#i wrote a lot didn't I?

[artemx746]

May we have some directors commentary for the hecadora fic pls pls pls👀

well since you asked so nicely

(okay this got like a lil longer than expected so it's under the cut)

Eudora scoffed. “When have I ever—” She took another calming breath and returned to packing things away, she packed some things that definitely weren’t hers but neither of them were going to comment on it. 

There's 2 things I wanna comment in here: the first is Eudora is just casually committing theft we love her, the second is that I'm not 100 percent sure what Eudora's motivation behind this is, I'm torn between her being distracted and not remembering which things belong to her or Hecate because for a while that distinction hasn't really mattered to her or if she just wants something to remember the happy time by and not just all the terrible things that have happened

 She looked longingly at one of the toys they both knew Eudora had made for one of the kids before hiding it in her bag behind piles of clothes. “We were supposed to be partners.”

I'm letting past me explain my feelings on this

No but seriously I don't know what demon possessed me because I never usually get that sad about romance but this got me. And it's just the dynamic of them loving each other but Eudora is just a constant give and give and give and she never takes because she doesn't think of herself and what she wants and Hecate not knowing if she'll end up pushing Eudora away but she ends up doing so anyway ahjdfshjhlgdslfdfj. They make me ill

Hecate so desperately wanted to say that they still could be, that there was a future for them, that it hadn’t been ruined. But they had both been present for their argument, they had both heard the things said, they both knew both sides had meant it and they were both too prideful to take anything back. “Go on,” Eudora said. “Say what you’ve been wanting to say for the past hour, day, week since we both knew this wasn’t working. Say that I’m being completely irrational, that we can still fix this, that neither of us need to change. That you don’t need to be better because you are fine just the way you are.”

There's just something about Eudora echoing Hecate's thoughts that just scratches an itch in my brain, like yesss you know this person so well including while you're fighting so you end up using all that you know about them against them

Also, not including the fight was kinda intentional because I'm a big fan of seeing the result of things and being left to draw your own conclusions, the fight isn't hte imprtant thing, it's how much it messes them up. There's an edit of isat that does this really well. If I were to describe my idea, I think it would be like that final bridge of dogbird (when the bell rings/ my mouth waters/I'm a habit/that won't alter etc etc)

“Well,” Hecate watched her tie the string around the button on her bag, holding it closed, she picked it up and looked out the window, it was almost morning by now and Hecate was sure they were both having the same thought: that, on any normal day Eudora would’ve been sleeping in this very room, exhausted from how hard she was working and, up until two days ago, Hecate would’ve been right beside her. She walked over to Hecate and placed a hand on her shoulder, “I want you to be better, not for me, but for yourself, because I can see that this,” She gestured to all of Hecate, which felt just a little rude, “isn’t good for you. I wish there was a world where I could be there with you while you do but I… can’t stay here anymore. It’s better for the both of us, I think so anyways”

She walked to the door, “Congratulations on the new job.” was the last thing Hecate said to her. “Thank you, I hope you find something better too.” And Eudora closed the door behind her.

Confession: this is not hecadora propaganda, this is Eudora propaganda /j.

I wasn't joking when i say writing this made me fall in love with her. If Rick won't write her as anything other than a joke character, I will. In this scene she's not only trying to convince Hecate that her leaving is best, she's trying to convince herself. She knows that staying wouldn't be good for her but it is in her nature to help people, especially those she loves, and she wants so badly to be there but she can't. And you can tell she still does love Hecate and that's honestly the saddest part of it, they both love each other but they just couldn't stay together just because of the types of people they were not being good for each other and it's not either of their faults it's just how it turned out.

[inkskinned]

i got rickrolled today but it didn't work because i have adblocker installed, so youtube just told me i violated the terms of service. yesterday i was trying to edit a picture as a joke for my girlfriend, and google made me check a box to prove i'm human because i wasn't "searching normally".

it isn't just that capitalism is killing fun and whimsy, it is that any element of entertainment or joy is being fed upon by this mosquito body, one that will suck you dry at any vulnerability.

do you want to meet new friends in your city? download this app, visit our website, sign up for our email list. pay for this class on making a terrarium, on candlemaking, on cooking. it will be 90 dollars a session. you can go to group fitness, but only under our specific gym membership. solve the puzzle, sign up for our puzzle-of-the-month-club. what is a club if not just a paid opportunity - you are all paying for the same thing, which makes you a community.

but you're like me, i know it - you're careful, you try the library meetings and the stuff at the local school and all of that. the problem is that you kind of want really specific opportunities that used to exist. you are so grateful for libraries and the publicly-funded things: they are, however, an exception - and everything they have, they've fought tooth-and-nail to protect. you read a headline about how in many other states, libraries have virtually nothing left.

do you want to meet up with your friends afterwards? gift your friends the discord app. you can choose to go to a cafe (buy a coffee, at least), a bar (money, alcohol) or you can all stay in and catch a movie (streaming) or you can all stay in bed (rent. don't get me started) and scream (noise complaint. ticket at least).

you want to read a new book, but the book has to have 124 buzzwords from tiktok readers that are, like, weirdly horny. you can purchase this audiobook on audible! your podcast isn't on spotify, it's on its own server, pay for a different site. fuck, at least you're supporting artists you like. the art museum just raised their ticket price. once, they had a temporary exhibit that acknowledged that ~85% of their permanent art galleries were from cis white men, and that they had thousands of works by women (even famous women, like frida! georgia o'keefe!) just rotting in their basement. that exhibit lasted for 3 months and then they put everything away again.

walmart proudly supports this strip of land by the street! here are some flowers with wilting leaves. its employees have to pay out-of-pocket for their uniforms. my friend once got fined by the city because she organized a community pick-up of the riverfront, which was technically private property.

no, you cannot afford to take that dance class, neither can i. by the way - i'm a teacher. i'm absolutely not saying "educators shouldn't be paid fairly." i'm saying that when i taught classes, renting a studio went from 20 bucks an hour to 180 in the span of 6 months. no significant changes to the studio were made, except they now list the place as updated and friendly. the heat still doesn't work in the building. i have literally never seen the landlord who ignores my emails. recently they've been renting it out at night as an "unusual nightclub; a once-in-a-lifetime close-knit party." they spent some of those 180 dollars on LEDs and called it renovating. the high heels they invite in have been ruining the marley.

do you want to experience the old internet? do you want to play flash games or get back the temporary joy of club penguin? you can, you just need to pay for it. i have a weird, neurodivergent obsession with occasionally checking in to watch the downfall and NFT-ification of neopets. if i'm honest with you all - i never got into webkins, my family didn't have the money to buy me a pointless elephant. people forget that "being poor" can mean literally "if i buy you that toy, i can't afford rent."

you and i don't have time to make good food, and we don't have the budget for it. we are not gonna be able to host dinner parties, we're not made of money, kid. do you want some kind of 3rd space? a space that isn't home or work or school? you could try being online, but - what places actually exist for you? tiktok counts as social media because you see other people on it, not because they actually talk to you.

there was a local winter tradition of sledding down the hill at my school. kids would use pizza boxes and jackets and whatever worked, howling and laughing. back in september, they made a big announcement that this time, rules were changing, and everyone must pay 10 dollars to participate. when im not scared shitless, i kind of appreciate the environmental irony - it hasn't gone below 40. so much for snow & joyriding.

i saw a bulletin for a local dogwalking group and, nervous about making a good first impression, showed up early. the first guy there grimaced at me. "sorry," he said. "there's a 30-dollar buy-in fee." i thought he was joking. wait. for what? the group doesn't offer anything except friendship and people with whom to walk around the city.

he didn't know the answer. just shrugged at me. "you know," he said. "these days, everything costs money."

[lazylittledragon]

Hello I love your bg3 content and your Dorian is so lovely! Can we get like an alternative reality with Dorian and Ascended Astarion? What would your headcannon be for them? 🙇

something like this, probably

[flamingpudding]

Triple Identity Crisis

Danny had a problem. If it was a big one, he couldn't tell yet but he was partially sure Clockwork was at fault for this. Or at least he wanted to blame his ghostly godparent who most likely just wanted to cause some chaos for entertainment with the pretext of helping Danny. Which was a very likely reason for why Danny had a problem right now.

As it was the former Fenton now Fenton-Wayne boy was pacing his room in the Manor trying to think what is next step should be, because as it was his 'new' family –Did new still apply if he was living with them for a little more than a year now? – knew him under three different Identities now. And to top it all off they were not aware that the three identities were all pretty much connected as one.

For one. His family, knew him as Danny, the space obsessed kid, who became a meta because of his ectobiology science obsessed parents and his teenager recklessness. A kid that was actually a genius if you gave him enough time for school and could make you anything out of a ancients be damed toaster. That was the Danny they mainly knew. The Kid they took in, let in on the family business and then chose, to the happiness of Alfred and dismay of some of his 'new' siblings, normal life over vigilante life.

Then they knew Phantom. A dead ghost hero that was helping the Justice League and Young Justice to help them deal with the aftermath of the huge fallout caused by the GIW, Guys in White or rather Ghost Investigation Ward. And while Danny didn't know he had apparently worked with nearly his entire family and that time he knew it now. Which was awkward because he had pretty much pestered one of his elder brothers about his condition until Red Hood, aka Jason, let Phantom help him. Ancient, things might get awkward if that secret is lifted. He had done a lot of things Batman, Nightwing, Red Hood, Red Robin, Orphan and Robin had scowled him for. Thankfully they only thought of him as a dead teen hero and didn't know what a Halfa was. So they didn't make the connection, and he had yet to meet Signal, aka Duke as Phantom.

Now came the third identity, which totally did not happen by his choice. After all officially he hadn't accepted the throne yet and would only get it once he was dead dead not half dead. To bad ancient texts don't care about formalities. So when trouble hit the fan really hard the Justice League Dark had the bright Idea of getting some other worldly help. Which in other words was summoning the Ghost King. Oh boy, was it fun to learn that way that Danny could get summoned against his will. Clockwork did not give him that warning when he told him about the future of his afterlife. But best of all? Oh he doesn't get summoned as Phantom which would have made things maybe a bit easier, oh no. Life wasn't easy. He got someone's in some as a super weird black-green mass of a formless eltrich body with sharp teeth, claws and glowing green eyes with no pupils or irises. Hell Danny even scared himself when he saw his own reflection in a window and he didn't have a single idea how to change his form.

Let it be known that Danny acted then on purpose like he didn't know a single person in that room he had been summoned in right out of his bed and that he wasn't staring at his adoptive father like he needed help who interpreted his stare as the ghost king sizing him up. And Danny knows this because Dick had a good laugh about that at the dinner table with the rest of his siblings.

Now a smart person would probably come clean to his family and explain to them the three identities they knew him under and how they are connected.

To bad Danny wasn't 'smart' when it came to things like that. No in his panic and newfound awkwardness of the situation of what he had done on separate occasions with his identity as Phantom AND Ghost King, he decided to keep acting like he didn't knew them personally like the truely does. Really how hard could that be? Besides he liked the way his family treated him now. He didn't want to get treated differently because he was half dead, or a Ghost King. He liked that his family was treating him as plain old Danny who had an obsession with space and was their quirkily little brother with powers.

So that gave him even more incentive to keep the act up. Even if it was hard at times, especially if he got summoned out of nowhere. It would be easier if he could get a hang of the duplication power. He even had played with the thought of getting one of his ghost rogues to help but his family was perceptive. Maybe not perceptive enough to realise that all three identities were one and the same person but they would notice if Danny acted just slightly different or if Phantom was more of then usually. But somehow he still managed to keep it up.

But it was the hard way that he learned, Danny was bad at doing the 'talking' and realized that maybe Jazz was right and he was going to slip up one day causing huge misunderstandings like right now.

He stared down at Batman and Nightwing in his Ghost King form. Red Hood had his guns pulled on him, Wonder Woman and Superman looked like they where going to try to pull back Batman any second now while Nightwing, maybe at first was going to try to calm down the bat but Danny was pretty sure the eldest bat kid was now fiercely glaring at him too. He was also pretty sure the only reason he didn't see Red Robin or Robin threaten him too was because their super friends were somehow holding them back. For their own or his safety he doesn't know at the moment.

Because apparently the Bats did not fear fighting otherworldly beings to protect one of their own.

"What did you just say about Danny Fentons death?!" Batman grunted out and Danny just knew his adoptive father was glaring at him. Ancients Danny cursed his brain to mouth filter right now. As he had the collective hero scene before him staring at his Ghost King form. Would this be a good or bad moment to come completely clean or maybe he should find some kind of philosophical bullshit of 'All things death belong to him'....

[tempo-takoyaki]

Merry Christmas!! I hope you all have a wonderful day <3

EDIT: I accidentally posted this too early but know this illustration is referring to a previous comic if you'd like to read it ! [Christmas 2023]

[cheesenchalk]

thinking about that time somewhere in the early 70's George found an old letter of his from like '61 or something and pattie told him he should save it so he 'recreated' it and just for funsies threw in a line or two that wasn't in the original about how paul sucked at bass and john wanted to kick him out of the band. unparalleled haterism. you have to respect it

[annasofthe11thdimension]

Alright, so this is basically...an art dump for all the pics i drew when i was trying to draft the ending i wanted my Odile looping Au 'Like a Wheel Ever Turning' which...is not even SLIGHTLY how this fic is going to end now, but while figuring that out i still like draw all this and had to do SOMETHING with it.

So figured I'd post it and be like 'hey! fun Odile looping act 5 boss fight vibes not connected to anything else!' since like...that basic IS what they are at this point lol.

The one cool idea i loved that i think is now FIRMLY ditched is the act 5 boss fight starts when Odile uses wish craft to splinter herself into two halves.

The 'old/current' her that is meant to be her coldly logical side, and a younger 'copy' version, which is meant to be the childish irrational side...that is what's stopping her just shutting down the time loop because she can't figure out how to be happy with her friends leaving.

I mean, if you murder the part of you that WANTS the wish to come true, that's basically a 'get out of time loop free card' right? Right! Totally sound logic!

Yes the 'young' version of her firmly believes that she's real, and also also got memories going up to about age 21, and also that she ought to be in Ka Bue not HERE among these french weirdos.

Also yes again, a 'young' Odile is EXACTLY as unhinged about this as you'd expect a 21 year old to be upon finding out that apparently the 'real' her think murdering her is the correct solution to this problem!

The shift of the fight was meant to have the inverse 'colors' shift from one version to the other by the end, wrapping up with the point where the 'original' Odile is forced to have a heart to heart with the personification of her perceived 'worst' qualities.

Pretty sure the vibes for this ending was a lot more focused on the resolution of having deeply complex feeling about EXPRESSING emotion directly to other people. That along with a side helping of how isolating it is to be perceived as a 'real' adult such that you can't be weak enough to ask anyone for help. Because really if you can't even be that then why are you any different then when you were irritating mess of a youth?

Not saying any of that isn't still present in the story, but like...there is a LOT of other stuff going on, and those themes are now linked into many other ones too, and that's not even TOUCHING on how Loop's been...somewhat complicating my redrafting lol.

...Also I might have drawn/plotted this version before i knew about two-hats lol. THAT also is a factor.

Anyway! Still liked all of these enough to want to do SOMETHING with them, and figured this worked, so i could like map out my thoughts on them, even if i never got to write this.

[phonification]

ive been thinking about taco and balloon forming a little alliance post s1/ pre s2 where they'd (begrudgingly) work together planning on how to break into hotel OJ to steal stuff to take back to their makeshift camp like food, blankets, pillows, etc,,, anything that could be useful to them

[tackykachowch]

Idk if I'm gonna get jumped for this but....Iiii don't know if it's really appropriate to call Vander Jinx's dad. He definitely was her guardian, with huge uncle energy for sure, but dad? Like, dad is something really personal and requires a high level of closeness, and they didn't seem to share that bond. Out of all the kids Powder seemed to be the most removed from him and share very little traits/interests with him, and after growing up we don't see Jinx care about him at all. So, idk, to call him her dad seems more like a fanservice to me rather than what can be confirmed by the show.

He's defo her dad in the au, tho, because there he would spend a lot more time with her and because of Vi's death pay more attention to her, therefore tightening their bond.

UPD: I mean, Vander isn't even a part of her hallucinations. Now, you could argue that it's too traumatic for her even to remember him as is seen in season 1 ep9, but I think it's the opposite, actually. Knowing Silco he probably yapped about Vander all the time (and he literally does this in ep5), so Jinx definitely remembers him and thinks of him to some extent. But why then his hallucination appeared only once? Well, I think it only happened because Jinx was under extreme pressure already, plus she recently had a shimmer operation, which could've worsened her mental state, hence Vander appearing as a hallucination. Again, this is just how I see it, I may be wrong, but I do think this view of their relationship is rational enough.

[jimbodyson]

I went into these finale episodes thinking that I'd be so disappointed if they didn't do the Bard's Lament... but I'm not. Scanlan's story is so personal to me because I relate to him a lot. He feels very insecure, like his friends hate him and I feel that a lot, it's why he's my favourite.

I know we all love the Bard's Lament because it's amazing roleplay and a build up of finely hinted at small character details within the RP, but speaking as a person... If Scanlan feels the way he said, lashing out at his friends isn't how he deals with it. That's not a healthy thing to do, and isn't really fair on his friends either.

Scanlan feels similarly to how he does in the campaign. He says that now he finally feels like he matters (with Kaylie), and he says he likes himself better with her. This is what Campaign Scanlan felt as well, the difference is now he's not angry, humiliated in front of his daughter because he's covered in pudding, or only just came back from being dead. In other words, this is essentially just the Bard's Lament if he handled it healthily, and I love that. He's telling them how he feels without accusing them of hating him-- which is the better way of dealing with it.

On another note, I still feel like I can write this One-Shot about Scanlan, Kaylie and Marion. I'll just have to tweak a few things to line up, because ultimately, those feelings of insecurity aren't just going to go away now. Part of him feels like they hate him, but another part of him knows that they love him.

And, obviously, if you're disappointed then that's valid. But I don't think that this is objectively bad or anything. It's just different and that's okay.

And you know what the best part is? This might not even be the proper adaptation for it! Given that a season 4 has been greenlit, and in my opinion it's still clear that Scanlan has some insecurities regarding his friends, they could still pull it off at some point!

[project-sekai-facts]

Wait An/Kohane have outright stated romantic interest?

poor wording on my end bc they never actually say "an and kohane like each other romantically" but the evidence it very much there and it is clearly depicted and phrased in other ways. for example: the shoujo sparkle effect that is used for An from Kohane's POV.

This effect is often used on Haruka in Minori's imagination, which, well, let's just say it doesn't disprove that Kohane is attracted to An. While the effect is also used to show a character being cute or having a strong "idol" aura without any attraction attached, it's prettly clear the intent was to show Kohane's attraction. Also she was blushing.

Bonus points to the fact the wedding event has a underlying message (they say it on screen) about how marriage should be equal regardless of the genders of the couple [because gay marriage currently isn't legal in Japan].

There's also literally everything in Buddy Funny Spend Time. While almost all of the interactions in that event can be read as platonic if you really want to, they're written so you can interpret it as romantic if you choose to. And considering the featured pairs in this event were Minori/Haruka, An/Kohane, and (briefly) Shizuku/Airi, it's not like that reading isn't supported by the writers lol. There's one part where Minori and Kohane get jealous of how close Haruka and An are as childhood friends and aren't sure if they can amount to that, but they want to try. Doesn't necessarily have to be romantic but can be if you choose to read it as such.

When Kohane is visibly attracted to Haruka, An gets slightly jealous and says that her singing should be the only thing that makes Kohane react that way.

Haruka also points out that although An has always been super friendly she's never been like this with anyone until Kohane came into her life, and still keeps this behaviour Kohane-exclusive. An says it's because they're partners, which, kinda friendzones them, but kinda doesn't.

The word for partner used in the story - "aibou" - means, to put it in incredibly basic terms, coworkers. It's like the cowboy or detective word for partner, though I believe it comes up in shounen every so often (the genre vbs story is based on). In itself, aibou has no romantic connotation. But 3 of the partnerships we see in VBS' story have lots of interactions that easily read as having romantic undertones, so basically in the context of VBS story the nature of said partnerships becomes a little more ambiguous. The word is still platonic and that doesn't change, but you get the idea. Oh and VBS has recurring romantic soulmate imagery more on that later.

continuing on BFST, yeah they went on a date. which is strongly suggested to be a romantic date unlike how it's sometimes used platonically. like the other characters say An is "seeing someone", at least in the English translation, which is very much associated with romantic interest. Also the original Japanese for the "do you know who she's going out with" line uses the phrase デートの相手 which is the Japanese equivalent for the word "date" (as in a person/your date), so it's not really any different. they go on another one in Kick it up a notch and An's card story for the event. their relationship is never labelled or anything (probably bc this genre avoids that sorta thing for fan-related reasons) but this very much was a thing that happened.

(also when ken says partner he says aibou. so not partner /r but anyway it does clarify that this date is to do with their relationship on a different level to partners /p. ie: an's going on a date with kohane because she's cute not because she's her partner. language is fun)

Lastly back on that thing I said I'd come back to. The Walk on and on costumes have romantic soulmate symbolism included on them. The wings on the backs of the outfits are based on the mythical hiyoku bird, a one-winged bird that could only fly after meeting its other half. Kohane's costume has pink accents, one of the variants has accents in An's image color and the wings on the backs of those variants match up to each other. The card illstrations themselves also feature crows, which mate for life. While the symbolism is mostly associated with Toya, the Whip the Wimp Girl! cards take place in the same location as the woao cards which is pretty neat, and makes sense given the themes of both events. I've put both their gacha logos above as well. Oh and An's card for wtwg was. Something.

And Kohane got the valentine event this year and it was about her entering a contest to win limited edition chocolates for An I forgot about that until just now.

Have fun with that.

[tethys-the-aquatic-sea-godness]

Sarevok's situation with Rieltar and the Iron Throne

There's a lot of room for guessing the details of Sarevok's life in the Iron Throne, but you have the outline of his situation. It's not as good as one might expect for the son of a leader, and it's vital in shaping his character. Sarevok becomes who he is because of his past and current situation. He's a character with depth, nuances, ambitions and motivations, not a flat, cardboard villain planted on his throne in an underground sewer, waiting for the murder race of 1492 DR.

This got way too long, you've been warned.

Because Baldur's Gate 1 has been out for so long, you tend to forget that Sarevok being the greater mastermind of the evil plot is a twist in the story. From the prologue, you know about the 'ominous figure', but not who he is, and it falls in the background when you get into the iron crisis- a crisis that has nothing to do with Gorion's ward. Sarevok is the foster son of Rieltar Anchev, a leader within the Iron Throne. It's a criminal organization where Sarevok is a member, but not a leader. It should be a cushy position, but it isn't. Let's see why.

First, let's recall the setting of Sarevok being adopted by Rieltar:

Sarevok is a homeless, orphaned child. He describes himself as an 'urchin', meaning he likely resorted to stealing and other mischief to live on the streets.

Rieltar is a wealthy man, a 'higher-up' within the Iron Throne, a mercantile organization with shady practices, a gang of sorts, closer to bandits than merchants.

I don't think I need to spell out how dodgy the whole thing is.

How Sarevok gets adopted is left up to the player, but a few things are certain. Sarevok is part of a vulnerable population, while Rieltar is of the upper class. Sarevok has no person nor structure to turn to should he need help. As a child, he entirely depends on Rieltar. Hunger, thirst, housing, clothes, other material needs and various threats that comes with being a homeless child, all of this gets taken care of if Sarevok stays with Rieltar. It's priceless, and a child wouldn't think past no longer being cold or hungry. Sarevok is affiliated to the Iron Throne from a young age, when he couldn't decide otherwise.

Sarevok is not a leader. it's his foster father's, Rieltar, who is the leader of the western branch of the Iron Throne. The 'chief of operations'. He has two co-leaders with him, Brunos Costak and Thaldorn Tenhevich. Sarevok is the commander of their mercenary forces of the region, one of Rieltar's officer. Compared to Rieltar's own status, Sarevok's role is minor. There isn't as much nepotism going on as you might expect from a criminal organization passing off as a legitimate mercantile group.

The first time Sarevok is mentioned, he's a passing name in a letter found in the bandit camp, not a master mind- and that's how it was supposed to be.

Tazok, I have noticed that your shipments of iron have slowed of late. It is imperative that we receive another ton of ore. Step up your raids, and get a shipment to our base in Cloakwood within the next week. We need to stockpile as much ore as possible before our ultimatum is given. Also, Sarevok wants to know what has happened with the band of mercenaries. Have they been killed? You had better ensure that they have been, as Sarevok will not take kindly to any other news. Davaeorn

It's the first hint you get that he isn't like the rest of the Iron Throne. His own focus is more on the mercenaries disrupting the iron plot, more than the plot itself.

One interesting thing here:

"You had better ensure that they have been, as Sarevok will not take kindly to any other news."

-> Davaeorn is threatening Tazok with Sarevok, but Davaeorn himself isn't worried. Davaeorn could be nervous that Sarevok, son of the big boss, may cause him trouble if he doesn't get what he wants, but he isn't. No reason to think Sarevok is anything more than another Throne member.

After defeating Davaeorn, you find letters on him from Rieltar himself. In one, Sarevok's role and title are clearly stated:

"Davaeorn, Our plans go smoothly. Sarevok has arrived from our headquarters in Ordulin. He brings news from our superiors; they are pleased with our progress so far. I plan to place Sarevok as the commander of our mercenary forces in the region. He has already sent his subordinate, Tazok, to the Wood of Sharp Teeth to take command of the forces located there. Things go apace here in Baldur's Gate. We have placed our first agent among the ranks of the Seven Suns trading coster. Rieltar Flamerule, 1367"

It's not said in the letter that Sarevok is Rieltar's son. He is going to be named commander of the mercenary forces of the region. It's a new title, so I'd say his previous rank was equal or lower.

During your first stay in Baldur's Gate, you discover Sarevok is the foster son of Rieltar Anchev. Being the son of a wealthy man explains how Sarevok manages to get within the noble circles of the city for his popularity campaign, which I talked about in another post. Here's one interesting thing I got from this:

"From what I've heard, the new man with the Iron Throne, Sarevok, is an unmarried man."

-> He's considered new, however, the story happens in Mirthul (May) 1368, and from Sarevok's diary and another letter, you know he's been in Baldur's Gate in 1366, went back to Sembia at some point, then returned in Flamerule (July) 1367. That's two years on and off the Sword Coast and almost one full year on it, not to mention he's been in the Throne since an early age, but he's seen as new.

Sarevok's presence may not be public because he's working with the bandits, however, not knowing about Rieltar's son is common. Yeslick Orothiar is a companion who moved to Sembia where he met Rieltar. He pretended to befriend Yeslick, then tortured him to learn the location of the Cloackwood mines. Yeslick was in Sembia, and he doesn't mention Sarevok, or recognizes him when he comes to the party under a false name. So it's not just in Baldur's Gate, even back in Sembia, before Sarevok was commander, Rieltar doesn't mention his foster son— or the fact that he has one.

It can be explained by how Rieltar and other higher-up of the Throne see Sarevok, both his capacities and how far he can go. One telling example is during the Candlekeep chapter. Gorion's ward is going after Rieltar, the big bad at the time. You can go to Rieltar with the advice of 'Koveras', who tells you Rieltar is defenceless and this is the perfect time to kill him. He even gives you a nice ring to protect you. If you start digging through Koveras' dialogue, you might find something's odd with him and decide you don't want the ring. Joke's on you, it won't change a damn thing. Don't be too quick to laugh at Sarevok for only switching his name backward to change identity, it worked on Charname and their whole party (also worked on me when I was ten and had a pikachu face during the reveal).

Rieltar is a lot quicker to catch up than Charname though.

"Koveras! Who is Kove... of course. It seems I taught my son all too well. Well, my young pups, you've been set up to be used as dupes. Koveras does not want what's best for you, but rather what's best for him."

-> There's a brief moment of outrage before Rieltar realizes who Koveras is. The realization doesn't anger him more, it makes him calm down. He doesn't see Sarevok as a threat. It's unlikely he thinks Sarevok's plan goes beyond killing him, when it's in fact much more elaborate than that. Other Throne members straight out of Sembia underestimate how dangerous Sarevok is.

Here are a few more examples:

"She seemed surprised that Sarevok had taken control of this regional base. He is thought of as an upstart"

Kalessia: I have been sent from Sembia to determine why this branch of the Iron Throne has floundered [...]. Valdis (Charname): Why not ask Sarevok? He seems to be the one in control now. Kalessia: Sarevok? That upstart? Then the rumors I have heard are true. Our regional leaders here are dead and Sarevok has assumed their roles. Such arrogance! No doubt he has a hand in their demise, I'll wager. [..]"

-> The outrage these criminals feel toward Sarevok's, well, criminal actions against them will never not be funny to me. Kalessia calls Sarevok an 'upstart'. She doesn't sound any more worried than Rieltar was, she sounds pissed that he would dare to do this. Also, she thinks he participated in the demise of their leaders, not that he orchestrated the whole thing. As if he isn't capable of it. I will stress this again, but Sarevok is the foster son of a high-ranking member of the Throne with wealth and influence. Yet, they talk about him as if he's of low rank. Somehow, I don't think the Iron Throne is a progressive organization that thinks wealth and social status shouldn't determine an individual's worth.

Later, inside the Undercity, you come across more people working for the Iron Throne. You get the following dialogue from two dialogue paths.

"We've been sent to hunt down Sarevok. Seems as if he went crazy and started murdering all who got in his way, including Rieltar, and the Throne don't take too well to having their high-ups killed."

"He doesn't seem that skilled at making friends. I am Rahvin, in the employ of the Iron Throne. My companions and I have traveled from Sembia to learn what has been happening to our operation in Baldur's Gate."

They're off to kill Sarevok. Just like that. Like he's just another guy with a bounty on his head. The twist of BG 1 is not only realizing Sarevok is the true antagonist, it's realizing Sarevok is not just a brute working for the Throne, he's major threat to the Sword Coast and far from stupid. That's something characters who only know of Sarevok what is known in Sembia and have just arrived in Baldur's Gate don't realize. He has overthrown the entire leadership of the Iron Throne in the region, almost got the whole leadership of Baldur's Gate as well and they're simply going to 'hunt him down'. The way they talk about him is also telling:

"Seems as if he went crazy and started murdering all who got in his way"

-> He's talking about Sarevok as if he was a dog who went rabid, not someone who actively orchestrated the downfall of his employer.

"He doesn't seem that skilled at making friends."

-> Sarevok had the entire city eating out of his hand, he was about to be lawfully elected Grand Duke. Sarevok is skilled at making friends, when he needs them— and, when he has the right background to make the right friends. For example when he's known as the foster son of a wealthy business man without anyone knowing anything beyond that, like in Baldur's Gate. Something that's more complicated in Sembia, where people around him would already know he used to be a penniless urchin until Rieltar adopted him.

When you encounter characters working for Sarevok, rather than characters he works for, you get a different image of him, one that's closer to what you encounter in the game. There are two kinds, first, the zealots, those who already worship him as a new god.

"You have breached an inner circle, fool. There are no hired lackeys for you to bribe here [...]. We are servants of Sarevok and Sarevok alone, selected by hand to protect his destiny. [...] His will... be done!"

"So it has been decreed, so it shall be done. So orders Sarevok!"

-> Sarevok doesn't know how to make 'friends' in the strict sense of the term, but he knows how to be charismatic. He got servants to worship him before his actual godhood. These followers aren't part of the Throne. Sarevok independently recruited them to be his first faithful. Which is smart, considering gods in Forgotten Realms get stronger with more fervent and more numerous followers. Sarevok is planning ahead so he already has worshippers when he's a god.

If you played SoD (which is mid writing wise, but has good moments), you'll find that Sarevok's charisma struck again with other nondescripts fanatics.

"S. and I had a long talk last night. Everything he says make so much sense."

The other group of people are Sarevok's own underlings. These are mercenaries he recruited who are unaffiliated to the Iron Throne and only answer to him. You get interesting dialogue from Diarmid.

"Not a terribly original alias to be sure, but who is going to tell him that? Sarevok is quite used to getting his own way, and I gather subtlety is something that doesn't quite come naturally to him. He doesn't have the patience for it, though his mind is amazingly tactical. Certainly this made him perfect for organizing the Iron Throne's mercenary forces, though I doubt his superiors would say so now, what with his plot to have them killed. Such is the trouble with hiring highly motivated people. As underlings we can safely serve, but woe to those in a position he desires."

-> Is Diarmid scared of Sarevok? Yes. Does he respect him? Also yes, which increases the 'fear' part, I think.

Diarmid is a mercenary who's been working with Sarevok for weeks, maybe months. What he knows of Sarevok is surface level, but it doesn't match what other characters, who've been around Sarevok since Sembia know of him. Here are how different visions contradict each other:

"She [Kalessia] seemed surprised that Sarevok had taken control of this regional base." VS "[...] though his mind is amazingly tactical. Certainly this made him perfect for organizing the Iron Throne's mercenary forces [...]" / "Such is the trouble with hiring highly motivated people."

"Seems as if he went crazy and started murdering all who got in his way [...]" VS "[...] I doubt his superiors would say so now, what with his plot to have them killed." / "[...] woe to those in a position he desires."

Characters within the Throne are not supposed to know about Sarevok's plans, but they all react as if his behavior is an anomaly, they're blindsided. Yet, these plans match what Sarevok's mercenaries know of him: "have a tendency to only give information on a need-to-know basis"; "notoriously impatient"; "quite used to getting his own way"; "subtlety doesn't quite come naturally to him"; "his mind is amazingly tactical"; "highly motivated"; "woe to those in a position he desires"; "wouldn't sully his hands on those he didn't deem worthy of personally killing".

The Sembians's reaction is more understandable when you read the following letter, written by Sarevok to Rieltar. Sarevok's tone isn't what you would expect from him.

Father, I received your letter, and I can assure you that the mercenaries led by <Gorion's ward> will no longer trouble our operations. I have dealt with them personally. Before dying, they were most forthcoming in their revelations. It is as you had surmised: They were agents of the Zhentarim. I am also writing to tell you that I cannot attend the meeting at Candlekeep. Some problems have arisen with the Chill and the Blacktalons. They have had trouble working with each other, and I am needed there to smooth over any dissension. I am sorry that I will not be at your side. Sarevok

This letter reads like a dutiful son from start to finish. It's also a pack of lies from start to finish. Everything he says goes along Rieltar's own opinion, to placate him. The perfect son and officer, committed to his role. And it works, since Rieltar doesn't suspect Sarevok until he's told of 'Koveras'. You can assume the dutiful, uncompromising tone of the letter was the front Sarevok presented to Rieltar, and to other members of the Throne.

Reading Sarevok's diary, you see this is a front he has to present. Remember how Sarevok was named commander of the mercenary forces by Rieltar? Well, he wasn't even supposed to be part of his foster father's project.

"I have expressed interest to my 'father', and he has promised to include me within the operations along the Sword Coast. He mentioned Mother in our conversation: how I wasn't to be unfaithful to him as she had. He made it clear that I would suffer her fate if I was."

-> What a lovely father-son relationship. Anyways, if Rieltar had his way, Sarevok wouldn't have been commander, he would've left him in Sembia. Sarevok had to ask to be given a role. You'd expect the son a wealthy man to have a prime spot saved for him in his big project.

The next part of the excerpt is, in my opinion, the core to explaining the dissonance between what people from the Throne perceived of Sarevok, and what he's truly like. Rieltar threatens Sarevok, and that shows what this 'father-son' relationship really is about. For those who don't know, Sarevok's foster mother, who to this day doesn't have a canon name, was 'unfaithful' to Rieltar. It might be she cheated on him, but since it's never stated clearly, you could go with something else. Like trying and failing to kill her abusive husband, for example. As a punishment, Rieltar strangled her with a garotte in front of Sarevok when he was young.

Rieltar doesn't just threaten Sarevok, he reminds him of his place, which is the same as his mother. It's my guess that this is why he murdered her in front of Sarevok to begin with, so he would learn his place as a 'family member'. Someone Rieltar has complete authority over, including a right of life and death.

Sarevok brushes off the threats, but he does that as an adult and experienced fighter who is already planning to kill Rieltar and crush his operations. He wasn't always in that position. For the urchin Rieltar adopted, this threat wasn't 'weak' or 'hollow'.

This would explain why, despite being the 'foster son' of a wealthy and influential member, Sarevok is seen as an 'upstart' without a place in the upper ranks of the Throne. Because he is not his son to them, he is the urchin 'sponging off' Rieltar.

Another piece of the journal gives a little more information.

"The fool still insists on calling me his son, and for now I will let him. He assumes that I am loyal to him because he raised me."

-> Rieltar is confident in Sarevok's loyalty because he raised him. He provided for him and considers that should make Sarevok loyal no matter what. Even though Rieltar adopted Sarevok, their social classes are still very distinct. He's the one with the money and Sarevok should be grateful he spent some on him. 'Son' isn't an affectionate term (if the death threat above didn't make that clear), it's the reminder of what Sarevok 'owes' Rieltar. It would explain why Rieltar rarely mentions him. He has a debtor, not a son. When he discovers his plot to kill him, Rieltar says Sarevok wants 'what's best for him'. He knows why Sarevok wants out of this situation— he's the one who created it. Hence the threat. The devoted front is something Sarevok has to show, to ensure his own safety and the success of his plans.

Now I will go into a more 'grey' territory regarding a bunch of things that can't be checked with canon but are worth considering because of the situation:

First, does Sarevok have money? Rieltar does, yes. Sarevok works in the same group at a lower rank, he's both Rieltar's 'son' and his employee. As a commander, he likely has allotted money, but that's not his gold, that's for his job. Chances are he either doesn't get paid because he's working 'for the family' and that's another thing to be grateful for, or he does get money for his work, from Rieltar. Either way, Rieltar is the one who has control over Sarevok's finances. It's a good way to restrain him, and ensure his loyalty, since he won't get far without gold. Sarevok lived on the street before, he has ambitions, it's unlikely he's willing to rough it out again and be a homeless nobody. Rieltar surrounds himself with people he has control over. Like his co-leaders: Brunos is dumb, and Thaldorn is a coward. They defer to Rieltar, who likely has an easy time controlling both. Having Sarevok at an officer position allows Rieltar to keep a leash on him, which fits his pattern.

Second, Sarevok has two genuine relationships that we know of. One was with his foster mother, and the other with his lover, Tamoko. If he had any real connections while living in the streets, they'd have ended once he joined Rieltar's household. Growing up, he'd be surrounded by people from the Iron Throne. The lowest in ranks would be under Rieltar's authority, and those of higher rank would only see the urchin Rieltar pulled out of the gutter. It's likely there were few children his age or anyone he could trust and build a relationship with. His connections are to characters he works for, and those who work for him. He's isolated, he doesn't have allies. That's another way for Rieltar to restrain him. There's the uncertainty of what 'unfaithfulness' means to Rieltar. Does Sarevok having someone he cares about gets in the way of being the devoted son Rieltar wants? Would the threat he makes on Sarevok's life include anyone important to him? It's possible. It would make any relationship Sarevok could have a weakness, which would impact how he views them. I would imagine he'd fight any feelings he developed for Tamoko before giving in, and he wouldn't introduce her to the man who murdered his mother. Having any attachment in this situation becomes a drawback.

Third, could Sarevok leave the Iron Throne if he wanted? Criminal groups rarely offer retirement. He's been involved since Rieltar adopted him, he's been working with them for years, and likely knows the group's inner workings well. The Throne is a criminal organization that wants to keep a legitimate front. With everything Sarevok knows, it wouldn't be smart to let go of him. Unless it's off a cliff. He's probably not an isolated case either. Youth with nothing to their names and no better options are easy to recruit and make good underlings.

Recap and conclusion:

Sarevok was pulled from poverty at a young age by Rieltar, a wealthy man who's part of a criminal organization. Through the murder of his wife, he's shown that he gives himself total authority over his family, and will harshly punish any form of rebellion. Growing up with Rieltar, Sarevok was affiliated to the Iron Throne from a young age and became another member. All that time, he remained under Rieltar's thumb, acting the part of the loyal son, while not showing anything that might cause suspicion. It's no surprise Sarevok charmed the city of Baldur's Gate when he has been fronting his whole life for Rieltar and the Throne, downplaying his ambitions and capacities. He doesn't appear as the true antagonist until late in the game, when he turns on the Iron Throne. They're blindsided and unable to fight back, while Baldur's gate is ready to name him Grand Duke. It's a victory on every front. He outsmarts the entire Iron Throne, the leadership of Baldur's Gate, he has the city eating out of his hand, he believes he's on his way to become a god. He used the organization that used him, got revenge for his mother's murder, his years of abuse, and had the nobles at his feet. He failed the godhood part, but he beat odds stacked against him. The urchin from the streets of Sembia rose higher than anyone ever thought possible.

It's important because Sarevok's situation connects to a game's theme and to his misbeliefs. One of Baldur's Gate theme is that your choices matter more than your nature- which is the direct opposite of one of Sarevok's own misbelief. He is convinced his nature as Bhaalspawn predestines him for violence and destruction. The most telling example is in ToB during dialogue if you're trying to change Sarevok's alignment.

"And do you believe I have another choice?"

"After… after all you have been through? With the taint in your soul, you still believe this?"

If you reply positive, you wreck his world enough to make him speechless. And enough to trigger his alignment change. It's a deeply rooted belief, one that affects how he interacts with the world around him, and it's directly connected to his past. Sarevok is also convinced he needs the ability to dominate others, hence his quest for power.

"I… don't understand. What is the use of power if you do not carve out an empire for yourself?"

Sarevok grew up first in the streets, where he was prey to all manners of dangers. Then, he was in a brutal and callous household where his freedom and his life were conditioned by his obedience. It's not said how long he's been working for the Throne, but likely as soon as he could fight. Growing through this, violence would be an everyday part of Sarevok's world, and of himself. He views the world through that twisted lens, where the strong crushes the weak. Learning he's a spawn from a god of murder would cement that belief by giving meaning to that violence. Sarevok isn't a wealthy, privileged man greedy for more power, he's someone from an impoverished background who only views his relation to others and the world as either having others at your mercy, or being at the mercy of others. And he's been the one preyed on for a large chunk of his life. By seeking power, he ensures control not only over his own life, but over other people's life, because if he controls them, they can't control him.

Sarevok was shaped by his environment, which allowed him to survive, but also messed up his adult life. He has no genuine relationship, they're all transactional. Cythandria, who will brag about loyalty, is with him for wealth, power and sex. Sarevok knows that, he's with her for similar reasons. They're intimate, but their self-interest comes first. Winski Perorate is 'loyal' because he's getting his divine glory by proxy through Sarevok. They follow Sarevok because they get something out of him and he keeps them around for the same reasons. Tamoko is an anomaly in this, because Sarevok caught feelings. Feelings he wasn't equipped to handle because they couldn't fit with his mindset. That's the core tragedy of their relationship, it was doomed from the start, even without the game's events. Tamoko loves Sarevok without wanting anything from him but his company, and he cannot believe that. I made a post about them, and I do think he leaves her because the taint would push him to kill her if she stayed, but I also think it's easy for the taint to manipulate Sarevok, because he's predisposed to believing the worst. Being with Tamoko required effort, because it challenged Sarevok's mindset. Her betrayal confirmed it: he let someone get too close without check and got stabbed in the back.

While Tamoko didn't fully understand Sarevok, she's the on who sums up the situation best:

"You had Gorion to guide you did you not? Sarevok had no one. He draws his strength from his hatred, from the thought of rising above those he knows to be inferior."

In BG 1, Sarevok doesn't fail because he's weaker than Gorion's ward, he's more powerful when you face him, but he's holding on to misbeliefs that make him the puppet of the taint, whereas Charname is master of their own choices, harnessing the taint or rejecting its control. But there is nothing about Charname's nature that is superior to Sarevok and vice versa. The one thing that separates them is the past that shaped them.

Sarevok's story is tragic. He doesn't become a ruthless man because of his nature, but because he was young, alone and poor. Those around him exploited that. His situation gives nuance to his character, enough to make you feel for him. Even when he's only the antagonist, he has depth, and ToB further improves his writing, making a point to show his duality and his struggle to change, to uproot himself from the soil he grew up in. Sarevok never is a one-dimensionnal character, not as a villain, and not as a companion.

[lazylittledragon]

ok someone please correct me if i'm wrong but am i weird for thinking those 'audiobooks don't count as reading' posts are ableist as fuck????

[lunarharp]

love's shadow will surround - 6k T orufrey fic about a witch and a silverleaf

He's left the lights of his small house on, his tiny atelier, waiting - he likes to see the glint of it on the leaves, his light reach the tree here. Give him what he can. It's always a comfort.

But when his physical senses are dulled, it brings it all back like fog, the flashes of memory. Of that day, all of them around the twisted body. He cups a few straggling branches, letting the hurt filter through him, almost as if keen to. They called him the Witch of Light in those days, eulogise his work still - but that was his masterpiece.

[pinacoladamatata]

Our little idol thief!! We didn't get an act 2 camp "ketheric's dead" party where we got to act silly and dance so i'm taking matters into my own hands

[ranx0]

Steve's liked cars since before he knew. He's just always liked them. He stared at the fancy ones people from across town drove, and he liked to admire the one his dad kept the the garage.

Ten years ago Steve Randle met Sodapop Curtis. Sodapop was six going on seven, and Steve was seven. The former was a loud outspoken kid with an average home life. Two loving parents and two brothers to keep him company. The latter wasn't so lucky, his parents were going through an ugly divorce and they didn't bother to make sure he was okay during any of it.

Steve, like any other little boy, craved attention. He knew Sodapop got attention, he knew it almost as soon as he became friends with the boy. He could tell from his jokes, his smile, the way he talked like everyone was listening, and his confidence that he was a boy everyone always noticed. Maybe that's why Steve stuck by him, copying his confident nature in a way that came off as cocky. Copying his loud volume in a way that made him annoying to most.

Soda figured that Steve liked cars one day a few months after they had just met. Steve always had a small toy car from home stuffed in his backpack hidden away from his parents in case they decided he was in trouble for the day. He had it out during recess, which immediately caught Soda's eyes. It was old and beaten up, but he could tell it used to be a model of those fancy bright red cars that looked like they had a mustache in the front.

Soda plopped down next to the boy, watching him zoom the car back and forth on the grass, opening and shutting the door then walking his hands with his fingers away from the car. Soda was amazed, the car looked fancy. Much more than any toys that Soda had, his were all one solid piece of plastic but Steve's- Steve's had functioning doors, fancy seats, and if you had something small enough you could probably stick it in one of the seats.

But its paint was chipped, there were a few dents in it and one of the car doors wouldn't close correctly. He learned that after observing Steve try and shut it a few times after playing with it for a while. The car was well-loved and had clearly been through a lot.

"That's a cool car." Soda stated, then Steve looked at him.

"It's my only one." The little boy mumbled, tightening his grip on it. Soda didn't understand why, he wasn't going to take it away from him or anything.

"What is it?" The blonde asked with a genuine curiosity that Steve couldn't help but fumble at. He picked the car up from off the ground and sat crisscrossed on the grass. Soda waited patiently for his response.

"It's, uhm, a Ford Convertible," Steve played with the car in his hands, then looked up at Soda. "You could see some around town if you look hard enough."

"I think I have," Soda replied quickly, "They look real fancy."

Soda looked at Steve in awkward silence for a few more moments, and then Steve awkwardly held the car out for Soda to take. "Here," He mumbled, looking away from Soda as he gave him the toy. "You can play with it if you want."

Soda beamed, grabbing the car quickly and zooming it around the floor. Steve's hand almost followed after the car when Soda took it harshly, but he held it back when he saw the excited look on his face.

"Just be careful with it," Steve grumbled as he watched.

That day Soda forgot to give it back, it had just slipped his mind. Recess ended abruptly and everyone rushed inside to continue the school day.

When Steve got home that day he placed his bag down in his room, and later when his parents started fighting he retreated back to busy himself with his prized possession. He was scrounging through his bag trying to find it, and when he couldn't he almost started to cry.

He must have been making too much noise because then it alerted his dad. He doesn't know what necessarily ticked him off, the mess he made while throwing around everything in his bag or the crying from Steve. But his father gave him something reasonable to cry about after he found him.

The next day in school Steve's hands were balled up into fists, trying to distract himself from crying over something stupid again as he tried to confront his new friend. He'd told Soda how he must've accidentally taken the car home with him, and the other boy was extremely apologetic.

Despite how apologetic he was though, he didn't get that car back for a while. Soda kept forgetting. Steve would ask at least once a week, and Soda would always look so genuinely crushed every time he was reminded.

When he finally got the car back it was around December. He'd given the car to him in October.

Soda invited Steve to his house for the first time and was excited to introduce Steve as his best friend. Soda had claimed that if he'd just waited for his parents instead of getting on the bus like he usually did his parents would be happy to have him over.

They waited for Soda's parents outside the school, and when they pulled up they almost expected the little boy standing next to Sodapop. They introduced themselves as Mr. and Mrs. Curtis, and they seemed like sweet people. They had the same genuine smile as Soda did, and they always spoke gently. The complete opposite of his own.

“So, Steve, you and Soda just met this year, right?” His mother asked, and Steve nodded in response. He regrettably wasn’t paying much attention to the questions, just nodding along to whatever his parents had said.

He was focusing on the car that they had, what condition it was in, and how much it would be worth. He was way off, but that was only because he was seven and didn’t understand the concept of capitalism much. It was some type of Ford, but he personally thought his model was better.

When they pulled up in front of the house he noticed some stark contrasts from his own, although the house looked poor enough it had a well-taken-care lawn, its front door was open and its screen door was closed, and it had a nice paint job.

When he entered the house it had this warm aura to it, comforting and happy.

"Soda, why don't you go get Steve that surprise you had for him?" His mother urged, and then Soda bounced up and down excitedly. The younger boy ran off into a room, slamming the door. Steve flinched slightly at the loud noise, then turned to look at Mrs. Curtis quizzically.

He didn't get a response before Soda came barreling in holding something in each of his hands. He held them out to Steve, smiling at him excitedly. There he was holding Steve's old busted-up red Model Ford Convertible and a second one that Steve recognized as a dark blue Model 1947 Cadillac.

Steve could almost cry.

"They're both for you! I told Mama about how I kept forgettin' your car and felt real bad," He said shyly as Steve took the cars from his hands, "So she helped me get another as an apology!"

Steve looked up at Mrs. Curtis, he wasn't stupid, and he knew Soda couldn't buy one himself. Obviously, Mrs. Curtis had done this. He tried to hold back tears and mouthed a quick thank you.

So yeah, you could say Steve Randle liked cars. He liked them a lot, actually.