#i’ll start now

[lvrhughes]

I was going to write then I got distracted

I’d love to go bungee jumping someone pls come with me🧍‍♀️

[tadpole-apocalypse]

I think I can share these now without my blog being nuked 😳

[illeestrations]

I honestly forgot my art blog existed!! Sorry lmaoo,, here’s Cygnet talking to Gray as compensation 🤝

I haven’t drawn a fem character in a while, especially one that wears skirts, so it was really fun doing this!!!

(shitty photo but it’s fiiiiiine)

[belmeran]

another older comic, she’s goin through it

[keferon]

…..SO. AHAHAHAHAH. I finished reading Mistakes on mistakes until (technically I finished chapter 68 which is the last one currently~)

What a ride OH MY fuckINg god

[endermagpieart]

What do you mean I’m a bit late for Janus’ big day? Of course not, how could you say such a thing! I definitely didn’t forget all about it in my absence and only get reminded in the incorrect quotes video live chat; that’s not like me at all ;]

Anyways I decided to dress our sassy snake in some different outfits I think he’d like. He seems like the type to get all dolled up on his birthday and it goes with Thomas posting pics in outfits inspired by the sides on their appreciation days!

@thatsthat24

[justanartistiguess]

Remember the whole BuzzFeed era?

Remember when everyone was leaving and made videos on it?

[wispscribbles]

❄️ Remember to bring blankets for your recon mission ❄️

[sqwdkllr]

Both fall under the all and no gender but they are too busy being weirdos to think about it for more than 2 seconds

They have the equivalent of sneaking out your bedroom window to go hang out with your friends that your mom doesn’t like

[stevebabey]

Eddie is beginning to wonder if he’ll ever reach a point where Steve couldn’t reduce him to this state.

This state being… transfixed. Eddie is sure he must look like a lovesick cartoon. In fact, if he could manage to drag his gaze away, he’d probably find red hearts circling around his head in a halo, popping like little bubbles.

But Eddie can’t move his eyes. Can’t even close his mouth either.

Steve’s talking to him too, which is most definitely worse — he’s totally missing every word. He can see Steve’s lips moving, pink plush lips wrapping around words but fuck, that was a total trap because now Eddie is just looking at his lips. He tries to refocus, to listen. His eyes just wander back to what he was staring back at the first place.

Was Steve like this all the time? Just a walking around looking so damn delectable?

Or is it Eddie, just a starved man who’s been living off stolen glances, for as long as he can remember? For once, he’s learning, he’s allowed to look.

And by God, is he looking.

Steve’s not even doing it on purpose either, which probably makes the whole thing funnier. Eddie knows what his boyfriend (boyfriend! he thinks giddily in his mind) looks like when he’s cleaned up to impress. He can spot the way Steve preens beneath Eddie’s lingering gaze.

This is not that. Today, Steve is just cleaning, a usual Sunday morning ritual.

He’s got some old sport shorts on and he’s clearly grown a bit since he first got them— unless Hawkins has always been giving out slutty little shorts to the basketball team (They haven’t. Eddie would know if they did.)

He’s wearing one of his wife-beater singlets too. It’s a little on the scrappy side though, considering it’s nearly see-through with how worn it is.

Honestly, in Eddie’s humble and gay opinion, it’s stupidly hot. The dark hair dusted across of Steve’s chest is visible beneath it, the shirt showing off the shape of his broad chest. Even better, his happy trail is visible and goddamn, if that doesn’t make Eddie happy, he doesn’t know what will.

But it’s not even that.

Quite frankly, Eddie’s rather embarrassed that he’s basically blue-screening because Steve is pulling out the cord out from the vacuum cleaner.

But… but he’s yanking it up towards his chest, slow and strong repetitive motions— that take enough effort to make his biceps bulge with every tug.

Eddie can’t stop watching. The cord must be several metres long and he’s not sure if he should be cursing it or thanking it for the view he gets; Steve’s tan arms flexing and rippling. Try as he might, Eddie can’t help imagining how they must look when Steve’s got his hand aroun—

“—hello? Are you even listening to me?”

Steve’s voice cuts into Eddie’s dangerously side-tracked thoughts and he pauses his tugging at the same time. It’s the thing that finally allows him to break his lustful stare at Steve’s arms. Oh God, he just got all hot and bothered over his boyfriend doing the vacuuming.

“Hello.” Eddie says back, because that was the first word to register in his brain. “I mean- yes. I’m—”

Eddie decides mid-sentence that he’s not getting away with the lie. He pivots. “Okay, no, I didn’t hear that. Would you please tell me what you just said, oh lovely sweet man of mine?”

Ever the butterer-upper, he was. Thank God it works on Steve. He rolls his eyes a little but there’s an adoring grin on his lips.

“Man of mine,” Steve mutters amusedly under his breath. He drops the vacuum cord on the carpeted floor and leans down the grab the handle of the vacuum. “You just kinda froze when you came in. I was asking if everything was okay? I’m just doing this room then I’ll be done, if you don’t like the noise.”

Eddie adores that Steve’s taken his silence as though he might be afraid of the vacuum cleaner or something. He nearly snorts aloud at how far from the truth it is.

“Uh huh.” Eddie nods, not bothering to correct him. He jerks a thumb behind him, pointing at nothing. “I’m just gonna…”

He spins on his heel and exits left stage, fast as he can while still looking normal (he’s unsuccessful, as he leaves a baffled Steve behind him.) As he enters into the kitchen and decides to fix them both a pot of coffee, Eddie lets himself giggle over the pure absurdity of what just happens.

It’s mortifying. It’s hilarious. He can never tell Steve.

Except, when Steve comes to find him in the kitchen and trades a kiss for some coffee, Eddie can’t help it. All he ever wants to do is make Steve laugh.

He decides it’s worth the embarrassment when Steve laughs so hard coffee comes out his nose.

Steve teasingly promises that he’ll to try be less distracting, then rescinds his words at Eddie’s abject reaction (“Don’t you dare.”) looking far too smug— in a delighted sort of way. Preening, in that way Eddie loves.

Their first kiss, as Eddie slides onto Steve’s lap and loops his arms over his shoulders, fingers dancing on those tasty arms, tastes a little bit like coffee. Their mugs grow cold, untouched.

Eddie doesn’t mind — he’s too busy finding out that the rest of their kisses taste like something between sunlight and Steve.

[returntosunder]

So wherever I’m ether doing a warmup drawing, having art block, or just wanna doodle somthin “no thoughts head empty”, I like to doodle ink, cause I love this lil goober and he’s easy to draw from memory. I don’t really like posting small doodles but I just filled this whole canvas yesterday and I’m trying to get used to showing off my non finished drawings. Hope ya like it

The colors don’t mean anything, I just use whatever is on my pallet at the moment

This is the full page

And this is just an additionally drawing that I don’t think if I’m gonna fully finish, but I liked how the pose looks and I didn’t want it to be left out :)

Ink belongs to Comyet

[gershel-draws]

Not historically a fanart kinda person but I’m broadening my horizons

[yourlocalabomination]

I am not immune to funny crackships.

+ Bonus

[kokoasci]

wip from like a week ago

[canine-economy]

On Swansea’s (often understated) role in Mouthwashing

I say this as a big swansea fan but I don’t rlly understand why ppl are acting like he’s not also complicit in what happened to Anya? AUs where “Anya tells Swansea” and he jumps to violently defend her don’t make sense to me because canonically she does tell him, as he admits to Jimmy. But swansea represents another way of interacting with the capitalist heteropatriarchy that ALSO harms victims: holistic jadedness and resignation.

Swansea is across the board unkind to the Tulpar crew. We can’t forget that he calls anya a “so-called nurse”

and says this to Jimmy, which (if unintentionally) reiterates Jimmy’s own warped perception of Anya’s usefulness and competence. This allows Jimmy to feel justified in his imagination of the nurse’s inferiority. Swansea’s clear lack of respect for Jimmy does less to hurt Jimmy than his lack of respect for Anya harms Anya, because at the end of the day, Swansea’s attitude is contextualized by the violent culture it exists in and he does nothing to reconcile with that when Jimmy becomes the captain. His resignation can thus be weaponized even by Jimmy, a man who Swansea disrespects but whose power he doesn’t try to meaningfully jeopardize, because his across-the-board disdain punches people already marginalized by the environment twice as hard as it does those with power.

Swansea doesn’t position himself as an ally, he positions himself as willfully uninvolved in everything, an observer to the shitshow ride to hell. Just because he dislikes Jimmy doesn’t mean he aligns with Anya. He makes it clear that he’s not on her side, either. After a life of doing what he felt was expected of him, Swansea on the Tulpar looks out for Swansea and Swansea’s comfort. In trying to situate himself outside of the politics of it all as an older white man, he simply allows them to play out. The toxic culture keeps existing, playing out in the microcosm that is this freighter, and Swansea in all his experience recognizes that shit has hit the fan and elects to coast through it, even explicitly numbing himself to it by breaking his sobriety. It is, of course, hard to force yourself to be sober—to see clearly. But had Swansea forced himself to get involved sooner, he might have set a precedent for Daisuke to recognize Jimmy’s abuse, which could have saved Daisuke’s life as well as created a safe space for Anya. But Swansea’s inaction forces both victims to confront an abuser on their own, unable to reap benefits from his privilege and experience.

Jimmy is clearly intimidated by swansea in a way he is not by Anya, Daisuke, or a post-crash Curly (Swansea, for example, physically manifests as an aggressor in Jimmy’s “responsibility sequences”, and Jimmy ties Swansea up to avoid what he sees as the real possibility of pushback that he doesn’t conceive of Anya being able to do). Swansea has a power he does not act on or with until it is far, far too late. In fact, he acknowledges in his final monologue that he was dissatisfied with the discomfort with opening his eyes and living an exemplary “good man”s life. The best days of his life are ones in which he’s belligerently drunk—days in which he didn’t have to hold himself accountable. He regrets the life he spent performing for higher-ups and we watch him reject it by scorning Captain Jimmy, but he also doesn’t want to be held responsible for helping other people when it’s their turn to endure the expectations and violence from similar (if not the same) higher powers. Tragically, he possesses the hindsight to recognize that how he acted on the Tulpar consequently wasn’t what Daisuke needed out of a role model, leading to Daisuke becoming a victim. His hands-off approach to emotional engagement with his young male intern (another symptom of patriarchal gender norms) may have been to avoid Daisuke turning out miserable and jaded like himself, but it doesn’t actually indicate to an already-confused Daisuke what the dangers of that attitude are. Swansea never admits his own shortcomings in a tangible way which, had they come from a man with experience and prestige like himself, may have shifted that culture that failed Anya. She comes to him with the story not because he has situated himself as any earnest friend, but likely out of desperation on a ship Jimmy now controls.

When we allow “the machine” (Swansea’s own words) to beat us down to the point that we don’t find it productive to challenge unjust power dynamics, we become complicit. I think too many people get hung up on his disdain for Jimmy and Jimmy’s fear of Swansea as a marker of allyship with Anya, but the truth is that Swansea. Is a bad ally. He’s hardly one at all. His long stint in the demanding capitalist environment molded a perfectly complicit result out of him, as it aspires to do, even if Swansea bitterly recognizes that. Jimmy’s overt violence from a position of power is a different and much more brutal approach to abuse enabled by people who have been left too tired and bitter to care that he does it. A man who could’ve intimidated and even threatened Jimmy is too resigned to try until there is literally nobody but himself left to fight for, which is an attitude carefully cultivated among the lower rungs of hierarchies to keep the top safe. Swansea in particular seems very unhappy with the capitalistic, patriarchal expectations laid out for him as a father, husband, and laborer. His decision to just stop trying and spare himself the grief instead of questioning why those expectations exist and how they would hurt the others onboard only delays him being directly targeted by Jimmy and doesn’t interrupt the latter’s violence.

Not a single man in mouthwashing is innocent in Anya’s victimhood. This is a statement tentatively uninclusive of Daisuke, because I think the game very deliberately positions him outside of manhood through his youth and thus struggling with the concept of “fitting in” to the patriarchy. Curly, Jimmy, and Swansea all represent different failures that ultimately perpetuate Anya’s suffering and force her to defend herself and finally take her life into her own hands. A holistic analysis of rape culture in MW necessarily engages with all three of them. Only not being a friend and ally to rapists and other male abusers isn’t enough, and Swansea proves it.

[catgrandpa]

Is there a newer version of Tim’s origin canon? I’m reading A Lonely Place of Dying rn and it seems so different than what I’ve seen in fandom.

Y’all led me to believe he tracked Dick down to Blüdhaven, said ‘pls sir, Batman needs you! 🥺’ and was promptly shoo’d away.

My mans broke into his apartment when he wasn’t there, went through his personal shit, stole a family photo, and tracked his ass to Haly’s Circus. He then took out a bad guy, and somehow convinced Dick to take him back to the manor where he scared the shit out of Alfred. And then he said ‘pls sir, Batman needs you! 🥺’

God he takes after Bruce so much, no respect for personal boundaries and was a manipulative little shit from the very beginning.