#i will not be fixing typos here
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The real reason Bo keeps wearing his mask around for a while when they all show up in Bylldewn
Character chart below
#wicked tan line lmao#my art#ocs#original character#oc art#west facing#quinton bell#bo church#ambrose larkspur#betony summers#chibi#digital#uhhh as always#if you want context and dont mind me sending so many messages about these guyd#pls. i promise i dont bite#i will not be fixing typos here
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Oh look, it seems everyone has been opted into the unfortunate "experiment" now. For everyone who has been blissfully using the old UI up until now, welcome to hell :)
Do you not like hell? Do you want to leave and crawl back up into the sunlight of the old UI? Well, have I got a link for you! A beautiful tumblr user (who is not me) has gone and fixed things beautifully for you already: https://github.com/enchanted-sword/dashboard-unfucker
You will need to have Tampermonkey installed on your browser of choice, and once that's done, just go to the github link above, and peruse the readme to install. And voila! You have your old dash back!
The authors of XKit Rewritten said during the experiments that at the time, since this was an "experiment" they weren't going to implement anything to revert to the old UI (although who knows if they'll do it now). And the dashboard unfucker has worked beautifully enough for me to where I genuinely couldn't tell if they had ended the experiment or not.
#EDIT: pinning this for a few days so muts can find it if needed#EDIT: but also because i'm muting notifications because my phone is now dying#i foresee me possibly having to mute the notifications on this post#but whatever#(update: my prediction came true faster than i anticipated before i could even fix link mistakes or typos 🤷♀️ SORRY)#(when posts you make for your muts get a little further out than expected)#psa for anyone who the new ui winds up bothering#here's a way to basically revert to ye olden times
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been replaying the Portal series I think this is where its heading
#i haven't drawn in like. half a month. which listen i know i don't post much here but i do draw a lot#i have another blog. but also sometimes i just don't post things. i draw for myself#just got burnt out from working on an animation final 😔#so anyway. eased myself back in with a silly comic about portal#my irl saw my shitty sketch and thought glados was painting chell which is very funny to me.#chelldos#but like. unrequited. glados is obsessed with chell. chell is not having a good time#portal#chell#GlaDOS#GlaD0S#my art#og post#1k#5k#10k#20k#edit: i made this post almost a year ago and it haunts me. theres a typo. chell is out of character.#because i couldn't come up with a good reason for her to be there in the first place#and this was a shitty ms paint replicating drawing that i did just to get back into drawing#i didn't think it would gain much attention#i was Wrong#anyway someone in the comments said this is what happens when you speedrun thats an infintely better setup for the punchline#EDIT 2: ok i fixed it fuck you
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Heroes of Millennium (HoM) AU
Act 1, Omake 1 (Extra): Master of Time - (here)
Act 1, Omake 2 (Extra): Barrier Team. - read here
Act 1: What was left behind. - read here
#hom au#heroes of millennium au#danny fenton#danny phantom#clockwork#dp clockwork#juniper lee#jake long#rex salazar#zak saturday#randy cunningham#kim possible#jenny wakeman#ben tennyson#;D hi! sorry this is not an update anyone expected. but i was sitting on this idea since january lol#couldnt start on it for months. but now that im making some slow progress with Act 2 outline. i decided why not?#when i started to draw hom comic i was like 'nah we dont need long winded cryptic intro with CW i want some action right away!'#and almost right after i finished act1 i was struck by this idea lol. mostly because its fun and i wanted that one last page of all homies#also an opportunity to drop some more lore ? hints. and you can also see i am depicting CW a bit differently to his canon#but also like tbh he probably wont appear in next acts like at all so xD dont take anything seriously here. this is all just in good fun ;)#CW is like that grandpa that urgently calls you to do something for him but then instantly trolls you and kicks you out#small edit: fixed typo and added disclaimer doodle because it felt incomplete without it ;)
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If anyone was wondering whatever the fuck happened with that "shark-ray or stingray Jesus" pregnant stingray, the answers are:
-That poor thing is STILL "pregnant" 4 months past her gestation time
-they admitted ON THEIR OWN LIVESTREAM that they don't know how to read ultrasounds
-The "aquarium" (which is a non-AZA accredited, privately owned sideshow in a storefront) was blocking aquarium experts, which they deny, but the blocked people gave the reporter receipts
-They haven't given any indication of actually having a vet examine her and get REALLY SHADY if asked.
-They called the cops on a reporter and the director tried to have her booked for trespassing and this shit is bonkers!!!!!
-They obviously seriously annoyed said reporter with that stunt and the result is a hilariously scathing article all put in the most professionally journalistic language.
"This was my second dust-up with police in 15 years of journalism. The last one was reporting on neo-Nazis in Germany. This one was about a stingray."
Like you know you really pissed off a journalist when this is the quote they highlight after asking another expert about your shitshow
#the amount of bugfuck insanity in this#marine biology#stingray#marine life#the fact that her talk with their PR after basically went#'why did you call the cops on me?'#'thats between you and the cops. also you should only write about how great science is. also what cops?'#the 'ecco says they didnt block anyone but we got receipts'#the 'they fixed all their crazy typos but here they are'#THIS IS WHY YOU DONT CALL THE COPS ON JOURNALISTS?????#BESIDES THE ETHICAL VIOLATIONS I MEAN
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wi papa look a thing there for me. awa.
prefacing this with a PSA that i'm going to try and keep short but basically regardless of anything i say here let me make it known that i do believe he should apologize. whether or not he's still actively saying that word in 2024 it is something he's used in the past even if he isn't performing said play anymore/saying things like that so flippantly. granted if he does apologize there's always going to be a section of fandom that's like 'he only apologized bc he got caught' yes?????????? that's what always happens????????? lbr you're not going to get on IG and announce you killed your ex two decades ago and you'll be turning yourself in when there's an entire true crime community in the depths of the internet who will dig up the cold case + the suspiciously convenient alibi anyway without you lifting a finger. politicians who get called out for blackface in college do not go around telling people they did blackface in college. celebrities who were homophobic on this hellsite in high school back in the early 10s before they realized they were gay are not going to let you know what their handle was. this is how the world works.
that being said i must confess i caught wind of the stirrings of this a bit early bc during the clusterfuck that was the Jam vs Zamasian RPF poll (i did not go in the notes. rancid ass shit) someone had taken a screenshot of a reblog made as a 'gotcha' to Zamasian voters by implying that they were anti-Black for voting for a ship featuring an actor that said the n-word in a play he hasn't performed for several decades since, with a short taped example that the general public was not going to know how to find unless they were on a mission. i poked around, saw a couple hints here and there that implied that the clip actually existed, marked that down for future ref and went about my business. disappointing? sure. run of the mill especially among people his age in the industry from that time period who are perceived to benefit from white privilege? absolutely. the former bird identified app dragging all of this back into the light (including the interview with Chris Rock. which i have not seen though there's no way it was within the last few years for AMC to still hire Eric if they had seen it. correct me if i'm wrong pls) is unexpected but tracks for the fandom on there.
generally i don't believe in cancelling someone for things they said or did more than ten years ago if they are no longer the same person they were back then. i don't believe Jacob or Assad or any one of the staff of color who may have been working behind the scenes would have agreed to continue interacting with Eric if he had the same attitude as he did when he first wrote and performed the play. i don't believe his Black comedian niece would continue to talk about him and share photos with him if he was calling her or the Black side of her family the n-word. i am willing to give the 'Eric Bogosian n-word' reply tweet he reportedly made before deleting it shortly after the brief benefit of the doubt bc it was 1. supposedly under someone else's tweet talking about the play incident and 2. i cannot count how many times i have accidently commented/almost posted something on here or YouTube or Reddit or ao3 bc i was on mobile and once the keyboard's open the app/browser flips the fuck out and puts the search bar and the comment box too close together. now if his ass shows up and shows out and stands ten toes down while he's currently on time-out or doesn't address any of this we're dealing with a different story. if more examples of him acting like this come out i'll drop him faster than you can call the election it will be that serious.
anyway for now i'm choosing to keep an eye on this while acknowledging that us Black folks do have the right to be upset and pissed as fuck. we deal with enough racism/microaggressions in fandom spaces as it is we definitely don't need new ones, and we don't need them from the past career choice of the main cast of a show a lot of us enjoy. amen
#tv: interview with the vampire#interview with the vampire#iwtv#eric bogosian#what a lovely start to the 5th already (derogatory)#i've said what i needed to say. i'm leaving reblogs on for now but if people start clowning in my notes it's going off i ain't here#for any of that shit. bitch if this was another cast member we were talking about i'd say the same thing don't get it twisted#if i even smell one of you about to be like 'i always knew—' 'i never liked him—' 'DM fans—' it's an instant fucking block. shut up.#you're not helping thank you#edit: typo located in the second to last paragraph that i just fixed..................... this is what happens when you type out what#you thought out in the shower i'm cryingggggggggggg
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Funny Apery. Male-Centric Workplace Humor. Co-written by @boltzmannbutt on Twitter.
#Disco Elysium#harrier du bois#Kim Kitsuragi#jean vicquemare#judit minot#the smoker on the balcony#comics#i know this has a lot of mistakes plus a few very easily fixed typos#but i think im not gonna bother fixing them#still#here ya go
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#happy edgeworth day or whatever#my copy isnt here so i made this out of spite#andromedas poll hell#phoenix wright#ace attorney#beanix#apollo justice#trans phoenix wright#if i could've found a way to sneak Karuma in there I would've but i dont think it would fit#i made a typo but since its a poll i cant fix it and im going to blame desktop tumblr instead of making the whole poll over again
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Tango doodle because I'm in love with drawing him actually and I think I should draw him more
#bandit's doodles#tangotek#<-wooag no waffle duo guys pack it up#Friendship ended with waffle duo tango is my new best friend#Slash j guys I love them#I judt wanted to draw thr guy#Goodness me these typos#I can't be bothered to fix em but imagine I'm spelling everything right okay? Alright glad you understand#ive been drawing him in my sketchbook quite a bit#so I wanted to fully color a tango doodle#and now here we are#also kind of a revamp if my HADM design??#and I wanted to draw his teeth so that's basically thr only reason that little low effort tango is there#this just reminded me I have to finish catching up w his hermitcraft actually#call me the forgetificator#I apologize for that
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[ID: text reading,
“broken sonnet
you're 19 years old, and every day
you get out of bed
and brush your teeth
and eat breakfast
and don't want to kill yourself
feels like a miracle.
you want to be a martyr: a new age jean d'arc,
a beautiful symbol of some kind of change,
at least then you could mean something
in death. but you know dying would make you
nothing more than dead.
you want to bleed light but instead
bleed only the same ordinary red.” end ID]
broken sonnet, sunny valentine
#sunspeak#creations#if you saw me post this before SORRY i had to fix a typo#also i normally don’t post my work here but i’m never publishing this. more of an exercise really#any interaction appreciated! <3
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I'm sorry, Spamton. I know you won't believe me, but I'm sorry we hurt you.
#GOD this fucker corrupted my gif again.#Ignore the page is missing im not gonna fix it. Hes looking at the paper. its just uhhh out of your view#made this one up on the spot lmao i dont have many inbetweens planned... if its not up to par to the others thats why#i wish i did do inbetweens but i only have the main ones planned#btw usually when he asks stuff like this he's looking for a response (im looking for a response. me.)#thank you anon oh my goooooodddd you were my descending angel while looking for an ask along these lines#this ask is perfect. Not too overcomplicated. nothing that would set him off. Short and sweet and to the point but its got nice impact.#in this context at least. I rlly needed it lol.#some were.. too much and some were really half assed apologies that go immediately back to asking him stuff LMAOOO#Guysss work with me here im actually trying to guide you to really apologize to him#[you've got mail!]#spamton#spamton g spamton#deltarune#deltarune spamton#deltarune chapter 2#Ill fix the inside of the dumpster later. its not to scale goddamnit.#Typos in his speech are on purpose to clarify lol#spent a damn hour fixing the gif. grrhhhhh....
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those who serve.
CHAPTER SEVEN: a wound.
previous chapter. full fic on ao3.
14k.... finish what ure doing first before u read this. this is ur only warning.
cw for this chapter: violence, injuries, nongraphic medical procedures
. . .
Danny gets one week to adjust to the reveal of the Wayne family’s night activities, on top of getting learning more and more each day to help Alfred. Then everything upends itself in the face of a gala taking place in the manor in ten days.
Most of the preparations have been taken care of by Alfred months in advance; renting out extra tables, chairs, and tablecloths, hiring catering, getting together press passes for attending reporters, and so much more. He kindly goes over each thing for Danny, reviewing the specifics of each group so Danny can have an idea of what to look for in the future. The amount of information he gets makes his head spin, and the prices of everything make him break out into a cold sweat.
Technically, Danny is joining the ranks of the rich with his new paycheck, but no amount of time will make him comfortable with such large numbers being attached to his bank account.
Ten days to the gala, Alfred shows Danny how to get blood out of white and light colored clothes. Tim, apparently, pulled some stitches after getting stabbed the night before, and bled through his shirt.
Hydrogen peroxide is a life saver. It definitely would have been useful to have while he still lived in Amity Park.
He also discovers a love of ironing; watching the wrinkles in the fabric disappear is deeply satisfying in ways he can’t put to words.
“I’d certainly be happy to pass on all ironing duties to you,” Alfred says, when Danny mentions this. “Just be careful not to burn yourself.”
“Don’t worry, I’m not that clumsy!” he replies, moving the iron across another shirt. Looking at Alfred, Danny miscalculates how far he’s moved the iron, and the edge of the hot metal touches his palm, pressing the shirt flat against the ironing board. He yelps, yanking his hand back, then gives Alfred a sheepish smile. “That doesn’t count.”
Alfred shakes his head with a fond smile, holding out a hand. “Let me see.”
Danny holds up his hand for Alfred to inspect. There’s no burn, barely any redness in the skin, but Danny draws some ice across the area anyways to keep Alfred from worrying.
“You could always iron using oven mitts,” Alfred suggests. “I believe we have some spare Batman themed ones in the kitchen.” His tone is so dry and even that it takes Danny a second to realize he’s joking.
“I would have accepted that if it wasn’t Batman themed,” he jokes back. “Anyone but him.”
“He’ll be heartbroken to hear that, I’m sure.”
Danny snickers and goes back to ironing, carefully keeping it away from his hand this time.
He’s not laughing when Alfred teaches him about formal suits that night, showing him each piece to the suit and how to properly wash, fold, and iron them, as well as how to put them on. And then he drops the bombshell of, “You’ll be getting your suit fitted tomorrow as well,” in the most casual tone possible for him.
Danny chokes on nothing and has to spend a minute clearing his throat before he can say, “Sorry, what did you just say?”
“You need to get fitted for a suit. Tomorrow. I have already made the appointment with a tailor I’ve worked with for many decades.”
“Cool, that’s what I thought you said. Is this required?”
“Yes, as you’ll be attending the gala as well. We are the two permanent members of the Wayne Manor staff. There will be eyes on us as we keep the event running smoothly, so it’s important to be well dressed.”
It makes sense when Alfred puts it like that, but Danny still has to smother his instinctive refusal. He’s only rented suits before for school dances, and those were never super comfortable. He avoids events that require suits, like formal conferences his parents are invited to, with an extended invite for family. Suits and wealth will always make him think first of Vlad.
Maybe in time, he’ll associate those things more with the Waynes, but for now, Vlad is the face that comes to mind and Danny has to shove away the urge to run and hide.
“Not to worry,” Alfred adds, as Danny struggles to smooth out his expression from the pained grimace it twisted into, “You will not be going to this appointment alone.”
That’s not the part that Danny’s concerned about, but he still appreciates it. He’s definitely not ready to be alone in the city again, considering how his first time out with the Waynes ended with a hostage situation and a mall full of violent gangsters.
There’s not much anyone here can do for his own hangups, especially when they originate in another dimension.
So Danny pastes on an unconvincing smile and gets back to work.
Nine days before the gala, Danny finds himself in a car with Bruce and Cass. Alfred had offered to drive them, but Bruce grabbed the keys before anyone else could and cheerily waved Alfred away. He was then told to not get another speeding ticket and to try to be a good role model for Danny.
Danny, whose only good role model is Jazz, looked away nonchalantly and acted like he didn’t hear that.
It’s not like he needs good role models anyways. He’s doing just fine on his own!
Alfred doesn’t count because Alfred isn’t a role model as much as he’s an ideal Danny is striving for. Alfred is who Danny wants to be when he grows up. Now that he has a chance to grow up (relatively) safe, that is.
Cass had snickered at the three of them, then bodily shoved Danny into the backseat before climbing in after him.
Now, they’re going down the streets of Gotham, driving over a bridge, through neighborhoods, through run down districts that slowly get bigger and cleaner and visibly more suited for people with money. Bruce doesn’t drive recklessly, thankfully, despite Alfred’s warnings.
Even so, Danny still clings to the car door, ready to throw himself out at a moment’s notice. He’s learned to bail quickly with his parents’ dangerous driving.
“You alright back there?” Bruce asks, meeting Danny’s eyes briefly in the rearview mirror.
“Yep!” Danny chokes out. “Doing great!”
He squeezes his eyes shut and tries to regulate his breathing, counting slowly in an attempt to settle the wild beating of his heart.
He wasn’t this bad in cars before. Even with his parents. He’s not sure what changed, but being in Gotham, after everything that’s happened, makes the small space of a car feel suffocating. The rocking of the car as it goes down bumpy roads would have once lulled him to sleep, but now makes his stomach roll and his chest go tight with panic. None of this is made better by having two observant and dangerous people watching his every reaction, no matter how small.
The radio is playing softly, simple background noise as Bruce drives them through Gotham. Danny tries to pay attention to it, to listen to the songs that come on, but his focus is completely shot. The noise keeps fading in and out of his ears.
“It’s okay,” Cass says softly. Her fingers skate over the back of his hand, making him jump. He blinks his eyes open to look at her.
At some point, she’s taken off her seatbelt. Which isn’t safe! She needs to put it back on!
Danny’s gone through the lessons and powerpoints back in Amity Park, when teachers tried to make sure he and his sister would be better drivers than their parents. Seatbelts help prevent severe injuries in car crashes, and there’s a reason they’re required by law.
Weakly, he shoves her back against the seat. Then he leans forward to reach past her, taking hold of the discarded seatbelt, and fastening it around her again.
“Keep that on,” he says around a gasp, his breath catching in his chest. His voice sounds weak and thready even to his ears, which means its bound to be even more concerning to her and Bruce.
“Do you need me to pull over?” Bruce asks, glancing back at him. “If you’re feeling sick, I can stop until you feel better.”
“No, just keep driving. The sooner we get to wherever it is we’re going, the better.”
Cass is frowning at him when he looks at her, ensuring the seatbelt is still on. “Why?” she asks, pointing at him.
That’s such a vague question! What is he supposed to answer!
‘Why is he like this?’ ‘Why is he worked up about a seatbelt?’ ‘Why is he a mess?’
The answer to all those questions are the same: he doesn’t know!
The most he can do is offer Cass a weak shrug, so that’s what he does. Cass squints her eyes at him, then grabs his hands and lifts them up to start a clumsy game of patty cake. It quickly becomes apparent that she doesn’t actually know how to play patty cake and is instead clapping their hands together randomly with a look of confusion on her face, so Danny takes over, humming the song under his breath.
It helps distract him from the unreasonable panic of being trapped inside a car. That was probably her intention, but Cass is so focused on keeping up with their steadily quickening game of patty cake that it doesn’t feel like he’s being coddled. It just feels like this is normal, like they’re two kids passing time on a car ride.
Like they could be anyone else. People who are safe. People who haven’t been so hurt.
It’s almost a surprise when the car comes to a stop, Bruce smoothly pulling into a parking space with a reserved sign in front of it.
Danny opens his mouth to ask if it’s really alright that they park there, but can’t say a word before Cass smacks his hands down. When he looks at her, she rubs her fingers together in the universal sign for money and gives him an impish grin.
That’s right, Bruce is rich enough that he can get away with anything. Who cares who that reserved sign is for? Bruce can just buy them a new parking lot.
That won’t stop the whole thing from leaving a bad taste in his mouth, but at least it’ll be easier to ignore.
Cass hops out the car and skips around the open the door on his side, holding out a hand to help him out.
He takes it and lets her yank him out of the car. She doesn’t bother waiting for Bruce before dragging Danny into a fancy looking store, the outside all black brick and large, reflective windows. He doesn’t get a chance to see the name of the store, pulled in too fast by Cass’s enthusiasm.
She all but throws open the door, the bell above them ringing merrily, and leads him inside. The dark wood floor and fancy lights immediately make Danny feel out of place. The racks of fancy clothing on display and the mannequins all dressed up in suits of various dark colors only make him feel more like he doesn’t belong in there.
“Hello, hello, welcome!” calls out an employee. She wears a dark green apron with a notepad tucked into the front pocket and a pin cushion on her wrist. “Are you just browsing today, or do you have an appointment?”
“We have an appointment for Danny,” Bruce answers, somehow appearing behind them. Danny squeezes Cass’s hand to hold back his flinch; he’d really love if the man would make some noise when he moves.
Did the bell over the door even ring when Bruce came in?
“Great! Follow me, I’ll get you into a fitting room and then let Mr. Brownstein know you’re here.” She leads them through a door near the back of the store, leading to a short hallway with three numbered doors in them.
They’re given room one, which looks more like a lounge than a fitting room. Beyond the couch and armchairs is a round platform with floor length mirrors surrounding it on three sides. Past that is an area that looks like a large dressing room with only a curtain to separate it from the rest of the room.
Bruce wastes no time in sitting down on the couch with a low grunt. Apparently not even vigilantism and constant training can save him from old man joints.
Cass lets go of Danny’s hand to flit around the room, then grabs a few magazines and sits next to Bruce, flipping through them quickly.
Left on his own, Danny stands near the door awkwardly before he forces himself to join them, sitting on one of the armchairs to keep some space between them.
“How are you feeling?” Bruce asks as soon as Danny’s gotten comfortable.
Danny shrugs. “Fine. Just… not used to this.” He gestures vaguely to everything around them and Bruce nods as if this makes sense.
“I understand that this can be a lot,” he says, “But we’ll do all we can to make things go smoothly for you.”
“Will be normal… time?” Cass adds, looking to Bruce for help.
She signs something and Bruce helpfully supplies, “Eventually.”
“Yes! Even-tu-ally.”
“I don’t know if anyone ever gets used to this. The being rich thing and your hobbies.”
“Plenty of us in the know have had to adjust to this life, you’re not alone in that.”
Danny squints at Bruce. “I highly doubt any of you were normal before doing what you do.”
Bruce opens his mouth to refute that, thinks about it, then closes his mouth and slowly nods. “That is a fair point. What’s normal for Gotham is hardly normal for anyone else.”
“No, no, this is not a Gotham specific thing. This is a Wayne and associates specific thing.”
“You are in that,” Cass says. “Not normal.”
“I think I’ve made it very clear that I am not normal. But I wasn’t insanely rich! That changes things!”
“No,” Cass says firmly, agreeing. “Not normal. Better that way.”
A knock on the door sounds through the room before they can get into it anymore. The door opens just a second later and an old man with heavyset wrinkles, white hair, and a fancy looking black cane with the handle done in gold, enters with a smile.
“Ah, Mr. Wayne, how lovely to see you again.” He’s got the same accent as Alfred, the same even, unflappable tone.
“Davey!” Bruce stands with a grin, his voice turning loud and energetic. It’s such a change from how Danny’s used to seeing him that he can’t do anything but stare at the man in shock. Bruce shakes Davey’s hand in big up and down sweeps, full of cheer.
Gone is the calm, steady, intimidating presence Danny is used to. In its place is some guy with a good attitude and not much else in his head.
“So good to see you again,” Bruce continues, dropping the handshake in favor of patting him on the back.
“I do hope you haven’t wrecked any of your suits recently. I was hoping to go more than a few months between tailoring new suits for you.”
“Then I’m sure you’ll be happy to know all my suits are in perfect condition! We’re here for someone new, anyways.”
Taking his cue, Danny stands up and gives a small wave. “Hi,” he says rather weakly.
Davey lights up, striding across the room to take Danny’s hand in his, giving it a vigorous shake. “You must be the boy Alfred’s taken in! Such a pleasure to meet you lad, I’ve heard only good things about you.”
“You know Alfred?”
“Know him? I grew up in the same neighborhood as him in England, and he’s the one who helped me set up shop here in Gotham back in the 80s. I’ve gotten ahead of myself.” He shakes his head and steps back, giving Danny some breathing room. “David Brownstein, at your service.”
“Nice to meet you, Mr. Brownstein. I’m Danny.”
“Call me David. Any friend of Alfred is a friend of mine. Now, I hear you’re in need of a suit?”
“Yeah, there’s a gala soon and I don’t have anything formal or like… professional to wear to it.”
“Make him pretty!” Cass demands, clapping her hands together in delight.
David nods to her. “I intend to, Miss Cassandra. Let’s begin, shall we?”
In no time at all, Danny is standing on the round platform in a black suit, trying his best to be as still as possible. He’s stopped breathing completely so he doesn’t accidentally disturb David where he’s pinning his left pant leg to better fit him. The fabric is soft and smooth, higher quality than literally anything else he’s ever worn in his life.
When he glances into one of the many mirrors around him, he has to admit that he looks good.
To be fair, though, everyone looks good in a suit.
It’s just so far beyond his normal that it feels like he’s looking at someone else in the mirror. To think that just a few weeks ago, he as a homeless teenager living on the streets with only the clothes on his back. Now he’s getting fitted for a designer suit that probably costs more than his entire college fund.
Bruce left the room at some point and Danny has no idea where he could be. Cass is still around, though she disappears every so often, then pops back in wearing a beautiful dress that she presents to him for his opinion.
Danny gives her a thumbs up every time while also trying to keep his arms still.
Near the end of his appointment, she walks into the room with a bunch of silk ties in different colors and patterns draped over one arm. She holds up each one in front of her face, looks between the ties and Danny, then either tosses them onto the couch or puts them back on her arm. The ones she keeps on her arms, she yanks at each one, then wraps them around her neck and tries to choke herself with them.
This, apparently, is part of the selection process, and she tosses a few more to the couch.
He’s… not sure he wants to know why she’s considering which tie would be best to strangle someone with. That’s not a problem Danny has to deal with. It’s not in his job description.
Bruce conveniently reappears once Danny carefully changes back out of the suit. The thought of trying not to disturb the pins or chalk lines is so stressful that Danny just phased out of them once the curtain was drawn, so they’re all as untouched as they can be.
He passes the suit to David, who leaves quickly with a goodbye tossed over his shoulder to the three of them. Cass hands three ties to Bruce, who stops by the register to get them paid for and packed up before they leave the store.
They head back to the manor soon after. Danny’s grateful to be done, even as he spends the entire drive with his head between his knees, trying to pretend he’s anywhere else.
“How was it?” Alfred asks once Danny’s joined him in the kitchen to help with dinner.
“Fine. David was nice. Also, I’m not sure if Cass wants to strangle me or not.”
“She’s like that sometimes,” Alfred says, then smoothly pivots the conversation into a new direction and they both silently decide to move on and pretend everything’s fine.
Eight days before the gala, Damian pops up while Danny’s removing dead leaves from the indoor plants. He hovers over Danny’s shoulder completely silent while Danny works, unaware, until Damian says, “Stop what you’re doing.”
“Shit!” Danny jumps, throwing dead leaves into the air, and goes intangible. His feet sink into the floor before he catches himself and flies up, floating in the air with a hand on his chest to keep his half-dead heart from escaping.
Damian stares at him, unimpressed. He looks at the dead leaves on the ground, then at Danny, and sighs.
“What?” Danny says, flustered. “You scared me! Don’t sneak up on me like that.”
“It’s hardly my fault you lack awareness of your surroundings.”
“Yeah, whatever. Did you need something?” Danny floats back down to the floor, tangible once again, and kneels down to clean up his mess.
After a moment of brief hesitation, Damian joins him, carefully gathering up the dead leaves closest to him.
Any annoyance Danny has at being scared like that fizzles away instantly with that little gesture.
Damian is blunt and full of jagged edges, but he’s not unkind.
“Has anyone shown you the emergency supply caches or escapes routes?”
Danny vaguely recalls Damian mentioning the caches but nothing else. And Danny hasn’t exactly been going out of his way to spend time with anyone but Alfred, who is busy enough teaching him how to handle all his new butler duties.
He shakes his head, gathering up the very last leaves, the smallest of the bunch, then stands up. Damian follows suit with a disapproving click of his tongue. “I suppose I will have to do it then. Come, let us begin.”
“Woah, wait, we gotta throw these away first!” Danny tries to take the bundle of dead leaves in Damian’s hands from him, but he turns, keeping his hands out of reach with a scowl.
“Fine. You don’t need to do it for me. I’m not incapable of basic tasks.”
That was not at all what he meant by that, but okay! Danny decides to move on from that and dumps the dead leaves into the small trash bag he’s been carrying around for this task. Then he holds it out for Damian to do the same.
Having taken care of that, Danny has no more excuses and is quickly taken on a trip around the Manor with Damian, who points out all the hidden emergency caches.
There are so many. If Danny didn’t know about they’re vigilante activities, he would have been convinced that the Waynes were secretly doomsday preppers.
Some are hidden in panels in the walls. Others beneath floorboards. Some behind large paintings.
“You must carefully memorize which paintings are emergency caches. There are some paintings within the Manor that lead to secret passageways or panic rooms,” Damian says.
“How the hell did this place get built that you guys have so many secret, hidden things in it?”
“Very carefully.”
Damian puts a hand on a panel in the wall in the next hallway and pushes against it. The wood falls back and opens silently, revealing a small space with a first aid kit, six gas masks of various sizes, and three tasers. Danny carefully takes note of the location and tries to memorize a few details around the cache so he can find it again later.
They go through the entire manor, even unused rooms and halls, the attic, and areas that the Wayne family allows outsiders to access when they open their doors.
Escape routes follow next, but take much less time when Danny reminds Damian that he can just fly out of the Manor whenever he wants. Danny himself is an escape route. Still, he memorizes some that go from the ballroom to the back of the manor in case he needs to evacuate people.
“Now,” Damian says as they come to a stop in front of the grand staircase in the foyer, “Walk to every emergency cache you can remember.”
“Oh, come on,” Danny groans. “There’s no way I’m going to remember any correctly.”
“Which is why we’re doing this. If we put it off, then you won’t learn until it’s far too late.”
That doesn’t sound too bad, since Danny’s been learning on the fly since the Accident. Half the reason he managed to do what he did as Phantom was because he had no choice but to learn as he went, thrown into fights he wasn’t prepared for. It’s never gone too badly before, and he’s always been able to get out of things relatively fine.
Then again, Gotham is much more dangerous than Amity Park. It’s not ghosts that are causing the problems here, but living people who have no qualms about killing. Danny rarely ever had to hold back his strength with ghosts; they were already dead, they could take a hit.
But here?
If Danny isn’t careful, he could kill people here. Even if he doesn’t mean too.
He remembers how strong he felt when stopping that mugger from hurting Alfred. How fragile and small the gangster who attacked him and Dick in the mall felt trapped beneath his foot.
In Amity Park, Danny was just another ghost.
Here in Gotham, Danny is a monster.
Damian’s right. It’s better he be prepared so he can act more carefully, have more options at his disposal instead of just working off panicked instinct.
“Alright,” he sighs. “Just don’t be too upset when I can’t find more than one.”
Damian stares him down with hard, serious eyes, but something about the downturn of his lips makes him look more awkward than intimidating. “You are a civilian who has only just begun to learn everything about the Manor. I’m not expecting much from you.”
The words, by themselves, are harsh, but Danny can hear what he really means: You don’t have to get it perfect, you just need to know enough to be safe.
“Okay. Should we start from here?”
Damian nods, and so the roles reverse and Danny leads them around the Manor, trying to remember as many emergency cache locations as possible. He gets more than he expected, around seven correctly and six more with some hesitation and poking around in areas he knows something is hidden, but he’s not 100% sure where.
He expects that to be the end of it, but Damian just nods thoughtfully and takes the lead again, showing Danny all the caches he missed. It takes up the rest of the day, but Alfred didn’t mind when he rushed to the kitchen afterwards to help finish dinner.
The next five days are spent deep cleaning the Manor, mostly in areas where there will be high traffic, and making sure anything Bat related or generally suspicious is hidden away. He doesn’t see the Waynes much at all outside of meals, and even then it’s only Bruce, Damian, and Cass that show up regularly. Everyone else appears at random, no rhyme or reason as to when they decide to sit down to eat with the rest of the family.
He overhears stern reminders to be careful on patrols, for the Waynes joining Bruce to make sure their clothes are ready and any needed cover stories are made and memorized. The others tease the poor souls forced to host the gala with Bruce, flaunting the fact that they get to go out and patrol like normal instead of pandering to the crowd of deeply annoying elite folk.
None of what they say make Danny feel any better about having to work the gala.
He tries to channel his nerves into work, always finding something to do in order to keep his mind from wondering about all the things that could go wrong at the gala and spiraling. The giant crystal chandelier in the ballroom is sparkling from how thoroughly Danny’s cleaned it.
Alfred handles all the logistical tasks, smoothing out last minute hiccups and answering questions from caterers and hired security. The ease with which he works through things has Danny in awe, hoping to one day be as capable as he is.
Two days before the gala, his suit is delivered to the Manor. Cass somehow gets a hold of it first and ambushes Danny as he walks into the kitchen, holding a basket full of bell peppers and tomatoes.
“Your suit!” she announces, suddenly in his face as he turns around from closing the door. One of her hands darts out and holds the basket up from the bottom, keeping any of his garden harvest from falling onto the floor as Danny freezes and tries not to jump back and bang his head into the door.
Once she’s sure he’s got his balance back, Cass steps back, presents his suit on a hanger to him, and says again, “Your suit.”
“Thanks, Cass. This couldn’t wait until I wasn’t holding stuff?”
“Nope. Go put it on!”
She smoothly takes the basket from his hands and replaces it with the suit. Then she uses her shoulder to push Danny away from the door and out of the kitchen, ending with a light, playful kick to his back.
Well. He’s no longer making spaghetti, apparently.
With nothing else to do and no reason to deny Cass, Danny heads off to his room to get changed. He doesn’t quite remember all of Alfred’s instructions on how to put on a suit properly, so he has to look it up on his phone. It’s a long process to lay out the suit in all its pieces and then put them on in order, looking between his phone and the mirror to make sure he’s doing it right.
The only thing he doesn’t have is some sort of necktie. He’s pretty sure butlers wear little black bowties, but that could just be a movie thing. He’s pretty sure it’s what James Bond wears, anyways, which isn’t quite the look he’s going for.
Once he’s got the suit on as well as he can manage, Danny takes a look at himself in the mirror.
He’s still pretty thin despite his appetite growing and his stomach being able to handle larger, richer meals. There’s a paleness to his skin that will probably always be there, making him look washed out and slightly drowned. His hair is a mess, as it always is, but in the suit, it looks more like a style choice than a consequence of his refusal to touch a hair brush in the mornings when he makes breakfast for himself and Alfred.
He doesn’t look half bad.
And the suit is fitted to him perfectly. Nothing is too tight or too loose. Everything falls where it should comfortably.
Satisfied with his efforts to dress himself properly, Danny gets back to the kitchen to let Cass see him. It’s easier to fly through the walls than make his way down the winding hallways, so that’s what he does, passing by a startled Tim who must have just come up from the Batcave.
Cass is sitting on the counter when he returns, kicking out her legs idly. She lights up when she spots him and claps her hands together in delight. “Nice!” she says, giving him a thumbs up.
“Thanks. I don’t have a tie or anything, so it’s not really a complete look.”
“We got ties,” she says.
“Uh, when?”
She waves a hand vaguely. “At the store. With your suit.”
Well. Bruce did buy some ties, but Danny hasn’t seen them since so he assumed they weren’t for him. For all he knows, they’re for Cass. She was the one checking them to see how well they could strangle people. He’s not really sure he wants those ties, if they’re going to be used as improvised weapons.
“I didn’t know any of those were mine. I definitely haven’t seen them since we got back.”
“Oh. I forgot.” Cass hops off the counter and says, “Stay here!” Then she’s gone, disappearing back into the depths of the manor.
“Sure, I guess,” Danny replies to no one. He stares forlornly at the basket of bell peppers and tomatoes on the counter. He would get started on the sauce if he could, but he doesn’t trust himself to keep his new and expensive suit clean while he cooks, so all he can do is look longingly at the work he should be doing.
He doesn’t wait as long as he expected to. Cass must have made use of those hidden passageways scattered all along the Manor to get back to him so quickly, three ties in hand. Or she’s just fast. One or the other.
“Here!” she says, presenting them to him.
Danny looks them over, reaching out to feel them. They must be made of silk for how soft and smooth they are.
One of the ties is a deep blue color with gold thread providing some embellishments. Another is a simple red, one solid color.
It’s the last tie that holds Danny’s attention. Black with silver thread stars and planets and celestial bodies, carefully placed on the length of the tie. He’s never thought much about ties, much less about their designs, but he’s obsessed with this one. It’s perfect for him.
Cass must clock his interest in the last tie. She tosses the other two over her shoulder, then reaches out to flip his collar up. The tie goes around his neck and she ties it loosely, clearly unsure of how to properly tie it, but doing her best anyways.
Once done, she looks it over before she nods, satisfied. “Good.”
Danny looks down to lift up one lopsided end of the knot she’s made with the tie. “Thanks, Cass. This one’s great. Can I ask why you tested these three for strangling capabilities?”
She shakes her head. “Not for harming,” she explains.
“Uh… strangling is very harmful. And that’s definitely what it looked like to me.”
She shakes her head again, stronger. With one hand, she takes one of the ties on her shoulder and loops it around her neck. “Picked the ones that won’t be bad. Hard to hurt with these. Try.” And Cass offers one end of her makeshift tie noose to Danny.
He stares. “No, thanks.”
“I’ll do it then.”
“Don’t!”
Cass grins at him, all teeth and challenge. “Stop me.”
And she yanks with all her strength, harder than she did at the tailor’s, genuinely trying to strangle herself with this silk tie. Danny chokes on his breath and scrambles to stop her, grabbing her wrist and struggling to pry the tie out of her fist. She doesn’t let him stop her, pulling harder, her grip iron and unmovable.
Danny, in a moment of panic, shoves his fingers between the tie and her throat, creating space, then makes the tie go intangible, finally freeing it from her grasp.
“Please,” he begs, “Do not try to kill yourself in front of me.”
“Woah, what?” Tim asks, having chosen the absolute worst time to walk into the kitchen.
Cass waves at him. “Testing,” she says, pointing at the tie, the wraps her hands around her neck and mimes being strangled to death.
“Oh. I see.” Based on the way Tim is blinking at them, befuddled, he definitely doesn’t see. “Why silk ties? Those are the worst for strangulation. They slip too much.”
Danny stares down at the tie he liberated from Cass’s grasp. Slowly, he wraps on end around his wrist, ties it off, then pulls with what’s left of the tail.
Sure enough, the tie slips along his wrist and against itself. It still pulls tight, but not as strongly as he thought it would.
So this is what Cass meant when she said these were safe. The ties she chose must be what she decided were least capable of strangling him.
It’s actually kind of sweet that she went out of her way to find something specifically so it wouldn’t be used to hurt him too much. As strange as the whole process was, he can’t deny that he’s touched by the effort she put into this.
“Unless that’s the point,” Tim continues, looking between the two of them. “Nice suit, Danny, you look great. Have you figured out where to hide weapons in it yet?”
“What? Why would I do that?”
“In case you get attacked. Always a risk at galas.”
“Are the rich people going to attack me or something?”
“No, no! Probably. But that many rich people in once place, especially in Wayne Manor, makes the gala a huge target for anyone wanting to rob us or take someone for ransom. But maybe be wary of the rich people too, there’s some really creepy old guys that are somehow still kicking.”
“Great,” Danny says weakly, “That’s exactly what I want to hear.”
“Don’t worry, we’ll be able to keep you safe. So, weapons?”
“I don’t think I need any. I have powers, remember?”
“And you can fight with them?” Tim presses.
“Fighting’s all I’ve ever really done with them, so yes.”
“I’ll take your word for it then. But remember, plenty of us will be there in case anything goes wrong, and we’ll have plenty of security around. I’m sure the gala will go fine.”
Cass points an accusing finger at Tim. “Jinx!”
He winces. “Ah. Yeah, I probably shouldn’t have said that. My bad.”
“Well, as long as I don’t have to fight rich people,” Danny tries to joke, only to blanch when Tim moves his hand in a ‘maybe-so’ back and forth motion. “I don’t have to fight rich people, right? I thought we already agreed on that!”
“You probably don’t have to fight rich people,” Tim corrects, “But there was a cult situation years ago. Like, when I was in elementary school, but B took care of it so it’s not a problem anymore. Not that it would stop them from making more cults, but we haven’t seen any recently. So.”
Danny stares at him, a little horrified. “Man, what the hell is Gotham?”
Tim and Cass snicker, as if this isn’t the reality they grew up in. “Don’t worry,” Tim says, “You’ll get used to it soon enough.”
“Ancients help me when that day comes,” Danny mutters.
He leaves them to steal snacks from the kitchen as he changes back out of the suit and is graced with their company as he makes two pots worth of spaghetti, smacking their hands with a wooden spoon when they try to sneak a taste of the sauce.
And then, suddenly, the day of the gala of here. Danny can only hope it doesn’t end too terribly.
. . .
“The first guests will likely arrive around seven in the evening,” Alfred says as they make their final rounds to ensure the ballrooms and sitting rooms are all ready for the elite of Gotham. “Preparations will begin at noon. Security will arrive first. They have all received instructions onto where they should be. Be on the look out for anyone going to places closed to the private; we have had many people in the past be bribed to steal from us while had them employed for an event.”
“What should I do if I do find someone out of place?”
“First, try to escort them back to where they should be. If they resist, then do whatever you deem necessary.”
“And when you say ‘anything necessary,’ does that include…”
Alfred stops to look Danny directly in the eyes as he firmly says, “Anything.” And then continues walking as if that didn’t just happen. Danny hurries to follow, putting into practice his newest, most important skill of moving right on past that shit.
“Tables and chairs for the ballroom will arrive at one. I’ve printed out the layout they need to be placed in. The rental company has a copy of these instructions, so all you need to do is oversee the set up. Catering will arrive at five to set up, cook, and have food out and ready for guests.”
“Do I have to greet any of the guests?”
“Not at all. Master Bruce has that responsibility. I will be taking care of coats and bags for guests. I will need you to direct cars to the drop off point in front of the ballroom entrance.”
“Everyone’s being dropped off?”
“That is correct. You don’t need to worry about arranging rides for anyone, as that is something they have to do themselves.”
Okay. Cool. It’s still stressful, still a lot that Danny has to be in charge of, but it’s not as overwhelming as he thought it would be. Alfred hasn’t given him too much to do, and all of it is easy enough for him to take care of with his current skill levels. As long as no guests come up to him demanding he do stuff for them, he should be fine.
They split up after they leave the ballroom to put up the velvet ropes that will hopefully keep people from wandering into places they aren’t allowed to be. From what he’s heard, it shouldn’t be a problem except with particularly drunk guests. The Wayne family is big and important in Gotham, enough so that any and all guests will be careful to be respectful while attending the gala.
Danny double checks the list he was given of where to place the rope barriers, double checking that he got all of them.
After that, it’s a flurry of tasks to be completed, last minute details to fix, and preparing lunch for everyone so no one goes hungry until the gala begins.
In no time at all, security arrives and Danny is tasked with directing them to their positions, helping them review their routes to keep the venue safe. It’s off putting to be the one listened to when he’s so much younger than everyone, but none of the hired security guards act like anything’s out of the ordinary while with him. It’s probably just in his own head, but it still feels wrong.
Tables and chairs arrive after that, and Danny helps them get to where they need to be placed. He helps with moving some of the tables as well, putting his enhanced strength to good use so the other workers don’t have to struggle so much. Tablecloths are set out, carefully smoothed of wrinkles. Floral centerpieces follow.
There’s only one near miss with two workers crashing into each other and the centerpiece—with its glass vase—goes flying amid the horrified gasps of the others. Danny had just managed to catch it in time, moving on instinct honed from years of ghost fights.
The relief on everyone’s faces helped him feel more at ease working with them.
By the time they’re done and everything is where it should be, properly put together, the catering arrives, bringing with them another flurry of movement and energy.
Danny lets himself get swept up in it, helping where he can. He almost doesn’t notice how late it’s gotten until Alfred appears at the entrance to the ballroom and looks at him expectantly.
Everything is as set up as it could be. The rest of the staff are now to act as waiters, basically, carting around drinks and finger foods for the elite. Danny will just get underfoot if he stays.
He leaves with a quick goodbye and is waved off by more people than he expected.
Alfred falls into step with him as they make their way to the servant’s quarters to get changed into the gala suits. Before they part ways to go into their own rooms, Alfred gently claps a hand against Danny’s back.
“Well done,” he says warmly when Danny looks at him. He looks proud of Danny, so proud that it makes Danny’s eyes well up with tears he hurries to dash away.
“Thanks!” he returns with a bright smile, and ducks into his room to try to get his emotions under control before he has to meet a bunch of rich people with red eyes and tear tracks on his face.
To think he can be undone so easily with just two words.
Jazz would probably have a whole lot to say about that. He misses her psychoanalyzing annoying big sister attitude so badly it hurts, a wound that will never heal. He hopes she’s doing alright wherever she is now. He’s ruined enough of her life, he’d like it if his disappearance doesn’t hurt her too much.
Taking in a deep breath, Danny shoves away all thoughts of home and family. He needs to focus. He’s here to do a job. He needs to make sure the gala goes smoothly.
Step one of that plan is to put on his suit and fix his hair so he looks more put together and less on the verge of an emotional breakdown.
He completes step one more or less successful. The only thing he can’t do is knot his tie nicely, and no video tutorials he watches really helps. With the time limit he’s on, Danny just gives up and decides to ask Alfred for help.
Alfred is already in the hallway waiting for him when Danny opens his door. He holds up his tie with a sheepish smile. “So, I don’t actually know what to do with this…?”
Alfred’s eyes soften and he waves Danny over. “Allow me.”
He takes the tie from Danny’s hands and flips up his collar. With clean, precise movements, he has the tie around Danny’s neck and neatly knotted into what is probably a fancy shape that Danny will never be able to recreate. Then his collar is smoothed down again by Alfred’s hands, which quickly move to straighten out the lapels of his suit.
“There we are,” he says. “And look at you now: a proper butler of the Wayne family.”
A warmth settles deep in his chest. There’s joy, rising on strong wings, that sweeps through him.
He’s still an apprentice. He still has so much to learn. But tonight, he will go out as the future butler of the Wayne family. That is how this world will know him. Alfred has carved out a place in this foreign dimension just for him, and finally Danny feels like he can take it, settle in, finally belong here beyond just a charity case taken in from the streets.
“Are you ready to work your first official event?”
“I’m as ready as I’ll ever be,” Danny replies, standing taller.
“I’m glad to hear it. And Danny, if you ever need a break, you can hide away in the kitchen for as long as you need. I’ll be sure to join you in there eventually.”
“Got it!” And then, softer, “Thanks, Alfred.”
“But of course, Danny. Tonight will be busy. It may even be overwhelming. But I will be there for you should you ever need me.”
Danny nods, biting his lip and squeezing his eyes shut so he doesn’t start crying. He had been doing so good too! But Alfred’s honest words always throw him off balance.
He has no defense against Alfred’s kindness. That’s how he ended up here in the first place. Pulling himself together with nothing but stubbornness and sheer will power, Danny lets out a steady breath, then starts walking. Alfred joins him as they return to the ballroom and gives him one more pat on the back before splitting off to tend to his own gala duties.
Left alone in the ballroom, surrounded by the bustle of staff finishing up their last minute tasks, Danny takes in the glittering opulence of the place; this isn’t the warm, lived in Wayne Manor full of history and family and comfort. This is cold and sharp, all gold and bright lights, a stage for false personalities and masks to take the spotlight for the night.
A group of musicians in the back of the ballroom fill the air with the sound of strings and flutes as they tune their instruments and prepare to play for hours on end.
Food is set up and serving stations all have someone behind them, standing with their hands behind their back as they wait for the first guests to trickle in.
It’s nearly seven. Danny hurries outside, ready to wave drivers towards him, directing them down the gravel path that branches off from the main driveway that goes to the front door of Wayne Manor. It takes barely a few minutes before he sees the first headlights make their way down the makeshift road.
Danny waves a hand in the air and the driver stops right in front of him. An old couple dressed lavishly get out of the car and stand together, arm in arm.
“Oh, who’s this?” the old woman coos, looking at him.
Danny gives her a tight smile. “Hello, and welcome! I’m Danny, the apprentice butler to the Wayne family.”
“How darling,” she says, pressing a hand against her chest. “It’s been too long since I’ve met a young man like you learning the art of butling. Why, my own family had an apprentice back when I was in college, and he went off to serve a family in Spain that was closely related to the Spanish royal family.”
“That’s cool,” Danny replies, trying to hide how awkward he feels. “I think I’m going to stay with the Wayne family, though. I’m not that ambitious.”
“Waynes are close to royals in Gotham. They’re the most important family in the city. Why, I remember when Martha and Thomas were killed in Park Row. It was a dark day for us all…”
Woah, what? That’s the first time he’s heard of any murders happening in the Wayne family.
Some of his shock must shown on his face, as the old couple suddenly look more engage, more eager to talk to him.
“Why don’t you escort us in, son,” the old man says, “And we’ll tell you about it was we walk.”
The couple begin to slowly walk to the Manor, slow with age though they still hold themselves tall. Danny falls in step with them and the man begins to weave a tale about a much younger Bruce Wayne and the parents who loved him so dearly, and how the sudden, tragic loss of them rocked the world.
Danny doubts he ever would have found out about this on his own. And he certainly won’t have known the impact the Waynes have had on Gotham. The fact that their lives and deaths mold the city is a heavy realization.
The couple keep him at the door to the ballroom for a few minutes to wrap up their story. Danny glances out over the grounds every so often to make sure there aren’t any headlights in the distance coming his way until they thank him for the escort and go inside, leaving him to wait for more guests.
He never really thought about why the Waynes go out each night as vigilantes. It’s dangerous, thankless work and no one would do it without a reason.
He can see, suddenly, a young Bruce, just a child, suddenly lost and adrift in a world that murdered his parents. He can see that child decide to fight back in any way he can. He can see Batman rise from the heart of that child and swear to prevent anyone else from experiencing the pain he had to survive.
And he can see Alfred standing behind that boy, carrying his own grief as he takes care of a child who grows up ready to throw his life away for a cause far greater than himself.
How they can bear it?
Danny is both the one who left and the one left behind, running from his parents just as they turned their backs on him, and it destroyed him. He’s only just now building himself back up again, feeling more stable and steady despite the hole in his heart that will never close. At least he got the privilege of starting fresh in this dimension. Bruce and Alfred had to grow around the loss that is embedded into the city.
He really doesn’t know much about them, he realizes. This is the first time he’s really considered their histories.
Maybe Alfred will be willing to talk to him about it later.
With those thoughts heavy on his mind, it’s hard from him to be fully focused as he directs cars to stop before him one by one. More guests in fancy suits and elegant dresses step out and walk into the ballroom, only a few bothering to greet him as they go. His mind keeps drifting as he pastes on a smile and waves to drivers as they leave.
He stays outside for another hour before the last of the cars leave. The gala is in full swing when he ducks inside, sticking to the walls as Gotham’s richest mingle together in the ballroom. The low murmur of voices fill the air alongside the music, high strings playing a soft melody to fill the background as people wander around with glasses of champagne in hand, nibbling on finger foods.
Bruce is the center of attention, smiling jovially in a dark blue suit, the first two buttons of his silk shirt undone.
It’s hard to see him as a once grieving child, full of rage and determination, ready to take on the world. Bruce as he is now looks like a perfect socialite, surrounded by a small crowd of people all vying for his attention as he talks loudly, gesturing with broad movements, keeping their attention.
Tim is hanging off to the side near the musician, talking to a small group of people his age. They all look more relaxed and down to earth than any of the older people, so perhaps there’s hope for the next generation of Gotham’s high society.
Danny wanders a bit to make sure everything’s going well, checking in with the other staff members to see if there’s anything he can help with. But they have everything under control, so he can do nothing but try not to mess with the sleeves of his suit as he keeps circling the ballroom.
On his third circuit, Tim breaks away from his group and weaves around other guests to smoothly reach him.
“Is Damian here?” he asks, eyes darting around the ballroom.
Danny frowns. “I haven’t seen him. Did he come in with you?”
“He did, and then he left us as soon as we had greeted most of the guests. He’s supposed to stay out here for a few more hours, and I told him to just stick with me.”
“Where do you think he’s gone?”
Tim sighs, lowering his voice a bit. “He could be anywhere, honestly. He hates galas, which I get, but we needed him here because he’s Bruce’s bio kid. At this point, I wouldn’t be surprised if Damian went downstairs to get away.”
If Damian ditched the gala to go punch criminals, that would be bad, to say the least.
“I’ll go look for him,” Danny says. “Don’t worry, I’m sure I can get him back up here.”
“Thanks, Danny. I gotta get back to it. Also,” Tim adds in a whisper, “Don’t worry if Bruce seems like a different person or super drunk. He’s really good at acting.”
“Okay…?”
Danny’s not really sure what that has to do with him, but he appreciates the heads up anyways. He’s been excusing all of Bruce’s weirdness as either ‘Batman-related’ or ‘none of his business’, so he’s fine ignoring whatever Bruce gets up to tonight as well.
Now that he has a task to complete, Danny gladly leaves the ballroom to find Damian.
He starts off checking the sitting rooms, which already have a few of the guests lounging in, drinking wine and gossiping. The other areas that guests can access are all Damian-free, which is about what he expected.
Danny moves on past the rope barriers, nodding to some of the security guards walk by on their patrol, ensuring no guests, invited or otherwise, go deeper into the Manor.
The kitchen is empty. As are the living rooms on the ground floor.
Maybe Damian’s in his bedroom? Or his art studio. Those are the only two other places Danny would think to find Damian that’s not the Batcave.
He just really doesn’t want to go down there again. Especially not on his own.
Just as he reaches the top of the stairs to the second floor, Danny sees someone walking down the hall. It’s not Damian, far too tall to be a teenage boy, and they’re moving slowly, looking around as if searching for something.
“Hey!” Danny calls out to them, striding towards them quickly. “You’re not supposed to be up here.”
They turn, and Danny recognizes the uniform for the security guards that are meant to be at their positions around the ballroom. This man has taken off his jacket, leaving him in a simple button down shirt and dark pants, a gun tucked into a hostler by his hip.
“Oh, sorry, I thought I heard something up here and went to check it out.”
“This is pretty far from the ballroom. It would be hard to hear anything here from where you were supposed to be. Wanna try that one again?”
The easygoing smile on the guard’s face disappears, replaced by a dark scowl and a dangerous glint in his eyes. “Listen kid, this will be easier for all of us if you just walk away now. Don’t make me do anything you’ll regret.” He puts his hand on the holster. The threat is clear.
But Danny’s had guns pointed at him from years. He’s dodged shots from his own parents. One guy isn’t going to scare him.
“It would be easier if you just went back to you post and did the job you were paid to do.”
“Oh, trust me, I’m doing exactly what I was paid to do.” He grins, sharp and mean, and pulls out his gun.
Okay! Great!
Danny’s not nice anymore. And Alfred already gave him permission to do anything he deems necessary.
In a blink, Danny’s closed the distance between them and tosses the man over his shoulder. He kicks the gun out of his hand and is about to try to flip him over so he can put the guard in a shoulder pin, but a knee slams into his stomach, knocking the breath out of him.
Danny wheezes and is kicked back, stumbling to keep his balance. The guard rises to his feet and lunges forward, throwing a straight punch. It’s easy enough to dodge it, ducking to the side and stepping closer to try to knock the guard down again, but he pulls his arm back a bit, bends it, and slams his elbow into Danny’s face.
Pain races through his skull as he falls back, hands flying up to his nose. It’s probably broken, already gushing blood, and it stains his teeth as he bares them in a snarl and grabs hold of his ghost powers.
Teeth sharpen into fangs. His eyesight gets sharper, the iron taste of blood stronger in his mouth, and icy fog wafts out of his mouth.
“The fuck—” is all the guard is able to say before Danny tackles him. The force of it knocks them both to the ground, the guard’s head hitting the floor hard. He tries to force Danny off of him again, but Danny holds tight, blood still dripping off his face. “No one said the Waynes has a fucking meta with them!”
“Bad luck,” Danny says, a growl turning his voice into a low rumble, staticky even to his own ears, and the guard pales.
All it takes is one hand to lift him but his shirt, the fabric of it held tight in his hands. And then Danny slams him back against the ground, making his head bounce, and the guard is out cold.
He means to drag the guard someplace where he can be locked away until someone can deal with him, but screams rise up from the ballroom, stealing away his attention.
Shit, something must have happened!
As much as he wants to go racing back to help, his priority is Damian.
The other guests will be protected by the guards (hopefully) and Bruce and Tim. But Damian is unaccounted for, and the longer Danny can’t find him, the more danger he’ll be in.
There’s no point in being discrete or quiet now. Danny runs down the hallway, shouting Damian’s name.
He doesn’t get any response.
His nose throbs with dull pain each step he takes. His suit is a lost cause, covered in his blood and rumpled from the fight. None of that matters at all as he races down the halls, trying to find Damian.
Distantly, he hears gunshots and more screaming from the ballroom.
Danny grits his teeth and gives up on running entirely to fly recklessly through walls, dreading every second that passes.
The second floor is empty, save for the prone figure of the guard lying in the hallway near the stairs. He doesn’t have time to search any higher floors, so Danny goes back down to the ground floor, hoping that the noise from the ballroom would have drawn Damian out. He’s bound to have heard it, wherever he is in the Manor.
He drops back down to this feet and pushes his ghostliness away as he draws closer to the ballroom, wary of running into someone. It doesn’t seem like any of the guests had been able to get out of the ballroom.
Every so often, there’s a single gun shot. The sound chills him to the bone.
Just as he’s getting closer to the open areas of the Manor, within the rope boundaries he set up with Alfred earlier, he hears a noise in a sitting room that makes him slow to a stop, listening intently. It’s a soft noise, at first. Just a few clinks of objects being moved. Then there are heavy footsteps moving slowly.
Whoever it is can’t be Damian. He would never be so loud when he walks.
The door is partially open, so Danny peeks in to see who it is.
It’s not a guard. It’s not any member of the staff that arrive to work the gala.
In front of a broken window is a large man with a dark orange bandana tied around his nose and mouth, obscuring the bottom half of his face. He’s twitchy, pacing back and forth unsteadily, mumbling to himself. When he turns, the light catches on a glint in his eyes, the same drugged sheen that’s been present with other people who have attacked members of the Wayne household.
Danny plans to creep in and knock him out so there’s one less person to worry about when a large hand grabs the back of his suit and lifts him up like he weighs nothing. A startled noise slips out of his mouth, making the man in the room whirl around, glaring at him.
“Caught a peeper!” announces the man holding up Danny. He’s large, bigger than a bodybuilding, like the one Danny fought in the mall. “Think Boss will give us more Venom if we drag this thing in?”
The other guy looks over Danny consideringly. “Nah. Bring him here. We can deal with him on our own.”
The not-body building walks into the room, unbothered by how Danny struggles in his hold, kicking out at the air.
Danny’s thrown unceremoniously onto the floor, where he turns into a roll and gets back up to his feet, carefully keeping both of them in his line sight.
“Oooh, he thinks he’s a fighter,” not-body builder cackles.
Danny glances at the door.
“Don’t even think about running,” the first man says. “You work here, don’t you? Why don’t you tell us all about the goodies we can steal from this place. Make us rich and I’ll let you walk away alive.”
All this just for a robbery?
The guns, the break in, the violence, just for a robbery?
That’s fucking insulting.
Danny checks the open door one more time to make sure no one’s coming their way, then launches himself at not-body builder. His ghost strength comes rushing back into him just as he hits, sending the not-body builder stumbling back with a surprised shout. He wobbles, trying to keep his balance, then falls.
He doesn’t waste a second before kicking his head and knocking him out.
That’s one down.
Danny takes a deep breath, trying to wrestle down his strength so he doesn’t accidentally do serious damage to the other man, who is much smaller, only to gasp, breath punched out of him. A sharp pain tears through his back, which was left open to the other intruder.
Stupid, stupid! he berates himself, trying to get away.
But the man holds him still with a hand on his shoulder, and Danny, in his panic, goes intangible.
The knife and the man’s arm go right through his torso.
Danny looks down at the knife. Looks at the arm. Both of them are frozen from this sudden turn of events.
His mind goes blank and he desperately tries to think of what to do when an idea parades itself to the front of him mind, to say: IMPROV.
“What the hell did you do to me?!” Danny cries out, putting as much terror into his voice as possible.
“What did I do?” the intruder sputters, pulling back. “I didn’t do anything!”
“Yes you did!” Danny argues. “I’m fucking air! You made me not-solid!”
“That wasn’t me!”
Taking a chance, Danny recalls what the guard upstairs said, and says, “You’re a meta?!”
“I’m not!” the intruder denies, “I didn’t do this to you!”
Danny spins around to face him, trying not to wince when the movement pulls at his back. “Fix this!”
“I can’t! I told you, I didn’t do it! This must be your doing!”
“I think I would know if I could turn into air,” Danny refutes, channelling Paulina to give him a withering look that will, hopefully, make him feel small and stupid. She always was great at digging her heels in and driving people mad with her stubbornness while tearing down their self esteem. He tosses his head back to glare at the intruder, meeting his eyes. “This is clearly your fault so fix it!”
They’re just going back and forth, thrown off their rhythm and scrambling to work though the situation Danny created for them. He doesn’t know how to put a stop to it. He really doesn’t want to be stabbed again.
“I really didn’t do it!” the intruder insists. He looks down at his own hands, faltering. “Right? There’s no way that could have been me…”
He doesn’t get any more time to contemplate whether or not he has powers because his body abruptly tenses, twitches sporadically, and then his eyes roll up and he passes out.
Behind him, holding a taser and wearing a deep scowl, is Damian.
Danny is so relieved to see him that he feels weak in the knees. The blood loss is not helping with that matter. “Damian!” he says, “Where were you? I’ve been looking for you!”
“I felt that something was off so I went to investigate. I found some of the guards marking areas around the ballroom as entries for the gang that’s taken over the ballroom. I was trying to take them out before this happened, but I wasn’t fast enough.”
“What is going on right now?”
“From what I heard when I traversed the vents above the ballroom, the leader of a recently established gang has taken over to take the valuables of all the guests. He is recreating Venom and trying to replace Bane.” Damian shakes his head. “That fool is just going to get himself killed. Bane will stop at nothing to have his head now.”
“I take it this Bane person is a big deal?”
Danny purses his lips, then looks away. “We’ll catch you up on the villains around here later. Come with me, there are others still around.”
“Are we going to the ballroom?”
“No. Black Bat and Nightwing are already here to take care of it. They’re just waiting for an opening. We will be taking out the intruders outside the ballroom, then going to the Batcave to join Pennyworth.”
Damian tries to take hold of Danny’s wrist, but his hand goes right through. He stares down at it in shock, as though he was betrayed.
“Oh, right. Sorry.” Danny drops his intangibility and pats Damian’s hand to let him know he’s solid again.
Damian looks up at him and squints. “Are you alright? You’re bleeding.”
Danny brings a hand up to his face. It’s clean of blood. He must have let it all fall off of him when he went intangible, but his nose is still bleeding and it’s quickly rolling down his face again. He can feel his back get more wet, too, the stab wound steadily pulsing with pain, blood spreading through his suit.
“Yeah, I’m fine,” Danny says. He’s survived way worse than a broken nose and a small stab wound. There are people in danger and people trying to hurt them. That takes priority over him, any day.
“Your nose?”
Danny shrugs. “Probably not broken?”
Damian reaches out and prods at his nose, checking it. It brings up flares of dull pain, but it’s not enough that Danny can’t stay still during this. In a matter of seconds, Damian nods and pulls his hands away, so the damage to his face probably isn’t anything to worry about. Danny’s going to trust Damian on this one.
“Very well. Let’s go then. And take this.” Damian holds out his taser to Danny.
“Um. Don’t you need it?”
“I am more than capable of taking people down without weapons. You need this more than I do.”
That’s fair. Danny gingerly takes the taser, keeping his thumb above the switch that will flip it on and have it buzzing with electricity. He follows Damian’s lead as they creep down the hall, staying low and quiet on their feet. Damian keeps in the lead, checking that it’s safe to move before signaling for Danny to follow.
They take out three more intruders before the lights in the Manor flicker and then go out. Noise swells up in the ballroom before another gunshot silences it.
Danny tenses, fearing the worst, but Damian reaches back to squeeze his hand and whisper, “It’s alright. That was the moment Black Bat and Nightwing were waiting for. They’ll take care of it.”
When he strains his hearing, he can just pick out the shattering of glass and muffled cries of pain. He doesn’t hear anyone’s voices, but as long as no one is screaming, it’s fine. Probably. He hopes, anyways.
They circle around the ballroom, checking room and hallways, but it seems that most of the intruders didn’t bother hanging around out here when all their targets were conveniently in one large room. Having cleared out all the intruders they could, Damian leads them to Bruce’s office.
“What are we doing here?” Danny asks, keeping his voice low as he keeps one eye on the door to ensure no one comes in.
“We’re going to the Batcave,” Damian answers absentmindedly as he fiddles with a grandfather clock behind a desk.
Danny blinks. “Wait, we go in from here?”
“Look.” Danny looks to where Damian has opened up the grandfather clock to reveal a dark staircase that leads down, deep beneath the Manor.
“Huh,” is all Danny can say to that. It’s definitely safer than just falling through the floor like Danny did, but somehow it feels a little anticlimactic. It’s just stairs. It’s very hard to make stairs cool.
They could have at least put in a fire pole.
A giant underground vigilante cave and not a single fire pole to slide down on? What’s the point then?
Danny holds back a sigh, then grimaces at the heavy taste of blood in his mouth. His nose isn’t hurting as much anymore, just a dull throb, and it’s easily ignored when his back flares with pain with each minute movement. He looks down at the stairs as Damian begins his descent, already wincing at how much it’s going to stuck going down them with a stab wound.
He could really use that fire pole right now.
Or, actually, why bother taking the stairs? Danny’s half-ghost. It needs to be good for something.
Danny promptly goes ghost, flies down into the cave completely invisible and intangible, then drops back to the ground in a quick flash of light, human again. He intends to stand up and wait where there’s more light, but his head suddenly spins as his vision goes dark. There’s a buzzing in his ears and he gets a strange, floating feeling, as if he’s no longer in his body, just drifting out into open air.
The floor is cold against his cheek. The floor is…
The floor?
Danny blinks his eyes open, wondering when he closed them. It takes a moment to realize that he’s lying down, somehow, on his back in some dark corner of the cave. There’s a hand on his shoulder, shaking him gently.
He tries to say something but his voice dies halfway out of his throat. A few more blinks has his eyes clearing enough that he can see Damian crouched in front of him, looking over his head, mouth moving as he speaks, though Danny can’t hear anything. His ears are still ringing.
The world sways around him.
He closes his eyes trying to count his breaths so the world will feel more solid around him. Wayne Manor just got attacked. Now is not the time to be lying around.
But he can’t force himself to get up. His body refuses to respond to him. All he can do is lie on the floor of the cave, trying to get his head to stop spinning, feeling the heat of the wound in his back as it presses against cold stone.
Arms wind around him, lifting him up, and Danny whines as it jostles him. More blood spills out of his stab wound, soaking his suit even more. Distantly, he hears someone curse as he’s moved into a more brightly lit area. It’s too bright, even with his eyes closed, and Danny turns his face, trying to hide from it.
A hand runs through his hair, soothing him. He’s carefully set down on something—a bed?
So they can have soft, high quality beds in their vigilante cave, but no fire poles. The Waynes need to get their priorities straight.
He tries to say something about that, but just mumbles out some slurred, nonsense sounds.
Someone hushes him kindly. The hand keeps brushing his hair back soothingly.
And then—
His shirt.
They’re opening his shirt.
They’re taking off his jacket.
Danny is laid out, helpless, held down, and they’re stripping him of his clothes. Terror slams into him like a train, ice in his veins chilling him from the inside out. His eyes snap open and his blurry vision catches sight of two heads bend down over him, features dark and unrecognizable, backlit by the light shining too brightly right above his face.
His breath stutters in his chest as he stares at them, horrified and betrayed.
What are they doing to him?!
Panicked, Danny beings to thrash, adrenaline surging through it. It dulls his pain, lifts the lead from his limbs, makes him gather enough strength to try to push them away. More hands appear, trying to hold him down and a hoarse scream tears out of his throat. It doesn’t have any power, can’t throw them away from him, and stutters to a stop a few seconds later.
“No!” he cries, tears leaking out of his eyes. “No, stop! Don’t, please don’t do this to me…”
A sob catches in his chest so hard is hurts.
The people above him speak over each other, their words melding together. He doesn’t know what they’re saying, just that they’re speaking, but it does nothing to calm him down.
How can he be calm?
They’re trying to cut him open.
He tries to go ghost and his entire body lights up in pain, back arching off the bed as he screams again.
The lights go out. The hands disappear.
The world goes still.
Danny heaves for breath, shivering.
It takes a long time before he feels solid again. Less likely to shake out of his own body. He doesn’t know what just happened. He should be able to go full ghost, but he entire body refused. It hurt and hurt and hurt and he doesn’t understand why.
It’s not just a failure of his powers, but a betrayal.
Slowly, he begins to breathe evenly. His entire body still hurts, but it’s the pain of a bruise, not an electric current running through the whole of him. The world steadies itself and his vision clears up properly.
Something cold touches his hand.
Danny flinches back, then looks up to see Alfred.
Alfred, who’s aged face is lined with deep concern. Who stands just close enough to hold out the water bottle to Danny. Who doesn’t crowd him or demand answers.
Alfred, who is safe.
Without thinking about it, Danny sags towards him. Alfred has to step closer, steady him with a hand on his shoulder.
“Danny, my boy,” he says, “Can you hear me now?”
Now? Was Alfred speaking earlier?
Danny nods, blinking up at him.
“Wonderful. Do you think you could drink some water?”
Another nod. He looks down at the water bottle and its unsealed cap, then his own trembling hands. He doesn’t think he can open it.
Before he can ask Alfred for help, another hand appears in his line of sight, from the other side of the bed. Damian grabs the water bottle and twists it open, then shoves it into Danny’s hands with a click of his tongue.
He doesn’t let go until he’s sure Danny has a solid grip on it.
Danny tries to thank him, but his throat clicks from how sore and dry it is. He drinks half the bottle in one go, clears his throat, and is able to say, “Sorry about that.”
“There’s no need to be sorry,” Alfred says, just as Damian says, “If you’re sorry, then take off your shirt so we can tend to you. You’re injured.”
Alfred turns to Damian with a severe look on his face and Danny hurries to intervene before things can get messy. Or, messier.
“Right. Sorry. Again. It’s not a big deal, it’s just a small stab wound.”
“A stab wound?” Alfred repeats. “Danny, please let me tend to it. It may need stitches.”
“It doesn’t—”
“You don’t know that,” Damian hisses. “Let Pennyworth help you, or I’ll do it myself. And you won’t like it if I do it myself.”
Danny is ready to refuse again, but the clear concern in Alfred’s eyes stops him.
He does need help. He doesn’t want to cause trouble for Alfred.
“Fine,” he bites out. “But don’t—don’t touch me if you can avoid it and don’t ask any question.” He doesn’t give himself a chance to second guess, just pulls at his shirt and suit coat, going intangible to get it off him without lifting his arms. Strangely, that doesn’t hurt the way trying to go full ghost did.
Something to consider later.
The silence that follows is heavy. Danny can’t stand it; he wants to hide away, to rewind the last hour so he can undo what he’s just done, pretend he’s still fine. All his scars are on display. The arcs of electricity from the Accident that have embedded themselves into his skin, close calls from ghost fights that were bad enough to leave a mark in his human form, the burns from his parents inventions locking onto him before he was able to deactivate them.
Alfred lets out a slow breath. Then he says, “Master Damian, if you could get—”
“Of course.” And Damian is up and moving, the light above him turning on. It’s much dimmer than it was before.
“If you could please turn around, Danny. I need to see what I’m working with.”
Danny forces himself to turn, showing his back to Alfred. He’s tense, every inch of him ready to run.
It’s Alfred, he tells himself sternly. Alfred won’t hurt him. He’s safe.
Damian returns, handing something off to Alfred. He can hear them move, hear things being prepped behind him, metal against metal, and another sliver of terror runs down his spine.
“Stop,” he says without meaning to.
The cave goes quiet again, both Damian and Alfred freezing. Danny swallows roughly, then turns back to face them. “I can’t,” he chokes out. “I can’t—I need—I need to be able to see you.”
“Then I’ll do your stitches,” Damian announces. He rounds the bed, snapping on a pair of latex gloves. “I am more than capable. Even before I came to Gotham I had learned how to provide medical aid both in practice and on the field.”
“I’ll be right here,” Alfred reassures him. “Master Damian is very capable. He will do a good job at this.”
Danny nods, taking in a shaky breath. “Okay. Okay. Then, please, Damian.”
“I’ll apply the local anesthesia now. This will keep you from feeling the stitches go in.” Danny tenses, and then the area around his stab wound goes numb, the pain dulling.
Alfred takes hold of his hands. “Breathe with me,” he instructs. Danny does his best, keeping his eyes on Alfred, matching him with each deep, even breath.
He tries not to be too tense, to think about when Damian will begin, if he’s already started, all the questions they will ask him about his many scars…
“Done,” Damian announces.
…What?
“What? Already?”
“Yes,” Damian says, a pleased note in his voice. “I told you I knew what I was doing. I’m going to put the bandage on it now. Do not get it wet.”
His back and shoulder are still numb enough that he doesn’t feel the bandage get put on, so he just takes Damian’s word for it. That wasn’t as bad as he expected it to be. In fact, that went really well? Fast, too. Danny would have never been able to stitch himself in that time.
Alfred squeezes his hands, leads him through a few more breaths, then pulls away. He helps Danny lie on his side and pulls the blanket up over him.
“Get some rest now, Danny. I’ll be here while you sleep.”
“Wait, the gala. Is everyone…?”
“Everyone is alright. The police had been contacted and will be here soon. Nightwing and Black Bat have the situation under control. There is nothing more you need to do.” A hand drops over Danny’s eyes, blocking out the light. “You can rest now, Danny.”
He’s sure that he won’t be able to sleep at all, let alone soundly, after all that. But his body has other ideas and in no time he’s pulled under into that deep darkness that shuts away the rest of the world and lets him drift away. . . .
(The scar map of Danny is being uploaded into the Batcomputer’s archives when Nightwing arrives, carrying a plate full of finger foods pilfered from the gala.
“Where’s Danny?!” he demands, sweeping his gaze across the entirety of the Batcave. He sees Danny curled up in a medical cot before Alfred can answer. “What happened?”
“He was stabbed,” Damian answers nonchalantly from where he’s going through sword katas to work out some of his more volatile emotions.
“Stabbed?!”
“Yes, that’s what I said.”
Cass appears behind Nightwing, already shedding parts of her uniform. She steals something from the plate in Nightwing’s hand and is about to eat it when he hisses, “That’s for Danny!”
She slowly puts it back on the plate.
Alfred watches her stare at Danny in the medical cot, then turn on her heel to go to the lockers to change out of the rest of her suit.
“Miss Cassandra, if you could please pick up all your clothes off the floor,” he says as she walks. Cass darts back to pick up everything she dropped behind Nightwing, then disappears into the locker room.
Nightwing finally shakes himself out of his stupor and makes his way over to Alfred, setting the plate down next to him. “Seriously, is Danny alright?”
Alfred places his hands on the desk, palms flat against it, and very calmly says, “Hunting down every person who has ever hurt him will be the last mission I ever go out on.”
“Shit.”
In any other case, he would have reprimanded Nightwing’s language. In this case, it’s the only appropriate response.
“Once the police are gone and the guests seen off, we need to have another family discussion. Danny is a very brave and very strong lad, but he’s gone through far too much. We must do better.”
“I’ll call the war council then.”
“See that you do, Nightwing.”
Alfred nods to him, then pulls the chair away from the Batcomputer to Danny’s medical cot, and sits with him. Looking down at his thin, worn face, Alfred is reminded of Bruce, in the aftermath of his parents’ murder, of Dick’s first nights in the Manor, of Jason and his nightmares, Tim and his loneliness. Now, Danny and his fear will join the expressions he never wants to see on his family again.
He is so young, so fragile, so bright and wonderful despite it all.
Yes, war council is the only appropriate way to move forward. It is the least he can do for Danny, so do it he will.)
#dc x dp#dp x dc#dcxdp#dpxdc#those who serve#butler danny au#alfred's apprentice au#my writing#ough im so tiredddd i wrote this in three days while at work#so much happening here.... i cant recount all my thoughts. just look at it. read it. its all in there#if u see any typos no u dont. i'll fix those eventually
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Alright. I've been talking about writing a meta about Charles and jealousy for a while, so here it is. It's a mess. I tried to make it more concise than it was, if you can believe that.
Be forewarned, below the cut we'll be diving into some canon compliant content like Charles' home life. Please, please, please note that now is the time to leave if you are not in a good space to read about those.
Okay. First I want to establish a few things before I get to analyzing the scenes, because I think it is important that we have empathy for Charles here. This might be a bit of a long preamble, but if you could stay with me I'd appreciate it. I promise I am going somewhere with all of this.
I think a lot of us have been told, perhaps by a parent or a friend, that jealousy is unbecoming or bad. Think about it. I know growing up that is a message I heard frequently even though I saw adults exhibit it. This was actually pretty confusing to try and work out. Anyway, now with this almost puritanical obsession with good pure and healthy relationships in media, it's gotten worse. We're told any human flaw we have is something we have to fix or we are not deserving of love. Yes, including jealousy.
Only if that's the case, Charles is fighting uphill here. Here's why:
For reference 41:30 -42:00 in episode 4 is the flashback that The Night Nurse shows Charles of his home. If we unpack this we can learn a lot of things, but there are two that I would like two draw your attention to today:
Charles' dad clearly isn't someone Charles could form a secure attachment to. He seems to only be acknowledging Charles when he's angry, and only acknowledging him in a very violent manner. He's also not really communicating with him, and expecting Charles to know what he's upset about I guess? Truly, this man is terrifying. He knows his family is afraid of him, and he knows they'll scramble to try and fix whatever his issue is.
Charles' mom doesn't intervene. Now, I do not want to hear any vile junk in my notes. She's a battered woman and has probably been in the same position that Charles has, considering Charles himself is worried about her once he is dead. He's worried enough that he checks in on her every week. It makes it all the more heartbreaking that Charles is the one who has taken it upon himself to try and "make it better" (although this is not uncommon among kids who grow up in abusive households, alarmingly).
It definitely drives home that there is a clear hierarchy in the home (everyone tries to please the most volatile person), and you're at the bottom of the pyramid. Even if it's just because you and everyone else in the household is too terrified to do anything about the most abusive person's behavior, you still feel the weight of never being put first. You will never be put first, because how could you be? "You never made it better than you died" (via The Night Nurse) holds a crushing amount of meaning here.
Alright. Now we have established that Charles had some messed up stuff happen at home. Let's take that a step further. Adverse childhood experiences can lead to a variety of attachment styles that are not secure and... you guessed it, jealousy can get thrown in the mix. (This link leads to an abstract of a very interesting research article. If you request the full test directly from the researcher they will provide it for free, but it takes time. The basic idea here is that if kids aren’t able to form secure attachments to their parents, then they will struggle to feel secure in their relationships as they grow up. Sometimes that can manifest as jealousy).
Still with me after all of that? You are god's strongest soldier, lmao. Now let's get into the good stuff.
Charles dies, but there in the attic he meets Edwin. Charles chooses Edwin over the blue light without a second thought. He comforted him when he was dying, and that tenderness is foreign for Charles. The choice is an easy one.
He enjoyed it, and he enjoys Edwin. Edwin, in turn, turns out to be is someone who unequivocally, continuously, puts Charles first. He also does something really important- Charles seeks reassurance, and Edwin gives it ("You ever think, what if Death did catch us? She'd force us to go to the afterlife and split up" Charles asks. "I will make sure that never happens" Edwin answers, all while they're hanging on the side of their office). This is one of the first things we learn about them in the pilot. Charles knows he can count on Edwin. This wasn't something he had from anyone in life.
So things go fine for Charles for a long while. Edwin hasn't given him any reason to feel insecure in all that time it seems. He’s done a great job making Charles feel safe. Charles even feels secure enough that it is his idea to try and integrate Crystal into the agency, although Edwin clearly hates it. Crystal isn’t a threat to his friendship with Edwin, so it would appear Charles still feels reasonably secure in their relationship at this point.
Charles even explains or excuses a lot of Edwin's reactions to try and smooth things over. He tries to mediate between them during their first plan to rescue Becky from Esther's house the best he can. He allows Edwin to have a leg of the case with just the two of them, but he tries to frame it as protecting Crystal.
But then it's Edwin's turn to shake up the foundation that their relationship is built on.
Edwin had a lot of issues to attend to this season, and he tried to deal with most of them alone. Most of the problems Edwin had to handle put definite distance between him and Charles- how couldn't they? He was being hit on, which was a very new experience for him. He probably didn't even know how to talk about that at first, as evidenced by his description of the CK speaking closely to his ear (oh sweet summer child). He also learned about his feelings for the first time, which Monty had to finish spelling out for him.
This all, however, is where we see a shift in the dynamic. It's significant.
Edwin uses magic on a cat and has to go and meet with the Cat King. Whoops. 🙃 Charles slides easily into his role as a protector, but… Edwin stops him.
Honestly, Edwin had a good reason to do this. He pointed out that cat scratches can cause serious harm to ghosts, and they were surrounded. As endearing as this was, this wouldn’t have been an easy fight. They can just talk this out, right? He gets whisked away for a few minutes to do that (and then winds up opening a bigger can of worms).
From Charles’ perspective though, Edwin doesn’t allow him to help him, and then vanishes for a long period of time. Then he absolutely won’t tell him anything about it when he does come back. Charles knew Edwin was a little mad at him in the pilot, but they were still communicating for the most part. The secrecy is a shift, and it’s not one he’s coping well with. He tries a few different ways to reconnect.
First he tries gentle. He just asks what happened from a place of concern. This might have worked actually, only I’m not even sure Edwin knows how to fully describe what happened during their encounter. He rushes through a description, and Charles still feels like something is missing. He doesn’t like that someone else has a secret with Edwin— for thirty years they’ve been connected. This feels frightening to him, and Edwin doesn’t seem particularly worried that they’re not on the same page.
He tries to pick the conversation back up later when they’re searching for the dandelion shrine, but Edwin doesn’t give any additional information. So he slides back into his role of being a protector again and defends him against the ambient skeletons, because at least he can protect him from that easily. For a moment, things almost seem normal again, but this resurfaces in a later case.
Edwin meets with CK again in episode 4. Charles is still raw after the events of the Devlin House, and now he’s just pissed. He’s hurting, and Edwin is still keeping this weird secret. They end up bickering back and forth. The bickering tells us something interesting about Charles’ concerns.
Charles: What did he want? He didn't whisk you away again? Got that bracelet off?
Edwin: I'd be back at the office right now if the bracelet was off. He wanted to know if I counted the cats, and my guess was unsatisfactory.
Charles: Thinks he can come and go... He can't show up in the middle of cases. Did you tell him that?
Edwin: Matter of fact, I did.
Charles: Can't believe you didn't tell us. I've had enough of secrets about that wankеr.
Edwin: Why are you getting so angry?
What stands out to me here is Charles is upset about a few things: he hates that Edwin is getting taken away from him by a being they can’t control (a logical fear, considering they’re running from death together). He hates that this is happening in the middle of case time that is supposed to be for him and Edwin (and their friends, who Charles trusts). He is still really upset that Edwin has a secret with someone else (I really don’t think he’d be bothered if the secret was with him).
That’s why he’s upset. Charles isn’t feeling secure. He doesn’t feel like their relationship is on good footing right now. Whether or not he knows how to phrase that or ask for support is a different question.
Onto Monty (sorry these are a bit out of order— I put them by character for this part).
Charles wasn’t aware of Monty. This probably already bothered him a little, considering the mystery surrounding the cat king, but he tried to be a good sport. Monty wasn’t outwardly threatening. He came with gifts. He seemed friendly. Charles tried to match that… only to get snubbed. Ouch.
Charles likes to claim he’s aces with other people, but he ultimately died because his friends turned on him and killed him the second he stood up for what was important to him. I think peer relationships are a particularly sticky situation for him. I think he knew how to fit in the same way he knew how not to rock the boat in a volatile home. With Edwin it was different though— Edwin just liked him. Edwin was special.
But of course yet another boy their age doesn’t like him (probably a little upsetting, considering how he died). The only thing that’s confusing to him here is he didn’t really do anything wrong— he was polite. He followed along with all the little niceties people do, even when they don’t want to. Maybe this wouldn’t have bothered him so much in another situation, but now Edwin is wrapped up with him instead of Charles. He's picked him instead (in Charles' mind).
He can’t even shake this when Monty isn’t there.
Charles tries to get Edwin's attention... and fails. so he begins to have a conversation with himself. Perhaps he was trying to make Edwin laugh. Perhaps he was trying something over the top. Still, he fails. Ultimately, he goes the broken record route and asks him the same question a couple of times.
This moment probably really hurt- there's actually no reason for Edwin to be ignoring him, in Charles' mind anyway. They're alone together. Usually they'd be talking or bantering or at least Charles would be able to get Edwin's attention. It's just that he can't, because now Edwin is stuck on that fucking book from that fucking bloke who blew him off earlier.
This was probably a little activating for Charles. Even if he didn't completely put together why it upset him, Edwin putting someone who just treated him poorly right in front of his face first is a dim reflection of what he went through in his home. Now, I am not saying Monty is anywhere near that level of bad- he's a literal cream puff. He could not kill them when his life depended on it.
What I am saying, though, that Charles perceives a subtle threat here. He's also not sure what to do with it, because he never overcame that hurtle in life. No one else ever put him first, and he never figured out how to fix that. Edwin kind of just centered Charles automatically when they met. Now he's not doing that anymore and it’s jarring and uncomfortable for him. He’s feeling this loss of stability, on top of the fact that Edwin still won’t tell him what’s going on with the CK.
"...try not to forget that we're trying to leave" is what Charles comes up with after that exchange. Edwin makes an attempt to console him finally and offers to talk, but Charles shuts it down and tells him it's that he wants to leave town. They start on a case after that.
(Note that I did this a little out of order for organization’s sake— some of their CK arguing happened during the case they went on next).
Charles does finally catch a break here. In spite of all of this, he’s missing something very important: Edwin has feelings for him. That’s probably the most pressing issue that’s gone unspoken between them.
So Edwin dresses nicely, catches Charles attention, and finally tries to initiate a conversation. Charles seems relieved.
He does assume Edwin is just trying to come out by telling him about his time with Monty, before the teethface incident. Charles isn’t bothered, since Monty isn’t really in the picture anymore as far as he’s concerned. Things are fine, it’s just the two of them again and Edwin likes boys. Wait…
... Fuck. Forgot about the Cat King.
He resorts to threatening the CK. I know lots of people have lots of different theories on this, but consider this perspective also: Monty is no longer a threat. He’s abstract. He’s a memory. The Cat King is still very real and is a thing that can come between them, has done so, and has successfully taken Edwin from him. And as accepting as Charles was trying to be in that moment, he just can't handle that (from the perspective of this meta).
Anyway, this is all interrupted by their foray into hell. Charles does rescue Edwin, Edwin confesses, and honestly I feel like that just needs to be a different thing entirely but I did type a little bit about how I think Charles interpreted all of that here.
They return. Charles is processing Edwin's confession on the roof. This whole scene mystifies me a little because yes, he didn't seem to know exactly what to say to Edwin's confession in hell (I think he did not want to ruin it by saying the wrong thing). The more rewatches I go through the more... satisfied he looks to me? He might be processing, but also he might be a little giddy that Edwin has feelings for him specifically. I'm still trying to figure out how to read this one because the lines seemed rushed but the microexpressions say so much.
Then he starts blatantly flirting with Edwin. Honestly Charles, what the fuck?(afffectionate) Truly I’m still trying to work out if he’s just testing out how Edwin reacts or if he is working through his own feelings here, but I really want more of this in S2.
That’s about all the thoughts I think I can organize on this for now without it getting obscenely long (it already is pretty long for a half baked idea that turned into a meta). Thank you for reading 🖤
#Charles Rowland#meta#dead boy detectives#cw domestic violence#canon event Charles' home life#payneland#meta is slanted that way#I can no longer think of how to revise this so here it is#Jealous Charles Rowland#My posts#Fixed some small typos because some of this was done at 3 am whoops
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true detective (2014) / anne de marcken
#*#true detective#marty hart#idk man i saw a web weave for the passenger 2023 and thought hey that sounded like what marty said. and now we are here.#also please ignore my typo i dont feel like fixing it
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maybe the real michapocalypse was the friends (?) they made along the way
#t4tVSt or something#yes this either takes place in a world where 1) kaiser simultaneously named himself Michael and was named michael by his mother or 2) he wa#born with the name michael but everyone assumes he picked it himself.#also yes they're all trans. lorenzo is nonbinary i guess it just turned out that way#don't ask where i got any of this characterization from. i don't know either#don lorenzo#michael kaiser#itoshi sae#my art#blue lock#lorekaisae#why the fuck not. not intended but lorenzo looks very fond of them in the last panel of the first page. why the fuck not!#also idk why sae is in blue lock here. uh he does whatever i Guess#EDIT: FIXED THE TYPO
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hi candehya nation are we still alive and well…? this started out as a solo dehya but a mysterious force (yuri) compelled me to draw candace too, like i just cannot separate them 😭
fun fact this took me like 24 hours over the course of a month being a slowcooker creative is so funnn (lying)
closeups + a greyscale version under the read more for any detail enjoyers c: <3
#art#my art#fanart#artists on tumblr#small artist#genshin impact#genshin#candace x dehya#candehya#gi dehya#gi candace#kandake genshin#procreate#black artist#digital art#i noticed and fixed a mistake right before posting this here but not before i posted on twitter so that’s means y’all get the best version#not me making a typo there… there i’m not fixing that tho
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