#i’m actually tweaking i can’t believe this crossover

[poseidonstaint]

CIRIE PARVATI AND NATALIE (and ethan) ARE GOING TO BE ON DIRTY LAUNDRY AHHHH

SURVIVOR DROPOUT CROSSOVER AHHHH

IM LOSING MY MIND THE BLACK WIDOW BRIGADE IS BACK AHHHHH

[a-model-of-propriety]

That's Your Lot's Job

a Good Omens/Count of Monte Cristo crossover

hey, first Good Omens fic! this one's basically like the S1E3 minisodes, set in the Château-d'If during Dantés' imprisonment

no major tw's come to mind, but let me know if you need me to tag anything!

read it on AO3

“Oh, just look at him.”

“I am looking at him, angel. What the heaven do you expect me to do?”

“You know very well what the answer to that question is.”

“Set him free? And why would I ever do that? Demons are supposed to love the idea of prisons, ‘specially ones like this one.”

“But he’s innocent!”

“What does that have to do with anything?”

“What does that– didn’t you hear me? He’s innocent! He’s never done a thing in his life to deserve this horrible place.”

“If I went around freeing everybody that didn’t deserve their imprisonment I’d wind up emptying the whole place, and we both know Head Office would not be pleased with that. Demons don’t go around freeing people from prison. That’s your lot’s job.”

“Yes, well, I suppose so, but—“

“So why do you want me to do it so bad? Just miracle him free yourself or something.”

“Well, you see, I would love to. However—strictly speaking—I’m not exactly supposed to be in France in the first place. Not right now, anyway.”

“Is that so?”

“If you must know, I’m technically meant to be in Austria right now. Something about making sure a Father Mohr and Franz Gruber meet and collaborate on a hymn or carol of sorts. Head Office was quite insistent on that, but I popped over there a couple of days ago and the pair had already met without me so much as lifting a finger. I figured—well, why not take advantage of being abroad? In any case, according to Heaven I’m still in Austria, so I can’t risk even a small miracle without tipping them off.”

“Sounds like you’re still in some hot water with heaven. They still on your back with the ‘frivolous miracles’ too?”

“Not officially, but I’m fairly certain Michael’s still keeping a little too close of an eye on me, at least for my comfort.”

“So you want me to miracle poor Dantés here out of his cell just so you can keep your little vacation a secret?”

“Well, when you put it like that–“

“Yes, all right, fine.”

“Really?”

“Sure, why not. I already figured out how anyways, it’d be a waste of time not to go through with it now. You know the abbé a couple cells down that way?”

“Yes, I believe his name is Abbé Faria. Something along those lines, at least.”

“Well, this very second he’s making the first few scratches in the floor that’ll eventually turn into a tunnel out of here. I figure, if I just tweak his calculations slightly, I can make his little tunnel come out in this cell instead. I’m not freeing anyone at all, y’see? I’m actually preventing a good, noble clergyman from regaining his freedom. Hell will love that bit. And if the old abbé happens to help Dantés escape down the line, well, how was I supposed to know?”

“You know, Crowley, you do have such a remarkable knack for this sort of thing. It's almost as if you like helping people!”

“Oh, shut up.”

[lyracasstuff]

Heya!! I actually just found your blog and I would like to say how amazing your writing it! Aaaa it's so cute and you seem very sweet!! <3

I came here to ask for a idv match up! I'm a female, she/her, I'm bi but I do have a preference towards men. Also, I don't mind a survivor or hunter!! Whatever you feel like atm dear. I'm very energetic when you get me in the right mood!! I love baking and editing! I also quite like photography. I'm a very loving person but can get cold if I feel bad so it's a bad habit TwT. I do give lots of compliments to people and it may seem like i like them but I just really like pointing out nice things about people. I love hugs and kisses especially!! I love it if my s/o could give me attention but not too much yknow? Like i want them to be happy with their life with me and their life outside of our relationship. Umm I hope that's enough!! Thank you for making your blog! It is very nice!! You're doing great!! I appreciate you <3 (ps. Make sure to eat and drink enough~)

Thank you for caring about my health dearie~ Honestly,, I could also say the same for you..(｡･ω･｡)

And I'm quite glad that you enjoy reading my blog posts! It means quite a lot for me whenever I hear people enjoying my blog as much as I enjoy writing them..( ´ ▽ ` )

After much thinking,, I've decided to match you up with...

Joseph Desaulnier!!📷

Let's first address the big elephant in the room: Photography..（・∀・）

Since the both of you love photography,, I can most *definitely* imagine you two taking pictures of scenery found in the manor..

As well as *some* of the silly things that happen outside of matches.. Although,, it's more on your end than Joseph's..

However,, I must also remind you that you WILL be bombarded with questions partaining to your "equipment"..(｡･ω･｡)

Whether it'd be a modern HD camera or your smartphone,, it's safe to assume that Joseph will be VERY much curious about these "equipment" that you have brought from the "future" ((even though we call it anything *but* from the future..))

"Are you telling me that this camera of yours can capture pictures instantly??? With just a simple press of a button??? Then, does that mean you won't have to stand for long periods of time to take your picture???"

((Fun fact: the first cameras that were patented require you to stand for long periods of time to take your picture which explains why plenty of the pictures during the Victorian Era were people staying in one position like standing..))

"This "smartphone" can ALSO capture pictures?? Would you mind showing me how, ma chérie??"

"The quality of the pictures are ABSOLUTELY DIVINE! From what time period must you be to access this kind of machinery, ma chérie???"

I highly suggest that you study your equipment thoroughly because Joseph *will* be asking questions about your photography equipment..

Well,, that and Joseph will *literally* fumble with *every* single nook and cranny of said equipment where he might actually break something on accident..

Which is rare for the gentlemanly and disciplined Joseph,, however we ARE talking about one of his biggest passions here..╮(─▽─)╭

Another topic here that is perhaps connected somehow is editing!!（⌒▽⌒）

Joseph is quite astonished when you told him one time that photos can be tweaked from your time period..

Now, on one hand,, he is amused as he sometimes *does* struggle with getting the perfect picture when the environment around him just isn't having it..

But he also can't fathom the idea of people actually editing their photos so much that sometimes,, the unedited version looks far too different than the edited version...

When I say that,, I specifically mean people who probably use photoshop just a *bit* too much..(^_^;)

Not that there is anything wrong about it as everyone knows.. After all,, sometimes we just use it solely for entertainment by making weird, abstract collages of people..

((Like photoshopping a bunch of characters from different fandoms to make some sort of crack-crossover movie poster..╮(─▽─)╭))

It just that Joseph prefers less edited photos as he believes that a photo can shine on it's own when it's taken skillfully..

((Another fun fact: Based from what I can gather, the French in the 1800s preferred a more natural look, which is evident by their choices in makeup like powder for the face or some simple rouge for the lips and cheeks.. Of course,, we are excluding the hair as we all know that big, elaborate wigs were all the rage in this era..))

In fact,, he might even throw a *little* shade towards photos that are super edited...(◎_◎;)

Pls tell him to calm down and not insult people who do something similar to that.. It'll only escelate and get worse in the future..

Okay,, now that we've discussed those, I think we shall head on over to other things, don't you think??（・∀・）

Another reason as to why I paired you with Joseph is because of your upbeat and loving energy!!（〜^∇^)〜🧡

Joseph's life before the manor was already pretty gloomy, and it hasn't really improved when he got into the manor..

So your very energetic and affectionate nature will surely bring in some lost warmth to his life!!（＞ｙ＜）

Although,, please be patient with him for at least a little while.. After all, him *suddenly* receiving love and attention is a bit overwhelming for him to process all at once..╮(─▽─)╭

When he *does* gets used to it, he appreciates it very much..(∩_∩)

With that being said however,, he is still quite disciplined about the time that you two spend together AND the time that you two spend seperately from each other so you won't have to worry about having your boundaries being meshed together..（・∀・）

On the topic of affections,, Joseph will actually be a bit shocked to hear you dish out compliments to everyone in the manor.. And quite frankly,, as well as everyone else that you complimented

((Listen,, we're talking about the Victorian Era,, where modesty is highlighted as a core value..))

I'll be honest in saying that for a split-second,, Joseph *might've* actually thought of you as a flirtatious person

So when you explained to him that that's just how you are and that you just like to point out nice things about other people,, he's confused..(^_^;)

"Wait, but you complimented Mike's juggling act. Shouldn't that mean that you would like to court him??"

"Didn't you tell Victor that you thought he was sweet?? Pardon me for asking this, but are you... Interested in him, ma chérie?"

You're going to have to explain to him that just because you like a certain aspect of a person,, that doesn't mean you actually like them AS A WHOLE...

He may or not have demanded that you bake for him the next time that you two will have your afternoon tea together..(⌒_⌒;)

It's his "apology gift" as he puts it...

Okay,, I know I said that Joseph absolutely appreciates your loving side,, but he also *adores* your more "colder" side..

And no,, it's not because he's a masochist..(｡･ω･｡)

See, as much as Joseph relishes in the feeling of protecting someone he cares/loves.. Even he can admit that sometimes,, it gets too exhausting when your partner is the *literal definition* of a walking doormat..

I don't know about you,, but I kind of picture Joseph as someone who wants to have a partner that, at the *very least*,, can stand on their own two feet.. It gives Joseph a sense of pride,, see???

In conclusion,, I personally think that you and Joseph would work wonders for each other!! Different in your personalities, but united through the same common interest of photography.. I'd say its a decent balance of "opposites attract" and "similarities attract"..

🎞📷🎞📷🎞📷🎞📷🎞📷🎞📷🎞📷🎞📷

Author's note: On the topic of people photoshopping the heck out of their photos.. DON'T HARRASS/BULLY/INSULT THEM PLEASE!!! I will be blunt in saying that I frankly do not care whatever your intentions were, because when you strip said intentions away from the grand scheme of things,,

All that's left is a situation where someone insulted/bullied/harassed another person just for editing their photos a bit too much..

And when you put it like that,, wouldn't you agree that it sounds idiotic? Because in all honesty, it is..(¬_¬) After all,, those photos won't be affecting you much in the long run now,, would they??

And even if you said that you did it with good intentions, the way you acted upon these "intentions" was poorly done when it could've been handled *much* more efficiently...

So in short,, pls don't harrass anyone that you know that does these to their photos, it's not only for their sake but also yours..( ´ ▽ ` )

I apologize for ranting like that,, however I feel as though these types of situations are completely meaningless AND avoidable had it not been for the people that continue to stick their fingers into others' honeyjars.. So I personally as though it needs to be said.. Again, sorry if this rant is a bit unsettling and a bit "rough on the edges"..(⌒_⌒;)

Well that's about it.. Until next time,, I'll see you all in my next post!!ヾ(＠^∇^＠)ノ💚

[radramblog]

More Inevitable Hot Takes- MTG Announcement Day edition

I only have myself to blame for this one. I forgot this was upcoming, and I went and blathered about dumb preview cards from most of a month ago anyway. Well, now I’ve got to spend two posts in one week talking about Magic cards. Woe is me?

Once a year, WoTC has a big day where they announce, like, everything for the next year’s releases. And with the picking up speed of set releases, there’s a lot there, and thereby I have a lot to talk about.

To be clear, I’ve deliberately avoided Magic Twitter and Magic Reddit for these announcements. Tis a silly pair of places.

Standard Sets 2022

In order:

Kamigawa Neon Dynasty is very concerning, as one of the people who’s a genuine big fan of the original Kamigawa block. The thing is, I like Kamigawa, with it’s spirits and artwork and samurai and the like. I like cyberpunk, with the aesthetic and the themes and the music. I’m not sure I’m going to like the two combined. We better see some fucking weird-ass spirits, and I’ll only be slightly annoyed if they’re cyber-ghosts or whatnot as long as they maintain that bomb-ass art design.

We have a new plane and a set to go with it, which is cool and nice. Urban Fantasy is a thing Ravnica already did, to be honest, but if I had to guess, Streets of New Capenna is going to be a much more low-fantasy, noir-y take on the genre. I think I saw something about Azra returning, which is cool. That one on the key art looks…very Ob Nixilis-y, though.

And then we’re going back to Dominaria and actually doing The Brother’s War, again? I think Urza block was about that arc, though the Dominaria United set might be like, before all that nonsense. They might have given details, I wouldn’t have seen them, I’m going based on someone’s TL;DR. I’m excited to finally have a Mishra card that isn’t the Time Spiral one, though I’m concerned about how they’re going to make an Urza and a Mishra that are both powerful enough for the iconic characters but not so powerful as to be dominant in the Standard they’ll be legal in.

So, so much Universes Beyond

I think the four Warhammer 40k precon decks is kind of exactly what I was hoping we were going to get for that particular crossover. Just enough to get fans happy and make some fun new cards, not enough that there’s a ridiculous influx of Tyranids into Magic’s annals. I’d be interested to see what regular Magic cards translate well into these decks, seeing as they’ll have to be 40k-ified.

I feel similarly about the Baldur’s gate Commander draft set. I remember fans of that particular D&D spinoff were frustrated with the lack of representation in AFR (I think Minsk was like the only thing they got), so now they have a whole set to work with. Ultimately, D&D is now already, and interminably a part of Magic’s multiverse, and more from those particular realms isn’t going to make anything super fucky. Also, Commander Legends was cool as hell, and this is going to be another one of those, so that’s a plus.

And…a Lord of the Rings set? Like, a full set? I’m assuming whatever got them 40K also got them rights to tabletop LOTR, seeing as Games Workshop has run the LOTR tabletop game for a while. Like with D&D, the medium-high fantasy of LOTR crosses over pretty well into Magic, so I’m not worried about that kind of cockup making things Feel Weird. I’m a little confused about the legality of the set, though, seeing as it’s in Arena, but not Standard legal, but it is Modern legal? What and why and what about Pioneer or Historic?

Secret Lairs

Few hits, few misses, though I remember seeing spoilers from a few that aren’t on this list. Presumably, the Art Series: Johannes Voss, Thomas M. Baxa, and Purrfection and Math is for Blockers were announced separately? Anyway.

Hits: The Kamigawa Ink cards look drop-dead gorgeous, holy shit. Add in the fact that I already play two of those cards and that the others are all cards I like? Might have to get that one. Math is for Blockers is a fun lineup though I don’t…really get the theme? Both Artist Series look incredible, though I’m not huge on the card lineups.

Misses: PURRFECTION would be great if it wasn’t apparently a convention exclusive and also if the art of cats were on cat cards. It’s cute as fuck, but eh. The old-format walkers are frustrating, but I’m not as against them as a lot of people are- like they’re ugly, but not worth throwing a fucking fit over. I weep for any new player staring one of these down, especially if they barely understand planeswalkers in the first place and/or haven’t seen one of these particular ones before. Also, the art is kinda just ugly.

And then there’s the Universes Beyond ones. Fortnite and Street Fighter, both with new cards that will eventually have regular versions (which leads me to wonder if TWD will do the same). There’s a clear attempt here to hit the zoomers and the boomers in the community, though the former probably won’t have the money to afford the Secret Lair if they’re burning all their cash on V-Bucks. It’s…not a great look? Like I’m not opposed to cartoony art styles (the Goblins Kaboom SL looked great!) but Fortnite’s in particular looks like dogshit in my eyes and I’m not looking forward to seeing it in a Magic frame. Street Fighter I’m more excited for, because I like Street Fighter, and because they confirmed Chun-Li is going to have multikicker which is kind of perfect. Obviously we’re going to have to see the cards, but in one case I’m dreading that, and in the other I’m welcoming it.

Other Cards

We have more Challenger Decks, for Pioneer this time. The decklists are already out, and they look pretty solid! The Challenger Decks have been pretty cool previously, a really solid set of lists that only needed a bit of tweaking to be FNM-viable, but they were held back by the fact that they were often released not long before rotation. With Pioneer being a non-rotating format, this is going to be great for getting people into the format.

Another Double Masters set is…egh. It’s another thing that’s not for me, I can’t afford to whale on that shit. With shipping and conversion those packs end up ludicrously expensive in Perth, and I’m pretty sure I only got to play with one the first time. Also, this one is going to have all the collectable nonsense of 2020/21 Magic, which is going to be A Lot.

And another Jumpstart. Eh. Don’t cock the shipping on this one up and it’ll probably be okay.

Commander Collection Black is here, and the list is already out. The Green one ended up way overpriced, but at least in this case the cards are all super playable. Actually, they were for Green too, I think, but hey there’s a Deluge reprint and a flip Lilli, so. I kinda miss the Signature Spellbook series already, though.

Finally, Unfinity. Another Un-Set. Unstable was a fucking incredible set, both on a comedic level and as one of the sickest draft formats in a long time, so I’m excited to see that one followed up. On the other hand, Unsanctioned kind of landed with a dull thud. Apparently though, they got some of the folks from LRR (among others) to help write names and flavour text for this set, and I love those guys to death, so I can at least guarantee the comedy element will be present for this one.

Other stuff?

Well we have a date for the Netflix series. I have a hard time believing it’s actually happening. When I first started playing was around when rumours and announcements were still happening regarding a full-on movie, and that basically didn’t go anywhere. So it’s a little surprising to have a solid, actual time frame for Magic Story Content in Video Form. I haven’t kept with the story for a fair bit at this point (since Dominaria, tbh), so I’ve got no idea if it’s been any good, and as to whether this will be any good. Considering apparently Gideon’s in the lead, my hopes aren’t huge.

The only other thing is Pins. I like Pins. I have a bunch of them on my bag. I would like to get more Magic pins. So this is good.

And that, I think, is the sum total of it. These announcements always end up with a combination of excitement, trepidation, and dread, but I think this is leading more on the positive end of that spectrum. There’s still way too many fucking sets, but I think that is largely at Hasbro’s feet. The money machine must keep churning, after all. Maybe someday Magic and WoTC as a whole will be able to unshackle themselves from that particular constraint, but I am not holding my breath.

[rosebloodcat]

HLVRAI/DBH Crossover

An idea I chatted with my friends @lady-lampblack and @liliflower137 about over Discord and decided I wanted to share here. Basically, the AU/Idea is “What if Gordon was a Detroit: Become Human style android that Black Mesa was using to conduct their experiments?” and it spiraled from there. (I just really love Android/Robot character stories)

RoseBloodCat: Ever since I found a post about a robot (android?) Gordon in some one's mer au, I've had androids on the brain. (Specifically DBH-style androids, but still)

RoseBloodCat: I kinda wanna ramble about this idea. Of Gordon being a Cyberlife type android (or a bootleg Cyberlife android) for Black Mesa. Maybe he was originally a (second hand?) housekeeping model they snatched up and tweaked to do experiments because it was cheaper/safer to have an Android do the work in dangerous tests than to make safety equipment in order to risk a human to do it. (No need for hazard pay, or a paycheck at all.) If he ever got hurt they could just replace the damaged parts and didn't need to pay medical Bill's for it.

the gay (mango): Gordon is a max stress android surrounded by chaotic humans doing everything against protocol

RoseBloodCat: Not just that, the type of housekeeper I was thinking of was, like, Live-in Nanny. Yeah, he got tweaked to help with experiments, but that's his core programming. He isn't a fighter, it's against his programing to hurt anyone (especially with a weapon) So he's running after this group of kooky scientists who are breaking every rule in the book and just... trying to keep them from dying. And while doing that, he's also trying  to keep his stress levels from getting too high. Because androids who's stress levels hit 100% tend to self destruct and he doesn't want to do that thank you very much. Like "I started my day with a blue LED, but now I'm stuck in Yellow and keep flickering to red and that's bad okay?" (Blue is "I'm calm"/Everything is normal; Yellow is "I'm stressed/thinking very hard"; Red is "I'm super stressed"/something is very wrong) He also definitely becomes a Deviant (android that defies/breaks free of their coding) at some point.

the gay (mango): Oh totally A situation like that requires some deviancy Maybe he first breaks his code to pick up a gun and defend himself

The Flower (Lili): Love robot gordon Aus,,

RoseBloodCat: He absolutely does it because someone shoved a gun in his hands and told him to hold on to it "just in case one of us loses ours" and during a confrontation/fight against an alien he fires it. Which is kind of excusable since he did it yo protect a human. But I mean deviant as in, he fights a human which goes even more against his code and most likely comes with a nice big bag of TRAUMA. (As this usually seems to only happen during severe abuse/"I don't want to die" situations) Most likely it happens because of the soldiers, but Gordon is a mess when the (synthetic?) adrenaline wears off. Poor man is a fucking wreck after that happens.

The Flower (Lili): Gordon is just stressed in all aus that's just how it is

RoseBloodCat: Has to scrape himself together after that and find everyone else (I'm assuming he got separated from them to end up in that situation) and when he does his LED is just... stuck in red because he's very distressed but he's got a mission right then and he can't self destruct right then, and he can think about the errors and his deviancy problems after they're all out and safe. (Because being a Deviant is basically a death sentence for androids. They get deactivated and destroyed if they become deviants, but that's if they caught or reported. Gordon remembers this, know about it, and ideas whisper at the back of his head when he remembers it.) But the others notice that something is different about their android (aside from his LED) so they're being a little more cautious/careful around him, knowing that it really wouldn't be good if Gordon self destructed on them so they try to ease up to get him calm(er) again. It helps, but Gordon still has a new worry that he hasn't confessed to yet.

the gay (mango): They try to talk him down in quiet momenta, get him to focus on other things "I was built to run the black mesa daycare..."

RoseBloodCat: Yeah (Also, I love that statement about Gordon being brought in originally for the Daycare, because it really shows how out-of-his-element Gordon is right then)

the gay (mango): Yeah i thought it was a nice touch This can lead to some funny "preschool teacher" moments

RoseBloodCat: XD Ye! He unintentionally gives himself away with one of those, I think. Like, he actually does a preschool manner thing with them because he's so fed up he's like "Well, if you're going to act like children then I'll treat you like children."

they gay (mango): Yesyesyes

The Flower (Lili): Oh I love that

RoseBloodCat: Which goes against his previous behavior of "These are Certified Black Mesa Employee's and I must treat them respectfully because I am an Android." It takes them all a moment to figure it out (realize what's happening here), and when they do it's "Hey wait a moment, the way he's acting has changed. He didn't do that before." Maybe Tommy is the first to really figure out that Gordon's gone Deviant? And he likes Gordon so he starts quietly plotting to help Gordon/keep him safe and keeps that realization to himself for a while.

the gay (mango): Yesyesyes

RoseBloodCat: It's a one-by-one realization that goes through the group but no one speaks up about it.

the gay (mango): Whos the last one to figure it out

RoseBloodCat: For amusement's sake, I want to say either Benrey or Bubby. Benrey because he starts out acting suspicious of Gordon for not having a passport (not really getting that Gordon doesn't have one due to be an Android and being (essentially) property). And Bubby because... I just like the idea of him being kind of oblivious about Gordon's changes and being too chaotic to actually think much about it.

the gay (mango): "I AM A ROBOT, MAN!  I AM LEGALLY NOT ALLOWED TO OWN A PASSPORT!"

RoseBloodCat: Basically

the gay (mango): Bubby just doesnt care whether or not gordo is a robot Hes a bastard either way fjdbfbd

RoseBloodCat: XD He doesn't care as long as Gordon continues to call him Doctor Bubby. Benrey (being an alien) just straight up doesn't get that Gordon isn't human for the longest time. It's not until either someone sits him down and explains it or he sees Gordon bleed blue that he really gets it. Because Androids look almost identical to actual humans. To the point where, if you removed or covered their LEDs, it would be impossible to tell they weren't actually human. (Externally, at least)

the gay (mango): Do you think gordo would remove his led out of self preservation

RoseBloodCat: He'd consider it! But he's also currently surrounded by people who would notice if he ripped it out, so it's probably part of his plans for after they escape. (He doesn't know they would/are all be fine with him being a Deviant, and Tommy would totally help him by faking up some story for him. Not yet at least.) Part of the plans Gordon's forming in his head are to remove his LED and get some normal human clothing (instead of the usual Android Uniform he's stuck in), he hasn't gotten to what he needs to do after that, but he's working on it.

The Flower (Lili): oh shoot he probably doesn't have the hev suit in this because he's a robot he doesn't need it

the gay (mango): What if gordon had the led shot off by a soldier thats stupid enough to think its a weak point

RoseBloodCat: (In DBH, America is the only county really having issues with androids, so for many of then the plan is to escape to Canada. Which is supposed to have a lot more lax Android laws.)

the gay (mango): Makes sense The states is notoriously terrible

RoseBloodCat: (I think the creators were actually looking for an "Underground Railroad" type of parallel.) And I don't think a soldier would try to shoot there. Partially because it's so hard to hit such a tiny spot, and partially because a lot of the "Kill" spots on an Android are the same as a human (even if it takes more force to do damage. Guns still work the same as with a normal person tho.)

the gay (mango): fair

RoseBloodCat: Now, we could say it happened because someone tried to shoot him in the head and happened to hit his LED. That would be much more believable.

the gay (mango): yeah i like that more

RoseBloodCat: But, if losing the LED doesn't happen, there's also Tommy's plan. Which is to ask his dad to let him keep/have Gordon to take care of the house and Sunkist. And not mention that Gordon's a Deviant and that he actually wants to just give him a safe place to live/stay and not need to be afraid of getting hurt. (And that Tommy would give him the freedom to try whatever he wanted/caught his eye.) A "Hidden in Plain sight" type of plan.

the gay (mango): Y e s

RoseBloodCat: Has room to be really sweet, because Gordon is worrying about having to make a dangerous trek alone and needing to keep hidden from them all and Tommy's going "No, I care you and wanna keep you happy and safe."

the gay (mango): Tommy would let gordon bunk with him either way

RoseBloodCat: Oh absolutely. Tommy would get all of them to bunk with him, tbh

the gay (mango): Yeahhh

[davidmann95]

Thoughts on the leaked Superman TV suit redesign?

Assuming this is real - and I’m inclined to say so, that’s a real assistant costume designer on Arrow and a concept artist credited, both people who would be assigned to do this sort of thing but finding their names would take more work than I imagine the typical dude with photoshop would put in for this - while probably not final I actually like it a lot! It’s not the truly correct answer of putting the classic s-shield on Routh’s Crisis suit, but next to that it addresses all my issues with what Hoechlin’s had so far: the belt’s better (and visibly functions as a belt) and does the missing trunks’ job of breaking up the colors, the boots are streamlined, the texture of the cape is better, and the cape clips are placed so that the cape drapes over him as it should while still providing the apparent comfort of that compared to tucking it in. Not wild about the red cuffs or the two-tone on the bodysuit, and if the lighting isn’t deceptive it needs to be more colorful, but as if nothing else a representation of where the creators’ heads are at I find it very encouraging, and the suits have always been tweaked over subsequent seasons on the CW shows anyway.

The truly big thing however is that this is hot on the heels of Superman & Lois being officially picked up as a series rather than waiting for the pilot to be judged - obvious as it seemed, it would have also seemed obvious that they’d pull the trigger on this 3 years ago, and also there was always the worry that the movie division would either pull themselves together or simply chicken out and pull the plug on this at the last minute. But now it’s official, and having been 3 years since I first gave thought to how a Hoechlin Superman series could work (Tulloch and Cryer weren’t even in the mix yet), many of my assumptions as to what would be in play have been dashed, and it’s ended up with distinguishing features going in I never would have guessed. So as is, my primary hopes for the series:

* For the first couple years, keep things relatively simple and streamlined in terms of season arcs. Todd Helbing’s in charge, and from what I’ve seen of his past work as showrunner of Seasons 4 and 5 of The Flash (where I jumped on, which is a shame since it sure seems like there was a drop in quality compared to what I’d been seeing before) he had a really hard time juggling the substantial cast of characters it had built up by that point alongside a season-spanning threat…but he also wrote or cowrote excellent individual episodes, including easily the best episode of the entire CWverse to my knowledge “Enter Flashtime”, and it’s arguable those seasons were generally casualties of having used up the obvious threats and buying time until Crisis. Going into this I don’t see much need for a sprawling supporting cast from jump, so if the overarching villain can be managed appropriately I don’t see him being a poor choice for shepherding the first season or two.

* Keep the soap operatics largely confined to the sons. Whether it’s Chris or Conner or Damian joining Jon, I’d imagine half the point of bringing in a pair of teenagers to a show with a pair of leads who have moved past the figuring-out-life-and-love travails of your average CW protagonist is so that *they* can do that stuff instead. Let Lois and Clark focus on reporting and superheroics and as advertised “the stress, pressures and complexities that come with being working parents in today’s society”, along with assorted character journeys and challenges tailored to them that fall outside the typical arc of CW series leads. Meanwhile, the teens can contend with burgeoning love lives and deciding who they want to be alongside figuring out how to become heroes.

* Maybe break it up across multiple timelines? I know they did a lot of this sort of thing with Arrow with the flashbacks and flash-forwards as series-spanning anchors; maybe there’d be something to be mined here with present-day sections, past sections of Superman’s earlier years in Metropolis before he and Lois got together or Lex turned on him, and future events. Heck, the latter could get the super sons as teens without any need to age them up in the present, and permit easy crossovers with Legends or the upcoming apparently future-set Green Arrow and the Canaries.

* Lex obviously has to be in the mix, but shouldn’t be the sole villain of the first season when he was already the bad guy for the last season of Supergirl. Given his amazing new status quo of being Silver/Bronze/Modern-Age Lex masquerading as Byrne’s Luthor, taking him down would be the obvious centerpiece of the Daily Planet chunk of the series, especially for Lois since that’s presumably going to be her primary domain. Once he’s exposed though totally go all-out supervillain with him.

* Can’t believe I’m saying this, especially on the heels of that last note, but maybe don’t get too political. I know Supergirl has made efforts, but everything I’ve heard about the execution sounds incredibly mixed, between a black Machester Black being told not to kill Nazi stand-ins, and the first preview for the current season basically opening with Supergirl narrating “We deposed our corrupt Trump analogue, so I thought people would be committed to fighting for social justice…but they’re obsessed with their Facebook gizmos instead!”, a truly bizarre instance of trying to appease all sides. Totally have instances of Superman taking some lefty or at least liberal stances as is tradition, but it probably wouldn’t be the best idea to try and build a season around a given message given both the track record and that all the extra eyes on this will mean it being subject to even more extensive pressures.

* Speaking of the number of eyes on it, god I hope this is allowed to get weird even given it’s probably going to be the flagship for the network and therefore will definitely have higher-ups wanting to make sure it isn’t alienatingly off-beat. They put Beebo and Sargon the Sorcerer in the Crisis finale for Christ’s sake! The least they could do is let Hoechlin fight Krull or go on an adventure with Calvin Ellis, and let Tulloch get witch powers and tame Titano; the last live-action Superman show in Lois & Clark was made in a pre-Morrison world and aired on ABC, and it still had a time-travelling H.G. Wells as a recurring character and an episode where he gets shrunk down to a teeny-tiny little Superman (which also just happened with this guy!). The clear All-Star influence so far is a good sign along with how odd The Flash has frequently gotten as the current center to their shared universe - including under Helbing - but this is still probably my primary concern. Give us at least a few truly high concepts per season even if I suspect the goofiness will be toned down relative to its older siblings.

* I’m not that concerned with the villains: he’s got a few established already between Lex, Metallo, Mongul, Reactron, Zod (maybe the inexplicable decision to have had Superman kill him off-screen can be undone by Crisis), Maxima, and Doomsday, it’s implied by Elseworlds he got his own Bizarro, Brainiac’s easy to introduce, and the villains introduced as specifically Supergirl’s enemies such as Parasite, Silver Banshee, and Mxyzptlk could easily roll into Metropolis. And there’s plenty of other possibilities with the likes of Solaris, Prankster, Subjekt-17, Terra Man, Magog, Ultraman, Riot, or Atomic Skull who either have tons of potential to unearth, or don’t but as a simple visual or gimmick could easily carry an episode or two. I’d still prefer the more exploration/mystery-driven angle suggested in my original pitch up above, but I recognize that’s not too likely.

* Finally, if he’s truly committed to being done after getting the little epilogue and sendoff he deserved he’s got all the right in the world, but if Routh would have any interest absolutely make him the shows’ equivalent to John Shipp on Flash as Uncle Kal from Earth 96, popping by every now and then to be the fun uncle to the boys and give Clark life advice.

[thebeautyofdisorder]

The Undone & The Divine (BBC Dracula) - Chapter 7

A/N: Okay, here is the next chapter finally. Nothing quite so... explicit as last chapter, but fun none the less. A lot of conversation/exposition, and Zoe may or may not be inadvertently sciencing her way into a crossover opportunity that I won’t take, but she does have a mind of her own, that one. Drac does a bit of grumpy pining.

Pairing: Dracula & Agatha/Zoe, Dracula/OFC

Rating: M, for blood, language, mercenaries with guns, and direct references to sexual acts performed in the last chapter.

Chapters 1-2 Here - Chapter 3 Here - Chapter 4 Here - Chapter 5 Here - Chapter 6 Here

Can be found on AO3 - Right HERE - or enjoy below the cut

“I don’t think she’s coming, sire.”

Dracula looked up from where he’d been absently staring off into the abyss - granted the abyss did look an awful lot like his front door, to meet the infuriatingly attentive gaze of Frank Renfield, as he stirred his tea, and pretended to peruse the morning paper.

“I’m sorry?” It was less of a question of clarification, and more a second chance to remedy his daring presumption, though apparently this did not occur to the lawyer at all.

“Dr. Helsing. I think she’s far more stubborn than even you give her credit for.”

“What exactly gives you the idea that I’m waiting for anyone, much less her?” he challenged, quirking a brow at his rather unwelcome company. He had asked for daily updates on his current investments, true, but it wasn’t necessarily his intention to have the man pop up at random hours of the morning to do so. Just because he could be a morning person now certainly didn’t mean that he actually wanted to be.

“I’ve never seen you so disinterested in sustenance when it’s right in front of you, unless she’s involved, of course.”

The vampire was very tempted to rip the knowing smile right from his skull, but barely managed to restrain himself out of sheer disinterest at working to find another malleable Londoner to do his business. Picking up his sadly cooled breakfast, he drained the glass simply out of spite and sat it back down with a force just shy from shattering it.

“I don’t pay you to psychoanalyze me, Frank,” he warned, barely concealed with a charming edge of fondness that came off even more menacing than any blatant threat, as he stood to his full height and paced over to the window.

The lawyer paled. “Yes, master.”

“What’s my schedule for this evening?”

“I believe you indicated you were finishing off your first experiment tonight, Count. The painter.”

“Ah. Yes,” he confirmed, even as he proceeded to juggle his mobile phone between his hands distractedly, mind somewhere else entirely. “I might...hold off on that for another week. Can’t be too hasty...I really don’t want anymore failures on my hands. And perhaps we should really begin to encourage the writing of wills in this process… When is that ‘natural burial’ movement going to be ‘en vogue’ over here, you think?”

“In a city this size? Hard to say…” Frank winced, seeming to fall silent far longer than necessary to think about it, and Dracula was really beginning to regret meddling with his mental faculties so much. It did, however, shut him up long enough for him to send a text to the woman he'd just been accused of thinking about.

HAVE YOU RECONSIDERED JOINING ME FOR DINNER?

After three minutes of silence, Dracula scowled and refocused on Renfield's babbling, which had taken back up after his initial, blissful silence. Something about 'death positivity' which brought a brief smirk to his lips. Just when he thought humanity had lost its sense of reality entirely.

You text like my grandfather.

The Count grinned in partial triumph. Partial because while she'd certainly replied, she didn't seem nearly as outraged as he'd dearly hoped. Would have to remedy that. Very soon.

BUSY?

Very busy. How did you get my number?

HUNGRY? 🍷

No.

LIAR.

Show off.

Renfield had the audacity to clear his throat.

-----

Peaking into the disheveled mass of books, vials, and files that had become the current state of Zoe Van Helsing’s office, Bloxham at first mistook it for empty. The lights were dimmed, and the chair behind the desk was not only lacking in an occupant, but instead was serving as an unsteady shelf for what looked to be a hundred-year-old phonograph.

“The sign specifically said ‘do not disturb’, didn’t it?”

Dr. Bloxham spun around suddenly, placing a hand to her chest in shock as her eyes adjusted to the far corner of the room, where a small pseudo lab seemed to be occupying the back corner. Zoe was standing still as a statue, frozen in the midst of studying a vial of a thick red substance by shining a black light through it. She stayed frozen.

“Jesus, Zoe you scared the shit out of me,” she remarked at first. “And actually it says ‘danger: enter at your own risk’ but it was so bloody dark in here I thought you’d gone home.”

“All the same, get out. I’m busy,” Zoe murmured tightly, and her colleague frowned, making no motion to leave as of yet.

“Zoe...you haven’t been coming to meetings, nor have you really spoken to anyone in a week. Is everything...alright?”

“Fine. Just dandy. Now get out, please.”

“Sarcasm, much? I’m just...worried.”

Zoe still hadn’t moved. In fact, she was forcing herself to stay rooted to the spot, or she wasn’t entirely certain what she would do. A sudden shuffling outside the door, however, pulled her away from her steely focus and her eyes shot up with inhuman speed to the door where a crack of light cut through the carpet.

“Who else is with you?” Zoe asked, eyes shooting towards the other woman directly for the first time since she’d entered.

Bloxham swallowed audibly, eyes darting quickly away to avoid eye contact.

“Look, our sponsor has been sending inquiries about this...situation, and we need to provide him with answers. I thought if I could get a glimpse of your research, we could figure out what it is you’re doing and give a proper update…"

“Dr. Bloxham… Kate I really need you to go. My research is mine and until it’s complete, I have no interest in sharing it,” Zoe stated firmly.

Dr. Bloxham advanced forward a step. “But Zoe-”

Zoe’s grip on the vial in her hand tightened and the glass gave a warning crackle that froze the shorter woman in her place.

“Leave!” The words came out in nothing short of a growl, and had the exact opposite effect on the situation that she’d intended or hoped.

The door swung the rest of the way open with a deafening bang and two large men with guns came in behind Dr. Bloxham, only halting their approach at the raise of her hand.

“That won’t be necessary boys, thank you,” she stated with carefully practiced calm, even though Zoe could hear the thrumming of her pulse hitting an anxious high speed. She forced her fingers, which had flexed into something resembling claws, to relax, though her spine stiffened further. Would guns hurt her? Maybe, maybe not but it would certainly lead to a load of inconvenience even if they didn’t - more so if they didn’t, she decided.

Ignoring the intrusion completely, even as they seemed to stand down, Zoe addressed Bloxham directly. “Is this really where you’re going with this? I’m not an animal, Dr. Bloxham. In fact, I’m doing everything in my power to avoid that outcome, and would like to continue to do it in peace.”

She slammed the glass beaker down and against better judgement beckoned her reluctant colleague forward.

“Come. Look.”

She hesitated, but gesturing a casual hand back at the men at her back, she approached Zoe, who distinctly moved out of the way entirely.

“What am I looking at?”

“Just a basic five-senses test, Doctor, what do they tell you?”

Kate leant down at eye level with the beaker, perusing it, picking it up and shifting the substance around, taking a whiff of it.

“It smells, looks, and behaves like blood. De-fibrillated, if I had to guess - from who or what I don’t know.”

Zoe looked minutely pleased, though was still almost robot stiff as she handed a folder over to her.

“It’s a protein and nutrient compound. I'm running a few...tests to see if I can find a supplemental vampiric food source. The information is all there."

Bloxham took the folder with a glance of astonished intrigue, and greedily began to look over the contents, forgetting about her intimidation tactics. Momentarily, at least.

"Could this actually work?"

"To keep them alive...yes, potentially. Or to ward off the cravings and reduce the need to result in homicide, at the least. As for the grander implications… I don't know."

"You need a subject."

"I am the subject."

The other doctor nodded briefly, biting her lip and pacing back towards the desk, folder still in her hands.

"You think he's infecting others?'

"I know he is," Zoe scoffed, the distance between them making it somewhat easier to function. To breathe, however much she still could.

"And have you run any trials yet?"

"With a couple more tweaks, I was planning to start this evening."

Bloxham gestured with her eyes toward the phonograph, and the exceedingly out of place stack of various religious texts and mythos.

"These?"

"Doing some updates on my great grandfather's research.  None of which is replaceable, ergo my want for privacy."

She nodded, understanding but not commenting. It was one of the things Zoe always appreciated about her - she never spoke without thinking first.

"I would like you to run this as an official experiment in the lab, if only for the sake of an external eye. First hand trials are never 100% accurate - we both know that. You can't afford to miss something. If you feel...unsafe with the others, we can isolate you where you can still be observed - at your discretion, of course. And all of your private research will remain that way, you have my word."

Zoe pursed her lips into a thin line, weighing her options. Who was she kidding, she didn't have options. She had partial control or none at all; a glass box or an autopsy table. This was a negotiation of surrender.

"All right. Fine."

-----

“...The second son of Vlad II became ruler of Wallachia in 1436, leading to one of the bloodiest but most successful reigns in Romanian history simply by fearful reputation alone. Drakula as he was often called, in his day simply in honor of his father meaning 'Son of the Dragon'. Now it just adds to his legend, since 'Dracul' in modern Romanian more accurately translates to Devil. A very literal interpretation of dying a hero or living long enough to see yourself becoming The Villain ™ …"

Kat skimmed the notes for at least the fifth time, mindlessly chewing her nail polish off her thumb in a manic, nervous habit she thought she'd squashed at 16. She hadn't made it to class that morning - hell, she didn't even hear her alarm. It had blared for three hours before her mind swam its way back to consciousness.

He'd been gone when she awoke finally, the mid-morning sun streaming harshly through her curtains. He left her a note, written in comically perfect cursive on the back of a concert flyer, with his mobile number scrawled across the top, laid on her bedside table atop the book he'd brought her.

I had to run for a meeting early. Enjoy the book. - D

P.S. I did try to fix your shelf, though I do believe I owe you a new lamp.

Her cheeks were still burning hotter than her coffee as she later sat down to email her professor, claiming sudden illness and begging a forward of his notes. Luckily he was a pretty laid back type or it would have been twice as humiliating to think she was effectively calling in due to being fucked into oblivion.

She'd barely recalled being conscious after, though she knew she had been. Though the memory of laughing off the wall-pounding complaints of her next door neighbor was swimming interchangeably with the images of her very bizarre dream. At least she'd assumed it was a dream - men sprouting fangs was clearly her orgasm-delirious brain reacting to last week's ill-timed Buffy marathon and too many re-readings of Legends of the Carpathians. It had to be.

That was her logic anyway, up until she looked at herself in the floor length mirror after jumping in the shower, and found herself marveling there far too long. She wasn't one to complain about a hickey or two, but her fingers trailed the jagged white indentation of teeth at the juncture of her neck and shoulder -  a pale slash interrupting the bruised flesh - and shivered. Red, stripe-like lines trailed the length of her legs and hips, unfaded and tangible. There was even still a red gash-like mark on her shoulder where the strap of her camisole had dug into her flesh as he ripped it like it was made of crepe paper.

Her mind returned to those notes, lingering on the name 'Drakula' far too long without coming up with a real reason to be so concerned. It could be an ancestor or a weird inside joke of an alias she had missed. For all she knew of Romanian customs it could be a fairly common name there now.

"Impaled by Vlad the Impaler...ridiculous," she joked, half audibly to herself

"I quite like the sound of that."

A bonafide squeak of surprise rose out of her throat, though she didn't have the time to be humiliated as the tall shadow of the man himself showed up in the mirror behind her, taking up the whole of her bedroom door frame.

"Apologies, it was unlocked. I did knock to be fair, but I can see why you didn't hear." His eyes were locked on her body still dripping from the shower, a towel barely clasped around to cover the important bits.

Kat quickly caught her breath, forcing a chuckle. "No, it's...alright. I was just trying to...go over my notes," she excused, gesturing to where her laptop sat open on the desk in the corner.

"Didn't make it out of bed this morning," She shot him a look of playful accusation, before turning back to the mirror, already dismissing her earlier fears now that she was seeing him in broad daylight for the first time. He was definitely not a big pile of dust, or if he was he was the most attractive one she'd ever seen.

He made a show of wincing. "I suppose that was my fault." He paced forward, meeting her eyes through their reflections as he approached, tracing a finger down the side of her neck and over her shoulder, skimming the harsh redness. "This definitely was."

Her breath stuttered audibly and she felt her lower muscles clench almost painfully just at the barest reminder of his presence.

"Yeah...you… go a bit feral, don't you?" She breathed, fingers tracing her legs as well.

"You do make a lovely canvas." He smirked lightly, but other than meeting her reflection's gaze, he looked away from the mirror entirely, and brushed his lips over the bite mark as he turned away.

Well, he certainly has a reflection, she couldn't help but muse as she remembered to breathe, watching his backside as he paced over to the laptop casually.

"I see you're onto the 15th century."

"Yes… family of yours?" She prodded with mild curiosity, as she adjusted the towel.

He was silent for a moment , as though debating just how directly to answer.

"Something like that," he seemed to settle with, and despite lifting a curious brow she didn't pry. Something in his eyes brooked no reproach, as funny as that felt to think.

"I unfortunately need to be going again," he added before she could think of any further inquiry, or pounce on him again as she was half wont to do.

"I mainly just came to replace your lamp," he said, stepping back to the hall and pulling up a bag he had left on the floor, offering it to her.

She couldn't help but laugh as she took it from him.. "Why thank you."

Not that she could ever look at the bloody thing again without remembering knocking it onto the floor to smash into pieces as he pounded her into next week. Though judging from the demonic glint in his eyes as he pressed an otherwise chaste kiss to her knuckles in farewell, that was exactly what he'd intended.

----

She felt him before she saw him. It was both refreshing and annoying that he couldn't sneak up on her anymore, even if it just meant a few more minutes of blissful ignorance before he intruded on her evening.

"You shouldn't be here."

He was even more annoyed by it if the disgruntled sigh was anything to go by. He remained at a distance in the shadows nonetheless.

"Neither should you, Zoe," Dracula warned in a tone that was so low, it was almost genuine in its concern. "I know what you're doing, at least in part, and while the effort is admirable it's not going to work."

"And how would you know?" She snapped, frustration lacing her words as she tried desperately to keep her eyes on the screen in front of her. "Have you ever even tried not killing anyone? Of course not, because you enjoy it too much. You're a monster and that's how you like it." She slammed a few keys with audible force.

Dracula scoffed, approaching from the shadows with an affronted air. "What do you call what I've been doing?! I would think you'd appreciate the gesture."

Her eyes narrowed, incredulous confusion colored by exasperation. "I'm sorry, are saying you attempting not to murder half of London is supposed to impress me?"

"Yes, of course."

At that she couldn't help but laugh, for probably the first time in months, though it contained plenty of Agatha's sardonic mirth as well.

"You really are a 500 year old infant, aren't you?"

His lips formed into an exaggerated pout, barely masking his amusement. "Is that what she's said about me?"

"Among many other things, yes," Zoe confirmed dryly, standing to her feet. They both knew he was speaking of Agatha, though whether he knew about the letters she wasn't sure, nor did she want to bring it up. Not yet.

"And what about the girl who's throat you almost ripped out last night? Or did you? Was that out of spite or just the chance to show off?"

"She's perfectly fine.  Actually I would say I improved her night immensely ." The lascivious tone was blatant and twice as irritating as he leaned over the desk towards her.

Her nostrils flared as the breath expelled through his words lingered between them, smelling of blood.

"You're revolting." She despised that the words came out in a gasp.

"And deep down, you enjoy it."

"Like I enjoyed cancer."

He smirked, though there was a bitter edge of impatience to it.

"They're going to try to kill you, you know. And you don't have the strength to fight it."

"Then I suppose I'll die," she dismissed, just to irritate him. In truth it was something she was concerned with as well, but the last thing she wanted was for him to know it

He scowled briefly though it manifested as more of a snarl, pulling a hip flask from his pocket and placing it on the desk between them. An offering, given in silence.

Zoe barely looked at it. "And which one of your conquests did that come from?"

"Leading hematologist in London - willingly donated in a sterile, medical setting - very much alive and happily at home with his idiotic family as we speak. If and when you could use the boost - or the expertise."

"Not necessary," she ground out, doing her best to ignore its presence entirely. Not to mention the implication he was even offering assistance in his selfish, convoluted way, despite his opposition to her plan.

Dracula could have opened it and left her with no choice, but he didn't. Instead, he straightened to his full height and met her eyes again with a sigh as he made his way back towards the door. Where he’d actually gotten in without notice, she had no idea, and she’d rather not think about it..

"Good luck, Dr. Helsing," he bade her farewell, unable to resist adding sardonically: "You'll need it."

----

Sooo... Zoe’s kind of trying to invent True Blood, and I’m a whore for Drac being a suck up (no pun intended). This is going to get...interesting.

Tag List: @break-free-killer-queen @mephdcosplay @charlesdances @punk-courtesan @crowley-needs-a-hug @hoefordarkness @bellamortislife @malkaviangirl @imagineandimagine @chelsfic @my-fanfic-library @mymagicsuitcase @littlemessyjessi @desperatefrenchwriter @crazytxgradstudent @ginevra-weasley @iloveclaesbang @mr-kisskiss-bangbang @carydorse @hyacinth-meadow @vampiregirl1797 @dreamerkim @gatissed @alhoyin @girlonfireice @dracula-s-bride @festering-queen @jangleprojet @ss9slb

[westallen-world]

Eric Wallace Talks ‘The Flash’ Season 6B: Iris Entering The Mirror Dimension, Crisis Changes, Gorilla Grodd and The Return of Wally West

Eric Wallace has previously written for DC Comics on titles such as ‘Mister Terrific’ and ‘Titans’, as well as several episodes across Seasons 4 and 5 of ‘The Flash’ TV Series. Heading into Season 6 of ‘The Flash’, Eric Wallace was promoted to showrunner after Todd Helbing exited the show to helm ‘Superman and Lois’. Our interviewer Michael Slavin talked to Eric Wallace about what has come so far this season on ‘The Flash’, what to expect following ‘Crisis on Infinite Earths’, and what to expect in the remainder of the season.

MICHAEL SLAVIN: To begin the interview, what has your thoughts been on the reactions from fans to The Flash Season 6 so far?

ERIC WALLACE: Uh, what are the reactions to The Flash Season 6 so far? (laughs) I actually really don’t go on the internet.

MICHAEL SLAVIN: Oh really?

ERIC WALLACE: I’m the kinda guy who y’know does the work and I hope folks dig it, and if they don’t that’s okay too. I do believe everybody has the right to their own opinion, and I tell the staff “Don’t tell me anything unless it’s somebody who liked it” as a joke.

MICHAEL SLAVIN: I mean everything I’ve seen has been positive so that’s a good sign I’d say.

ERIC WALLACE: Oh good! I know everybody thought Episode 6×07 “The Last Temptation of Barry Allen Pt 1” was freaky (laughs), y’know with the black goo coming out of their mouths, kind of a very different episode for us. And I think that what was great for me was talking to Grant about that episode in particular and how much he said to me he enjoyed acting in that one and making it, y’know how it challenged him in the best possible way and I think that’s what you see on screen, you just see an actor going for it. The director, Chad Lowe, I thought did a terrific job and I thought Sendhil did such a great job as Barry’s adversary, we got really lucky and blessed with someone as wonderfully talented as Sendhil Ramamurthy in Graphic Novel #1, which people I guess don’t know because we use the graphic novel format for our seasons now but every graphic novel does have a name, I just can’t tell folks until the season’s over because the titles are so spoilery. But that last season, Graphic Novel #1, was titled “Blood and Truth”. That’s the actual name of Graphic Novel #1 and we’re starting now with “Marathon” in 6×10, we’re starting Graphic Novel #2 which also has a name that I cannot reveal because it’s so super spoilery, and very metaphorical, because I loved English and English class when I was in High School a little too much. And very often in the writers room I’m the one calling the “theme police” on us to keep us on it.

MICHAEL SLAVIN: Right, Perfect. So now I just want to pick up from the last episode at the moment. So we saw Iris enter the mirror dimension and I was wondering how this affects her character in the second half of this season?

ERIC WALLACE: Iris will grow in ways she didn’t know she could, and I mean that emotionally. Being sucked into that mirror will push her to the edge and a little bit beyond. It will literally test her sanity, which is really great because it’s given Candice as a performer a wonderful opportunity to just give some of the greatest performances she’s ever given on the show in my opinion and just knock it out of the park. One of the things that was important to me as a storyteller was, we spent a lot of time with Barry’s emotional state leading up to Crisis, while in Graphic Novel #2, which is the second half of this long season, it’s not necessarily all about Barry, we wanted to focus equally on Iris in the back half. And that’s what getting sucked into that mirror believe it or not, is going to allow us to do. Who knows what lies behind that mirror but I guarantee you it’s a different place. It’s a place that will affect her in a way that she will have to examine who she is and what makes up Iris Allen-West in all of it’s different facets and if that’s a good or bad thing.

MICHAEL SLAVIN: It was interesting when I was watching Crisis on Infinite Earths the scenes with Iris were always really interesting because she was tying our perspective back into these superhero characters so it’ll be really interesting to see where you take her next. Obviously you mentioned Crisis on Infinite Earths and it’s still a huge discussion point with the multiverse reset allowing for a blank canvas per se, how has that experience been for a writer in terms of being able to introduce and change major parts of the show and kind of do whatever you want going forward?

ERIC WALLACE: Liberating. That’s the perfect description. The best thing that ever happened to this show was Crisis on Infinite Earths, the crossover, and moving past the end of our pilot. Way back at the end of the pilot of Season 1, we see that newspaper and it’s telling us what we’re driving towards, so in a sense, the first six and a half seasons of this series have been driving towards a predetermined point, and that can be a little limiting from a story point of view, especially from a writing point of view. Now, we fast forward to Graphic Novel 2, our six and a half way point, who knows what’s going to happen now? and that’s the fun part. We can take all of the best of the past, keep it, but we can add in ways. I said to our writers in the writers room, I said “Who are the villains from the past? From previous seasons, 1, 2, 3, 4, whomever. We have the opportunity to tweak them now, just a little bit” and put on a fresh coat of paint. I use that term a lot now to describe our methodology. And you’re going to see that with several villains from past seasons, you might also see that with some heroes too, maybe one or two, who are from the past. And that’s great, it’s very liberating, very exciting, it keeps it fresh for us as writers, and I think when we’re feeling the excitement for the freshness of the stories we’re telling, hopefully that’s translating into what you, the audience, sees. It feels like the best of all worlds, it feels like the show you know and love, that feels familiar, but also maybe it just has a new coat of paint. Specifically it’s painted with a new main title credits. That is something I planned from Day 1 when I took over on the show. I said “When we get to post-crisis, it’s a brand new world. What’s the best way to visualize that for the audience and send them a literal message that says this is the line of demarcation between the previous seasons of the show and the show from this point on going forward? Well… it’s just a card that comes up with some lightning, what happens if we do 15 seconds of awesomeness” which the composer got excited about, Warner Brothers got excited about, who did just a terrific, bang up job on the title for us. And now that is one reaction that might be one of the only times where I was actually curious as to what people thought and thank goodness there seems to have been a real positive response to that and, I know this sounds kind of strange, but in a sense it’s kind of the message that sort of opens the door for everything else, so I’m glad people are kind of seeing that. And they should look for more changes, in the characters growing in ways we haven’t seen them grow before, in the story this season in the back half, not just Iris’ story but Barry’s story too, Killer Frost’s, everybodies kind of on a really wild journey that takes them to new places, and that’s on purpose. There are no rules like there used to be, pre-crisis, for stories.

MICHAEL SLAVIN: So that leads perfectly into my next question, which is what characters and locations can we expect to appear in the back half of the season that have changed or came about following Crisis?

ERIC WALLACE: Oooh, how do I answer that without spoiling anything? That’s a good question… I gotta think about that one because there is one set that goes to crazy town but that’s a spoiler, I cannot say that.

MICHAEL SLAVIN: Can you hint towards it at all or?

ERIC WALLACE: Uh, no. It’s so huge of a spoiler. I will say there is an episode where the West house, not the loft, but the house that Barry and Iris grew up in, there is a scene where that house undergoes a, shall we say transformation of sorts that’s really exciting. Our DP did something really special with that episode in general. The director did something special, it’s actually quite a special episode. That’s an example of how we can look at the same set and they’re a little bit different. Other than that though, other than this one obvious way which I can’t tell you about it because it’s so spoilery, the sets don’t really change. It’s more the characters changing, the villains changing, the scenarios that happen being a little weirder and as an example of that I use, at Comic Con I pitched out to the world what Season 6 was really all about, it was the season of Thrills and Chills. Well, Part 1 ~ Graphic Novel #1, was the chills. Literally we made a horror movie. Now, in the “new” season, Graphic Novel #2, the back-half, this is the Thrills section of the season. This is the section of the season that, and this is great because you’re DiscussingFilm, I’m a film buff. I watched a whole bunch of 1970’s paranoid thrillers to get in the mood to prepare for the back half.

MICHAEL SLAVIN: Is there any one film from that genre you’d say that has directly influenced the rest of the season?

ERIC WALLACE: Ooh, I can give you three. Parallax View, Three Days of the Condor, and All the President’s Men. Those are three examples of literally if someone were to watch those three movies and then go watch all 12 episodes in Graphic Novel #2, they would see some similarities. They are hard to find unless you really study those films, but they’re there. The tone of it, that’s really what we introduce. You guys saw we introduced Joseph Carver, and what’s he up to, right? Well, I can tell you right now it ain’t good, and somebody’s gotta investigate it. And Iris in investigating it has already gotten into a lot of trouble because she got sucked into a mirror. What does that mean for her? So that’s the investigation, I’ll use thee words “paranoid conspiracy”, that’s the kind of world that’s going to be opened up here in this back-half. So it’s The Flash’s version of a sci-fi thriller. Does that make sense?

MICHAEL SLAVIN: Yeah, yeah absolutely. So sort of jumping ahead a little bit, we know that Wally West is going to be returning this season, and it’s obviously highly anticipated, we’re wondering what you can reveal about what his return will bring to this season?

ERIC WALLACE: When Wally comes back it’s not the same old Wally. Being in Tibet will change you if you embrace the tenets of tibet (laughs), he’s going to come back a little older and a little wiser, and this is a spoiler I don’t mind saying, he might just have a new ability or two, and that’s part of the fun. Sometimes abilities don’t have to be crazy and intense, sometimes they can just be darn fun. That’s another thing that Keiynan said to me when we were talking, I don’t know last week or the other week, I was chatting with him and I said “Well you know, how are you feeling?” and he just said “Wow. This is the place I always wanted the character to go, I’m so happy with what we’re doing here, It almost feels like I’m a rebirth a little bit.” And that’s exciting for him, and I literally think this is the best performance of Keiynan on this show. I think when people see this episode they are gonna love it. There’s specifically a truly great Barry and Kid Flash scene, where they really get their act together in a way they haven’t been able to do since I think Keiynan’s first appearance on the show way back in Season 2. So it was really kind of an honor to bring back that special magic between the two of them and explore how their relationship has been changed because y’know Kid Flash… his name might still be Kid Flash but maybe he’s a man now. Maybe he’s grown up a bit, and that’s what’s exciting. So look for that in that episode, I think it comes out in a really unique way that I don’t think the audience is quite going to see coming because it works into the plot and the villain of the week, so it’s really fun but it does bode very well for I think the future of Kid Flash and I’m very hopeful that this isn’t the last time we see Kid Flash. I’m anxious to see what the audience thinks, I hope they enjoy it, we enjoyed writing it and making it.

MICHAEL SLAVIN: Yeah. So you mentioned how Kid Flash sort of ties into the latter half of the season, so what storylines are you excited to explore in the back half of the season?

ERIC WALLACE: Well the main ones I think would be Iris’, you know? What happens to Iris in the mirror? We wanted very specifically to get that out of the way in the opener and I’m not one of those people who like to tortue the audience, I don’t think that’s fair, I like to play fair with them, so you will find out next [episode] what is on the other side of that mirror. We’ll get exploring, you will not have to wait eight episodes and all that stuff. The first three episodes very quickly get into what’s up with Iris and what happened and what will be her journey this season. I’m extremely excited about that. I’m also excited to go exploring more of Team Citizen, which we introduced at the end of last year. It was very important not to just have Team Flash, because that investigates meta crimes and whatnot, it was very important to also have Team Citizen be an equal part of the storytelling. Allegra, Camilla, and Iris as human beings investigating real truths in the world. Let’s face it, I think we live in a time where truth and journalism has never been more important and I want to make sure that gets left even in the smallest way in our fantastical stories.

MICHAEL SLAVIN: Yeah so obviously All the President’s Men that’s a clear influence from what you were saying earlier.

ERIC WALLACE: Correct. Correct. Those thrillers that I mentioned had a influence on me when I watched them in college and I hadn’t seen them in 15 years or something like that and kind of “poach the best” or “pay homage” right? (laughs) So yeah I’m very much looking forward to that, I’m looking forward to Kid Flash’s return and what that’ll mean going forward for the show. I’m very excited about exploring new facets of old villains, I’m kind of obsessed with that. So you will see at least two, I’ll give you a number, at least two old villains from the past in the back half who maybe have changed in the post-crisis world. And that’s gonna be really exciting I think for people.

MICHAEL SLAVIN: So yeah obviously a synopsis was actually released for “Grodd Friended Me”, an old villain, and what can you tell us about that coming episode and what it means having Gorilla City on Earth-Prime?

ERIC WALLACE: How can I answer that without spoiling?

MICHAEL SLAVIN: Ah don’t worry about that just say whatever you want

ERIC WALLACE: Right, sure you want me to do that. Well first of all, not a ton of people know this, everyone around here does, but Gorilla Grodd is my favorite flash villain. And I don’t mean that just in the show, even from the comic books. I am obsessed with Gorilla Grodd and have been since I was probably, y’know, eight years old. I just think that a talking psychic gorilla might just be the coolest thing ever invented. OR maybe I watched too many Planet of the Apes movies. I remember, I think subsciously, there’s an influence of Beneath the Planet of the Apes running through that Grodd story. It’s hard to see, but now that I’m thinking about it, I think that must’ve been in the back of my mind a little bit. I take the movies that I loved as a kid or in college and they go into this crazy mill of The Flash and weird things come out, so they’re not always recognizable. I was a huge planet of the apes fanatic as a kid. So I think for this “Grodd Friended Me”, I’d tell the audience without spoiling anything, look at the title. Look at what it means, I think you should take that title literally. And if we do that, you might see something in Grodd you’ve never seen before. And that’s exciting. So yes you’ve got that old villain coming back but obviously he’s not the only one.

MICHAEL SLAVIN: In Episode 1, there was a slight feature of Godspeed and we were wondering if we’ll see a payoff of that in this season? You’ve been mentioning old villains quite a lot is that what you’re perhaps hinting to or?    

ERIC WALLACE: Let’s just say there will be more Godspeed coming. Who knows when or where but it will come.

MICHAEL SLAVIN: Can we expect any more Barry and Iris team-ups in regards to going on missions and solving mysteries together? You’ve obviously mentioned quite a few times All the President’s Men and will that feature into them sort of sleuthing together?

ERIC WALLACE: Yes, you will literally see that in the very next episode. Without giving any plot stuff away. And it’s one of my favorite episodes. It’s so great getting to see Grant and Candice working together to solve a mystery, it’s one of the joys of this season. I hope the audience enjoys it as much as we do.

MICHAEL SLAVIN: Final question, and thank you so much for your time today by the way

ERIC WALLACE: Sure, sure.

MICHAEL SLAVIN: This question comes from sort of the audience members of DiscussingFilm have asked this quite a lot and most notably asked by sort of a friend of the show named Anthony, who just keeps asking us to ask you, will The Flash’s gold boots from the comics ever make an appearance in the future?

ERIC WALLACE: Yes. They will. Eventually. But not this season. I too am a fan of the gold boots, Grant is a fan of the gold boots, but not this season. We will eventually get there, I would ask for patience.

MICHAEL SLAVIN: Right, so that’s us done, would you like to shout anything out in regards to The Flash or anything else you have going on?

ERIC WALLACE: Ah nah I’m too busy doing this man (laughs) this is sort of an all encompassing hobby as it were, but I do just want to thank all of the fans for their support, for continuing to come back every week, with whatever platform you’re watching on, it’s still greatly appreciated, and we have you in our minds and hearts when we write this episode, we might write them in a vacuum, but literally I tell my writers all the time “If you were watching this show, what would be cool to see this week.” And I hope folks enjoy the cool factor because this is the season of thrills and there will be a few, I think big surprises, that thrilled us and we hope you are thrilled too. So thank you for watching and keep watching.

https://discussingfilm.net/2020/02/11/eric-wallace-talks-the-flash-and-what-to-expect-in-season-6b-workingtitle/

[mysticsparklewings]

The Dream Crosser

Surprise! NaPoWriMo didn't kill me (and I'm not abandoning dA because of the incoming Eclipse update either, more on that situation here), I just needed a week off to recuperate...and obsessively play Animal Crossing: New Horizons... Admittedly, I actually drew this well over a month ago (and wrote up the majority of the description!), not just before NaPoWriMo but before I actually had New Horizons in my grasp. The plan was to post it the day I got the game. Which was supposed to be much closer to the game's launch (March 20th). That ended up not happening and the day I got the game was the first day of NaPoWriMo, but 1. I messed up with the non-uniform prompts and spent all of the day trying to catch up so I couldn't even play the game yet, and 2. As a side effect, I ended up having two posts that day and a lot of work to do to catch up the second, and I hardly had time to think about posting this. And even if I had posted it, it would've been drowned in the incoming NaPoWriMo posts. And so, here we are. Really, really, I do have to mention that I truly feel for anyone else still waiting on the game for whatever reason. You have my deepest sympathy and I'm so sorry I can't just give you the game right now and make it better.  I know the wait was hard enough for me, being this is the one game I highly anticipated in over a year and I essentially had the rug yanked out from under me. But I'll save that story for after I talk about the art itself since I'm sure that's what most people are here for and not my pre-order frustrations. So in case you don't know or couldn't tell, this is the lovely Luna from AC: New Leaf's Dream Suite. From what we've seen of New Horizons since it's release, the Dream Suite's functions and purpose have been mostly absolved into the Airport and Dodo Codes, and so I'm very doubtful Luna will actually be in the game in any capacity, which makes me sad. A typical player (including me) wouldn't even necessarily interact with Luna that much in New Leaf unless you really enjoy visiting other towns using Dream Codes, so I'm not sure what it is, but for some reason I just really like her. That's why I picked her to draw to celebrate. I very nearly drew her a long time ago when I was on an Animal Crossing kick in 2018, but at the time I didn't like the idea of pressuring myself into drawing all and/or multiple AC characters just because I wanted to be "fair" to them all (much the same reason I don't draw Pokemon very often), so I ended up drawing One Little Spark, a crossover of the Disney character Figment drawn in the New Leaf style, instead. So in a way, she's had this coming for quite a while. At the time I started working on her, (way back in early March, because I was hoping beyond hope my pre-order would arrive to me actually on launch day, but ha ha ha look who's got egg on her face for that ) I was running a bit dry on artistic motivation, and so while I tried to draw her in my usual manner: Making a sketch, transferring the sketch onto different paper with finalized lines, then picking whichever coloring method I was most into at the time), I was struggling with the sketch. I've had days where I have to work on a sketch for a really long time before I can get something I'm happy with, but this day I was just so not into the whole sketching process. I wanted to create, but I wanted it to be quick and easy and simple. I didn't want to have to poke at it for hours and hours and then still maybe not be happy when I was done. So when I got discouraged enough, I broke away from trying to draw Luna and just drew mandalas instead. (As had become my art-block crutch for a little while.) Somewhere in me, as I worked on other things, I kept going back and forth on what to do about Luna, though. I did still want to draw her, but my usual formula just wasn't working for me. Not for her. I even tried briefly to draw her linelessly, digitally, as what was supposed to be a quick and simple experiment, but that went downhill even faster than sketching did. Although, for some reason, the lineless idea wouldn't leave me alone after that. Finally, I decided to try something completely different. I was going to try and free-handedly draw her, without lines, traditionally. With, primarily, alcohol markers. Honestly, the thought minorly horrifies me now just as much as it did before I started. And yet, here we are and I actually like how it turned out. Allow me to explain how this came together: So, since I wasn't sure how this was going to turn out once I decided to try it, I opted to use my not-so-great mixed media paper so I wouldn't feel guilty about wasting better paper if I ended up hating it. Naturally, this did lead to some notable limitations, but not enough to discourage me from trying. I dove right in with the dark brown for her head and body, focusing on getting the general shapes down. I'd noticed some glaring mistakes in my mostly unproductive sketching when it came to Luna's body proportions, so I tried to keep those things in mind and adjust accordingly as I went. It was scary because there is no erasing this way short of using white paint and because this paper feathers pretty noticeably with markers. Then once I got to a certain point, I had to switch and bring in some pink and off-white markers to draw in parts of her dress so I knew where to put her other arm and her legs. And here is where I technically cheated; I did use my "clear" Stardust Gelly Roll pen to do most of the outlines for her dress. I needed some kind of guideline, but pencil tends to get yucky when you put markers on top and at the time I couldn't really think of a better option. (The joke was kind of on me because somehow I still got a nasty gray line that looked like pencil under her bust that I had to gently edit out later in Photoshop, but I digress.) As I went with the markers, I was also doing some light shading. Not too much, because this paper is really fussy with layers and blending, but enough that I felt like it didn't look completely flat and I could tell where one shape ended and another started. Though, for her nose (trunk? I believe Luna is supposed to be a Tapir) and her raised arm, I had to get a little creative and I used a white brush pen meant for glass/ceramics to put in the lines so you could actually see them. And later I would use the same pen in 3-4 layers to add the white back in for her eyes. With the base for her body, dress, and the bun part of her hair done though, then I had the task of figuring out what to do for her shoes and the details of her face. (Without having to mix and use specific paint for those tiny details.) In the end, I opted to mostly use my classic red Gelly Roll pen for her shoes, and a little bit of a dark red alcohol marker for shading. And then I got to experiment with mixing the classic red and one of the Moonlight Gelly Rolls for her lips so that the color would be visible and not just a dark lip-shaped "what is this." This was because the classic Gelly Rolls don't show up super well on dark surfaces and the Moonlight ones do, but I didn't have the right color straight out of a Moonlight pen. It did take 2-3 careful layers, but I think I managed well enough in the end. I used just one black pen, a Prismacolor brush-tip fine liner, for her eyes, though in-person the white base underneath makes her pupils look about a shade or two lighter from certain angles, which was a very unintentional nice touch. My answer to everything else ended up being gouache, although I did try to come up with pen colors for her eye shadow and the blue dots on her cheeks before admitting defeat that I just didn't have the colors I needed. Originally, I had actually been thinking of trying a lineless art piece with gouache, as I think it would work particularly well for that look, but I wasn't ready to fully commit to the idea, mostly because I seem to be even worse at mixing a non-excessive amount of a specific color with gouache than I am with acrylics, and that sounds like a fantastic way to waste a bunch of palette space because I mixed too much but it's gouache so it can be re-wet and re-use it and I don't want to just throw it away...  (Although I suppose this could be half-way solved by getting a bigger palette specifically for mixing gouache, but I also don't want to have to buy yet another palette when I have some perfectly good ones...If I could just use up all the paint in them already...) Anyway. Point: This is kind of a step between a full lineless gouache piece and not doing one at all. Baby steps, yes? I knew from fairly early on that I was probably going to have to use gouache for the front part of her hair/bangs, since I did not thoroughly plan ahead enough and didn't leave a gap there to do it with markers. Fortunately, I didn't have to do much mixing since my gouache already has a nice yellow ochre color included, and I could use a bit of the other two browns and one I had some leftover mixed already from Roses in Your Eyes for shading. (White for the flowers, too, thank goodness.) And I actually ended up going over most of her bun with gouache too since, by comparison, the marker didn't look like it had much shading and it was bothering me. I did have to mix my own blue and pinky-purple for her makeup, and I ended up with a lot of leftover pinky-purple. But it's kind of okay because by itself it's such a pretty color I'm sure I'll find an excuse to use that one. After that, I just had to do some minor tweaks where the gouache had gotten a bit away from me and then I went ham on the shading for the dress based on my reference photo. Then I realized I wanted some kind of background because this seemed awfully boring without one. And, naturally, I hadn't really planned ahead for that, me being me and being in habit of doing the background last... At first, I wanted to do something hot pink, since her official Amiibo card has a hot pink background, but then I thought that might be a little too loud and I wasn't really sure the best way to apply one without potentially messing her up. And also, this isn't watercolor or paper thicker than 140 lb, which immediately threw watercolor out the window unless I wanted a very uneven paper when I was finished. I'd already pushed my luck with the gouache and been very careful about not using much water with it; I decided it was best not to push my luck any farther. Also, I couldn't use my pink PanPastel, despite that being maybe my best option, because it is still perpetually screwed onto the little Pan Pastel stack with no hope of getting unstuck anytime soon. (One of these days I swear, I will order either another set like the one I have or an individual Pink one to solve this problem, but until then, I am going to bring it up every single time as a caution to others to please be very careful when screwing and unscrewing your own Pan Pastels if you store them screwed together.) And I didn't feel like dragging out some of my drawing pastels and/or makeup that's too expired to use on my face and very slowly building up color and hoping it'll do what the Pan Pastels do. With no better ideas coming to me, I decided I'd leave the drawing for the night and come back to it the next day. After yet more brainstorming the next day, I finally settled on doing a glittery rounded rectangle and filling it with washi tape stripes. This plan did change a little as I figured out which tapes I wanted to use (a purple-y, champagne gold, and light pink ones, the latter two of which look more different in-person than they do on the scan) and as I actually started applying the lines. Partially because this tape is a bit thin and partially because I'm not used to cutting tape around very specific shapes, it took a very long time to both place strips of the tape and then get them cut to fit right up to Luna without looking strange. Once I got to a certain point going in one direction, I realized my next couple of cuts were just going to be too hard for me to stand. I had a choice: Ditch the tape, or figure something else out. Taking a risk, I decided to try and salvage it by doing an almost-plaid/checkerboard with the tape, specifically leaving out certain areas where I knew it would be too tricky to cut the tape. This also turned out to be a good way to use up some of the pieces of tape I'd already cut off that were too small to be used the other way. It's still not the greatest background solution I've ever come up with, but it does the job of making it look less empty, and that's really all I wanted anyway. And you know, compared to official images her proportions look wonky, but by herself (meaning, without comparing the two) I think Luna looks pretty good, actually. (Though, I admit I did have to tweak her right ear in Photoshop because it came out entirely too long and there wasn't really a good way for me to fix it by hand.) To think, this piece started out as such a mess. Or rather, I was such a mess when I started. And yet, here we are, and it looks kinda okay. Okay enough that I finished it and am posting it, at least.   I have no idea if I'll be returning to this style/method for art-making in the future, but even if I don't it was a nice experiment to try, and that's what art is really all about isn't it? Experimenting, trying new things? Speaking of experimenting though, about those pre-order frustrations I mentioned now that I've covered everything about the art itself...(in small text for those that don't care to easily skip over) Back in February I tried twice to pre-order New Horizons from Target, since they were running an ad where if you pre-ordered the game you'd also get an AC themed journal with it, and that combined with my family member's employee discount made it the cheapest/best value way for us to buy the game. As I said, I tried to order it twice. Both times, it was sold out. My family member had even tried to go to the store and have them order it before then, to no avail. After the second time, which was the day after Target sent out the sale paper with the new ad in it, while I was still frustratedly wondering how on earth do you sell out of a pre-order?? I kept refreshing the page every so often just to see if by some fluke it would miraculously not be sold out. I got very lucky around 3 in the afternoon and we managed to get the order in before it sold out again. Now, we're a relatively cheap family, so we didn't pay for the "express shipping" or whatever. Although, this was a $60 game and we were ordering it three whole weeks (on March 2nd) before release. If you ask me, the least they could do is have it shipped out either on launch day (March 20th) or the day after. Especially if I can pre-order a book on Amazon with three days' notice and they can still get it to me on release day. But, okay, I could live with waiting an extra day or up to maybe three if I had to. (And, to be fair, this was all before a certain virus exploded into chaos here in the US.) Much to my dismay, a week before NH release day, I checked the order status with Target only to be told I wouldn't get it until the 26th. A week later. That was pretty disappointing at the time, but it didn't really bother me until the day before and the day of launch when some people were getting their pre-orders early from places like Amazon and Best Buy (and some of them didn't even pay for the express shipping option from their selected source). If those two companies could plan around virus constraints to do that, why in the heck couldn't Target? But, okay, fine. Maybe the virus had something to do with it and they were really doing the best they could. Whatever. A week. Fine. I'll wait a week. A few days later though, we got an email saying: Surprise! Don't expect your dumb video game until April 3rd because we couldn't get our act together! (Okay, that's not what it really said, but that's what it felt like.) And I know, I promise I so know there are much more serious issues going on in the world right now and a video game about talking animals isn't exactly a priority shipment. I know. But it was still massively upsetting after I'd already waited so long. And, honestly, I feel like they had plenty of time and notice to take care of the game before everything else exploded and messed it all up. Again, especially if other companies already had time to even ship orders early and/or get the games to people on launch day. Or the day after. TWO WEEKS after launch, and you don't tell me about the secondary delay until the week I started expecting the game to already be in the mail on it's way to me? The only tiny silver lining is that as I was checking the order to make sure it didn't miraculously get pushed back to sometime in 2021 (because I really had no faith in Target's time estimates at this point) is that it did get bumped back up to April 1st. Although, I did think that it would be the absolute least funny April Fools' Day Joke ever if the day came and it was late because screw me.  But it did arrive to me on April 1st as promised; I just had a million other things to do before I could play it. ) And I will say, I know I could've just canceled the pre-order and bought the game digitally, but it was enough of a hassle to order it in the first place, and if I did that I'd also lose my pre-order bonus. And all that aside, I specifically wanted a physical copy to begin with. I always prefer that when it's possible. So people on the internet that want to eat me alive for not canceling when the shipping got screwed up, there are my reasons. Take 'em or leave 'em. (Seriously, I've seen some people be really rude about this just because they didn't like hearing people upset that they didn't have the game yet...when they already had it themselves or didn't care about AC in the first place...) Moral of the story: Don't pre-order from Target. Or, at least, don't expect the item to actually get to you right around release day. Account for at least two additional weeks of not having the thing. ...Seriously though, how do you sell out of a pre-order?? At least, when it's a highly anticipated game and you're a big company and not some small indie company with limited resources! Sheesh! Anyway. I have the game now, I've been playing it as much as possible and enjoying it. I still have a ways to go before my island is "complete" per se, but it's coming along nicely and I feel more comfortable now taking some more time away from it to get back into the swing of making art and things like that. So hopefully I'll be getting back into a regular posting schedule and you'll have that to look forward to. 

____ Artwork © me, MysticSparkleWings ____ Where to find me & my artwork: My Website | Commission Info + Prices | Ko-Fi | dA Print Shop | RedBubble |   Twitter | Tumblr | Instagram

[psi-psina]

taking this moment to fully admit that I had never listened to the DSS @ Budokan bonus CD properly until now and I am SHOOK by how good Different Sense and Juuyoku (Unplugged) are....like damn...they’re so fucking GOOD!!!! Like these both just skyrocketed up to RED SOIL/Namamekashiki Unplugged status for me, I can’t believe how long I slept on this. >( Like I had actually avoided these two songs on this CD specifically bc I have such strong feelings about them and was not prepared to hear an acoustic rendition that i hated 🤡 And Ruten no tou...this is one where I think for the Acoustic ver to be up there Kyo needed to tweak parts of the vocals more. I like the Unplugged ver more. I think.

I don’t like the CD ver of Symphonic Beelzebub at all tbh, the mixing is way off and the symphonic elements feel like they have literally just been pasted over the top of the song, and they actually drown out the other instruments, and obscure Beelzebub’s exquisite build-up, which just makes it feel cluttered and aimless. I do think it sounds good live, but on CD it needed to be incorporated a lot better imo. Symphonic Diabolos is different though, I was surprised by how much I liked this...imo it was incorporated almost perfectly. I wasn’t sure how I felt about the opening strings at first but as the song went on and they incorporated that tone into other parts I thought it was wonderful. And the first verse with just a soft piano ahhhh, so perfect ♡♡♡ And then Lotus is obviously the KING of the symphonic versions. .......weirdly I am realising now that Symphonic Hageyami and Akatsuki actually hasn’t left an impression. :/

And I’m so annoyed, Amon (crossover ver) could have been so epic, i love the idea behind it but as it is it just doesn’t work! how the fuck you gonna just paste those vocal lines over that beat, it’s DEEPLY annoying in how badly it doesn’t work >( parts of the vocal lines needed to be altered to work with that kind of instrumentation COME ON GUYS! And Dreambox is...interesting. I’m not into jazz at all so the free jazz instrumentation kinda wigged me out but I think it works a lot better for Dreambox than Amon (even though I like the instrumentation in Amon more) because it’s free of form.

And the folklore ver of Vanitas is okay but as an alternative version it doesn’t have anything that would compel me to listen to it over the original.  And I could never get over them not including the music box ver of it on this CD. Never getting over it. It was like, your one job Kaoru. ☹️

[void-tiger]

Alola, Voltron! (Pt 1/???)

(Note: random thoughts for a Pokemon Sun&Moon-meets-VeeLaDee crossover AU. I’m only borrowing loosely from the games’/series actual mechanics, as well as plot elements and characters from VeeLaDee I either don’t hate on principle or I feel like I can explore/tweak to my own favor.)

So, the basic idea is that Takashi’s a war vet from the Kanto region. He’s been honorably discharged after returning from being MIA and reappearing with a missing arm, scars, spotty memory, and PTSD, despite fighting tooth-and-nail to stay. Adam Weisz takes the side of their superiors. Taka and Adam have a severe breakup and falling out as a result.

Iverson has a bit of a change of heart, however, when he notices just how poorly Takashi is adjusting to civilian life, and suggests he relocates to the Alolan Region where Shiro’s old mentor/one of his first commanding officers Sam Holt is currently conducting research while raising his family with his wife, Coleen. Takashi agrees—but mostly because he’s already reached out to Sam, and Sam’s thus far the only one who seems to believe in him and believes his account about what happened. (Also. A tropical archipelago isn’t the worst place to spend a forced exile, and did you know you can actually fly on a charizard as many times as you want? For free???)

The Holts quickly adopt their new neighbor as they help Takashi and his childhood Persian-turned-service pokemon settle into his new home. (Especially after Matt and Pidge witness Takashi’s disasterous attempts in the kitchen, and Coleen realizes that Takashi apparently eating well.) The islands’ population is warm and friendly, but his Persian on more than one occation had to Roar unwelcome attention away (and occationally picked their pockets with PayDay or Telekinesis when feeling particularly spiteful. (Yes I know technically meowths and persians can’t learn telekinesis. But they have facial gems for channeling psychic energy, so I’m ignoring that.)

However, not having anything to strive for still does nothing to help Shiro’s restlessness and PTSD, despite the Holts’ support and access to a team of psychiatrists that once helped Sam. Pidge’s tenth birthday comes and goes, and she chooses a Rowlet as her Starter, naming it “Rover”. Sam suggests that Takashi join her on her pokemon journey and keep her out of trouble. Pidge is initially furious at this change of plans—MATT had promised to go with her!—but relents when Matt explained that he’s simply too busy with his and Sam’s research, although he’ll do his best to visit when he’s out in the field. Takashi’s therapist agrees to the plan, so long as Takashi meets via videocall at least once a week.

Takashi then is allowed to choose a starter of his own once their island’s kahuna learns that Takashi never had the chance to have his own pokemon journey as a kid. His anxiety keeps him awake all night as he worries about essentially being Pidge’s chaperone, being twice the age of most other first-time trainers, and choosing “the right pokemon” and if it’ll get along with his Persian as he pours over island maps and evolution charts. In the morning Takashi’s Persian drops a litten in front of him with a huff and a pointed look (“OBVIOUSLY the cat pokemon. DUH.”) Takashi laughs at his own anxiety and friend’s solution to the dilemma as he rubs both pokemon between the ears and names his starter “Champion”.

The Holts, however, have one final surprise before Pidge and Takashi begin their Journey: a new, lighter, and much more durable prosthetic. Takashi hastily thanks them for all their kindness as Pidge impatiently paces and finally whines if they can GO now?

Preparations and wellwishes complete, the two set off.

(Aaaaand now for the obligatory corny “What new friends will our heroes meet? What new challenges will they face in this great big world of Pokemon? And what danger lurks just beyond the shadows?”)

-

**note: nope, haven’t thought of a name for Takashi’s Kanto Persian yet. Unfortunately. Also, the Lions will feature —(as will the other Paladins, Allura, Coran, and Jiro (and others)...buuuut this tangent has gone on long enough lol)—so, nothing Lion-related for Persian if anyone has any suggestions there.

[duskkodesh]

Terribly Out Of Character Morbius Appearances:

By popular request! WILL include alternate universe non-616 because I dig some of those!

Strange Tales #3 2009

This HAD to be the first thing I brought up. Trying to chomp on people and further going on after this panel to explain that he now believes he’d been given his powers divinely with the purpose to kill. There is NO part of this story that is on character except he actually speaks a little Greek. It’s a shame though because I LOVE the pop art style.

Giant Size Super Heroes Starring Spider-man #01 1974

This one is canon but really was just an excuse by the writers to use Morb and Jameson together. Vampire werewolf combo meal! This is before the late 90′s when suddenly vamps hated werewolves for some BS reason? I blame Underworld... anyways Morb has an evil plot and decides using Man-wolf here. He plays classic mad power character to a T, which would be forgivable if he hadn’t just come out of the Vampire Tales run where he was obviously mentally okay and a good guy.

Spider-Man #13 1991

Okay yes, he gets repentant later in this story arc but I’m calling this out. The story is bad, the art is bad, and Morb has never been this prone to power trips. If anything he seems a little self-degrading at times. Him twisting a whole lot of people to his will and just stupidly thinking they could know the guilty from the innocent? Nah bro. Story could be tweaked to fit but he just doesn’t seem right.

Nightstalkers #8 1993

Hot take here, any 90′s crossover where he’s not being written by the team in his own book (And even half the time then...) he’s OOC terribly. I’m talking Ghost Rider, Nightstalkers, Darkhold, and some of the Midnight Sons Unlimited. 80% is rubbish and it seems like they read a one paragraph bio of him then decided to write it. He’s OOC more than he is IC in these issues and it would take me a month to list them all.

X-Man #24 1997

IT’S THAT TIME AGAIN. Anyone that knows me knows this is my most HATED issue of anything. Wanna see Morb run around acting like a bad Dracula impersonator, written by someone who clearly never even read his bio on Marvel dot com? You must want X-man #24! Once again the art is great! LOVE IT but the writing is so cliche villain that I have no idea why they used Morbius when Marvel legit has a Dracula running around! Maybe that nerd couldn’t be bothered to turn up for such a lackluster script.

Spectacular Spider-man vol. 02 #14 2004

Okay, I may have been too harsh on X-man because after it there’s this one shot story about a paraplegic Spider-fan who sits on rooftops all day watching the city. I guess they needed a villain for it and someone tossed Morb in except he decided to dress like Count Orlock for some reason and try to eat an innocent guy that can’t even move or speak to defend himself. This is just... this is bad. This isn’t canon because I refuse to acknowledge it as canon.. Fuck that.

Legion of Monsters: Morbius 2007

Let’s go right into this. What the hell, Marvel? Just... what. The. Hell? Morb is on point for crashing with the homeless addicts and starving himself but talking to an invisible bat was... something they pulled out of their ass. And turning an OD’d girl? Nah man. He’s smarter than that. Also his ability to truly turn anyone raises a lot of questions as he’s not really a vampire and it’d only really been done once before in canon. I don’t know if this is 616 or not, honest to god it’s a wreck and I’m calling out Greg Land on the cover for tracing other people’s shit. 

Exiles #55 2005

Okay. This is AU so all my complaining about previous entries? Done. I freaking love these issues. I love darkity dark lord evil bat Morbius. It makes my soul giddy. Possibly because the team is thrown into this medieval fantasy D&D universe and that’s where he resides. I love the art, I love the premise. Sue me, I don’t care. He’s terribly OOC and it’s GOOD. Real Morb would have been like the town apothecary... damn that’d be cool too. MAKE IT HAPPEN MARVEL! I’d buy a D&D Marvel AU comic!

And that’s 8 OOC appearances and enough for now. There’s LOADS more I could tack on later so maybe I’ll do a part 2 in the future.

[moistwithgender]

Media Roundup (February 2019)

I wanted to try and squeeze in one last finished show into the last day but I ended up having a really bad sleep schedule hiccup. Anyway, here’s what I finished this month:

Games:

This is actually the shortest list this month, on account of me mostly playing through a single game somewhat slowly. If you follow my posts, you might be able to guess what series it’s a part of.

Super Robot Wars EX (SNES): At the end of the previous post I warned that if you want to get into SRW, SRW2 is an extremely rough starting point, even though it’s canon to the four or five original SRW canon games mostly on the SNES. Thankfully, there is a youtube video that shows you all the dialogue and combat snippets from SRW2. That said... if I wanted to stick hard to canon, I would have either played SRW3 first, or waited for the incoming re-fan-translation that will drop probably at the end of March. BUT, I wanted to play SRW and not jump to a game so far ahead that the mechanics alienate me to the earlier games, so I started EX. EX is largely a contained side story that takes place in and revolving around the original properties of SRW canon. Said original properties involve La Gias, the world that exists inside of planet Earth, and a three-sided war involving mechs that run on magic. There’s a lot of politics and strategic talk and fantasy worldbuilding grounded in fantasy science and it’s actually really fucking cool. They take the time to explain how due to a (magical) scientific phenomena, prophecies are always accurate in La Gias (yet preventable with the right effort), which is exactly the kind of bullshit I love.

However, due to summoning rituals, the setting is also flooded with “Surface Dwellers”, AKA people from different mecha anime who have been written into a melting pot setting that contains all their narratives (sometimes cleverly tweaked to allow and complement each other). This isn’t just a hand wave, but worked into big plot points. It is genuinely stunning how much the creators of these games actually tend to give a shit about making these narratives believable and interesting. I say “believable”, though it’s also worth noting that, as with manipulated inclusion of various IPs, canon is general is somewhat malleable in SRW. There are usually multiple plot options in the games, and EX features a unique system with three separate campaigns that, depending on the order you play them, and also depending on the choices you make and how well you play, change the sequence of events in other campaigns as they weave into each other. It’s not handled amazingly, and to see everything, you may play the campaigns some three times each. I don’t really have that kind of patience, because these early SRW games are also sufficiently challenging games. While not nearly as bullshit as SRW2, EX features a fair amount of incentive to save and reset for better RNG, and you might spend an hour or longer on later maps because situations get really tight. EX is also considered one of the easier early games (phew). Despite that, the maps are almost all really enjoyable, you just have to be willing to work for your victory at times.

The writing, with much credit going to the stellar fan translation imo, is also a compelling read, and dialogue is frequently hilarious despite how much it also focuses on political intrigue and fatal drama. The “hard” campaign (at times equally or less difficult than the “intermediate” campaign) has you playing one of the main series antagonists, whose right hand minions include an oujosama who openly talks about how horny she is, a princess with hardcore stockholm syndrome (or is it?), and a semi incompetent little blue bird as a psychic familiar. A running gag is them chastising each other for using rude words. These characters have apparently been popular enough to reappear even in the modern titles, which largely are self-contained timelines of their own, with their own canonical tweaks.

Last point I want to touch on (this single game just has so much to it) is that playing this game out of order is interesting in how canon is referenced. In most self-contained-stories-in-greater-narratives, you’ll get somewhat forced exposition drops when a character is (re-)introduced. Most of these games so far tend to treat pre-existing characters on the same ground as OCs, where a character doesn’t say, for example “yo I’m goku I come from earth and I’m a super saiyan”, but kind of just realistically reacts to the scenario as per their characterization. If you learn more about them, it’s mostly via seeing them interact with other heroes or villains from their own canon (though later games include library bios to catch you up if you want). While this creates an interesting experience where, if you don’t know a series, you get that curious feeling of walking in on the middle of something, but instead from the beginning. The most interesting aspect of this, and what I consider the defining aspect of the game’s storytelling, is that the same delivery is used with the original characters. From the get-go, the original characters in SRW EX talk about other elements the way real people do, without vaguely audience-oriented exposition. Some people won’t like this, but it makes it feel much more real to me, and complements my recent exploration of the breadth of mecha, where I know a ton of names and have very little context, and slowly accumulate context as I go along. It’s a lot of little micro-mysteries. EX didn’t start this, either. SRW2, which is both the first SRW with a plot or even dialogue, introduces the main OC of SRW, Masaki and his Cybuster, who has a lot of his own lore, and tells almost none of it. You are left for the entirety of SRW2 to only grasp the fringes of what Masaki’s story is, and when he says “hey I’m actually leaving now in the middle of the game because I have my own plot bye” you just deal with that. SRW establishes that the world is way bigger than you, even though the core concept of the series is rooted in fanservice. Now, part of this is that Banpresto and Winkysoft probably had a big MCU-style plan from the beginning (cough most ambitious crossover in history cough), because, well, look at this release timeline and associated narrative chronology:

-Super Robot Wars (Game Boy, April 1991) No plot, or dialogue, but establishes the Big Three (Gundam, Getter, Mazinger) as playable characters and has the kaiju villain from an old 70s Getter+Mazinger crossover movie as the final boss. The pilots don’t exist, the robots are all apparently sentient beings. -The 2nd Super Robot Wars (NES, December 1991) Beginning of plot, introduces a proper antagonist (Bian Zoldak), an antagonist force he leads (Divine Crusaders), light political intrigue, Masaki Andoh and his nemesis Shu Shirakawa are established vaguely while having a separate plot that is not explained. IMAGINE juking your audience with your own main character like that. He doesn’t serve as protagonist yet but is clearly, like, the most important OC? Bian and Shu even serve as the final bosses and you don’t even know who Shu really is. The kaiju villain from before comes back for a single map and evolves into a stronger form unique to the game. The heroes from SRW1 also all acknowledge that SRW1 happened and they know each other. This establishes that you cannot rely on canon. -The 3rd Super Robot Wars (SNES, July 1993) Haven’t played yet but I hear this is where they really started playing with canon. Mixes the Divine Crusaders plot with the plot of the original Gundam series. Multiple endings exist now, and plot regularly splits into dual branches. -Super Robot Wars EX (SNES, March 1994) Here’s where it starts to get complicated. This focuses on Masaki’s setting, while continuing off of SRW3′s plot. Elements introduced here will continue to be referenced in SRW4 (the ending screen even explicitly states that, which reinforces my idea they planned this all years in advance). Multiple campaigns with malleable canon means nothing is concrete ever again. -The 4th Super Robot Wars (SNES, March 1995) Campaign now splits into Super Robot (Getter, Mazinger) and Real Robot (Gundam) routes, which is easier to handle. This game finishes up the “Classic” SRW timeline, but would also canonically be replaced by two remakes on the PS1 (SRW F (1997) and F Final (1998). However... -Super Robot Wars Gaiden: Masoukishin - The Elemental Lords (SNES, March 1996) Masaki gets his own game five years later, beginning his narrative. This game has no mecha IPs, and is exclusively OCs. The most complicated aspect is that this game is split into two chapters: the first, at the start of Masaki’s story, and the second, which... if I have this correct, follows after EX and SRW4. The previous games have, supposedly, been referencing this game that has not existed until now, and this game references what has come before. Playing SRW feels like being lost in linear time. This game starts off its own timeline of games that, I hope, stay confined to the OC-centric games. 

So here’s the timeline:

First half of SRW Gaiden SRW2 (loosely referencing SRW1) SRW3 SRW EX SRW4 Second half of SRW Gaiden

As a result...I can never be comfortable writing a suggested order of play. In playing these games, you simply must accept that the world is bigger than you, and at all times you will be an outsider to some degree. You know, until you’ve played all of them. Which you can’t yet, because they aren’t all translated yet.

Phew! That’s a lot of words about Classic Timeline SRW, and I’ve only played through two games. Thanks for reading all of that, I hope it kept your interest. Despite how complicated that got, EX is a great game and easily in my top SNES RPGs now, up there with Live A Live and Dragon Quest V. Let’s move on for god sake!

Oh, right. Almost forgot: (SRW EX: Masaki’s Chapter: Beaten 2/9/19) (SRW EX: (One of the two versions of) Lune’s Chapter: Beaten 2/15/19) (SRW EX: Shu’s Chapter: Beaten 2/20/19)

Fun fact: In EX, if you use a cheat code on the title screen to play through Shu’s route with a suped-up absurd final boss-strength version of his mech, and run into one of the other protagonists, then when you later play as that other protagonist, you’ll have to fight the cheat version of that mech as a boss.

Orbital Paladin Melchior Y (PC): I had to play something else this month, and because I’m trapped in a fugue state, I made it something mecha related. Melchior Y is a small, hour-long visual novel/shoot em up made by John D. Moore, who I know mostly as a_new_duck from the selectbutton.net forums. I’m... not gonna have as many paragraphs to talk about this, or anything, as I did with SRW EX, so if he sees this I hope he doesn’t take that as a negative. Reportedly, this has multiple routes, though as of this writing I’ve only played one of those. I don’t know if that means multiple endings! I liked it for the small gamejam game it is, though. John is an academic and a mecha fan (and did his thesis on mecha, iirc) and so this is reasonably an introspective mecha story focused on children conscripted for space war purely for their utility, and adults who boss them around despite no longer being allowed to pilot once they hit the very beginnings of adulthood. It gets dark! A smaller positive about it is the matter-of-fact inclusion of queer identity, comfortably existing alongside religion without having to immediately make the plot about the conflict between those (at least in the route I played). I enjoyed it, and if you have the patience to explore artier games that aren’t polished AAA cash houses, you might gain something from it too. Here’s a link if you’re curious, it’s currently free.

Anime:

Rascal Does Not Dream of Bunny Girl Senpai: I already wrote about this last time, oops! Still, despite a couple stumbling points, this is fun character-driven supernatural lit, and if you’re mad at Persona games for bad political takes, then this... at least this doesn’t have those! The funniest thing about the series is that the bunny outfit is easily removable from the plot and barely relevant past the first couple episodes. (13 episodes, finished 2/5/19, Crunchyroll/Hulu)

Punch Line: I actually went in expecting something akin to the sort of wackiness I remember way back when FLCL was fresh. I didn’t get that, necessarily. What I did get was (as I would discover after I wiki’d it later) a fucking Kotaro Uchikoshi story. That’s not a bad thing, but if I had gone in knowing that, I would have been prepared. Uchikoshi writes light novels. Extremely convoluted, mysterious, non-linear light novels. As I was watching this show, I actually thought the whole time “is this a fucking light novel adaptation?” It wasn’t, but it was by the guy who wrote Nine Hours, Nine Persons, Nine Doors (one of my favorite DS games), and Ever17: The Out of Infinity (probably one of the most miserable game experiences I’ve ever had), and I was easily identifying his particular brand of storytelling. There is a LOT that can be said about his style, but I’ll try to keep it short with a paraphrased example (don’t @ me if this doesn’t explicitly describe any one of his plots, it’s close enough). He likes to tell stories that start as quirky or high-concept, but somewhat mundane, skip a scene at one point, and then progress until you suddenly hit a big plot point that turns everything on its head and, in my experiences, causes things to immediately end tragically. Then you see the scene you missed. The scene held a plot point literally so important that it completely changes what the story was ever about. From then on you are fed a trickle of left-field plot twists until eventually the plot is unrecognizable from how it started. His work is as stupid as it is clever, and he’s got the strongest grasp of continuity I’ve ever seen a human being have. This is the polar opposite of SRW’s “fuck canon” philosophy, and that’s not for the worse on either account. Punch Line starts as a story about a boy who dies, becomes a ghost, and then has to figure out... something? (I should clarify I watched all of this overnight while not sleeping as as the story built more and more upon itself I had to fight to keep following it) BUT ALSO, if he sees panties twice, he’ll accidentally destroy the earth. Those details are, like, one percent of the secret plot that the show is built upon, and by the end when the wacky dorm sitcom has become a full blown world war with government conspiracies, I was like “wait why is that girl a superhero again?” Everybody deserves to experience an Uchikoshi story once, just for the wild novelty of it. I don’t think this is his best work (I think 999 is better), but it perfectly exemplifies his style.

Also, I spent the full binge watch (which I rarely do) thinking it was a visual novel adaptation. Absolutely convinced. But, it turns out that, no, he just writes like he’s making a VN game. The “panties = genocide” concept is so obviously a choose-your-own adventure mechanic that I thought it had to be. On the bright side, an actual VN adaptation later came out, and even came out in English on the PS4. And they added in apparently ten episodes’ worth of significant extra plot, so I might play that.

Also, it’s called Punch Line because in Japanese it sounds like “panty line.” That’s it. Also maybe it’s referencing plot twists, or mortality, idk. (12 eps, finished 2/6/19, Crunchyroll/Hulu/HIDIVE)

Mobile Suit Gundam II: Soldiers of Sorrow (Movie): A month later, I finally got around to the rest of Gundam 0079. I think I might like this movie best of the three, even if it does feature a lot of character death is kind of a downer at times (granted, that’s kind of most of Tomino’s work isn’t it). This movie is where most of Kai Shiden’s character development occurs, and it’s nice to see his go from a bastard to a sympathetic, uh, bastard. He’s terrible and my son. (Finished 2/9/19)

Mobile Suit Gundam III: Encounters in Space (Movie): You know I really like the original Gundam in concept, and even execution, but sometimes I’m chewing through it. Even when boiled down to the compilation episodes I’m just pushing through at times. I mean, I think part of that is my burnout and executive dysfunction issues preventing me from fully enjoying things, but it could also just be that I’m baby. This was the movie I liked the least, despite having some of the best moments in the series. The final showdown is genuinely incredible, and there’s probably a lot of essays out there discussing the recurring theme in Gundam of invoking the figure of Newtypes, while also regularly denying being one (even to oneself!) after engaging in a lot of telepathy. My problem with MSG3 is that they packed the most plot points into this one, and it gets to a point where it was hard for me to follow. Mirai goes through two separate love triangles, and a huge tactic (bordering on the severity of a war crime) happens and then is iterated on in such a small amount of time that I actually lost track of who had it and how I was supposed to feel about it. If I were to rewatch it, I might grasp it better. I spent this movie feeling like I should have just watched the 50 odd episodes instead, for the sake of comprehension. Idk! Hate to end this on a negative note, because this series has layered characterization, complex examinations of war, the things people do in war, and the ways that war changes people, and also cool robots. It’s probably something you can revisit multiple times and gain new value from each time. (2/15/19)

Mobile Suit Gundam: The 08th MS Team: Guess who watched this on Adult Swim a long time ago and almost totally forgot! This series is amazing and probably going to stay my favorite Gundam series. The animation is consistently beautiful and consistently had me comparing it stylistically to Cowboy Bebop, from the body language to the lavish mechanical displays to the character writing to the excellent english dub. The US got it ater it was complete, but the original airing of it was spread out over three and a half years, and given how flawless it is, I can understand why. If you’ve have a spot in your heart specifically for watching the switch axe change shape in Monster Hunter, you’re gonna lose it watching them do maintenance in this show. Character-wise, while 0079 was about watching whiny teens complain and break protocol on a regular basis, 08th MS Team is as much about living army life as it is about going on missions. There’s soldier superstition, there’s writing to girlfriends back home, there’s complaining about staking out in the desert for five days. I haven’t watched MASH, but the things I have heard about it make me link the two. 08th MS Team is also about a super unfortunate star-crossed love between people on opposite sides of the war. This plot element is a recurring one even back in 0079, but here it feels the most heart-wrenching, and with the very weighty and believable mech combat (it’s so pretty, good god), I was constantly worried about the well-being of all the characters, Fed and Zeon (except for Ginias). If you have any interest in anything, you have to watch this. I’m not good at selling things.

I watched all of this when Hulu was threatening to remove it, but now it appears to still be up? Uh, so go watch it I guess. Oh fuck, right, I almost forgot. The last episode of this is so bad they didn’t even air it on TV in the US. It’s tangentially related to the plot, claims to be about the main characters but instead centers on two side characters and like six new ones, has zero character development, has comparatively/definitively awful animation, relies entirely on misdirection towards the viewer to keep the plot barely hanging together, and has no satisfying payoff. Thankfully, it’s sort of an omake episode, and you can completely skip it. (12 eps (minus 1), finished 2/20/19, Hulu)

I can’t find a decent HQ poster so have this you filthy animal.

A Place Further Than The Universe: It’s not about robots! Wait. Is it about robo--it’s not about robots! I had heard about this show for a while, it was almost universally agreed upon by everyone that follows seasonal anime to be easily the best show of all of 2018. And wow they were not kidding around about that. APFTTU (oh god that acronym) is about four high school girls who decide to go to Antarctica. It is a feelgood comedy with occasional ventures into very real drama, and is rooted very realistically. The show is semi(?)-educational with the attention it gives to showing how real life expeditions work, while also liberally flowing into the poetry of the concept and experience of such a thing. The four girls are all hilarious and innocent without being cloying and, and this is the most important part, without being written with voyeuristic appeal. It is not off-base to have concern for the ways in which a significant number of female cast anime are written with intent to appeal to lonely men who want to feel a safe ownership of something innocent and attractive. It’s not all of them, but it’s a significant amount. Male gaze exists even in the lesbian shows, it’s something you sometimes have to roll with. Here, however, these girls are fully realized and believable, it is obvious that they are developing people, and that is treated as its own value, not as something to covet. If you’re lookin’ at thighs in here, that is your problem, and I’m calling God. A subplot that comes up involves a guy who gets a crush on one of the older women, and he tries to make it about his narrative and is immediately shot down by the whole cast, because this isn’t a vehicle for his romantic conquest. This isn’t anyone’s romantic conquest, really. It is significant to me to say, “this is an anime I could show to my mom and not be worried about.” I know I just said 08th MS Team was required watching for everyone, but A Place Further Than The Universe is required watching. (13 eps, finished 2/26/19, Crunchyroll)

Giant Gorg: At some point I picked this out to watch on CR without any prompting. Wait, I had one prompt. I knew nothing about this show except I think for seeing it on a short list of tumblr user @lightningclone’s favorite anime. It kind of floors me that this came out a year before Zeta Gundam and has way way better animation. Granted, Zeta has twice the episodes, which might be a big factor. The defining trait of this show is probably way it unravels itself, focusing for multiple episodes on exploring what of the great mystery of Austral Island and Gorg has been established to the audience, before revealing something more an deliberately taking it’s time as it takes you to the next reveal. The reveals don’t feel like twists, because a twist comes out of nowhere and sidelines you. The reveals here feel organic, and expected, but all the same compelling. Another good trait of the show is the characterization. Everyone fits into a very different role both in terms of personality and function, they all have their own motivations, and they all complement each other in unique ways. Also, this show has an Usopp. Back before Usopp was a thing. He’s Dr. Wave, and he’s the best character. 

If I have any criticism for the show, it all comes at the end. Near the end a character does a heel turn that, while a little twisty, is hinted in the beginning of the show, and in his heel turn the writers go a bit overboard and have him commit some sexual violence that goes on for an intentionally uncomfortable amount of time, and features frontal nudity. I know we’re supposed to think “oh god he’s a horrible person actually,” but 1) the main character is a child, I kind of expected this to lean family friendly with the occasional dark element (ignoring all the hilarious New York graffiti at the start that says FUCK in several places because America), but... okay! And 2) the stakes rise to a point by the next episode that the characters, including the victim of that violence, all just shrug it off, like whatever! The character is even redeemed by the end, which I wouldn’t mind if the betrayal itself was less physical. It’s a bit much for me, and I wish they hadn’t done it. Aside from that, I feel like the ending itself is a bit anticlimactic, but everything up to these two points had been so solid that I still think it was worth the watch. Worth it if you like mystery, adventure, and big robots, but worth bearing in mind the trigger warning for near the end. (26 eps, finished 2/27/19, Crunchyroll)

Manga:

Shin Mazinger Zero Vols 1-3:

[Serious Content Warning For Everything]

Shin Mazinger Zero is reprehensible garbage and I hate it. While inspired by Go Nagai and intentionally over-the-top, the absurdity is juvenile, offensive, and often just empty. Now, it may seem hypocritical of me to complain about transgression in something based on Nagai’s works, but I genuinely don’t find this transgressive, just extremely self-indulgent of toxic masculine fantasies, both sexual and violent. It has interesting ideas, about how Mazinger is both a tool possible of great good or great evil (literally the mission statement in every Mazinger work), and it wants to explore alternate timelines to see how characters can be corrupted or overcome corruption. The visual of a demonic Mazinger is genuinely pretty rad.

...Okay maybe he’s not, he’s kind of overdesigned. I like the toothy grill, though.

The problem with that exploration of corruption is that sometimes a character is just a horrible monster for no reason, without much explanation (so far?) for how that comes to be. Maybe in volume 4 they’ll get more into that, since they are currently in flashback mode, so there’s no undoing the damage.

Anyway, female characters so far are hypersexualized and submissive or motherly, or hypersexualized and, like, totally unreasonable. The hot robot girl sat on my lap in her underwear and did sex moans, why are you mad, main love interest? Men are testosterone as FUCK. The hero is constantly yelling to the point of visual distortion, no matter how the drama of the scene is being portrayed. The old man villain Dr. Hell is, for some reason, jacked as hell, and in the backstory to the main timeline (it’s all post-apoc) he shows his superiority over everyone by crushing Not Obama’s balls in his grip. I know exactly the kind of dude that would find this appealing and that’s the kind of person I avoid.

Honestly I knew this series was going to be a trashfire from square one and just kept reading out of morbid curiosity. The story starts in media res at the end of the world, with sexy girl robot disintegrating the hero so his soul can go back in time and try the timeline again. Okay, sure, I’m on board. Immediately next we’re shown what I would assume is The One Timeline To Get It Right, after establishing that there have been thousands of timelines where the hero is corrupted by evil. Pretty normal storytelling. And then, uh, the hero’s grandfather molests and murders the hero’s girlfriend, because the hero might become evil. My face is in my hands at this point. The incomprehensible shame. The hero is then corrupted and goes on a killing spree and humanity’s caught in the crossfire and the world ends. After *that* we get the One Timeline. Why? Why say things have always been bad (and I guess imply that bad things are the default) and then waste my time with the worst shock value trash that comes after for a full volume before actually starting the story? It’s edgy garbage! Why is this an official Mazinger work? Stuff like this is what makes me stop and think “wait are all Nagai’s works like this and I’ve been lying to myself when I like it?” Christ, this turned into a rant. Moving on.

[Content Warning Over]

Dumbbell Nan-Kilo Moteru? Vol 1: Idk if talking about horny manga after that mental breakdown is gonna make me look weird but hear me out.

Hot girls lifting weights.

You still here? Okay, good. I started this on a mutual’s recommendation and while it’s not regularly engaging with my own things (I’m more of a “watching fit woman deadlift and hoping she drops it on me and I disintegrate like so many dead leaves” person), and with the two main girls being high schoolers, I try to avoid engaging with that in that way. Luckily, there’s a teacher my age with a bob cut, so we’re good! More interesting, though, this is in the same genre as that Skullface Bookseller Honda-san anime (though less biographical), where the author just wants to explain their job or hobby while also using likable comedy characters as the vehicle. Anime made edutainment work.

I’m starting to get tired and I wanna wrap this up but unfortunately I have a bit to talk about regarding the last manga I read in Feb.

Tokyo Ghoul Vols 10-12: I’ve been reading this for the past, uh. I read it a lot last year, I don’t know when I started, though. Around 8 books in I started slowing down and taking long breaks because phew! I’d hit the end of the series’ big bad story arc and was having trouble picking up from there. I’m glad I did, though, because the story is still getting good. Here’s hoping I can handle the sequel series, because Tokyo Ghoul itself only has two books to go.

I’ve talked about TG a few times before, maybe just on Twitter. It’s very intelligent “vampire” lit that ramps up the stakes of transition by saying “you can’t just suck their blood and let them go! Human meat is your food and you’ll suffer without it.” At first, I was like “oh wow lol this is edgy” but the last twelve books have talked about trauma, alienation, and most importantly loss of innocence. It’s also about the importance of the bonds between people. The main character is perpetually at odds with himself, trying to be a good person in spite of the fact that being a ghoul is literally and figuratively being a monster. It could easily be an overwrought story of self-indulgence and angst but everything in it has been careful and effective. Ghoul culture is thoroughly built up and balances concepts of territory and posture along with careful deception for the purpose of staying a part of, and hiding from, human culture. It’s about predators who cannot remove themselves from their predatory nature, even if they want to be people with families and educations. There’s an organization that wears white and hunts ghouls with weapons crafted from ghoul bodies and functionally I can’t fully argue with them, sort of, but hey we’re starting to discover that corporations are corrupt (who knew?) and that’ll be fun.

But forget the poetry and human condition, the best thing this series does is that unashamedly works the Hot Topic aesthetic. The main character likes reading books and wears an eyepatch to hide his heterochromia and works as a barista. He wears a mask that evokes an S&M lifestyle. Ghouls can only eat people and all other food taste rotten. Except for black coffee. There’s also a number of ghouls with black nails and eyeshadow, and very heavily coded queer male characters (some more flatteringly portrayed than others but that’s a whole other thing). If Sui Ishida never listened to Three Cheers For Sweet Revenge, I’ll eat my fucking feet.

@sun-eater-official I think this might be up your alley. Or maybe not! But these aesthetics sound like you. Actually, you should probably watch 08th MS Team too, for the Bebop vibes.

So that’s everything! I thought I had a short list but apparently it was all things I had a lot to say about. Again, if you read all of this, thanks a lot, I hope I end up introducing you to a new favorite. In the future, I may have to split these into separate posts for each category. I have a lot of free time to write these lately. Writing two roundup posts back to back is a bit tiring, but I don’t have to do another until April starts.

[xxhanachanxx]

When it comes to shipping, am I the only person that’s like a die-hard fan for a ship yet my mind is not screaming that it needs to be canon? Now don’t get me wrong, I’m all for people wanting to see their two favorite fictional characters together as a couple; but then again I’m down with whether or not a creator/developer of a film, show, video game, book, etc. can confirm that a couple is canon. Though even if I can find that adorable, let me stick with any other aspects that I want to see in various outlets aside from romance. Or what I find better, for a fictional character I still want to think about portraying them as the way they’re originally portrayed. Sure that I understand that there are AU’s or any form of alternative just so we can make up anything about our precious OTP. Even though I’m all for anyone doing AU’s, sometimes I can’t help but to think that it would corrupt my head; but I’d like to do an AU one day! I’m usually a shipper that doesn’t think that my favorite pairings are the “oh-so perfect OTP and they need to be together forever”, because even for having a ship I do have other shippings that would involve the same character! So, this would probably be the longest text post I’ve ever wrote but at the same time a lot needs to be put down. And with some of the pairings that I will mention, maybe you would be familiar, maybe I’ll not mention your favorite OTP, but do take my conception in consideration!

So my first ship that I’m going to begin with talking about will be Moana x Ariel (or MoAriel). Do I ship them a lot? Well, I’m more in between with they could be great gfs or just best friends, but the way I see it is that they make great ocean buddies! So I cannot deny they’re cute! Do I want them to be canon? No, and here’s where I say that even if MoAriel is cute I still want my mind to be on the right path where I want to portray Moana and Ariel as the way they were originally portrayed in Moana and The Little Mermaid. For Ariel, I still need to keep in mind that she has Eric and Melody (idfc if I’m mentioning the shit sequel, it was one of my favorite direct-to sequels growing up k bye). I also like seeing Ariel and Eric together! Now with Moana, I just think she’s too good for a man and I’m not even headcanoning that she’s lesbian either. While we’re in the topic with the Disney Princesses as all of the news is spilling for Ralph Breaks The Internet, and as an avid LGBT supporter myself, it’s times that I couldn’t take a few people seriously to where they say that Merida, Elsa, Mulan, and many others are lesbian or bi. NOW DON’T TAKE THIS THE WRONG WAY! I’m all for seeing anything LGBT-related in animation, but sometimes I get a bit iffy on that issue with what will kids think of when they see it. I mean I understand that some people would say that it would mess the kids’ minds up. All I can think for now is that if I were to have kids, I would probably teach them about gay marriage not at a young age but maybe when they get older. I guess I’m that one LGBT supporter who can’t stand some of the SJWs… but hey, if people want to headcanon that they’re gay, well they can do them. I won’t stop them for that. Like for Merida, I’d still think she’s better off without a man but I won’t headcanon about her sexuality. For Elsa, like I get that people want her to be lesbian for the Frozen sequel, but I’d prefer wanting to know about the premise of the sequel more. And with Mulan, okay I get it that her outfit is dope and I’m all for her modern outfit. But I can’t have the mindset screaming “OMFG MULAN’S BI!” I believe that she’s a strong female warrior, and even I can’t help to think that she and Shang are great together! Okay now to get back and wrap up with MoAriel, I will say huge kudos for the shippers for making that happen. Like I can’t deny that it’s an amazing crossover between the land and the sea.

Alright, so another ship I’d like to talk about, and another same-sex ship, will be TwiDash (Twilight Sparkle x Rainbow Dash from MLP:FiM). Oh hey look, Imma throwback to one of my all-time favorite OTPs especially I happen to watch some of the old episodes again! Now let’s get to those 2 questions again: do I ship them a lot? I pretty much do, especially the fact that they happen to be my favorite ponies out of the Mane 6! Do I want them to be canon? No, and it’s not because that I think they should end up with stallions instead (and apparently, I don’t want to have those pairings be canon either!). Obviously RD is one of Twilight’s best friends, so I’d rather stick with whatever chemistry they have for each other! So because I have to bring up the fact that I also have pairings of Twilight and Rainbow with stallions, here’s what I need to say about that: Of course having TwiDash as one of my MLP OTPs, I happen to like SoarinDash and FlashLight (that’s Flash Sentry x Twilight Sparkle just to clarify in case if anyone gets mistaken for literally a flashlight; and yes, I like Flash try me bitch). And as a same-sex shipper, I’m not one for giving another character shit for getting in the way of the same-sex couples that I like. So as a TwiDash fan, I really don’t give flak on Flash if he were to get in the way (and Soarin’ too, I guess). Not even to mention that not only that I’ve had it with the Flash hate, it frustrates me to see some bronies/pegasisters making attack/kill art of him (I do have a vivid memory of seeing an art piece of Flash getting attacked by Trixie just bc the artist likes Twixie.). I mean I get that Flash doesn’t have that much character development (human or pony; in fact I’m more of a pony Flash x pony Twi shipper) aside from appearing near Twilight or Sunset Shimmer to where a lot of people scream “gary-stu” or “waifu stealer”, but I will say that I think Flash deserves better. Now I know saying this as a FlashLight shipper in where they don’t really interact with each other that much, I really couldn’t help myself thinking how cute they are together though. But then again, there’s more to MLP:FiM than just shippings! So to get back and wrap up with TwiDash, sure there’s nothing wrong with having other shippings with one of the same characters! Though at the same time, and just like I mentioned from my previous statement with MoAriel, I’m not headcanoning Twilight or Rainbow’s sexualities at all. So I’ll just let my imagination flow to wherever the hell it wants!

Okay let’s get into another of my favorite ship, and this time it’s a hetero ship, ShadAmy! Yay, time for another throwback to one of my favorite Sonic ships! Though I will get into a later topic that’s kinda like the topic with me as a TwiDash fan and not giving Flash a lot of shit for being in the way. So onto the same two questions: do I ship them a lot? I think shipping Shadow and Amy together was sudden, bc I was a huge SonAmy fan back then (and I still do ship SonAmy don’t worry) and wasn’t really fond with Shadow until to this day. I guess after seeing fan art of ShadAmy, it led me to start shipping them. Do I want them to be canon? Probably not, and it’s not that I think that Amy should be with Sonic (and as an SonAmy fan, I could care less whether or not it’s canon, and if anyone screams at me that it is canon and I can’t change anything about it, leave.); and I don’t think that Shadow and Amy have a huge chemistry with each other (even if they only interacted with each other twice in Sonic Adventure 2). Now here’s the part in where I say that as a ShadAmy fan, I’m not one for giving shit on Sonic or have to make him the bad guy just bc he keeps running away from Amy. And even if I’m more into Shadow than Sonic (I promise y’all I’m not like one of those Shadow fangirls…), that doesn’t mean I won’t stop loving Sonic! And playing the games of that blue blur will always hold a special place in my heart! So what conclusion do I have for ShadAmy? Nothing probably. But no matter what I’m okay with whoever I want to ship with Amy. ShadAmy? SonAmy? I really don’t care!

Now since the pairings that I’ve mentioned so far happen to be my favorite OTPs, let’s take this next topic with talking about a NOTP. And who will I be talking about next? Enter Victor x Emily from Tim Burton’s Corpse Bride. As much as I enjoyed this masterpiece of a Tim Burton film, apparently having to think about this does grind my gears. So onto the questions again: do I ship them a lot? I’ve already stated that they’re not my cup of tea. Do I want them to be canon- okay um yeah let’s get right into that! I guess ever since I first saw the film back then, when I saw the ending scene with Emily turning into butterflies and then Victor and Victoria embraced my mind screamed, “welp, at least Victor and Victoria have each other now”. But at the same time it did sadden me to see Emily go away like that, yet then again Victor has freed her from the memories of pain and shit she’d been through with Barkis. So where am I going with this? Oh yes y’all, I actually like Victor x Victoria. And no, it’s not that I think Victor x Emily is necrophiliac. Pretty much, I’ve had it with everyone talking shit about Victoria all bc she was in the way between Victor and Emily. Tbh I could go on and on talking about defending Victoria, but to keep it a bit short it wasn’t her fault for interrupting the wedding; in fact, that can be saved for a later time. Now before I wrap up, and as I mentioned since the beginning, I’m all for alternatives or “what-ifs” made by Victor x Emily fans but at the same time we gotta accept the fact that the ending of Corpse Bride is just the way it is. Get used to it. Emily had her own happy ending.

Alrighty then, I’ll be taking this last topic discussing about WildeHopps just before I wrap this whole post up! Ah yes, our favorite fox-bunny duo; yet I do have some tweaks with what I think about them for the near future.. But anyway, let’s get into the questions one last time: do I ship them a lot? Now for anyone that have followed me for my Zootopia shenanigans, I do need to say that it seemed sudden of me shipping them out of nowhere. Like sure I can’t deny that Nick and Judy have a great chemistry, but there’s more to the film than just the shipping (or any romance outlet for that matter). I guess I should say that after seeing the film and looking at the fan art of the two, it led me to start shipping them! Do I want them to be canon? Okay see, this is where I get iffy about it bc even if Disney confirmed that they’re canon (or at least that’s what I heard) I still think that Nick and Judy need to start off as best friends first and then we shall see what will happen in the future if there were to be a sequel. So yeah, I think I’m that one person who had to cool off from seeing the ending bc yeah it’s cute but I don’t think I’ll be falling for it sorry! Friends? Couple? Again, these two have chemistry and that’s all that matters to me! So for now, I’m in both platonic and romantic sides of their relationship. And even though having this thought never occurring in my head, I don’t want to think about giving in for them to have their own mate by the same species. But hey, if y’all want to ship Nick with a vixen and Judy with another rabbit I ain’t stopping ya! Which would somewhat lead me to talking about how Judy would be shipped with Jack Savage (quick fyi for those who don’t know him, he’s a deleted character that was the main protagonist of the early version of the film); while I may not be into SavageHopps that much (and this is pretty much the same thing with my TwiDash and ShadAmy topics..), but damn some of y’all are salty on him for trying to “steal” Judy from Nick. If people want to like Jack, let them. If people want to ship SavageHopps, let them! I mean hey, he’s got Skye (who’s another deleted character during the early process) and I’m all for SavageSkye y’all! Okay, yeah I know I brought them out of nowhere as this topic is supposed to be about Nick and Judy but at the same time I kinda had to bring that out there haha. Like I said we shall see where will their future will take them, and we can have our imaginations flow wherever the hell they go!

So that wraps up with what I have to say with shippings! Thank you guys for taking your time reading this~ ❤️

[allthecoolboysaredead]

Larry Ezekiel Goodman Bio + Tags + Headcanons

Name: Larry Ezekiel Goodman Nicknames: Darkheart, Larebear Age: 21; Can Change Birthday: February 27th Sign: Pisces Gender: Cis Male Pronouns: He/Him Sexuality: Homosexual Homoromantic Polygamous; Nonsexual unless introduced to sex by outside source (then highly sexual) Hair: Naturally Brown, dyes tips blue Eyes: Dodger Blue Skin: Pale White Height: 5′0″ Weight: 110 lbs Faceclaim: Gerhard Freidl Piercings: Horizontal Brow Piercings (Left Side), Angel Bites, Labret, Both Ears Gauged (Size 0g) Tattoos: None Scars: Nothing real noticeable

Alignment: Lawful Good Religion: Raised Roman Catholic, Aetheist Allegiance: South Park Vampire Society, Mike Makowski, Ryan Ellis

Family: Zachary Fetter (Father, Alive, Out Of The Picture); Mariah Goodman (Mother, Alive); Martin “Big M” Goodman (Uncle, Alive); Mary Goodman (Grandmother, Deceased); Ezekiel Goodman (Grandfather, Alive)

Pets: Lestat (White German Shepherd)

Personality: Adaptable, anxious, artistic, attention-seeking, caring, compassionate, compliant, desires an escape of reality, emotionally intelligent, empathetic, extroverted, forgiving, friendly, generous, gentle, gullible, impulsive, intuitive, loyal, overly trusting, passive, patient, protective, prudish, responsible, self deprecating, selfless, sensitive, shy, submissive, sullen, tolerant, worrisome

Likes: Sleeping, music, romance, visual media, swimming, the spiritual side of vampirism, comaraderie, his friends, clamato juice, deviled egg potato salad, sweets, animals, helping others, rainy/snowy weather

Dislikes: Confrontation, cruelty of any kind, thinking too much, being criticized, know-it-alls, being taken advantage of, being left out, touching fish, Swedish meatballs, bitter things, plain water, hot weather

Can Do: Drive, make telephone calls, organize events, drop everything when a friend needs him, offer advice, play instruments (Cello, piano, clarinet, a little bit of violin, kazoo), write fiction

Can’t Do: Actually kill things, relax easily, cook, math, abandon his friends, most magic, handle confrontation, get too warm, resist singing to songs he likes/knows

Mental Health Diagnosis:

PTSD: Larry was treated rather poorly up until he started school, often locked out of his mother’s room at night and left with nobody to help him through things but his uncle. His uncle was and still is a drunk piggybacking off of his mother’s paychecks, and Larry suffered a lot of physical and sexual abuse from him. To this day he dislikes being alone with the man.

Dependant Personality Disorder: Larry will pour himself into other things in order to escape his actual reality. Because of this, he takes on the brunt of handling most Vampire Society affairs, including but not limited to booking events and venues, securing timetables and even setting up the occasional bake sale. The busier he can stay, the happier he is.

Physical Health Diagnosis:

Flat Feet: Larry has to wear special inserts in his shoes because his feet have no arches in them. It occasionally makes running hard.

Fears: Being forgotten, aliens, being eaten alive, earthquakes

Positive Traits: Loyal, trustworthy, tolerant

Negative Traits: Self-deprecating, anxious, worrisome

Quirks: Listens to such a wide variety of music it’s hard to pinpoint his tastes; Likes peanut butter and cheese sandwiches; Has an interest in all occult/supernatural things but vampires are his number 1

Tends To: Busy himself to the point of forgetting himself; Become nonverbal during conflict; Cling to his dog when scared

History: The timing couldn’t have been worse for Larry to have been a shine in his parents’ eyes. Zach Fetter was content to be the guy Mariah Goodman’s parents couldn’t stand, and she was content to know she was breaking rules, until Larry came into the picture. The minute it turned from rebellion into the possibility of a family, all parties tried to run. Mariah, sadly, was a little stuck. She couldn’t get an abortion, and had to temporarily move back in with her parents until Larry was born. He spent the beginning of his life mostly with his grandparents, while his mother got back on her feet with a job.

When he was three, his uncle was released from prison and his mother moved out of her parents’ house to move in with her brother. The initial idea was for him to get a job and help out, but something always got in the way. He spent a lot of time babysitting Larry, who began to behave differently. Quiet, more sullen, he flinched a lot in the presence of his uncle and refused to talk about it. By kindergarten, he was reluctant to do much on his own, and immediately clung to an older kid by the name of Mike Makowski.

They became fast friends, and Larry was ever loyal to any of Mike’s causes, even if he was a year younger than him. When they became the South Park Vampire Society in fourth grade (fifth for Mike), Larry was a dutiful second in command that spent as much time as he could with his friends. They were all a very close-knit group, and even as they grew and everyone else changed, Larry didn’t see a whole lot of it.

He let himself be so enveloped in his work for his friends, in spending time with them and helping them with problems, that he never thought of much else. Most things that regular teenage boys did escaped him, barring his schoolwork, and he was always probably the least sexual of the vampire kids. Not to say that he didn’t like people that way, or that he didn’t have the thoughts on occasion, but he was always so tired when he got home, and it took a lot to get him to open up about things like that.

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Tags List - Personal

Not A Ghost Nor A Demon (Larry) This Is What I Do I Spit On You (Larry’s IC Posts) Stripes Are Always In (Larry’s Closet) A Vampire’s Lair (Larry’s Stuff) I’ve Got A Notion (Larry’s Desires) Fake Fangs And Clamato Juice (Larry’s Aesthetic) The Vampire Lestat (Lestat Tag) Like Fog Lights In The Rain (Larry’s Music) Things Are Different When You’re Dead (Larry Musings) Here It’s December Every Day (Larry Headcanons)

Tags List - With X - Canon

We Are But Shepherding Wolves (Larry And Allison Mertz)

The Different Need Us As Well (Larry And Amanda Harrison)

Please No Grieving (Larry And Annie Barlett)

Blondes Have More Fun (Larry And Bebe Stevens)

I Don’t Know Him (Larry And Billy Harris)

Sister In Darkness (Larry And Bloodrayne)

Where Oh Where Has He Gone? (Larry And Bradley Biggle)

It’s The First Day Of The Rest Of Your Life (Larry And Butters Stotch)

I Don’t Like Dirt (Larry And Christophe “The Mole” DeLorne)

He’s Cool Enough To Hang Out With Us (Larry And Clyde Donovan)

If He Had Wheels He’d Be A Wagon (Larry And Craig Tucker)

Party Till It’s 666 In The Morning (Larry And Damien Thorn)

Nothing Is Ever Perfect (Larry And David Harrison)

He Rode Cthulhu Like A Pony! (Larry And Eric Cartman)

A Sweet Kid (Larry And Filmore Anderson)

Sharp And Scathing With Shipping Included (Larry And Firkle Smith)

The More The Merrier (Larry And Flora)

Brothers In Vampirism (Larry And Gangsta Vamp)

It’s Not Right To Tell Someone They’re Wrong (Larry And Gary Harrison)

What’s Up Drunkie? (Larry And Gregory)

She Wears A Dress Like A Body Bag Every Day (Larry And Heidi Turner)

Fire Bad! (Larry And Henriette Biggle)

Under Our Wings You Could Flourish (Larry And Ike Broflovski)

Don’t Let The Losers Win (Larry And Jennifer Harrison)Could She Be One Of Us? (Larry And Jenny)

Humor Is The Lifeblood Of Society (Larry And Jimmy Valmer)

One Of Us (Larry And Karen McCormick)

Why Does He Hate Us So Much? (Larry And Kenny McCormick)

Help Yourself To Guns And Ammo (Larry And Kevin McCormick)

Millennials Against Canada (Larry And Kyle Broflovski)

Everyone Is Welcome (Larry And Leslie Meyers)

I Believe (Larry And Mark Harrison)

Anywhere But Scottsdale (Larry And Michael)

They Worry You With All The Talk Of How You’re Not Their Kind (Larry And Mike Makowski

A Little Extra Help (Larry And Mimsy)

Always Scheming (Larry And Nathan)

The Sun It Withers In Comparison (Larry And Nichole Daniels)

Ugh You Spit On Me Larry (Larry And Pete)

He’s Not Like The Others (Larry And Quaid)

Leader Of The Pack (Larry And Red Tucker)

We’re Cool Huh? (Larry And Ryan Ellis)

Not Everyone Is On Our Level (Larry And Sally Bands)

You Poor Guy (Larry And Scott Tenorman)

Dogs Are Life (Larry And Stan Marsh)

Fanastic Wounds (Larry And Timmy Burch)

Is He On The List? (Larry And Token Black)

Tally Marks (Larry And Trent Boyett)

Too Young To Drink Caffeine (Larry And Tweek Tweak)

Class President (Larry And Wendy Testaburger)

Tags List - With X - OC

For What It’s Worth (With Hershy) - @brokenxdelinquentsx

It Was An Honest Mistake (With Nikolai Robins) - @sub-nikolai

Tags List - With X - Crossover

Daddy Daddy Get Me Out Of Here I’m Underground (With Jareth)

A Little Crazy Is OK As Long As Nobody Says Any Dirty Words (With Jerome Valeska)

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Verses - In-World

Second Best Friend Ever (Larry’s Elementary Verse)

It didn’t take long for Larry to be swept up in Mike Makowski. Someone that was so confident and cool actually paying him attention was the biggest, nicest thing anyone had ever done for him. He would have followed Mike to the ends of the Earth and back, and usually helped retrieve him from Scottsdale, at least by tattling to his parents.

Growing Into Oneself (Larry’s Middle School Verse)

In middle school, being the vice president and treasurer of the Vampire Society became his life. He would make sure that everyone had their tickets for dances and things, that everyone was going to parties or zoo excursions. Mike’s birthdays became a big-ticket item and he did a lot of work with Mike’s stepdad to get the parties to be just right for his best friend.

Workaholic (Larry’s High School Verse)

In high school, Larry got a job as a clerk at the Photo Dojo. If he wasn’t doing that or school work, he was almost always with his friends doing something. If they weren’t together, he was planning things, or taking dictation from Mike. He spent as little time at home as he could leading up to his 18th birthday, and after it he tried to spend even less time there.

We Are The Fortunate All The Time (Larry’s College Verse)

The second Larry graduated high school, he was already out the door. The soonest he could get to his college life and away from his family, the better. Sure, he missed his friends, but they all talked on group chats and Discord, so things were still close. Living outside of Colorado was odd for him, however, hard to really put into place. Outside of his friend group, which apparently sheltered him a lot, he didn’t know how to function.

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AU Verses

I Can’t Wait To Show You My Love (Larry’s ABO AU)

Born a male Omega, Larry was always looked down upon by his mother, and his uncle saw him as a target. His grandparents took him in when he started to smell too much like his uncle, and have full custody of him. He lives with them in Middle Park, but still goes to school and hangs out with his friends in South Park.

His Only Fault Was His Trust (Demon!Larry AU)

Larry had never been much of a bad person. In fact, his only real flaw was that he trusted others so thoroughly that whatever they said or told him to do made him dangerous. A loyal friend, he became a majordomo to the royal family of hell when he died.

Creatures Of The Deep (Mer!Larry AU)

Larry is a Demasoni Cichlid, one of the least aggressive of his species. He tries to be a kind of vegetarian, but his species cannot survive without meat for long. He eats fish more than anything, though he goes into a frenzy on occasion. When he’s on land, he loses his ability to speak.

Apprenticed (Larry’s Repo! The Genetic Opera AU)

It started off innocently enough; Larry had been hoping to get some good, interesting work for his stories. Vampires were still a hit, even if it was more organ-themed now-a-days. But working as an apprentice to a Graverobber wasn’t always the easier thing to deal with, especially when squeamish.

Warn Your Warmth To Turn Away (Vampire!Larry AU)

It made sense, at some point, for Larry to obsess over vampires to the point of following ‘real’ ones. When he’d left South Park for college, he never once thought he’d find anyone that fit his aesthetic. Here he was, though, in a club called The Den, a bartender that didn’t realize just what he was getting himself into. Three days into his employment, he found out the dirty underbelly of the city operated there, and that most of them were not human. To keep him from running, he was slowly being poisoned, turned into a vampire that could still provide blood to others until the night of his full shift. Which just so happened to be his twenty-second birthday.

I Don’t Want To Be Team Jacob (Werewolf!Larry AU)

Larry had always loved dogs. He had enjoyed seeing wolves in the forest, thinking of them as vampiric familiars. The one time he stepped over his boundaries and pet an unfamiliar dog, though, turned out to be the worst night of his life. Trying to hide his new side from his friends and relatives was proving to be too hard, to boot.

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Shipping

None At This Time

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Open Starters

None At This Time

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Headcanon Posts

* ( positive personality   traits!

Physical Traits Of Your Muse

Detailed Profile Tag

Bold Your Muse’s Aesthetic (Spooky Edition)

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Faceclaim - Gerhard Freidl

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Art By Me

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Pets

Lestat is Larry’s loyal White German Shepherd. The pair are mostly inseparable, and he will take Lestat with him to occasional Vampire Society meetings. Lestat protects Larry from his uncle, who is the only person that Lestat doesn’t like.

[furederiko]

September 1st!!! And it's the first (of hopefully more) Random-News-Digest of the month...

Quick update before I start! Nope, my situation hasn't really improved since last time. Things are still going haywire and uncertain on my part. Which means I'm still not too sure if I will be able to post more frequently this month as well. But this is a NEW month, and I always want to start anything with a fresh and optimistic mind. So at the very least, I'm going to TRY to post more. Here's hoping... Also, expect this R-N-D to be more... 'Digest' than usual. After all, I actually decided to do this on a whimsy when I woke up this morning. You can expect things to be more shorter and compact this time around. So without further ado, let's start!!!

DC Films

The news in this category has been quite a shocker lately. Martin Scorsese wants to make a stand-alone "Joker" origin story without Jared Leto? And then there's that Leto and Margot Robbie's "Joker and Harley Quinn" movie, that is being fast-tracked to come following "Suicide Squad 2"? It's a new title that was first rumored to replace David Ayer's "Gotham City Sirens", though recent report suggests that all-female movie is STILL in development as well. To complicate matters, "Suicide Squad 2" already lost a potential director, and with Will Smith's busy schedule, it won't start production until late next year. Ouch!

Oh yeah, eventhough the movie won't arrive until April 5th, 2019, director David F. Sandberg teased that the most lighthearted DC Film movie "Shazam" will start production very soon. Yet we don't even know who's going to play Billy Batson, nor his grown-up version. While Matt Reeves is going back and forth his version of "The Batman", saying it's not part of the DCEU, and then it IS. Please make up your mind! Jon Spaihts was rumored to be re-writing "Justice League Dark", though said rumor has been cleared out by The Wrap. The irony in that, is because he was among the writer of "Doctor Strange" for Marvel Studios!!! First Joss Whedon took over Zack Snyder for "Justice League", and has officially been given a writer credit (his involvement is 33% of the movie!!!). And don't forget how Patty Jenkins used to be attached to the first Thor sequel. So Spaihts's name being thrown into the rumor zone didn't feel as 'strange'. What I'm trying to say is, I won't be surprised if more people related to Marvel Studios will end up doing DC movies for Warner Bros in the future.

Clearly, this proves that WB STILL doesn't have a plan nor idea of what they are going to do with their DC Films. A concerning truth, but is definitely far from being a surprise nowadays. I guess since the current DCEU doesn't really have a clear future (despite the success of "Wonder Woman"), WB is already thinking about creating another Universe to complement it. Perhaps, if this one works better, then they can simply erase the one that Snyder started. That's the point of "Flashpoint", right? We'll see. Yes, we'll see...

X-Men Universe

Can't believe it took this long for some people to realize that... as long as Simon Kinberg is still in charge (in ANY capacity), fans probably won't be getting the 'true' X-Men movie they have always wanted. People seems to forget that he was the writer of the disappointing "X-Men: The Last Stand", and supervised the dreaded "Fant4stic Four". Now his upcoming directorial debut, "X-Men: Dark Phoenix", which he also wrote... is already put into a giant question mark, thanks to Kinberg's recent comment.

I admit, I've grown to DESPISE the term 'grounded' in recent years, because it is (ab)used as an excuse to make shitty underwhelming products. But seriously, what good will a "Dark Phoenix" storyline get by making it... grounded? That arc is meant to be a galactic interstellar adventure, involving alien entities and otherworldly stuffs. "X3" was already its grounded version, and it did NOT work. So why bother going the same route? Is this movie 'doomed to fail' then? It's unclear. But I certainly won't be surprised if that turns out to be the case. Just remember how that grounded take on "X-Men: Apocalypse" performed...

Marvel Studios

Marvel is celebrating the late Jack Kirby's 100th birthday this week. Studio's president Kevin Feige revealed on Twitter that the upcoming "Thor: Ragnarok" is produced as a love-letter to Kirby's work. Not unlike last year's "Doctor Strange", that served as a clear tribute to Steve Ditko. Actress Evangeline Lilly also celebrated the occassion, by sharing the first official image of her character Hope van Dyne, wearing the updated Wasp suit from "Ant-Man and the Wasp".

About that last one... I totally DIG her hair-style, because Lilly always looks much better with a long hairdo instead of the one she had in the first "Ant-Man". The suit on the other hand? I'm a bit mixed. I don't know why. Perhaps because I was expecting more... yellow/gold in the color scheme? Then again, Peyton Reed and Marvel Studios might be going with Wasp's red-black scheme once again, because it's the one designed by Kirby. Especially with Janet van Dyne being in the movie (played by Michelle Pfeiffer), and the report that Michael Douglas' Hank Pym will be suiting up himself in the classic white-red costume.

The writers of "Spider-Man: Homecoming" are set to be back for the sequel! Chris McKenna and Erik Sommers are also involved in "Ant-Man and the Wasp", so there's a possibility they might end up becoming the next Markus-McFeely of the Marvel Cinematic Universe. Assuming all the stars are aligned, they will reunite with director Jon Watts (who was already in talks to return) to work on the first Marvel Studios after "Avengers 4" ends the current Phase 3. Here's hoping this team will keep deliver something better, without losing that irresistible youthful and innocent charm that the first movie exuded.

Marvel TV

When this post goes up, Marvel's "The Inhumans" should be arriving in IMAX theatres everywhere. Not sure if it will be available in my country, but it's surely a definite for the US region, because ABC will begin broadcasting the series on Friday, September 29th, 2017.

According to recent report, the response to its premiere was... much positive. In fact, it's a far cry to the supposed 'disaster' that occured at the Television Critics Association Panel. Is this surprising? Well... not quite. I mean, one man's trash can end up becoming another's treasure, right? So I predict that the overall review, when it officially hits, will be mixed at best. Remember, this is still Jeph Loeb's and Scott Buck's work. Each or both have ruined a show (or two, if we count that much-anticipated crossover that came out last month... or more if we put into account their past forays) before, so there's no assurance that they won't strike again. But I'm honestly glad to hear some people actually enjoying it. Hey, there's one for everyone, right?

As for me, as I said before, I personally won't be seeing this on the theatres. Based on the lackluster trailers and underwhelming clips released so far, I'll have to give it a hard pass. Beside, considering my current financial issue, wasting money for uncertain things can be considered 'suicide' anyway. I'll probably going to hold back on watching the series as well, until the reviews for all episodes are out. Thanks to my doozy experience with the recent Netflix 'crossover mini-series', I'm going to be extra cautious with Marvel TV now. Because really, spending 8 hours for a boring and/or disappointing show felt like a tremendous waste of time. Doing so isn't going to do me any good.

QUICK UPDATE: Embargo for the full reviews hasn't been lifted when I wrote and upped this essay into queue. Those reviews have been made available NOW on various sites, and well... turns out it's as BAD as many initially said. Since I'm too lazy to modify the entire category (although it's only 3 short paragraphs LOL), this note will do just fine as a follow up. My original writing sounded more 'positive' anyways. LOL.

Meanwhile, things are looking A LOT better for Marvel's "Runaways". It seems response for the first episodes was more than great. It is currently being praised as very faithful to the source material, despite its various 'tweaks' (for example, one character was a mutant in the comic, but the copyrights prevent that to exist in live action adaptation). Not that it should be a surprise anyway. When the writer of the comic is directly in charge as consultant, we know that at least things are going to be close to the comics. Might this be the Marvel show to wait for this year? Probably, but I digress. I'm still going to be approaching this one with extra caution. If recent Marvel TV shows are any indications, then we can't really expect it to be... evenly balanced. Some of them had okay to good run in the first half, only to falter into a massive dud in the later half. Yes, even "LEGION", and the 4th season of Marvel's "Agents of S.H.I.E.L.D.". They started out strong, but ended rather... disappointingly. Considering the same people behind them are also supervising this, said similar treatment can also apply to "Runaways"...

Netflix

It's already September, and I haven't finished Marvel's "The Defenders" yet. How come? The mini-series surprisingly BORED the hell out of me! A full review for it was meant to go up as my first post of September (yes, this R-N-D is its last minute replacement). That's the initial plan anyway, because I still haven't seen the last two episodes. Seriously though, when you've already lost any single urge to do it, there's nothing else you can do right?

Thanks to that, the internet had already spoiled me about what's going to happen to Simone Missick's Misty Knight. I don't even need to READ the whole article to figure out what will become of her... right hand. Yes, the headline already gave it away, and my minor knowledge of the character in the comics was more than enough to lead me to said conclusion. And then the image spreading on social media solidified it. Mind you, I still don't know how or what caused her to lose that body part. My quick and easy guess? Likely by Bakuto, considering up to episode 6, Misty had only spoken with one particular supporting character from the other series: Jessica Henwick's Colleen Wing. And it's also about her... KATANA, as if it's not obvious enough. Expect Misty to be armed with a prosthetic arm in the 3rd Season Marvel's "Luke Cage".

Yep, if you're like me, hoping for a "Heroes for Hire" show that includes the Daughters of Dragon... then we might as well swallow that wishful thinking. Why? It probably won't happen until the 2nd Season of Marvel's "Iron Fist" is out. Going by math alone, that means we have to wait another 26 episodes, and at least another two years. New season for "Luke Cage" will likely arrive in 2018, while the one for "Iron Fist" might probably land in 2019. Yeah, two years indeed. This is why you can't really expect much when it comes to Marvel TV... *sigh*

"Stranger Things" released a set of character posters for its 2nd Season. They cover the returning cast, as well as the new additions. What's interesting about these posters, is the strong nod to Steven Spielberg! And being a series set in the 80s, that folded-magazine style is also pretty neat. I hope this 2nd season will be as great as the 1st, and unlike most other Netflix shows.

One more thing! It's a rather old news, but worth bringing up. Netflix is currently collaborating with TOEI Animation, to remake the popular shounen-series "Saint Seiya". Titled "Knights of the Zodiac: Saint Seiya", the new series will be created in full CG style. If you're curious on how that might look, think of it like several parts of TOEI's "Precure Dream Star!" movie that was done completely in CG, or their recent "Sekaisuru KADO" series. The latter in particular, already has a character design that's looking VERY Saint Seiya-ish (could it be intended as the warm-up to this one, then? probably). First season will be 12 episodes of 30 minutes, and will cover the "Galaxy War" to the "Silver Saint" Arcs. Yoshiharu Ashino is directing the new series, Eugene Son is the story editor and head writer, Terumi Nishii will be handling the character design, while Takashi Okazaki is doing the armors.

This news is intriguing, because it can end up heading towards into two different territory: actually good, or downright Bad. The latest "Sailor Moon" reboot that immediately divide old and new fans, is a great example of said situation. "Saint Seiya" is among the beloved titles to those growing up in the late 80s, so you can imagine their negative reactions if this remake doesn't suit their taste. The series doesn't have a fixed release date for now, but I believe we can expect it to arrive on Spring 2018. My only hope is that it retains Shingo Araki's anime style compared to Masami Kurumada's manga ones, because it has been pretty much the 'signature' of the series for the fans.

Disney XD Series

I saw the one-hour premiere of the "DuckTales" reboot not long after it aired, and great goodness... I'm LOVING it. I used to have a minor issue with the voices of the nephews before, but that concern quickly faded away when the story started rolling. It's just so engaging and fun to watch! My only complaint, is that it takes too long for the next episodes to start airing. But we're now in September, so September 23rd is just around 20 days away. Shall we start counting down for more Scrooge McDuck's adventure, then? I wonder if Disney XD will debut the first episode of "Big Hero 6 the Series" in advance too? Hmmm....

Pocket Monsters

"Pokemon GO" has been greeted by Legendary Birds Articuno, Moltres, Zapdos, and Lugia last month. Starting yesterday, August 31st, 2017, Niantic has continued the streak with the Legendary Dogs Entei, Raikou, and Suicine. Unlike the Birds, these ones are going to show up as region-based for a particular duration. Entei will be in the Europe and Africa region, Raikou in the America, and Suicine in Asia-Pacific. They will then switch places on September 30th, 2017.

This is great news, right? NOT exactly. While I DID feel overjoyed when the Legendaries were first announced, what came next was nothing more than disappointments. The fact that Niantic is focusing too much on Raid Battles to debut these special Pokemon, had caused inconveniences to some (if not MANY) of its players. Sad to say, yours truly is included in this cluster.

Here's the deal. In order to capture ONE Legendary, it first needs to be defeated in a Raid Battle. Unlike normal Raids, it's a group effort that requires around 15-20 players to be on the spot at the same time, working together to take one down. So what happens when you're a player... living in an area, that does NOT have the privilege of having at least the minimum number of players? You can only bite your nails while grunting and sighing with disappointments, because there's really NOTHING you can do. I've lost count how many 'futile attempts' I've done, singlehandedly (seriously, because there's NOBODY around) trying to defeat one. I've now arrived to the point where I simply couldn't care less about any of them anymore. Which is sad, because I was sort of hoping "Pokemon GO" would be there to help me go through my current situation. I mean, when that role has been surprisingly taken over by a repetitive, kid-oriented game called "Magikarp, Jump!"... That's saying much, right?

Of course, this shouldn't be an issue if "Pokemon GO" is still enjoyable as a single-player experience. Players who can't capture a Legendary, could still focus on doing anything else. Problem is, there's NOTHING much to do beside that. Niantic is too focused on the multiplayer 'Team Gameplay' aspect of this game, that it neglects those who play individually (whether by choice, or who are simply forced by circumstances... like yours truly). The new 'Gym System' was nice, but lately I've noticed a concerning trend: the turnaround has gradually becoming very slow. Many Gyms in my area, have Pokemon with ZERO motivations. Worse, they are stranded there for days (I can personally attest to this, because mine are among them!). That means many players no longer visit the Gyms. To put it simply, this game is just not... FUN anymore for everyone. Only for the 'privileged'.

Niantic can actually fix this, by start releasing Generation III as soon as possible. Adding a horde of new Pokemon, even if not all of them (honestly, releasing 10 new species per month would be a fun options), will give these 'unfortunate players' a renewed 'purpose' to go out and play the game. Otherwise, it's really a dry boring-ish land. IMHO, Niantic could and should've tried another method with the Legendary Dogs by... I don't know... letting them in the wild, like what happened in the core "Pokemon Gold, Silver & Crystal" games. Then again, it's probably too much to ask for. I mean, Niantic doesn't even allow something as simple as having these Legendaries added as silhouettes to the Pokedex after encountering them. And that's the only thing I've been hoping for... *sigh*. For now, unless Niantic shakes things up big time, my days with the App is numbered. And I'm going to be just another entry to the long list of players who have already walked out due to disappointments...

One more thing for "Pokemon". A quick detour to the TV side! Kanto Gym Leaders and Satoshi's former travel companions Kasumi and Takeshi (or Misty and Brock in the US version)... are coming to Alola this month!!! Many fans are obviously pleased to hear this! After they have been unceremoniously snubbed in the 20th Anniversary movie "Eiga Pocket Monster, Kimi ni Kimeta!", they are set to show up in the series instead. Takeshi in particular, is the character I've been waiting for. After all, his VA Yuuji Ueda is still a crucial part in the series as the voice of Sonansu/Wobbuffet, so he could actually show up a lot more! This pair will be making their Alolan guest appearances on the September 14th and 21st episodes. Which got me thinking: How awesome will it be if Satoshi's other travel friends show up at the same time too, right?

Street Fighter

"Street Fighter V" has welcomed its 5th DLC character for Season 2. As speculated and rumored before, it's indeed Menat, the Eyes of the Future. She is also confirmed to be the apprentice of Rose, by the way. This makes her the first completely NEW character to the franchise, because Kolin, Ed, and Abigail have all showed up before in other games. Judging from her quick and... arguably pointless appearance in Ed's Story Mode, Menat has a fantastic Egyptian-themed design. The mummy queen alternate costume however? Yeeesh. You can check out her reveal trailer online, or you can just get her right away because she's already available since early this week.

Menat's arrival after Abigail, pretty much confirms the identity of the 6th and final DLC character: Guy's teacher, Zeku. His name was already leaked before by Event Hubs' Flowtron, and his report has been proven to be on point until now. So I guess all we need to wait is CAPCOM's official announcement, right? Seeing the release pattern (Ed on May 30th, Abigail on July 25th, Menat on August 29th), we can probably expect this last Season 2 character to arrive later this month, if not late October. So tell me, are you excited about Zeku?