#i’m not going to so don’t worry

[vaperarmand]

hey guys if you’re planning on making a vaguepost on the dashboard can you message me with the details and some of the lore behind the vague post you’re making. a vaguepost for the dash and a detailedpost for me. because i like to know what’s going on. if you do this i will automatically take your side because you’ve done the right thing by letting me know what’s up. thanks in advance ❤️

[shepscapades]

[Set in Mid-Late Hermitcraft Season 8]

In which we learn a little something about Cub, a little something about Doc, and a little something about Xisuma.

[lavender-rroses]

jrwi dump from the past few months while i slog thru school and college apps

[unspecifiedfigure]

there’s a space in my heart and it’s just your shape 🍻🚬

[locusfandomtime]

The maths fandom is wild. “Real” and “imaginary” numbers? I think you mean canon and non-canon. You guys seriously go “this is my number oc his name is i and he is the square root of -1” when in numbers canon lore it’s actually impossible to square root a negative but sure whatever. “Complex numbers”? I think you mean a character x oc ship. “f(x) = 3x - 5”? That is self-insert fanfiction.

[flowers-that-sing]

(ventpost sorry, you can just skip)

not people leaving my d&d campaign because “i get hungry af” (when it’s at 1 and they have plenty of time to eat, and obviously i’m not going to order food because i’m fasting)

and because “the party keeps splitting up so one group has a lot of inactive time” (which isn’t my decision! the players keep deciding to split up and i can’t run both sides at once)

and because “every npc hates me” because you keep either threatening them/their families or rolling low on charisma checks. how is that my fault.

we started off with a bigger party and i expected some people to leave but. pretty much everyone is leaving and it’s just gonna end soon i can feel it.

i feel like i’m a terrible dm, and none of my friends like me or like being around me, and i’m only tolerable in small amounts, and everyone’s going to leave me and i’m going to be alone forever, and everything is pointless and nobody cares about me or actually enjoys things when i’m involved.

one of the people leaving is joining another party too, so they do like d&d, they just don’t like my campaign. it’s not fair, why does nobody actually like me. snd part of this is probably just because i’m already stressed and entering a depressive episode but still.

this is so pathetic i cant believe d&d is making me spiral.

[notherpuppet]

I love hazbin hotel. It’s made with hard work and love and I think that kind of magic is invulnerable.

I look forward to seeing Viv, Spindlehorse, and the whole team show us the beautiful project they’re making.

I want to hear the creator tell her story. 🪄💞

[clownsuu]

my apolocheese for not posting lately, life has decided to turn 180 (again) and I have had very little time to draw and do other personal things 😔🥄

[jellydragons]

been watching a lot of hermitcraft recently and am happy to report that i am hopelessly endeared by these little goobers 💕 they’re like bugs to me

close ups under the cut!

gonna be real this was absolutely just me taking the opportunity to get my grubby lil mitts all up in their character designs lol i heart interpreting mc skins

[critterishere]

(Throws this on the road) here’s a dude facial structure study drawing thing🧚

[starbylers]

You only really need to understand 5 things to know why Byler is happening:

Mike’s arc in season 3 was about pretending to be someone he’s not in the pursuit of “growing up”. It was about kids playing at relationships. This was the only season with focus on the state of M!leven while dating & not separated and it was treated as an immature joke.

Season 4, instead of proving to us why M!leven are right for each other, quite literally does the opposite and shows us nothing except them having awful communication & not finding emotional safety in each other. There is not a single scene between them which is an exception to this.

Meanwhile, Mike and Will are attached at the hip. We see how they resolve conflict maturely and between themselves. We see a strong emotional connection. We see how Mike feels more comfortable being vulnerable with Will than he is with anyone else, and how Will is always always there for him. We see how…

Will’s painting & monologue (aka his romantic love for Mike) soothed Mike’s insecurities and boosted his confidence. It made him ridiculously happy. And being reminded of this lie about El by Will himself ends up being necessary to encourage Mike to go ahead with his “love monologue”, which winds up indirectly causing a literal apocalypse. You cannot make this shit up lmao.

M!leven is entirely framed through Will’s experience. He’s in every scene except their fight, his pain and misery over them is never not the focus. Literally never. We are not seeing the story of M!leven’s love, we are seeing the story of Will’s heartbreak.

Nothing else matters. Like in the most clinical story writing terms, Mike’s character is not going to find out that the person who made him feel the most loved & understood is in love with him and is the one who actually feels all these things about him that just happen to align with exactly what Mike needs to hear to embody the truest and best version of himself, and instead of realising he loves that character back, goes nah I’m good I’ll end up together forever with the person who whilst dating them I became someone I was not and also had terrible self-esteem—oh and also the relationship is insanely immature. It’s that simple. Whether or not Mike currently believes he loves El or currently wants to remain in a relationship is so so so irrelevant. Storytelling doesn’t care what the character thinks he wants, it cares about what the character needs!

[astudyinfreewill]

speaking my truth

[tecnestheim962]

Watching RWBY with friends and having it be their first time is the best thing.

Like watching them react and form opinions of the characters and then watching it completely change later?

Phenomenal.

Seeing them try to theorize what will happen and have them looking at you for the answers and the pure despair when you reveal nothing?

Empowering.

Seeing them slowly start to get obsessed with the show just like you?

Fantastic.

17473819/10 would recommend

[ricky-mortis]

I was inspired by @tapestryoftrauma ‘s wonderful writing, so here’s a drawing of Mark Chasity from his fic called Sink Into Me

[marshmallowcat666]

I’m currently hyperfixated rereading Ftfo and can barely do any drawing but I’m trying!!! ‘^’ Designs are easier to draw for some reason so might see only those for a bit T-T

anyways have my version of Lord Lunar’s Gemini! They get fun new outfits!!!

[creative-robot]

I know The Founders Cut, generally, is the edited scrubbed over version of genloss from Showfall in-universe (as well as a not-8-hour-long-three-stream-binge-night whenever we want to watch it again) but something that struck me as odd and I haven’t seen anyone mention yet, is this warning

It shows up right at the junction where the third act starts, where it appears the Hero is breaking free of Showfall thanks to Hetch. But here’s the thing, while a LOT less than the previous acts the audience still played a significant role in this act, even when really only given two audience interaction choices. Which makes me wonder, how real is this warning, and who is it for? Obviously the audience involved knows what happens past this point, but the audience is also implied to be an integral part of the Social Experiments, which is part of why things start to tweak out when the Founder removes them in the Founder Cut as the Generation Loss generation loses.

My first thought, was that obviously this is another bait and switch, a way to draw the audiences attention, seeing something that’s secret, something that’s not “meant for them”, which is a tactic I could see Showfall using in universe to keep people’s attention and add an air of mystery to their shows.

But

Showfall is doing all their experiments and these shows with a LOT of help from their censors to show it off, displaying a fun silly show that is definitely not uber fucked up and that is 100% just slime don’t worry about it, it’s kid friendly if it’s green! And I don’t think they’d want to bet all their cards on this one experiment doing well enough to their audience to not question the sudden shift in tone that follows this warning. Which makes me wonder.

They did their test, they did their experiment, and the evidence of this last act? I think it was a one time run, they don’t want anyone seeing this, it isn’t for the audience. Act three is specifically to both test and play with their Hero, Hetch’s new lines add a level to this, never once does he call the Hero by their name, just refers to Ranboo as their Role, and he’s not exactly. Nice? About literally any of Ranboos concerns, which wouldn’t really seem conductive to making an audience trust him, especially with his monologue at the end. Ranboo has escaped before, possibly right before act 1 started, they tightened the security on his mask to be unremovably part of them, Hetch doesn’t like the Hero but they’re a fan favorite so he can’t just get rid of them.

Act three is the cumulation of Ranboo being punished for things they don’t remember, for daring to break free from Showfalls control, this is Hetch taking the Hero and essentially majorly fucking and manipulating them to take his frustration out on a fan favorite they can’t otherwise get rid of or give a smaller role like Slimecicle. which is exemplified by the fact that we now know Charlie most likely was never able to actually able to fully snap out of the control, that even in act three in panic and confusion there was at least still a part of him being influenced by Showfall.

So the first two acts are the usual show, they have their posters, they have Squiggles to introduce them, they have goofs and silliness and only a couple slip ups that’re quickly dealt with, the usual rose tinted curtains. Act three?

Do not watch the following material