in order for this to make sense have any of you read volume 11 of Land of The Lustrous? Am I bringing back some memories for those of you that have? Ok good, glad we all got that mental image brewing in our minds, I'll probably draw a version of Keiki that is somewhat inspired by that one day as it's an idea I've had for a little while now. And to those who haven't gotten to that volume yet and are confused.... don't worry about it, just keep reading :)

[justheblueberry]

handbinding of A Study in Scarlette by kittebasu

There are people who want to live forever, and then there is Shinichi, who just wants to live a little longer than this.

this bind has been in my head since i first read the fic like, three years ago. i dreamed up so many ideas for it, for so long, and now it's finally done! the typeset was actually done in early 2022, back when i was still using google docs, but it went through a few iterations because i was just. so. fiddly. with every aspect of this book. it needed to be perfect (as close to perfect as i, an amateur bookbinder out of my depth, can get) and it had to be absolutely over the top, to reflect the insane amount of love and care that the author put into the fic itself.

the first time i read this fic, i barely knew what detective conan was, much less all of the intricate plot details; i was just along for the ride, but by the end i was completely invested. i went back and watched through the anime as well as a few movies (it took me six months) and then read the fic again. and then a few more times. kaishin and the world of dcmk has utterly gripped me. it's 100% this fic's fault and i love it so, so, much.

i went through a few iterations of visual designs and i'm really happy with the little details i managed to squeeze in.

the entire color scheme is based around red, because 1) it's a murder mystery, 2) for scarlette shinamoto (and the title of the fic as well as the original holmes novel it references), and 3) the irony of "lady red" actually being red. the secret fourth reason is that i think red/gold is a super sexy color combo.

i sewed the textblock with red thread to reference holmes' "scarlet thread of murder".

another detail i love is the five yen coin bookmark, it was one of my first ideas and it turned out even better than i thought.

i wanted the endpapers to evoke a sense of the white marbled floor of the ballroom, with the glow-in-the-dark kaitou kid caricature being the luminol on the floor, and the little pops of red looks like blood that's been mixed in. i lucked out in that the other side of the endpaper was like a lavender-purpley color, i like to think of it as a little wink wink nudge to the color of the actual Lady Red.

the chapter pages got a few reworkings, but i'm happy with the illustrations i ended up doing for each of them. the chapter titles are one of my favorite things about the fic, each one has so much meaning packed into it and flows so beautifully, and i wanted to put as much care into making them pop as possible.

the cover was a linocut carving i designed and carved, which i then printed onto the bookcloth, and ironed on htv on top.

i also threw in a couple of my drawings of my favorite scenes.

this is getting way too long, so i'll end it here. i'll have a separate post detailing the process every step of the way, if anyone wants to take a closer look. this fic is kind of directly responsible for getting me into fanbinding, so it's safe to say it altered the course of my life. i now spend way too much time (and money) looking at book stuff.

kittebasu, if, somehow, you see this and would like an author copy, i would be honored to make one and ship it to you; i would be overjoyed to gift you with any art i have the ability to make, because the fics you wrote have irreversibly altered my brain chemistry, and being able to give back in any capacity would be a dream. (thank you.)

a few postscripts:

i am not selling any copies of this fic. partially because i believe in the gift economy of fandom as well as firmly keeping fanbinding a hobby that will stay unmonetized, but also because it took me months (years, if we are counting when i first finished the typeset) to finish this and i do not have the strength.

however, if you are also a fan of this fic and would like a copy, i honestly, fervently, encourage you to give fanbinding a try! renegade publishing and its discord server are an absolutely wonderful and free resource. i knew nothing about bookbinding and had zero materials when i first started, but i've learned so much thanks to the lovely people there. if you're still apprehensive about getting started, i'd be willing to share my typeset of this fic as well as answer any questions about the making of this book if you DM me.

[ravenstargames]

✦ Lost in Limbo Devlog #13 | 11.11.24

Feels good to be back! This is our first post-Kickstarter devlog and I'm so excited to be writing it.

First of all— Lost in Limbo was successfully funded on September 20th, 2024! 🎉🎇

Yep, it has been almost two months, but it's still something to celebrate! Thanks to every single one of you for making this possible! We didn't meet all our stretch goals (there were a lot and taxes are a pain) but that doesn't mean we are giving up on those. More on that another time.

There's a lot of things we want to show y'all, so let's jump into it!

A sneak peak of Envy's postcard!

Raquel has been working hard on getting the "special postcards from your favorite LI" ready to send them to print ASAP! Initially we were going to use art we already had of the LIs, but we thought it was more exciting to offer y'all exclusive art pieces. After this, Raquel will focus exclusively on the rework of the sprites!

We hosted a few polls and got a lot of feedback. If you missed it, you can check it here!

Astro says hello :^)

As you know, the Extended Demo will feature more locations, including a glimpse of the MC's city, Faybourne! Astro is getting the main street ready for you and your bestie as you go on about your day. I've calculated around three / four different and new locations to properly pace the demo as we imagined it in the first place!

The writing deparment (me. i'm the department) has been focusing on the Extended Demo script. I have a lot of things to play with, like the flavor choices, the personality choices, and more. I want to create a proper balance because one of the things y'all asked for was more choices, and the pacing needed a bit of fixing, as we already knew!

The Extended Demo will actually introduce characters you've heard about, like your mom, your ominous grandmother, and your bestie. So no more talking about them, you'll actually get to meet them like we wanted to!

There will also be more time with the LIs, and hopefully the amount of time you spend with each one of them will feel more balanced, too.

Programming has been an adventure! Huge shoutout to Feniks for helping me figure out how to properly make a toggle for the timed choices as well as helping me polish the personality system. What a lifesaver!

So the timed choices toggle now works perfectly. That means you'll be able to turn them off if you'd like to play the game without being jumpscared by a timer—that doesn't mean you won't be able to mess up, though, on purpose or not :^) This is a dark game, after all!

The personality choice system lets you decide how the MC reacts to things including the nature of your romance with the LI. That means dialogue will automatically change in certain parts of the game to reflect the personality of your MC, some options will be locked, some unlocked, etc. There's three different personalities available.

For colorblind folks, the choices will have a different icon when you hover over them for you to know they're different!

Also, I've started coding some extra mini cgs Kayden's been working on! There'll be more in the Extended Demo to enhance the experience, so we hope you enjoy them! :^)

All the packaging stuff has arrived to our provisional headquarters (Raquel's home), and our business cards have been secured! Every backer with physical goodies will receive one for free :^) This month has been all about managing Backerkit, orders and merch, as well as preparing the Extended Demo. We hope we can receive everything very very soon and start shipping packages starting December!

For now, that's it! There's a lot of stuff going behind the scenes, a lot of things that need attention, and a lot of planning happening. Also the catastrophe the DANA has been on our cities is keeping me a bit on edge, but I'm trying to focus on work. This Saturday I'm going on a trip to Greece with my family, so I'll disconnect then! It's our first time traveling to a different country since I was like...seven years old? And we have been saving up and preparing a lot for the trip, so we are excited :^)

I hope everyone has been taking care and doing alright! Have a huge hug from the Ravenstar Team, and see you around!

[geopsych]

re: the tumblr ai stuff, please don’t wipe your blog!! your blog has been so important to me and many others as a place of authentic light and beauty and i would hate to lose it forever 💕

there is a way to download the contents of a tumblr blog (it’s in settings, i don’t remember rn, but i’ll find it if you need it) maybe you could upload to another site or a personal site?

i know this is very serious, and i hate how we are unwillingly contributing to synthetic art, but the world would be poorer for me without your pictures <3

Thank you. Your words mean a lot to me.

This is a dilemma for me. I have loved doing this blog and going out to look for pictures and interesting things to bring here has given me motivation and meaning through years of struggle with depression and several kinds of grief. Going out to look for pictures has put me in situations where I have seen incredible beauty, much of which I never really managed to capture. Also, the many warm and kind messages I've received from people all over the world have given me heart and made me feel less meaningless as a person and more connected. Sometimes I've been criticized for buying the checkmarks and giving money to Tumblr but I wanted to do what I could because Tumblr has been my one happy and safe place online. But now this. To me AI in relation to creativity is just a way for well-to-do but untalented people, the proverbial tech bros, to profit from other people's hard work and creativity. It has no redeeming value in relation to creativity and is actively harmful to artists of all kinds. <trying to figure out how to put a read more link here> I don't even count myself among the real creatives, artists and writers and others who have worked hard and put years into honing their crafts, into learning to translate their hearts and unique spirits into their creative expression. I just see beautiful things and take pictures of them. But it would still make me sick to see AI works based on my pictures, on these times and places that have meant so much to me. Recently I saw a set of cat 'photos' on here that everyone was reblogging and exclaiming over but that to me seemed to just be AI art that was more convincing than most. As time goes on more and more output of AI is going to be almost indistinguishable from real works and unscrupulous people will pass them off as real, getting credit for what was actually created by others. Whether they profit from them becomes almost irrelevant at that point because what's worse is that we will have less and less sense of what is real. And as some have pointed out AI will now also be scraping from AI, muddying the waters further from here on in. This is an apocalypse of sorts, an apocalypse of creativity, ultimately likely to kill the joy of artistic endeavor for many who would otherwise produced brilliant, beautiful, funny, and/or shockingly original things. I'm still parsing and dissecting my thoughts and feelings about what Tumblr has done and how to react. Staying and leaving my blog up feels like consent. I am not confident in the integrity of anyone connected with scraping sites for AI. I'm not convinced that a little toggle in settings is going to make much of a difference in the long run. On the other hand I like posting here and I have received enough messages over the years to know that my blog is a positive influence on some lives. I was looking forward to May and June and posting pictures of the incredible beauty of eastern Pennsylvania in those months. And I was planning on making a side blog for posting some poetry I've been working on. It will break my heart to leave.

I haven't decided yet. Believe it or not this whole thing has given me awful physical symptoms. I'll let you know when I decide. Thank you again for your kind and lovely note!

[egophiliac]

I was wanting to try doing an art piece in the style of the signature spell poster art pieces you create. But I’m not really the best at coming up with a composition for such a thing.

Do you have a process for how you come up with the compositions for them?

oh, awesome! it is an INCREDIBLY enjoyable style to work in; I hope you have fun with it! :D

I'm not great at putting my thought/art process into words, so my apologies if this doesn't make a lot of sense, but I'll try! my first step is always to do a LOT of thumbnails to figure out both the idea and how I want to show it; not trying to do a real sketch or anything, just little doodles to figure out what exactly I'm trying to portray. (I also call these "garbage passes" because they're not meant to be any good, they're just there to throw things out. aha. ha. ...anyway.) I think it's important during that first stage to really focus on the idea and the layout and not to get too bogged down in the actual drawing yet!

I tend to save my final thumbnails, so I'll use 'em as examples (I posted the ones up through episode 5 here if you're interested!) (and, uhhh, spoilers through episode 5 also in this post, hopefully that won't be an issue!)

the main thing I try to think about in composition is balance -- not necessarily in terms of symmetry, but in where each element is placed and how much space it's taking up. remember, empty space is still space! it's also really important to think about the parts that don't have anything in them, as much as the parts that do!

personally, I like to divide things up roughly by both halves and by thirds -- there's a lot more in-depth info out there on why the "rule of thirds" in particular works well visually, but in short, our brains tend to focus on things that are placed closer to imaginary division lines, instead of in the exact center of an image. so even when I'm doing something that is very centered and symmetrical, I try to keep that in mind and generally aim around those for landmarks like faces/eyes (or...where they would be, anyway) and other focal points.

it's not a formula of "the character's face should be in this division of this grid" or anything, more like "our minds like to focus on these areas, let's think about how to use that", if that makes sense! and of course rules are made to be broken, art is lawless anarchy, and so on. but it can be a good starting place for deciding where you want to put things!

(blue - thirds, red - half)

and against the finished versions, because they do usually end up changing a lot (including the empty space of the border):

(...these actually lined up a lot better than I thought they would. :') it makes me look like I do things way more intentionally than I do.)

other stuff I just try to keep in mind is that our eyes like following arcs and paths, which can be a good way to guide the eye:

and frame and control the focus:

honestly, composition is one of those things I feel like I struggle with a lot, so I'm not sure how much of this is helpful or actually makes sense outside of my head. but hopefully it helps a little! it's all just stuff to think about while drawing and not anything hard-and-fast, so don't, like, stress out about making sure things are lining up exactly on the thirds or anything. again, it's more "our brains think these are the dopest parts of the rectangle" than anything else! take advantage of the cool parts of the rectangle!

NOW GO HAVE FUN DRAWING seriously though, it is always super cool that other people like this idea and style enough to want to do it themselves and for other/their own characters! thank you! ❤️❤️❤️

[jemichi90]

okay OP, in your recent art you mentioned that "you will explain if needed" and gave a detailed explanation of what might have happened (to Charlie and Maxwell).

I'd LOVE to hear more of your thoughts, and the "explanation" that you said you'd provide (⁠ﾉ⁠◕⁠ヮ⁠◕⁠)⁠ﾉ⁠*⁠.⁠✧

ps i really like your art.

Oh! Hello there! 👀

And yes indeed I did. Alright then, get ready for the brainrot. xD

For a long time I've thought that Charlie died and came back wrong, and in the recent updates there have been several things hinting at it.

Here is a list of the ones I can remember right now:

Maxwell says ”There's a story behind that...” when inspecting a touch stone.

After the recent update, the ”dark side” Winona can sense traces of Charlie on the touch stone, confirming it's related to her (the quotes vary).

In the Encore animated short, there is a brief flashback of Charlie with the Ancient Fuelweaver behind her, and then her Chess piece is seen falling and sinking inside a black square on the board - some heavy symbolism there, sparing us from the gory details, I guess...

In Charlie's stageplay, the doll that represents her breaks, but she's brought back to life by the Mirror (Them?) - alive but different, as she says.

And then there are things that fall more into the headcanon territory, until more evidence comes up that either proves or debunks those ideas entirely, but I'll explain those as well, since they heavily influece my art inspiration.

I subscribe to the idea that the two characters in the ancient murals represent Maxwell and Charlie themselves in their early years in the Constant (but depicted by the locals that were unfamiliar with human anatomy). Time moves differently in that world so it could have been thousands of years ago, but the two made contact with the locals and briefly improved their life through the use of Their magic – until it backfired and the entity that must have been sealed for a reason broke free. Assuming the character with the torch really is Charlie, she died protecting Maxwell from the consequences of his own mistakes. In the final mural image, only her cracked head can be seen.

Another headcanon I have comes from the fact that one of shadow Charlie's arms seems to be entirely made of shadows (curiously, there are also arm bones attached to the touch stone, although they could have belonged to a pigman too, like the heads), so I think that whatever happened to her basically shattered her to pieces, and some pieces may still be missing - like that arm. But details like this are only a headcanon for now.

This also falls in the time period between 1906 and 1910-ish, when apparently some crazy stuff happened that Klei hasn't showed us much about – yet (according to their own post some years ago). ^^

So based on all this, my idea is that Maxwell summoned the Fuelweaver (as seen in the murals), but he messed up big time and Charlie got caught in the crossfire trying to protect Maxwell. She died a gruesome death (that may have torn her to pieces even more brutally than in my drawing). Maxwell in his desperation made the touch stone in a hurry (which is why it looks so rough compared to all his other constructs), carried what was left of Charlie there, and made a deal with Them to bring Charlie back to life no matter the cost. And they did. They just didn't bring her back exactly like she used to be, and she would probably fall to pieces and die instantly if she was separated from the entity that she now shares the body with...

I think Maxwell had been able to move freely in the Constant (maybe even out of it, based on his disappearances earlier) until then, but deals like that come with a price, so he lost his freedom and became Their tool (sold his soul to save Charlie?). Or something like that anyway.

There are also the parallels between Charlie and Abigail with their connection to their special flowers, as highlighted in the newest animated video. Charlie just might be another ghost inside a flower herself, but thanks to Them, she got to keep her body, or at least a form that resembles her body.. But I prefer to think that her actual broken body is still a part of the deal, as messed up as that is. We already know that They can keep a body that should have died a long time ago alive for an eternity, thanks to Maxwell. When he was released from the Nightmare Throne and time caught up to him, he didn't just die, he turned to a skeleton that crumbled to dust in an instant..! That's some old corpse, but he'd been conscious all that time because They wouldn't let him die.

So yeah, these happy thoughts inspired that piece. I might draw more about that if I still feel like it later. :D

[kittybroker]

Intro post!

I'll reblog cat pictures and value the kitty.

Now I'm sure you're all saying kitties are all valuable, and while that's true one cannot simply dismiss the importance of proper accounting in today's economy.

If you want to submit a picture of a cat you can use either the ask function or send in a post submission and value it yourself. Feel free to tag me into any kitty post you want.

Please make sure to read the FAQ below before sending in any questions.

While I am mostly a joke blog, please be wary when sending overly personal/strange asks, particularly when I do not know who you are. Absolutely do not ship this blog with other blogs, and particularly do not make comments to me about this.

Tagging system: I'll tag all the cats here with #crazy kitty The pricing of kitties is set into one of five categories:

#free bin - $0 kitties #bargain bin - Under $5 #discount kitty - Under $20 #valuable kitty - Under $50 #premium kitty - Anything over $50

#alt currency is used for any kitty not using kitty dollars.

Note that kitties from before 27/01/24 may not include the #bargain bin or #premium kitty tag as those tags were introduced after the blogs creation.

#set deal - For pairs kitties sold together #collection - For collections of different kitties in a collection

#silly kitty - For memes and humorous kitties #art - For drawings of kitties or kitties with art attached #fake kitty - For kitties that aren't really actually kitties at all

#text post - For posts that aren't actually evaluations #asks - Posts that are sent via ask #tagged - Posts sent via tagging #in the replies - Tags from the replies of a post #my cat - For pictures of my cat #kitty music - For self-promotional music posts or music performed by kitties (meowsynth)

I'll probably post my own cat a bit here as well and tag that with #my cat.

Submission: You can submit kitties by tagging me in posts or sending asks (when the inbox is open). I will not always get around to tags as sometimes there is too many to get to or I have already evaluated the post. I prefer people tag me into a post over DMing, and will not evaluate a kitty sent in DMs. I would also ask you to not send too many asks or tags in a row simply to avoid too many posts being sent in at a time and allowing others to send stuff in. If you are unsure on how to tag me please refer to the FAQ, do not message me asking how to tag me into posts.

Rules for submission: Please no real people or anthropomorphized cats. Anything that is pretty much just human is a big no go zone for evaluation (particularly evaluating real people). As long as it's clearly an animal I don't really care. Do not tag me into more than 2-3 posts at a time.

FAQ

Why hasn't my ask been answered? I get a lot of asks, and I can't answer everything. It usually takes a few days to a week to get around to answering an ask. Sometimes the ask may also contain a submission that cannot be posted, ie you submitted a real person, a cat in the harmful situation or with wounds. For text based asks I cannot get to everything and am frequently inundated with comments. Not all will get a response. If you ask a question answered in the FAQ I will not answer.

How do you evaluate the kitties? The economy guides my hand, I merely see the truth of what is already there.

I tagged you into a post, but you never responded? I get a lot of tags, and often a lot of the same post. I will try to avoid responding to the same post multiple times (sometimes I forget!). Sometimes I just have so many tagged posts to get to I have to cut some out. I do see every tagged post though so you're post will still be seen, even if not answered.

What is the most valuable kitty ever? Our current estimates would put Intergalactic Shiro, now at an impressive 720000000000

What currency are the kitties evaluated in? They are all in Kitty Dollars. I've never heard of this "USD" or "Euro" stuff. None of it is real.

I want to tag you in a post, but I don't know how? To tag me into a post you will need to reblog the post and add the tag into the text field of the post (no the tags!). If you type @kittybroker you should see this blog appear in a dropdown menu. Select kittybroker and then reblogging the post. You can also tag me into the replies of posts by opening the notes, heading to the replies section and tagging me there with the same method.

Can I submit myself? Many before have attempted this perilous feat. Yet I remain strong. No real people will be evaluated!

Kittybroker, you reblogged a bad post! Sometimes I reblog posts that I should by mistake. Please notify me if this is the case, ie. the cat is in danger, the video is not safe or harmful. I do my best to try educate myself on what the best, but I still miss stuff. THIS DOES NOT APPLY TO FANDOM DRAMA/PROBLEMATIC USERS. DO NOT MESSAGE ME ABOUT THIS.

Kittybroker, I want to support you but I hate capitalism! Good news for you! The best way you can support me is to check out the #kitty music tag! I write a fair bit of music and you can find it at my old soundcloud, or you can find my recent piano sheet music here or use my website for more information the musical work I do! I really appreciate any support with my music work outside of kittybroker and sharing or listening to my stuff helps a lot!

Do you have a cat? I do, although I rarely post it out of both privacy concerns and the sheer number of other kitties sent in. The rare occasion I do however they will all be tagged. His name is Boris and he is around nine years old. He is very crazy.

That is all for now! Remember to stay crazy and kitty!

[kissmetwicekissmedeadly]

MO'S FANFIC BEAUTYFYING MASTERCLASS!👩‍🏫

So it seems like you guys like how I do my banners and layouts on @xxsycamore ! I wanted to share a few tips about making similar ones, along with some of my observations on their importance! Be warned, some of the screenshots I'll use to illustrate my point will be of my smut fics! This post is intended for the ikemen series community. While the tips could be found useful for other fandoms as well, it's important to note that it's only this fandom that I've taken into account and because of that my observations could be unreliable if you chose to follow my advice outside of the fandom!

The importance

First of all, a good layout is a subjective term. Second, a "good" layout is not guaranteed to boost your fic's popularity. Not all of us are able to put the time and effort into fancy banners and dividers, but the good news is, you don't really need them! You should always strive to do only as much as you can without straining yourself. Here you can see a minimal effort fic layout vs one that took 30~ minutes to put together, both posted around the same time, both having a similar reception when it comes to notes! Keep in mind that a layout is just one of the many factors to take into account for your fic's popularity status, and you shouldn't obsess with it either way.

2. The minimum: Banner + Title

Not everyone checks out every single post on their dash while they scroll! I follow around 1100 people and while not all of them are active, it's easy to miss a post that could as well have been the best thing I'd see that day. Your brain recognizes what a typical fanfiction post looks like - a rectangular picture with a title above/underneath, followed by text. As long as you scroll past a post with a similar construction and you're interested, you might want to scroll back and check it out.

3. Banners

The information that you get from a banner is typically about the character(s) featured in the fic. Using the example above, you'll see that a simple cropped picture of the character gets the job done! (an in-game sprite at that, not a fancy card photo)

If you decide to use a card, you can browse google for a good one of your character(s). I try to select a card that depicts something similar to what's happening in my fic, either the action or the "vibes" (daytime or nighttime, outside or indoors, canon or modern, etc.), but sometimes it's better to choose the one that will look good instead of the one that's more fitting.

Finding cards of good quality is also challenging, and I'd advise you to avoid blurry/low-quality banners even if those would be best fitting.

Stick to the rectangular horizontal format if possible. I like square banners sometimes, but it's better when you can see the whole layout at once!

4. Editing the banners & photo coloring

If you decide you want to go out all, you'll need a photo editing app or a program. I use one called Snow which is mainly for selfies but gets the job done. It has many filters to choose from, but inputting text there could be a hassle sometimes. Another one I use is Pixlr. Yeah, I couldn't let it go ever since the days it was just a website...it's been about 10 years but I still rely on it (now as an app) for some stuff, like cropping down images with very big height to width ratio (like thin strips for dividers). In very rare instances I use my (paid) art program, Clip Studio Paint. I know that many people use Canva for their banners but I can't get used to it, I guess it's not my thing, haha. That's why you should see what works for you. I prefer a certain amount of limitation, like having filters to choose from, simply because I don't want to think too much about it and to be able to spend too much time on it (I'm a perfectionist)...

Maybe you just want to give your picture some nice coloring, nothing too much, just a slight change of tone that it's noticeable but not in a screaming way. There are still some things to avoid, mainly old-looking filters. I'm talking about the ones that were mainstream on Instagram during the last decade, the pinkish sepia one for instance. Ones that have too high exposure value and make the bright parts practically glow are not a good look either, same for the too dark ones. Making the character unrecognizable is also not good, and some filters can do that, especially in the case where they have fair hair and the filter makes it appear as another color. Again, those examples are bad only in my own opinion and could look good in certain circumstances or if it's a desired look!

Here's the collage for the banner used for my fic Nine Nights (MDNI) before the filter (first picture), a variation I did but scrapped (second pic) and the one I went with in the end (third pic). While the bottom pic is in contrast with what I said about making characters unrecognizable, here I rely on the fact that it's enough that it's obvious this will feature all of the Crown members just by looking at the bunch of them. I liked how the colors pop up, almost as if each one gets assigned a theme color (interestingly I didn't pick the cards for that purpose), and it's just a pretty coloring in my opinion as a whole. I achieved this by tweaking the RGB values from the "Curves" tool in Snow.

Another cool thing to do with your banner is adding transparent elements in it, like how I did with this one (see it from the link below, it's not depicted here on the pics). The thing is, this could be very energy-consuming, you'll need an app/program that can do that as not all of them work with transparent images, and in the end, it could be just barely noticeable. But it can be fun from time to time.

5. Titles

A title is the other main element of your fic's layout and it should stand out. If you hate coming up with titles (understandable...) you can just put a "(character) x reader fluff", for instance. If you look at the example in point 1, I simply used the character's name in place of a title! It doesn't have to be a stressful aspect of putting your fic out there. As a side note, you can try centering your title simply by putting some spaces at the front, but leaving it aligned to the right could be a stylistic choice.

6. Colored text

This one is very optional but good if you want to fancy it up. Tumblr already gives you a bunch of colors to pick from and you can make use of them if they fit the style of your fic, but they're very limited. Luckily we can use just any color we want. (This only works on the fonts tumblr supports! The ones you can choose from when you highlight a text) Unfortunately, the way to do this will make you work with the HTML editor which you can access at the top right corner of your post editing screen (from desktop, click the settings, scroll down to Post editor) and things might seem pretty scary if this is your first time looking there. It's not too hard! You need to use a site that takes your desired piece of text, lets you select colors, and then gives you a code that once pasted in the HTML editor will make it colored when switching back to the Rich text editor. Here's the one I use because it also allows me to blend colors. At the bottom right of the page, I put the text in the first box, select the colors, and upon clicking Run it gives me the code in the bottom box. I use colored text for my title, and sometimes for my information tags.

7. Information tags

This is how I refer to the part of your layout dedicated to showing the pairings, genre, content warnings and wordcount of your fic. This is all optional even to add in the first place. I personally don't bother too much with beautifying that part, but a good tip is using some kind of symbol to separate these pieces of information if they're all in the same paragraph (I use big dots), or to place in front of them if they're in different rows (like bullet points). This gives a lot of creative freedom for text art, you should explore it if that's your thing!

8. Fonts & font size

You can experiment with Tumblr's fonts, or you can look for more fonts online - here's a handy site. It's good to find one that is legible enough. 𝐓𝐡𝐢𝐬 𝐨𝐧𝐞 𝐢𝐬 𝐚 𝐟𝐚𝐯𝐨𝐫𝐢𝐭𝐞 𝐨𝐟 𝐦𝐢𝐧𝐞. Again, be warned, those fonts that are outside of tumblr's post editor cannot be colored (as far as I'm aware of)

You can spell your title in all caps if you deem that's a good look for your fic.

Play around with bolds and italics instead of making everything a different font.

The "Biggest" font option here on the editor is not the best one to use as it's simply too big. Big title fonts should be avoided if your title doesn't fit in a single row.

Having different font sizes for different things in your layout can be eye-catching! Besides the obvious upscaling of the title, you can also upscale your information tags. Using small text is also nice and prevents your post from getting too long, but this should only be done for the part of the fic that is not the fic itself. Small text could be harsh on the eyes if it's in big quantities.

9. Dividers

Dividers are another crucial part of a fancy layout! They divide different parts of your layout, like the information tags and the fic's body. There are tons of styles to choose from. Some people like to use dividers that spell out something, like a "minors DNI" warning, a "support your creatives" reminder, the name of the character featured in the fic... You can make your own set of dividers for repeated use. I like to use very thin lines which I color differently according to the fic's theme colors. I also find dividers online, mostly here on tumblr, as there are tons of them if you look them up. It's important to use dividers which are marked free to use, or to otherwise credit their creators.

10. Additional tips

Use gifs. Everything that moves is eye-catching. But don't go overboard with it - one or two moving objects on your layout is plenty. They shouldn't be put too close to the fic's body too, as people might find it distracting. Avoid flashing and glitching gifs, or if you use those and you deem it necessary, tag the post with an epilepsy warning. You can make your banners into gifs by putting a moving filter on them, making it into a video, and turning the video into a gif (the site I use for this is called ezgif and it has plenty of other options for working with gifs and videos), and you can also make or find gif dividers.

Banner themes are nice, but they don't always look good. I'm talking about making a series of banners (like for a bunch of fics made for the same creative challenge) look the same, with the same coloring and filters. I used to make all my banners purple to follow my blog's tumblr theme but I realized not everyone looks good in purple...

Try adding a synopsis for your fic! I know, this is worse than coming up with a title, but we love flipping the book over to look at the synopsis before jumping into it. Keep it very short and try beautifying it with symbols or fancy quotation marks.

Use the "intended" font from the tumblr post editor to make your information tags or synopsis stand out and shrink the overall length of the post!

Put the body of your fic under a "read more" (the last option when you hit a new row in the post editor). This is very important, especially if you're writing smut - you wouldn't want to make people scroll through all of that if they're not in the mood for it. Putting your whole fic on the dash doesn't make it more likely for people to stop and read it, or at least that's just how I see it.

Use emojis! Emojis stand out!

Take inspiration from other people. Get out of your bubble and look at how other fandoms do it, but obviously don't steal.

11. Final thoughts

Making this post felt weird to me! I was motivated by my mutuals complimenting my layouts but also because some of them said "they can't do that" and I wanted to show them it's easy. I also wanted to show them it's not that important and that they shouldn't stress over it at all! At the end of the day it's your fic that matters, not how pretty you can make it work. But instead of simplifying it, I ended up with this massive post of 11 parts, and now it looks scarily big. It's not, okay! I went too much into detail at times, and I want to stress once again that it's all optional anyway. I, personally, don't follow all of this advice. I don't go through the 10 steps of constructing my layout every time I'm about to post a fic. I typically post my fics just before going to bed, and 99% of the time I need it to happen ASAP because it's that late in the night. It's a way to beat my perfectionism, really, and I find it to work for me. I also already have these steps tested and memorized so it all happens quickly and mechanically for me. Making the layout is extremely fun for me and this is my sole driving force for putting in the effort. At the same time, I remind myself not to go overboard because it's stupid to focus on it more than on the fic itself. I love ao3 because everything looks equal on there, but I also love tumblr because I can unleash my creativity in one additional way.

In the process of making this post, I started to wonder if it seems like I'm making this out to be way more important and difficult than it really is, and I want to assure you that this is not my intention at all!

My only hope is that this proves to be helpful for whoever feels like they can use some of the information above. If it leads to just 1 additional note to those criminally underrated fics I see, then I'd be beyond happy!

Have fun posting your fics :)