#i wrote a lot didn't I?

[artemx746]

May we have some directors commentary for the hecadora fic pls pls pls👀

well since you asked so nicely

(okay this got like a lil longer than expected so it's under the cut)

Eudora scoffed. “When have I ever—” She took another calming breath and returned to packing things away, she packed some things that definitely weren’t hers but neither of them were going to comment on it. 

There's 2 things I wanna comment in here: the first is Eudora is just casually committing theft we love her, the second is that I'm not 100 percent sure what Eudora's motivation behind this is, I'm torn between her being distracted and not remembering which things belong to her or Hecate because for a while that distinction hasn't really mattered to her or if she just wants something to remember the happy time by and not just all the terrible things that have happened

 She looked longingly at one of the toys they both knew Eudora had made for one of the kids before hiding it in her bag behind piles of clothes. “We were supposed to be partners.”

I'm letting past me explain my feelings on this

No but seriously I don't know what demon possessed me because I never usually get that sad about romance but this got me. And it's just the dynamic of them loving each other but Eudora is just a constant give and give and give and she never takes because she doesn't think of herself and what she wants and Hecate not knowing if she'll end up pushing Eudora away but she ends up doing so anyway ahjdfshjhlgdslfdfj. They make me ill

Hecate so desperately wanted to say that they still could be, that there was a future for them, that it hadn’t been ruined. But they had both been present for their argument, they had both heard the things said, they both knew both sides had meant it and they were both too prideful to take anything back. “Go on,” Eudora said. “Say what you’ve been wanting to say for the past hour, day, week since we both knew this wasn’t working. Say that I’m being completely irrational, that we can still fix this, that neither of us need to change. That you don’t need to be better because you are fine just the way you are.”

There's just something about Eudora echoing Hecate's thoughts that just scratches an itch in my brain, like yesss you know this person so well including while you're fighting so you end up using all that you know about them against them

Also, not including the fight was kinda intentional because I'm a big fan of seeing the result of things and being left to draw your own conclusions, the fight isn't hte imprtant thing, it's how much it messes them up. There's an edit of isat that does this really well. If I were to describe my idea, I think it would be like that final bridge of dogbird (when the bell rings/ my mouth waters/I'm a habit/that won't alter etc etc)

“Well,” Hecate watched her tie the string around the button on her bag, holding it closed, she picked it up and looked out the window, it was almost morning by now and Hecate was sure they were both having the same thought: that, on any normal day Eudora would’ve been sleeping in this very room, exhausted from how hard she was working and, up until two days ago, Hecate would’ve been right beside her. She walked over to Hecate and placed a hand on her shoulder, “I want you to be better, not for me, but for yourself, because I can see that this,” She gestured to all of Hecate, which felt just a little rude, “isn’t good for you. I wish there was a world where I could be there with you while you do but I… can’t stay here anymore. It’s better for the both of us, I think so anyways”

She walked to the door, “Congratulations on the new job.” was the last thing Hecate said to her. “Thank you, I hope you find something better too.” And Eudora closed the door behind her.

Confession: this is not hecadora propaganda, this is Eudora propaganda /j.

I wasn't joking when i say writing this made me fall in love with her. If Rick won't write her as anything other than a joke character, I will. In this scene she's not only trying to convince Hecate that her leaving is best, she's trying to convince herself. She knows that staying wouldn't be good for her but it is in her nature to help people, especially those she loves, and she wants so badly to be there but she can't. And you can tell she still does love Hecate and that's honestly the saddest part of it, they both love each other but they just couldn't stay together just because of the types of people they were not being good for each other and it's not either of their faults it's just how it turned out.

[inkskinned]

i got rickrolled today but it didn't work because i have adblocker installed, so youtube just told me i violated the terms of service. yesterday i was trying to edit a picture as a joke for my girlfriend, and google made me check a box to prove i'm human because i wasn't "searching normally".

it isn't just that capitalism is killing fun and whimsy, it is that any element of entertainment or joy is being fed upon by this mosquito body, one that will suck you dry at any vulnerability.

do you want to meet new friends in your city? download this app, visit our website, sign up for our email list. pay for this class on making a terrarium, on candlemaking, on cooking. it will be 90 dollars a session. you can go to group fitness, but only under our specific gym membership. solve the puzzle, sign up for our puzzle-of-the-month-club. what is a club if not just a paid opportunity - you are all paying for the same thing, which makes you a community.

but you're like me, i know it - you're careful, you try the library meetings and the stuff at the local school and all of that. the problem is that you kind of want really specific opportunities that used to exist. you are so grateful for libraries and the publicly-funded things: they are, however, an exception - and everything they have, they've fought tooth-and-nail to protect. you read a headline about how in many other states, libraries have virtually nothing left.

do you want to meet up with your friends afterwards? gift your friends the discord app. you can choose to go to a cafe (buy a coffee, at least), a bar (money, alcohol) or you can all stay in and catch a movie (streaming) or you can all stay in bed (rent. don't get me started) and scream (noise complaint. ticket at least).

you want to read a new book, but the book has to have 124 buzzwords from tiktok readers that are, like, weirdly horny. you can purchase this audiobook on audible! your podcast isn't on spotify, it's on its own server, pay for a different site. fuck, at least you're supporting artists you like. the art museum just raised their ticket price. once, they had a temporary exhibit that acknowledged that ~85% of their permanent art galleries were from cis white men, and that they had thousands of works by women (even famous women, like frida! georgia o'keefe!) just rotting in their basement. that exhibit lasted for 3 months and then they put everything away again.

walmart proudly supports this strip of land by the street! here are some flowers with wilting leaves. its employees have to pay out-of-pocket for their uniforms. my friend once got fined by the city because she organized a community pick-up of the riverfront, which was technically private property.

no, you cannot afford to take that dance class, neither can i. by the way - i'm a teacher. i'm absolutely not saying "educators shouldn't be paid fairly." i'm saying that when i taught classes, renting a studio went from 20 bucks an hour to 180 in the span of 6 months. no significant changes to the studio were made, except they now list the place as updated and friendly. the heat still doesn't work in the building. i have literally never seen the landlord who ignores my emails. recently they've been renting it out at night as an "unusual nightclub; a once-in-a-lifetime close-knit party." they spent some of those 180 dollars on LEDs and called it renovating. the high heels they invite in have been ruining the marley.

do you want to experience the old internet? do you want to play flash games or get back the temporary joy of club penguin? you can, you just need to pay for it. i have a weird, neurodivergent obsession with occasionally checking in to watch the downfall and NFT-ification of neopets. if i'm honest with you all - i never got into webkins, my family didn't have the money to buy me a pointless elephant. people forget that "being poor" can mean literally "if i buy you that toy, i can't afford rent."

you and i don't have time to make good food, and we don't have the budget for it. we are not gonna be able to host dinner parties, we're not made of money, kid. do you want some kind of 3rd space? a space that isn't home or work or school? you could try being online, but - what places actually exist for you? tiktok counts as social media because you see other people on it, not because they actually talk to you.

there was a local winter tradition of sledding down the hill at my school. kids would use pizza boxes and jackets and whatever worked, howling and laughing. back in september, they made a big announcement that this time, rules were changing, and everyone must pay 10 dollars to participate. when im not scared shitless, i kind of appreciate the environmental irony - it hasn't gone below 40. so much for snow & joyriding.

i saw a bulletin for a local dogwalking group and, nervous about making a good first impression, showed up early. the first guy there grimaced at me. "sorry," he said. "there's a 30-dollar buy-in fee." i thought he was joking. wait. for what? the group doesn't offer anything except friendship and people with whom to walk around the city.

he didn't know the answer. just shrugged at me. "you know," he said. "these days, everything costs money."

[lazylittledragon]

ok someone please correct me if i'm wrong but am i weird for thinking those 'audiobooks don't count as reading' posts are ableist as fuck????

[flamingpudding]

Triple Identity Crisis

Danny had a problem. If it was a big one, he couldn't tell yet but he was partially sure Clockwork was at fault for this. Or at least he wanted to blame his ghostly godparent who most likely just wanted to cause some chaos for entertainment with the pretext of helping Danny. Which was a very likely reason for why Danny had a problem right now.

As it was the former Fenton now Fenton-Wayne boy was pacing his room in the Manor trying to think what is next step should be, because as it was his 'new' family –Did new still apply if he was living with them for a little more than a year now? – knew him under three different Identities now. And to top it all off they were not aware that the three identities were all pretty much connected as one.

For one. His family, knew him as Danny, the space obsessed kid, who became a meta because of his ectobiology science obsessed parents and his teenager recklessness. A kid that was actually a genius if you gave him enough time for school and could make you anything out of a ancients be damed toaster. That was the Danny they mainly knew. The Kid they took in, let in on the family business and then chose, to the happiness of Alfred and dismay of some of his 'new' siblings, normal life over vigilante life.

Then they knew Phantom. A dead ghost hero that was helping the Justice League and Young Justice to help them deal with the aftermath of the huge fallout caused by the GIW, Guys in White or rather Ghost Investigation Ward. And while Danny didn't know he had apparently worked with nearly his entire family and that time he knew it now. Which was awkward because he had pretty much pestered one of his elder brothers about his condition until Red Hood, aka Jason, let Phantom help him. Ancient, things might get awkward if that secret is lifted. He had done a lot of things Batman, Nightwing, Red Hood, Red Robin, Orphan and Robin had scowled him for. Thankfully they only thought of him as a dead teen hero and didn't know what a Halfa was. So they didn't make the connection, and he had yet to meet Signal, aka Duke as Phantom.

Now came the third identity, which totally did not happen by his choice. After all officially he hadn't accepted the throne yet and would only get it once he was dead dead not half dead. To bad ancient texts don't care about formalities. So when trouble hit the fan really hard the Justice League Dark had the bright Idea of getting some other worldly help. Which in other words was summoning the Ghost King. Oh boy, was it fun to learn that way that Danny could get summoned against his will. Clockwork did not give him that warning when he told him about the future of his afterlife. But best of all? Oh he doesn't get summoned as Phantom which would have made things maybe a bit easier, oh no. Life wasn't easy. He got someone's in some as a super weird black-green mass of a formless eltrich body with sharp teeth, claws and glowing green eyes with no pupils or irises. Hell Danny even scared himself when he saw his own reflection in a window and he didn't have a single idea how to change his form.

Let it be known that Danny acted then on purpose like he didn't know a single person in that room he had been summoned in right out of his bed and that he wasn't staring at his adoptive father like he needed help who interpreted his stare as the ghost king sizing him up. And Danny knows this because Dick had a good laugh about that at the dinner table with the rest of his siblings.

Now a smart person would probably come clean to his family and explain to them the three identities they knew him under and how they are connected.

To bad Danny wasn't 'smart' when it came to things like that. No in his panic and newfound awkwardness of the situation of what he had done on separate occasions with his identity as Phantom AND Ghost King, he decided to keep acting like he didn't knew them personally like the truely does. Really how hard could that be? Besides he liked the way his family treated him now. He didn't want to get treated differently because he was half dead, or a Ghost King. He liked that his family was treating him as plain old Danny who had an obsession with space and was their quirkily little brother with powers.

So that gave him even more incentive to keep the act up. Even if it was hard at times, especially if he got summoned out of nowhere. It would be easier if he could get a hang of the duplication power. He even had played with the thought of getting one of his ghost rogues to help but his family was perceptive. Maybe not perceptive enough to realise that all three identities were one and the same person but they would notice if Danny acted just slightly different or if Phantom was more of then usually. But somehow he still managed to keep it up.

But it was the hard way that he learned, Danny was bad at doing the 'talking' and realized that maybe Jazz was right and he was going to slip up one day causing huge misunderstandings like right now.

He stared down at Batman and Nightwing in his Ghost King form. Red Hood had his guns pulled on him, Wonder Woman and Superman looked like they where going to try to pull back Batman any second now while Nightwing, maybe at first was going to try to calm down the bat but Danny was pretty sure the eldest bat kid was now fiercely glaring at him too. He was also pretty sure the only reason he didn't see Red Robin or Robin threaten him too was because their super friends were somehow holding them back. For their own or his safety he doesn't know at the moment.

Because apparently the Bats did not fear fighting otherworldly beings to protect one of their own.

"What did you just say about Danny Fentons death?!" Batman grunted out and Danny just knew his adoptive father was glaring at him. Ancients Danny cursed his brain to mouth filter right now. As he had the collective hero scene before him staring at his Ghost King form. Would this be a good or bad moment to come completely clean or maybe he should find some kind of philosophical bullshit of 'All things death belong to him'....

[phonification]

ive been thinking about taco and balloon forming a little alliance post s1/ pre s2 where they'd (begrudgingly) work together planning on how to break into hotel OJ to steal stuff to take back to their makeshift camp like food, blankets, pillows, etc,,, anything that could be useful to them

[jimbodyson]

I went into these finale episodes thinking that I'd be so disappointed if they didn't do the Bard's Lament... but I'm not. Scanlan's story is so personal to me because I relate to him a lot. He feels very insecure, like his friends hate him and I feel that a lot, it's why he's my favourite.

I know we all love the Bard's Lament because it's amazing roleplay and a build up of finely hinted at small character details within the RP, but speaking as a person... If Scanlan feels the way he said, lashing out at his friends isn't how he deals with it. That's not a healthy thing to do, and isn't really fair on his friends either.

Scanlan feels similarly to how he does in the campaign. He says that now he finally feels like he matters (with Kaylie), and he says he likes himself better with her. This is what Campaign Scanlan felt as well, the difference is now he's not angry, humiliated in front of his daughter because he's covered in pudding, or only just came back from being dead. In other words, this is essentially just the Bard's Lament if he handled it healthily, and I love that. He's telling them how he feels without accusing them of hating him-- which is the better way of dealing with it.

On another note, I still feel like I can write this One-Shot about Scanlan, Kaylie and Marion. I'll just have to tweak a few things to line up, because ultimately, those feelings of insecurity aren't just going to go away now. Part of him feels like they hate him, but another part of him knows that they love him.

And, obviously, if you're disappointed then that's valid. But I don't think that this is objectively bad or anything. It's just different and that's okay.

And you know what the best part is? This might not even be the proper adaptation for it! Given that a season 4 has been greenlit, and in my opinion it's still clear that Scanlan has some insecurities regarding his friends, they could still pull it off at some point!

[pinacoladamatata]

Our little idol thief!! We didn't get an act 2 camp "ketheric's dead" party where we got to act silly and dance so i'm taking matters into my own hands

[project-sekai-facts]

Wait An/Kohane have outright stated romantic interest?

poor wording on my end bc they never actually say "an and kohane like each other romantically" but the evidence it very much there and it is clearly depicted and phrased in other ways. for example: the shoujo sparkle effect that is used for An from Kohane's POV.

This effect is often used on Haruka in Minori's imagination, which, well, let's just say it doesn't disprove that Kohane is attracted to An. While the effect is also used to show a character being cute or having a strong "idol" aura without any attraction attached, it's prettly clear the intent was to show Kohane's attraction. Also she was blushing.

Bonus points to the fact the wedding event has a underlying message (they say it on screen) about how marriage should be equal regardless of the genders of the couple [because gay marriage currently isn't legal in Japan].

There's also literally everything in Buddy Funny Spend Time. While almost all of the interactions in that event can be read as platonic if you really want to, they're written so you can interpret it as romantic if you choose to. And considering the featured pairs in this event were Minori/Haruka, An/Kohane, and (briefly) Shizuku/Airi, it's not like that reading isn't supported by the writers lol. There's one part where Minori and Kohane get jealous of how close Haruka and An are as childhood friends and aren't sure if they can amount to that, but they want to try. Doesn't necessarily have to be romantic but can be if you choose to read it as such.

When Kohane is visibly attracted to Haruka, An gets slightly jealous and says that her singing should be the only thing that makes Kohane react that way.

Haruka also points out that although An has always been super friendly she's never been like this with anyone until Kohane came into her life, and still keeps this behaviour Kohane-exclusive. An says it's because they're partners, which, kinda friendzones them, but kinda doesn't.

The word for partner used in the story - "aibou" - means, to put it in incredibly basic terms, coworkers. It's like the cowboy or detective word for partner, though I believe it comes up in shounen every so often (the genre vbs story is based on). In itself, aibou has no romantic connotation. But 3 of the partnerships we see in VBS' story have lots of interactions that easily read as having romantic undertones, so basically in the context of VBS story the nature of said partnerships becomes a little more ambiguous. The word is still platonic and that doesn't change, but you get the idea. Oh and VBS has recurring romantic soulmate imagery more on that later.

continuing on BFST, yeah they went on a date. which is strongly suggested to be a romantic date unlike how it's sometimes used platonically. like the other characters say An is "seeing someone", at least in the English translation, which is very much associated with romantic interest. Also the original Japanese for the "do you know who she's going out with" line uses the phrase デートの相手 which is the Japanese equivalent for the word "date" (as in a person/your date), so it's not really any different. they go on another one in Kick it up a notch and An's card story for the event. their relationship is never labelled or anything (probably bc this genre avoids that sorta thing for fan-related reasons) but this very much was a thing that happened.

(also when ken says partner he says aibou. so not partner /r but anyway it does clarify that this date is to do with their relationship on a different level to partners /p. ie: an's going on a date with kohane because she's cute not because she's her partner. language is fun)

Lastly back on that thing I said I'd come back to. The Walk on and on costumes have romantic soulmate symbolism included on them. The wings on the backs of the outfits are based on the mythical hiyoku bird, a one-winged bird that could only fly after meeting its other half. Kohane's costume has pink accents, one of the variants has accents in An's image color and the wings on the backs of those variants match up to each other. The card illstrations themselves also feature crows, which mate for life. While the symbolism is mostly associated with Toya, the Whip the Wimp Girl! cards take place in the same location as the woao cards which is pretty neat, and makes sense given the themes of both events. I've put both their gacha logos above as well. Oh and An's card for wtwg was. Something.

And Kohane got the valentine event this year and it was about her entering a contest to win limited edition chocolates for An I forgot about that until just now.

Have fun with that.

[zevranunderstander]

number #1 tactic that people use to not sound as racist as they are when they talk to black people: 'uhh so you AMERICANS need to stop pretending everything is about YOU. why should i know this im not from the us :/' (= is talking about like. a phenomenally internationally well-known black artist)

[zazikels]

this game will literally tell you anything except acknowledge the thing that started morrigan's reputation. she's had more lovers than there are trees in the forest but she's NOT A HERO OF THE FIFTH BLIGHT OR ANYTHING.

[anghraine]

In addition to the I'm Guessing Tolkien Had Some Hang-Ups About Pregnancy post, I also ran over some interesting but even more unrelated factoids in The Nature of Middle-earth that even I couldn't justify including in the main ramble.

So I made a separate post about those, which includes my favorite:

Arwen would have been even more exhausting for Celebrían to bear than a pair of twins because: Arwen was a "special child" of great powers and beauty The beauty I got from LOTR, but—without being dismissive about the banner—I really wish we had a clearer sense of Arwen's unique stature in her own right in LOTR. She's presented so much in terms of Elrond and Lúthien and occasionally Galadriel and Celeborn, but Elladan and Elrohir are Elrond's children and Galadriel's grandchildren just as much as she is. Yet here she's clearly framed as special and powerful in a way they are not and which drew so much from Celebrían's (and possibly Elrond's) spiritual reserves that they couldn't have any more children. That seems like a big deal! Tell me more! Epilogue: he did not tell us more

[babyblueetbaemonster]

I think it's cool Manni embroidered his message on a zombie and sent it to us. (yes I was attacked by it but it's still cool)

[kohakhearts]

goh parentified child syndrome. go(h)

my time is here at last. thank you for enabling me <3 apologies for taking months to finish writing this giant post!

welcome to my dissertation on this fucking Dynamic <3

ok! first thing, let's establish our criteria for Parentified Child Syndrome. this is obviously not like, an actual diagnostic Thing, but there are a million and one articles out there for us to look through. so i did the tough work of scouring those to find some Symptoms we can use as anchor points here. a lot of this is split into "emotional" (parents seeking comfort from their children, rather than comforting them) vs. "material" (parents assigning their children responsibilities that are not age-appropriate (e.g. grocery shopping, paying bills, etc.)) needs, but for simplicity i'll just merge them together - because realistically, they often go hand-in-hand. so the primary symptoms we'll work with here will be:

disruptive childhood behaviours (particularly at school)

stress and anxiety

reluctance to participate in play/age-appropriate activities with their peers

difficulty acknowledging and accepting one's feelings

insecure attachment styles

need to feel "in control"

distrustful of others/self-reliant to a fault

absenteeism and poor performance in school

passive communication style

the other obvious prerequesite here is the family dynamic. so let's dissect that one a bit!

goh's family situation isn't actually like...100% clear. but i have analyzed every episode where his family is even mentioned like it's my full-time job and i have no reason to believe his grandmother actually lives with him. so in the scope of this essay, i am assuming that she lives nearby, and most likely has a key to the apartment, but does not live with them.

otherwise, we are given enough context to assume that camille and walker have been busy with work goh's entire life (though i'd choose to believe for my own sanity that in his infancy his mother at least wasn't working...though given the type of job she has, that's actually...kinda hard to say for sure). we can also assume that they've at least been self-employed for the majority of his life. it's clear that they are fairly well-established in the city/in their field by jn, and since goh is supposed to be 10 at this point, it makes sense to me that they've been building that company up pretty much his whole life.

in terms of the work they do, goh tells ash, my dad is a system engineer and my mom is a programmer. they run a company together. granted, we don't see very much of their actual workplace, but what we do see is completely void of other people. as in, camille and walker do all this work BY THEMSELVES.

nothing in the anime otherwise disputes this! if anything, goh's explanations of his parents' lifestyle just reinforces it. he also suggests that during periods of harsh weather and heavy system use, his parents are busier than usual. this implies that they are most busy during holidays. this is actually further implied by the flashback in jn015 where they explicitly say to him that they're sorry for having to work through the holiday. his reaction, being completely unengaged, not even really even acknowledging it, tells us that this is the norm.

however!! he also shows off a special device to horace in jn032 that he says his parents made specifically for him, to help him learn more about mew. this suggests that they must have some amount of free time to dedicate to him...but they show their love for him through material gifts related to their line of work (his computer set-up, too; he tells scorbunny that his parents set it all up for him).

otherwise, we see camille and walker privately share their concerns about goh (a clear awareness that he doesn't have many friends, concern about him being lonely because of them, etc.) but never actually confront goh with their concerns or appear to go out of their ways to do anything about it. i wrote a bit about this and the symbolism of having him catch a cubone of all pokemon in the episode we're introduced to his family here but the tl;dr is that camille and walker demonstrate care for goh to each other but not to him - presumably to compensate for their physical absence, we get the impression he's given a lot of freedom and little to no discipline.

which brings me to the first criterion:

disruptive childhood behaviours (with a side of absenteeism, which presumably contributes to poor performance in school)

goh's school life is obviously inconvienent to the plot progression, so for narrative purposes the writers have him just not go to school. in jn049 we get the explanation that goh had made a promise to their teacher to show up to school for tests...but the weird thing about this scene is that chloe's surprised by it:

since in jn001 and jn002 we see that chloe is goh's only point of contact amongst his schoolmates and that she hand delivers schoolwork to him at her dad's lab, the only way this exchange really makes sense to me is if it's a new arrangement. even the fact that goh makes a point of saying "hey, i followed through, go me" to their teacher here gives that vibe.

so, we can extrapolate from that that...prior to whenever this agreement was made, goh just didn't go to school because he didn't want to. but given how schools operate, we can pretty safely assume his parents are aware of this. and i have strong reason to believe that they have at least been on the receiving end of phone calls from teachers or administrators, because of these lines from jn015:

all things considered, this is a weird assumption to make, especially about your hyper-independent introverted child...unless there's a history of disruptive or unfriendly behaviour to inform that assumption. and based on goh's behaviour in jn001 at professor oak's pokemon camp, i don't think it's so out there to say the pattern probably was there.

goh is actually a super sweet kid towards his parents and has a clear admiration for them both. even in flashbacks, his whole thing is kind of like...he doesn't want to bother them. they fall asleep on family vacation and don't spend time with him? well, that's fine! he'll just find something else to do! in that same episode in the flashback sequence, they pick him up on the side of the road alone in the pouring rain and he doesn't say a word to them. even though he was angry and upset before.

so, yeah. i think it would make a lot of sense if he were well-behaved at home and not so much so at school. but camille and walker, even when they learn about things that happen, don't seem to probe or discipline him. whether because of any combination of giving him leeway out of guilt or of not wanting to encourage him to act out at home, we don't know. but the disconnect obviously exists.

which then contributes to

stress and anxiety, difficulty acknowleding and accepting one's feelings, and passive communication style

goh is socially awkward, yes, and clearly very anxious socially especially early on in jn, but a lot of that seems to come from an inability to express his wants and needs. i think jn003 has some of the most succinct examples of this - ash having to realize he's struggling and to reach down to him when they're climbing the tower in order for him to even accept that he can get (and needs) help getting up, and then later one when he stumbles over his words trying to ask ash to be his friend.

i think another good example is in jn007, after he gets knocked out at the flute cup. passive communication relies a lot on shifts in body language and in, well, passive statements. when ash approaches him to tell him to cheer up, goh doesn't actually really...respond to that. he does this

and then runs off. which he does fairly often, actually, even as late as jn135. it's emotional avoidance 101. literally just run away from the thing that's bothering you. something else we see in jn135 is him backing out of admitting he wants to go on a journey - because he is concerned about ash's reaction (though i think it's a little more complex than that, but i'll circle back to that).

and of course there's jn062, which i wrote a lot about in this post. but the whole thesis of the episode is that goh has learned through his relationships up to this point that it's okay to not understand your feelings but you still have to feel them. and it's actually a really beautiful character development moment for him, but also reinforces the fact that he still doesn't know how to grapple with his own emotions. after finally finding drizzile and explaining how he knew he would find it there, he starts to cry and doesn't know why. but even aside from feeling vulnerable, it's kind of a culmination of this stress he's been carrying with him throughout the whole episode...and the sense of responsibility he feels for driving drizzile away. which is a great segue into

insecure attachment styles and need to feel "in control"

if there's one thing i feel like people sleep on regarding goh's character, it's how much of a mother hen he is. he's obviously very thorough and thoughtful when it comes to looking after his pokemon - as in jn062 where he spends all that time chasing down drizzile after it runs away, even to the point of telling ash and chloe that they should stay behind because it's getting late but that he's going to keep looking - but he's the same way with ash.

off the top of my head, things like buying extra scones because he knew ash would want them, making ash wash his hands after eating ice cream, chastising him about punctuality, you know...very parental kind of things. he actually does it with horace too, when they first meet, by bringing a lunch for them both when he goes back to the forest to meet him again.

anyway, being a Mom Friend is cute and all, but it also REEKS of parentified child. taking on responsibilities that aren't yours to fulfill? yeah. that's a need to feel in control. it's what he's used to! it offers him security!

the other side of this is...chloe. goh's first friend, who he refuses to consider a friend, or let consider him a friend. but, like, she obviously IS his friend. and yet our introduction to them gives us this exchange

goh and chloe have a pretty tense relationship at the beginning of jn, wherein she is clearly trying to help him (by you know. getting his homework for him and shit) and he blows her off in a text message, which she complains is a repeating behaviour. chloe is obviously very loyal to him, even though he doesn't seem to repay the favour. again, there's a big disconnect here.

insecure attachments generally stem from anxiety over potential rejection and/or poor self-esteem cultivated in childhood based on parents’ emotional availability (or lack thereof) to their children. by keeping chloe an arm's distance away, goh keeps himself safe from the dangers of vulnerability, taught to him through childhood encounters with emotionally unavailable parents.

i'm not here to armchair diagnose (ok, who am i kidding, yeah i am), but i think goh's attachment style is anxious-avoidant. his clear avoidance of making friends, the multiple times we see him break off his friendship with ash only to minutes later be like "me and the bestie"...yeah, that's avoidance. but he does crave intimacy, arguably even more than he fears it.

hence why even though he knows ash would want him to journey on his own...he still convinces himself that actually telling ash that would be, as he calls it, a "betrayal of [their] friendship." my theory is that he's not concerned that ash will be upset - he's concerned that ash won't be upset enough. which is why when then ash turns it around on him and says he's going on a journey, goh gets upset and pushes him away. he does the exact same thing with horace when they're younger. just a complete 180 - he wronged me once, so he's the worst and i can't forgive him, ever.

the difference with chloe is that she actually takes care of him more than he takes care of her - which changes the dynamic from "i have to do everything to keep this person in my life, including suppressing my emotions for their sake" to "i cannot express to this person that i have needs and desires because they'll think i'm too much and they won't stick around if i do." which is primarily avoidant, but insecure attachment nonetheless.

this is extrapolation, but i think his relationship with chloe is so different because we are supposed to get the sense that they have a more familial dynamic. so, she's the one person he can't push away from him - but as he learned in his actual family dynamic, he also can't be too close to her. he doesn't want to be smothered; he doesn't want her to feel smothered by him. so they maintain a degree of separation that only begins to go away after her father begins literally housing and feeding him, thus integrating him and ash into their family in some honorary way.

which brings me to the last point, i guess, which is

reluctance to participate in age-appropriate activities with peers and self-reliant to a fault

these are, i think, the traits that jn is most blatantly attempting to better in goh throughout his arc. so i won't spend too long hashing it out, because i think these are things we all know he struggled with!

in flashbacks, we see him alone at school; during the first episode, at professor oak's camp, he is always physically distanced from the other kids and chloe even points out that he's basically doing professor oak's job at one point! he's not on the same level as the other kids and it's clear he doesn't want to be. when he meets horace, we see that it takes him some time to get comfortable enough with him to go explore the forest together and become friends.

he doesn't go to school, but that doesn't mean he isn't learning things - he becomes a very self-directed learner early on, from what he see. he's not just like...rotting in his room playing video games. he's studying and researching. the only times aside from with horace that we see him in a flashback doing something that isn't solitary is with pokemon - and even then, he's like...reciting their pokedex entries. his abra story at the end of jn is precipitated by him saying he was going through his dad's old pokedex (which is a whole other thing - this implies walker used to be a trainer, but neither of goh's parents seem to have pokemon...perhaps they're too busy with work to look after them? a theory for another time, i suppose, but it has undeniably being gnawing at my brain since that episode aired lol).

and of course, there's the fact that in jn062 he tells drizzile he was never comfortable with confiding in his parents or his grandmother...suggesting that he never confided in anyone, because we don't really get the sense from the whole "i don't NEED friends" exchange in jn001 that he considers chloe a reliable confidant, either.

the other place we see his flawed sense of self-reliance, aside from like...everywhere in the first 10 or so episodes, lol (something that is reflected pretty beautifully and symbolically in scorbunny's story, too!), is in project mew. he has to learn how to work in a team - and he clearly hates it. at this point he's found one person to rely on, but that already feels like too much. the raid battle with articuno is the most obvious example of this. he isn't good at being a leader, but he also isn't good at being a follower. because he's only ever been responsible for himself, and he doesn't trust anyone else to know how to direct him, but he also has no clue how to work within the parameters of a team.

i also want to say, as a final note, that i actually think this is all extremely intentional writing. obviously in the west we have a strong capitalism culture too, but the work culture in japan is very toxic (just google "japan work culture" and you can see right away how intense it is lol) and i'm not actually surprised at all that pokemon would make such a direct commentary on that - a lot of japanese kids could probably relate to goh and his emotionally absent, work-obsessed parents! they are clearly pretty well-off, but their dedication to work supercedes matters of home and family, because that's how it's supposed to be. as a result, goh admires them a lot for this dedication - but his arc is primarily about letting go of the "work" part of interacting with pokemon and learning how to have fun and make the most of his experiences. and i think that's a really lovely message for modern pokemon to be sending to kids :')

[lazylittledragon]

Hello I love your bg3 content and your Dorian is so lovely! Can we get like an alternative reality with Dorian and Ascended Astarion? What would your headcannon be for them? 🙇

something like this, probably

[lo-fi-charming]

so i've been keeping up with TMP as it's airing, which has been fun, it's actually really nice to experience this kind of story weekly since i came into TMA late and listened up to the s4 finale in like, a month or two. i've been enjoying the new characters and statements, and while i was worried i'd have trouble actively listening (my attention span/executive functioning can be really variable when it comes to podcasts), it's been surprisingly easy for me to actually listen to each new ep the day it drops publicly

all this to say im enjoying the show! but i've found myself feeling increasingly frustrated with a couple things i keep seeing when it comes to discussions of it

to me, it seems... there's been a pervasive reluctance to take TMP as what it is. and i do understand that. it'd be stupid to pretend TMP doesn't exist exclusively because of TMA and that show's success, that it's a successor that was pitched as being similar. it's a story being written by the same people (plus guests), in the same universe (roughly), going for about the same tone and maybe themes.

i just feel like it's a bit of a shame, though, that so many folks seem unwilling not to carry TMA with them when they're engaging with TMP

i don't know where or when it was said, but i swear there was a comment made by jonny and/or alex about how TMP will have some commonality with TMA in terms of world-building, but also, people who listened to TMA first may find themselves theorizing in the wrong direction because we're judging things based off what is no longer concrete, reliable information; things are going to work differently in the world of TMP, and since we have preconceived notions on what is relevant or how things work, that's going to influence how we engage with information presented in TMP if we let it. and that's not even considering the fact that they've been explicit in conveying the idea that TMP was written so you can experience it fully without having listened to any of TMA at all!

i'm very much someone who tries to engage with media on its own terms, largely taking things at face value until i'm given reason to suspect otherwise. that's something i'm trying my best to still do with TMP, even though obviously, i've also listened to TMA and am basing some of my thoughts and personal theories on what we know from that

but that's what i mean to say i guess, it's something you have to actively choose to do. and it feels like, just based on what i've been seeing in fandom spaces, that a lot of people are having a bit of an odd time with TMP because of a reluctance to do that?

i think the easiest way to explain what i mean is to point to a general acceptance, already on the level of fanon it seems, to interpret the computer voices as Our Jon and Martin (+ Jonah/Elias, maybe). now obviously we have the actual real world reason why their voices are present in TMP, because of course jonny and alex were going to come back as voices in the show in some way. and i 100% agree it's a perfectly logical conclusion to then interpret their inclusion as being related to Jon and Martin somehow. i'm personally very into the theory that it is in no way them - not in any way that matters - but specifically their voices that have been stolen (by the Web?) as a means to help spread fears in other realities. but that's really not how i've been seeing people play with the concept? it seems largely 1:1. and again, i totally understand where people are coming from with that - especially when you consider how it can be a super fun concept for horror and angst, or even just the fact that folks want an excuse to carry their favorite characters into this new show and still play around with them. i promise i don't mean to bring this up as a means of making anyone feel bad or like, chastised for interpreting things a certain way and playing in the space!

it's the biggest example of what i mean though, and was a huge point of frustration for me when we were first being presented with TMP. it's not just that i don't want the voices to be Jon and Martin proper (i am very into their Ambiguous End, i believe it's best to leave that as a space for fans to play in); in all honesty, i think it's kind of a shame and maybe even a bit boring (im sorry!) to be engaging with TMP this way

and it's not just stuff like that - i've been seeing a fair amount of people expressing frustration and feeling disappointed with how TMP is hitting, but i mean, i feel like that's inevitable when you're going into it expecting More TMA? i saw at least one person basically say "ive been waiting for it to make me feel the way TMA made me feel, and it hasn't yet", and i really just feel like that's setting yourself up to be dissatisfied! beyond the fact that we're only 5 episodes in and the story has barely gotten a chance to happen yet, a huge element of this new show is that it's being approached as a largely collaborative effort, it seems, with lots of guests coming in to help shape the story and more writing and plotting influence that isn't jonny

obviously it's fine to not be super into that! undoubtedly it's a question of taste. but you do have to acknowledge that that's the case and adjust your expectations accordingly, or else you're not going to have a great time

i really like TMA, i had a great time with it, but even if TMP is a sequel to its parent podcast, it's not the same thing - and personally, i don't want it to be! i do hope that's a sentiment that is able to be more widely felt by some fans as we gain more distance from TMA while TMP is airing. i just think more people would be able to enjoy it that way, and come up with more interesting theories and interpretations of things! but those are really just my own personal thoughts

[link7057]

SHARE YOUR HEADCANNONS ABOUT CHRISTINAAAAA 🫶🫶

First, I'm so sorry for the late answer months later 😭😭🙏 Please forgive me and second!! Actually I hadn't thought of many headcanons for her... yet... but she's one of my favorite characters so ofc I thought of some!! I might say silly ones or ones more about her personal life (and definitely not projecting some parts!) I love Christina Posabule 🙏♥️

Music wise I think Christina would like 60s music, rock, and/or synth-pop or idk genres are hard to actually get right nowadays. If it's specfic, "The Daughters of Eve" and Mitski would be part of her favorites fjjdbrbnd (then I think she'd like The Killers especially "When You Were Young" when she was in her teens :)) Speaking of Christina in her teens, she'd want to learn piano or some sort of instrument but her parents probably got annoyed by how much she played so she wouldn't have as many chances. She's definitely a bookworm or just loves reading and also writes in her freetime like little stories or poems. And when Block ended up staying with Orel's family, she was kind of the only one who missed him as her parents didn't really mind/express their emotions about it.

Andddd talking about her parents, they're both VERY controlling and kept watch on what she'd do, the polar opposite with Orel, which his parents didn't gaf where he was 💔💔 Especially Poppit, and I think with Christina's story it'd be a toxic mother-daughter relationship (mommy issues!) rather than her and her dad, and that Poppit rather likes taking charge but to be in "a woman's place" y'know sexism and even tells Art what to do but makes sure that he does what a "man has to." And she'd be veryyy persistent on Christina with how she presents herself and make sure that she was a nice church girl at all times. And Poppit would very much have breakdowns in front of her and vent to her about her own issues... yeah... And whenever Christina was getting yelled at or being told what to do the only thing she could do is not say anything back to not upset them. She was also grabbed a lot like by her wrists or something similar how they showed in the show. When she moved to Moralton, she was bummed out bc yeah she just moved to a new place where she knows no one. Then when she met Orel something about him intrigued her and she's like Oooh y'know what I like this place already... then BOOM! Having to move again :( Also I don't know if it's just me but she's probably homeschooled or she's just attending another school jfjfnntnf and about her past town she'd be doing so many shenanigans during the same time as Orel probably. Another silly thing she might be more confident than him like I think he'd be more shy when he got older fjjdjnfbfn

Also yes Christina was sadistic I had to say it bc... we remember Orel's masochist era... And same thing with her being emo/goth when Orel was and at least for a while when they were teens👍👍 It's canon bc I said so

About when she's an adult, once Orel and her got married and had their kids, she'd be really worried about repeating anything her own mother used to do to her (along with Orel who'd try to be the best dad to his kids and would ask Christina if he was doing a good job if he was too worried about becoming anything similar to Clay or just anything otherwise) and I'm not quite sure about if whether she kept contact with her parents but she probably would but obviously has a strained relationship with them along with Orel's parents... But she would give her own family all her love :D also she's definitely working in a type of job I forgot which one but something that helps people bc she's sweet like that <3 so yeah girlboss !!

I might've forgotten some things to mention or other things I had in mind for her but yeah!! Or it was badly/worded weird perdón. Thanks for reading 💕