#i wouldn't have ever answered

[milkywaystarboy]

🐉+🪄

🐉 A lot of figures in the Silm have weird Eldritch powers or possibly biology. Tell us about your headcanons for one.

i really enjoy the idea of the unbegotten havin some very distinct features that evolve to be more 'normal' or akin to human features by the time of the first n second ages. extremely long ears, eyes w no pupils (n/or irises), taller even than the usual great heights of elves of the later ages, etc. i also like to think about them adapting to their future environments/homelands to make the distinctions between the various groups more obvious. i also have quite a few hcs about maia w interesting biology, especially melian, sauron, n the blue wizards; i especially like to lean into uncanny valley levels of beauty for the annatar era

🪄 You can change how one (1) Big Event goes down in the Silm - either in favor of something in HoME or something you made up. What happens instead? Tell us the cool stuff!

gut instinct of course is to find some way to make the children of húrin not so tragic but also, of course, i enjoy the tragedy of it far too much to alter it at all. honestly this particular question is one of the more difficult for me bc i'm such a "as written" purist n i usually prefer to add to or extrapolate from what is written instead of straight up change it. there's exceptions to every rule but i can't think of one off the top of my head right now (disclaimer: it has been a while since i last fully read through the silmarillion so my memory of specifics is pretty hazy about everythin besides the children of húrin)

[canisalbus]

Hypothetically if. If they had a kiddo. A puppy. Does that hypothetical child have a design in your genius artist head anywhere

.

[necrotic-nephilim]

for the ask game

tim creates a clone of kon, but this is dicktim tim has to carry the fetus or breastfeed it, but dick suddenly gets a mommy kink and immediately falls in love

for the ask game!

DICKTIM MOMMY KINK. how did you know i have such a thing for just about any Batcest ship where the other person calls Tim mommy. i don't even know why i just think that shit is so fun.

it'd have to be Omegaverse for me, that's the only scenario i personally could write m-preg. i like the thought of no one knowing that Tim has gone on this crusade. and after 99 failures, Tim's so desperate and angry he tries in vitro fertilization. the first few times it doesn't work so he doesn't take it too seriously, at this point it's just a compulsion. he gets to a point he stops taking the pregnancy tests. so when about a month later, he's experiencing morning sickness and he's missed his heat, Tim has an 'oh, shit.' moment. and well. telling Dick first is his *natural* answer. (i think he'd also go to Steph, but in canon she'd be "dead" at this point) Tim doesn't know what to do, he didn't think he'd get this far. Dick is comforting and grounding, agreeing to help Tim hide this the best he can. Tim has to time it right, fake a bad injury so it makes sense he's benched and wearing baggy sweaters for a few months.

it's platonic at first. Dick is an alpha but his bond with Tim is more of a pack bond and he's just trying to help Tim through this awkward situation he got himself into. (and not laugh at him too much in the process bc well. only Tim. only Tim could manage this.) the pregnancy hormones have Tim all over the place. he's seeking comfort and Dick is trying to keep it platonic and professional, even when he's cuddling Tim or bringing him weird cravings at 2 am. the trust in Dick and Tim's bond makes Dick Tim's only real support system. (also just bc the Titans were a goddamn mess in this era) maybe at some point they tell Bruce the truth but Bruce is dealing with Jason so. bigger fish. it forces them closer as Dick is the only one who can help Tim with the awkward sides of pregnancy. Dick is basically living with Tim and because Tim can't satiate the itch to be in the field (he's tried sneaking out, it earned him a lecture from Dick and a warning that Dick would handcuff him to the radiator if Tim tried that again) so Tim runs comms. for anyone who asks, but mostly for Dick, to the point he's in Dick's ear even when Dick doesn't need the backup, just to keep each other company.

i think, as the pregnancy went on and Tim's chest started to fill out and his hips are bigger, that's when Dick's feeling shift. one second Tim is just his pack, the next Tim is suddenly a very pretty, very vulnerable omega that's Dick is protecting and his wires get all kinds of crossed about it. he starts dousing himself in scent blockers so Tim doesn't notice the change, can't smell how much Dick wants him. which makes Tim annoyed because Dick's scent has been a consistent calming factor keeping the worst of his hormones in check. it'd lead to an awkward fight where Dick is dancing around the truth and Tim just wants to bite him out of anger. finally, Dick admits it and. Tim kind of bluescreens bc sure he's had a crush on Dick for years, but it's sort of like your celebrity crush calling you up and asking for a date. it makes no sense and he can't wrap his head around it. he almost thinks Dick is making fun of him, because Tim is super self-conscious about the pregnancy and mortified he put himself in this situation. it takes a lot of reassurance and a long conversation, but. well, they do end up having sex.

Dick doesn't *mean* to call Tim mommy the first time. he knows Tim hates being emasculated as an omega, and knows Tim is vulnerable about being pregnant. their sex is gentle, no matter how much Tim insists he can take it because Dick doesn't want to hurt the baby, or Tim. it's when Tim finally huffs with annoyance and flips them over -reminding Dick that Tim is still trained and deadly, even like this- to take control and actually get the rough sex he needs right now, when it slips out. there's something just very pretty about Tim taking control and taking what he needs from Dick, but still being whiny and squirmy on top of him. so the first time Dick calls him mommy is an accident and they're *both* startled by just how much they like it. their sex life goes from soft and caring to *very* interesting overnight, where Dick doesn't hide how much he likes Tim's chest. and well. breastfeeding kink. for completely scientific reasons, of course. just to help the milk flow and make sure Tim's body is adjusting well. definitely not bc of the noises Tim makes when Dick does it no sir.

when Tim finally has the clone baby, they're both smitten with this tiny clone. i think they'd end up mating and either say it's Dick's baby or they adopted it. (the lie only works short term bc well, sooner or later that baby's going to start lifting trucks. not to mention Kon does come back to life and is perturbed by how much Tim's kid looks like him.) it's a very cute, fluffy happily ever after sort of deal, with plenty of mommy kink. i think Tim would be huffy and annoyed at how long he'd have to wait for sex bc in my mind, Tim uses sex as a stress relief and is very annoyed when he's deprived of it so, they'd find creative ways around it.

[worstloki]

Fortesa Latifi, We Were Young

[king-midas-fortnite]

✨Congratulations, Your Majesty!✨

You have made it through your youthful curse. The Prince will be sent home, and the King will return. Hopefully, you have learned something from this.

✨Welcome back, King Midas.✨

The Prince entered the King's office with a sudden push to the door. He was aggravated and just wanted to dig through his future self's affects to see if he could find anything useful towards sending him home.

However, he saw Valeria sitting at the desk when he opened the door, and his shoulders slumped. He was in no mood to have another back and forth with anyone, no matter how beautiful. However, again, she could be helpful. If he could manage to play this conversation right.

He closed the door behind him and stepped to the desk, taking off the crown from his head and setting it in front of her, "Valeria, I'd very much like to go home. The version of me you all think so highly of must have something that can help with that in this desk. So if you wouldn't mind letting me where you are, I'm going to look through it."

He didn't like the look she gave him, but just as Valeria went to speak, she and everything else seemed to freeze in place.

He then heard a voice coming from everywhere, expressing congratulations and a return to home.

"Oh, thank the Gods!" He shouted before there was a flash of light that came from his own body--

--When the Prince opened his eyes, he found himself staring into another set. One gold, and one white. They were his eyes, only...older. Tired, dark underneath, and obviously angry.

"You have made quite the mess for me to clean up." King Midas said to him.

The Prince blinked, taking in the dark tattoos wrapping around his neck and disappearing under his clothes, the scar cutting down from his forehead across his eye, and his hair. Longer than the statue, but still far too short. The Prince cleared his throat, "The company you keep should learn how to speak with royalty. Have you no respect for your own title--"

"Enough." Midas put a hand up to silence him, the Prince's eyes quickly scrutinizing the gold covering it, "You make a mockery of it, you have insulted people I care a great deal for, and have thoroughly embarrassed me. I am so very glad to have outgrown you."

They glared at each other a moment before the Prince, just as the King made a move to step, said, "Do you...do you have any advice for me? Before I go back?"

Midas paused, eyeing the other again before sighing, "No. You aren't going to remember any of this anyway."

"How could you possibly know that?"

"I just do, alright? I don't have the patience to explain, but whatever it was that put this curse on us...it would never be so kind as to give me the opportunity to fix my mistakes. No...you're going to go back with no memory of being here. Nothing I say to you now is going to matter."

"Then..." The Prince shifted where he stood, eyes locked onto the gold covering the other’s skin, "Say it anyway."

Midas looked at the young man with deep sorrow. Regret, guilt, anguish, all mixed together in his mind as two gold eyes stared hungrily at the precious metal covering him.

He reached forward, gilded hands gently taking the Prince's shoulders, "Be satisfied. Recognize that what you have...your life, your love, your future daughter, they are all enough. Please, please do not throw it all away for power or wealth. Appreciate everything."

He could see in the Prince's eyes a desire to pull back. He knew there must have been an intensity to his own gaze that would make the younger man uncomfortable. However, the Prince did not pull away. Instead, he swallowed hard, and he seemed to steel himself. He nodded somberly.

Midas did not want to let him go. Part of him thought, horrifyingly, that killing him would prevent every mistake he ever made. But, it would also prevent everything else. Every friendship, every love, every accomplishment and joy. Jules, Valeria, Tina, Marigold...all of it.

He slid his hands from the prince's shoulders, nodding himself. Both of them took the step to pass each other, both stepped towards the lights that would take them home.

King Midas stopped just before reaching his. Looking over his shoulder, he saw his younger self reach for the light, and disappear. He hadn't looked back. Of course not. Deciding not to look back, not to reflect...That was always his problem.

Not anymore.

The King turned to the light once more, and next found himself snapping open his eyes in his office. Valeria sat in front of him at his desk, his crown on its surface. He picked it up with hands covered in gold, and replaced it on his head.

“I’m back, φοίνικα μου.”

[marzipanandminutiae]

what the hell; my followers have lots of different jobs

does anybody know what happened to the costumes from Crimson Peak? like are they carefully preserved in storage somewhere? were they taken apart for the materials? I feel like they're too iconic for reuse in other movies, but you never know

(also does anyone know where any jewelry that might have been rented for the film came from and/or if it was Cynthia Finlay's where they got the tea set? because there are several pairs of sapphire earrings on her website that sort of match the ones Lucille wears in the Allerdale scenes and while I can't afford any of them, I'm still Curious)

[smile-files]

as a jew, seeing what all of these israeli leaders have said is sickening. as a jew, anti-palestinian rhetoric is sickening. as a jew, zionism is sickening.

how dare my people -- a people who've been massacred, ethnically cleansed, dehumanized, forcibly removed, and discriminated on religious grounds for their entire existence -- do the same to another people? how dare we turn our backs on them, when they suffer like we have?

i understand that so much of us have been fed zionist propaganda our entire lives; the same happened to me. i understand the desire for a homeland where we don't have to fear antisemitism at every turn; i want that too. but it doesn't take much thought to understand that a homeland for us, which actively oppresses and kills another people, is antithetical to what we want.

if you, as a member of an oppressed group, believe that your freedom and safety can only exist when you oppress another group, you are acting no better than the people who oppressed you. such a belief is horrible, and cynical, and wrong.

as a jew, i want jewish people to be happy and safe and connected to our heritage; as a jew, i also want other peoples to be happy and safe and connected to their heritage.

don't call the palestinians "amalek". you are turning us into amalek.

doesn't the torah tell us to have empathy for those beaten down by the world? doesn't the torah tell us to make the world a better place? doesn't the torah tell us to free people of their shackles and help them escape oppression?

i have so many israeli aunts and uncles and cousins; i fear for their safety. of course, my parents do as well. i'm worried that this fear, in addition to anything they were led to believe earlier in life, is placing my parents even deeper in the zionist camp. but it doesn't have to be this way! my relatives' safety does not rely on the continued oppression of gaza!

it is easy to be uninformed, to be swayed by propaganda, to blindly hope that israel was founded in good faith -- but we can't lie to ourselves. a world steeped in senseless hatred (which we are now promoting!) could never be a home for us. none of us are free, liberated, equal, until all of us are.

as a jew, to other jews, i implore that we stand with our palestinian siblings. i want us all to be happy and safe. i want us all to live in harmony -- in the holy land and around the world. that is what we all deserve. <3

[sergle]

what do you think is the hardest part of being an artist? personally I hate the process of "finishing" any piece. do you ever feel like a piece is truly done?

tbh... Finishing is such a weird one, I NEVER feel like a drawing is finished, only that I'm finished looking at it but I think the hardest part of being an artist (as a Trade) is that most of what you have to do, in order to be an artist, isn't art. So the organizing, the emails, the customer service, self promotion, order fulfillment, keeping a Schedule, things like that. None of that has anything to do with actually making stuff. and I think that's what's always the hardest for me. If I never had to manage my own presence, advertise, or figure out how to handle customer service / emails / organization in general, and my job was just to make things, I think "being an artist" is easy. If I could just draw, I think that would be the ideal. But 78% of being an artist actually has nothing to do with drawing.

[localguy2]

Zane... Ooooooooh boy...

I really really like the Wyldfyre shorts, they're a great way to explore Wyldfyre's grief without having to dedicate screentime from the main show.

At the same time, excuse me Wyldfyre, what did you just say he told you?

I am annoyed more so at the writers and not the character, tho his character is a close second.

The ONLY good thing about his character from Crystalized just got thrown out and into the garbage for... No reason?

And this isn't like, Wyldfyre being an unreliable narrator, because she's literally quoting him, even if it's in condensding manner, and you can't tell me Zane doesn't know the difference between Humans and Nindroids... Like- ugh...

I'm just upset, S1 of DR had his character pretty well I'd say, but S2 has just NOT BEEN IT in the slightest, they seen to be doubling down repeatedly on his robot self and not his human self, and I'm sorry but there's not even any comparison between the two when it comes to which one I like more...

Zane's whole thing was that he was a very very VERY human machine, a person even, and it seemed like he could function as a machine while still maintaining his humanity and personality.

Now, with what we've had since SotFS and now this line, it feels like that balance has completely gone out of whack, it feels like he's favouring his robot self over his human one, and there's nothing inherently wrong that.

Unless... You repeatedly literally don't do anything with his character and just keep building up on the fact that he's "Silly nice robot man :p", and especially when you use his 'Cardboard Cutout' character during the Wildbrain Era as a sort of justification for his current character state.

Mind you, that Cardboard Cutout didn't go through a single character arc up until Crystalized to justify making him feel so much more robotic, and it's hella infuriating when you remember they TRIED to give him an arc after SotFS (Tommy said that they previously wanted to have a Zane PTSD/Depression arc for Prime Empire that was scrapped).

If you can't tell, I'm not happy with his current currently in the slightest...

[somegrumpynerd]

Started reading The Bad Wingmen by @topazshadowwolf and @paddie-ut and it utterly possessed me for a few days so I needed to draw some of my favourite bits

[canisalbus]

im so glad that vasco whisked machete away from everything (in denial) and took him to florence where they lived happily ever after (im denial) and im glad alonso wasnt ever mean to anyone (in denail) and and and (explodes) (this is a joke but also i wanted to say i love ur work and ur ocs :).)

;v;

You know, every now and then I think about that potential alternate ending, a scenario where things come close to falling apart but somehow the final blow is avoided, very narrowly. And maybe the bad times have taken their toll, they've changed for worse irrepairably and have to learn to live with themselves now, but it's comforting to think that there could be some light at the end of the tunnel for them, some kind of karmic reward. That after years of living on survival mode they get some peace and succeed in buying a little bit more time for themselves.

I've grown sappy and as much as I veer towards and appreciate good tragedy, sometimes it simply feels earned when characters somehow manage to save themselves and each other from a hopeless situation right at the end, even if it's a little cliche and unrealistic. It's nice to daydream about that.

It's just hard to figure out how that aforementioned whisking away could be arranged though. They're pretty backed into a corner as far as I'm concerned.

[abyssalcitrus]

I asked my mom if I could stay home to work on her present and naturally she automatically starts saying I have weak faith and am in dangerous territory and basically I'm a godless heathen and this is exactly why I don't talk to her about my faith (or lack thereof, I guess)

[forcedhesitation]

I definitely do not have the time for a full essay's worth of commentary on the Casting of Frank Stone, but I definitely could give you that if I did. There is...a lot to take apart there. I am certainly...fascinated...by some of the writing & gameplay choices they made, to summarise my thoughts somewhat vaguely.

A few spoilery comments under the cut.

Like I said, I don't really have the time to offer extensive analysis (a full paper) of the game, but I do want to say a few things.

First and foremost: Do not purchase this game. In the words of Mr. Otzdarva himself: Go and watch someone play it instead. Your play through will be 95% the same as theirs. It is not worth your 50 dollars. If you still want it after you've viewed someone else's playthrough, that is your own right.

I honestly became annoyed with the writing much faster than Mr. Otzdarva did, and at first I thought it was because I was spoiled by BG3's infinitely better writing. But no, it's rather that he was being very patient. He finished with a rather negative opinion of the game, after thoroughly going through it to test just how much control you as the player really have.

I will be fair-- It is certainly a visually stunning game, as far as Supermassive titles go. Much better looking than The Devil in Me. The music is also incredible. And some of the voice acting was well done and added much needed life to otherwise bland characters.

But good grief is the writing utterly nonsensical!! Even if you respect the "a multiverse exists, so anything is possible" fact which is canon to Dead by Daylight itself, it still doesn't make any damned sense. I mean, is it ever explained why there is time travel involved? Or how it is even possible? Did they simply expect people to just assume that Augustine figured out time travel in a certain timeline? Does it have something to do with the Entity, since it can clearly traverse time? If so, why was Sam able to voluntarily time travel to Madi & elder Linda's timeline? Why and how the FUCK is Frank Stone first bound to the mill and then camera using what is clearly the same magic as the horologium, when we know the Entity has not yet been brought to that timeline??

And playing the "anything is possible" card would be fine to explain certain things, I will concede, but it really starts to feel meaningless when you realise just how many massive plot elements are never explained and that none of your choices really have any impact on the ending of the game. The story literally ends the same no matter what you do. And to be fair, I do not think it is a bad ending at all. Barring the corny "trial starting" sound that they jammed in at the last second, I thought the ending was one of the better parts of the game. It works great to make you feel hopeless, and like there is truly no escape from the Entity. I just feel that this format of a "your choices impact the outcome of the story" game was the incorrect format for the story they wanted to tell. Because it truly doesn't even matter if you get everyone killed, or you save everyone-- everything happens the same way and the world's fate is the same.

There are other things that bothered me, too. I thought having Frank Stone appear as this corny, glitchy spectral monster for most of the game was...a terrible choice, both design wise and writing wise. Now, I do not think killing him in the opening was necessarily a bad decision. I honestly thought it was a bold choice that functioned well to surprise the viewer and urge them to continue, so they might discover how the story plays out after the death of the titular character. But keeping him as this ghoulish creature, that honestly looked as though it were from some solo indie developer's first low budget horror game, was awful. He did not feel threatening whatsoever, just wildly out of place in a visual quality sense. I hate the final design much less, it is certainly much more threatening and much, much more gruesome, but it still does not make sense as to why he looks that way. The Entity still had not taken him, why did he appear as this inhuman monster before his entry into the Fog? They should have kept a more humanlike design until the very end of the game, when the Entity arrives. Then, a transformation sequence where the Entity mutates him should have been restricted to the ending where no one from the cast is seen in the Fog, so players at least get something different in that allegedly "unique" ending. After all, if a cast member does get taken, at least you get to see visions of what followed the 1980s storyline.

Also why did Augustine work alone when she is clearly part of the Black Vale? The excuse of "the cult didn't exist yet" doesn't work here, because she can time travel and is fully aware of the multiverse she exists in. Like... I thought elder Linda's mention of secret passages being for staff "so they are seen as little as possible" was foreshadowing for Augustine having fellow cultists aiding her, but it just went nowhere. Another thing that goes nowhere is the baby that Sam can save at the very beginning. Should the baby live or die has absolutely no impact whatsoever on the story, which feels like an enormous mistake to me. That baby should have grown up to be a character that the cast could have interacted with to gain...oh I don't know, some piece of important knowledge, or an item, that could then later change the fate of the cast. This way, the player's choices in the 1960s segment actually have an impact on later gameplay, rather than meaning absolutely nothing.

I'd also love to know why the hell elder Sam was sent alone to prevent this situation from occurring, when the Imperatti (I think they were called? The parents of the Pariahs, or something, right?) would have surely realised the gravity of this situation? Like, how does this make any sense? And this is far from the only moment that makes no sense at all.

Why do Jaime and Robert have almost no relevance whatsoever after the 1980s segment concludes? Robert is guaranteed survival of this segment, as that part of the game is written so that two characters always survive-- be that Linda and Robert, or Sam and Robert. As annoying as Stan was, I didn't hate him because he had great dialogue that pushed other characters to have different dialogue than what we were used to. But it felt scummy that Robert was just given this sad, offscreen death instead of being included in a lot more meaningful way.

Not going to lie, it reminded me of how in Stranger Things 4, Patrick was the one teenager whose trauma wasn't really explored or given the same respect as the others. It's like the writers went, "Guys, guys! It's okay! We still have the other Black guy! This makes our game Diverse, and therefore no one could possibly complain!" Meanwhile, we get an entire cutscene about Madi's nightmares, and elder Linda's movie career and associated trauma is talked about numerous times. But all we know about 2024 Robert is that Stan took advantage of him, and then he later died, utterly miserable. Also, Sam somehow knows about this and he and Stan know one another, despite this Sam being from a different timeline than elder Linda, Madi, and Stan himself.

And Jaime, poor sweet Jaime, he really just feels like he's there as someone they can conveniently kill to shock the player. The first chance he has to die results in a horrible, very graphic death (although not the most graphic in the game by a long shot) that I feel many players will encounter because they see it as reasonable to visit the curiosities shop first, and then to later attempt to save Chris (even though her fate is the same here, regardless of what you do). And even if you should keep Jaime alive through that first confrontation with the spectral Frank Stone, it's not as though his survival impacts following events. He can die again, when fleeing Frank with Bonnie and an injured Linda. Why they have Linda, who has a gaping hole in her shoulder, attempt to pull Jaime up the platform alone while HIS OLDER SISTER just WATCHES is beyond me. But writing his death, whether it be here, or earlier, to have no impact on Bonnie's fate, or any future events, is plain bad writing.

You cannot save Bonnie, no matter what you do. And this scene makes no sense. When Frank grabs Bonnie, Linda points the camera at him, which should work. There really isn't any reasonable explanation as to why this should not work, or should not even momentarily distract him (Which could have led to a different ending where Bonnie lives and Linda dies instead?), because in the storm drain, so much as yelling at Frank causes him to abandon whoever he's attacking to seek out the new target. I suppose, at the very least, 1980s Bonnie's death does serve some kind of purpose in the 2024 storyline, because it serves as foreshadowing for Madi's potential fate. But just like Robert, 2024 Bonnie is given a sad offscreen death and we never really learn about how she or Jaime survived that night at the mill.

And I will say, it just feels shitty from a player point of view, to make it so you cannot save certain characters. Like, I'm sorry, is that a canon event? Where is Mr. O'Hara? Because Madi must be a god-damned anomaly, being Bonnie's daughter!! And Chris- god- Chris who mysteriously travels through time...I really do hate this part of the story because understanding its purpose can only happen if you manage to get the secret ending where she goes through the projector screen and DOESN'T burn and die. Which would require you to not have taken the pocket mirror or given the "protective" amulet to her. This unlocks a secret ending where she goes back in time to the moment where she, Jaime, and Linda were inintially shooting in the mill, right before Sam interrupted them. I took this as the writers trying to show us that there would be one timeline in which Frank Stone is never released (not sure how he ever was in the first place, really), likely saving them from the Entity. But other than the player somehow luckily getting this ending, I really don't see the point of Chris' time travel, because she can also be sent immediately back in the horologium, which does nothing meaningful. And why does it have to be Chris? Why not write it so it could be her or Jaime, so that maybe the player's choice to have her and Jaime breakup or not actually has some kind of impact on the gameplay?

One of the worst things about the game though, and I cannot stress this enough, is how badly the references to DBD are integrated. I love a good reference-- it can serve to add a little playful flair to a moment, or even go so far as to have the viewer look at the piece from a different perspective they had not previously considered. Buuuut... this is only if the reference is done well. And, well, what this game does could hardly be described as tolerable, even. In was so heavy-handed, it felt almost as bad as product placement in a Michael Bay movie. Many of these "references" felt out of place to the degree that someone with no knowledge of DBD would be likely able to pick them out, because they heavily disrupt either the game's aesthetic or the gameplay itself! One generator was funny, and honestly expected, but THREE of those damn things? Clunky, corny, and honestly? Lazy.

Unfortunately, I feel those three adjectives describe how I feel about the game overall. I feel bad for the people who put hard work into making it, because there is potential there for something great. But it really felt as though they were pushed to release this game as quickly as possible, so BHVR could sell us a 50 dollar, five-to-six-hour advertisement for their next DLC chapter. Hard to think anything else, really, when completion of the game is followed by a a literal ad for it.

All I can say is-- I really hope we get 2024 Linda as a survivor. It seems more likely that it will be Madi, but it is possible we could have a two-survivor chapter (unless they specifically outlined in the roadmap that there are no upcoming 2-survivor chapters?).

Madi and 2024 Linda would be cool though. We have no older women as survivors, despite having more than one older man. I think it's about damn time. And I love the mother/daughter bond that can sort of develop between Madi and 2024 Linda in the game.

[crescentfool]

I noticed you're a Ryomina!!! How did you get into it? And do you have any good fanfics/doujinshi you can advice me to read? ANYTHING on Ryomina actually? I'm dying for anything about them!!! Thanks!!

yes!!! it's me!!! i'm ryomina fan (one of many)!!! thank you for visiting my askbox, i'll do my best to answer all of the questions because it always makes me happy to see that ryomina sparks joy for people! :D

...this got really long because i like linking to things, so i'm putting it under a read more (IM VERY NORMAL ABOUT THEM)

how did i get into it? i got into persona 3 around august 2021 through the movies- at the time my only experience with the persona series was with P5R / P5S / P5D. p3 was the one that interested me the most (i thought minato was very pretty + i caught wind that the themes of the game were very resonant with people). i picked the movies over the game because i'm a guy who plays games at a snails pace, haha.

admittedly, i did latch onto ryomina because of the scenes in the third and fourth movie (i have mentioned in the tags of this art i drew how much i felt like i was exploding and blasting off to the moon watching it).

but what really dug me into the ryomina hole (and what has kept me there) was thinking about how much ryoji encapsulates the themes of p3- and how interconnected his fate is with minato. i wrote some musings about their dynamic here, if you're interested!

tl;dr: what if we were both boys and we were mirror images of each other and i inherited your kindness and looks but god doomed our narrative even though we're soulmates

on ryomina fanworks recommendations:

regarding fics: i'm going to assume that you've probably read the fics that have the highest kudo ratings on them, so i won't really be listing those.

a personal favorite fic that i always hold close to my heart is Eurydice's Vow by crescentmoontea, which explores the idea of ryomina in p5r's third semester. this was the first fic i read about ryomina and it made me tear up lots...

i also think a lot about I Alone Await You by Nail_gun, literally scrumptious writing that captures the ryomina dynamic so so well. actually check out Nail_gun's other ryomina fics while you're at it too!

other fun fic i'm fond of: can't get my mind out of those memories (what were they?) by foxmulder_whereartthou. ryoji being homeless lives rent free in my head and it's all because of this fic. there's a bunch of other fun ryominas from the same author too (i still need to read them)

BkZa555 also has some fun AU scenarios if you're into that too, notably with Zagreus (P5-Setting, Ryoji focus) and The Definition of Insanity (TIME LOOP fuckery!), but they're currently ongoing.

these were some ones that came to my mind first- as i have the strongest recollection reading them. admittedly i haven't really been reading fic this year, so i don't have many recommendations from fic that came out this year. but if you're so inclined to let ryomina consume your soul, i definitely recommend giving the newer works in the ryomina tag a look-see and see if it strikes your fancy!

as a side note, i do have a few ryomina fics that i've bookmarked on my ao3 here, though i have to say that i'm not sure how well they hold up in terms of like... what i would seek out of a fic these days. but they made past me happy so i bookmarked them, LOL. it's kind of outdated (my collection of fic recs has my old username *disintegrates*).

regarding doujinshi: i have not read all the ryomina doujinshi available, but as a starting point, please take a look at this list from pandora-scans from livejournal!

notably, this is where you can find the strawberry-chan say good bye doujin- which features a small and cute comic from shuji sogabe (the p3/p4 manga artist), as well as other artists. the existence of this doujinshi is the funniest thing to me because it's like "HEY if you're wondering what the volume 8 cover is really gay it's because sogabe contributed to a ryomina doujin." this fact makes my head spin (positive). it explains a lot about the manga.

regarding persona side material:

i know you didn't ask for these but i thought that i mine as well list these too, since i feel that the side materials have some fun expansions on ryoji and minato's interactions. i haven't... watched/read all of these but, hey, i like to share these things!

for comic anthologies for the persona series (some of which have ryoji!). if you're interested in reading them, here's a scanlation index from maboroshi-no on tumblr. i don't think this is a comprehensive list, but i think it will be a great starting point!

for some translations of the persona 3 drama cds, check out imaginary-numbers on dreamwidth! ryoji and minato interactions can specifically be found in the persona 3 character drama cd vol. 1, and for the audio + english subs, you can watch this video on youtube:

and ohh the musical. ryoji singing and dancing gives me so much joy. i haven't watched the musical in it's entirety (only fragments), but here are some links that may be of interest to you:

Ao no Kakusei (The Blue Awakening), Sakuya version - playlist for the first p3 musical, translated by Phoenix Maiika.

Ao no Kakusei (The Blue Awakening), Kotone version - playlist for the femc version!! also translated by Phoenix Maiika on YouTube.

Persona 3: The Weird Masquerade (English Subtitles) - playlist by rumio!

P3 Weird Musical DVD & Soundtrack Booklet Scans by rumio_k - twitter thread that links to these funsies, if you don't have twitter, here's the publicly shared drive link.

god. these sure are a lot of links, huh? i hope you enjoy them- pick and choose whatever sounds most appealing! (if this overwhelmed you im sorry GKLHLDH i just like being very comprehensive in my answers about things so i got carried away).

and as a reminder, you (and anyone else reading) are always welcome to browse my tags/archive and reblog things from there anytime! i have... nearly 300 ryomina posts which, while mostly consists of art, has a few fics, meta, hcs, gifs, memes, and whatnot scattered about.

or browse the minato and ryoji tags too! there's.. nearly 1k minato. and 500 ish ryoji. and they're going to keep on growing because i can't stop being obsessed with archiving these things. god help me i am so deep in this hole called ryomina hell and now you're here too. welcome aboard!

there's always going to be a lot of fun ways to enjoy rotating ryomina around in one's brain, i think- they're a pairing with such fun symbolic imagery that is So Deep (to me) but ALSO they're immensely hilarious and weird guys (affectionate). so i love to share these things in hopes that it gives you joy too! they are the most couple ever (to me) (i'm biased)

thank you again for the ask! i hope it can satiate your need for more ryomina, and be a nice aide in exploring the p3 fanspace :)

[theladyfae]

i think human nature/family of blood is a really good two parter in how it manages to show how full of shit ten is 🫶

[thegreatyin]

who is the scoundrel? I see you posting about them(it? Idk) all the time but I haven’t figured out who they are

my fallen london OC! i made them by accident a few months ago and as you can tell ive very quickly developed scoundrel brainrot. it's a terminal illness for which there is no cure and the symptoms are instead of brain there is scoundrel.

in terms of actual character rundowns, their full moniker is The Bandaged Scoundrel, though i tend to call them "the scoundrel" for short. their real name is D█████, but they'd sooner die permanently than respond to or even acknowledge its existence.

they are! a bastard! a rat! a son of a b___! a motherf______! they are vain beyond your wildest imagination and they think they're the most infallible perfect being in all of existence and they have the exact attitude of a saturday morning power-hungry cartoon supervillain on cocaine.

and also, perhaps most importantly, they're Really Fucking Stupid. because of course they are.

they are resplendently awful. they are inevitably going to cause their own demise in an act of pure karmic retribution. they are a speck of dust in history that desperately keeps trying to insist they're actually a tornado. i love them dearly.

in loose conclusion while also acknowledging ive explained literally nothing; my goofy silly victorian london browser game player character that deserves to get timetraveled against their will to the 21st century specifically so they can get hit by a truck