#i will try not to project too much

[self-ships-ahoy]

5, 7, and 8 for whoever you're feelin!

70s/80s Songs-Based Ship Meme

After much internal debate, I have decided to go with Sigma on this one. Despite what I said about wondering if Synthia is more oc than s/i, I'm still sticking with first person for now.

5: Billy Joel - The Longest Time: What effect do you imagine you would have on your F/O? Do you think that you would influence how they think of things, their interests, or how they react to things? Do you think they would try different things because of you?

Aside from helping him become more stable and safe in his own mind? I think we influence each other a lot through all the discussions we've had over the years; we both like to wonder and hypothesize and consider viewpoints. I influence him to come down to earth and enjoy little moments, as much as he's expanded my range of thinking (both works in progress lol). I think if I can make a good case for something, I can convince him to try something new, though it's probably not new for me. More than anything, I think I've given him hope for himself and us and the future, and that he still deserves love and care after everything that's happened to him.

...I may have also influenced his opinion on marine life. (. ❛ ᴗ ❛.)

7: Daryl Hall & John Oates - Out of Touch: What conceptual or intangible things do you associate with your F/O? (eg., colors, music, scents, times, etc)

Well, space for one XD Seriously, I see space pics or facts or anything like that and I think of him. I also sort of associate him with classical/dark academia stuff; I listened to a lot of that while trying to accept my feelings lol. And I think he's in a similar spot with Medic, where anything pertaining to his home country reminds me of him. That's kind of it for now, but I'm sure more associations will come in time!

8: Elton John - I’m Still Standing: What’s a song you enjoy (one that you didn’t pick up from them, if applicable) that you think your F/O would also like?

Well, seeing how he didn't mind Lucio's music (more so to have something drowning out The Melody, but he did say he was a fan because of it and the songs were "delightfully" distracting). He might pick up synthwave from me, or...what's it called, chillwave? Something electronic that provides a good earworm you can sleep to (as opposed to ones you can't....or is that just me). I'd recommend lofi, but I think he wants something he can work or think to, and lofi's really for relaxing. And I wanna avoid something with a heavy base bc of @/pearsaregrossfightme's funny post where he subconsciously controlled gravity to rise and fall to the beat of a cool song he vibed with. He probably reacts to music the same way I do, on an autistic level - give me a good song and I just feel it in my core.

To pick a specific song, Maybe Descend (Emil Rottmayer), or the more famous Resonance (HOME) - something from Electronic Gems that you put on in the background to help you concentrate while studying and stuff.

[knightingale]

The "Sansa reminds Sandor of his sister" motive that some people try to hitch to his character really just flies in the face of his actual attachments to her, doesn't it? Sansa reminds Sandor of himself. He sees the little boy who used to love knights in this girl who's been swept up by the same romanticism. He sees his abuser in her abusers, the much larger knight(s) beating on the helpless child. He sees how she is betrayed by every level of authority that should have saved her and remembers his father's neglect and Tywin and Robert's apathy for Gregor's crimes. He's protective of Sansa because he was Sansa.

And GRRM's design, that one of the strongest warriors in the series, a fearsome and cynical 6'8" guy who's "muscled like a bull" and has the face of death itself, sees himself in this soft and effeminate teen girl, and empathizes with her because he was an abuse victim too, is INFINITELY more compelling than "Oh yeah I bet she just reminds him of his sister," who he's never mentioned and who we know literally nothing about. Way to unnecessarily water down a character, you couldn't have ignored the black and white text more efficiently if you tried.

[heartless-aro]

People when a character is aromantic or aromantic coded: Wowie! They’re aroACE! Because they aren’t interested in romance! Look at how aroace they are!

People when a character is aroace or aroace coded: Isn’t it cool that this character is asexual? Asexual icon! They’re such great asexual representation :)

[chiricat]

assorted wips again

1. anchan space buns!!

2. emo arisato twins + ryomina and akiham

3. mzen x p3

4. suzalulu sketch dump

5. suzalulu + souyo (eng voice actor joke)

[poorly-drawn-mdzs]

Another year has passed, and with it the opportunity to reflect back on all that has happened. While my growth was not as dramatic as last year, I can still see lots of positive change.

I'll never have enough ways to say thank you for all the love and support you have given me this year. On to 2025!

(2023 summary here!)

[beargregor]

wait i'm curious, what makes you say that gregor doesn't like everyone else (if i read that post right)? just curious since i've never seen anyone else say that

i don't necessarily think gregor dislikes everyone else at lcb but i do think that gregor is an incredibly petty person that isn't nearly as close to the rest of the sinners and even outright dislikes some of them cough cough rodya cough cough which a lot of people just Refuse to see because he's as much of a doormat as he is. there's several examples i could get into to try and prove my point however i'll just focus on what i personally think to be the biggest ones.

additionally, this is going to be kind of long, so i'm adding a read more. read more! read it. sorry for being so wordy. i have several diseases.

Pt1. gregor is the type to try and get along at least decently with everyone, especially if he gets a good first impression from them.

this is less a point in favor of gregor's distance w/ the rest of the sinners and more just a contributing factor to it. once again there's several examples i could point to here but i think the most in your face one happened in canto I with yuri, as several people have pointed out. even before gregor comes clean about growing attached to her as quickly as he did because she reminds him of his sister, we get this interaction.

i'll go ahead and make the disclaimer now that i don't necessarily think gregor is the most reliable of narrators, especially when it comes to his feelings and interactions with most people, but from the way he acts when the topic of yuri comes up (and the way we still see him act even all the way up to c7, nearly a whole year after yuri's death) i don't see reason to question his sentiment here. gregor immediately got that aya and yuri were close, potentially even taking note of their traded belts, and went out of his way to get something nice for yuri despite hardly knowing her.

i feel like a lot of people have forgotten as much, especially since it's been so long since c1, but gregor actually spent a good bit of season 1 doing the exact same thing with the other sinners! gregor reads a connection between him and ishmael pretty quickly despite getting off to a rocky start

mostly because gregor can tell that ishmael is pretty sardonic in a very similar way to him. there's been multiple instances where ishmael and gregor have essentially expressed the same sentiment at different moments, most notably gregor's little argument after ishmael got shot with a decay ampule in c4

and ishmael's response to pilot talking about self-sacrifice in c5

i could go ahead and pull up more examples, but in general pm has gone out of their way to show us that gregor and ishmael are pretty similar, so it makes sense for gregor to assume that they're friends, right?

this will be pushpin 1. keep note of this for Later.

ishmael's only the first sinner we see gregor trying to do this with in s1, we also see him try it out with heathcliff, sinclair, and ryoushuu

he's tried to get along with charon, being one of very few sinners that we've seen actually try to establish a connection with her at all

even rodya, despite my insistence that gregor doesn't like her nearly as much as the fandom thinks he does

all of these seem pretty fine and dandy, right? sure it frequently leans towards self-degradation, micromanaging, and commiseration, but gregor can at least be pretty chummy with most of the sinners, can't he?

Pt2. hell's chicken was more than just comic relief guys please

i'm fully aware that this is quite the hot take, but i think hell's chicken deserves a lot more credit for character writing than the fandom gives it. hell's chicken gave us foreshadowing for several events, such as the donqui bloodfiend reveal

heathcliff's distortion in c6 (as well as hong lu's highly speculated distortion at some point in the future)

and ryoushuu and sinclair's continued connection by making him the odd one out on her team

which, hey! that implies something about gregor's odd one out, don quixote, too, doesn't it? yes. yes it does. that's pushpin 2. keep note of that for later.

speaking of pushpins, hey! that's pushpin 1!

splitting into teams is one of the major events in hell's chicken, and most of the sinner's choices are either motivated by very little, backhanded, or motivated primarily by not wanting to be on the opposite leader's side. i didn't include all of the picks, just because i feel like including most of them already gets this across, but i think gregor took one major thing from this: most of the sinners, when push comes to shove, will only side with gregor when they refuse to or can't take his opponent's side.

now, don't get me wrong, i'm fully aware that this is primarily intended to be comedic relief, but when gregor is being described as having his trust broken by ishmael or nearly crying because no one on his team properly sided with him for him, i feel like it's pretty fair to read into this.

something that i think is pretty important to remember in conjunction with this is that we know that gregor is the type to hold a grudge, both from his general attitude towards the G corp soldiers in c1 as well as his continued distaste for vergilius

even beyond the splitting into teams of hell's chicken, the sinners have given gregor plenty of reasons to feel bitter. i feel like this is something people have noticed but haven't really put a finger on, but it's kind of wild just how often the rest of the sinners make gregor the butt of the joke

and sure, we could argue that a fair few of these aren't really made with any ill intent. quite a bit of it could have been meant as harmless teasing, but with gregor being more sensitive than most, it coming from nearly all sides, and as often as it does? yeah, i think he's prone to taking it a bit personally.

Pt3. yes i do still think gregor was the third most important character in canto VII you guys gotta hear me out okay

of course, all of this leads up to the bit of the story i highlighted, doesn't it? c7? i totally get why people haven't really picked up on all the gregor things i did in it, seeing as they were mostly not *directly* said about him or by him.

personally, i think that gregor's distaste for talking about himself on any serious level and thus leading to him getting sort of "sidelined" narratively (which i take issue with that claim, but still. it's effective for getting what i mean across atm) is supposed to lead players to take a deeper look at the times gregor gets held up to other characters and compare and contrast what's being said about them by the matchup. as i showed earlier with his immediate latching onto ishmael, i think this is something gregor himself is at least partially aware of too.

so, that begs the question, who was gregor compared to in canto VII that makes me think it's one of the most critical pieces in understanding his character?

really, i'd like to avoid getting too lost in the analysis of this canto specifically, since i'd like to do a proper post about this later, but i figure i can bury the lede a little before doing it properly.

c7 features several characters being made to perform in sansón's play, acting out the relevant backstory for this segment of the plot. a lot of these characters have rather direct, degrading reasons for playing the roles they do.

outis, a character with an inflated ego who wants her journey to have a purpose, is made to play an aimlessly wandering villager with a single line.

hong lu and ryoushuu, two characters for whom families and the expectations placed upon them are likely going to play a major role, are made to play bloodfiends.

rodya, a character who resents her lot in life and is constantly shown to be eager to leave her destitution behind her and become someone special, is made to play a helpless villager that's too poor to even offer any money to the hero that saves her.

heathcliff, a character that has spent most of his life getting dehumanized by comparing him to beastly animals, is made to play a literal bear whose sole purpose in the plot is to get beat up and then quickly left by the wayside.

sinclair, a character that has two opposed parties essentially treating him as a macguffin to procure for their side, is made to play the character who was arguably the catalyst for this entire canto, not to mention playing a decently major role in ruina.

our star don quixote is made to play her father, the first kindred, but there's someone by their side the entire time, isn't there? don quixote's dear, steadfastly loyal companion. a character which don quixote has tasked themself with getting to come out of their shell?

hello again, pushpin 2.

gregor has been made to play our unreachable star, sancho. someone had to, of course. you can't really tell a story without it's main character, now can you?

now, i should once again give a disclaimer. i am not trying to say that i think adapting what happens to donqui/sancho in c7 to gregor is the road pm is going to take here, not only would that toe a bit past the line of foreshadowing, but it'd also just amount to rehashing that plotline again, which i don't think would make for a particularly exciting story.

what i DO think is that we can take a lot of the things that are said to either directly be the case for sancho and use them to inform how we see gregor.

and god, does playing sancho have some fucking implications for our favorite ossan archetype.

starting off, the earliest moment we get to see of sancho is quite literally her just waiting for death to take her in a pile of ashes.

which, i should remind everyone, is actually pretty damn close to what happens to gregor's literary counterpart at the end of the metamorphosis. gregor samsa experiences one final breaking point that pushes him over the edge and makes him decide to just wait for starvation to take him.

gregor and sancho both consider themselves to no longer be human, something which sancho goes out of her way to highlight repeatedly throughout the canto and gregor is quick to get defensive on her behalf for when outis starts really tearing into her

sancho spends quite a lot of this story denying herself the joys of community and friendship, despite knowing that, even with the rest of the sinners frequently making jokes at her expense and outright insulting her, they were things that she desperately craved.

and, while this is getting into my "outis is a red herring meant to distract us from gregor's eventual betrayal" theorizing, i also think it's worth noting for this discussion that sancho's fellow kindreds, her family, all seem to be under the impression that she dislikes them and ultimately her departure was an act of betrayal

and that, despite gregor being one of LCB's resident mood makers and attempted conflict de-escalators, one of the sinners that's most prone to making appeals to the bonds they've all forged together, only him and faust remained silent during everyone's speech

so yeah, i think there's quite a lot of little details and hints building up to the reveal that gregor's not quite as fond of everyone as he presents himself to be. i do think a lot of this ultimately comes down to gregor getting in the way of his own happiness, similarly to donqui, particularly because he's been frequently portrayed as something of a self fulfilling prophecy, especially by giving him as many christ allegories as they have by way of priest and garden of thorns. gregor is convinced that the rest of the sinners don't like him because he's not convinced anyone could like him, so he convinces himself that he hates them because why should he care if someone that he hates hates him too?

a lot of this ultimately ties back to my personal interpretation of what happens in the metamorphosis as well as my own theories regarding all the times gregor has made weird callbacks and references to lobcorp and ruina, but yeah. i think about this guy and his deeper characterization a fairly normal amount, i think.

to end this off i'll highlight one of my favorite little "gregor is fucking seething and trying so hard to keep it cool" moments, in the credits CG for c7 we see rodya teasing him by drawing a little horse on his window and actively pointing and laughing at it, which gregor really doesn't seem all too pleased about.

i personally think this ties into the other cruel part of sansón forcing gregor to play rocinante, which is the more literal "he's actually just straight up playing rocinante" side of things. gregor was quite literally made to play something less than human, less than even animal really, as he was reduced to nothing more than the shoes don quixote wore as she got to play the leading role. sansón directly makes jokes about gregor being nothing more than shoes in the play twice, which adds to this reading, i think.

this, imo, really plays into the adaptation of the metamorphosis! i've seen a lot of readings for the book that posit that, despite being the protagonist, gregor samsa can't really be considered the main character due to nearly everything he experiences in it being used to further his family's character development at his expense, which i think fits nicely with limbus gregor seemingly having the most said about him through indirect means by holding him up to other characters. also it's rodya carelessly making fun of His Big Major Insecurities™ again like she did in c1 which i always find fun. rodya i love you but god you're the worst.

[thekittyokat]

you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah

[shushmal]

"Are you going to break my heart?"

Eddie almost drives them off the road.

It's late, nearly 2 am, and the country road is narrow and winding, and this thing between them, fingers twinned above the gear shift, radio turned down low, Stevie Nicks singing to them softly, is new. Eddie wants to live in this moment forever, wants the smell of lake water and dying August heat to live in their clothes, wants the warmth of first kisses and whispered confessions to last in tingling sparks in their skin, the memory of touch to be permanent. It won't be, it'll all fade, but Eddie can visit it again, rewrite them into the cotton and the softness of Steve's mouth.

It's late, and this is new.

"It's okay if you do," Steve says, so quiet. He's holding on to Eddie's hand like he's dangling off a cliff. "I can handle it. I'd just like a heads up, so I can prepare."

Eddie almost feels guilty, basking in his joy when Steve was sinking into something else. He thinks, if he were a kid still, if he hadn't died, hadn't lost everything and managed to get it all back, he'd be angry. But he's not. He's not, and he did, and it's late and this is new—but it's not unfamiliar. The same, but more, an extra free scoop with whipped cream and sprinkles, a cherry on top.

"You trust me?" Eddie asks. He rubs his thumb along Steve's knuckles, feels the scars under his skin, little tears in someone so perfect.

"Of course," Steve croaks. Eddie can't look at him, because the road is dark and narrow and winding, and he has to get his boy home safe.

"And I trust you," Eddie says, brings Steve's hand up, presses a kiss like a seal to his skin. "And I love you, and you love me. I got you."

Steve's quiet for a long, long moment. Eddie can tell he's watching him, so he presses another kiss to Steve's hand, lets his lips linger on hard tendons and dark veins. Kisses in his promises to the place they're linked together.

When he speaks again, it's soft, and Eddie can hear the love, living and leaving in the air between Steve's teeth.

"Okay," he says, giving Eddie everything. "You got me."

[otaku553]

Procrastination doodles of sabo for the king sabo au :)

[critter-wizard]

ep 43 had me tearing up in a fucking shopping centre ‼️‼️

b+w alt version that I truly couldn't decide if I liked it more . Also I included a lot of thoughts in the tags but they're somewhat incoherent<3

[lesbianherald]

kind of feel like 'write for yourself, nobody else' is bad advice. like i get where its coming from. but idk. it just feels too general. at least for me writing is about connecting with others and good writing knows how to do that. not connecting with everyone - not writing to please - but still connecting with others you know. you have to know what questions people might ask and how you might be able to get them invested etc etc.

[corvidaes-crow]

Deruth Henituse bashing ahead, you have been warned.

I finally figured out why I hate Deruth Henituse. The novel, through Kim Roksu, barely lingers on his failings as a parent. Which, fair enough, I understand from a characterisation perspective why that wouldn't be a main focus. It just means I linger on that in canon's place. Why is Deruth satisfied with giving his child some exorbitant allowance? Why doesn't he ask at any point what it was used for, even when he thinks their relationship has improved? Why can he be a good person to everyone except OG!Cale? What is stopping him except his own cowardice and guilt?

There is not a single thing in LCF that redeems him as a father. We see how Ron grows to care for (KRS!)Cale, as well as Eruhaben and Fredo in their own pseudo-fatherly ways. We see how Deruth has not changed since 'Cale Henituse' improved. If he had been more grief-stricken finding out about Cale on-screen, maybe that would have redeemed him a bit in my eyes, but alas.

I need a scene where Deruth wakes up in the middle of the night heaving, tears streaming down his face when he realises that his son does not exist in their universe any more. When he realises his son has disappeared from their timeline, and likely did so believing everyone would prefer it that way. When he realises that belief is not exactly wrong, because everyone does prefer it this way.

That last realisation, he struggles with, because bad parents will never understand what they did wrong without significant internal struggle and a self-driven desire to understand. I need someone (Eruhaben, Ron, or even Violan) to notice his internal conflict and sit him down and ask him, straightforward and simple, "Which one do you prefer?" And they won't let him tell them his answer, that's not for them to know. But Deruth finds himself repeating the question over and over, which do I prefer?

It starts with 'neither, obviously, how could I pick a favourite?' but the guilt gnaws at him; his reflexive answer is not what his son, his sons, deserve. So he disassembles it all from there. What would he feel if they swapped back? What would he do then? Shower Cale with love, of course - but would he? Or would he find himself taking a step back, guilty and avoidant as always when it comes to his son?

And then, why would Deruth feel guilty? Because he hungers after a son who he can interact with without fearing Cale's hatred or resentment. He knows and fears his own inadequacy to heal their relationship. And the new soul doesn't mind it. The new soul, Cale, holds no expectations for him. No resentment. He doesn't know how to reconcile, but is there any need to if Cale is no longer the son he wronged?

So the answer to such a cruel question, which do you prefer, is... this one. The new one. The Cale that Deruth can be a proud father of, that he can hold his head high when talking about and fret over when he coughs blood or faints or leaves for another dangerous mission. The Cale that he knows exactly how to make happy. It's not hard, either, just food, rest and gold.

Deruth will never know how he could have made the original Cale happy. There is too much strife between them for Deruth to dare try to unravel it all, so he'll settle for wishing him all the best in future endeavours. This is penance enough, the guilt he will carry forever for not noticing sooner the loss of his firstborn son.

[rokumes]

yuyuko

Starving white woman

[icewindandboringhorror]

Pages from trying to keep a little sketchbook-scrapbook type thing going for two weeks lol. I gave myself specific rules in hopes they might all end up more cohesive/consistent seeming, but alas, scribbly chaos reigns, it seems

[ghastlyaffairs]

for something as trivial and simple those feelings sure are hard to get rid of

also made a gif a version for fun + alt version with no tears under the cut

the gif is in very low resolution...this is a feature (i could make it bigger but that would require saving each frame individually and than glueing it all together. also i feel like low resolution suits it better. aesthetically and fits the mood)

[mintjeru]

eon ticket

open for better quality | no reposts | shop open!!