#i wonder if i could simplify the history

[paperleef]

May 13 1887, Jose Rizal and Maximo Viola visit the town Litomerice to meet Ferdinand Blumentritt

[thankssteveditko]

An overly-simplified introduction to the "Marvel Method"

As I begin to cover Amazing Spider-Man, it's probably worth explaining the basics of this up front for anyone who isn't aware. Over on Thanks Ken Penders, I talk about comics generally made the "traditional" way. A writer writes a detailed script, and then it's handed off to the art team to draw what the script says, with perhaps a bit of interpretive wiggle room. That's what you'd expect, right? But back in the '60s, Marvel developed their own creative method that came to be known as... well, the Marvel Method.

It varied from team to team, but the steps of the Marvel Method (or the "plot script" method) are basically this:

The "writer" comes up with a basic synopsis of the story - not a full script

The "penciller" takes that synopsis and draws up the full story, determining the specifics of what actually happens

Finally, the art is handed back to the writer, who comes up with the dialogue based on what the artist has decided to draw

The argument for this process is that a comic artist should be a strong storyteller as well, and that the artist may know how to break the action down panel-by-panel better than a writer would. In reality, the actual explanation is that Stan Lee was working on way too many comics at once in the '60s, and so he offloaded some of the burden of storytelling to artists Jack Kirby and Steve Ditko because... well, they were Jack Kirby and Steve Ditko.

It should probably not be surprising that the Marvel Method created a lot of problems.

For one, before long, Kirby and Ditko were basically just plotting whatever they wanted for Fantastic Four and Spider-Man, then letting Stan fill in the dialogue... but Stan was still getting full credit as writer, making it seem like the stories were all his doing. (He would eventually start giving them credit for plotting.) Even when Stan did give them plots like he was supposed to, sometimes they'd go do something wildly different anyway. Stan intended to make the Green Goblin an ancient Egyptian demon found in a sarcophagus by a film crew, but Steve basically went "I'm not fucking doing that" and made him a human villain instead. Can you imagine a comic artist going completely rogue like that in this day and age? It's nuts! (But also, Ditko made the right call there.)

Because Stan had the final say when it came to dialogue, this also meant he could directly contradict the intent of the artists. Hilariously, I've found anecdotes about Stan both watering down Ditko's later attempts at giving Peter increasingly Objectivist views and also removing references to the ideology from a Kirby story seemingly intended to make fun of Objectivism. But while these examples are funny when juxtaposed like that, on the whole it's easy to understand how frustrating it is to have Stan Lee swooping in at the last second and completely changing the meaning of your story, then taking the credit for writing it.

Is it any wonder that Kirby and Ditko both felt they weren't being given their proper due at Marvel and left for other companies? Is it any wonder that the Marvel Method isn't used much in the modern age? But, basically, this method and this history of improper crediting are why it's difficult to determine exactly who did what for a lot of these early Spider-Man comics.

[breelandwalker]

@sonnabug reblogged your post:

#is myth the right word if they were the ones who felt they were being persecuted? #not siding with them just wondering about word choice and technicalities #because its true our history was founded on what they decided to tell us but is it an outright lie or did they truely feel persecuted

Oo oo oo, a teaching opportunity!

Okay, so the Puritans came to power during the First English Civil War - the one where they axed Charles I afterward and abolished the monarchy. Their whole beef was that the new Anglican church wasn't STRICT enough and still had too many Catholic trappings (and way too much tolerance for the remaining Roman Catholics in the country). So they kept pushing for Purity and Piety, in personal and business spheres, basically insisting that a strict Protestant moral doctrine should govern every aspect of life, from the management of the home to the running of businesses to interpersonal relationships to the governing of the country and its' policies abroad.

Sound familiar? Their whole rhetoric puts me in mind of a particular line from Elvira: Mistress of the Dark: "The local council is horrified if someone in Fallwell, wherever or whatever, is having a good time."

Anyway, all this religious kerfluffle (plus a couple of other factors) eventually led to the complete destabilization of the English government and the execution of Charles I. And then when the monarchy was restored under Charles II and the country was like, "Oh thank goodness, we can have things like beer and Christmas again and maybe a little less religious conservatism," the Puritans promptly went, "Well this won't do at ALL." Most Puritan clergy with separatist leanings resigned from the Church of England and many Puritans packed up to move to the colonies, where they could "practice their religion in peace." (Read: "Where they could be as stodgy and strict and bigoted as they wished and created a system of laws based on religion instead of common good.")

There's a lot more to it than that and I'm simplifying and glossing over quite a bit, but that's the nuts and bolts.

The mess the Puritans made both in England and in America was one of the reasons the vaunted Founding Fathers insisted on Separation of Church and State, as well as why Freedom of Religion is part of the First Amendment. They'd seen England tearing itself apart over a Wabbit Season / Duck Season tug of war between Catholicism and Protestantism for a good century and more, and they did NOT want to repeat those mistakes in the new country they were trying to build. (They got a lot of stuff wrong, but at least they had the sense to be like, "Yeah maybe religion shouldn't run the government.")

So while it's true that the Puritans may have felt persecuted, it was for basically the same reasons that conservatives and fundamentalists claims to be oppressed today - people generally don't like it when their stodgy uptight neighbors try to beat them over the head with a Bible and demand that one particular interpretation of a single religion should be the driving force behind the running of every aspect of an entire country.

But since they got to write the earliest chapters of American history with no one to provide a strong counterargument, we get this pervasive self-created myth that the Puritans were these poor ragged refugees, fleeing religious persecution for a new land where they could live in peace and harmony and...decimate the local indigenous population and murder their own neighbors in the name of piety. The Pilgrims were assholes and we've been fed pretty lies in our schoolbooks for decades.

(For modern context, religion wasn't a strong part of American politics until McCarthyism happened, at which point we got the God references in the Pledge of Allegiance and on our currency. Then the Moral Majority movement got Reagan elected in 1980 and we've been fighting modern Puritans in government ever since. America has never been a Christian nation, but conservatives keep doing their damnedest to try and turn it into one.)

Hope this helps to clarify things! 😊

[bisexualamy]

Your take on Power of Three is sooo good and correct! Underrated ep!

Thank you! "Power of Three" is another ep where I believe that I could Fix Her with minimal rewrites. I really think it's remembered poorly because the villain is underwhelming and underdeveloped. I think if they'd just simplified the villain, or turned the episode into a non-antagonist episode like they did with "Twice Upon a Time", more people would give it the credit it deserves. The point of "Power of Three" is not the villain.

Power of Three is an episode primarily concerned with what happens after people leave the TARDIS. Modern Who did this earlier, with Sarah Jane in "School Reunion", Jack in The Utopia Arc and later in Torchwood, and pretty much all of the farewell sequence in "End of Time." Chibnall did it later as well with the companion support group. But I think "Power of Three" is unique in that its tone is markedly more positive than previous examples. It's a lovely slice of life episode and a lovely ode to Amy and Rory, who've at that point were our companions the longest anyone's been a companion in Modern Who.

We get the Team TARDIS domesticity that many of us love. We get glimpses of Amy and Rory's friends back home, and the joy they take in "boring" things like weddings and dinner parties. It has the introduction of Kate Stewart and a lovely homage to the Brig. It has my favorite scene with Amy and Eleven by the Thames, where two people who have such difficulty being emotionally direct and genuine are able to now, after years of growing together, admit plainly that they love each other and they're terrified of losing each other. The episode is full of references to how the Doctor's fingerprints are all of Earth and its history, some good and some bad, but ultimately he is loved. His impact isn't just dramatic, be that saving the Earth or bringing about terrible tragedy. The Doctor is Amy and Rory's friend. The Brigadier's friend. Kate's friend. That's it.

I love "Power of Three" because, for the first time since the revival, we're seeing companions who grow beyond the Doctor, whose relationship grows and changes to include the Doctor less or differently, without tragedy being the catalyst. Amy and Rory aren't traumatized like Martha. They don't have their memories wiped like Donna. They aren't forcibly ripped away like Rose. They just built a life they like, and as they're growing up they're finding a lot of joy in all the different ways they can live their life.

Amy has learned to appreciate a life that is slower and simpler. Rory has grown confident both in his relationship with Amy and his career. Amy and Eleven explain the episode's point right at the beginning:

AMY: To think it's been ten years. Not for you, or for Earth, but for us. Ten years older. Ten years of you, on and off. ELEVEN: Look at you now. All grown up.

This is Amy's character arc, and Amy/Eleven's relationship arc, in a nutshell. This is the end of their story. And as much as I love "Angels Take Manhattan", I feel like really, in "Power of Three", Amy and Rory demonstrate that they're already ready to move onto the next phase of their lives. Maybe it could've ended less tragically. Maybe the Doctor could've visited them for decades and decades in the future. But they were never going to travel again like they did back in Series 5 and 6. And that can be wonderful.

[boreal-sea]

Hey, I have a question and I was wondering if you could help because it’s really been confusing me lately. If not, for any reason at all, you’d rather not I totally understand. You can just delete the ask.

With a lot of pro-ship arguments I see the phrase it’s “just fiction” and idea that fiction can’t harm anyone. However propaganda is still obviously dangerous and representation is important. I don’t know how exactly the rules are different for these things and I’d really appreciate any thoughts you had on the topic, if you have any. I might be missing some obvious part to this, my brain tends to do that

So it's not that the rules are different, it's that the entire context is different, including the intent, impact and scope.

I used to deal with this mental conflict as well, as a young person. I was raised republican, and one of their big tactics is oversimplifying things. So you learn "violence is bad", and then you see BLM protestors and the January 6th rioters, and the simplified world view says "if you think the BLM thugs are justified, then so were the January 6th patriots - they both rioted, they both fought for their rights against the establishment".

Now obviously, those two situations are absolutely not equivalent when you think about them for longer than a millisecond, but the simplified world view does not want you to think. In the simplified mindset, "destroying property" is always wrong, no matter the reason why. So if you are OK with it in one situation, you cannot disagree in another and vice versa. And that is the mindset Antis have when it comes to fanfic: if propaganda is bad and can negatively influence people, if giant blockbuster movies, famous novels, and popular TV shows can negatively influence stereotypes about people and cause other harm, then it is equally wrong to write about icky kinks on Ao3.

The thing is though, these are not at all equivalent situations. Propaganda is created with the explicit intent to influence people's opinions about a subject area. The scope and impact of famous authors and directors is way, way bigger than a fan author on Ao3 - and big-name folks like that do actually have to deal with the impact of their work. Spielberg regrets the negative impact Jaws had on sharks, for instance.

A fanfic you write for yourself and post on Ao3 for a niche audience of fans is going to get a couple thousand hits, at best. It's very unlikely to ever escape the awareness of people in your fandom. And especially if you have tagged it correctly, the only people who are going to read it in the first place are people who are already into that kink, or who are open to it. It is never going to influence culture at large. My kinky fanfic is not going to have the same cultural impact as Steven Spielberg's Jaws did in 1975. And no, my fanfic is not going to "normalize rape culture".

Any work of fiction can have unintended impacts. This is not a logical justification to not create art. "Problematic art" not only deserves to exist, it needs to exist. If you don't agree with that, then you might as well be on the side of the folks in red states across this nation who are banning books in schools, forcibly rewriting history to erase slavery from the USA's past, and thinking they can get rid of "problematic media" they claim is "grooming their children".

[zee-the-zebra]

About The Kaveh Reincarnation Theory

I will make this theory make sense and no one can stop me.

Story Parallels

We know very little about the Goddess of Flowers but her connection to Kaveh is less about backstory and more his personality.

What do we know about her? She foresaw her own death in the cataclysm and didn’t run away from it. She facilitated her so she would leave a legacy greater than herself behind. And she did, creating the Jinn and the Khvarena. And what does Kaveh do on a near daily basis? Break himself over and over again to create things that will outlast him. And while he has succeeded in creating great things, he is still trying to make a legacy, no matter how much he brings himself to a closer ending than he should ever have.

Artifacts

Honeyed Final Feast

"In those days, the moonlight would tell of their happiness to the nightingale and the rose." "And they were so frightened and abashed that they could sing no song in response." "Peace and ease reigned, and there was no division or misfortune in this worriless paradise..." "If only these wonderful days, as lovely as a shimmering mirage, could last for eternity, and that they should never have to taste the bitterness of parting."

Could possibly parallel Kaveh and Al Haitham’s relationship before their falling out, as well as how Kaveh was living at what he thought to be the high point of his life before he ended up homeless.

Later, time sundered the contract between day and night, destroying the ancient oath. The gentle moonlight sank into the quicksand. The sun shrouded all things in its fearsome gaze.

The mention of quicksand is interesting, considering that is how Kaveh’s father died.

Dreaming Steelbloom

"When the moon leaves your palm, and the lonesome silver light retracts from atop the labyrinth on the sand ocean," "One hopes that you will remember how your companion in the dreams shone like the burning sun."

This is the same line I pulled for the Al Haitham write up but it still tracks as a possible parallel to Kaveh and Al Haitham’s falling out. Or rather, an implication that if things were to continue as they are, history might repeat itself between the “sun” and the “moon”

Ay-Khanoum's Myriad

In a bygone time which only the Jinn recall, the Lord of Flowers was cast aside by the heavens. Her magnificent vessel was left a savaged husk, her kinsfolk punished by way of being stripped of their minds... Legend has it that the Lord of Flowers wandered the barren wastes for seventy-two nights... Her heels were worn through by the merciless gravel. Her wounds gushed into limpid springs, turning into streams with no boundaries.

Could act as a parallel to Kaveh losing everything he has to create the palace and being homeless afterwards.

Wilting Feast

The Lord of Flowers capitulated to her friend's folly, finding a most admirable rebellion burning within the ambitions of the god. An idea that joined the wisdom of thousands, and the great attempt at binding their dreams to power. What hides here is more than lies, but also the future of humanity, burning like the sparks of hope... Dreams will always dissolve, their landscapes fated to collapse — this is the true meaning of the blooming flowers. Only by suffering through the destruction of a god's delusions can humanity learn to rise against divine will... Just as the stubborn God King orchestrated this secret rebellion, surviving on the strength of individual will alone. However, the Lord of Flowers never knew a love that could be as sweet as wine, let alone the paltriness of human emotion. Brilliant as she was, even she could not easily predict when these little beings would finally realize the truth... "... Have these so-called gods not been superfluous to you since the beginning?"

Oh boy, there’s a lot to unpack here, but I’ll attempt to simplify. 

This is the very culmination of the parallels between Deshret and Nabu Maikata as well as Al Haitham and Kaveh. The main purpose here is that the Goddess of Flowers never truly agreed with Deshret. She could never fully believe in his ideas, yet she stayed by his side anyway in a hope that they could do something truly selfless for their people. This is almost one to one Al Haitham and Kaveh’s dynamic. They will never see eye to eye. Yet they are each other’s mirror, equals in every way.

And like the past, eventually these ideals clashed and the dream died. Deshret, like Al Haitham, chose to do all his work on his own. And Nabu, like Kaveh, did everything she could to be selfless, but could really only watch as her world crumbled. Nabu and Deshret’s love, like Kaveh and Al Haitham's, wasn't sweet. It was chaotic, all over the place, impossible to fully pin down and yet it was still there. After every tragedy, after every hardship, after the times where they believed they were nothing to each other, the emotions there had never grown dull.

The final thing to connect is the question Nabu was asked and the question Al Haitham asked Kaveh.

“How has realizing your ideals gone for you?”

For Nabu, the answer was to design a legacy born of both bitterness at life and the gods, as well as so those after her could live on. For Kaveh, he hasn’t figured out his answer yet.

Secret-Keeper's Magic Bottle

In a bygone time on which the Jinn alone are silent, King Deshret poured his deepest ambitions out before the Lord of Flowers... As the moonlight's visage drifted across ripples within a glass of pomegranate wine, the Lord of Flowers finally succumbed to the persuasion of a friend most beloved. The words King Deshret spoke that night remain unknown to all. Even the eldest Jinn bestow only silence when asked about that which was said. None know what secret desires King Deshret revealed in the dark past daylight, desires that might shock even the wisest of gods. But the Lord of Flowers herself drew enlightenment from the exchange. It had been within her calculus — something long foreseen. . . . "Know this: if there is to be hope in this world, it will be found kindling within mortals most ordinary."

Acts as a parallel to Kaveh and Al Haitham’s project while they were still in school. Also parallels Al Haitham’s closed off self reliance and Kaveh’s desire to give pieces of himself to others.

Connections to Real Life

The only name given to the Goddess of Flowers is Nabu Malikata. And while the first half of her name can’t really be attributed to Kaveh (Nabu being an ancient Mesopotamian god of literacy, the rational arts, scribes, and wisdom), the second half of her name can. Malikata can be translated to the ideogram of the Middle Persian word for queen, MLKTA. More proof of this is found in the Eternal Oasis, in her name is written as “NABU MLKTA” in the in-game Deshret Script, the same as the ideogram of the Middle Persian word.

Kaveh’s name, as I’ve learned (shout out to my friend Cado, who unintentionally helped me with a lot of this) is a very common Iranian/Persian name for boys. That’s just a fun fact, more specifically, the name came from the Shahnameh, or the Book of Kings. The name Kaveh was used for a character in the tale of Zahak the Serpent King, in which the Zoroastrian gods played major roles. 

The Goddess of Flowers, created something known as Khvarena, which in Genshin is a purifying spirit, but in Zoroastrianism, is a concept of a divine power projected upon and aiding the appointed. While it could be considered grasping at straws, reincarnation or being the vessel of divine power could be considered a form of Khvarena in real life Zoroastrianism.

Now, we have no Goetic name or twisting of a Goetic name for Nabu Malikata, we can also lift from Egyptian mythology considering Deshret’s true name is Amun. The consort of Amun/Amun-Ra is Mut, sky, fertility and matriarch goddess said to be born from the primordial waters of Nu.  This could be the proof of Nabu Malikata’s true name as she has been shown to have connections with Egeria, who wielded the power of the Primordial Sea. And, while not directly from Fontaine does have connections to it as his mother moved there.

As for Mut as a name, it could be twisted in Mathim, an alternate reading of Bathin, a demon said to know the virtues of precious stones and herbs.

Conclusion

Oddly enough I feel like this theory is far more concrete than the one with Al Haitham. With references to Persian mythology, mytho-history, and history in both the Goddess of Flowers and Kaveh, as well as the parallels in their stories, the theory actually feels very water-tight. Perhaps my theory with the most proof to date.

[grand-theft-carbohydrates]

first day as the envoy of Yan, and i have a brilliant, amazing, fool-proof plan to assassinate the warmongering tyrant of Qin. I've got the head of a famous general inside a box, a poison dagger hidden inside a map and my backup is ruthless murderer who killed a man at age 13. mark my words, this day will go down in history!

update: my backup got cold feet and became catatonic with fear the moment we set foot in the palace. i quickly spun a story about him being a country bumpkin who was suffering culture shock but now the guards are suspicious and i have to approach the throne room alone--well, mostly alone. Oh, General-Inside-A-Box, we're really in it now.

update: the Warmonger laughed at my joke! i am going to get a good evaluation for regicide, which is normal to want and possible to achieve.

update: it's time to present the map. my palms are sweaty, knees weak and this scroll feels so heavy. i regret eating so much of my niang's dalu mian beforehand because someone didn't put enough salt inside this box and the general (heaven rest his brave soul) is starting to smell and to be honest it's making me a little nauseous. the fear rises in my gullet, strong and acrid, threatening to choke me, but i force it down and put on a brave front, like a swan on a tranquil lake, kicking like mad underneath. this is my one opportunity and i cannot let it slip away. Yan is too small to meet the might of this tyrant in open battle. for the sake of my people and all that i love, i must prevail.

update: i missed.

update: i am now chasing the Warmonger around the throne room. he cant unsheathe his Hugely Impractical Ceremonial Sword and none of his ministers are permitted to carry weapons so they just stand on the sidelines yelling advice. eventually the court physician comes to his senses and throws his medicine bag at me, giving the Warmonger an opening to finally get his sword out and cut me down. i throw my knife at him (also missed) as a final act of defiance but frankly speaking, there's not much face left to salvage here. when i enter the afterlife, the general is laughing so hard his head almost falls off again. i am never going to live this down.

update: I go down in history as a hero and one of the Five Great Assassins. really makes you wonder about the other four.

update: oh my god! my best friend is here too! what a sight for sore eyes, i can't wait to catch up and play some tunes with him!

notes under the cut:

The story takes place in 228 BC, the King of Qin is in the middle of a brutal war of conquest. In the span of just ten years (In 230--221 BC) he will unify china and become the first Emperor (the terracotta warriors belong to him). He will go down in history as both a cruel tyrant and brilliant statesman, to call him influential is to say the Yangtze river is "just a big puddle."

Jing ke -- (the assassin) originally hails from the state of Wei, which was conquered by Qin, afterwards he became a retainer of Yan and joined the plot to seek revenge. I simplified the story a lot for the sake of narrative clarity.

General Huan Yi -- former general of Qin who lost favour with the King. In an absolute bro move, he agreed to commit suicide and let his head be used as a "gift" for the assassination attempt. I couldn't find any sources on how severed heads were preserved during this time, but drying + curing with salt seemed pretty reasonable so i went with that.

yes, i did just combine the Second Century Warlord with Eminem to create an unholy abomination that is the deepest of deep cuts. 娘 Niáng -- [Mum] considered archaic 打卤面 Dǎ lǔ miàn--braised noodles

Jing Ke's buddy Gao Jianli (who is a famous musician) ALSO tries to kill King Qin to avenge his friend's death. He was recognised and blinded before his first attempt, but was allowed to stay. During this time, he ingratiated himself with the king and hid weights inside his instrument, biding his time until he could get close enough to take a swing (spoiler: he also missed).

[nalyra-dreaming]

Hi! I’ve never read the books, but I lurk on your account I lot (I love reading your thoughts 🩵🩵). I was wondering if you could simplify the Loustat/Armand thing for me?? Does Armand hate Lestat because he loves him and it’s unreciprocated???

Hey there!

Glad you like!

Sooooooooooooo. In order to answer that I need to give you some background info (real quick^^):

Armand encountered Lestat when he was just turned. He ... kinda "imprinted" on him, because Lestat reminded him of Marius, his maker. He desperately wanted Lestat (there is more to that, but), and in an effort to "get" him, he spell-bound him and bit him, in the books the equivalent of vampiric rape, as you may know. Lestat, fresh out of trauma of his own turning, fought Armand off and almost beat him to a pulp, but Lestat takes pity on him eventually and takes him to Gabrielle, and they talk. Armand wants to go with Lestat and Gabrielle (already forsaking his coven in that moment) but Lestat and Gabrielle reject him, and offer him the theater instead. This shapes their relationship.

I wouldn't say their love is unreciprocated. But since Armand went about it the way he did the mutual attraction (that is very much there in the books) never really came to pass. And, of course, there is a lot of history between them later on. Armand's treatment of Nicolas, and Louis. And his hands in Claudia's death. Armand's way of handling things, which does not always sit well with Lestat.

They have a kinda love-hate relationship with a lot of bitching, sniping and longing. They love each other (and since Armand comes to love Louis Armand is one of the few Lestat trusts with Louis (later on)) and yet they tend to hurt each other. Armand told Lestat to come back if he needed help, but when he does (and only wants help and not Armand) he tortures him and eventually throws him off a tower. They indulge each other, and Armand is one of the few who is allowed to drink from Lestat while Lestat is in his coma. They lash out at each other when in pain, too, there is a very interesting part in the last books that I would love to see in the show. (I hope we get there).

There is mutual respect, but due to their beginnings there is also always a certain distance between them, a certain aggravation, that never gets fully bridged.

Soooo.

It's complicated :) I hope I could simplify it a little bit. Please don't hesitate to ask if you would like to know more!

Also, as a note: I am really, utterly, soooo much looking forward to see this mess on screen. Honestly, that we will get to see part of it in s2 already?! A dream come true 🥹 (And I anticipate them to go full mess on the relationships, so I do look forward to it all^^).

[one-flower-one-sword]

Hello, and thanks again for sharing your thoughts on my previous ask.

More random thoughts to share! : -D

At the end of the fight with Jun Wun, Xie Lian props up his bamboo hat to shield Jun Wu from the rain. That really stood out to me. Jun Wu tormented him for so long. Most people would spit on his body and burn it. Haha, maybe not all that, BUT, they wouldn't give him any sliver of kindness and that would be expected. Xie Lian doing so is just another tell of how much compassion he has for others, and it just blows me away. I couldn't help but see the parallels between what he did for Jun Wu there and the kindness the man with the bamboo hat showed him. I'm still thinking on this a bit, but...Xie Lian had people who loved him (Hua Cheng) and showed kindness to him (the man with the bamboo hat) even at his lowest. I wonder, even if unconsciously, if he wanted to provide some hope to Jun Wu that he can move forward past the worst part of himself. Not saying at all that Xie Lian wants to be part of that process, simply that once Jun Wu is no longer trying to actively harm him or others, he doesn't have any ill will to him. (but even that is over simplifying things - I'm sure Xie Lian could have bad days where he does). But that's my vague thought on this... Xie Lian is able to see the good in people even while not dismissing the bad they've done. To me, it seems he tries to nurture that as much as possible. What are your thoughts on that scene though? :) __________

Interestingly enough, Xie Lian has the hardest time with Qi Rong's personality. Qi Rong is mean-spirited, self-aggrandizing, and cruel as a child, and even more so as a ghost. By the time he's a wrath ghost and we see him facing off with Hua Cheng and Xie Lian, he's really quite pitiful. He can't even see how pathetic he is and it really comes off like a child begging for any attention he can get, even if it's bad attention. Xie Lian's feelings towards him are very complicated. I find it a little ironic and sad because it really does seem that if Qi Rong had had a much firmer and consistent hand in discipline, boundaries and love, that things could've been different for him. Maybe Xie Lian could have when they were young and both alive, but Xie Lian had so much going on himself and honestly, Xie Lian was still a child himself! The adults needed to step in at that time. And when Xie Lian is old enough, I think he's realized he just can't with Qi Rong. For whatever reason - history, personality, family dynamics he can't deal with Qi Rong in a compassionate way and so does what he can and keeps his distance (until present time run-ins start happening). And honestly, that's probably one of the few acts of self-care and boundaries Xie Lian set for himself. He knew his limits with Qi Rong. I do want to be clear that Qi Rong's actions are his own. He's hurt and killed many. He made his own poor choices and is responsible for that. I just think, if from the beginning, if he'd had someone who could be firm and compassionate, things could've been different for him. And potentially, if he'd met someone as a wrath with the patience and compassion to guide him, things could've been different...even if it took another 800 years! On the flip side, maybe Qi Rong did come across such a person but rejected it. We'll never know since it wasn't revealed in the book, but it's interesting to think about. Also, this is the first time I've thought about their relationship dynamics so I could totally be missing some things. What are your thoughts on their relationship dynamic? ------- On a more lighthearted note - one of the things I really love about the novel are all the many ways Xie Lian and Hua Cheng show their love and care for each other. Not just with big moments, but in little ways too with words and actions. There's so much material and every time I'm reminded of it, I just smile inside. I'm so happy for them! But one scene in particular that came to me was right after Xie Lian and "Ming Yi" help Shi Qingxuan escape the Heavenly Capital. They go back to Puqi Shrine and find Hua Cheng tidying up the place with essentially his shirt off. Xie Lian gets flustered and tells him to put his clothes back on and once he does, Xie Lian notices his collar is a little crooked and straightens it for him. Haha, I thought it was very sweet and definitely a "you're already married" moment. : ) Any favorite small moments you remember off the bat?

Thank you for your ask! I'm sorry it took me so long to reply after all (the funeral was last week, so as you can imagine the days leading up to and after it were quite stressful and draining). That said, let's get right into it :3 Gonna go through it from the top:

Xie Lian - His kindness and compassion really are admirable. It's why I find it so baffling when he's described as naive and/or arrogant by fans because that's not at all how the text portrays him. Throughout the story, he's the one willing to against the status quo - both in the human realm and in heaven - and to help the ones no one else cares about, no matter how much pain it results in for him personally. The trauma Jun Wu causes him almost makes him lose himself and then afterwards there's a long time where he blames himself and it's only through meeting Hua Cheng (again) that he gains back his confidence - and like you said, the final scene with Jun Wu shows in such an understated yet profound way that the core of who Xie Lian is has not changed at all: someone who believes that people deserve saving, that kindness is never in vain.

Qi Rong - I can't think of much else to add at the moment, but yeah just like you said, he might have turned out different had he had better parental guidance, but in the end the text is very firm that our choices are our own. I think it's also interesting that when people call Xie Lian naive and arrogant for wanting to save the common people and blame it on him being "spoiled and privileged", it's actually Qi Rong who demonstrates what happens when people born into privilege never question their status and instead do everything they can to take advantage of it and uphold it. Meanwhile Xie Lian even at seventeen was very critical of the power structures and morals that surrounded him and unlike Qi Rong didn't believe that he should be held to a different standard of justice than those "lower" than him. And it can't be chalked up to different guidance, since Xie Lian's views clashed repeatedly with those of his parents and his teachers.

Hualian - I absolutely adore all those small moments that showcast their relationship. Some of my favorites that immediately come to my mind are when they're in heaven and Mei Nianqing is explaining about Jun Wu's past and then inquiring about Xie Lian kissing Hua Cheng:

"Xie Lian could sense that he'd have a hard time swallowing whatever the state preceptor was about to tell him. He wanted to call for Hua Cheng, but before he could do so, Hua Cheng had already come to sit beside him." [...]

"When Xie Lian realized that Hua Cheng likely hadn't lived past eighteen, his fingers trembled. Hua Cheng reached out with one arm and gently covered Xie Lian's chilly hands, palm to back. Although their skin was equally icy, there was warmth where their hands touched." [...]

"Xie Lian had been desperately trying to stop the state preceptor from talking, but with no success. Covering his face, he silently shuffled behind Hua Cheng, who smiled and circled an arm around him as he raised his brows."

Hua Cheng's mere presence is such a source of comfort and safety for Xie Lian, it makes me so ;_; that he wanted him near for emotional support. And they're so tactile, so gentle with each other, always seeking to be close and to reassure and comfort each other through touch ;_;

I feel like I just rambled but I hope my answers managed to still be interesting and satisfying! Thank you for your ask, the distraction and interaction really helps rn <3

[wheelsgoroundincircles]

Ford Mustang Mach I

A Cammer-Powered 616 HP Ford Mustang Mach 1 – “The Sin City Shaker”

This unusual Ford Mustang Mach 1 is fitted with a rare Ford 427 “Cammer” engine, a V8 with single overhead cams per bank allowing higher RPM operation. Ford originally developed the engine to take on Chrysler’s 426 Hemi in the world of NASCAR.

A Mach 1 Mustang fitted with the 7.0 liter Ford pushrod V8 is a quick car by any standard, particularly in a straight line, but the use of the Cammer 7.0 liter V8 with its SOHC takes it up a few notches – from 335 hp to 616 hp.

Fast Facts – The Mach 1 And The Mighty Cammer V8

Ford developed the “Cammer” V8 in just 90 days in the early 1960 using their existing 427 FE pushrod V8 as a starting point. Their goal was to take on the Chrysler 426 Hemi V8 in NASCAR.

The final production Cammer engine had a single overhead cam per bank spun by a 6 ft long timing chain, and they produced 616 hp at 7,000 rpm and 515 lb ft torque at 3,800 rpm – up to 657 bhp with improved carburetors.

The Ford Mustang Mach 1 was introduced in 1968 as a higher performance version of the standard Mustang. It came with competition suspension and front and rear spoilers, but much of the package was focussed on the car’s looks.

No Cammer V8 engine was fitted to a production car by Ford in period, but this hasn’t stopped enthusiasts from doing their own engine swaps. The car you see here has been professionally converted, looking like a factory-built Cammer Mach 1 might have, had Ford ever built one.

The “90 Day Wonder” – Ford’s Cammer V8

When Ford engineers set out to develop a new V8 to challenge the Chrysler 426 Hemi V8 in the fiercely competitive world of NASCAR racing they knew they had their work cut out for them.

To both simplify and speed up the development process they started with a preexisting engine block – the race-proven 427 FE pushrod V8. The block was modified and a pair of new heads were designed that, very unusually for an American V8 at the time, had a single overhead cam per bank.

Single and double overhead cam engines had largely been the realm of the Europeans, specifically the Italians, Brits, and Germans. Compared to pushrod engines, overhead cam engines typically tolerate higher RPM operation, opening up additional power when designed well.

It was this additional power that Ford engineers were chasing. They took the FE block and modified it to accept the new heads they have developed, the overhead cams would be powered by a 6 ft (1.8 meter) long timing chain and a slew of other minor changes would be made to the engine to safely permit higher-RPM usage.

The length of that timing chain would quickly become a problem for the engine, it necessitated that one cam be a mirror of the other, and under high-RPM usage the cam timing could vary by 7º or more due to the chain stretching.

Sadly, before the engine could even turn in a single lap, it was banned by NASCAR along with the Chrysler Hemi engine as part of a crack down on “special racing engines.”

The Cammer Goes Drag Racing

Rather than dump the Cammer project Ford continued to develop the engine in the hopes of changing the minds of those making decisions at NASCAR, in the meantime they sent the engine off into the world of drag racing – where it proved wildly successful.

Many of the big names in 1960s drag racing were putting the Cammer to good use, including Bill Lawton who won the AHRA and NHRA Winternationals in 1966. Other Cammer pilots included Mickey Thompson, Gerry Schwartz, Tommy Grove, Tom Hoover, Pete Robinson, Connie Kallita, and many others.

1967 would see Connie Kalitta’s Cammer-powered “Bounty Hunter” slingshot dragster win the Top Fuel events at the AHRA, NHRA, and NASCAR winter meets – becoming the only “triple crown” winner in the history of American drag racing.

These successes should be no great surprise, as many drag racing outfits were getting over 2,500 hp out of their supercharged Cammers.

The Cammer Mach 1 Shown Here – “The Sin City Shaker”

The car you see here was nicknamed “The Sin City Shaker” thanks to its combination of a Ford Cammer V8 engine and a shaker hood.

The shaker hood was offered as an option on the Mach 1, it comprises of a hole in the hood and a special air scoop mounted directly to the top of the engine. The air scoop rises through the hole in the hood when the hood is closed, and when the engine is running the scoop can be seen to be shaking – hence the name.

Power is provided by a rare, original Ford 427 cubic inch Cammer V8 producing 616 hp at 7,000 rpm and 515 lb ft torque at 3,800 rpm. Power is sent back through a 4-speed manual transmission to the rear axle.

As a Mach 1, the car has that distinctive livery on the outside, including side stripes, a matte black hood with hood pins, a front lip spoiler, and a rear trunk lid spoiler. Inside you’ll find a black-on-black interior and a Hurst cue ball shifter.

Ben Branch

Articles that Ben has written have been covered on CNN, Popular Mechanics, Smithsonian Magazine, Road & Track Magazine, the official Pinterest blog, the official eBay Motors blog, BuzzFeed, Autoweek Magazine, Wired Magazine, Autoblog, Gear Patrol, Jalopnik, The Verge, and many more.

Silodrome was founded by Ben back in 2010, in the years since the site has grown to become a world leader in the alternative and vintage motoring sector, with well over a million monthly readers from around the world and many hundreds of thousands of followers on social media.

[autumnalfallingleaves]

Question, in the first few chapters on WondLa, before Rovee gave Eva the translator, were you able to decode what Besteel and Rovee were saying? I’m still having a hard time trying to figure out what they’re saying. Still wondering what Shee-na means.

*spreads arms dramatically* My time has come.

Lmao. I love conlangs, so I've definitely tried to translate the non-human dialogue a couple times over the years, so I'll give it my best shot!

First, I think "shee-na" probably means "quiet" or a variation thereof, given that Rovender makes a shushing motion when saying that. As for book dialogue:

"'Ovanda say tateel?'" (pg. 69, Rovender)

Likely "What are you doing?" I'd be inclined to translate as "Who/what are you?" instead if not for the fact that Rovender says this same thing to Eva when she's hiding under Otto on pg. 94. They're sort of familiar with each other at this point, so it doesn't make any sense to ask who she is again.

"'Daff effu Cærulean?'" (pg. 77, Besteel)

Possibly something along the lines of a snarky greeting, or "What are you doing, Cærulean?", or even "We meet again, Cærulean?". From context clues, I'd say Besteel and Rovender have crossed paths before (they seem slightly familiar with each other; Besteel knows Rovender by name) and have a history of not liking the other/Rovender keeps messing with Besteel. This is also why I'd posit a snarky greeting.

"'Tuda neem,'" (pg. 82, Besteel)

"Don't worry," meant in an extremely worrying fashion.

"'Kap und gabbo.... Ta, broog iffa yu nabba,'" (pg. 83, Besteel)

Context seems to suggest "ta" is "yes" in the common Orbonian language. The whole thing is perhaps "You can't escape [or you are scared].... Yes, you will be perfect [or: you will live]," possibly as a reference to his mission to capture specimans to free Redimus.

"'Oeeah. Te banga nee peezil,'" (pg. 83, Rovender)

"Oeeah" is an exclamation, so has no translation. Possibly "see what he's doing there"?

"'Dot, dat.'" (pg. 83, Rovender)

"Stop, no." "Dat" appears to be "no".

"'Peesa van shuuzu,'" (pg. 84, Rovender)

"Going up is the only way out"; "peesa" is "up".

"'Ta! Ta! [...] Peesa.'" (pg. 84, Rovender)

"Yes! Yes! [...] Up."

"'Pra! Dooma boffa!'" (pg. 85, Besteel)

"Back! Stupid animal!" (translation note: what an asshole)

"'Dat, dat, dat. [...] Te,'" (pg. 85, Rovender)

"No, no, no. [...] There,'"

"'Tasha, zaata,'" (pg. 87, Rovender)

"Alright, go,"; "zaata" is "go".

"'Bluh, sizzu feezi,'" (pg. 88, Rovender)

"Bluh" is an exclamation and has no translation. "Feezi" means "nymph"; this seems to be a word Orbonians-- or at least Cæruleans and/or Halcyonus-- use for children. Eva is referred to as "the nymph" and-- I believe-- "the nymph of the forest" and, in the 200 years later epilogue, the language blend of English and the common Orbonian language gives us "'Feezi, known as Eva'", providing a direct translation. This whole phrase, then, could be "Bluh, ridiculous nymph."

"'Feezi meed! [...] Ya battee meer de hagrim Ruzender. Wha seesha?'" (pg. 88, Besteel)

"The nymph is gone! [...] You're to blame for this, Rovender. Where is she?"

"'Grazeet! [...] Zaata! Zaata! Zaata!'" (pg. 90, Rovender)

"Move! [...] Go! Go! Go!"

"'Nassa Ruzender Keet!'" (pg. 92, Besteel)

"Goddamn [or Orbonian equivalent curse word] Rovender Kitt!"

"'Tista baffa fooh!'" (pg. 94, Besteel)

"Get back here!"

"'Gabu Baasteel!'" (pg. 94, Rovender)

"[insert Orbonian curse word] Besteel!"

"'Feezi! [...] Zaata! Zaata!'" (pg. 96, Rovender)

"Nymph! [...] Go! Go!"

"'Dat, dat, dat, [...] Feezi zaata. [...] Ruzender zaata.'" (pg. 96, Rovender)

"No, no, no. [...] Nymph go. [...] Rovender go." Sentence and grammatical structure are likely heavily simplified due to neither of them being able to understand one another and Rovender being like "what is the most simple thing this weird kid could understand"

"'Grasset de fugill Ruzender!'" (pg. 97, Besteel)

"You're dead, Rovender!"

"'Ewa seetha tadasha,'" (pg. 99, Rovender)

"That was exciting," said by someone who wishes this never happened.

"'Ta! Feezi!'" (pg. 99, Rovender)

"Yes! Nymph!"

"'Zuzu, zuzu,'" (pg. 100, Rovender)

"Wait, wait,"

"'Kip! Kip!'" (pg. 100, Rovender)

"Talk! Talk!" The transcoder later has Rovender say "Tes, continue kipping" as it calibrates, so "kip" is probably "talk".

"'Dat, dat, dat, feezi, [...] Doot, doot, ba kip!'" (pg. 100, Rovender)

"No, no, no, nymph, [...] Closer, closer, and talk!"

"'Dat, [...] Peesa tobondi feezi, ta kipli.'" (pg. 101, Rovender)

"No, [...] Keep it up close, nymph, and talk."

"'Zazig. I try to peebla foo,'" (pg. 101, Rovender)

"Sort of. I try to make it easier,"

"'If you do, [...] you hret graaveem my speech.'" (pg. 102, Rovender)

"If you do, [...] you understand my speech."

I think that's all the Orbonian language we get; I hope this helps! :)

[giantchasm]

Dazor: Hello Peony. I’d ask about your ghosts and powers, but it seems that’s already been covered. Could you say more how you feel on Nick and Rhiainfellt? Understandable if that’s too much, otherwise more about any of your parents’ friends?

...But it's okay! I have Glock. And you know what I think? You only need one good friend to truly be happy. And I've got more friends than that, anyways! They're just not my age. I know I should probably try to be nicer to Rhiainfellt. I can only imagine she feels really alone. A long, long time ago— like way before me or even my parents were born, there was this mass exodus of people who used magic from intergalactic society. Among these people, the Jambandrans especially suffered. Most of them... uh, didn't make the journey, and even fewer have survived to modern day. Rhiainfellt's the only Jambandran I've ever met. And I imagine that has to be pretty lonely. Not knowing anyone who looks like you. Not knowing your history or culture or where you came from. It also doesn't help that she can't use magic— just another thing that makes her stick out like a sore thumb amidst her family. And with all of that in mind, I wish I could like her, but... I dunno. She's depressing. She's really resentful, and I think she should give her mom more credit sometimes. I don't think she feels the way Rhiainfellt thinks she feels about her at all. Then as for Nick... kind of self explanatory, yeah? Just about any person associated with the Mirror World is nothing but trouble... and people allied with Dark Mind especially. I don't care if Nick's dads think Dark Meta Knight is nice. He's a monster! And the less time I spend around him the better. Sorry, Nick. Both that I can't hang out and that you have to be subjected to that buffoon. It's not your fault your parents have bad taste.

...Oh my gosh! What a colorful cast.

This is another ask that only ended up being so much about Peony and more about the world she lives in and the people surrounding her, but it was still fun to answer. I like and have thoughts on all of my fankids, even if she's the favorite.

I think I may be the only person out there who ships Daroach/Rick. To my credit, it started as a joke. But then I got... invested somehow? In my Kirbyverse they grew up together, were partners in crime for a bit, then had a messy breakup after Rick turned over a new leaf and Daroach didn't. And now they've made amends!

Pick is here too, of course, because there is NOTHING I cannot stand more than when people remove a canonical female love interest from the equation to ship her more popular partner with a guy. Not that Rick is a popular character or that it happens to him. But it's about the PRINCIPLE of the thing, y'know? And Rick has two hands.

Also, yes, before anyone gets on my case for it: DMK was involved with The Sectonia Incident in my interpretation of the Kirby universe. I think people can get... really weird about people writing the character that way sometimes?

There's this pretty aggravating trend I've noticed in the fandom where something that is not canon will get misconstrued as Objectively Canon (I.E DMK being involved with that, Void Kirby theory, ETC), then people who are annoyed with this misinfo will go around saying canon actually Objectively Disproved that thing. Which... it did not do, either. Canon makes no comment on these situations. There is no "correct" interpretation. Just let people have fun, man.

So, yeah! I think DMK deserves to be a little bit of a dick. As a treat. I think portraying him as not the instigator of that incident, but rather a loyal servant who helped Dark Mind get away with all of that makes him an interesting parallel to Taranza himself. I like writing it that way, so it's canon to my Kirbyverse and by extension the world Peony lives in.

Which is all to say Peony's not a fan of him. Even though, as usual, she's sort of simplifying the situation. DMK is not a wonderful person, but he's no bogeyman, either.

Rhiainfellt is interesting. I originally came up with her based on the simple idea of "Awww... wouldn't it be cute if one of the Mage Sisters adopted a Jambandran like Hyness adopted them all those years ago?" But the more I've fleshed her out the more... weird and messed up she's become. I think she has an American Psycho monologue going on in her head at all times.

A troubled kid for sure. You know it's bad when even the girl who talks to dead people thinks someone's a little too much. Ohhhhh, poor thing. 😔

To be clear she doesn't have another parent or anything, by the way. All hail Zan Partizanne's single mom swag.

@kirbyoctournament

[sailorgreywolf-german]

Hey being a Jewish person in the fandom, just wanted to say that I strongly agree on your Austria hc; it just makes more sense to me he'd be catholic and while it's not everyone I see a lot of gentiles using the head canon to get around confronting Austria's history with antisemitism (the last thing this fandom needs is more ww2 fics, but it's when they decide to focus on it anyways and just use the Jewish headcanon to woobify that it bothers me). I do miss having Jewish characters, though, especially given there's so much interesting Jewish history to work with, including in Austria. I did wonder how if you had thoughts about how to represent that history? I take the approach of OCs for non-state actors, like personifying the Pale of Settlement or Galitzianers, but I have no idea how most people go about it. No pressure to answer this ask, it's a niche thing and not really what you asked for questions about but wanted to send the first bit regardless. Tschüss!

Thanks for the ask. I appreciate it.

The shortest version of my view on the matter is that I'm absolutely neutral on him being Jewish in AUs. I don't really write AUs outside of events (and not even really then). But from a historical perspective, Austria was Catholic and the empire was the predominant Catholic empire for a long time. I have a book I can recommend if anyone wants to read about how deeply Catholicism was entwined with the raison d'etre of the state itself.

Maybe it's because this fandom only thinks about the 20th century a lot of the time, but I find it interesting that people forget that the Austrian and Spanish Habsburgs spearheaded the Counter-Reformation.

But I also do understand wanting to explore Jewish history. The Habsburg empire had a lot of important and interesting Jewish history. A lot of the intellectuals we think of from the empire were Jewish (Freud, Mahler, Kafka, Roth, etc.) And there is the fact that, even with as Catholic as the Habsburg empire was, Central Europe became a much more dangerous place to be Jewish without it. You can also, however, turn it around to point at how antisemitic populism got one of its first significant footholds in Vienna. This empire contains multitudes.

But by the same token, you could argue that quite a few states in Central Europe had large Jewish populations. The Yiddish literary movement, for example, happened in the Russian partition of Poland too. The Pale of Settlement was a Russian legal construction in what is now Poland and Lithuania. So why don't we have these ongoing arguments about Feliks? (I know actually, but hopefully you see my point here.)

I think there is plenty of rationale for personifying non-state actors, because if you really think about it, there are plenty of those in canon who will become states later (like Slovakia). To kind of over-simplify it, beyond the established kingdoms like Hungary or Croatia, the personifications are sort of ethnic groups within the Habsburg empire. So, if you want to take that route, you could.

I admittedly haven't tangled with how to portray it, but I am intrigued by your idea and will definitely contemplate it more.

Danke, for the chance to ramble about this a bit.

[lullabyalikpoptarot]

Seventeen Personality Reading

Okay, for them I will do one card, because they are a big group, and I wanted to see what personality aspect is strongest for them right now. This is always changing, so I am going with the strongest traits right now, as human we are always evolving and this is one card, so this is just a bit of insight to who they are right now. But it is interesting to see the card that represent them right now.

S.Coups (Ace of Pentacles)-It seems he approaches things in life slowly. He seems to be the type to look for a golden opportunity. It seems he is goal oriented and makes opportunities for himself. He may have the ability to manifest things in his life. He takes a more practical approach to things. It is like he grabs any opportunity he can.

Jeonghan (2 of Cups) This is so Libra lol He loves connections with others. He is a romantic and feels best in connections. This can be friendships, not just relationships. But this does indicate romantic relationships are of important to him as well. He is all about building bonds and connections. Two souls as one I got. Forming a bond. He has to be careful not to get too immersed in others and learn that he is an individual as well though.

Joshua (7 of Wands) He can be defensive and stubborn. He has a lot of fire energy. He is someone who can handle any obstacle that comes his way. He has a fighter spirit. I can see this card as someone who has the capabilities of demanding the stage as well. Not sure why this gave me this, but it did lol

Jun (10 of Cups) He is a family man. He loves being around family. He seems to find happiness in the simple joys of life. This card gives me someone not searching for money achievement, but to build a loving and strong support system out of life. He may want a family someday. He is someone who searches for what truly makes him happy. He may enjoy the support of a strong community, be it family, friends, the members, and fans.

Hoshi (The Fool) He can be quite naive, but he is a lover of new beginnings and starting new. He seems to like to simplify his life and doesn't like to over complicate things. He is a free spirit and can be a bit careless at times. He's got to be careful not to make careless decisions. He does seem like someone who seeks new opportunities. I can see him wanting to travel to new places with not a lot on him, just for the experience.

Wonwoo (Death) Although, this card can seem grim, especially in this deck. He is someone who is capable of facing endings and learning to grieve what is lost. He understands endings are part of life and it isn't something to push away or repress, but rather something to accept and face, once one does that, they can live more peacefully. This may have been a lesson he has learned, especially knowing his history.

Woozi (The Magician) This is not at all surprising. He is talented and skilled, and he knows it. He has a lot of confidence in his abilities, and he knows how to capitalize on it. He has all he needs at his disposal. He is great at taking nothing and making it to somethings. This is also someone who is great at manifesting things in life. I am getting taking scraps and making it into gold. Ooooh interesting, my bias for a reason lol

DK (6 of Wands)-He is a communicator. He is fast on his feet. He can get pretty defensive and can be a bit overconfident in what he says or does. He can share too much at times. Slip of the tongue with this energy. He has lots of ideas that run through his mind. He can struggle to stay on one task or one idea. It is like a lot of thoughts coming one after the other. Okay, I thought this was the Knight of Swords, wonder why I thought that, so there is a reason I thought that, this still applies, but he is someone who loves praise and recognition for his hard work. He could have a strong ego and pride. And he seems passionate about his pursuits and determination to win. Could possibly have a competitive spirit.

Mingyu (King of Wands) Mingyu is straightforward. He is an Aries and KOW represents fire signs that he is, this is basically his energy. Which tells me he is straightforward, and man of his word. He is what you see. He does what he says he is going to do. He is creative and passionate and follows his own path, a leader in his own right. Love this energy.

Minghao (Ace of Swords) He is someone who has ideas but may not go any further with that. He approaches things in life intellectually. He may plan an idea out, before doing something. This gives me he can be cautious about trying new things. There is a sense of clarity he has, but once again the thought isn't always planned out for him. I keep getting mapped out, not sure why that word is important. He has some bright ideas and some insights, but he might need to dig a little bit further, or look into things more, it seems he just sees the surface of things. In this sense, there is a lack of knowledge with him, but a curious nature.

Seungkwan (Temperance) He is someone who likes balance. He likes to keep things in moderation. As I say moderation is key in life, it keeps you at equilibrium. He may understand this. He is a Cap and we tend to be good at self-control and moderation, so makes sense. It seems he is a peacekeeper as well and he is very good at compromising with others and blending his ideas with others. He is not the type to try to outshine others.

Vernon (King of Pentacles) He may be the type that likes to be pampered. He is a businessman and money focused person. He is all about his career, money and building his finances. He likes things to be structured and stable. He would like to have a strong foundation and lots of wealth, so getting a lot about money, so yeah, he likes that. He is a hard-working person. This energy gives me someone who like their own business to be honest. He can be stubborn with his ideas and likes to control his environment. He would not enjoy changes or disruptions in life. This is interesting coming from an Aquarius and knowing a bit about Vernon, he seems more of a free spirit, but hey, we are complex creatures. I just see this more as someone who wants to build wealth and create some sort of business.

Dino (Queen of Pentacles) This is a little different from the King energy. He seems a little more appreciative of what he has built. This is someone who is proud and happy with what they created and find abundance in what they have. He is nurturing or he is someone that nurtures his talents, continues to work and make improvements. He knows he is skilled, but open to improve. He is also Career oriented. I see him as someone who enjoys his craft. I feel this is heavily focused on his skills and his need to nurture it. It is like he is proud of his skill, let me keep working on it.

Okay, didn't think I would get much with one card, but I felt I got more than I expected. It always surprises me how much you can get with one card.

[rallamajoop]

There’s definitely some stuff pre Miranda in terms of pagan imagery, no? Between the ancient Kings with clawed hands and feet protecting the “holy grail,” or the Lord of the Castle creating a dagger to slay demons, or goats and goddesses and so forth — I wonder, why Miranda didn’t necessarily get rid of it all. And on top of that, there’s a lot of Christin art in the ruins from the ceremony site to the alter. The stronghold was once occupied by non “heathens,” so — the history feels rich here.

Well, firstly, calling everything pre-Miranda 'pagan' is simplifying a lot. Here's some of what you can find around the village which presumably pre-dates her:

The statues of the four founders, which are referenced in a diary which seems to be centuries old (They don't have clawed hands in the game, though I guess they have kinda weird nails in some of the concept art? Is that what you're referring to?) We don't know if they worshiped the megamycete, or whether they perhaps even claimed the 'grail'/Giant's Chalice was a legit Christian artifact, so 'pagan' isn't really accurate.

Images of Orthodox Christian saints painted on the walls of the village church and other locations, implying the building was repurposed by Miranda for her cult.

The statue and relief of the Maiden of War protecting the village from a demon with her goat's head shield, and a recurring motif of goat heads or goat sacrifices for protection.

The dagger has no obvious spiritual motif, and probably doesn't even come from the village (poisons on it supposedly come from "across the continent"), so not much to say on that one.

"The stronghold was once occupied by non “heathens,”

The term actually used is 'heretics', not that it makes a lot of difference. But given what part of Europe we're in, 'heretics' could well be a reference to the Ottoman empire ‒ or heck, maybe even just some other Christian sect to whoever's defending it. The letter exists to contextualise the existence of the stronghold (past battles fought in the region), and to emphasise the age of the statues (though it's undated, so all we really know is 'they're old'). I wouldn't take it as necessarily significant of much more than that.

"I wonder, why Miranda didn’t necessarily get rid of it all"

So, here we get to the real crux of the question! But really, why bother? None of that history threatened Miranda, and plenty of it enhanced her own image. Being able to claim her four lords were descended from ancient founders with those enormous statues could only boost her authority. Images of Miranda from around the village are thick with appropriated catholic or orthodox imagery too. And why discourage a tradition of goat sacrifices if people could just sacrifice goats directly to her? You don't have to rebuild everything from scratch.

Savvy religions do this sort of thing all the time. It's not unheard of for newly Christianised regions to turn local culture heroes into saints, recast fairies as fallen angels who tithe to hell, and add a layer of religious overtones to older seasonal festivals like Christmas and Easter. It creates the illusion that your new religion has been part of the landscape since long before it actually arrived, and saves on disillusioning locals who don't want to give up old traditions.

Obviously, there are also plenty of histories and cultures which have been lost under the spread of Christianity (or Islam, or whoever else has just moved in and reclassified whatever it doesn't like as pagan heresy). But not all conquerors bother, and even major religions can be remarkably pragmatic when it suits their purposes (and I'm sure plenty of individual locals will do likewise, when they want an excuse to carry on like they always have). Heck, half the real-world cults out there today start with someone sharing their weird bible fanfiction. Try and build it all from scratch, and you'll just alienate people.

As for RE8 specifically, well, it's pretty safe to say that any village which has gone merrily on treating goats' heads as a protective symbol well into its Christian era is not going to be an village that's keen to throw out all its old traditions overnight. Why build a new church when you can just retrofit the one you've got?

Maybe some of this history dates back to when there was supposed to be a whole section of the game set in the past. Other elements were clearly there in concept work from long before Mother Miranda became the centre of the cult. There's guaranteed to be a wealth of other unused material written to flesh out the village and its history that we never got to see.

Now, as I said in my post on the goats, I don't know how many of these beautifully-formed sedimentary layers of religious history were laid down by the writers deliberately, or how much was simply an artifact of a complicated development history, but I love it anyway. Real European history from places like the village is frequently every bit as layered as this, and then some.

Miranda's cult may have been around for a century, but that's nothing in historical terms. Before that, the village was presumably Orthodox Christian. But the mould had clearly left its mark on the landscape since long before Miranda's day, and the giant's chalice attests to something much, much older. The note from the stronghold suggests those statues were ancient even in medieval times.

Was the demon pictured on the maiden relief a mould-empowered monster? Was the goat's head pictured on her shield the origin of the protective goat's head superstition, or merely a reflection of it? Who knows ‒ even the writers may not have had specific answers in mind - but you can imagine you see remnants of these pre-existing eras and superstitions still reflected in Miranda's cult in the present, and that creates something that feels genuinely organic to me in a very satisfying way.

There is a wealth of material hinted at here that could easily form the basis of RE9, but I have no idea whether Capcom means to do that. What matters is that what's already in RE8 works on its own merits, even absent hypothetical further lore dumps from future installments.

[broomsick]

Hi, I hope you're doing well. I was wondering if you could tell some things associated with Thor (crystals, animals, colors, food, etc.) I looked through your Thor tag and I didn't really find anything on that (sorry if I'm wrong)

Thanks! I hope you have a wonderful day/night :)

Hi there! I'm doing well, thank you for asking!

Now, I'm sorry to say that correspondences are a rather new phenomenon, and though they're popular in online spaces, one finds out with time that they might not really resonate, or feel truly "right". That's because followers of certain deities often experience these beings in vastly different ways. You might realize that though your friend associates a deity with the deer, that same deity seems to manifest themselves to you in the form of a serpent, instead! This is a grossly over-simplified example of how multifaceted deities can be. Symbolism, when it doesn't have any roots in history, varies wildly from one believer to another. That is why I often don't give much credit to set lists of "correspondences" found online. Especially when they pertain to crystals associated with norse deities! That's because so, so many of the more mainstream crystals you'll find in witchcraft and pagan spaces aren't native to the areas where these Gods were worshipped, and have been imported there quite late in history. For this reason, it's especially difficult to determine, "which crystal would fit the most with my perception of this nordic deity?".

But still, you'll be happy to hear that there are a few unmissable symbols of Thórr! The following symbols have all been associated with him at some point in history:

The bear! One of Thórr's more popular kennings today is Björn, or "Bear" (I often use Bear God in my prayers), which appears in the Snorri's Edda and in the rímur Lokrur.

The goat (by extension, cattle and livestock), as it was said that his chariot is pulled by two goats. One of the main theories concerning Sweden's very famous tradition of building a Yule goat (or using straw goats to decorate) is that it originally stemmed from this particular part of his myth.

Anything that's related to land fertility and the harvest! Sources often depict him as a God of the sky, bringing forth rains and the like. In Iceland, he was primarily worshipped as a fertility deity, giver of good harvests and plentiful soil.

Thursdays, as the term Thursday itself stemmed from his name.

The rowan tree! As I've mentioned before in this post, oral tradition has it Thórr had once been saved by rowan tree which he grabbed, thus saving himself from drowning. This is why the rowan is often considered his sacred tree.

The anvil, as a popular saying had it thunder was the sound of Thórr beating his, as he worked in his forge.

The belt of power Megingjörð, the iron gloves Járngreipr and the hammer Mjöllnir, which grant him part of his strength.

The oak. These particular trees were often associated with thunder deities (famously, with Zeus) because they tend to be the highest individuals in a forest, making them the most likely to be struck by lightning. What's more, 8th century bishop Willibald, in his Vita Bonifatii auctore Willibaldo, tells us of "Donar's oak" ("Thor's oak"), a sacred oak tree which was located in modern day Germany and which was important to local pre-christian worship. This tree was notoriously cut down by missionary Saint Boniface, and what its location might have been unfortunately remains a mystery.

Now, if I'm to dive deeper into his symbols and associations, I'll first mention the Miðgarðsormr, the World Serpent Jörmungandr, a figure which he faces twice in the myths! They are often depicted together, locked in combat, and one of Thórr's oldest attested myths is the one in which he accidentally fishes Jörmungandr after having used a bull's head as bait. Pulling fiercely against each other, they made the sea so agitated that it seemed to be boiling.

Drinking horns can also be associated with him, as he was said to be the best drinker out of all the Æsir! In one of his major myths, he is given a horn to drink by the jötunn figure Útgarða-Loki, who, unbeknownst to Thórr, has magically made it to fill with all of the ocean's water, making it impossible for the liquid to ever run out, or even lower. Still, Thórr drank so much from it than the ocean's level dropped, which stunned Útgarða-Loki. This might have been an early tale to explain the tides!

As for my personal experiences, I tend to associate him with the color red! After all, he was said to be a redhead! And this color feels both warm and fierce, two words I would use to describe Thórr! Earthy colors, like deep greens and browns feel very much like him to me, as well. After all, he is said to be the Son of the earth, and this part of his myth has always been super prominent in my worship when it comes to him. The Futhark runes Uruz and Algiz are also present in my Thórr worship, due to their association with strength and protection respectively. However, the rune Thurisaz (or Thurs) is generally considered his main rune association, as it's often said to represent giants, and their main mythological antagonist by extension. Now this is more UPG, but as for foods, I personally associate him with red meats, hearty winter meals and alcohols, especially beer and mead!