#i would write it but i think i need a few days to process that movie

[http-tokki]

why do you wear that?- viktor

~viktor x fem!reader ~ tags/cw: fluff, established friendships, semi-canon (i think), talking about viktor's illness ~ wc: 1.1k ~ not proofread cause im lazy (i’m also trying to figure out how to write viktor so the dialogue might feel a little choppy)

“Why do you always wear that?” Viktor’s soft question floats through the lab, his voice quieter than you’d heard all day.

You don’t pull your gaze away from the notes before you, the red pen highlighting the mistakes you made from your previous experiment, and dear gods, there are many. Each equation had some sort of marking, whether in yours or Viktor’s messy scrawl. It is safe to say the experiment had not been successful, but it is still in the early stages and no one was injured so it can technically be counted as a sort of win.

“Wear what?” 

“That ring.” Within your peripherals, you see Viktor point a finger towards your left hand. “Even when you work you wear it.”

The thin metal ring on your middle finger seems to heat up under the scrutiny, branding itself into your skin so even if you were to quickly remove the jewellery, the evidence would be damning. 

“Oh.” you finally tear your eyes from the journal to find your partner staring at your hand, question simmering in golden eyes. 

“That is not an answer.” he tilts his head, eyes focusing on the metal you are now twisting out of habit. 

“I know it’s not an answer,” your reply is mumbled as you turn back towards the journal before you, eyes set downcast not in returned attention but in hopes your inquisitive partner would drop it. 

Silence fills the space for a few breaths before Viktor presses on. 

“Are you going to give me an answer?” 

The whine of wheels on stone pierces the room, the hex-core humming in response to the sudden noise. 

“Do I have to?” 

“No.” he hums, inching closer to you with squeaking wheels. “But I would like you to.” 

Air leaves your body in an annoyed sigh, and you click the lid back on your pen as you feel the warmth of his body slide up next to yours. Your heart begins to stutter, breathing an inch too shallow, skin prickling with anticipatory heat. This was a new reaction for you, something your brain has not been able to fully process since the first time you flinched back from Viktor’s touch as though he were a live wire. You know what it is, what is causing these symptoms but there is no time to sit and think of why and how and if. Those what-ifs that kept you awake night after night, mind racing and reeling until the only thing that could calm you down was the cold shock of a shower. 

“Hello?” A finger flicks the centre of your forehead, the thump stinging your skin. “What is wrong with you? Should I call Jayce?” 

You rub at your skin, feeling heat spread through your cheeks at the proximity between the two of you. Not a few feet between your chests, knees touching, fingers millimetres from another on the desk, Viktor’s face right there, so close you could see the barely there freckles that adorned his cheeks like stars on a moonless night. You could reach out and grab him, slide your hands over his jaw and press your mouth to his within a few seconds, within one breath you could kiss him and seal your fate. 

“Why’d you hit me?” you blurt out, brows furrowing as though pain radiated through your skull. 

“I flicked you.” Viktor rolls his eyes,  used to your dramatics and retracts his hand from the desk. “Answer my question.” 

“I was going to before you hit me.” you give your forehead a final rub with your fingers then extend your hand between the two of you, metal glowing in opalescent light. 

“If you are going to continue to stare into nothing, I will be calling the doctor down-”

“Okay! Gods, Vik. Why are you so-” You turn an accusatory glance at your partner. “Why do you need to know so much? Is it yours?” 

Viktor shrugs. “I don’t know, is it?” gesturing to the jewellery with a raise of his eyebrows. 

“Do you really not remember?” you try your hardest to hide the dejection in your voice as the corner of your lip twitches down once before you school your muscles back into neutral disinterest. 

“Do I remember… Are you trying to insinuate that I am losing my memory along with my ability to breathe? That my body is just a ball of degenerating cells-” Viktor begins a what seems like a half-assed attempt at the prepared speech he had given Heimerdinger earlier this week regarding his latest health scare. 

A groan leaves you as you drag your hands down your face, massaging your fingers into the pockets along your nose bridge. “Yes Viktor, that is exactly what I am suggesting since you can no longer remember that you are the one who made this for me when we were kids and I have worn this every single day for the past twenty-odd years.” the words stream from you as your patience snaps. “How you even remember my name is a miracle and I feel as though I should walk down to Heimerdinger’s office and have you taken off this project not because you're sick but because I might kill you if you keep asking me stupid questions.” 

Viktor glares at you, his mouth set in a hard line and you are filled with regret at your outburst. 

“Vik, I’m sorry. I didn’t-”

His stoic demeanour crumbles as a grin spreads across his cheeks, quiet laughter shaking his shoulders. “I cannot believe you are still wearing it.”

“Are you-”

“I had a feeling it was the ring I but it was so long ago that I’ve forgotten what it looked like.” he shrugs, leaning in for a closer look at the twisted metal. “It is a lot cruder than I remember. I was so proud of it but now that I am properly looking at it, it is not as well made as I remember.”

Viktor picks up your hand, twisting your palm around to inspect the ring from all angles.

“Did you seriously-“ you attempt once more to form a coherent sentence through your veil of disbelief.

“But I am touched to know that you’ve kept it this whole time, Kočička. It is very sweet.” Viktor smiles, teeth on display as he beams at the unencumbered display of affection you have towards him. 

Your heart squeezes slightly, only a little, at the nostalgic pet name. Little Cat. Something he has called you since your days as kids in the undercity and kept going well into adulthood (his few years as your senior giving him the right to call you little) 

“If it makes you feel better about being sentimental, I do still have the journal you gave me on our first day at the academy.” his fingers entwine with yours, the rough callouses of his palm brushing against your soft skin, as he settles your locked fingers into your lap. “I have not yet written in it but one day I will, when I find something worthy of such a gift.” 

--- a/n: eee my first kinda long viktor fic, im still very very new to the lol world and lore so please be nice cause I've only seen arcane and lol fans scare me

[dear-ao3]

by popular request: how to write an email

a disclaimer that this is the specific kind of email you send when people are absolutely smiting you and you know a phone call or an in person meeting is not possible/will not help. like youre 12 emails deep in an email chain and going in circles. youve been re routed to 13 offices 4 separate times. those kind of emails.

credentials: ive taken something like 13 semesters of college (dont ask) and every single semester have had to fight at least 3 offices for varying reasons in order to take classes. (including one time where i was shorted 5k in financial aid. i ended up getting 200 more dollars than i needed in the end) also my dad taught me everything he knows about emails (hes a tradesman turned corporate man and most of his job consists of telling people (nicely) that what theyre doing sucks and makes absolutely no sense)

Step 1: figure out who the email needs to go go

there is nothing wrong with emailing 11 million people if it gets the job done. if someone isnt helping you and you Know that they Should Be feel free to start to copy their boss on the email. copy your boss on an email. (or advisor or whoever). even if you think the person might only be like Vaguely helpful, sometimes people know people.

also theres nothing wrong with emailing the same email to several departments. sometimes you have to make a lot of noise to get something done (again. as like a last resort. dont email 11 million people right out of the gate)

Step 2: remember to be Polite

a very tempting step to ignore especially when you are 13 thousand emails deep in problems. but! if you are not nice to them! they will probably continue to smite you in the future! you want to make friends! not foes! so no matter how much people are smiting you, try to resist the urge to be an utter dipshit because it will not get the job done. vent to a friend or a coworker and send your polite and nice email

Step 3: articulate the problem Clearly.

a very important step. especially if you are adding more people to your email chain. dont assume they know your exact problem. they probably are dealing with other problems. articulate Clearly what is happening, no matter how long the email may be. its far better to get a long and detailed email rather than a non helpful short one. that will only prolong the process of how long it takes the problem to get solved.

Step 4: cite your reciepts.

wildly important. send your screenshots your attachments your whatever the fucking fuck youve got. its always good to have a paper trail. this is also where you would state any previously attempts to have the problem Sorted (ie i reached out to x person on x y and z days about x problem and it is still not resolved). you would not believe how many people dont scroll down in an email, especially a forwarded/replied one. so summarize whats Down There in your most recent email

Step 5: use the appropriate lingo

you dont have to be Overly Formal but there are a few good Buzz Sentences that usually get the job done. for example:

As Per My Last Email: a great line. emphasizes that youve already mentioned this. and this is not the first time youre mentioning this point. also emphasizes that the Thing has yet to be solved

See Attached/See Below: under utilized. again. people do not open attachments and they do not scroll down. almost had a friend once fail a class because a professor gas lit them in an email chain saying they didnt receive the final paper when the paper itself was attached earlier in the email chain. be Painfully Literal. it pays off.

Help Me To Understand: this is one of my dad's favorite lines. it really shows that you have no fucking idea what the person youre emailing is getting at and youre offering them the opportunity to spell out their nonsense for you. so that you can then be like. well. clearly This is where the miscommunication lies. its a great line. has saved my ass many times. because it is not accusing it is just offering someone to understand. it does not attack. it just is.

Step 6: give a polite sign off.

something along the lines of "thank you in advance for any help" or "i look forward to hearing from you" does the job. something that sends the message you are not pissed to shit at them even if you are.

Step 7: follow up and follow up often.

polite email response time is 48 business hours/2 business days. if it has been longer than that you have every right to email back and say hi x person just following up on this email, have you had the chance to review it yet? again. keep it polite. you actually want them to help you. and if they still dont respond well then maybe its time to loop in a boss or a supervisor or whoever the hell else. dont be afraid to go above them if you need to. nothing wrong with getting shit done when it needs to get done.

and really, if all that fails, as my dad says, a little office bribe in the form of cookies has never hurt anyone :)

so an email. should be formatted something like this:

Greetings/Good Morning (Afternoon) (Person)

I hope this email finds you well (or something similar for a greeting). I am reaching out regarding X incident/problem/whatever the fuck it is. I have previously reached out to X person on X dates and (summary of whatever they did or didnt do). See below/attached emails/pdf/screenshot/document (if applicable)

(explanation of the problem in as simple and detailed terms as possible. have someone re read it to make sure that it cannot be misconstrued)

(explanation of what you are looking for as a solution)

Please help me to understand why this (solution) has not been able to be reached. (explain you are on x timeline if the situation is urgent)

Kind regards/Thank you for any help in advance/I look forward to hearing from you etc,

email signature

go forth and conquer your emails. remember, sometimes you have to be a squeaky wheel. and in my million cases of email sending, it has ALWAYS paid off and i have gotten the problems solved. dont be afraid of the emails they can help you.

[superconductivebean]

Just my thoughts—as a fandom hermit of sorts.

Creating for nobody but yourself is actually discouraging when it's done repulsively. You'll feel its hard slap later down the line—unless your inner reader began to enjoy you as an author. They will gradually subside your inner critic and might teach them few lessons in how to appreciate maybe not the work itself—who of us doesn't have an one we dislike in some way?—but the craftwork went behind its creation.

How to do that?

Surprisingly easy.

Watch your creative decisions. Introspect. See yourself in your work.

You are inseparable in some way or another, your reflection is present within it, and by that I imply how you felt writing it and why did you think something would or wouldn't work. The only one who usually know is you, so, if you feel something is wrong, it probably is. The best is the enemy of the good, yes, but I'm not talking about perfectionism. I'm talking about the need to listen to that tingle and being able to assess it before editing.

Perfectionism is, in a sense, artistic pessimism. It tells you everything is wrong but it can't be an objective truth. Then some scenes must be wrong, and alright, good, the field is narrowed down. Which ones? Where? Why? At that point, put the work away for a day or two, then re-open, re-see, realise, that yes, that could be improved, except it isn't a scene. It's a sloppy word choice. It changed the sentence, that avalanched into a little rearrangement, and voila, everything works.

You fight the pessimistic outlook with a little bit of rest.

The more you learn how to treat your work, the more you might grow excited to try new things and not because you want to show them to the world but first to yourself.

That little part of you is who actually matter. Learn to love these little emotion abstractions. Care for the little guy, nurse them, feed them different ideas, styles, work them up to your master and see yourself forming in directions you'd never thought you would be able to simply because them—you—wanted to try something new. It would not matter if those were successful or not; when the entire process is a journey, the output's performance begins to matter very little.

Besides, the little guy would want company—and that's when other people come in. The reader doesn't like negative responses or no responses at all, true. Know who does? Your inner critic.

They're all too eager to overthink things and they're the perpetrator of your pessimism. So make them analyse why something clicks for many people and why something goes under their radar, make them a little analytics-building machine (which is also a skill), and just keep its outputs close in case you're curious how different fandoms or communities work. It's mostly a useless information. But you will be certain about things, and certainty brings comfort.

It will help to find readers in case you'd need more, too. Or if you'd like to meet someone new. But is it a guaranteed method? No, it isn't. Sometimes you'll write the most influential fandom monsterfic and all these people will pass by. Othertimes you'd write the smallest fic in the fandom but all its people will get around it because they liked your take on things or became curious with your ideas—and they can actually stuck around. You may never know. Fandom isn't business, it is rather a wild fair with barely predictable events in its main mystery.

Besides.

You can't make yourself a miracle to everyone; but be the miracle to yourself, and people will notice it and will try to comprehend you. Be Original, they say. They lie. They want the same jacket but red. Or the same jacket but sewn from kelps. Be Familiar But Be Outland-ish. Do your thing, that everybody else does, in your own fascinating way. Be the artist after all, be that bitch and leave people with the art-shaped holes in their thoughts.

I used to play an instrument once. I was bad at it, well, I was taught poorly and was only ever learning how to play from the sheets. It never go outwith or far and the instrument is long-sold, but I'm still able to recall the emotions I had while playing it. Heartbeat was the metronome, the hands were going in perfect synch, the entire body was able to feel the timings, and at some point, it wasn't simply the flow and going along with it. It was being the flow. The architect behind its creation—well, yes, the music wasn't mine, but being able to recreate it and make it sound as it supposed to sound was utterly captivating, enamouring, absolutely wondrous experience.

Years later I became enamoured with the writing—the process of it. If I manage to build the flow correctly and sail down my own rivers with little to no bump, unless planned, I'm overjoyed and amazed.

But will it go far? How well will it perform? Sometimes I do care if I know people might be interested, but beyond that, it's just doing its thing and bringing me joy because it's a puzzle, because it's a never-ending fascination—and because it's even more than that when done in the completely different tongue. And people take to it. Because it looks fun, perhaps, or it's something they had rarely seen before done in the language, or maybe it's just the way I tend to pick words and arrange them. I always get different answers. But what I know for certain: that something I found within me works both for me and people liking my things.

That what matters.

It all might sound a tad bit mental but it's so important to be in harmony with yourself as an author, as a reader, and as your own critic—who else knows you as much as you? Don't forget the people you have—the crowds will come and go, but the friends will stay.

Maybe this is a hot take, but as creative people, our #1 priority in our work should be ourselves.

It is not, AND SHOULD NEVER BE, what would get us the most engagement. Dispel "content creation," popularity, and monetization from your brain. Write, paint, draw what you want to! HOLY SHIT!!!!!!

The people who resonate with it will eventually show up. But the people who don't? Who cares???? The art you personally create is meant to help you heal, to help you express, to bring you joy and pain!!!!

You need to learn how to work on something because you deeply care for it and can revel in that self-satisfaction. Of course recognition feels fucking great! We all want it. We are humans, but you need to stop creating with the idea of other people consuming your work!!!

Give into the art movement. Create a renaissance for yourself. Fuck other people. Be that bitch! People are not going to be in your lives forever, and when you're left to your own devices, you should be able to look at what you've created and fucking love it.

[msviolacea]

Oh my god, am I actually writing real fictional words? Is the world finally ending?

Anyway. A scene in my head, now out of my head and on the screen. Tamsin de Riva/Lucanis, after the near-kiss and (right) before Inner Demons. Spoilers inside.

~~~~

"Hey." Lucanis's voice is soft and more than a little tense - Tamsin isn't surprised, given the circumstances. But she doesn't expect the topic, not right now, not in the middle of everything. "About the other night ..."

"I already told you, don't worry about it." The knot in her chest tightens, but this is not something either of them should be chewing on here, in the middle of Dock Town, as they duck around Venatori and try not to attract attention.

Lucanis shakes his head. "You deserve ... an explanation. Whether or not I have a good one."

She wants to snap at him, not now! But maybe this is his way of not thinking about whatever news they're about to get. She supposes, to keep him from dissociating any more than he already does, she can revisit her own humiliation. In the middle of Dock Town.

This day is shaping up to be just fantastic.

So, she looks over at him and gives him a small smile. "Listen, I understand. It wasn't what you wanted. There really doesn't need to be any more explanation than that. I'm not offended." Embarrassed, yes. But that's her own problem.

Lucanis stops short. It takes Tamsin a moment to process it - she stops two steps ahead of him and looks back. He's looking at her with his head slightly tilted, as if she's suddenly a puzzle to be solved. "What?" she asks.

"You think ..." He shakes his head. "Tamsin."

She steps back to meet him again. "Hmmm?"

He touches her arm - just a brief brush of fingers, before he withdraws and curls the fingers into a fist at his side. But as with each of his touches, few as they've been, Tamsin can feel the spark on her skin, even beneath the sleeve of her leathers. "Trust me, the problem had nothing to do with a lack of desire."

Oh. "Well. Okay."

"If you know nothing else, please know that."

"Okay," she repeats. She can feel her heart pounding, and she knows her cheeks are stained red. So are his, for that matter. She remembers the whisper of his breath across her face, that one moment when ... almost. How much she wanted. Still wants - always wants, if she's being honest. And she felt so pitiful for it that night, after he walked away.

But. Now.

"I guess," she says slowly, "knowing that ... whatever the problem is, when and if you may want to try, I'm here."

"I know," he murmurs, low enough that she barely hears the words over the bustle of the city around them. "You always are. Somehow."

Tamsin shrugs, and feels a relieved smile cross her face. "Where else would I be? Come on, I do not want Viago to read me the riot act for making him wait. It's embarrassing enough in Treviso, where everyone around already knows he's full of shit."

"No one in Minrathous will pay him much mind either. It's not like he's a mage." Lucanis takes a deep breath. "Sure. Let's go see what he ... what Viago and Teia have for us."

She can feel the thread of rage and despair under his words, so she takes the chance and reaches out to clasp and squeeze his hand lightly, quickly, before walking on. The only way out is through, as usual.

[lawrussoauto]

all of us strangers marvey au oh im going to be sick

[orcelito]

genuinely tho me jumping right into reading volume 9 of trimax and then volume 10 (and then most of the rest of the manga) on the night before i had a presentation at 9:30 am (that was entirely not prepared) was literally one of the most unhinged decisions ive ever made

this is what a hyperfixation does to a person

[zhongrin]

i'm buzzing from coffee so here we go. sorry if i missed anyone, my memory is akin to the invertebrates sometimes. also i'm tagging people who may not even know i exist in this, so if you don't want to be tagged, no hard feelings, lmk and i can remove it ᰔᩚ

ps. this is all /pos, /lh, and /genuine with some /silly sprinkled in

@queen-belial i have 0 idea who astarion or durge is, and i have never played baldur's gate in my life. but nevertheless, know that i am always so utterly enamored at the rare crumbs of art and fics you post.

@abyssmal-skies you're one of the few people who are still into traditional art and i think it's amazing!!!

@harmonysanreads with her crazy deep in-depth character analysis proficient brain writes banger after bangers of yandere works that will make you shiver in a good way.

@brynn-lear is yet another lv.999 yandere writer, with her plot twists, unique ideas, signature art, → !!!GAMES!!! <-, and cannibalism tendencies.

@mochinon-yah with her amazing amazing art and personality as sweet as her name.

@euniveve with her series and worldbuilding and amazing arts like girl how does your brain work i need to study it.

@pranabefall who cuts open my heart and stabs far too many needles in it before sewing it back up (wow thanks, doctor) with her beautifully painful fics.

@jessamine-rose the concept of playing with dollhouses as a blog 'theme' itself is already so unique, but the worldbuilding and character building jess is doing in every fic of hers is INSANE!!!

@naraven alon oh alon.... your music. you're the toby fox in our squad in my head and i really hope one day your music will be heard by all.

and if we're speaking about beautiful proses being written to mesmerize your senses, @chryseis-lxve aka cherry does it like no other!!!!

@teabutmakeitazure serves quality dark tea for your aventurine, childe, and chrollo fixations ☕️

@dottiro is THE canon dottore writer in my head but their pantalone fics especially are so 🫶🏻🔥🩸 (interpret those emojis as you will)

@stickyspeckledlight may use whimsy and silly words in their fics but you'll look up from their works at the end of the day and go 'what the fuck /pos'.

@crystalflygeo writes delicious smut (and will occasionally break your heart *sideeyes LoHK*) and will beckon you to visit her blog more for more delicious food (perhaps pet the local deer in the process too).

@floraldresvi may not be your 'typical writer' where she posts drabbles under the 'x reader' tag, but she drops a bouquet of happiness into her friends' inbox and i respect that so much ᰔᩚ

@silentmoth if the utterly adorable moth persona didn't bait you into looking into moth's blog then you're a monster let me just say i binged moth's masterlist. it was very worth it. 20/10 would do it again.

@pawpiefawn's calming, quaint vibe doesn't deceive - it's a cozy space for wriothesley and al haitham enjoyers, but let's be real here. i think the main charm here is miss ying's personality!!!

@silkjade has a way of writing that will leave you wondering what beautiful truly means because her aesthetics sense is top-tier and it flows into the way she writes her fics ✨

@pearlywritings has super comforting and fluffy fics that makes my day and some spicy stuff that makes me go 👀 → 🤔 → 🤤... i don't even kiss diluc but i want to root for familyau!diluc and reader, they're SO LOVABLE.

@the-travelling-witch has a plethora of magical potions you can select from, but just be careful because the poisons are as potent as the love potions ;)

@risustravelogue may be on hiatus but will still forever be one of my favorites because time means nothing to the kinship i have over fellow devs doing art and writing ;w;

the combination of @persicipen's pastel colors and the way she writes always leaves me feel like i've just watched a grand performance at a local classical concert at the end of every fic ✨

@lovegasmic if mila's theme(s) isn't pulling you in then i am silently questioning your aesthetic sense her yummy drool-worthy smut fics will. the o■■p■s fic.... the kn■■■■■g fic.... mmm.... yes.....

no big sis? no problem! @grimmweepers is THE big sister figure and THE al haitham writer for your al haitham fixations.

@unriding if evie's personality hasn't pulled you in then you're a monster her moze musings and fics will; i don't even kiss him but she makes him look so squishy (/pos).

@euthymiya with her quality writing pumps content after content of quality dishes (and side dishes of personal rambles which i find endearing) all over my dash, it's amazing.

@saetiate if their url didn't clue you in their wit then let me ー you'll find banger genshin and hsr smutfics that will blow your mind like it did mine.

i used to associate @catcze with pink but now i just associate her with being one of the aesthetic queens bc every theme is SO pretty ー delve into her wriothesley tag, you will not be disappointed.

@xeraeus with the amazing amazing art that i always somehow miss because timezone is a bitch (jun, i still think you're secretly a wizard or something bc how do you finish commissions that fast!!!).

@danijaci needs no introduction, we all know they're an absolute madlad in drawing (/pos) and those comics + blushing series + biker series will alwasy live in our head rent-free.

i personally think a good artist can relay a story or depict an object with a few lines because it shows that they fully understand the essence of things - which is what @erabu-san does splendidly.

idk if this is allowed but can we make this ask into a post where everyone tags their favorite content creators/artists/fic writers in the fandom so that they get the recognition and love they deserve!!

let's do it!! 💖💖💖

@jojaxcola @crispyanonart @eemamminy-art @itsmeglycine @nicoleknives thank you for all your wonderful sdv art <3

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[weirdly-specific-but-ok]

for whom good omens is being written

Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:

The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.

And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:

'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."

'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'

He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'

(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'

And, finally, this paragraph:

"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"

I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.

Share this post, if you can, please, so that more people can read these excerpts :")

Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)

[dawnwriterimagines]

The Guilty Plea

SIMON 'GHOST' RILEY x FEM!READER TASK FORCE 141 x FEM!READER

Traitors Among Us (Part 1) and Innocents Among You (Part 2)

Verdict Due (Part 4) Clear Skies (Part 5)

Summary: As you're discharged from the infirmary, under watchful eye, you head to Laswell to talk on the rest of your now ruined military career. Of course, you're forced to confront your team as it happens, the last people on earth you'd like to see.

If you liked this would you Buy me a Coffee?

---

Running your fingers along the raised, pink scar across you cheek, the feeling of it...it really looked terrible. A part of you thought it would disappear, hoped it would, but it didn't. It just became severely more noticeable. Looking at this, you knew you'd always have to think of it. You'd sport this reminder for the rest of your life.

Looking away from it, you find your own tired eyes in the mirror, you haven't been sleeping well. Or at all. You can't remember the last time you got 4 hours, let alone 8. Dark circles still surrounded them but at least the bruising and the swelling had gone down.

You couldn't recognize yourself. Not really.

This woman looked so exhausted, so frail and so goddamn angry. It was accurate, it was how you felt. All of it. So, you supposed that the mirror's reflection was the truth, this was you indeed.

"If you need another day or two, no one will ask questions."

You glance over towards your psychologist, your fucking therapist, a nice little 'gift' sent over by the bureau to check in on your mental state after your ordeal. Glaring at him through the reflection of your mirror, he sighs, putting down his pen that slaps against his notepad, "I can't help you if you don't talk to me."

"I'm going to Laswell." Ignoring his statement, you speak. "I'm ready. I'll pack up. Get back to base. Vera had me discharged from the infirmary. I can start ov--"

"Vera?"

"My nurse. You met her," you continued, annoyance spiking at the interruption. Your wrist brace squeaking quietly under the pressure of your fist tightening beneath the table.

"Right..."

"Do you listen to a word I say outside of...my 'trauma'?" You wonder, bluntly.

Your psychologist blinks, surprised, before clearing his throat, appalled. "If you feel I can be more attentive to your state of well-being throughout our process, than by all means--"

"Oh, so 'no'?" you lean back into your seat, a strained laugh leaving you. His lips press together and you continue before he can find the words. "Because whenever I mention leaving this fucking team, you either adjust our schedule for another two weeks or suggest hypnotic therapy, as if I need anyone else digging around to fuck up my mental state."

"I never meant to imply--"

"Oh, you implied it," you interrupted, gritting your teeth. "I know what I want. And I want off Task Force 141."

He taps at the leather of his notebook. "Scars heal, just remember that, Ms. (L/n). The reminders of your experience shouldn't have to haunt you."

"It's not the scars, I've had my share way before this," you admitted, rising to your feet. You exhale deeply that tells to the effort of it, the steel gear hinges along your leg braces shift with your change of position. Still getting use to them. "It's the person."

"Has she changed, you think?" the psychologist begins to write, getting somewhere.

"She doesn't exist anymore."

Finally, placing the mirror down and onto the side table, you pushed off of the table, rolling your IV pole along with you. Passing the chair your psychologist sits on, he closes his notebook with a frustrated huff, looking over his shoulder. "Session over for you already, Ms. (L/n)?" he sighs. "We've still got the hour."

"I'm done," you take the knob in your hand. Turning.

In more ways than one.

"You understand that, informing your captain on your leave is required of you. Have you spoken to any of them, in the last few weeks?" he spoke up, quickly. "I'm sure giving them a space to open up, share from their view--"

"Why should I care--"

"--will give you better understanding, better clarity of the situation they were in--

Appalled. "What the fuck?" Jamming the door closed with a loud, shuttering thud, you whip around. "IT'S NOT ABOUT THEM!" you could just rip your hair out. "Who--who says that to someone?!"

Your psychologist sits there, eyes wide in confusion. "What--"

"Christ, can you hear me? Can you--can you see me? I've got metal plates in my spine, braces holding my knees in place and nerve damage that'll never heal! Who gives a fuck about them!" your skin feels red hot, your face twisted in rage. "I gave my life! My life to this! And then I'm tortured, I'm threatened, drugged and beaten by my own team, my f--my family for eight fucking years..."

You continue with a heavy chest. "And I'm supposed to invite them for dinner to talk and listen them bitch and moan about why they thought it was necessary to beat me to death for two weeks?! Fuck you!" you spat. "I don't owe them anything!"

"That's not what I was trying to say, Ms. (L/N). I apologize, I overstepped. Come sit down--"

"Of course you meant it," you interrupted, mock humor. "Don't be a pussy, own up to it. Revel in your truth. Be tter yet--" you snatch a journal from the cabinet. Tossing it his way. "Make a note of it."

Turning the knob, you leave the room with a slam of the metal door.

---

You were officially famous. On the base, you were now a legend.

A story that would be mentioned and told at lunch for months. Probably years.

First, you were a rat. Next, you were innocent. This was the most gossip any of those in service had ever seen in their years of service.

An interesting reminder to those in service that you weren't safe off duty either.

You learned a few days ago that there was an update put into the interrogational unit, something about how to properly go about dissecting evidence and being on the lookout for enemy spies in the militia.

You guessed you had been told about it in an effort to be appeased by the thought that the head of control paid attention to anything beyond their own noses for once. But, you had little to no faith in a system that's nearly killed you on and off the field by now, so it didn't matter.

You doubted the new rules would be followed though, there was a plethora of things they'd done to you in that cell that were both illegal and unsanctioned. Most of all, that were expected towards an enemy, a prisoner of war at best, and not a fellow marine.

You arrive at the housing quarters, swiping your key card, pulling the handle and entering the wing. Immediately, you're greeted by a dozen eyes, conversations stopping short and clothes ruffling to silence, suddenly whispers fill the space and eyes turn away.

"Oh, god, it's her..." says one man in the far corner.

"Shut the fuck up, man!" came a harsh whisper back.

"I didn't know it was that bad..."

All those eyes on you, makes you pause in your step, looking around at all of your fellow soldiers, the men and women you've served with for years. Many you recognized, ate with, fought beside that turned their backs to you now. Out of respect? Out of distaste, morale, nerves, pity, it all didn't matter. It all felt the same.

The wheels attached to your IV pole suddenly sounded much too loud on the polished flooring, as you walked down the hall as fast as you were able to.

Breathing out deeply, you get to an elevator, pushing on the button, once, twice, three times, just open goddamn it.

With a ding, the metal doors open, and suddenly you're aware that people could be in the elevator, they could be in this elevator, he could be in this elevator. Your eyes flicker down to the floor, your grip on the pole of your iv tightens, your shoulders stiffen, waiting for a blow that will never come.

You stand there as the doors open up, the small space empty, the metal walls reflect only her and a streak of lighting from the ceiling.

Looking up slowly, finally taking a breath, before sliding the iv up and onto the elevator, following it as you press your floor number along the way.

The ride up is fast, a little rumble as it stops, and then the doors open. Faster than you were prepared for.

Peeking out down the hallway, luckily no one to bump into, which you were thankful for. But, it didn't make this hall any less haunting. You'd been cornered in this same hall, you could recall being hauled out of the room after the solid handle of a knife hits your temple.

You don't go down fast enough, whipping around as you stumble to take the wrist of your attacker, mostly for balance, it's Price. In shock, you're unprepared as Johnny's arm encircle your neck, locking you into position as you both stumble backwards onto the floor. He blocks your airways, hushing you harshly as you struggle, feet kicking out and your vision blurring as your team surrounds you. Your family.

That was quite the headache to wakeup with afterwards.

You hadn't quite remembered until now. Being back served as a hell of a kickstart to your memory.

Just a few more reasons to get the fuck off of 141.

Getting off the elevators, the metal doors sliding closed behind you, you make your way down the hall. The polished flooring creates a subtle squeak through the wheels of your iv pole, your hand absently running over the fading stitches along your side.

Passing the shadows of your tortured memory, the doorway of the office was closed, locked.

You pass Kyle's room.

Johnny's.

Finally, you rush up to the next room on the left, grabbing the handle, before beginning to twist, but then you're yanking your hand back as if the metal had burned you. Your back ramming into the back wall, catching yourself, this wasn't your room.

It was Simon's.

You'd spent hours, days, in that room. More than your own.

Why wouldn't you? You were about to get married to the man. You had more in this room than you had in yours.

Sharp breaths leave you, shivering in your effort to keep yourself together, your head goes back into the wall, swallowing down the ache in your chest.

You wait, muscles tensed and your body pressing back into the wall, hoping it'd absorb you if that door opens. Listening for every sound, any pin drop, even an exhale from beyond that doorway. Luckily, Simon seemed to be out for the day.

Hurriedly, nearly running, you steady yourself against the wall as you rush down to the corner of the hallway, finally finding your room.

Turning the handle, it's not locked, it's broken. It opens with ease.

Entering the room slowly, pushing the doorway aside, the crackle of glass beneath your boots as you step forwards, clothes and picture frames laying scattered.

The mattress flipped and ripped open, springs and cotton cut from it. Your wall of metals and certificates, from acts of bravery and mementos of valor, discarded, later you'd find them in the trash, one with a bullet lodged into the gold.

Sniffling as you leaned down, picking a specific frame off the ground, the only one that hadn't been broken. Laying along the ruined rug, with no care for the glass digging through your jeans, you stare at the still shot of your family.

The only family you had outside of Task Force 141, your father and his sister, military brats themselves, until their retirement. Your mother had passed, or just up and left, days after your 5th birthday, you weren't completely sure, the story kept changing every year. But, these two were the only family you've ever known, ever had, until you joined the military, following in their footsteps.

They'd been so proud when you arrived back after your first assignment, in truth you were heavily traumatized, but seeing them, you just had to smile. Having a family that understood the harsh toll on the line of a trooper, now a lieutenant, it was always easier to bring your troubles to them. But, they were also military nuts so "suck it up" was also a quick go to answer from your aunt, while your father was the smoother talker.

They had met Simon, loved him, his rank, his love for you, his seriousness. They trusted him completely with your heart.

So, when he called them, after the evidence leaked...

They believed him.

"What're you talking about?" You took the handle of the chair in your grip, easing you down into it as your legs do weak at what you were hearing. "I didn't...I didn't do it, Dad."

"Do you know how humiliating and disappointing--how it felt to hear him say that to me, hm?" he says, static crackles on the reciever. "My daughter...my own flesh and blood...working with terrorists--"

"I'm not working with anyone! Are you-" you huff out a breath of disbelief. "Are you even listening to me? I've never betrayed the code. How can you think that way of me?"

For a moment, he's silent. "Alright, then," he began. "Than, what'd you do? huh?"

"What--what..."

"Oh, come on, (Y/n)!" your father yells. "What did you do?! What could they possibly have had on you that made you the most likely target? You had to have had done something, been somewhere, were with somebody you weren't supposed to be with! They didn't just get that information from anywhere."

"What the fuck--" Your expression twists with frustration and misery, running your hand through your hair, pulling at it. "I've sacrificed every part of myself for this job, for this team, what do I have to gain from throwing that all away? They send me everywhere, places you've never heard of, places you'll never hear about and people you'll never have to meet, because of me! Why would you just believe Simon? Why couldn't you just wait to talk to me?!"

Hearing your father scoff at your words was painful. "What reason do I have not to believe him? He knows you, maybe even better than any of us. Besides, he was going to be my son in law--"

"I'm your daughter! Fuck Simon, what about me? You'd believe him instead?"

He sighs. "Listen, you're upsetting Cass. We didn't expect your call. I gotta make this brief..."

"You're upset?" pulling at your hair, sucking in sharply. "I'm the one who's permanently fucking altered here. What do either of you have to be upset about?!"

"Watch your fucking mouth!" he seethes. The anger in his voice isn't new, but the way he spits it at you is. "You did this to yourself, I didn't. Maybe that's what your nightmares were about, am I right? Your guilt?"

Wiping the streaks of tears that had fallen down your face, lips quivering and chest aching with sobs you frustratedly shoved down. "Why don't you believe me?"

"I don't deserve the disgrace that will come with you as my kin, I've lived my part of this war. No daughter of mine should even be in this fucking position," your father spat, disgusted into the receiver. Suddenly, he was the cruel, bitter old man your mother had always known him to be, you wished she had stayed to at least remind you of that. Maybe it wouldn't have hurt as much. "You should be ashamed of yourself, but at least you got yourself out it. The least you could do for us."

"Well--what does that mean?" you spoke, quietly.

"Don't call again..."

"Dad, no--" you break this time, a sob escaping you.

"Me and your Aunt Cass..."

"Daddy please, don't do this--"

"..We've decided to cut ties. We're not taking any heat from this, you're on your own," he finishes, clearing his throat, waiting a moment, listening to the pleads and cries of his only daughter, his once pride. "You take care of yourself. Goodbye, kid."

"Why can't you just believe me? Why?!" you cried.

"Don't come to the house."

"No, no,--" the line goes dead. And staring down at your phone, his caller id going blank and the call disconnecting.

Your phone all of a sudden feels heavy, the device and your hand falling down to your thigh, before the phone slips out of your grip and onto the floor. You sit there silently, until your tears drop up and even after.

Staring at the photo now was haunting in its own way, it was just another painful reminder.

Using the bed frame to stand to your feet, your grip on the frame is painful as you squeeze it, the glass cracks audibly.

"Bonnie..."

Whipping around at the sound of John MacTavish's voice, you back up a few steps at the sight of him, your back hitting the edge of your desk.

He reaches out as you stumble, before his fingers curl back into his palm as you find your balance, his hands receding back to his sides. He doesn't enter the room, just lingering just beyond the doorway, his eyes flickering around the room, guiltily.

"I didn't know--we didn't know you were out," he speaks quietly, as opposed prideful personality that translated into his voice usually.

You say nothing.

In the dark, your eyes are wide and your shoulders are tensed up, he can see the glint of your leg braces, the iv pole at the side, the scar beneath your eye. You looked terrified to see him.

"We were coming back to clean up today, just got back from...from a mission..." he stutters on his words, shifting his feet.

"It's been a week."

His lips press together hearing your voice. "I know..." Johnny glances around at the room he'd let those officers destroy, it hadn't been them, but they might as well had done it. "I know...we just...didn't know it was so bad."

"Really?" your voice is mockingly sweet, drawing out the word. "You didn't know? Well look..." you hold up your family photo, the light in the hallway catching on the glass. "You missed one."

Your hand dropping, the heavy frame comes down just as fast, ramming into the ground, the glass practically exploding on impact.

Johnny flinches, the photo of your family...He looks back to you, surprised. "Bonnie..."

Snatching the next closest thing from your desk, a ceramic cup. "Oh, wow, can't believe you guys missed this one," you chuck it into the wall. It breaks on impact, the remains scatter along the flipped mattress and onto the floor. "That used to be my favorite mug by the way."

The Scotsman worriedly steps forwards, 'Lass, I'm sorry--"

"FUCK YOU!" you spat, coming into the light. You're sure you look deranged, and you didn't care. You could've wrapped your hands around his throat, killed him right on the floor and you wouldn't have blinked. "It doesn't mean anything! 'I'm sorry', 'I'm sorry', 'I'm sorry', over and over and over again! As if you shouldn't be! Your apologies mean fuck all."

"I know...I know," he breathes. "But, I've gotta say it anyway, bonnie. I should've believed you, there was no reason not to. I know that now. I just--"

"Believe me!" you cut him off with a yell. "Trust me! Fucking 'HELP ME'!" you screamed with the same fever as your days in the interrogation room, that terrible cell, the cold, the burn and pain. "I cried it all to you, to all of you, and nobody came. Nobody came for me," you breathe in sharply. "It doesn't matter what you should've done. You didn't do it!"

Johnny's eyes are red, he opens his mouth, closes it and then swallows down whatever chokes him up as he looks at you. "I should've came for you. I wish I did. I wanted to, Bonnie..." he steps forwards, and you recede back away from him, your eyes narrowed with violence. "I'll never forgive myself for not listening to you. For not coming to help you. For laying a hand on you. I'm so sorry, (Y/n). I'm sorry..."

I'll never forgive myself... "That makes two of us," you assured.

Johnny's eyes widen, before they close, his guilt ever consuming. He can't help but understand, to respect your decision, to know things can never be ok again. "(Y/n)...."

Grabbing hold of the nearest thing, a pencil cup, you hurl it at Johnny. He doesn't put his hands up, flinching as it hits him, the metal clinking against his kevlar, eyes closing then opening, he stands still. "I don't forgive. I don't accept your apology. I don't fucking care about it!" with each sentence you throw something else his way, a broken frame, the trash bin, a pillow, the CD player.

His hand has to come up for the knife you unsheathe, a memento from one of your missions, it's rusted, ancient probably. But, you hadn't given it up to a museum or to pawn, you had nearly died on this mission, saving Johnny ironically. You had to keep it.

Seeing the weapon, his defensive position is instinctive but his hands drop just as fast, he understands, you need this. You deserve this. "If you need to..." he speaks. Your eyes flicker up to him, away from the knife. "If you need to, I get it..."

And you need to. You really fucking do.

Your grip on the knife is dangerously hard, it hurts.

Looking at Johnny, he'd been your brother in more than a few ways on and off the field, he had been your comfort, your friend, your family. You had bled with him, held onto him as he carried you from the battlefield, joked, laughed, screamed and cried. You've loved him for years.

He'd had a rough few nights you could see that. He was quieter, reserved. Almost as terrified to see you, as you had been of him.

And you could kill him right now and never bat an eye.

And so, throwing that knife was so fucking easy.

Johnny's eyes close as you do just that, fists clenching and teeth biting down on his tongue to prepare for the pain.

The ancient weapon whiz's through the air, the sound is sharp and he knows it will cut through him like butter.

The thud rings in the room, and Johnny's eyes blow open wide, holding his breath as he collapses to his knees, before turning to you.

You dig into the pile of clothes that had been cast aside, a pair of sneakers and a new shirt. You don't look at him a single time as you take it all, stuffing them in a bag, and leaving the room, passing him completely, a limp in your step.

Johnny releases a pained breath, tears finally leaving him as he looks up, the knife lodged into the frame of the doorway, just barely missing him. The sleeve of his uniform ripped open.

He sits there in the quiet, destroyed room. A testimony to the relationship he's destroyed between you.

Part 4!! OUT NOW

[cocklessboy]

The biggest male privilege I have so far encountered is going to the doctor.

I lived as a woman for 35 years. I have a lifetime of chronic health issues including chronic pain, chronic fatigue, respiratory issues, and neurodivergence (autistic + ADHD). There's so much wrong with my body and brain that I have never dared to make a single list of it to show a doctor because I was so sure I would be sent directly to a psychologist specializing in hypochondria (sorry, "anxiety") without getting a single test done.

And I was right. Anytime I ever tried to bring up even one of my health issues, every doctor's initial reaction was, at best, to look at me with doubt. A raised eyebrow. A seemingly casual, offhand question about whether I'd ever been diagnosed with an anxiety disorder. Even female doctors!

We're not talking about super rare symptoms here either. Joint pain. Chronic joint pain since I was about 19 years old. Back pain. Trouble breathing. Allergy-like reactions to things that aren't typically allergens. Headaches. Brain fog. Severe insomnia. Sensitivity to cold and heat.

There's a lot more going on than that, but those were the things I thought I might be able to at least get some acknowledgement of. Some tests, at least. But 90% of the time I was told to go home, rest, take a few days off work, take some benzos (which they'd throw at me without hesitation), just chill out a bit, you'll be fine. Anxiety can cause all kinds of odd symptoms.

Anyone female-presenting reading this is surely nodding along. Yup, that's just how doctors are.

Except...

I started transitioning about 2.5 years ago. At this point I have a beard, male pattern baldness, a deep voice, and a flat chest. All of my doctors know that I'm trans because I still haven't managed to get all the paperwork legally changed, but when they look at me, even if they knew me as female at first, they see a man.

I knew men didn't face the same hurdles when it came to health care, but I had no idea it was this different.

The last time I saw my GP (a man, fairly young, 30s or so), I mentioned chronic pain, and he was concerned to see that it wasn't represented in my file. Previous doctors hadn't even bothered to write it down. He pushed his next appointment back to spend nearly an hour with me going through my entire body while I described every type of chronic pain I had, how long I'd had it, what causes I was aware of. He asked me if I had any theories as to why I had so much pain and looked at me with concerned expectation, hoping I might have a starting point for him. He immediately drew up referrals for pain specialists (a profession I didn't even know existed till that moment) and physical therapy. He said depending on how it goes, he may need to help me get on some degree of disability assistance from the government, since I obviously shouldn't be trying to work full-time under these circumstances.

Never a glimmer of doubt in his eye. Never did he so much as mention the word "anxiety".

There's also my psychiatrist. He diagnosed me with ADHD last year (meeting me as a man from the start, though he knew I was trans). He never doubted my symptoms or medical history. He also took my pain and sleep issues seriously from the start and has been trying to help me find medications to help both those things while I go through the long process of seeing other specialists. I've had bad reactions to almost everything I've tried, because that's what always happens. Sometimes it seems like I'm allergic to the whole world.

And then, just a few days ago, the most shocking thing happened. I'd been wondering for a while if I might have a mast cell condition like MCAS, having read a lot of informative posts by @thebibliosphere which sounded a little too relatable. Another friend suggested it might explain some of my problems, so I decided to mention it to the psychiatrist, fully prepared to laugh it off. Yeah, a friend thinks I might have it, I'm not convinced though.

His response? That's an interesting theory. It would be difficult to test for especially in this country, but that's no reason not to try treatments and see if they are helpful. He adjusted his medication recommendations immediately based on this suggestion. He's researching an elimination diet to diagnose my food sensitivities.

I casually mentioned MCAS, something routinely dismissed by doctors with female patients, and he instantly took the possibility seriously.

That's it. I've reached peak male privilege. There is nothing else that could happen that could be more insane than that.

I literally keep having to hold myself back from apologizing or hedging or trying to frame my theories as someone else's idea lest I be dismissed as a hypochondriac. I told the doctor I'd like to make a big list of every health issue I have, diagnosed and undiagnosed, every theory I've been given or come up with myself, and every medication I've tried and my reactions to it - something I've never done because I knew for a fact no doctor would take me seriously if they saw such a list all at once. He said it was a good idea and could be very helpful.

Female-presenting people are of course not going to be surprised by any of this, but in my experience, male-presenting people often are. When you've never had a doctor scoff at you, laugh at you, literally say "I won't consider that possibility until you've been cleared by a psychologist" for the most mundane of health problems, it might be hard to imagine just how demoralizing it is. How scary it becomes going to the doctor. How you can internalize the idea that you're just imagining things, making a big deal out of nothing.

Now that I'm visibly a man, all of my doctors are suddenly very concerned about the fact that I've been simply living like this for nearly four decades with no help. And I know how many women will have to go their whole lives never getting that help simply because of sexism in the medical field.

If you know a doctor, show them this story. Even if they are female. Even if they consider themselves leftists and feminists and allies. Ask them to really, truly, deep down, consider whether they really treat their male and female patients the same. Suggest that the next time they hear a valid complaint from a male patient, imagine they were a woman and consider whether you'd take it seriously. The next time they hear a frivolous-sounding complaint from a female patient, imagine they were a man and consider whether it would sound more credible.

It's hard to unlearn these biases. But it simply has to be done. I've lived both sides of this issue. And every doctor insists they treat their male and female patients the same. But some of the doctors astonished that I didn't get better care in the past are the same doctors who dismissed me before.

I'm glad I'm getting the care I need, even if it is several decades late. And I'm angry that it took so long. And I'm furious that most female-presenting people will never have this chance.

[endlessburningdarkness]

how to go from daydream to draft:

begin by daydreaming as you normally do, or just after you've finished doing so. write down every thought you have. one after another. do not reread. do not stop for spelling mistakes. just dump out every thought. this is called stream of consciousness writing. you can do this for every scene you need a first draft for.

struggling to draft the scene? try to daydream about it. start thinking about how it would look, feel, what the characters would say, act it out in your head and then write out the stream of your thoughts as they arrive.

by now you have a few scene dumps. you may be tempted to go back and edit. do not do this expect for obvious spelling mistakes. do not read closely and start thinking "i need to rework this sentence." that is for later. now you're in the zone. draft more scenes. or work out what the next scene needs to be, scaffold it with a few comments. this will be the inspiration for your next deliberate thought stream that you will write out. repeat this process until you have the whole draft.

now that you have a draft or part of a draft you get to do this very fun thing called revise until you're happy. sweep through your draft with specific goals each time. one sweep to fix spelling/grammar. another for character voice. another for plot. repeat until you're happy with it.

leave it alone. just leave it for a bit. at least a few hours or days or even weeks. forget it exists. this will allow you come back with fresh eyes. then you can do your revisions with an eagle eye. now you may realize you need to add/remove scenes. you know how to get the first version down. close your eyes and daydream at your desk if that's what takes!

remember that fiction writing is persuasive writing. you are trying to persuade the reader to care about what happens next, the character's, the world, the feelings. as you're revising, consider whether you are persuaded. is the feeling/thoughts you wanted to provoke being felt by you when you read it? when working with beta readers, be sure to communicate what you're trying to convey so they can tell you if you've been successful or not.

this got a bit beyond getting the first draft done. hope you found it helpful.

bonus tip: check the spellings of names and places and other nouns that are not typically used, like the name of a magic tool!

[rindreamery]

to be loved is to be seen.

the little things that the blue lock men do for you as their way of saying, "i love you." featuring: itoshi rin, itoshi sae, michael kaiser, oliver aiku 𝜗𝜚 content: fluff

note. spreading down bad bllk men agenda 🫦 finals is this week, so that means i will not be able to write at all for 3-4 days, so i just wanted to pop this out rlly quickly (event fics will be written as soon as i wrap up this sem, PROMISE)

itoshi rin picks out the things you don't like in your food.

not that he’d ever admit it out loud, but rin has a folder in his notes app about you— things you like, things you dislike, and every little thing you’ve mentioned to him in passing. he wants to know every little detail about you, to write it down and memorize it until the knowledge becomes stuck in the back of his head. to the point that it becomes like common sense to him (if there were ever a pop quiz on facts about you, he would pass with flying colors.) at the end of every date, or every time he hangs out with you, he’ll update his notes with another little thing he’d learned. you will never catch him admitting it out loud, but it definitely shows in how he treats you.

there is one thing he’d memorized about you, by now, though. it’s written in bold, italicized, and underlined in his notes: you hate mushrooms. 

rin catches himself looking at the ingredients of certain meals whenever the two of you would eat at a new restaurant, or order food from an unfamiliar place. it’s not that he’s necessarily a picky eater because, frankly, he really doesn’t care. but he wants you to enjoy it, he wants you to be able to eat without stressing about having to pick it out. his eyes are always scanning through the print, actively checking if mushrooms are one of the ingredients listed. 

but, there are times when the ingredients aren’t listed, and there are times when you end up ordering something with mushrooms in it. 

he may be dense in certain aspects, but it’s hard for him to miss the disappointed look on your face. the way your expression falls ever so slightly, and your smile falters for half a second. before you could dig in, before you could even put yourself through five minutes of digging through the food— he’s swiftly grabbing it from you. 

truthfully, he does it without thinking. he’s acting on his thoughts before he could even process what he’s doing. rin tries to fight the blush that threatens to form on his cheeks, the way the heat crawls up his neck and to his face at the realization of what he’d done, and he fails. but he’s committed to the act now, and he’s not going to give it back to you until he’s done what he needed to do.

he tries to ignore the somewhat perplexed look on your face, and the way you watch him closely as his fingers make quick work of moving the mushrooms from your plate to his. (he tries to sneak in some of your favorite food from his plate to yours, but he’s not slick, and you definitely notice.)

“here,” he says, pushing the plate closer to you after a few minutes. “you can eat it now.”

he sees you glance at the plate, and then back up at him— he looks away as you beam at him with a grateful smile, trying to ignore his ever-increasing heart rate. 

itoshi sae remembers the small details about your routine.

it is almost guaranteed that sae will wake up before you do. his alarm is set to go off at the crack of dawn, right as the sun starts to peek through the horizon, and he's starting his day while you're still in deep sleep. there’s a set routine that he follows, to a tee: wake up (and then contemplate staying in bed, just to cuddle with you a little longer), stretch, do morning yoga, and then go on a jog. it’s something he’d been doing for years, and he has never gone out of his way to add anything new to his routine— that is, until one morning. 

at first, it started with a random thought. as he was getting ready to leave the house, to go for his morning jog, he had unsystematically decided to set out your favorite mug and go-to morning snack. 

sae didn’t think it would be that significant to you, and he, initially, had no plans of doing it again. he simply had extra time to spare, and he knew that making your morning drink was always the first part to your routine, so he decided to get the first step out of the way for you.

truly, he wasn’t planning to make a habit out of this. but then, you told him, “that was a sweet way to start off my morning,” with that sleepy, morning smile of yours. he tries to not pay attention to the way his heart softens at the sight, and the realization that that had made him happy. yet now, he does it every time.

from then on, his alarm was always set to go off two minutes earlier. it’s rewarding, in his opinion, to come home to you— sitting at the dining table, messy hair and still in your pajamas, eyes half-lidded from sleep, with a smile on your face as you take a sip from the mug. and then you greet him with a thank you and a kiss, without fail, even when he tries to lightly guide you away because he’s sweaty.

it never works, because he folds the second you tell him, “g’morning. i missed you.” and he finds himself adding another part to his schedule. 

before sae’s even aware of it, much of his daily habits had been molded to fit with yours. 

on days where he’s far from home, in another country, he finds that his morning just never feels right without you. it feels weird not having to set out your favorite mug, and it feels even weirder not having you there to smother him in kisses. his routine had always determined his mood, and without you, he’s extra sour. 

“i miss you,” he ends up texting you. (that, too, becomes part of his routine when he’s far from you.)

michael kaiser has all your subtle behaviors memorized.

if kaiser were to be asked to name one annoying habit of yours, it would be the fact that you, sometimes, say things that contradict how you truly feel. he calls you pesky, he tells you that he’ll take your word for it and not read too deeply into whatever you’re saying— but, in a way, he’s contradicting himself too by saying that. he’ll always read into it; he’ll always analyze you, gaze narrowed, and watching for every subtle sign in your body language. he knows you, all too well. 

but there’s one thing you always say, one contradictory statement that you always make, that he’d memorized at this point. “it’s okay, i’m not cold,” even when you visibly are.

it irks him to no end. he doesn’t understand why you would say that even when there are goosebumps scattered all over your skin, when you have your arms wrapped around yourself, and you’re visibly trembling. he can practically see the bones under your skin, rattling, making some comical, cartoony noise in his head. you know that he can see you, and yet, you still lie to him.

and, at times, he does this on purpose— he puts the air conditioning in the car on full blast, all vents pointed at you, just to see how far you’re willing to go. and every time, it’s always the same, with the same answer.

kaiser isn’t completely cruel, however. he’s tucked one of his spare hoodies (your favorite, actually) into the backseat, existing purely for your use. first, he’ll scoff at you, roll his eyes, and let you suffer for a few more minutes. but eventually, the guilt will catch up to him, and he’ll constantly be glancing at you through his periphery, shaking and looking absolutely miserable in your seat.

he’ll think to himself for a second, as if contemplating whether he’ll actually help you out (he always does, he does not want you to actually suffer). and then, he’ll internally sigh, before speaking up. “stupid,” he mutters under his breath. “i have a spare hoodie in the back, take it.”

it’s almost laughable, the way you quickly turn your body around to reach for the backseat, visibly seeking warmth. he sees the look of pure joy in your eyes when you realize that it’s your favorite, and he smiles to himself.

“you’re the best,” you always tell him, as you pull the fabric over your head, and he's content. 

he doesn’t say anything, he doesn’t reprimand you— he lets you do this, every single time.

oliver aiku is always willing to listen to you ramble.

it doesn’t matter if aiku’s had an exceptionally long day, it doesn’t matter if he feels as if he’s on the verge of succumbing to sleep— he will always make time for you. he will never pass up a chance to call you, to listen to you talk about whatever you want, whenever you want. you could talk for hours, going on and on about something that he doesn’t quite understand, and not a single complaint will slip past his lips. then again, he thinks to himself, why would he complain? hearing your voice is the best part of any day, good or bad. and every night, he finds himself waiting by his phone, waiting for your contact to appear on his screen.

he finds no shame at the speed in which he accepts your call, which is immediately, nor does he try to mask the anticipation in his voice.

and if he were to look into a mirror at that exact moment, he would also see the lovesick smile that had started to tug on the corners of his lips. you can’t see him, but he’s sure you can hear it in his voice. the way it softens, the way it loses its rough edges and lightens up ever so slightly, when he greets you. you probably know he’s grinning from ear-to-ear. (he doesn’t think he is, but when it comes to you, he’s completely transparent.)

it doesn’t take long before you’re divulging into another one of your endless tangents. but aiku’s attention remains undivided, only for you. he sits on the other side of the phone, silently, only responding when you want him to. it doesn’t matter if his own thoughts are clouded with exhaustion, his mind racing with the weight of the day—when you call, everything else fades into nothingness.

“did you know that venus is an evening star for 263 days out of the year?” he can hear the excitement in your voice, he can practically see the sparkle in your eyes, even without seeing you. it’s been three hours, and he’s sure that he should’ve been in bed one hour ago. but you’re still as energetic as ever, so he fights the way his body craves for sleep. he locks his jaw, and bites back a yawn, and listens. “and then, the fact that it disappears from the sky for 50 days, before returning as a morning star?”

there’s silence on your end, and aiku takes that as his cue to talk. “no,” he responds, and there’s an amused lilt in his tone. “i didn’t, actually. you should tell me more.” and you do. 

one look at the clock to his side tells him that, at this point, he won’t be getting enough sleep. he’s sure he’s going to be exhausted when he wakes up in the morning— though, he doesn’t really care, and he’s sure he won’t regret it. he’ll let you ramble about the stars for as long as you want, even when the stars themselves start to fade into the morning sky. 

© rindreamery, 2024

[vampiremourning]

i got to enjoy relatively clear skin for just under a year after going on isotretinoin & now fucking. i get the Joy of dealing with some other new skin condition on my face that just doesnt want to fuck off

[moonstruckme]

would you write a part two to whimsy!reader totally knowing remus’ secret? i feel like r would be so sweet and casual about it that remus would cry

Thanks for requesting!

cw: post-moon werewolf Remus, mention of blood and wounds (no description)

poly!marauders x whimsical!reader ♡ 1.4k words

The boys usually send you away this time of month. They try to be subtle about it, encouraging you to go visit your family or sleep over at a friend’s house, but you’re not one to let the full moon pass you by without notice. It didn’t take long for the pattern to reveal itself. 

Still, you don’t argue when James gifts you tickets for you and a friend to see a band you like out of town. You know they’re all most comfortable doing things the way they always have, and you worry that letting slip what you know would do more harm than good; Remus would be anxious and upset, and the other boys would only be doing more damage control than they’re used to with you around. So, you let the full moon pass you by without complaint. 

The next day, however, when you know James and Sirius will have gone to work and left Remus to rest and heal, you sneak into your apartment. 

The fact of Remus’ ailing is immediately obvious; the boys’ things are strewn all over the place, evidence of James’ and Sirius’ running about without Remus to pick up after them. There’s a pot of half-eaten stew that’s been left to cool and congeal on the stove, an abandoned roll of bandages on the coffee table, and the entire apartment smells like disinfectant and heartache. 

When you find Remus in the bedroom, your heart aches, too. He’s sleeping, but even in rest his face is pinched with discomfort, and there are several bandages visible above where the bedsheets rest halfway up his torso. It’s about what you expected, but it still makes your eyes burn. 

You try to let him sleep as long as possible, working with the environment first. You open a few windows to get out the smell and let in the new day, clean the common spaces, start your lavender incense burning in the bedroom. You’re brewing tea when Remus pads into the kitchen, a blanket wrapped around his shoulders. 

“Oh.” He startles to see you. “You’re back.” 

You’re startled, too. “Hi, I’m sorry,” you say, hurrying over to the windows to shut them. “Did I wake you? Is it too cold in here?” 

“No.” Remus looks wary, watching you flit about the living room like he’s not sure he’s actually woken up. “It’s nice. When did you get home?” 

“Just this morning. I didn’t see the sense in staying another night, and anyway I wanted to be with you.” You make your way back around the room to him, taking his jaw gently in your hand. His skin is warm to the touch. “How are you feeling, lovely?” 

You feel more than see Remus’ face tighten. “I’m alright. How are you?” 

You let him go, giving him a small smile. “Better now that I’m back with you, thanks for asking.” You go back to the stove to stir your pot. “If you’re warm, you don’t need to keep that blanket on for me. I’ve already seen the bandages.” 

You hear his quiet intake of breath, and then a few moments later the sound of the blanket dropping to the floor. 

“Are you in the mood for some tea?” you ask without turning around. “If you want to get back in bed, I could bring it to you there. I don’t imagine standing is very kind to your legs right now.” 

You’ve been reading up on wolf versus human anatomy. If Remus’ transformations work the way you think they do, the bones in his heels and legs would have to either break or otherwise shorten and elongate to create the legs a wolf needs; you can’t imagine it’s a painless process, or that he’s not still feeling the effects of it now, so soon after the moon.

For a dense handful of moments, Remus lingers on the edge of the kitchen. But soon you hear his footsteps, heavier than usual in a way that makes your stomach hurt, go back towards the bedroom. You finish making his tea and bring it to him with a few pieces of his chocolate. 

He’s sitting up at the edge of the bed, propped up on pillows and watching the smoke curl up from your incense with a haunted look in his eyes. 

“Hi,” you say softly. He accepts the tea and chocolate with a quiet thanks. “Do you think it might help things if I opened the curtains? Some sunlight might be good for you.” 

Remus hums his assent. Everything becomes crisper once you let the light in. Remus’ dark circles and the blood visible through his bandages, but also the healthy flush to his cheeks and the strength of his body beneath the dressings. 

“What is this?” Remus asks you, sipping his tea. 

“Bay leaves. It’s for pain relief. It helps more if you put it directly on the wounds, but I didn’t think you’d want to mess with your dressings any more.” 

He nods. Sighs. “Come here, dove. Come sit.” 

You’re eager to comply. You round the bed to avoid crawling over him, settling against the pillows beside your boyfriend with your shoulder touching his. A support, if he needs it. 

“What’s the incense for?” he asks. 

“It’s lavender. It’s also good for pain, but I thought it might help you sleep as well.” 

Remus nods again. He turns to you, his eyes some mixture of distressed and resigned. “Why are you doing all of this?” he asks. “Why did you come home?” 

“Remus,” you say gently, “we don’t have to talk about anything you don’t want to.” 

His brows hook in the middle, a small crumbling. “But you know already.” 

You cradle his face in your hand. Your voice is soft. “Yeah.” 

You pull Remus towards your chest when he starts weeping. He dampens your shirt while you comb your fingers through the hair at his nape, saying nothing. Steam wafts up from his tea until it doesn’t, but that’s okay; you’ll make him another cup when he’s ready. 

James and Sirius are surprised to find you when they come home. 

“Angel—” 

“Shh.” You cover one of Remus’ ears with your hand, his head in your lap. “He’s hardly slept all day.” 

James lowers his voice, setting his bag down on the floor. “When did you get here?” 

“This morning.” 

“But you were supposed to be away until tomorrow afternoon.” Sirius climbs up onto the bed. His expression goes tender as he looks down upon Remus’ sleeping face, and the kiss he presses to your lips is gentle.

You card your hand through Remus’ hair. “I didn’t want to be away from him,” you admit softly. “I understand why you want to do things without me on the night it happens, but I’d like to help before and afterwards at least.” 

Sirius’ brow pinches, his eyes narrowing cautiously. 

“When what happens?” James asks you. 

You speak softly, not wanting the words to potentially agitate Remus in his sleep. “The transformation.” 

There’s a thick pause. 

“Who told you?” Sirius asks. 

“No one had to tell me.” 

There’s a quiet chuckle from the end of the bed. James kicks his shoes off, crawling up the covers to meet you. “I told you she knew.” He gives you a kiss, soft and syrupy sweet. “Thanks for looking after him for us, sweetheart.” 

Remus grunts, coming awake. “James,” he groans. “Your knee is on my leg.” 

“Oh. Sorry, love.” James moves, then bends down to give Remus a kiss of his own. “Did our angel take good care of you today?” 

“Better than this.” 

“That’s the moon talking,” Sirius says flippantly, though the hand he uses to rub Remus’ shoulder is exceedingly gentle. “That’s something you’ll learn as we go along, gorgeous. He loves us, really.” 

You feel your brows pinch. “I thought he was as nice as always today.” 

“Wonder why,” Remus mutters, but the look he gives Sirius is teasing. 

James gives Remus another kiss, standing. “I’ll get you some of your soup.” 

“Oh, I…” You give him a sheepish look. “I washed that down the sink. It got left out, the meat was bad. There’s tea on the stove that should help him heal faster, though, if you want to get some of that.” 

James and Sirius stare at you. 

“Seems like we should’ve brought you in on this a lot sooner,” Sirius says after a moment. 

You shrug. Remus mumbles something that sounds like agreement.

[clockwayswrites]

The Birdritch's Nest part 25

masterpost

“That is a lot of plants,” Jason said. He swept his eyes over the space as he slipped his lock picks back into their little pouch.

“He has a botanist friend, apparently, and she keeps giving him plants,” Dick explained as he squeezed past Jason and into the apartment.

“Why are you here again?”

“Because I have a car which is better to carry all of Danny’s stuff in than your bike,” Dick explained. He went over to the wall of plants in front of the windowed corner and squinted down at something on his phone.

Jason pulled out his own phone to glance at what Tim had sent. “You say ‘all Danny’s stuff’ like the list was long. The guy hasn’t exactly been demanding.”

“The ‘guy’ expects to actually go home in a few days,” Dick pointed out.

“And is an adult and so can, you know, actually go home,” Jason retorted.

“Damian’s attached.”

“…I concede to your point,” Jason said once that thought sunk in. “Double the clothing asked for?”

“Basically. Make sure that he has a weeks worth, Alfred can always do laundry,” Dick said before letting out a little noise of triumph and doing something over by the plants. “There, watering system turned on.”

“Congratulations, you’re a genius,” Jason drawled. “Now go get his medication gathered up and snoop a little while you’re at it.”

“I thought we weren’t supposed to be snooping,” Dick, words a teasing sing-song as he passed by.

Jason flicked him off. “Like you wouldn’t anyways. I just want to know what you find.”

“Only if you tell me what you find in the bedroom.”

“Deal.”

The bedroom was almost startlingly normal after the plant filled living main room. It didn’t look like Danny really spent much time in it beyond sleeping. The bed was absentmindedly fixed, a black down comforter over pale blue sheets. There was a paperback on the nightstand next to a lamp and a pocket sized notebook with a pen clipped onto the bent and battered cover.

It was the first thing that Jason picked up.

The notebook was obviously where Danny made notes when he was already settled in bed. As Jason flipped through the pages there was everything from to-do lists to invention ideas to… a lot of thought about wings. Jason turned the notebook in his hands. That page wasn’t in English. The language felt like it was on the tip of Jason’s tongue but he just couldn’t get it out.

Maybe some sort of dialect?

Jason couldn’t actually read it, but there was enough to piece together from similarities that tugged on his memory. Enough to understand it was about the wings. Something about the process of change? Aging?

“Hey Jay?” Dick interrupted, scattering Jason’s thoughts. “Can you read the label on these bottles? There’s some serious printing issues happening, I can’t even tell what language it’s in.”

The pill bottle felt oddly cold in Jason’s hand when he took it from Dick, but maybe the bathroom just had shit heating in this place. It would be just like Gotham builders to mess that up.

“Oh, that’s the same thing Danny is writing in here,” Jason said passing the notebook to Dick. “It’s something about wings and getting old, I think, but I can’t really read it.”

“Read it? I don’t even know what it is. Gives me a headache just to look at it,” Dick grumbled as he flipped through the notebook. “The whole bird thing has really been on his mind, hasn’t it?”

Jason gave a little huff. “Do you blame him? The guy has wings now. It would be on my mind too.”

“Yeah… guess I really can’t,” Dick said and snapped a picture of the page with the unknown writing to send to the group chat. “Any idea what it is?”

“Nope. It’s like it’s a distant dialect or that it uses some of the same alphabet of something I learned some of once. Like how Chinese and Japanese use some of the same characters, you know?” Jason explained as he opened the side table drawer and then quickly closed it again. That was more than he needed to know about Danny. “Maybe something from when I was catatonic in the league, who knows. There were a lot of languages in that place.”

“Cass or Damian might now it then,” Dick said as he eyed the drawer Jason had now moved away from.

“Don’t, trust me,” Jason said. “Did you get the medications you needed to grab?”

“Yeah, they’re in the bag. Just a standard bathroom, really. Though he keeps his toothbrush in this old mug with a hero I don’t recognize on it, someone called Phantom.”

“Doesn’t ring a bell, but it sure sounds like a hero name. Add it to the list,” Jason said as he started on gathering up the requested clothing and extra enough to last a week. “Check the closet to see if there are any shits in there that work around wings.”

Jason rolled his eyes as Dick threw the closet doors open dramatically and focused on his task. Jeans, sweatpants, underwear, what he guessed was pajamas were all added to the bag.

“So, nothing that looks like it was made for wings,” Dick said and tossed some normal shirts and a few sweaters into the bag. Jason sighed and folded them neatly. “Maybe he hasn’t had time to find any yet? It hasn’t been that long since the bird thing and seems it all started there. Or maybe he’s just always home when he’s had then?”

“Better let Alfred know then. He’ll want to get something as soon as possible.”

“Yeah, good point,” Dick agreed.

While Dick stepped out of the bedroom to call Alfred, Jason took the time to double check the list. It really was pretty basic. Jason didn’t know if Danny was just trying to not be demanding or if the guy didn’t need much, but Jason went ahead and put the bedside paperback and notebook in the bad too. Jason slung the duffel bag Dick had brought over his shoulder (he totally could have ridden his bike like this) and took a little bit of time to snoop through Danny’s bookcase while Dick finished the call. Sci-fi, horror, old text books, and a ton of notebooks filled the shelf with knickknacks and a few figures. Jason at least had to give Danny points for having some of the sci-fi classics, even if the range of works was pretty limited.

“Okay, Alfred is on it,” Dick said. “Anything else we need to do?”

“Nah, I think we’re good,” Jason said. Something made him not want to look through the notebooks, like they had already done enough snooping. It was an odd feeling. “Let’s get going, I’m hungry for whatever dinner is.”

“You’re always hungry,” Dick said.

Jason shrugged rather than dealing with how true that statement was. “I’m a growing boy.”

“You’re a trash pit.”

“Yeah, you want to go there, cereal boy?”

“Leave my cereal out of it!”

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AN: I do love writing Dick & Jason so much. Can you tell I have an older brother? Also sorry for the mistakes I'm sure are abounding. Guess who turns out to be anemic? This critter! Maybe getting that fixed will help...