#i wish i could be using Clip Studio

[sofiaruelle]

What art program do you use?

These are my top 3 programs in my art process! Ignore the name of the app folder. It helps with MY motivation to draw lmao

1. Procreate ($12.99 as of Feb 2024)

My main drawing program! Its so easy to use and the UI is simple. What really sold me to procreate is the default brushes and the time lapse! if you’d like I made a post a while back on the brushes i use for lineart! Sooooo worth the investment honestly. also you can animate on it too! but Procreate released Dreams recently. I’m just saving up for it oneday!

2. Easypose (FREE)

I love using this for composition, perspective and poses especially in group setting which I really struggle with. The proportions are very much anime but nothing anatomy studies can’t fix!! Also love that its free and isnt subscription based. Lil warning though the asset library is very limited. there are DLCs but they’re not as detailed as what you’d see in Magic poser and/or Clip studio. But still the basic shapes still help a lot! and I wish i can change the color and move the light but it only has the one light source.

3. Canva (Free & Paid Subscription)

THE Graphic Design for dummies!!! /lh No but fr it has helped me a lot in clutch especially for merch layout when I used to do a lot of conventions

Honorable Mentions for References that helps me a lot (aside from Pinterest):

Sketchfab.com - lots of 3D assets that you can rotate around and use as references especially when you can’t find the right stock photo!!! (Some of the Assets are free or you can buy them!)

Line of Action - been using this a lot for studies! (free or you can subscribe to them!)

Clipdrop Relight - When I’m struggling to light a scene. Very helpful for color studies cause you can set up 3 lights at once for that bisexual lighting~

[godbirdart]

people ask me, “what brushes do you use for your lines?”

let me tell you. i have dozens - dozens - of custom brushes downloaded for lineart. my clip studio storage is bursting at the seams with custom user-created assets. i have a surplus of sketching brushes and textured brushes and manga pens and watercolour pens.

but every. single. time.

no matter how often i try to mess around with the custom brushes,

i come back to the literal default pen tool and use it for everything

[threshasketch]

Talk to me without words.

[doctorsiren]

Some painting practice ft. Wendigoon + a follow up doodle with Mista GG and Aidan from the Lore Lodge

[skillbattle]

tumblr can i ask a question is it worth it getting procreate bc ibis paint x is getting on my last nerves bc it keeps crashing and I had to figure out how to salvage my strawberry shortcake art yesterday bc it glitched the line art out and nearly ruined the whole piece 😭 like would the 10 dollars be worth it

[slime-the-awesomeguy]

You came? You called. 🤍

small au idea i had for sir and william heaheheh

(v2 no hand version)

[sketchinfun]

Some late night sketches of Niall from tonight's livestream. Been enjoying sketching in Clip Studio Paint again haha Definitely a lot more artist friendly for drawing vs. Photoshop tbh

[sickmachete]

may i ask what brush u use for ur art? whatever it is i need to eat it

ahh it depends!!! i alternate constantly because i always change my mind on what i like in the moment but !! my general rule of thumb is to just pick some random brush with fun textures/edges (or find some to download) and then just screw around with the blender settings til i find something i like, ie:

overall i tend to prefer brushes thatre labeled as oil pastels/pencils/charcoals etc. basically just brushes that try to mimic real textures irl. because ironically, in my experience, the uneven gritty textures that come with these types tend to make colors blend more smoothly than the brushes that are actually smooth and round in shape. if that makes sense?

(but also pen pressure is sooo important. i need to be able to choose how strongly a color shows up based on how hard i press the pen because thats what truly allows for the kind of soft corrections needed to properly blend colors together)

however!! where brushes fail i always always add layers of paper/sand as overlays to the entire drawing because it gives it that papery/canvas feel that i so love :-)

[kray-zay]

@heartsandsparksshipweek day 4 and 5 touch and sleep

messed around with my style a bit on this one. I actually used line art for once and tried to see if I could get a sorta retro look by just using default clip Studio tools, I think it kinda comes across.

no filters version & notes↓↓

this prob gonna be my only day, or days, I guess. I wish I had time to do more, but I was busy finishing comic pages at the beginning of the week, and I'm busy this weekend.

I have unfinished stuff for days 3, 5, and 6 that I might finish one day because i really like some the sketches i had, though if I'm being honest, those will probably just go into the large pile of unfinished art and sketches I have these 2.

[kozachenko]

[Click for better quality]

Ok yay I'm back from my vacation yipeeeeeee. I started this drawing of Keiki before I left and I was half considering just giving up on it.... until I did a short study of facial planes and then got motivated to work on this again! I'm glad I didn't give up on it though, as I'm actually really happy with this one!

Artist's Notes;

So as I mentioned in my last post about Touhou 17, I wanted to finish this by the game's five year anniversary but with how progress was going I didn't want to rush this so I decided to take a long break from it. Mainly because of the face. For a while now I was kind of feeling like I was stagnating with my drawings, not really in the clothing but in the bodies. There was something about the way I was rendering them that I just wasn't happy with, and after talking with someone else about this issue, I realized that the reason I felt this way was because the faces were too flat and didn't match the rest of the drawing and that I needed to find a way to make the rendering of the face feel consistent with everything else. So after doing a short study of the plains of the face (I used this 3D head model from art station as a reference for my short study, please go give this person some love as they are a lifesaver) I went back into this drawing and applied what I learned here. It was only after that that I finally became motivated to finish the piece, and while it started off as just a simple character sketch like Saki and Yachie's were, the moment I added in Keiki's little fire dragon I knew I had gotten in too deep and now here we are with a full on background. OK it's not super crazy or anything, but it gets the job done and it's better than there just being an empty void behind her. It's rare moments like this when I use brushes other than the Clip Studio Default Charcoal Brush and use the Clip Studio Default Paint Brushes as well (god bless the oil paint and dry gouache clip studio brushes, they were amazing). I don't know why but painting fire has always been really fun for me, there's something oddly satisfying about it y'know? I do think that another reason for this problem was because I was drawing faces like I would in my more sketchy style that didn't mesh well with my lineless style, so I'm glad I've started remedying that.

After adding in the fire dragon I had an idea to kinda make it feel like splash art in the way the composition works... probably because I have been playing Reverse 1999 again and it has taken over my brain. I do feel like Keiki's tools get a little lost in the composition, and I didn't fully render the metal parts of them mainly because I didn't feel like they needed it, but that's just something for me to improve on later down the line.

If you guys are wondering where I went for my vacation, I went to New York and got to go to the MET and the Museum of Natural History. In both places I found Kofun period stuff and I was so happy to see it you have no idea. I remember one of the Haniwa I saw had some neat face paint under the eyes that I tried to replicate with the makeup under Keiki's eyes in my drawing, though I think I'll gave to figure out how to draw makeup on characters because this reads more like blush to me than anything. While drawing this I also looked up some references of Kofun period jewelry and really liked the stuff I found, which also meant that now she has proper Kofun earrings instead of earrings shaped like Kofun tombs. I put some of the things I referenced with a closeup of Keiki's face as well down below. I made her outfit more reminiscent of the outfit I gave her at the beginning of the year with the buttons and all, though I do want to try and draw her in some more period accurate clothing like the Haniwa I took a picture of at the Museum of Natural History. I wish I could find a way to make her handercheif look better though as I wish I made it a little bit bigger, though I think I'm saying this because I've looked at this drawing for too long lmao. Once again something to work on for when I next draw her. Also want to get better at rendering hair, as some details (like the little strands in front of her ears) kinda got unreadable due to the similarities in colour lol.

Now you may have also noticed the little cracks I added onto Keiki's face, and that's because I have fallen in love with the idea of Keiki's body being made from ceramic and that she crafted her body herself. While they aren't very visible I also tried to add some doll joints to her body, which is an idea I played around with in the past but never went to far with. I also want to get better at rendering cracks in ceramic, porcelain, etc, as I'm not sure how those read in the drawing. I also have a headcanon where the cracks in Keiki's face show up because of heightened emotions, and while Keiki is aware of this and does her best to make sure her face doesn't break off.... she will still end up with at least a few cracks during any given day, and she can often forget to repair her own body quite frequently so Mayumi has to remind her quite a lot. Mayumi even taught herself some basic sculpting techniques to help repair parts of her body that are so badly damaged to the point where Keiki can't repair them herself, i.e. if both her arms broke off, Mayumi would put them back together for her so Keiki can at least have something to repair herself with rather than nothing. I also like to imagine that if Keiki created her own body, if you took a look at Keiki from the beginning of her life she would look completely different compared to now.

BTW If you guys are wondering what a very very angry Keiki looks like....ok in order for this to make sense have any of you read volume 11 of Land of The Lustrous? Am I bringing back some memories for those of you that have? Ok good, glad we all got that mental image brewing in our minds, I'll probably draw a version of Keiki that is somewhat inspired by that one day as it's an idea I've had for a little while now. And to those who haven't gotten to that volume yet and are confused.... don't worry about it, just keep reading :)

[ghosted-draws]

Really liked that Alastor lost the fight in the finale, actually! A lot of people have been saying that they wished he went full power on Adam, but a theory i really enjoy is that he WAS, but he didn’t OUTPUT what he was expecting.

Alastor canonically rose to becoming an overlord INCREDIBLY quickly. a power no being in hell had ever seen before- I don’t think it’s an accident Lilith picked him, and i’m super curious what would have prompted him to EVER sell his soul as a DEAL DEMON. (And even if he didn’t sell his soul directly, making a deal that would restrict him so badly) Like he knows what that does he must have been DESPERATE. He says specifically both that his wings have been clipped, and also that once he figures his way OUT of his deal he will be pulling all the strings. I think his deal was something to do with his power, or whatever let him rise so quickly to overlord status. He’s not exactly used to being properly challenged.

So when his staff broke, it wasn’t even something he thought COULD happen. It’s not “Oh shit”, its “What just happened?” he holds it out in front of him like he expected it to withstand that attack. But he DOESN’T. It freaks him out so badly he drops everything but the smile for a second. You could say he miscalculated Adam’s power, which, sure, but Alastor is good at picking out weakness, i think he just assumed he could take him, or at least distract him for much longer- he doesn’t seem to have an angelic weapon with him so his job could have just been keeping him busy

when we see him in his studio he is downright hysterical. Because he DID almost die, FOR THIS DEAL. Whatever is tying him to the hotel, he let it almost KILL HIM. And the realization he is not as in control as he thought he was shakes him to his core- he goes back to the shattered radio tower just to feel like himself again, battered and bleeding.

TLDR: Alastor isn’t as in control as he thought he was, and i am very interested to know how he killed so many overlords so fast

[fayeforrosie]

The Only One I Want

Part 1

Karina x Fem! Reader

Karina knew she was pretty. She knew she had a chance with everyone, however, she was forever against any romantic relationships ever since she became an idol. Why would she want anyone when all they ever do is love her for her fame and looks? She knew she could never find anyone perfect for her, so she gave up on romance... until she met you

Word Count- 2.8k

Warnings- Mention of men 

Week after week Karina was cursed with yet another blind date set up by her company. She would urgently burst into her managers room, promptly falling down onto her knees, hands speedily racing against each other as if she was bound to make a fire, begging to go at least a month without any blind dates. 

To her dismay, however, not surprise, her manager would always shake her head firmly. “We need you to do this for us Karina. Do you have any idea how much attention would follow us if Yu Jimin was to find the perfect man?” She would say, and all Karina could do was sigh, walking out of the room with her head hung to her feet. 

It was another day in which her company had set up a date once again, this time, they informed her it would be at one of Seoul’s most popular art museums, where she would be meeting the man in about an hour from now. 

Karina couldn’t help but dread the upcoming event, knowing that her members got to stay back at the company and practice whatever they wished with their dance instructor, as there was no schedule for them this day. 

Karina wished she could be apart of that. She wished she could be in the dance practice room, and she reminisced with the feeling of laughter and sweat filling the air of the unreasonably hot place. It was all she wanted... to spend time with her members doing stupid “idol shit" on her days off. 

Yes, she was an idol, not a dating show contestant. Why couldn’t her company see this? 

And on top of everything, she had never been fond of dating, as every possible boy she’s met was only ever after her looks, or how much money was in her pockets. “Why don’t I take you home tonight”, she heard almost constantly after every date. It was upsetting to say the least, and as a result, Karina turned down any possible instance in which a boy could waltz their way into her heart. It wasn’t what she wanted. She wanted her members. She wanted to be on stage. She wanted to be in the studio. 

Instead, Karina found herself in the back of her managers car, mask almost suffocating her face as her hat floated just above her line of vision. Although she went on many dates, she was always forced to cover her identity, as her manager elucidated how bad it would be if the public was to see their sweetheart being accompanied by a new man every week. They wanted her to find the right one, then she could freely express herself to the public (though she knew it would never happen). 

“We’ve almost arrived, make sure you put your glasses on before you step out.” Her manger expressed from the passenger seat, where she responded with a small nod. If her mask was clipped on any tighter, she swore her manger would be able to see her frown seeping through. 

Only a minute later, the car pulled to a stop, just beside an almost identical car in the parking lot. Karina stepped out, her glasses now shielding her eyes as the door to the adjacent car rolled open just in front of her. 

“It’s nice to finally meet you, Jimin”, a voice could be heard in front of her. 

Karina raised her head, gaze connecting with the man in front of her. 

Lee Jae Wook, I never thought I would meet him, Karina thought to herself.

Despite the immense amount of meetings her company would assemble, they never would tell Karina which man she would be seeing, and she hated it. 

She remembers the time when she had shown up at an excessively fancy restaurant, only to be met with Mark Tuan seated comfortably in the chair ahead of her. Or when Kris Wu sat adequately on the most ugly patterned blanket, with a messy endeavor of a picnic by its side, bottles of alcohol spilling onto the grass, Kris’s attempt at getting Karina drunk and taking her home... god what a terrible date that was. 

“Call me Karina”, she said, ignoring the evident hand reaching out, awaiting to be shaken. Karina didn’t like when anyone other then her members, or family, was to call her by her birth name. She believed that only those who knew her personally were given the ability to call her by something so precious, not some random actor practically drooling as he soaked in her presence. 

“Yes of course, my apologies”, Jae Wook nodded and extended his arm for the girl to take, and if it wasn’t for Karina’s manager lightly pushing her into the man, she would have smacked his arm down instantly. 

With that, the two began into the museum, her arm loosely wrapped around his, and Jae Wook’s excessive amount of cologne being the only thing Karina could smell. 

God this is terrible. I need to get home.

“Welcome! It’s a pleasure to have you two joining us today!” An abnormally tall woman greeted them at the entrance. “Call me Ha-Eun! I’ll be your tour guide for today’s visit”, Karina shook her hand with a fake smile plastered onto her face. 

“Thank you”, Karina expressed, and followed the woman as she took them through security and into the main hall of the museum. The place was exceptionally beautiful, and Karina was sure that if she were to be accompanied by her members instead of this man, her experience would be one to remember. 

But she wasn’t. She was stuck clinging onto the man as they followed the tour guide into the first exhibit, knowingly peering at him as his eyes were trained on the woman’s ass while she walked ahead of them. 

In all honestly, Karina couldn’t care less. She could turn the corner and see Jae Wook kissing another woman and she wouldn’t even bat an eye. He could do whatever he wanted, as long as he didn’t bother her. Nevertheless, she knew that was impossible, because as soon as Karina thought he would leave her alone and take in his surroundings instead, he intertwined his fingers with her, and as she tried to pull away, he gave her hand a tug, almost as if he was warning her to not even try. 

To say Karina was uncomfortable was an understatement. The two of them followed the tour guide throughout the museum, and all Karina could think about was how sweaty and nasty the man’s hand felt in the grasp of hers. 

It has been a half an hour since they began to look around, and as they were stopped in front of a beautiful piece Karina couldn’t help but admire, Jae Wook spoke up. 

“I need to use the bathroom, would you mind staying here?” He directs his attention towards Karina. 

God yes. I'd be more than happy to. Please leave and never come back, Karina thought. 

“Sure.” 

The tour guide stepped in front of Jae Wook before he could make his way out. 

“I can show you the way! There isn’t one very close to here, it’s a bit of a walk.” She happily spoke, eyes almost unseen as a result of her never-resting smile. It must be tiring having that job, Karina thought, with having to keep a smile on your face without the slightest falter, even in the case of an inconvenience. She could never do that. 

“Thank you, I appreciate it”, Jae Wook spoke formally. “I’ll be right back”, he spoke once more, leaning down and planting a dry kiss atop of Karina’s forehead, and she almost gagged. 

The two made their way to the nearest bathroom, and there Karina stood, still at the fore of the painting. She couldn’t take her eyes off of it, it was truly beautiful. The way the colors complimented each line, as though the picture could truly come to live. It was remarkable. 

Being lost in her own thoughts, Karina failed to notice the woman that walked towards her and stood just about three feet away. 

“It’s beautiful isn’t.”

Karina’s ears chirped at the sound of the feminine voice, and she turned her head to glare at whoever had made the comment, however she was immediately met with the side profile of what seemed to be an angel. 

Karina had never seen anyone so captivating. The way your gaze was held beautifully on the artwork, where the piece couldn’t even compare to how prepossessing your visuals were. It was like she was at a loss of air, and she had never felt this feeling before. Karina has never been so lost for words, as it was usually the other way around, where the man was to look at Karina like they had never seen anyone as stunning as her.

Now, eyes still trained on your profile, she can understand how these men felt when they claimed to be awestruck. 

“...y- yeah”, Karina was still in a trance, making it hard for her to complete a full sentence. 

“I always come back to this piece whenever I visit, its magnificent”, you glanced over to her, and before you could meet her gaze, her eyes flashed back to the wall in an instant. 

“Um...”, she needed to keep talking to you, so she tried to start up a conversation, where she again was never the one to do so. 

“How often do you come here?” Karina asked, this time her eyes on you, and when you turned around to respond, her cheeks began to match the color of your beautifully pink lips. 

How could someone be so engaging? 

“Usually once a month, its like my happy place”, you allow a small chuckle to escape past your lips, as does Karina. 

“That’s really cool”, Karina smiles, her voice wavering as she tried to keep calm, and she continued.

“Do you have any other works that you like?”

Karina watched as your eyes scanned the wall full of beautiful artwork, deciding if there was another that met up to the standard of the one you stood ahead of, however you shake your head. 

“I love them all, but this one is my favorite”, you smile and Karina could practically hear her heart skip a beat. 

Karina has never felt the feeling of butterflies in her stomach until now. She has never been so captivated by someone’s presence until now. She has never wanted to hold a conversation with a stranger until now. You made her want to do everything at this very moment. Karina wanted to grab your hand and walk you outside just to continue to talk about your love for art. She could listen to you all day.

Could a woman feel this way for a woman? Karina never thought of woman in that type of sense, as she was only ever set up with men her entire live, so it was inevitable that her heart was trained to find attraction towards the gender. Maybe meeting you thirty seconds ago was a sign that her heart could possibly open up to someone. And not just anyone... a woman. 

“Want to know why I like this painting so much?” You asked, and began to move a bit closer to her body, still keeping a comfortable distance. 

Come closer, Karina thought. 

“Why?” 

You smiled and leaned in, "because I made it”, you uttered faintly. 

And there it was. The exact moment that Karina determined she could truly find romance in somebody. Nobody had ever made Karina feel such a thing, and she thought she might as well die alone, since nobody had ever held her attention. But she was wrong. Here you were, in the flesh, completely ripping the heart of Yu Jimin out of her entire body, unbeknownst to you. 

“Are you serious?” That was all Karina could muster out, otherwise she might as well shout to the world that she found the one for her. 

“Yeah. It was accepted into the gallery about six months ago. Cool right?” 

God you had no idea how many butterflies were roaming the district of Karina insides. 

“Y- yeah... that’s amazing”, she smiled and went on. “What’s your name?” 

You gave her a warm-hearted smile and pointed over to the painting, where Karina was now faced with sign just bellow the piece. 

Y/n Yl/n

How beautiful, was as Karina could think. 

“How about you? What’s your name?” 

It was natural that you didn’t recognize the woman, as she was dressed in the least revealing clothes there ever was to be, a mask on her face accompanied by the hat she had on in the car, and lastly a pair of circular glasses. She didn’t expect you to know who she was with such a disguise, but she hoped you were to realize once she took her mask and glasses off. 

Maybe if Karina showed you who she really was, you would end up being a huge fan, and immediately want to continue talking to her. Nobody could ever pass up on the chance of becoming close with an idol, so it should be the same regarding you, right? 

Karina allowed her thoughts to race ahead of herself, and she pulled her mask down, her glasses following. 

She saw when it clicked in your mind, that you were being faced with the Karina of Aespa, one of the most famous fourth generation idols there is to be. She felt pride, and for the first time, she was happy someone was to recognize who she was. 

Nonetheless, exactly opposite of what Karina had thought would happen, your lips turned upwards into a fair smile, and you nodded your deliberately. 

“Ah”, you stated, “Yu Jimin. I’ve seen your face all over.” 

Is that it? Is that all you had to say? You’re not going to ask for a picture? Or even bow? Karina was beyond confused, she had never met anyone who would react with such ease.

In addition, Karina noticed that her brain, usually trained to correct anyone that was to call her by her birth name, refused to tell you the name in which she preferred for others to call her. In fact, she found herself preferring you to call her Jimin apposed to Karina. You were already special enough to her.   

“So you know who I am?” Karina spoke. 

“Doesn’t everybody?” You laughed. “You are even more beautiful in person, it’s surprising.” 

Hearing those words come out of your mouth, Karina couldn’t help but bring her mask back up to her face. She couldn’t let you see how flustered you made her. It was dehumanizing. 

“Oh... thank you.” She looked anywhere but to you. “You’re beautiful as well.” 

You chuckled and looked down just as she did, and if anyone was to take a look over at your interaction, it’s possible they would think the two of you were to not even be associating with each other. 

But, before you could thank the girl, your eyes glanced over at a man who was making his way towards Karina, and you recognized him to be the one you had seen her with preceding your approach. 

“I think it’s time for me to go now, I believe your boyfriend is here for you.” 

Karina’s eyebrows furrowed, her lips frowning at the thought of you leaving so soon, but she turned around to see what you had been referring to, and was met with Jae Wook and the tour guide side by side, making their way towards her.

“No! He’s not my b-” Karina turned around to reassure you, however, her breath hitched, eyes almost even watering as she found that you were instantly gone. 

She felt like a child that had lost their parents at a crowded event, searching aimlessly throughout the area, double... triple looking around to see where you might have gone. But it was too late. 

Jae Wook had then came up by her side and took her hand, and Karina couldn’t even protest, she was too upset. Her mind was somewhere else at the moment. 

She followed Jae Wook, eyes trained on the wooden floor as she thought of you. 

She thought about how heavenly your voice was, like music played softly in her ears, and how magnificent your side profile was to look at. She could stare at it all day if she could. She needed to see your face again. She needed to find you. 

You were the one for her, she determined it. And she will not leave this museum unless it was hand and hand with you 

~

Hi everyone!! I’m backkk!!! I’m not sure exactly how many parts this will have, but I’ll just keep going until I feel the story is complete haha. Stay tuned for part two my loves!! 💕💕

[a-magpie-in-gravesfield]

I made a wallpaper type pattern re using the motifs from the tapestry and Philip's journal, I wanted to have a pattern I could re use to fill in empty space in stuff like artworks etc, feel free to re use and modify as you wish :) (The second image is the transparent file, just import it in Clip Studio and you can make it into a loop pattern, pretty sure other softwares will allow you to do that too)

[bunsandstuff]

Thank you for all of the love on my recent Gpose omg ; w ; I really wish I could reply directly to tabs aaaa. But thank you for your comments, they made me so happy to read, I love them. I wanted to share how I did it all and explain my process if anyone is interested ♡

More below the cut!

I got started by actually making the backdrop. I wanted to emulate the scene where the Phantom was taking Christine through the candlelit walkway, so I made a long tunnel to get it as close as I could to the shot.

And here is the result in game :3 I knew with the back I was going to have to rely on an optical illusion to sell that this was a long dark hallway, so I dyed the back wall soot black and turned my interior lighting to 0.

And here the setup is pre pre shaders. I cloned a few actors in using brio and had them draw the archeo kingdom WHM staff and placed them in the wall. I was really lucky that I had a long enough lookalike for the candelabras in the movie. Also, you can see that the illusion isn't being quite sold in the back at the moment, I fixed it using camera angling and having the primary source of light a little further back from the two subjects. And to create an even 3 point lighting I placed a greenish blue light to the back left of Alsene which is the blue you can see on their clothes further down. It is best to try and give yourself 3 point lighting when you gpose, you can even achieve this using the character lighting toggle built into the game itself. :3

Here it is with that light placed like I mentioned before and my shaders turned on. I'm using Candle presets on this one in particular with cinematic DOF turned on and focused in between Alsene and Artoirel. It also helps blend that black wall in the back into the scenery so it isn't as obvious. Also I would like to mention that when I do large shots like this, I take MANY screens in multiple angles to pick from the best shot. In this one in particular I have 30 screens in various angles that I chose from. This ensures that you aren't leaving the pose with a product you aren't happy with. It saves you time in having to pose it again.

I ended up choosing these two shots, and I edited them in clip studio. My process for that was making the arms look more metallic to match the rod by adding highlights to them. And the second thing I did was add a retro bloom to the image to mimic the vibe in the video. And as you know the final result was this :3

In all it was a very time consuming but fun gpose to do! If anyone has any questions about it I will be happy to answer them ♡ Thank you for appreciating what I do ; w ; it was lovely to wake up to.

[huriita]

Hiii I don't know if anyone has asked you this yet but what app do you use to draw and what brushes do you use??? If you don't mind me asking...

I use Clip Studio Paint for mostly everything!

I use only two brushes, the basic pen brush for drawing cookies (with high stabilization so my lines dont come out wobbly)

and then the "pixel" pen. I really like the imperfections (just zoom in any of my drawings and you'll see)

and then i use this watercolor one for sketching. I have no idea where it came from but it makes me draw lines super fast

I wish i could link them here but 1.i've modified them 2. I have downloaded so many materials i have no idea which is which 😭 hopefully this is at least a bit interesting

[yellow-py]

hello! you've probably been asked these before, but i'm here to ask how long it typically takes for you to make animatics, if you have any tips, preferred methods, and what you use? i saw your funger animatic and it looks absolutely gorgeous! i love all the detail that's jam-packed into the art and story telling, so i'm curious about your animatic process.

sorry if this is a lot! no need to answer if you don't want to. i love your stuff and i wish you well!

Hi! I don't mind answering some questions!

First things first, I'm not a professional storyboards artist. I've done a few things for some youtube channels. I wouldn't call myself an expert. This is to say that my method of doing things might not the best for people who actually work in the industry. 

Most of the time I work in Storyboard pro 7. But honestly, any editing software works as long as it can handle pictures and audio. For the disco elysium animatic I only used  clip studio paint and some random editing program called Camtasia. It worked alright but it takes a bit longer to finish stuff since storyboard pro is more streamlined. My go-to method right not is to draw the backgrounds in clip studio and the characters and editing in storyboard pro. That way, I get the best of both worlds. 

The funger animatic took about 2 and a half weeks to make. It usually takes longer, but the song wasn't that long so that saved me a lot of time. But as another example, my disco elysium animatic took +3 months. So it really depends. I did work longer on each frame for that one tho, so idk. On average, it takes me about 2 months. But that number keeps going up since my expectations of myself keep rising. 

Anyhow! I'll be bringing up my fear and hunger animatic as an example of my process. 

My animatics usually start out having the ugliest thumbnails known to man. It does let me experiment with framing and timing, which is absolutely crucial. I do not recommend that people start refining frames without having planned out things beforehand.

After that, I just save every thumbnail and import it to storyboard pro. I just scale it up to the current canvas size. Then I just line up every frame with the audio. It is a little bit tedious but you gotta do what you gotta do. 

After that, I begin to draw the backgrounds in clip studio. I do the same thing as in storyboard pro and just size the thumbnail up. And then I just sketch over that! Technically, I could have drawn the backgrounds in storyboard pro. But their brushes are pretty uggo so I prefer to not do that :)

As dumb as it might sound, it kind of stresses me out when my storyboards aren't "pretty". Which is pretty stupid since storyboards are literally made only to be a guide for what an animation should be. so in actuality, it's alright if they're kinda crusty. But since I never intend to animate my animatics I find it nice to spend more time on each frame. Which is sorta stupid because I'm shooting myself in the foot by working so long on every frame...

Either way, after that, I import the new backgrounds into storyboard pro and begin to draw the characters. Technically I could draw them in clip studio as well. But its faster to draw them in story board pro and it also allows me to do some semi-animated things and work faster. So, after a lot of experimenting, clip studio backgrounds and storyboard pro characters is the way to go for me! 

And just to note. This animatic might have only taken about 2 and a half weeks. Which sounds pretty good. But when it comes to animatics I can become a real workaholic if im inspired enough. So every day after school I would sit non stop working on this from the second I got home to when it was time to sleep. As well as every second of the weekend after I was done with my chores. So that is to say I work pretty fast and persistently, which i know is not healthy or realistic. So take my timing with a grain of salt. 

But that's kinda my process. I just draw backgrounds and draw characters until the thing is done. 

If I had to give any advice, I would say it's important to have fun when making animatics as a hobby. When I make an animatic, it's because I personally want to see that animatic, and if other people like it, that is a plus! If you're excited about an idea, it'll be a lot easier to add fun details and soul into it. 

But yeah that's it. I can't really come up with anything else to say. I hope I gave some good insight!