#i will do my best not to post too much

[t-hirstreview]

[kaibascorpse]

some of you people are so obsessed with having an acceptable group to ‘punch up’ at that you would rather pretend a marginalized group are Basically The Oppressors™ than listen to their valid criticisms about the fact that ‘punching up’ very rarely hits the intended target, and the majority of the actual damage of that act is suffered by fellow marginalized people in your own community. there is a significant difference between venting frustrations about privileged groups and just outright attacking anyone who (you assume) experiences that axis of privilege regardless of - and in many cases outright denying - their actual lived experiences. it goes far beyond just ‘venting frustrations’ when what you’re really doing is trying to find a moral justification to bully people you don’t like, and when your own desire for catharsis and moral superiority leads to ignoring the voices of the vulnerable people you hurt. you’re not ‘punching up’ - you just like punching people for the sake of punching.

[arttsuka]

Based on somewhat real events

I spent way too much time drawing this...

But yeah, Ford finally saying thank you

A continuation (kinda)

[fumifooms]

Chilchuck’s wife and family - Facts, theories and headcanons

I want to keep this as a sort of masterpost on Chil’s family situation if I can, but if we get a lot of information on it (in the additional content that Kui is gonna make) that renders this more or less useless I probably won’t update this anymore. If you find other crumbs of information or I've said anything factually incorrect please do tell me! I'm planning to edit this as we go since I want to compile most if not all of the information and pages we get about this topic on here, and if I just wait to post it perfection paralysis will nip this in the bud. It focuses a lot on Chilchuck and Chilchuck's wife relationships, but the daughters and Chilchuck's own parents and siblings are talked about as well.

CW/disclaimer: This post talks about messy family dynamics and such, there’s no outright abuse I’m implying anywhere, but alcoholism and neglect are mentioned and discussed. I’m not here to demonize anyone! I love every character involved and I just want to theorize about the topic as a layered issue that involves complex characters. Also, I try to use very transparent language as to when I’m citing or analyzing canon information and when I’m giving a personal interpretation or headcanoning.

Abbreviated table of content:

Timeline and circumstances

Possible strains on the marriage

The hair question. Confirmation on what his wife looks like?

Other family dynamic & post-canon theories & headcanons

Parenting style + misc in a reblog addition (new)

Let’s start with the facts, shall we?

Timeline and circumstances

So, we see that Chilchuck and his wife are childhood friends, and they married at 13 years old and had two children in that same year. Since half-foots reach the age of maturity at 14, they seem to be what we'd call teen parents. It's a bit debatable though, since Laios says the age of maturity for tallmen (humans) is 16 instead of 18 or even 21, so what's considered to be the age of maturity is a cultural thing and isn't fully reliable when we want to compare to our irl understanding and what developmental stage it perfectly aligns with. Also, during the succubus chapter Chichuck says that his daughters were all now of age to be independent, and Chilchuck's wife leaves to live with Flertom, which would mean that Puckpatti was independent at age 10 and lived away from home as well (since she's the third/last daughter). Ah yes another interesting thing to note is that we don’t know the pregnancy periods for the races, since Meijack and Flertom were born the same year. It could be tight timing or it could be something else, but I don’t think they’re twins, they keep talking about them being the oldest and the middle child, them being twins is definitely the sort of thing that would get mentioned.

Him starting working on the island notably happens just one year before his wife leaves him. I don't remember the other instances of him mentioning it though I feel like it happened, but since he started working at the Island's dungeon, working as a dungeon diver and then forming the half-foot guild, that probably means he started being away for longer periods of time and having a less reliable schedule on when he'd be coming back home. It is said that he went back home somewhat regularly iirc, though he usually ends up sleeping at the half-foot guild quarters. I'm not sure if Kahka Brud is also where he lived with his family, or just since he rented someplace new after she left him. He and his timeline state that he was born in a small village "northeast of the island", which he left at 14 one year after being married, but it isn’t stated where they go after so it’s unsure how far his home was from the island if it wasn’t in Kahka Brud. We don’t know when his father died so if that factors in to him leaving his village we have no clue.

Chil also says that he hasn’t seen or spoken with his wife nor daughters since the incident, which would mean he's gone 4 years without contact with his family during the events of canon. I don't remember if Chilchuck is said to exchange letters with his daughters, beyond the initial one from Flertom saying her mother was with her, so I've been assuming he hasn't.

He also says "For about ten years I’ve been travelling to dungeons in various areas and doing work" which considering he’s turning 29 that year would mean he started around 19 years old? The panel also gives details what sort of work he’s been doing. Either way it’s confirmed that Chilchuck travels for his work a lot.

In addition, since Chilchuck has the seal of approval of the bicorn + says so himself, he has always stayed faithful to his wife. So that means that unless he's had previous adventures before he was 14 and got married, he's never dated anyone else in his life, nor had romantic or sexual encounters/experiences with others in his 16 years of marriage right up to canon (year 514). I feel it’s safe to say that it’s implied that during all these years starting from when they were married, Chilchuck's wife was a housewife whose main job was taking care of the kids and the house.

Marcille's take on what happened is unreliable, as Kui even takes the time to directly say so in the Adventurer's Bible, so I don't want to use it as a baseline even if it offers some insight on what could have happened (her feeling out of place, leaving to test his love, etc etc).

What Chilchuck says seems to be accurate though since it pertains to his perspective of the events! Unlike how Marcille's theory flows, Chilchuck was aware that something was off before she left since she "suddenly fell into a bad mood".

Piecing everything together, my theory: Chilchuck and his wife were childhood friends and have always always sort of danced around of each other, the classic movie love story with childhood sweethearts, until they ultimately confessed and got together. While dating, Chilchuck's wife becomes pregnant and they're both unequiped to deal with the situation but decide to marry, either a bit forced in order to cover it up or hopeful to make the best of it. They make it work as they can and Chilchuck works to provide for the family while she takes care of the home and the kids, which means that even though he's not a deadbeat father (he cares, he was at least a bit involved in their lives and raising them since for example he knows how to braid hair after all) he ends up being rather absent from home. It only gets worse over the years, especially when Chilchuck starts working further and further away from home and coming home less often, and since Puckpatti left home Chilchuck's wife is alone at home most of the time, never knowing when Chilchuck would be coming and if to prepare the table for two instead of one, or even if he'd be coming back at all since his work is dangerous. The humdrum and lifestyle would get to her, they've grown into different people in these 10 years of marriage and she doesn't feel the spark or feels valued & seen anymore, so she leaves. He feels confused and betrayed which turns into anger so he doesn’t try to reach out and mend things, and with the way he says they’re estranged and he moves away I think he’s avoiding his family somewhat.

Possible strains on the marriage

Tfw all your daughters are independent and your husband is gone to work almost all the time and he barely even tells you that he loves you, is there even a reason to stay together anymore? Every day it’s just you and an empty house and chores to do, wondering if you have to cook for one or for two today.

Alright it’s analysis and theorizing time! Although there are more facts down in this post if you care about Chilchuck's wife's appearajce, Chilchuck's parents & siblings or the kids, the essential facts so to speak were all in the first part.

We don't see Chilchuck showing any discontent with his wife through the manga so I'm assuming that he was content in his marriage, happy with his wife, and with how he stayed faithful to her even in the 4 years after she left (and never stopped calling her his wife. Which also shows a weird stubborn attitude since he wasn’t planning on reaching out to her and mend things but I’ll put aside the possible entitlement/coping mechanism for another time) I think he truly loved her and still does. Since she left him and not the reverse, I'm putting a lot of emphasis on his wife's side of things. Especially since we do see how Chilchuck is at work quite a bit but never see how he is at home. I’ll be sounding harsh towards Chil on this but he’s pretty much the only party we can criticize since we don’t know her, I still side with Chil on the leaving issue though, he’s justifiably pissed if she left without a word what the hell even.

Alcoholism and health

Chilchuck’s favorite food as listed in the Adventurer’s Bible is beer, and it’s shown that he’s prone to drinking until drunk whenever he gets the opportunity to. A cheerful drunk is still a drunk. (Extra reading: if interested here's a oneshot FMA fanfic by a friend that goes in depth about this very topic that really illustrates what sort of family dynamic that can bring about. It’s not dunmeshi but it’s a good read.) Chilchuck is also canonically underweight, starving himself for a strict weight management diet (Extra reading: you can look at a short compilation post about that here). Did you know under eating makes one irritable? And this is on top of Chilchuck sometimes/regularly coming back home with "horrible injuries", since Marcille guesses it and he acts like she’s dead right on everything that far.

It’s rough seeing someone you love mistreat themselves, not being able to shake them out of that and having to stay to see them wasting away. It’s rough seeing them put their work above their own health. Putting their work even above their family. Putting alcohol over family time. It's not that simple, but there's always that element when asking someone you love to tone it down with things like alcohol or such, that if they refuse, then it feels like they value that thing more than they value your feelings or opinions. That they love alcohol more than they love you.

You know how there’s often this thing of "Well I’m providing everything for this family, so whatever else that I do you don’t get to complain." I do think that it’s something they’d have argued over a little bit, not that he’d say it that way, but the essence of it. "Chilchuck, you’re drinking a lot of alcohol often, I’m worried maybe you should ease up on it." "This is what I want to do in my free time, give me a break.", "Dear, your mood gets worse when you’re hungry, I really think you should stop dieting-" "Would you rather I die in a trap because I was too heavy?", "Honey I don’t like when you work so far away from home for so long" "Well what else can I do, do you have any better idea?". That sort of thing. Even if not being passive agressive or snappy, or even spoken upon, these situations can cause tension, or a feeling of powerlessness or imbalance in the relationship. Although I personally feel like they were both rather passive in their relationship (thus having little arguments), which itself can be a problem since yes they let each other live but they grew more distant and less communicative as a result, more on that later. Content and tolerating, rather than happy and fulfilled.

Workaholism and long distance

Spending a lot (or even a majority?) of time away from home for years and years obviously can strain relationships in many ways. Besides becoming more distant, both with his wife and his daughters, there's just that side that maybe you grow apart or you end up not knowing them all that well. Like the fictional dialogue excerpts I wrote just above, the way Chilchuck puts work above most things can by itself be the source of a lot of unhealthy habits and strains that could not only hurt himself but his relationships too. Devoted doesn’t mean attentive, even if Chilchuck 100% devotes himself to only her romantically and works in the goal to support her that doesn’t transfer into being there for her, even when he physically is.

An absent father isn't necessarily a deadbeat father, but an absent father is absent. And alright, we don’t know what his schedule was like exactly, but he was busy and traveled around, I think it’s fair to assume that if we were to make comparisons it’d be like parents irl who are often on work trips. We don't know what Chilchuck's wife's social circle is like, but regardless of how big or small or supportive it is it would be easy to get lonely I think. Besides raising the kids undoubtedly falling more onto her shoulders as well. Managing a household can be very hard and tiring even when not alone, I can imagine she felt like she missed the support of Chilchuck either as help or comfort oftentimes. We know very little about her, but I don't get the impression that she'd build up resentment over it except maybe her ‘falling into a bad mood’, but exhaustion? Absolutely.

It’s also implied imo, even beyond Chil not often being at home, that they rarely go out together. And that could very well be part of why she was mad after the outing. In Marcille’s theory she says that her wife felt out of place amongst all the cool adventurer coworkers, and if it’s a rare time that they go out together and it was supposed to be about her meeting his coworkers… I feel like what could have happened was that she felt out of place yes, and even moreso if she ended up not participating in conversations much because of it and no one really seemed to care, and the evening was all Chilchuck and his coworkers chatting it up as always and she was an outsider, if she sort of just faded into the background, if it felt like nothing would have changed wether she was there or not... If she felt like her presence didn’t matter on this special outing that rarely happened, it could have been the straw that broke the camel’s back for her to want to leave, definitely. He finally comes back after a long work travel and they finally go out and this is what their quality time is like? The outing that was supposed to be about her & them both ended up being all about him, and once more she was supposed to just orbit around him and his life without complaint or her own selfish wants like a devoted wife. With how Chil said that she got mad "all of a sudden" on the way home and he didn’t know why, plus that he was probably drunk (which may very well have made the whole thing worse), I feel like it supports that he didn’t pay her much attention during the evening, not that I’m assigning him ill intent at all, I’m sure that for him, it was a casual and fun night out and he didn’t think it'd been unpleasant or alienating for her.

That night

And all of this speculation in order to try and figure… What happened? Why did she leave? I've already gone into it a fair bit, but this is where I discuss it fully in depth.

We can’t rely on Marcille’s theory. Neither in the why she felt so out of place enough to want to leave, nor if her intention when leaving was to "test" him. I definitely agree that the reason why she left is layered and that the night/outing was the straw that broke the camel’s back more than the cause perse, but besides that it’s hard to say how much of it was impulsive and how much was because nothing else had worked to fix their relationship, or how long she'd been thinking of maybe leaving him.

Personally my favorite interpretation isn't that she found herself to be boring surrounded with Chilchuck's adventurer coworkers, or her reason for leaving is super centered around insecurity and if Chilchuck even loves her anymore, but that she sees how rich and eventful Chilchuck's life is and at the same time realizes how stagnant her own life has been. Chilchuck has adventurers for coworkers and they go out to bars and spend evenings together chatting it up, while she always does the same house chores every day and waits, and wonders, uncertain about when her huband would come back, and waits some more. She has a sort of passive role in her own life that gets pulled in one way or another by the people around her at their whims and needs, which is also a recurring theme in the manga: having a passive role in your own life, or a role that's devoted to others. Like with Falin who's always following her parents' directives or following Laios around, being the party's healer and eventually sacrificing herself for Laios and Marcille (she also doesn't seem to think much of marriage, as seen with Shuro proposing to her and her not having answered yet, which fits with how she was supposed to have an arranged marriage in her hometown too; a loveless marriage isn't something alarming to her). Izutsumi too, whose whole arc is about her gaining freedom and figuring out how to use this empowerment for herself and what she wants.

So she'd sit there, not knowing anyone except Chilchuck and not being able to follow their conversations about dungeons, and think about how this is a world she's totally apart from. How she knows so little of the world compared to him. She'd realize that while she's always waiting for Chilchuck to come home, dedicated to him and their family, Chilchuck's world doesn't stop and end at where and when he sees her, that while she's waiting he's living and experiencing things and being self-fulfilled. She's so passive and devoted and her tasks seem almost senseless now that the house is empty except for her, and in that time he's formed half-foot unions and she understands so little of what his life has become outside of her sight. This isn't a diss on Chilchuck or his attitude, I just think that it'd make her ponder about happiness and lifestyles, what's worth it and if she's content with her life. I think she'd find that her and Chilchuck aren't on the same page anymore, and probably they don't communicate much or even that they don't know how to communicate with each other anymore.

Other factors

They really do seem to be on different pages and not know how to communicate with each other well, since for example Chilchuck thinks that on the way back home she "suddenly" fell into a bad mood and seemingly left it alone, or otherwise they didn't talk until he knew what was wrong. Or like how she left and Chilchuck never reached out to her to talk or mend things, just like she never reached out either. According to Marcille it could be that she wanted to "test his love" and see if he'd even care if she was gone, but Chilchuck just got angry that she left like that and never reached out to her, so if that's true they definitely have incompatible expectations or ways to deal with things like that. Maybe she thought of leaving as something he should react to by trying to win her back, but Chilchuck did nothing and let her do her thing, and tbh if that were me I'd also have waited on her to reach out because I figure out that if someone leaves me they want space from me idk. He seems to be rather passive when it comes to interpersonal relationships and how they can mess up, made an analysis post here that talks about it, so the way he reacted by not reacting doesn't feel surprising, maybe she didn't know/remember that part of him, or wanted to shake him out of that tendency. He has no clue why she left, and there are just so many misunderstandings here that it's impossible to know what happened and how she felt and what she wanted for the future.

Also, we’re shown that younger Chilchuck, when he started dungeon crawling, is much more "innocent" and optimistic, less closed off on himself and bitter, and maybe he hasn't even developed his famous "sarcastic retorts" and "abusive remarks" yet as is plastered on all his character introductions and stats. Chilchuck has definitely changed a lot over the years, and some would argue not for the better. Staying with someone for so long has implications that they'll change and be different of course, but signing up for marriage with someone can still leave you questioning that choice decades down the line when they're so different

We get to see his freckles fade in sync with his corruption arc /j

Tfw when you can’t recognize the man you fell in love with.

The hair question

Edit 1/13/2024 leak!!!! Things aren’t officially confirmed but this is a safe bet. You can still read this section to see my reasoning to thinking she had black hair prior to this tho haha

It's not all that important rationally, but the community's been split on the topic: is Chilchuck's wife blonde or not?

Kui highlights Chilchuck being attracted to blondes a grand total of three times, and many assume that his wife is blonde due to this. However, the only vision we see of Chilchuck's wife is Marcille imagining herself as a halfling, so it's up for debate! Flertom has black hair, and that's mostly been the key clue that has people arguing.

I'm not an expert in genetics but black hair is a dominant gene, but it also doesn't mean a black haired parent can't have a brown haired kid, or that two brown haired parents can't have a kid with black hair. As long as one of the parents have it in their genetic code from somewhere in their family tree, it's possible, if not maybe unlikely.

People have been taking Flertom having black hair as evidence that Chilchuck's wife has black hair, but it could be Chilchuck that has the gene and could pass it on. Although...

That seems unlikely. We don't know what Chilchuck's elder brother's hair color was, and his elder sister does have a darker brown hair color, but in the case their parents had black hair or the gene for it, it seems highly unlikely if not impossible for the dominant black hair gene to miss this many amount of time in the gene russian roulette game.

And so I shall now call a witness to the stand, and you reader shall be the judge… Dandan.

You know, this guy? He makes appearances throughout the whole manga, but only has one spoken line in an easy to brush over flashback iirc. He's most often seen hanging out around Chilchuck and other half-foots, but it's unsure how far back he and Chilchuck go.

Now. Remember how Chilchuck and his wife are childhood friends? What if, and hear me out, what if Dandan is related to her. A cousin, or a sibling. Or maybe he's Chilchuck's cousin, even, if we go the reverse route.

The chapter cover

Look at the chapter cover below! We see each member of the main party at a table that's meaningful to them and their history, mostly showing themes of family, community and routine. Laios and Falin sharing a meal by themselves, Marcille at a meal in the cafeteria at the magic academy, Senshi by himself cooking in the dungeon, Izutsumi with Inutade at the Nakamoto household, and... Chilchuck, surrounded by much more mysterious and unknown characters and surroundings.

The only face we see besides the infant is a young one on the left which strikes me as looking a ton like Chilchuck! I doubt it's Meijack or Puckpatti, or someone else, especially since Chilchuck left his hometown pretty early which must make family gatherings harder (and routine is implied with the others’ panels). If it were Meijack I think Kui would have drawn it to more closely match her too, and have her usual freckles. I also don't think it's just Chilchuck and his own family, since if that's Chilchuck the only sibling with black hair he could have is his elder brother and the infant in the middle is clearly, well an infant.

My thoughts are that the table is shared with family friends, or at least members of the community. The elderly person implies that either there's extended family or it’s a gathering, especially if Chilchuck's grandparents don't live with them. Community is implied to be very important with half-foots imo, and if Chilchuck is from a small hometown like he says that would surprise me even less. Childhood friends are often brought together as friends because of circumstances, such as proximity or their families being friends! Doesn't that kid almost off-panel on the right, with a Flertom-like hairstyle and black hair, look to be the same age as the Chilchuck on the left? 👀

Also… Notice the dragon plush she’s holding?

Passed down from mom to daughter? The "most likely belonged to his daughters" is interesting too

If he is related, Dandan could be the infant. I suppose he doesn't end up mattering all that much in the end if you theorize that the Flertom-like kid is his wife on its own though haha. But wether or not you think that this is convincing enough, it's all we have on the topic for now.

Ah yes! Lastly, I've seen the sentiment around that his wife should be blonde, that Chilchuck's taste for blondes, if not the thing that brought them together, should be an acquired taste from loving his wife. That if that's not the case, then Chilchuck's type being blondes is either out of place or insuting or unromantic, etc etc. I can't help but disagree! I think, especially with how Chilchuck and his wife are domestic and all about knowing each from a young age, familiarity etc etc, that it would be so sweet if she wasn't his type! Loving someone so deeply, even if they aren't an idealized type... Which is a common theme/story & character beat in Dungeon Meshi.

Family dynamic theories

Meijack is the most capable, takes after her father the most, seems to have her own business as a locksmith but has a stable steady life. Flertom is the most social, she works at a tavern which seems stable and is ambitious with marriage plans, she has a caring side to her since she sent her dad a handmade gift. Puckpatti is the most upbeat, though she has the most unstable lifestyle, seemingly doing odd jobs.

His daughters do seem well adjusted, which encourages me in that their family seems amicable on the whole and (at the very least) decently functional. We don’t hear what they think of Chilchuck but presumably none of them are on bad terms with him or each other. Flertom does say that "half-foot men are stingy" which, gee, I wonder what half-foot man would have made taught her that- though it does also seem to be a racial stereotype in general, with how for example Namari also says to "steer clear from stores with half-foot clerks".

Flertom seems to be the only one who reached out after their mother left (the only one who's mentioned to have done so at least), and it's because she was the one who took in her mother. It’s not implied that they exchange letters regularly too iirc, it possibly was the only letter they've exchanged since then. I wonder if the daughters even know the full story, if their mother told them all about it or very little. Maybe some are pretty out of the loop, or more distant.

It strikes me that they don't seem to be very close. We're not shown anything that leads us to believe they don't like their father, but I think they're so used to him being absent for work that such distance is normal for them and they don't really long for a deeper relationship or to see him often. They were already out of the house and it seems like they didn't see each other much at that time either so for them it would be just a bit less than the regular amount of Dad time. It's been 4 years Chilchuck what are you doing... But yeah! From what we see they seem mostly unaffected, almost indifferent, not that we can truly tell. I imagine Flertom is the one most attached to Chilchuck with how she sent him a handmade cowl, and I think he rubbed off the most on Meijack teachings wise (besides her attitude, she’s also the one who still wears braids, and we see that Chilchuck braids hair). It makes sense, since they're oldest, and on the contrary I think Puckpatti is the one that knows her father the least. It'd fit the timeline with him working away more while she grew up imo.

Wouldn't it be interesting then that she's the one that Chilchuck says is carefree, in the official translation "doesn't treat life real seriously"? That she's the most optimistic, the most go-with-the-flow, out of the bunch? To me that sounds like a result from her being the youngest and Chil being the most often at work, thus her getting raised by her mother without as much involvement from Chil. Far be it from me to say Chilchuck would raise his daughters to be unhappy btw, not at all, we just all know what down-to-earth values he wants others to have so he doesn't have to worry about them.

Although… Puckpatti spotted?? Seems like he wants to stop her from buying something? His heart meter for her is full <3 (Note: I’ve seen it be argued that this could be his wife. I disagree, since the "stop them" and way that the long haired one is off-center compared to everyone else gives the sense that it’s many of his daughters, and the fact that it’s styled after a dating sim doesn’t mean it’s romantic love as we see with the others. Otherwise imagine being her wife and he tells you not to buy stuff when you go shopping together rip)

Headcanons time:

When naming the daughters, together they choose a pool of names they’d like but only one has the final say, and they alternate between who that is. Chilchuck sticks around more near the end of her pregnancies, and he hasn’t missed any of their births. I don’t have any opinions on who named who right now, but there could be some interesting stuff to theorize with Puckpatti, like them taking extra care picking the name together because they settled on her being their last daughter for fluff, or it was supposed to be Chilchuck but he was so busy that he ended up not picking in time and she was the one to name her for angst.

Actually scratch that I have a new theory : What if it’s actually customary for each parent to pick one half of their half-foot kid’s name? So then each would have chosen half of each girl’s name… And this could be why Chil calls Puckpatti Patti instead of Puck which is her first name, because he’s stubborn since Patti was his pick lmaoooo. Pattipuck doesn’t have the same ring to it alas, his wife was so right

Chilchuck liked to do activities with the girls when they were young. He's not opposed to relaxing at home with them perse, but he likes to do workshops with stuff like arts & crafts to develop their agility some. I don't think they'd do much outings to places like restaurants or theatres for money reason, and I don't think Chilchuck is much of an outdoors type, but he could accompany them to nice fields to play in, or in winter places to play in snow and sled, and organize some activities at home. He's not home very often so when he is he likes to take it easy as a break from work and values the time he gets with his family.

Chilchuck would sometimes work from home as a locksmith, say, unlocking a chest for a customer. In those times, Meijack would take interest and watch him work, even handing him the tools he needs as he goes. In this way, Chilchuck taught her a lot about the work of a locksmith over time. He's also the one that would oil door hinges or do renovation around the house- when he's available.

Like the plushies under his table in his home that we see in illustrations, Chilchuck has a lot of mementos from his daughter (and his wife) he keeps around. Sometimes they take a bothersome amount of place, but throwing anything out isn't something he's seriously willing to consider. Flertom's the most artistic and she used to help with sewing clothes back together, so he has a cheap ceramic mug painted by her when she was really young and small embroideries around.

Imo Meijack would be the most distant in the present. Flertom makes efforts for her parents and is pretty involved, and Puckpatti's distance is more out of being a bit airheaded and being busy + not having a great grasp on time or what's a normal amount of family contact, but Meijack's the one who knowingly and intentionally keeps some distance. I think she’d be the least optimistic about their family situation, and although she’d be hopeful when Chilchuck reached out to them again she’d be a but hesitant. I think Meijack would hold some grudges, being the one most critical of their parenting, both grateful to her dad for working so hard for them and saddened that he wasn't in their life more. Since Flertom was born in the same year I think it’s possible that Meijack was pushed aside a bit to take care of the younger baby more, out of necessity rather than lack of love. Her mom probably needed a lot of help around the house too. Flertom wasn’t blind either, and she cared about & noticed her mom’s emotional states, but she’s on the whole more hopeful and forgiving.

This is my most far fetched one but it is a hc after all, but I think it'd be interesting if one of them had food hoarding tendencies/stress. I like to think it's Flertom, because she's the middle child and would get told that her older sister and younger sister are "growing and need the food" so she wouldn't be allowed to take as much refill or such, add that to them not having much money to frivolously spend on food and that makes a kid who's worried about not eating to her hunger and tends to be possessive over food (I'm projecting). Differential treatment is inevitable in families with many siblings, and it can manifest in small or big ways, maybe they realize it maybe they don't. Working in a tavern has helped eased that tendency of her though, and while she does diet a bit she always leaves a meal feeling satisfied.

When they were younger, Flertom was a real firecracker, loud and spirited with some troublemaking tendencies! She was the daughter that got in trouble & got scolded the most. You can still see slivers of it now that she’s an adult, but she’s much more poised and diligent. She has much more acquaintances than friends, but she has a couple of best friends and usually gets along well with most people. Puckpatti was always a bit head in the cloud, very kind if not gullible, and tended to make friends somewhat easily but didn’t keep them for long, preferring to keep meeting new people and not keeping in touch well. She isn’t super talkative but tends to ramble when she does. Meijack is very introverted, she has more trouble making friends, she has a good handful though they don’t meet up often, her friendships tend to last and she’s close to them. She’s grown more confident over the years, less repressed and more quiet. Meijack as the big sister tended to be the listener for her younger sisters who had more social mishaps. Flertom has dated once before and it only cemented to her that she was going to have very high standards from then on.

Meijack wears thigh-high boots because she hates when sand, dirt or snow gets in her shoes. She wears practical clothing but avoids anything frilly or flashy. Puckpatti also dresses practically, but she does enjoy pretty clothes, it’s more out of necessity and due to not having enough money to indulge. Flertom has a social stable job and she loves prettying herself up (especially as she’s in search of a husband) so she’s the one who gets the most and nicest fashionable clothes and accessories.

Chilchuck is hinted to have had a rather dysfunctional family himself (alcoholic father, distant siblings, etc). So he doesn’t really have the best model on how to raise someone and such. I imagine it was a sort of neglectful home situation, where the kids are encouraged to be independent. If they didn’t have to work or help around much, then free range parenting sort of thing. We do see how the family has full and warm feasts, where someone cleans his mouth with a rag, so it’s not like he didn’t have a caring circle or a tragic childhood though! I don’t remember if it’s explicitely stated, but he’s heavily implied to having grown up poor, as most half-foots, and I just think it's the hardened hardworking family type of childhood where just like he does with others they instill somewhat harsh life lessons in him, which in turn encourages him to indulge in the simple pleasures of life like alcohol and sex, or at least women’s beauty and crass jokes. We do see he seems more optimistic when he's younger in flashbacks, so a bunch of his harsh view on the world is still likely learned and earned rather than taught. I still think he inherited many flawed views from how his father acted, like his attitude about excessive drinking not being a big deal and worth it. That work hard play hard, enjoy life die young mentality he has, shown mostly in the "alcohol" section of his Adventurer's Bible profile, could very well be partly a result of the general poverty half-foot communities are that he grew in as well, like how he doesn't hope for things to be as best as they could be and contends with good enough. As far as I remember, his mother is never mentioned, but I doubt it implies she was out of the picture. She was probably a regular sort of mother that took care of the home as well and was still around when his father died. It looks like there’s a good age gap between one sibling to the next, that could be interesting to dig into too.

A part of Chilchuck’s character is that he takes responsibility for safety and actions of people around him and is very often looking out for them to not do faux-pas wether socially or literally with stepping onto traps. The way he says "I’ve got three people to think of here" makes me think that’s also how he’d think about having to provide for his family, and that could be a source of stress and insecurity for him. Caring for others is a pretty integral part of his character and we see time and time again that his family is very important to him, in any case.

Post-canon

This pic has so much to say!! It’s the ‘thank you for reading’ double page spread where they’re going to a big dining table at the castle with Laios and the main gang. First family gathering in 4 years perhaps?! I’ll say, not feeling very hopeful that his wife isn’t in this, not even implied to be just off-panel with a hand or anything… I imagine before this he still talked to them at least a bit and figured their family situation out, but I think this is still in the early stages of reconnecting. Haha imagine being one of them and receiving a letter saying "Hi it’s been a while… I want to introduce you to my ex-coworker the king and his friends, you up for that?" I don’t want to reconsider all my hcs for this yet, but this pic does seemingly show an eagerness from all the daughters to reunite and reconnect! Meijack’s could be seen as more hesitant, but I think it’s just awkwardness from meeting so many new people, of high status no less. Chilchuck does seem awkward and somewhat self-conscious though, and while that could be just from say Marcille and the others meeting his daughters and him not knowing how to act, I think that also shows that Chilchuck is unsure how to act around his daughters too. Can’t blame him, I’d be stressed too. Anyways, the daughters are all dressed up! Puckpatti even brought flowers! And I doubt it’s just for Senshi, or just to be in with the king. Oh also also, Puckpatti chides Meijack here, seemingly on manners?, so that implies new/different family dynamics there~

We know with the succubus chapter that he does plan on reaching out to his wife again and shooting his shot, and when Marcille was dungeon lord he told her she could help think of a plan to make up with her together at which point Marcille showered him in gifts and flowers intended for her and his daughters. So we do know that whatever happens and however it happens, Chilchuck definitely will at least reach out to her to win her back or worse case scenario get closure on the situation.

-

These are his plans before it’s revealed that the Island is… Well, not an island but the golden kingdom, so the news that Laios is king and that might have changed them a bit, but I think he’s still gonna stick around to help with the half-foot guild for a while.

My personal ideal post-canon Chilchuck life is that after around a year or two of helping around in the golden kingdom, especially regarding half-foot working rights, he gets his shop and finally settles down. He prioritized the whole half-foot guild because there are changes to attend to and people to help, but also used that to procrastinate a bit on getting in touch with his wife again. He does send a letter though, and when she replies they then meet face to face. They explain how it was like on their end, their grievances and their feelings, and they do reconcile. But… It’s been 4 years and his wife has frankly moved on. She’d rather they stay as friends, and Chilchuck has mixed feelings on it but is ultimately fine with it. He was halfway resigned to not reconciling with his wife in canon after all. But no longer do they have cut contact! They get together with the girls for the holidays and the ambiance is nice! He starts exchanging letters more regularly. He also gets a second family of clingy asses with Izutsumi and the main gang and so though he lives alone in his shop he’s well surrounded and well loved, and his daughters visit to check up on him every so often.

I really like the… Maturity of Chilchuck’s plotline, if that makes sense? To me the ending that fits the most is him and his wife reconciling, but not getting back together. I like that they could still be adults about it and at least amicable even after divorce, and that that wouldn’t be treated as a tragic ending. In the end, they were childhood friends and teenage parents, they rushed things a bit and I genuinely think they’re just not that compatible. If not then, at least having it be a gradual process, getting back together and making it work until they’re truly comforatble with each other. Destroy the relationship to better build it again stronger!

Although, his arc in the manga is to allow himself to form connections and be optimistic, which would fit well with him and his wife getting back together. I def think Chil would get healthier post-canon which could fix the issues they had in their relationship though. Like for one he starts eating more, which improves mood & irritability & health, and also after the whole half-foot guild he plans to settle down with a shop so it wouldn’t be long distance or unstable anymore which would definitely give his wife some peace of mind. If they still do some long distance at first while he gets the half-foot guild stable, it’d be really cute if he sent pressed flowers with his letters to her… That could make a nice fic concept, like over time all the pressed flowers and exchanged letters hehe (oh shit that’s a nice title)

My post-canon timeline is Chilchuck lives a nice life living alone in his house except his friends all visit him and care and even tho he likes living alone it’s also bittersweet and every corner of his life is haunted by mementos of the ones he loves and the moments he had with them. But then it’s also like the shared duty of everyone to pass by his shop when they can and keep the old man company and sometimes that means many people come at the same time like if both Meijack and Marcille came the same day~ Cozy life, no regrets except a lil regrets still. That’s it that’s all I want.

Misc

I didn’t know where to put this, so new category time! Family truly is a central theme of Chilchuck’s character. His reaction to learning more about how life gets made is so awed by the wonder of the world. Life indeed…

The implication of this page is that Chil didn’t know about the science side of how procreation works, though of course he did know about the practical side of it. This is speculation, and we have no clue how widespread the information of how reproduction scientifically works lol, but I think it’s fair to think that half-foots’ education especially in smaller communities is handled by the parent, school of life style, or if there are schools then the education is very general and it probably ends early. I think this is supported by how for example half-foots’ jobs we’ve seen are based on experience rather than knowledge, like being a locksmith. Of course any job has its fair share of specialized knowledge to learn, but jobs you learn on the fly pretty well. This sort of dynamic contrasts a lot against elves many tallmen communities, like with the magic academy, where education and knowledge are valued almost above experience, this is what the mandrake chapter was all about after all. Poorer communities tend to have poorer education systems as well irl, it’s a whole issue.

So I already said my piece about his wife not being blonde and it being nice and romantic because literally you don’t need someone to be a beauty ideal to love them and that’s fine and normal and even more romantic imo. But!! I do have an headcanon, now that his wife’s appearance is all but explicitly confirmed. While their hair is blonde, yes their hair is wavy and the ‘main’ one has deep-set eyes, not unlike his wife! Now this is a ‘which came first the egg or the chicken’ question, but while most people seem to be assuming that he got with his wife because she was his type, since they’re childhood friends I feel like it’s his love for his wife that shaped his preferences in that deparment. Like ok he loves golden hair and hers is black, but isn’t it so much more romantic that he has so much love and devotion for his wife and has stared lovingly at it so much over the years, that it’d become his ideal? He loves her eyes <3

Conclusion

Reminder that I’ve got more observations and tidbits compiled in a reblog addition now.

More stuff I should workshop for the masterpost:

Compile more info on Chilchuck's father and his other family. Edit: I compiled all I had pretty neatly here in a speculation post, but there’s no other concrete piece of info other than what I’ve covered here sadly. Same with stuff like Chilchuck’s past work schedule and exchanged letters, there seems to be no other bits of evidence, except…

On the chapter cover and extra where he’s in his basement room we can see one letter and a few papers across his desk. Maybe family letters? Wether his daughters or relatives. Seems too few to me, could just as well be job descriptions, but truly who knows, it’s hopeful.

Excellent analysis on half-foot culture here by a friend that I should read and incorporate the good info into my own meta~

And thus I leave you with a lil web weaving I made about Chil & his wife’s relationship~ And this is where I’d put panels of Chilchuck’s wife… IF THERE WERE ANY

Should we even call Chilchuck's wife Mrs. Tims... We don't know dunmeshi marrital traditions though, and half-foot already have somewhat complex naming conventions... I hate that we don't really know if the daughters' last names are Chils or Chilz. Although that seems to be a japanese to english translation issue, since japanese used the suffix zu and not su, likely to imitate the english S sound at the end of a word. Oh yeah the last names change each generation, that’s odd right? But in english it sounds like saying Chil’s, like, [father]’s, so I think this also supports how half-foots communities tend to be tightly knit and live in the present, for them to be like "Ooh so you’re [father]’s little one eh? I know who that is and this is insightful as to who your family is to me!". Iceland’s a place where last names are like this, though I don’t know about pros and cons of it in that context. It’s called a patronymic.

Ah and I have a bittersweet spotify playlist about her and Chil too, here if ya want. That’s it the post is over

[thepersonperson]

Sukuna’s Loneliness Part 4 (Sukuna’s Negative Rizz)

Part 1 Part 2 Part 3

Some warnings before we start.

1) This analysis deals with sexual topics.

2) I will be mainly using the TCB scans because of their accessibility. Raws are from mangareader(.)to.

3) This was written as of JJK 262 266. (I'm just going to keep updating this until I stop finding things I should've noticed earlier.)

4) The raws broke me in ways you cannot possibly imagine.

(Click images for captions/citations.)

Fighting as Communication

Baki the Grappler. This is a manga where men destroy each other’s bodies as a test of strength. It’s poorly written but the art is terrifying and I love it so dearly. Between fights of extreme violence and body horror the characters eat. And that’s it. That’s the manga.

I bring Baki up because Gege is a huge fan of Fujimoto Tatsuki, the creator of Chainsawman. Fujimoto is a fan of Gege too, but more importantly, he is a huge fan of Itagaki Keisuke, the creator of Baki. (His daughter made Beastars btw.) In a way, this means Jujutsu Kaisen has been influenced by Baki. But that’s not a surprise, a lot of manga is.

Itagaki’s work is so massively influetial on Japanese media that it’s kind of hard to grasp since it’s not as popular overseas. When listening to interviews from various Japanese creators, Baki will often be cited as a major influence. And the thing is, you can tell when a creative has read Baki. There’s nothing quite like it. If you’ve read Baki and consume Chainsawman, you will see its bones everywhere. I feel the same about Jujutsu Kaisen.

The main antagonist in Baki is Yujiro Hanma. He is the strongest creature alive. So much so that he has no one to call a rival. He’s bored. He causes trouble. He kills his wife to motivate his son, Baki into becoming stronger. His son, Baki, who he grooms into becoming a fighter that might beat him in combat one day. Kind of sounds like Sukuna, right?

But that’s not my point here. My focus is how Baki doubles as a discussion about strength and manhood. It’s aggressively bisexual. Men love each other with their fists. Straight up the main character says having sex with women is the same thing as fighting men.

And it just doesn’t stop there. The homoerotic nature of the fights is never shyed away from. Here’s an example of my favorite.

He grabs his balls and compliments their size. That’s pretty gay, right? Well there’s this reanimated prehistoric caveman called Pickle that fights Baki’s brother Jack. And how do they fight? They kiss.

I didn’t call it a kiss. Itagaki did. I didn’t say they melded together. Itagaki did. This mangaka overtly calls attention to the homoerotic nature of men fighting men, and how men communicate their love for each other through violence. And yes, it’s sexual. Itagaki wants you to read it that way.

But sometimes he doesn’t want you to read it that way. Sometimes the fights are a dialogue, an emotional conversation. Like one between father and son.

Itagaki is a master of narrative framing. When he wants you to feel a certain way, you will feel it. He also tells his readers that there’s more to the fights than just fighting.

Those are the ideas that help me see the bones of Baki in other works. Men loving men with violence. Men communicating with men through violence. I see these ideas in Jujutsu Kaisen too.

Jujutsu Communication

I’ve gone over how Yuji commucates with other people on their own terms. And a lot of it is through fighting. A conversation without words, learning how someone works. Yuji is good at using fights as tool of communication.

But he’s not the one who tells you that there’s more to the fights than just fighting. Maki does in her spar with the sumo guy.

Just like Baki. Fighting is a means of communication. Gege has told you that there can be more to the fights than fighting. It's a tool used to understand the self and others.

With that in mind, I want to reexamine a particular fight under the lens of Baki rather than Umineko.

Sukuna vs Gojo

Baki tells you that homoerotic readings of its fights are intentional. If you ask me, this probably stems from historical stances on masculinity and homosexuality in ancient Japan. Men loved men and women differently, but both were ok. That’s how Baki can have a girlfriend and his gay fights. Peak bisexual optimization.

What does Jujutsu Kaisen have to do with this? Well it has been extremely queer friendly. We have a multidue of canonical trans characters, non-binary characters, and other flavors of queer characters not disparaged for their identities, Gojo Satoru included. It may not be stated outright, but Gojo and Geto do love each other in a gay way. The subtext is so persisent it’s basically text.

In other words, Gege has already told us, yes please have queer readings of this text. It’s the same way Baki tells you, yes this is straight up convoluded gay sex. So that’s what I’m going to do. I’m going to reread the Sukuna and Gojo fight as some ridiculous mating display between two men who are fighting over can miscommunicate their intent the hardest.

Framed as Courtship

Let’s start with the framing. The pre-fight set up. How does text tell you queer readings are allowed?

Kenjaku does. It’s romantic. It’s a date. This reading has been made valid explicitly. And if there’s room for doubt because of the sarcasm? There’s still additional support for it.

We already know how badly in love Gojo is with Geto. The fight is on the 24th of December, the most romantic day in Japan. And in a fun little Geto parallel, who declared the start of war on this day, violence underlines this new romantic venture.

That doesn’t include Sukuna who recalls Yorozu’s words about teaching love in the context of marriage.

Gojo never heard that conversation which is why the next point is absolutely insane.

The outfit Gojo initially is in resembles that of a groom at a Shinto wedding.

Shinto weddings were implemented after the Heian era. Part of the ceremony includes a priest and a shrine maiden who respectively stand to the right and left of the altar. A purification ritual will occur, lead by the priest, to cleanse the shrine before vows are exchanged. Gakuganji is the priest and Utahime is the shrine maiden. To the right and left of Gojo respectively.

The bride at a Shinto wedding wears mainly white. After the 200% Hollow Purple cleanses the area, the dark shawl is removed and Sukuna remains in mostly white.

How interesting that this battle has been framed as one between groom and bride.

The thing is, marriage in the Heian era was far more lax. There were no major ceremonies. If a man was interested in marrying a woman, he would visit her for 3 nights after receiving approval from her father. Upon the passing of their 3rd night together, the family would have an informal celebration of their union in private. Even after marriage, multiple partners were allowed and sometimes encouraged.

Yorozu’s big celebration proposal to Sukuna and banning of concubines was quite improper by Heian standards. Though it is in line with modern marriages. If Sukuna did not consume any Shinto wedding literature, he probably didn’t recognize that Gojo was dressed as a groom.

But did Gojo dress this way for Sukuna intentionally? The Toji fit served an entirely different purpose. It’s the robes and pre-fight ceremony that catch my attention. So I propose the following:

1) Gojo dressed up as a groom to die and be wed with his one and only Geto in death.

2) Gojo dressed up as a groom in part as an offering to Sukuna. And because Sukuna is from the Heian era it went over his head entirely.

3) Gojo intended for both of these things at the same time and left who he would end up with to fate.

Regardless of what Gojo was going for here, it’s a visual cue combined with the knowledge of it being Dec 24th that encourages the reader to perhaps consider the fight as something other than just a fight. A date perhaps? Kenjaku made the connection and neither Gojo or Sukuna really denied it. Gojo gave the weak excuse of a death anniversary confusion. But much weirder, given how hostile he was to Yorozu, Sukuna did not object to the romantic framing in any capacity.

Am I reaching? Is this reading intentional?

When I start getting this confused by how a translated work wants me to read it, I try to refer to the original language text and anyone who knows it for missing context. Sometimes localizations add things that weren’t there or push readers towards one interpretation. So for the rest of this analysis, I’m going to be focusing on the raws.

I’m going to be honest. My Japanese fudging sucks. I can barely read kanji and can’t reliably translate anything. Feel free to correct me if I got something wrong. That being said, with what little I do know, I have discovered something interesting.

In this post I talked about how weird Sukuna’s manner of speech is. I focused on his you pronoun usage of お前 (Omae) for everyone else and 貴様 (Kisama) for Gojo since this is a strong indicator of how a character views their relationship to someone.

Here's a summary of the two points I made in that post:

1) Omae is informal and either a casual thing amongst peers or indicates the speaker's higher status. Since Sukuna is arrogant, we can reasonably assume he's talking down to people.

2) Kisama historically was a formal show of respect, but in modern times it is a hostile insult, much more rude than Omae. Since Sukuna is 1,000 years old and hates Yuji (who he uses Omae with), we can reasonably assume Sukuna was being friendly to Gojo when he used Kisama.

With that pronoun usage in mind, while examining the raws for the infamous “You Cleared My Skies” speech I found this:

Kisama. Sukuna is very happy and lavishing Gojo with praise. The assumption it was formal from the start seems to be correct. It's hard to read this any other way.

Though Japanese can easily be dubious in its interpretation, there are instances where context can cut off all other readings. I truly believe this one of those cases.

Now, to confirm Sukuna is still only treating Gojo this way I started looking at his you pronouns as he got excited post-Gojo death. Maki is the person he seems to admire the most.

He’s still just using Omae. What does that mean? Gojo is in his own fudging category for Sukuna and he has been there since the start of the manga. (For more on why this is significant, refer to this post.)

Wow ok. That’s pretty intense! We’ve got Gojo dressed up as a groom on December 24th and Sukuna treating Gojo different from anyone else. I read their fight again under the lens of explicit courtship and focused in on these specific panels.

Satisfaction. Now that’s a word that can easily carry a sexual connotation. Love as well. The parallel syntax fascinated me in English. So I decided to look at the raws and see how close they are.

Pretty much the same except for "the one who will teach you love" and "the one satisfying him now". Since the one being satisfied is Gojo by Sukuna, it really seems we can assume the one being taught love is Gojo by Sukuna.

Time to learn some Japanese again!

Kanji has multiple readings. Most have at least two. The Onyomi (Chinese) reading typically used for nouns and the Kunyomi (Japanese) reading typically used for verbs. (This is not always the case but it’s the basics.)

That’s probably why 満 is read as まん (man) when Gojo and Geto are talking about “satisfaction” using the On version and み (mi), the Kun version, when the narrator is talking about who “satisfies” who.

However 満 on its own does not mean satisfaction. It means full. To be filled. Or fullness. 足 (zoku) is added as a modifier after 満 to be read as satisfaction 満足 (manzoku). 足 usually means feet, but it can also mean to be sufficient. Manzoku therefore has a direct translation of being sufficiently full. It’s not a surprise a lot of food places in Japan use Manzoku in their names or advertising.

But what’s this? Why is this sentence written as 満たして or Mi(tashite) instead of 満足して or Manzoku(shite)? The addition of Zoku is what transforms Man into "satisfying". Without the Zoku, it’s just "fill". The means this sentence can be read as “The one filling him up now is—”

We’ve already established that the blank is Sukuna. The new problem is that he’s filling Gojo up. And boy, does that sound homoerotic to put it lightly. But perhaps I am reaching.

So I did what any sane person would do in this situation. I read hentai.

Surely if the phrase 満たして (mitashite) can carry a sexual connotation I will find it in hentai.

...

I immediately found a yaoi doujin called Fill me with your Big Love aka おっきな愛で満たして (Okkina Ai de Mitashite). Honestly, I found too many doujins about creampies specifically. (You have internet access verify this yourself.) When you search Manzokushite the results are much more in line with life satisfaction than sexual satisfaction. ...So Gege decided to use the more frisky phrasing.

Manzoku is also the name of an active sex toy manufacturer (I’m not linking them use a search engine.) and a discontinued adult entertainment news company. So the satisfaction Gojo and Geto talk about, along with Geto using 妬 (ya), the jealous kanji often used between lovers, is definitely probably carrying a sexual connotation too.

So, I’m not reaching. What the fudge did Gege mean by this?

Now that we've established that I am NOT reaching. What do we do with this information?

Well, we ruminate on the fight with the knowledge that Sukuna, of his own volition, decided to get Gojo off, probably.

I have forgiven Nanami for calling Gojo a pervert. If I watched someone bust a nut after being cut in half by his sworn enemy instead of saving the country, I too would be like what the fudge.

Anyways, the typical phrase used for an orgasm in Japanese is 行く(iku). It translates as to go. And yes it can mean to die, as in going to the other side. To die and go to heaven if you will. Which is what Gojo did with a big old smile on his face.

There’s also the term 心天 (tokoroten). It refers to a dish were a semi-opaque white substance is pushed through holes to create noodles. Literal translation using the kanji for heart 心 (kokoro) and the kanji for heaven 天 (ten). (Don’t ask me why them being smack together turns the Koroko into Tokoro. I don’t know.) Which in slang refers to prostate orgasms. This has nothing to do with this analysis I wanted to drop this fun fact in here. …And this image of Sukuna clutching his heart while looking at someone he sent to heaven.

(This is a reach but the idea of this being an elaborate gay pun amuses me greatly.)

I have another fun slang term: 賢者タイム (kenjataimu) which directly translates to sage 賢者 (kenja) time タイム (taimu). This refers to post-nut clarity sending someone into a meditative-like state.

Oh that’s a bit familiar. Sukuna was giving sagely advice to Kashimo and reflecting on satisfaction and love.

And what’s this? Mitashite has made a reappearance! Sukuna is saying “I’ve never thought about needing another person to fill me up.” Which 1. further supports the 'The one satisfying/filling him (Gojo) now is—Sukuna.' reading and 2. suggests Sukuna is a top suggests Sukuna really doesn’t have sexual interest in people. (Since the context of this convo is relationships and love.)

By the way. Acts of eating in Japanese can be modified to carry sexual meanings. It’s a bit more suggestive than English, but it carries over pretty well I think? 肉食系 (nikusokukei) refers to someone who aggresively pursues romantic or sexual relationships. Composed of the kanji 肉 (niku) for meat, 食 (ta) for eating, and 系 (kei) class. If you noticed, 食 isn’t usually read as Soku. It becomes Soku when paired with Niku for some reason. (I don’t know why someone please help me.) Side by side the kanji 肉食 (nikusoku) means meat-eater.

食 is still interesting on it’s own. The 食べる (taberu) reading is normal eating. The 食う(kuu) reading is an innuendo. It can mean to devour someone, like a cannibal, or devour someone sexually.

Sukuna has made it very clear that his eating of people is literal. There’s no innuendo. In fact, if you read into it, he’ll kill you (rip Yorozu and Kashimo).

Gojo, however, appears to be his sole exception to this rule. When Sukuna tells Kashimo not to spoil his pleasure he uses the kanji 興 (kyou). This of course can be directly translated as pleasure, but the Chinese reading of it can also indicate intense excitement or sexual arousal.

Sukuna is pretty good at double-entendre wordplay if his earlier stunts with the kanji for Enchain doubling as Megumi Activities if read a different way is anything to go by. He's a fan of Chinese literature. It's not a stretch to assume there's more going on here.

And if notoriously homophobic Reddit dudebros are posting things like this. Maybe there's a lot more merit to this reading than I can currently grasp.

I’m still pretty convinced Sukuna is aroace. That of course doesn’t bar him from pursuing romantic or sexual relationships. Sometimes there’s the one exception. Sometimes the desire to be with and please an allo partner allows for engagement of activities they aren’t into. Sometimes the actions are pursued without the emotional attachment because they physically feel good. There’s also the gray-scale and demi labels to consider.

With that in mind, I want to emphasize this all points to how important Gojo is to Sukuna regardless of sexuality. He tried to engage with and understand Gojo on terms he won’t for anyone else. And he’s been pursuing this connection relentlessly since the start of manga.

Sukuna’s Negative Rizz

Ok I established that reading the Sukuna vs Gojo fight as unhinged courtship is supported by the text. That doesn’t really say anything about Sukuna sucking at it.

But, my dear reader, that in of itself is proof of his negative rizz. I had to sit down. Learn about Heian era and Shinto wedding rituals, learn more Japanese, splice seemingly unrelated manga panels together, read hentai, and know that Gege is into yaoi to come to this conclusion. I had to rip every little shred of characterization and context apart and rearrange it into something comprehensible.

You know who can’t do that? Gojo.

As far as Gojo is concerned, Sukuna hates him. Kisama is an extremely hostile you pronoun in modern times. And if Gojo can’t tell Shoko (his closest friend after Geto) is stressed over him being used like a meat puppet by her visibly falling back on her addiction, he’s going to default to the assumption Sukuna hates him just as much as everyone else.

And Gojo does just that. He assumes he failed to reach Sukuna. Despite how often they did hand to hand combat and weaponized their knowledge of each other, Gojo believes they never had proper conversation through fighting. He dies not understanding Sukuna, convinced the other was not trying to communicate with him at all.

And if you recall, all of this fight occurred while Sukuna was wearing Megumi’s face. That boy is pretty much Gojo’s adopted child. From my experience, most single parents do not go looking for clones of their kids as partners.

If someone wore the skin of my family member I would assume they were trying to torment me. And torment Gojo Sukuna does. He draws attention to Megumi’s soul being used as collateral and attacks him with the 10 Shadows. We as the audience know this is all for the sake of getting past Infinity using his Shrine. Gojo doesn’t know that. He’s fighting an evil dude who is puppeting the body of his son for god knows what reason.

Seriously, Sukuna sucks at communicating intent.

In Part 3 of my examination of Sukuna’s loneliness, I said Dismantle is a tool Sukuna uses to understand. And that him upgrading it by making Gojo the center of his world was indicative of his desire to reach him. I also said his refusal to use it on Yorozu was him expressing how little interest he had in her.

Yorozu is pissed by this. She sees it as Sukuna rejecting her and I don’t think she’s wrong. Sukuna saved his special Cursed Technique (CT) for Gojo while turning Yorozu down. If we’re considering all the wedding imagery and references that started with Yorozu, I’m certainly allowed to read that as him saving himself for Gojo. (Think of how he lied to Gojo about being the first one he killed.)

There’s also the fact that Yorozu saw their battle as an expression love and lust—that the usage of CT is a type of foreplay under certain circumstances since it is an extension of the self. Combine that with the established premise that fighting is a type of a communication thanks to Maki vs Sumo Guy and you can start to see the courtship logic behind Sukuna’s treatment of Gojo.

If we are to read “The one who will teach you love is…Sukuna” there’s another adorable caveat. Yorozu uses the you pronoun あなた (Anata) for Sukuna.

It’s an informal you pronoun used by people learning Japanese. Native speakers try to avoid using it as it can come across as rude. But in the context of love? This is colloquially called the wife pronoun as its often used by a wife to her husband.

If you wanted to localize its usage in the way Yorozu means it, Anata might become “you, dear”. So here we have Sukuna dressed in white, like a bride to Gojo’s groom, thinking of him as Anata.

The problem is, Gojo doesn’t know that. Sukuna never bothered to open his mouth and say this was an act of love. Sure he told Kashimo in the most roundabout way possible, but Gojo was the one who needed to hear that. If a courtship is going to be this diabolically complicated, there has to be clear hints for the other party. JJK is not Umineko where there’s a witch that can revive the dead over and over until the idiot finally understands this was all for them.

Gojo also doesn’t have access to the kanji Sukuna uses to describe certain techinques or words. He hears the phonetics and runs with whatever best fits the context. This means there’s no way for him to catch the double-meaning unless he’s a certain type of lingust, which he is not. His manner of speech and personal interests don’t line up with the flowery language of the Heian Era. The types of written works Gojo is into are historical war politics from the Sengoku period (known for violence more than the fine arts), Shonen manga, and physics/math.

And what's this? According to CFYOW (the canon light novels): JJK Thorny Road at Dawn, Chapter 3 Asakusabashi Elegy, Gojo doesn't even like ancient poetry. You know, the thing Sukuna enjoys and tries to communicate with.

The Kokin Wakashu Gojo off-handedly disparages is a compilation of Hiean Era poetry known as Waka. This was the primary means of communication amongst the noble class and spiritual leaders at the time. And the thing is, this poetry is supposed to be read into. Down to the quality of stroke and paper, not just the kanji written. Especially for courtship.

It’s not that Gojo is stupid. He just doesn’t specialize in the studies that would give him a more critical ear to Sukuna's words. And Sukuna doesn’t seem to understand that no one in the modern era communicates like this anymore.

If you didn’t know, this is why Japanese characters introduce themselves they often describe what kanji their name is spelled with. Take for example: Satoru. He uses the kanji 悟 meaning enlightenment. This kanji can be read as Go instead of Satoru. Additionally, the name Satoru can be written in kanji as 聡 for smart, 智 for wisdom, 知 for knowledge, 了 for understanding, 哲 for philosophy, 聖 for virtuous, or 暁 for daybreak. That’s 8 different kanji possible if you hear the name Satoru.

This is why Sukuna’s wordplay for everything else can be easily missed by other characters. They hear the words and cannot read the kanji like us. Context decides what Sukuna means for them. And since Sukuna’s context for most is violence and insults, it’s very hard for them to think about his words in any other way.

And boy howdy does Gojo miss it. Sukuna straight up calls him his husband and it took me several rereads to catch it. While mocking Gojo for being unable to open his domain, Sukuna calls him "painfully ordinary". This is localized from the word 凡夫 (bonpu) which can also be translated as unenlightened. (A layered insult! Sukuna is pretty much saying Gojo's sorcery is so boring he shouldn't even call himself the Honored One.)

The thing is...Bonpu is comprised of the 2 kanji 凡 for mediocre, and 夫 for husband. (Please note that there are many other ways to call Gojo a ditz without using the kanji for husband.) And an update from the Replies: Turns out there's layers to the gayness too.

It's come full fudging circle. Gojo came dressed as a groom for a wedding and Sukuna thinks they're already married. The miscommunication is off the rails.

But wait! There's more...

Earlier I mentioned that the kanji for Enchain doubles as Megumi Activities. Let's break that down more. (Unfortunately the Twitter account of the person I referenced may or may not be nuked so here's this screenshot I've doctored.)

So we have the translation of Enchain from 契闊 (Keikatsu), which might be better localized as Separation.

This term comes from a Chinese poem about lovers who are husband and wife in The Book of Odes, Section I (Lessons from the States), Chapter 3 (The Odes of Bei), Poem 31 (Banging the Drum). (Here's a link to the full poem and context of it.)

In summary, it’s about a soldier who is on the brink of death, having lost nearly everything after being abandoned by those in power, lamenting the happiest days of his life with his love are ones he can never get back. (Hey that sounds just like what Sukuna did to Yuji!)

Keikatsu specifically comes from this passage:

“Our vow is beyond death and life”, I and you are together I always remembered. I will hold your hand, And together we grow old.

Too pitiful we are faraway apart, The distance separates us to meet again! Too miserable this takes forever, And it does not let us fulfill our vow!

Keikatsu is used to exemplify how the physical distance between the husband and wife prevents them from fulfilling their wedding vows. And that's just what Keikatsu/Enchain does to Yuji and Megumi, it causes painful separation neither of them wanted.

Keikatsu also tells Yuji exactly how Sukuna plans to do it. 契(kei)闊(katsu) can be written as 恵(kei)活(katsu). The kanji 恵 can be read as Kei or...Megumi. (It's the literal kanji used for his name.) The kanji 活 (katsu) can mean "activities", which is how we get Enchain=Megumi Activities.

A two for one special! Sukuna mocks Yuji for being so close with Megumi while telling him exactly how he's going to destroy their relationship.

It seems this has nothing to do with Gojo until you consider the 3rd possible reading from wordplay with 契闊 (Keikatsu). The kanji 契 when read as Kei refers to a promise, pledge or vow. When 契 read as Chigi? It can refer to sexual intercourse, especially between husband and wife.

So we have 契闊(keikatsu, separation), 恵(kei Megumi)活(katsu, activities), and 契(kei chigi, spousal sex)活(katsu, activities). It's no wonder he erased Yuji's memory of it.

Keep in mind, that when Sukuna uses Keikatsu, the only vow that he has made at this point is his promise to kill Gojo. He eventually does that using Megumi's body during a fight framed between groom and bride. And for reasons beyond their control, Sukuna and Gojo have been unable to fulfill that vow through lengthy separation.

Notes from poem "Banging the Drum" Sukuna references include the following:

"And during the operation, he lost his horse, which was a desperate situation (horses in ancient time carried soldier supply and weapons, are life companion for soldiers in advance or retreat), he lost his horse, his supply, maybe his armor and weapons, and the road he was facing that we may lose his life so he may never go back. In all these mess, he started searching, and somehow at this hopeless moment he started to revisit his happiest moment, when he together vowed in marriage ceremony with his wife, and he was even afraid that he might never see his love again."

"And His last statement for his true value is his home, his love, his fulfillment of his vow is his true duty. Hero's duty is to pursue love."

In Buddhism, which JJK is heavily influenced by, horses are a pretty big deal. Horses can represent the path to enlightenment, especially since The Buddha's horse is what takes him on this journey away from his wife and children. They separate in the end though, the horse dying of a broken heart.

Remember how Sukuna called Gojo unenlightened? He sort of guided Gojo to enlightenment using Mahoraga, whose Eight-Handed title is a reference to the Eightfold Path to be followed for enlightenment. Buddhist enlightenment is centered around liberation from suffering. (Just check the wiki entry to verify this.) Infinity was the source of Gojo's suffering and Sukuna cut right through it.

Sukuna has been running around with a broken heart for a good chunk of the post-Gojo fight. And if you take that into consideration with this poem and all the other symbolism, he's somehow a Buddha, a Bodhisattva, the dying husband, the widowed wife, and the heartbroken horse all at the same time. Not unlike his wordplay taking on every possible meaning at once.

But my point here is that Sukuna might’ve seen his fight with Gojo as consummation of their marriage. (There's probably a joke in here about the husband reaching climax while leaving his wife unsatisfied.) Remember in the wise words of Itagaki Keisuke, "Fighting and sex are exactly the same!"

In Conclusion?

This is possibly one of the most bizarre and elaborate expressions of love I have lost my mind over. Sukuna gave everything Gojo ever wanted from Jujutsu violently. He did it in such an unpleasant and cruel way that the target of his affection thought there was nothing between them. Sukuna also hid his intent under social norms that no longer exist. Unless Gojo happened to be into ancient literature, there was never a scenario where he would catch onto this. Sukuna's failure is critical on multiple levels.

It’s impressive. It really is. No one knows how Sukuna’s strange little brain works so he’s stuck being loner without anyone that fully understands him. (I’m still thinking about how Uraume didn’t know Sukuna was a twin for over 1,000 years.) He’d have to let people in and tell him outright, but he’s just like Gojo so I guess that’s never happening.

[sunlit-mess]

sane fr

[canon-gabriel-quotes]

Transcript:

I'd like to congratulate you on getting your CPR certification.

Now remember, when you’re going in for compressions, it should sound like somebody is standing behind you with the worlds largest Dorito and cracking it open!

Go in firm and hard and snap as many ribs as you can on the way down, that means you’re doing it right.

You save that life. Good luck.

Or... Or... Or kill them, I don’t fucking care.

Audio source

[freaky-flawless]

When it comes to the whole "object heels" thing, my opinion is basically that sometimes they're clever and cool, and sometimes they're a little too on the nose where they just come across as kinda corny (and downright ugly in some cases)

Overall though, I think the designers at Mattel are over-relying on them right now for Skullector dolls, to the point where they're not really exciting. You can design really cool shoes without defaulting to just slapping an overly complicated shape as a heel and calling it a day. Gen 1, and even Gen 3, have plenty of examples.

[clownsuu]

Small detour of what I usually post, but I absolutely wish (other) clown the best of luck during these confusing and almost hopeless times- nobody knows how to deal with such amount of attention in such short amount of time- a blessing and a curse to behold

[gingermintpepper]

There are many things people expect from one called 'God of Blood'. Always, the first thought is the blood of war, the blood of violence, the blood of the weak shed for the goals of the strong. Ares doesn't think of the blood of battle at all. When he thinks of blood, he envisions the many tied knots of blood bonds and bonds forged in the blood of battle. Blood sons and blood daughters, blood brothers and battle sisters, blood oaths and blood vengeance - he watches over them all and keeps close each one of these bonds.

One cannot begrudge his displeasure then when he realises he cannot tell Leto's offspring apart just by looking at them.

It was easier when it was just Artemis. Dark hair curled about her shoulders, a fierce mien whenever Father summons her to the mountain, a scattering of bones and blood shed whenever she was disturbed; the eldest child of Leto was a wild thing, sharp toothed with sharper claws always at the ready. There's whispers of her being a twin, of her other half being made to crawl on their belly as penance for their sin of god-slaying but Ares pays it little mind. What twins look alike among their number? Even dog litters are born distinct with all their unique markings inlaid in their fur. Artemis' twin too would be much more than their sister's mirror image.

Pouring over his list now, he wishes anything about Phoebus Apollo was that simple.

Mirror image did not begin to describe it. The twins were the same height, the same build, had the same colour and texture hair, ate the same raw food and drank the same amount of nectar. There was no difference in how they dressed, no difference in the company they kept, no variance in the weapons they used. There are some days Ares still cannot believe Phoebus will grow into a man and not some nymph with the way his ears have that slender point. He watches them now, sitting together beneath a shady palm and stringing their bows in an uncanny unison and curses because he still cannot tell them apart. What use is his skill in knowing blood when they both have the same damn blood running through their veins? What bond is there to sense when they are tied so tightly together, Ares can scarcely tell brother from sister?

He sighs. Unadorned and completely alone, the only way to know who is who is to speak to them. He'll have to find more ways to tell them apart from a distance. Surely they cannot stay this similar all the rest of their immortal lives.

[kagoutiss]

oot zelda doodle i liked :’-)))

[braisedhoney]

g… get it, he’s… he’s a phantom drifter… heheh…. Ha…

[bloobydabloob]

When you answered the ask asking about your art style (which is a post I keep looking back on bc what you have to say is very interesting) in one of your screenshots of you talking you mention something about how most if not all of your symbolism is self referent and I was wondering what you meant by that!

Hellloooo. I’m glad you found my ranting interesting. Here is some Dirk art I’m probably never going to finish for your troubles.

What I meant by that when talking about any symbolism in my art is that it doesn’t reference outside sources - e.g. where some art might use something like religious concepts, animals, real life events to represent ideas, I tend to use things more like colors, contrasting objects, composition. That sort of thing. So things that are inherently a part of the work itself rather than connections to the real world. If I ever do use symbolism otherwise, it’s usually comic related even still. Although I have done pieces with religious symbolism before too, haha.

I don’t know how to describe it other than “self referential” because I’m not really sure what else to classify that sort of symbolism as. Just… artistic maybe? Non literal? I couldn’t say. I think it all basically just goes along with the majority of my art nowadays being more figurative than literal. Sorry if this doesn’t explain it very well. It’s also funny to think that anyone is “Looking back” on any of my texts posts though, haha. To me I feel like I am just dumping my words on my poor followers. Surprising. Thank you for reading.

[fullmetal-alchemist-go]

DUDE iroh/zuko and ozai/azula parallels make me fucking SICK

[skitskatdacat63]

Happy One Year Anniversary to Boy King AU!!!! 🎉

Okay wait before I start talking, look at these close ups and the process!! Aren't they so beautiful aaaahhhh

Wow, can you believe it’s really been a whole entire year since my very first post about this AU? Well technically I first started talking about the statuette a day earlier, but the very first sketch was exactly a year ago!! Let us not forget the incredibly prophetic tag on that post: “also in the sense of this au i think the only ship that would work(historically accurate wise) is Vettonso.” Who knew that after that my entire life would devolve into vettonso, this specific period of history, and the lovely combo which is Boy King AU. Also wow this means it’s taken me almost a whole entire year to actually draw a joint portrait of them hahaha. I drew this sketch around the beginning of the AU, but never finished it. It’s fine though because this one is a lot better, and I’m in love with it. Took me a year to draw a couple portrait, and took me almost a whole entire month to finish said piece. 

Okay let me explain this piece, which I am very obsessed with!!! I dragged the process out more than I usually would, but I’m glad, because it was so enjoyable. But also look at that fucking crown, no wonder this took almost a month. Usually I’d write like 50 paragraphs detailing the characterization. HOWEVER! I’ve spent over a month writing little bits of characterization, mostly for fun, but also in preparation for this very post. A lot of the earlier ones, I had this drawing in mind, thinking on how I could expand on the ideas I was drawing. Though there’s definitely some things I could still write about. I’ll probably continue to write more Lore a Days, but yeah, they basically amounted to this drawing where you can actually see the characterization I was talking about displayed. Anyways, here are the explanations of bits in the drawing:

First of all, this is some part of the long process of their wedding. Look at the married couple!! Look at their rings!!!

Okay, but why are there two, almost identical looking pieces?? Because look at their hands!! I talked a lot about how Fernando is the one to give out affection more easily, especially in public, where he knows he can easily fluster Seb. He’s acting all grumpy and out of it, I mean to be fair, it’s probably been such a long ceremony across weeks. But he notices Seb is out of it too, just better at keeping his smile (let’s be honest, even if he’s distracted, he’s super smug.) So Fernando catches him off guard by squeezing his hand. Before that, as you can see, Fernando is just resting his hand on Seb’s outstretched palm, like that one scene from Succession. Very: yes I’m getting married, but I’m not happy about it. The combination of Fernando refusing to even touch him more than lightly beforehand but now going full force, them being in public, and Seb already being distracted catches Seb so off guard he has to try to cover his blush with his fan. He thought Fernando was being super impolite, but now he’s the impolite one!! Getting all blushy and giggly over a simple display of affection, perhaps even ha-

So. Their crowns. Seb’s wearing the crown of Austria, because he is in fact only a king still! Also, because I really wanted to try drawing it after I wimped out of it before in this drawing. Fernando’s a king as well by the point, but the fact he’s wearing only a tiara-like hairpiece is to represent how much of an outsider he still is. At this moment, he’s just Seb’s wi- ,I mean husband, to all these guests. Of course this bitch wears a black veil instead of a white one, to signal that he’s mourning the loss of his autonomy and personhood. Don’t worry too much about his mental state though, considering he’s not depressed enough to be able to resist teasing Seb. 

The fan, oh my god. Back in this era, people would gift/make fans for basically any occasion. To symbolize an event, to celebrate something, to show a story, etc etc. I wish I could have drawn something more narrative, but I think the bull vs. horse is good enough. Also you can see those same symbols on the pendants they’re wearing!! I’m so happy when I can fit irl, modern stuff like that into these drawings, it feels so clever!!

It’s so funny, I wrote a lore a day from a prompt about what they’d be like when doing a joint portrait, while I was already almost through painting a dual portrait of my own! So I got to explain some stuff like their clothing colors and poses before I even posted this. I feel very coy about that still honestly. 

Hmmm what else? It feels so weird to not expand on the characterization, considering I already did it for myself weeks in advance. I can’t imagine what it’s like opening this read more, and seeing more than 10 in-text citations. Happy reading!!!

 Happy anniversary to  this wonderful, crazy AU that makes me download 500pg German papers about 18th century etiquette. I drew a couple pieces of fanart before this AU, but I definitely think it jumpstarted my insanity about drawing/making AUs, and literally is what made me insane about Vettonso in the first place. Remember, if I hadn’t learned about Joseph I/Charles VI, most of my blog probably wouldn’t exist in it's current form. Thank you if you’ve stuck around since the beginning, or if you’re even just learning about it now!! It’s so incredibly niche but I’ve had so much fun researching and building this world and these characterizations, and I hope you’ve enjoyed what I’ve made in the process. I hope I can draw/write many more things in the future. I think next, I’m gonna maybe open up requests. I’d like to try to either write ficlets or draw chibi comics about specific Lore a Day posts on request. I think that’d be a lot of fun, but also will probably kill me. We’ll see!! Anyways. PPlease enjoy this absolute labor of love, which is a result of a year’s worth of work.

[arom-antix]

Stars, I have seen them fall

Huge credit to @my-private-tsukuyomi and their Stardust AU for the inspiration for this! Open for better resolution