#i watched an interview that was filmed like a year before he died and he looked absolutely decrepit like he looked and sounded like

[karinyosa]

they should've had gore vidal on more game shows when they had the chance. put that man on family feud.

[socialkid]

Imagine…

You’re a well known actress, and your name is pretty big. Like Zendaya big. And your fiancé Katsuki Bakugou is your pro hero boyfriend. Perfect couple right? No literally you are. He goes with you to all your interviews, tapes all of your auditions, and manages to get on your set AT LEAST one time.

Well recently you got casted in a show about an zombie outbreak. You play a main yet supporting character named Halle, a 19 year old girl who is apparently the only survivor left of her family.

Lucky for you the producer highly respects your boyfriend, and he’s allowed to watch you on set whenever. He sits in a chair the directors provide for him every time you film.

He usually supports you and he’ll peak at you from his phone a couple times, but it’s nothing he’s never not seen before.

Now when Bakugou’s passing by his staff’s cubicles and work area in his angency, and he keeps hearing them discuss about ‘Dead of Night’ (your new show) he’s genuinely intrigued.

Apparently the show’s gon viral. And everyone is talking about it. “Yeah, you haven’t seen it yet? I swear you live under a rock.” pro hero Charge Bolt told him. I mean technically he has watched it, he watched you film it! But now that he realizes, he can’t even spell out the plot.

So one day when Bakugou finds the time, he plops down on your sofa and clicks on your series.

Safe to say he might be intrigued…

Now when he watches he’s locked in. Snacks and all, and if he blinks he’s rewinding. It’s all he watches, he’s so interested in the show and can be considered a piece of the show’s fandom.

Now when you’re filming the show, Katsuki shows up a whole lot less. When the directors yell cut and your eyes pan to his empty chair. Katsuki gives you every excuse under the sun as to why he didn’t show up a certain day. You figured maybe he just got bored watching you film and didn’t know how to tell you, so you shrugged it off. You had no clue he was heavily avoiding spoilers. You didn’t even know he watched your show.

So a couple years pass and your show gets renewed for it’s third season. Unfortunately this season, Halle meets her fate. You recorded your last scene for the show, episode 10. Not a dry eye from the media.

The day your character’s death airs is a tragic day for your fans. Especially Bakugou. Mid way through the show as he slurps his spicy ramen his jaw is floored when your character passes. Noodles immediately discarded back into the cup.

So when you get back home and your boyfriend is quietly laying down on the sofa, watching a corny kids cartoon, you’re lost. “Hey Kats.” You say hanging your coat on the rack as you entered. He only replied with a mumble, something along the lines of “hey how was filmineejdirk”. The room was dim, the shades were drawn, and your boyfriend showed no signs of getting up. Was he depressed or something?

You quietly sat down next to him, glancing at the colorful show in front of him. “Katssss…what’s wrong?” You finally asked. No response. Then he slowly shifted upwards, now sitting up to face you. “Halle died.” He responded. He actually looked fustrated.

You were actually shook, you weren’t even aware that your boyfriend was one of the shows viewers. It sort of made up for him not being at your interviews and filming days.

“I’m sorry baby, but I mean I’m still here.” You said, now opening your arms out to embrace him. He took the opportunity, and pulled you into his arms, leaning back onto the sofa once again.

“I know,” he muttered into your neck, tickling your skin, “Yer not Halle though.”

[rottin6]

hi layla my love my light. could you perhaps spare some jegulus cam sex thoughts? i fear i may waste away without them <3

i could yap about this forever, lane im kissing u for asking

it’s essentially an entire universe that spans out across different characters and ideas. the constant variable in each universe is that james is always the director. he’s always behind the camera, capturing sex for the art, whether it’s regulus (his favourite star) or some other actors. he lives in la and he spends his time writing scripts, editing the films, going over certain scenes etc.

in one scenario, there’s a time in maybe a completely different city where you’ve got lily learning how to give a blowjob purely because of james’ videos with regulus:

the first thing lily’s learnt is that the pornhub interface is surprisingly easy to navigate. she scrolls down the page, more inclined to watch the shitty iphone made videos because they look less fake. there’s one video of a couple, a man’s face behind the camera while a young and pretty boy sucks his cock deep, taking it in all the way. lily watches, studies, the way his lips part open and his tongue licks all the way up to the tip, mouth sinking down right after. she keeps herself cocooned in her blanket, chin in her palm as she traces over her own lips with her fingers. the same couple have another video with a ‘deepthroat’ tag, and lily swiftly realises that this is the superior method. and that above all, she wants to be the best so at some point, two fingers are hitting the back of her throat and she’s trying to keep them down. she gags a couple of times, both digits slick with saliva. she tries to match her pace with the boy in the video, holding on until she’s hit with the sudden realisation that barty’s much, much bigger than her two fingers.

(snippet from a bartylily drabble i have yet to upload)

it's the extent to which james loves making these films and videos, he gets off on the pure idea of them. his camera alone is enough to get him hard until he meets regulus, this star who is a star before even being shown to the world. james is enamoured and he builds most of his success with regulus (prior to this, he tried things with a bunch of different actors, but nothing stood out). he goes on to creating an empire of sorts, climbing this ladder but director james wants more and more

but i feel that the jegulus cam sex universe has so much potential to become more than just. sex, if that makes sense

there’s a really shitty 1976 film called snuff and it led to loads of people thinking the pornographic murder in the film was actually real and happened. i want this for james. i want james to crave the money and power and status so bad that’s he’s willing to go to any lengths. he desires to have a name for himself in this industry and rosekiller have the ability to do that for him. they’re his best stars (yes, reg is his favourite but favourite ≠ best) and they make him a shit load of money. they’re on board with anything that james tells them to do and james takes their ideas with a grin on his face and the camera ready

one of the writers of snuff (shackleton) was interviewed and said: “if the murder is real, i’d be a fool to admit it. if it isn't real, i’d be a fool to admit it.” — this whole ambiguity reeks of director james and rosekiller. he has barty and evan make a shitty snuff film, one of them supposedly dies, it’s horrifically gory and perverted but it gives james the name he wanted

he’s so LA fame hungry, he wants the people in twenty years time to be asking stuff like “what ever happened to that actor evan what’s-his-name?” and that’s exactly what happens

james’ entire production company is cut after a series of investigations but he’s not bothered, evan and barty put his name on the map and he’s got loads of money to leave him comfortable until he dies. he packs his bags and takes his favourite star, regulus, to marbella and they live in a house by the beach where they “occasionally” still make shitty cam sex videos but it’s totally anonymous now

i'm not sure yet if i want this to be a full fic or just upload little things here and there on tumblr...

[simp-ly-writes]

Just a Small Crush

Ask: is there anyway that I can get a Vox x Reader oneshot (from hazbin hotel ofc) where the reader Alastors sister but has a crush on Vox and secretly still hangs out with him and also gives him information of what’s going on at the hotel.

Pairing: Vox x Alastor Sister!Reader

Warnings: light teasing and brief mentions of death.

A/N: I LOVE THIS IDEA TYSM FOR THE ASK ANON!!!!!!

Masterlist | Taglist | un-edited.

Hazbin Hotel Masterlist

↳ You were Alastor's sister, having died a few years after he did you had come to terms with the changing of technology better than he did. Adapting to smart devices and social platforms with relative ease thanks to the help from a certain bright-eyed princess

↳ From this adaptability of yours you soon became the hotels advertisement manager, creating digital ads, short video skits with the guests and posting how-to-make drink recipes with Husk at the bar.

↳ Alastor smiled at this, seeing you so lively and back to your charismatic self that he thought to be forgotten after your sudden death at a young-age. Nevertheless he never became blinded by this happiness of his- often found glaring at the electronic device super-glued to your hands or the keyboard stuck to your fingers. But he would only make side snarky reminders about the time you came from and how you should still uphold your mannerisms

↳ Flashing a quick, bright smile towards your brother you skipped away, phone in hands as you brainstormed a new caption for the radio segment you just filmed together. Your heart races when the video goes green and hundreds of likes come flooding in alongside various comments of varying enthusiasm towards the content

↳ Shutting your phone off, you head to your room for a break, settling in your bed you flick on the newest episode of Late Nights with Vox. Having worked late last night on the editing of your new television advertisement- you had missed the live airing of the show

↳ "Welcome back everyone" Vox leans his head towards the camera hands behind his back as the camera pans backwards and exposes the wooden desk that he is stationed against. You watch as he leans back against the desk, watching as his suit distorts to capture his form as you rapidly scroll through Velvettes Hell-Page, looking for any other pictures of his new suit. "Tonight we some of only hells finest joining us for exclusive interviews alongside the first viewing of our latest Vox-Tech inventions you are sure to love!" A few cheers can be heard just as you clap your hands, immersed in the show and its presenter

↳ Swiping onto your personal account, you flick Velvette over a quick text- sending your praises for Vox's new suit just as you laugh in tune to the TV's cackles in response to Valentino crashing the set and announcing a new production as the show cuts to commercials. A ping of your notifications has you stopping your conversation with Velvette and transitioning over to other Vee as your hands being to sweat.

↳ Vox has texts you, "Hey!- a certain bird tells me you are enjoying the show?" You roll your eyes into a wide smile, he has been picking up on your expressions with all the recent time you had been spending together after-hours from both your jobs.

You: "You do well every night, I don't think you need me to add to your ego..."

Vox: "but you do. "

You: "?"

Vox: "Who else can say that they are friends the radio demons sister?"

You: "you out of all people better not be going around saying that! I do quite like you- wouldn't want my brother to spoil that by spilling your guts out on to the street if we found out."

Vox: "my lips are sealed then."

↳ A few moments pass before Vox texts again, "doing anything tonight?" your face goes red as your eyes flicker over the space, ensuring that you are in fact alone before you respond. "Nope, got all my work done, would you want to come around?"

↳ Your heart races, watching as the message bubbles bounce as you lay there in wait. But just before you can check the message, Vox has travelled through the electrical wires of the buildings sign and is sitting on your windowsill, taping on the glass for you to let him in

↳ A small scream escapes you, falling off your bed as you race over to usher him in. "So..." Vox starts to say, looking around your room before his eyes fall on to you, a smile expanding across his screen as he leans towards you, matching your height as you take a step back, looking for the remote to pause the television show in the background.

↳ "Watching me again?- why need the recording? I can always remake the scenes here for you, give you a synopsis if you will?" He asks, looking at his gloves before casting you a wink. He stands up straight, walking over to your desk before twirling around in your office chair as you sit on the edge of your bed, observing his actions

↳ "I like your suit." You blurt out, eyes going wide as hands cover your mouth in shock that you just admitted that to his face and not Velvette. Vox throws a hand to his knee, repiedidly slapping it with his laughs before he turns to face you once more. He stands, capturing your chin with his hand- ushering your eyes to meet his own. "No need to get embarrassed now, Velvette did a good deal of work on it- whats not to be admired?"

↳ Now scoffing and turning your head away with his ego flaring up once again. He drops his hand from your face as you let out a breath and listen up to what he has to say next, "Anything new to report on here?" You shake your head, unlocking your phone to show him the recent cocktail you and Husk invented, "Thats about it other than Charlie getting that meeting with Adam I told you about last week..." you trail off, breath hitching as you see footsteps from underneath the door

↳ You reach upwards, smacking a head over Vox's mouth. Failing to see as his screen flickers blue for a split second at the sudden touch. You sigh out in relief as the footsteps carry down the hall after a moment, dropping your hand and turning back to watch as Vox raises an eyebrow, "If you want me to shut up, just tell me or else I will think you just don't like me anymore" He states with a teasing smile, enjoying the way your face fires up as you flip him the finger

↳ Taglist: @jtcat305 @amarokofficial

[jgroffdaily]

A new interview with Jonathan at the BBC:

How did the role come about?

Oh my god! I got a very exciting text message from Russell T Davies, and I'm a huge fan of his work, especially It’s A Sin - I still haven't recovered from it! So I was very excited to hear from him. He just wrote to me and told me that there was this role that was available on the show and asked me to play it.

Can you describe your character Rogue?

Rogue is an alien bounty hunter and a man of mystery. When we meet Rogue, and he first meets the Doctor, we're in a Regency Era. Rogue is not necessarily who he appears to be when you meet him.

Have you always known of Doctor Who or been a fan of it? Or was this your first experience with the show?

I had known of Doctor Who and how much of a big deal it was in the UK, but I had never seen an episode of it. But Russell sent me about five episodes of Doctor Who from throughout the years, including the first episode that ever aired in black and white. So, I had a very quick crash course before I started.

What was the most challenging or unexpected thing about playing Rogue and stepping into the Whoniverse?

I would say the biggest challenge would be trying to understand and fit into the tone of the show - when you're coming in as a guest star, jumping into a world, and Doctor Who is such a specific thing! In the episodes that Russell showed me, and in the experience of playing a role in it, Doctor Who has such a fascinating tone. It's big, and it's larger than life, but it's also quite real and even though it's fantasy, there is depth to the storytelling and to the relationships. I'd say the biggest challenge was coming in and trying to digest the tone as fast as possible, and to really articulate the character in the proper way in the world of the show.

What was it like acting alongside Ncuti and Millie?

Ncuti and Millie were both so warm and welcoming! Big smiles and full of laughs and embraces, they could not have been more warm. As an outsider, coming into the Whoniverse for the first time, they were the greatest hosts! They took such good care of me and everybody, truly everybody on the set, the crew, everyone!

I spent most of my time with Ncuti and I am obsessed with him. I think he is such a star. He's so unpredictable and thrilling to act with because you never see the same thing twice. He's so spontaneous, and yet so deeply connected to what he's doing. He really cares. He's really in it fully, and he's got this force and positivity that is completely unique to him. It's just phenomenal. I just adore him. I think he is one of the most exciting actors working today.

Did you have any unique experiences or memories from filming?

Well, one happened off set, it actually happened to be when Beyoncé was on her Renaissance Tour. I looked up her tour dates because I'm an obsessive Beyoncé fan. And I found that she was playing Cardiff. I asked that I was off by 4pm so I could make it to the stadium. And I brought Ncuti with me. So we got to see the Renaissance Tour together and it was so much fun. Amazing.

If you could travel anywhere in time and space, where would yon

This is less of a fantasy one. But my grandfather died on my 10th birthday. March 26, 1995. And I was really into I Love Lucy at the time. And one of my gifts for my birthday was this VHS with an episode of I Love Lucy. I went into the living room and I watched my VHS instead of hanging out with my family in the kitchen where my grandfather was. So if I had to go back in time, I would go back in time and I would hang out with him so I could ask him questions before he died.

[jbaileyfansite]

Interview with The Hollywood Reporter (2024)

Talking about his role in Showtime’s Fellow Travelers, Jonathan Bailey can’t help but be earnest. It’s a trait he calls out about himself but is learning to embrace, as he notes the importance of the series for LGBTQ+ viewers around the world, and within his own life, where it’s helped him chart a path forward and earned him his first Emmy nomination. 

“I’m so grateful that it’s for something that I can talk passionately about endlessly, and it feels really important,” Bailey says of the supporting actor nomination.

In the limited series, Bailey plays Tim Laughlin, an idealistic congressional staffer who falls in love with Hawkins Fuller, a career-first State Department official played by Matt Bomer. Their relationship begins during the Lavender Scare of the 1950s, when homosexuals were banned from holding positions in the federal government, and evolves across several decades, as the pair contend with the Vietnam War, the AIDS crisis and societal pressure. 

Bailey spoke with THR about the significance of the show, created by Ron Nyswaner and based on Thomas Mallon’s novel, and balancing the shooting schedule with Bridgerton and Wicked, as well as his upcoming role in Jurassic World 4. 

What made you say yes to this role?

I heard that Ron was going to be investigating and exploring 40 years of queer life and experience. But at that time, it looked like I might not be available. I pursued it. And after doing something like Bridgerton, it felt important to me to find something rich and complex. There’s nothing more of a gift than to be able to educate yourself, and also in the investigation and in the performance of it, to live a really dangerous life, but within safety, and, ultimately, write this love letter to those that came before us. I was enchanted by the idea, and there was no part of me that didn’t think it was the punkest thing to do. 

What impact do you hope this series can have? 

By stepping back 50 years or 70 years, you can highlight exactly what’s going on in our societies today. There’s rhetoric we hear now in politics that echoes Senator McCarthy’s speech that’s featured early on in the series. I’ve been in Thailand working recently, and there are so many people across the world now on these streaming platforms that get to watch it, and there are so many people who are living under a similar sort of regime to the Lavender Scare and the oppression of McCarthyism, and so much more extreme than that. I think the impact we wanted was for people to be celebrated, educated, and also for all the people who have lost their lives fighting, and spent their lives having to fight, to pay homage to them. I know this sounds incredibly earnest and sincere.

That’s not a bad thing.

No, it’s not. And that’s one thing that I’ve learned from Tim, because I can see how it’s changed the course in my life, put into focus levels of importance about how you communicate your own identity, and understanding that all of us inherit such a deal of shame, which comes from powerful figures using fear and an aggressive sort of alienation to control people. I’ve had more messages about this than anything I’ve ever done, and more people stopping me and wanting to talk about their own lives, whether they lost their fathers, their uncles, or they were children of someone who died in the ’80s. But then also now I get to live my life.

The thing that makes me really smile is that last Pride month, I was filming Wicked, and when I’m working, I’m incredibly disciplined and don’t really go out. But for Pride, me, Andrew Scott and Jessica Gunning all ended up on a night out together. We snaked through SoHo and had a really good bop that night. And it’s just so funny to see all of us now nominated for Emmys. It’s kind of extraordinary. And you think about that, about how now that’s being celebrated, which is amazing. But I look up and think, “Where are the 50-year-old and 60-year-old gay actors?” There’s a whole generation that’s been lost. That’s why the earnestness is afforded, for sure, and I feel very proud.

The Fellow Travelers scene, where Matt Bomer’s character seductively tells yours to “shut up and drink your milk,” has really taken off, especially after you turned it into a T-shirt collection with Loewe to raise money for your LGBTQ+ foundation, The Shameless Fund. What prompted that? 

I went to present an award for Matt at the [Human Rights Campaign] in Washington, and being in the room with people who were just so galvanized — it was my first American gala, and I was infected by the energy. I had this idea of a T-shirt, and it occurred to me that it should be about the spilling of the milk.

I think we had four scripts before we started, and there was one version of a sex scene, which I’ll leave to Ron Nyswaner to reveal at some point in the future, which was wild, and then when I saw that it moved to the milk. I just thought, this is such an incredible moment of the exploration of power within sex and intimacy. “Shut up and drink your milk.” It feels to me like an incredibly political line, somehow. 

Has playing Tim informed what roles you want to take on next?

Yes, a hundred  percent. Since then, I’ve magically been able to find parts that have similar character arcs, that have something massive to question and to overcome. But right now, I would say that I’d probably be looking for something as far away from Tim as possible, and I’m going back onstage anyway. I started in theater, and I wouldn’t have been able to give the performance in Fellow Travelers had I not done 12 weeks onstage just before it, because it’s so academic and it’s so in the body. You sort of have an exorcism, and you end up being a husk with no conversational skills or anything. But what you do have is stripped-back, pure instinct, which is so great to feel. I’m looking forward to going back onstage next year. But I’ll be excited to see what parts are lurking around the corner after that. 

You’re doing Richard II in the West End, another intense role.

Yes, and equally as sort of questioning and as poetic, I think, as Tim. In between running away from dinosaurs — I just spent a whole day doing stunts [for Jurassic World 4] — I just walked around Valletta with my AirPods on listening, trying to learn a soliloquy, and I’ve managed to get one soliloquy down, so I’m thrilled.

You were also shooting Fellow Travelers, while also shooting Bridgerton and Wicked, right? 

That’s right. The whole experience has just shown me how amazing producers can be. I think it was 32 days in a row where I didn’t have one day off. And I flew back and forth four times. I’d go from Hawk’s house in the ‘60s at the cabin, go straight to the airport, sleep on the plane, go straight to a regency ball, sleep there, then go straight to Wicked to be learning choreography. And at that point, I was so late in joining the Wicked lot, because they’d already started filming, and that also was incredible for Marc Platt to make that work. There’s nothing quite like the feeling of trying to work out the priorities of whether you have to learn the choreography today, or work on your American accent, or pelt your hair ready for another Bridgerton snog.

How did you keep track of all those different roles in your mind? 

I probably wouldn’t rush into doing that again. Music for me, is absolutely key, but it always sort of has been. It was an absolute freefall and luckily, I’ve got patient friends and family, and you just have to sort of sign off for a bit. I found playing Tim an incredibly happy place to be, which is also a testament to his spirit, I think, because obviously it was some really brutal stuff and the yearning and the constant battle that’s going on in his head of questioning what’s right and what’s wrong. But I would say that I was quite good at rolling all the way through and then at the end, I had a five-day holiday, and my hair had died from all the the perming and straightening, because I had to perm my hair for Bridgerton and straighten my hair for [Fellow Travelers]. I was like a teenage beauty advert, doing everything to my hair. I remember going on this holiday and I got to the beach, I sat down in the sun, and my hair was just like floating, whisping off, like breaking away. And I looked completely and felt completely insane.

Why did you want to do the new Jurassic World movie?

The original film Jurassic Park was just a completely life-changing moment because I went with my full family, and it was quite a rarity to all go, because I’ve got three older sisters. Every frame of that film is imprinted in my mind, and the Frank Marshall-Spielberg duo of the films in the ‘80s and ‘90s are just what totally encapsulated, enchanted and inspired so much in me. I couldn’t quite believe I was stepping into something that I so adore, and the script is brilliant. And it’s David Koepp again, who wrote the original, and it just asks some really brilliant fundamental questions that the original film did as well.

Source

[jadevine]

Deadpool and Wolverine musings, Part 1 - On Deadpool knowing he’s Deadpool, the Worst Wolverine, and a Hero That Never Was: How the theme of failure in "Deadpool And Wolverine" hits too close to home for another would-be actor.

--- So now that I've processed Deadpool and Wolverine, it really hurts to see the theme of failure and being “the one who’s WATCHING people be awesome” woven through the story. You probably know someone like me, dear readers. I have big dreams, but no big friends or big bank account to pull them off.

The Deadpool franchise’s nature as a self-aware side of the Marvel Universe folds painfully into my own experiences as an artist.

As usual for Deadpool, the start of the movie is a wild ride: We open on him desperately digging up Wolverine’s grave from the end of “Logan,” because Deadpool needs Wolverine’s help--and he’s in serious denial that Wolverine died. Turns out that yes, he did. And Deadpool ends up fighting some furious Time Variance Authority soldiers… with Logan’s decaying skeleton. To the hilariously unfitting song of “Bye Bye Bye” by NSYNC.

Millennials, we can feel old now. I remember when NSYNC was rolling out their CDs in the early 2000s, and when I decided I was too cool for NSYNC anymore, I threw that shit away. Apple is now laughing at me for buying this one song again, twenty years later.

We then get plunged into an explanation of why Deadpool is desperate for Logan’s help, and boy howdy, does he need HELP.

--

Wade and Vanessa started having relationship issues between Deadpool 2 and this movie, so he tried to sign up for the Avengers to give his life purpose. In his interview with Happy Hogan (HELLO, SIR, IT’S GREAT TO SEE YOU AGAIN!!! WADE, SHUT UP ABOUT HAPPY BEING A CHAUFFEUR!!!), Wade says he wants to be an Avenger because “he needs it.” Why? Deadpool sure loves the battles that the Avengers are known for, but I don’t think he wants to be an Avenger JUST for violence or glory. There’s one MORE thing that the Avengers are known for: Being friends. And with it, being LOVED.

The running theme in Deadpool’s movies is his nagging insecurity and loneliness. In the comics and movies alike, he is constantly trying to join the X-Men or the Avengers, but his main problem is… Deadpool himself! You are your own worst enemy, as the saying goes.

He’s ruthlessly good at killing, loves his gallows humor, and he’s reckless as hell. The usual expression that someone’s weird/crazy is “having a wire (or a few wires) loose,” but Deadpool’s like an electric rat-king of jumbled wires. (A cash register at my work has one of those bad boys. I am constantly worried if it’s okay.) Later in the movie, Wolverine thinks Deadpool has ADHD because of how insufferably chatty he is, and while Deadpool’s constantly called “crazy” because other characters just don’t like him, fan speculations and writer depictions abound on what KIND of mental disorder he might have.

As TV Tropes would put it, Deadpool is “The Friend Nobody Likes.” Other heroes tolerate him because he’s skilled, but not many LIKE HIM. And he is all too aware of it, especially in the films, so by the time of Deadpool and Wolverine, he WANTS to be a hero.

As I mentioned before, he says to Happy that he NEEDS to be an Avenger.

But Happy tells him, “The Avengers don’t do the job because they need it, they do the job because people need THEM. Understand the difference?”

Many Avengers fans understand the core of the Avengers, and of the superhero genre as a whole.

I did not miss the shots in Happy’s office of notable objects in the main Marvel Cinematic Universe--and maybe Wade was looking at them, too. We call those “Easter eggs” because people will scour the film for them.

-Tony’s very first heart reactor, with the engraving of “Proof that Tony Stark has a heart.”

-One of Captain America’s old shields.

-Old pieces of Iron Man’s armor.

-A photo of Tony himself and Peter Parker.

Then comes the hurt-y part: “Please, Mr. Hogan, I don’t want to spend the rest of my life like an annoying one-trick pony.” Ouch, Wade. I am all too familiar with the sense of failure, and feeling like I annoy everyone by existing.

So Happy says to Wade, “The problem might be that you’re reaching a little too high. Aim for the middle and you’ll never miss. I think you got a good heart, I believe what you’re saying, but not everyone’s the world-saving type. Shoot for the middle and you’ll never miss.”

And after he’s rejected, Wade officially breaks up with Vanessa. WHY, motherfuckers?! THEY ARE MY POWER COUPLE!

So with no Vanessa and no Avengers, Wade becomes increasingly insecure/depressed, and he leaves the Deadpool work behind and takes a car-sales job with his former X-Force teammate Peter to pay the bills. If that is not an allegory for the constant misery of being an artist who doesn’t know anyone important, and doesn’t have the money to make knowing important people EASIER, I don’t know what is.

I spent years trying to get people to read my novel drafts on Wattpad so I can get them cleaned up and published for real, and then I could be a REAL FUCKING WRITER. And that wore me out, because I’m not a marketer and I’m already introverted. I spent years not being able to afford updated headshots to audition for shows, so I could finally be a REAL FUCKING ACTOR and do something that wasn’t a college production… but after I finally got new headshots, guess what happened? I’M STUCK AT MY DAY-JOB TO GET MONEY.

While I’m trying to be a real fucking actor and a real fucking novel writer, I’ve combined them into an unholy sandwich, by writing a superhero story that deconstructs the idea of “who gets to be called a hero, and who’s just a gangster/vigilante?” It involves the Tagalog deities being stuck in California as undocumented immigrants.

I feel like I asked every Filipino theater I know of about workshopping this script or giving it a reading or two when the draft is done. Like, I’m Filipino-American and I’m writing about Filipino mythology and Asian-American superheroes--I don’t expect people to spring a whole production onto the stage when I say go, but surely people would want to check my script out or keep tabs on me? Something to get the ball rolling?

But that involves having GOOD luck, and I don’t seem to have any. The theaters who bothered to answer me say it sounds cool, but they don’t have the resources, or how this script is expensive to pull off, so I’ll need to find someone willing to take a risk and fund my production.

I wanted to fucking laugh at those folks, because that means THEY’RE not willing to risk things for me. I want to laugh because if I don’t, I’m gonna murder something.

As Deadpool said in his very first movie: "Fake laugh, hiding real pain."

PEOPLE SAY THEY CAN’T AFFORD ME? WHEN I SPENT YEARS HUMILIATING MYSELF, ASKING IF SELFIES WERE OKAY TO USE FOR AUDITIONS, BECAUSE I COULDN’T AFFORD TO UPDATE MY THEATER HEADSHOTS?

This one time, I could have gone to Canada for a writing conference. It was about how Filipinos and the Filipino diaspora use their culture and spirituality as inspiration for their work. I sent them an email about my poetry and writing, and I didn’t really think they’d answer me, so I was pleasantly surprised when someone DID answer, and they thought my work sounded beautiful!

But then they said I’d have to get to Canada, pay the attendance fee, find a hotel and get from a city (either Toronto or Ottawa) to the buttfuck wilderness of a regional park, where the conference was actually being HELD.

So I said (politely), “Oh, I didn’t realize you wanted to hold a conference in Canada, but had no way to… GET NON-LOCAL SPEAKERS TO THE CONFERENCE. I figured you’d be handling at least some of the costs. I won’t be able to go, then.”

One of my friends, bless her heart, started a GoFundMe on my behalf. It went nowhere, so neither did I, but she tried. Another of my friends said it felt really messed up that they wanted me to pay the attendance fee AS A SPEAKER.

In my only bout of less-bad luck, I submitted some angry decolonizing poetry about the Tagalog gods to a show halfway across the state, and the team absolutely loved it… but that was before I had updated headshots. When the recent Facebook memories with a photo of the brochure showed up, I got to see my fucking Facebook selfie smack in the middle of everyone else’s nice, professional headshots, and that really stings.

I wish I was like Deadpool, and I had some time-traveling friends to go back and replace it with one of my REAL headshots. But I can’t spend all my time cringing, so I’m not only writing my stories, but saving up to pay 50-100 actors for a table reading.

I GET ONE SHOT AT GETTING MY SCRIPT OFF MY LAPTOP AND INTO THE WORLD. ONE SHOT THAT’S GONNA HURT MY BANK ACCOUNT. MAXIMUM EFFORT IS MY STATE’S MINIMUM HOURLY WAGE, MOTHERFUCKERS.

And that’s probably going to be my only shot. I don’t know anyone in theater professionally, because I never got a chance to WORK WITH anyone professionally.

For my script, I have three or five Filipino actor ���friends” (more like acquaintances) whose shows I’ve watched a few times, so I told them how I have a superhero script that I’d love to get a reading for when the first draft’s finished, and I will pay everyone for a table reading in a couple months. And if they have ten or fifteen more friends of varying ethnicities, please ask them if they think my script sounds cool as well.

I hope I didn’t sound too desperate.

I try not to outwardly beg, but I don’t have a good gauge on that. I was the only Filipino in my theater class for years, so I never knew how to TALK about my extremely Filipino-oriented urban-fantasy, or if my stuff was ACTUALLY good or just weird. I went to open mics for a short but lovely few months, before I had to stop.

I couldn’t even afford MONTHLY TRIPS to read my work. Not only for no pay, but I had to pay AN ENTRY FEE and deal with the parking in this driving hellhole of a state. And then being a BROKE Filipino who still lives with my mom and works in food service? I always feel like I’m begging for scraps of attention.

I love art.

I love making art.

But with so many things depending on who you know--whether you can afford to go to shows, or go to school, or go to parties so you can FIND people to know--art really makes you feel shitty and poor sometimes.

My friends and about twenty or so Wattpad reviewers like my work, and they say I’m a great writer. It always makes me feel nice.

But when I try to get someone IN POWER, someone with MONEY, to check out my work and say the same things, that’s where I start feeling like Wade in the Avengers Tower--so close to the heroes I’ve heard about my whole life, seeing the things they use, the photos of people they love--and begging the doorman to let me be a hero, too.

[maretinelli]

MASTERLIST maretinelli

All stories made by me.

Ben Barnes

DÓNDE ESTÁ EL AMOR?: In which Y/n and Ben are separated, but their characters in the series are not. As a result, there was a scene in which the two characters needed to reconcile, however, Y/n and Ben weren't acting at that time.

TELL ME THE OPTION: Y/n and Ben do a silly interview, in which they have to choose between two options. (Actress! reader)

OUR STORY OF CHANCE: Y/n and Ben meet at a bar in New York.

OUR STORY OF CHANCE²: Years have passed since they met in a New York bar by a mutual friend. And now, after 9 years, Ben is sure he must ask that question.

EVERYTHING IS FINE: Where Y/n is an obstetric doctor and comes home in a bad way because one of her pregnant patients died during a procedure. (Doctor!reader)

ALL FOR Y/N'S BROTHER: Where Y/n and Ben do an interview to promote a new film they debuted together, and some fans ask questions about their professional and personal careers . (Actress!reader)

Andrew Garfield

GREECE: Where Y/n and Andrew spend their vacation in Greece hidden from the paparazzi since they are in a private relationship.

A GREAT PROPOSAL: Y/n, half asleep, asks her boyfriend if he would be part of the film she has in mind.

Sírius Black

THE GENERAL: In which Sirius arrives at the Potter's house injured after the fight with his mother and Y/n wants to take revenge. But can his girlfriend really beat Walburga? (Potter!Reader)

THE GENERAL²: Where Y/n wants revenge for Sirius, but can she really beat Walburga?! (Potter!Reader)

COME FIND YOUR HALF SOON: Y/n and Sirius had broken up. The boy with dark hair was going through difficult days with his family and this was the only way to protect his girlfriend. However, on a rainy holiday day In the summer he appears at the girl's cousin's house, just on the day she was there. What happens when his ex sees him all bruised and burned?

I CAME TO APOLOGIZE: Y/n and Sirius have been having an affair since Hogwarts, but this shouldn't continue anymore, as he is married.

I CAME TO APOLOGIZE²: After years without him and all the problems, someone knocks on Y/n's door, making her surprised. And after a lot of talking, she needs to introduce someone to him.

OUT OF EVERYTHING: Y/n has a busy week due to her work as head girl and her boyfriend gives her a little surprise to make her relax.

MEMORIES MAKE ME CRY: When Y/n's father gives her a box from her childhood, memories come rushing over her feelings.

YOU'RE THE ONE THAT I WANT: Lily and James get married. And in the middle of their waltz, Y/n has a great choreography idea for when she gets married. And of course Sirius wouldn't fail to make a wish later.

IT'S YOUR WOMAN: When Y/n gets a trail bike from her father and her boyfriend had no idea she rode it. (Potter!Reader)

77' PARTY: To which, Sirius and Y/n's personalities are the same and they love going out in matching couples' outfits.

SUNFLOWERS TO MY LOVE: Where Sirius spends the Christmas holiday at the Potter's house and brings a little gift to his girlfriend. (Potter!fem!Reader)

GERONIMO'S CADILLAC: By day, they're just members of the marauders and great old friends, but by night, she's the woman of his dreams.

I WANT ONE: Y/n and Sirius spend time playing with Harry, making them want a baby too.

BABY HARRY IS COMING: Sirius and Y/n are Harry's godparents, and he is coming into the world bringing joy.

Joseph Quinn

YOU ARE TALKING TOO MUCH: Where Joe gives spoilers for the film he filmed with his girlfriend.

OUR BABY'S BALLET: Y/n and Joseph watch their daughter's first ballet performance.

Edmund Pevensie

WE HAVE TO CHANGE BAKERS: In which Y/n prepares a picnic for her boyfriend and bakes a cake. But let's just say she's not good in the kitchen.

YOU CALLED ME LOVE: Where Y/n calls him by that nickname.

LIKE YOU'VE DONE BEFORE: In which Edmund becomes jealous of the friendship that Y/n has with Caspian and ends up saying nasty things. Which results in a much bigger problem.

WILL YOU MARRY ME?? AGAIN...: Even after spending years dating and getting married in Narnia in the golden age, Edmund makes an important request to Y/n, However, now here in your world.

ADULT MATTER: In which in a meeting with the Pevensie brothers, Y/n and Ed talk about a situation they went through together.

WE WERE THREE: When the Pevensie brothers and Y/n return to the teacher's house, Ed and Y/n despair when they see that they left someone behind.

WE WERE THREE²: Y/n and the Pevensies return to Narnia, still missing their son, but something they find ends up bringing comfort to their lives. At least a little.

BACK TO ME: Y/n was in the prophecy too. She ruled Narnia together with the Pevensies, but Peter made her marry the prince of another country due to agreements. But what happens when she is in love with Edmund and he is in love with her?

Prince Caspian

I WILL STAY WITH YOU: To which Y/n decides to stay in Narnia the second time and ends up meeting up with her brothers in the Dawn Treader. (Pevensie!Reader).

I WILL STAIN WITH YOU²: The Pilgrim's adventure ends, and everyone has to say goodbye to Ed and Lucy, as they have to return to their real world. But what about Y/n's heart, knowing that he will never see his brothers again?? (Pevensie!Reader)

Jake Peralta

IT'S NOT OK, BUT I'M HERE: Where y/n gets sick at work, and leaves the entire squad worried about the information she says before fainting.

TOTAL ECLIPSE OF THE HEART: In which Jake and y/n make a bet on who can arrest the most criminals and S/n has to fulfill the agreement at the end of the shift.

GREAT FRIEND OF YOURS: Jake and y/n have been friends for as long as they can remember, but as the years go by their feelings begin to turn romantic.

I THOUGHT IT WAS YOU: In which, y/n goes on a mission alone, things go wrong and Jake thinks his "best friend" has been murdered.

LITTLE GENIUS: That night is Jake's day to take care of his daughter at home, the night goes well with cabanas, a parade and sweets before dinner, but before going to sleep, little Peralta asks a question that leaves her father no reaction.

SHE WILL COME BACK: In which Y/n is expelled from the police and goes on an undercover mission in the mafia. However, Jake will have to live six months in doubt, after declaring his love for his best friend and receiving no response.

SHE WILL COME BACK ²: Six months passed, Y/n gathered the information needed to arrest the biggest mafia family and return to the squad. Of course, having to settle things with Jake first.

Billy Russo

OUR LITTLE: When Jake and Rosa are framed for robbing a bank, the 99 squad is on edge coming up with ideas to get them out of the situation. However, just as Jake is about to go to his audience, your fiancée has something to declare.

AND I WANT YOU: They met in the navy, and from then on they became best friends. However, there was always an extra feeling within the two of them.

Daryl Dixon

A SURPRISE OF LOVE: Where Daryl's wife goes on a patrol and arrives all injured, but during the exams Daryl discovers another member.

[invisibleicewands]

Michael Sheen: Prince Andrew, Port Talbot and why I quit Hollywood

When Michael Sheen had an idea for a dystopian TV series based in his home town of Port Talbot, in which riots erupt when the steel works close, he had no idea said works would actually close — a month before the show came to air. “Devastating,” he says, simply, of last month’s decision by Tata Steel to shut the plant’s two blast furnaces and put 2,800 jobs at risk.

“Those furnaces are part of our psyche,” he says. “When the Queen died we talked about how psychologically massive it was for the country because people couldn’t imagine life without her. The steel works are like that for Port Talbot.”

Sheen’s show — The Way — was never meant to be this serious. The BBC1 three-parter is directed by Sheen, was written by James Graham and has the montage king Adam Curtis on board as an executive producer. The plot revolves around a family who, when the steel works are closed by foreign investors, galvanise the town into a revolt that leads to the Welsh border being shut. Polemical, yes, but it has a lightness of touch. “A mix of sitcom and war film,” Sheen says, beaming.

But that was then. Now it has become the most febrile TV show since, well, Mr Bates vs the Post Office. “We wanted to get this out quickly,” Sheen says. With heavy surveillance, police clamping down on protesters and nods to Westminster abandoning parts of the country, the series could be thought of as a tad political. “The concern was if it was too close to an election the BBC would get nervous.”

I meet Sheen in London, where he is ensconced in the National Theatre rehearsing for his forthcoming starring role in Nye, a “fantasia” play based on the life of the NHS founder, Labour’s Aneurin “Nye” Bevan. He is dressed down, with stubble and messy hair, and is a terrific raconteur, with a lot to discuss. As well as The Way and Nye, this year the actor will also transform himself into Prince Andrew for a BBC adaptation of the Emily Maitlis Newsnight interview.

Sheen has played a rum bunch, from David Frost to Tony Blair and Chris Tarrant. And we will get to Bevan and Andrew, but first Wales, where Sheen, 55, was born in 1969 and, after a stint in Los Angeles, returned to a few years ago. He has settled outside Port Talbot with his partner, Anna Lundberg, a 30-year-old actress, and their two children. Sheen’s parents still live in the area, so the move was partly for family, but mostly to be a figurehead. The actor has been investing in local arts, charities and more, putting his money where his mouth is to such an extent that there is a mural of his face up on Forge Road.

“It’s home,” Sheen says, shrugging, when I ask why he abandoned his A-list life for southwest Wales. “I feel a deep connection to it.” The seed was sown in 2011 when he played Jesus in Port Talbot in an epic three-day staging of the Passion, starring many locals who were struggling with job cuts and the rising cost of living in their town. “Once you become aware of difficulties in the area you come from you don’t have to do anything,” he says, with a wry smile. “You can live somewhere else, visit family at Christmas and turn a blind eye to injustice. It doesn’t make you a bad person, but I’d seen something I couldn’t unsee. I had to apply myself, and I might not have the impact I’d like, but the one thing that I can say is that I’m doing stuff. I know I am — I’m paying for it!”

The Way is his latest idea to boost the area. The show, which was shot in Port Talbot last year, employed residents in front of and behind the camera. The extras in a scene in which fictional steel workers discuss possible strike action came from the works themselves. How strange they will feel watching it now. The director shakes his head. “It felt very present and crackling.”

One line in the show feels especially crucial: “The British don’t revolt, they grumble.” How revolutionary does Sheen think Britain is? “It happens in flare-ups,” he reasons. “You could say Brexit was a form of it and there is something in us that is frustrated and wants to vent. But these flare-ups get cracked down, so the idea of properly organised revolution is hard to imagine. Yet the more anger there is, the more fear about the cost of living crisis. Well, something’s got to give.”

I mention the Brecon Beacons. “Ah, yes, Bannau Brycheiniog,” Sheen says with a flourish. Last year he spearheaded the celebration of the renaming of the national park to Welsh, which led some to ponder whether Sheen might go further in the name of Welsh nationalism. Owen Williams, a member of the independence campaigners YesCymru, described him to me as “Nye Bevan via Che Guevara” and added that the actor might one day be head of state in an independent Wales.

Sheen bursts out laughing. “Right!” he booms. “Well, for a long time [the head of state] was either me or Huw Edwards, so I suppose that’s changed.” He laughs again. “Gosh. I don’t know what to say.” Has he, though, become a sort of icon for an independent Wales? “I’ve never actually spoken about independence,” he says. “The only thing I’ve said is that it’s worth a conversation. Talking about independence is a catalyst for other issues that need to be talked about. Shutting that conversation down is of no value at all. People say Wales couldn’t survive economically. Well, why not? And is that good? Is that a good reason to stay in the union?”

On a roll, he talks about how you can’t travel from north to south Wales by train without going into England because the rail network was set up to move stuff out of Wales, not round it. He mentions the collapse of local journalism and funding cuts to National Theatre Wales, and says these are the conversations he wants to have — but where in Wales are they taking place?

So, for Sheen, the discussion is about thinking of Wales as independent in identity, not necessarily as an independent state? “As a living entity,” he says, is how he wants people to think about his country. “It’s much more, for me, about exploring what that cultural identity of now is, rather than it being all about the past,” he says. “We had a great rugby team in the 1970s, but it’s not the 1970s anymore and, yes, male-voice choirs make us cry, but there are few left. Mines aren’t there either. All the things that are part of the cultural identity of Wales are to do with the past and, for me, it’s much more about exploring what is alive about Welsh identity now.”

You could easily forget that Sheen is an actor. He calls himself a “not for profit” thesp, meaning he funds social projects, from addiction to disability sports. “I juggle things more,” he says. “Also I have young kids again and I don’t want to be away much.”

Sheen has an empathetic face, a knack of making the difficult feel personable. And there are two big roles incoming — a relief to fans.

Which leads us to Prince Andrew. “Of course it does.” This year he plays the troubled duke in A Very Royal Scandal — a retelling of the Emily Maitlis fiasco with Ruth Wilson as the interviewer. Does the show go to Pizza Express in Woking? “No,” Sheen says, grinning. Why play the prince? He thinks about this a lot. “Inevitably you bring humanity to a character — that’s certainly what I try to do.” He pauses. “I don’t want people to say, ‘It was Sheen who got everybody behind Andrew again.’ But I also don’t want to do a hatchet job.”

So what is he trying to do? “Well, it is a story about privilege really,” he says. “And how easy it is for privilege to exploit. We’ve found a way of keeping the ambiguity, because, legally, you can’t show stuff that you cannot prove, but whether guilty or not, his privilege is a major factor in whatever exploitation was going on. Beyond the specifics of Andrew and Epstein, no matter who you are, privilege has the potential to exploit someone. For Andrew, it’s: ‘This girl is being brought to me and I don’t really care where she comes from, or how old she is, this is just what happens for people like me.’”

It must have been odd having the prince and Bevan — the worst and best of our ruling classes — in his head at the same time. What, if anything, links the men? “What is power and what can you do with it?” Sheen muses, which seems to speak to his position in Port Talbot too. Nye at the National portrays the Welsh politician on his deathbed, in an NHS hospital, moving through his memories while doped up on meds. Sheen wants the audience to think: “Is there a Bevan in politics now and, if not, why not?”

Which takes us back to The Way. At the start one rioter yells about wanting to “change everything” — he means politically, sociologically. However, assuming that changing everything is not possible, what is the one thing Sheen would change? “Something practical? Not ‘I want world peace’. I would create a people’s chamber as another branch of government — like the Lords, there’d be a House of People, representing their community. Our political system has become restrictive and nonrepresentational, so something to open that up would be good.”

The actor is a thousand miles from his old Hollywood life. “It’d take a lot for me to work in America again — my life is elsewhere.” It is in Port Talbot instead. “The last man on the battlefield” is how one MP describes the steel works in The Way, and Sheen is unsure what happens when that last man goes. “Some people say it’s to do with net zero aims,” he says about the closure. “Others blame Brexit. But, ultimately, the people of Port Talbot have been let down — and there is no easy answer about what comes next.”

[p-redux]

I say he is in Nepal, either at base camp, or less likely, scaling Everest. Your opinion on this theory?

Hi, Anon, as I said in a previous post, I have a slight obsession with all things Mount Everest, have read the books, watched the movies, the TV series, and every year when it's the push for the summit in May, I follow climbers on Instagram, and watch their treks up to the highest mountain on Earth. Soooo, I do have some knowledge on this subject. Here's my take...

I know Sam has said in interviews that one of his bucket list items is climbing Mount Everest. And he was supposed to star in that Everest movie. The thing is, climbing to the SUMMIT of Mount Everest is only done in May, usually mid May due to weather constraints. And the prep dictates you have to start 2 months before to acclimate to the high altitude. I'll talk more about that down below. IF you are able to spend the two months in either Nepal for climbing from the South side of Everest, or Tibet (controlled by China) for climbing from the North side of Everest, you will be climbing to almost 29,032 feet, 8,849 meters. This is literally the altitude that jet planes fly once they reach cruising altitude. Sam has this pesky thing called a contract to finish out the remaining seasons of Outlander. I highly doubt his Outlander contract, and the insurance company associated with it, would allow him to take such a risk. Every year, people DIE climbing up or on the way back down from the summit. And some people don't die, but they get severe frostbite and lose fingers, toes, tips of noses. It's not for the faint of heart, and it's not for handsome actors who need to keep their beautiful appendages intact for filming Outlander. Unless the writers can work on a storyline involving Jamie Fraser missing a few, um, things.

Having said that, it IS possible Sam could trek to Mount Everest BASE CAMP. This is the area at the base of the mountain that all climbers go to to prepare to climb higher up, and eventually to the summit. BUT, some people who aren't making summit bids, simply make Base Camp their one and only destination. And that may be a compromise Sam makes with Outlander producers. Base Camp is still REALLY, REALLY high. It's at 17,598 feet, 5,364 meters. Sam isn't putting himself in too much risk at Base Camp...unless there's an avalanche. Sadly, there have been avalanches there and many people have died, as a result, the last one being in 2015.

Everest Base Camp in Nepal is trekked either for the Summit bid season February to May, with all summit bids happening in May. OR, it is trekked JUST for the Base Camp in late September to November. We are now in November, so it IS possible. 👇

BUT, you don't simply hop on a plane and get plopped down at Base Camp's 17,000 feet altitude. You could quite literally die from High Altitude Cerebral Edema and or High Altitude Pulmonary Edema due to the low oxygen levels. Soooo, IF Sam wanted to trek to Mount Everest Base Camp in Nepal, he would have to start acclimating at least two weeks before. All travelers going from Nepal's capital, Kathmandu at an elevation of 4,344 feet stay there for a few days, and then they do a 14 day trek up the mountains, to allow their bodies to acclimate to the altitude and the lower oxygen levels. 👇

Sam would have to allow himself at LEAST 3 WEEKS to make the Everest Base Camp trek. 2 weeks to climb there and acclimate, and then you want to spend at least a week there camping and just being there. Then you have to allow time for the return climb back down. This isn't a weekend excursion.

As for whether Sam is actually trying to climb to Mount Everest SUMMIT. That would be a definite NO. Not only from an Outlander insurance and contract issue, but also because it's not summit climbing season. 👇

And for people who want to climb to the Summit, they have to make a 2 MONTH commitment. The summit climb entails the two weeks to climb to Base Camp. And then at least 6 weeks, climbing up and down from each of the higher camps. I think there are at least 4 camps that climbers stay at, higher and higher on the mountain, until they reach the Summit. 👇

So, if a climber wants to go for a Summit bid, which is always in mid-May, they would have to start in mid-March and literally be on Mount Everest at the various camps the whole two months. It's a huge commitment. Most companies charge around $40,000 for the whole expedition. The reputable ones assign each climber a Sherpa to guide you. The Sherpas are natives to the area and they are expert climbers who are born in the area, therefore their bodies are completely acclimated to the high altitude. The expedition companies hire them to help climbers up the mountain. They set all the safety ropes, set up the camps, make the meals, and deal with the inevitable emergencies along the way. No one should climb without a Sherpa. Also, most companies will only take on a climber for a Summit bid if they can show previous experience in climbing at high altitude and have summitted a few of the highest peaks on Earth. That's not Sam. So, if anything, Sam would probably only be allowed to climb to Base Camp.

As you can see, I'm really, really into all things Everest and could keep writing all day hahaha. But, I'll stop here. I hope that was helpful info, Anon.

[puntointerrogativo]

“we’re still debating certain things about whether certain events happened, but seeds are placed.” S.R.

“When you find [Lestat] in Episode 8, where is he?” Reid asks. “Has he come back to his own maker’s prison by his own choice, or is he put there? We’ve left space for that to be explored. I think it’s more interesting — and Rolin probably does as well, and it probably took me a longer time to get around this — to continue to give each individual character their own agency rather than saying, this person is the victim of this person, or this is the baddie and this is the goodie” S.R.

“Did Louis stage the Dubai interview because he had a hunch about Armand’s lie? Anderson says, “Yeah, I do,” in response to that question, and he’s been theorizing this since filming the Season 1 finale. Louis has never seen this interview as the chronicling of a suicide like Armand (as Rashid) described it, according to Anderson […] Suspecting Armand “was something that I started to get a sense of when we did that Season 1 Episode 7 moment of ‘the love of my life,’ because Rolin always talks about that as the end of The Graduate,” Anderson continues. “I was like, ‘Oh, it’s a cry for help.’ He found the person that he knew could draw the truth out of everyone, including himself.” J.A.

“that Armand was “forced” to direct the trial and that all of his subsequent punishment from the coven was “absolutely true. He directed it, but it wasn’t his choice to do it,” Zaman says.” A.Z.

Mmm, very interesting tvinsider article - first of all huge, GIGANTIC kudos to Sam because not knowing if your character’s doing what he’s doing by choice or if he’s being forced and tortured must not make it easy to do your job 😵‍💫 (not to mention the fun of trying to answer press questions, poor man).

Sooo, let’s say we go with this version and leave the books behind. It goes more or less like this:

The coven makes Armand choose, and he decides to sell Claudia and Louis out.

They “call” Lestat to testify, and he comes - because what else can he do? The trial will happen with or without him and if he’s there there’s a chance he can save them.

Armand directs the play. This one I’m a bit meh about but ok, he needs to prove himself, he has the experience, sadistic punishment, yadda, yadda…

Lestat and Armand don’t do the smart thing and work together against the coven presumably because previous history (Nicky) means Lestat doesn’t trust him. Also, from what we’ve seen they’re both kinda terrible at planning.

Lestat has limited energy and a choice to make - he chooses to save Louis. He has to watch Claudia burn. By now the coven knows better than to trust him and he’s either too traumatized or too drained (or both) to do much else. We don’t know if he faced retaliation from the coven.

Armand finally gets off his ass and frees Louis.

Louis goes feral and kills the coven. He’s convinced Armand was the one who saved him and wants revenge on Lestat.

He gets it in the only way he can: by going after his deepest fear. Lestat has handed him that weapon on a plate back in season 1 and it’s not the first time he goes after that particular soft spot.

Lestat feels guilty enough for both the 1x05 fall and Claudia to accept the punishment as due. He doesn’t tell Louis it was him who saved his life.

Louis traps himself in a 77 years long spite based relationship that he can’t leave without-in his head- letting Lestat win.

By 1973 he’s depressed enough and starved for connection enough to try the Interview and then walk into the sun.

Armand wipes his memories (probably consensually, extent uncertain) after calling Lestat - just to make sure Louis remembers why he can’t leave him.

Lestat thinks he died after he left him to Armand’s tender mercies. If he wasn’t in his rat-eating depression era before he surely is now.

By 2021 Louis has become, at least subconsciously, suspicious enough to contact Daniel for a second interview.

Daniel proves Louis really has an eye for spotting talent and gets him out of that farce of a marriage.

[seenthisepisode]

hi! I saw your post about the why episode title change why 11 scenes cut why lamp etc etc and I know some of it but not all, and I was hoping you could elaborate on spngate— if it’s not too much trouble— or point me in a direction where I can join you in the spn gate?

I feel ashamed for HOW LONG i let this ask just rot in my askbox (it's from january, apparently, now it's april. i thought maybe two weeks passed but NO. it was months. ANON I AM SO SO SO SO SORRY. I LOVE YOU WITH ALL MY HEART) but now with the power of this url and the wine i am currently sipping, let me give you the best, most thought-out answer that i possibly can.

I don't know how long you've been following/watching spn, so I won't get into real deep iceberg theories that go back to season 8 and jeremy carver, for the purpose of this essay answer I'll just stick to the year anno domini 2020, and will try to do my best to tell you what happened.

Okay, maybe 2019. So, in june 2019, when the first scripts and drafts for s15 are presented, these things happen: 1. apparently, according to Berens, the confession scene is the first thing that was written for season 15. 2. Jensen Ackles is sat down and asked if he would be okay with this. (question is asked: why would they ask jensen if all he does in this scene is look at cas, he doesn't say anything, he does not confess, it changes nothing about his character, etc.; if you put the real tjlc tinfoil hat on you'd ask hey , maybe they asked him if precisely that is okay, if he is okay with the fact dean is practically silenced here but that's Deep) 3. Jensen apparently is okay with that, because it happens.

also this thing happens around the same time: 1. they write the ending for the brothers, and no matter what version of the finale we're talking about, Dean dies 2. Jensen Ackles is Not Okay with this. he calls Kripke who then, in a call and/or email assures him it's a good ending (Jensen says that) and also very quickly after that Jensen is announced to play Soldier Boy in Kripke's The Boys. make of that what you want

They film, blah blah, march 2020, covid happens, they stop production right after they film the confession. Last episode to air is 15x13, last episode they film is 15x18, they almost have a plane crush when flying to vegas con, and then, a loooong break until august 2020. Now, from what we know, there were two versions of the finale - the pre-covid finale they were supposed to film if the filming schedule wasn't interrupted, and the finale that happened.

What was supposed to be in the Original Finale/Pre-Covid Finale, we still don't know exactly, but from what the cast said, there was supposed to be a big cast reunion, Harvelle's Roadhouse in Heaven, Kansas Band (why are they dead?) playing there after Dean gets there and so on.

Anyway. July 2020. Misha does a livestream with Michael Sheen (the SuperGood campaign) where he says he is going back to filming the last two episodes in a few weeks. he said it LIVE. it's on youtube. people analyze the background from Misha's livestreams and photos and conclude he is in Vacouver, where spn is filmed. He also says that he is going back filming in a few interviews. Also here.

August 2020. They go back to filming in august 2020 to film 15x19 and 15x20.

August 20th, 2020, Misha's birthday.

I wasn't on set TODAY. so casual. of all days i wasn't there today.

August 24th, 2020, day 6/8 of filming 15x19, Angel with a Shotgun is hash tag Song of The Day while filming scenes of 15x19 (scene 28, 31).

September 4th, 2020. ALL THEY FILM, for the whole DAY, is one scene. They usually film a few. They film one. Song of the day? The Night We Met.

Somewhere before the episodes starts to air again, Dabb says only 30% of the audience will like the finale. Anyway, everyone concludes, Misha is filming, destiel is more or less going canon, but everyone including bibros is sure Misha is filming and will be there for the finale.

Originally, "Despair" was called "The Truth".

Finale airs.

It feels shorter (apparently it's not) but it does have an additional ad break. For Walker. But it feels shorter because of the "carry on my wayward son" cover montage that lasts too long and later it's discovered thanks to scripts that dropped that there are ELEVEN scenes that were filmed,, but didn't make it to the episode. The script that drops is also very telling, where scenes are just [OMMITTED]. It was explained that they wanted to have actor there but they didn't want actors to quarantine for two weeks to film one or two scenes BUT then that's exactly what they did with Jim Beaver lmao.

So yeah. I also remember Misha at a con (DarkLight?) where, after asked about the original ending, he answers that the original ending was something that would be better explored in fanfiction anyway. Theory rises he filmed and was cut off the episode without his or Jensen's knowledge because Misha sat down his kids to watch the spn finale (which was the first episode they were supposed to watch ever, why would he do that if he's not there?) and then, CW SPN twitter posts a goodbye video that has everyone from the cast and their mother BUT MISHA AND JENSEN ARE NOT THERE. Jensens sexy silence starts.

THEN THE WILDEST THING HAPPENS.

November 25th, the Spanish Dub. 15x18 drops in Brazil and Dean says "and i you" to Cas, after he confesses. No "don't do this cas" but "and i you". Tumblr stops working for two hours, people on discords are screaming, no one knows whats happening, someone claims Jensen was called in September 2020 to record some adlibs? To record the muffled sobs Dean does while on the floor. Theory is supported by the fact that in the Bazil version? When Dean sits on the floor? The sound that plays are birds. Chirping birds. Sounds don't match, what was Dean saying while crying on the floor, question arises.

Everyone decides there was a Rogue Translator who managed to hide from The CW Sniper (who is the reason actors just dont tell us everything) and translated some kind of Original Script. Voice Actors are invited to a podcast where they debunk this saying that it was added because the translator felt this was the right response or something like that. Anyway they debunk the fact that there existed, at any time, a version of a script, that maybe was send to them, where Dean says I love you too. This was a wild night, no one slept.

And like. I could make this post longer, but I am planning to, one day, make a huge masterpost with real sources about that because honestly you could write a book about it.

But tl;dr spngate is a theory that misha did film for the last 2 episodes and the changes they made were truly last minute (september 2020), they were going for a canon destiel, possibly human!cas engame, dabb was always on our side, and it's based on stuff like jensen actively hating the ending to the point he made his prequel after 2 years of radio silence, 11 scenes just cut from the finale, misha saying he is going back filming, and people like mark pellegrino saying the last scene he filmed was with alex and misha. also the onion field. why lamp is the theory that cas is represented and symbolized by lamps throughout the show and when dean dances with a Lamp in a drug induced dream instead of, say, some kind of a lady he is actually thinking about cas.

also there are little things like when jensen at an online con before the finale says that oh yes i am wearing a grey flannel but tomorrow? who know it could be blue and green. and we all collectively lost our shit. like when he said he is most excited to "tackle" with cas in season 15. or that "dean has no taste, clearly". WHY WAS YOUR PERMISSION NEEDED JENSEN

there are a lot of things i didn't mention here because i simply can't unflod this whole thing just like that but

but if you understand this picture you might be entitled to financial compensation

[madalice31]

It’s annoying that I keep seeing articles talking about Aaron Taylor Johnson and his wife and how they’re so flabbergasted by everyone’s “fascination” with their age gap.

🙄

Like literally she was 42 and he was 18 when they met and started dating. Hell he might have been 17 going on 18 but i can’t remember. On one of his first movie projects I might add, like this was before Kickass. And she directed him in that first movie. In fact, by the time kick ass two rolled around I think they were already married. She married him before he even turned 21.

You can’t tell me he was not groomed. That’s just point blank. There has been a power dynamic imbalance since they got together. I mean seriously, he was a year older than her oldest kid.

The white media won’t drag her like the black media dragged Draya tho. They’ll just smile and nod and say it’s okay now that he’s in his 30s.

But let’s not sit here and act like this shit is normal. Notice how she’s had a grip on his career ever since? She’s literally a director and producer in the industry. She has weight. This man barely does anything with a romantic interest and I guarantee he would be in a lot more movies if he wasn’t married to her. And most likely he would have much larger parts in the films too. Like aside from bullet train, he’s had such a minute part in every other movie. My bf and I would get excited to see his name attached to a film, only to watch it and realize he has such a small role. It’s like they use his name for clout. Like I’m still trying to remember when he pops up in Tenant. And his name is never top billed when it should be.

I think Kraven will be the first movie he leads since the A Million Little Pieces movie, and he was directed by his wife in that as well! She overly involves herself in his career. She claims they “take turns” on projects so they’re not apart from each other for too long. But it seems his career suffers the most from that arrangement because again, it’s not like he’s off for months and months on a project. He’s not the lead! So he’s there for maybe a few weeks and he’s back home. Hell in a recent interview she was complaining about being away from him for 6 weeks (the longest they’ve been apart) and how they were “never doing that again.” This man is doing press tours for a project she has nothing to do with and and she’s coming with him to every interview. Like why? Ain’t you supposed to be home with the kids bitch? While he’s doing his own thing for a few weeks? Oh yes, that’s right, she needs to control everything he does. God forbid he’s away from her for long enough to realize maybe he’s not actually happy with her.

He likes to defend her by saying he pursued her but it’s like dude, you think so? You know what that sounds like? The 12 year old student who was raped by his teacher and defended her by saying he pursued and wanted a relationship with her. He grew up, married her, and got her pregnant all while she was in prison for being with him. Guess where they are now? Divorced. So just because Aaron thinks the relationship was his idea doesn’t make it right. She had the responsibility to say no, you’re entirely too young for me. Instead she decided to just “go with the flow” and let “a good thing happen” to her after two kids and a divorce 🙄.

Please. 8 or 10 years apart, I’ll give you that. But 20 to 30 years apart AND you met the person when they were still a teenager? I’m not tryna hear that age is just a number bullshit.

Smh. He’s so far gone tho, I doubt he’ll divorce her. He might pull a Hugh Jackman years from now, but at least Hugh was in his 20s when he got with his much older wife. I don’t think she was able to brainwash him the way Aaron’s wife has done. Plus Hugh and his ex never had kids. I’m sure kids being involved makes it harder for Aaron if he’s even thinking about or thought about leaving. So I guess we’ll just see how the cookie crumbles.

I like him as an actor, but I’ve always found their relationship disturbing. So I wish they would just shut up about it and be low key. Cause one thing they seem to steer clear of talking about is the actual beginning of their relationship and the fact that he was a vulnerable, 18 year old first time actor when they met, literally just as career was starting. And he’s never mentioned about how his family feels about him being with her. Never even made a passing comment saying that they love her or anything like that. Just saying, the signs are there.

The quiet on the set documentary clearly shows how young actors are not protected. In this case he was legal, so she got away with it. Smh. I wish him the best.

[jgroffdaily]

Interview by Jake Nevis, photos by Jenny Anderson - excerpts:

For Groff in particular, who’s earned a Tony Award nomination for his swaggering turn as the prodigious composer Franklin Shepard, the experience of starring in Merrily We Roll Along is provoking a tender sort of reappraisal of the wide-eyed, closeted 20-something who arrived on Broadway two decades ago in Spring Awakening, tending his own dreams. “There’s so many powerful parallels and I’m feeling the opportunity to release a lot of the tension I was holding at that time,” he told me earlier this month over coffee in Greenwich Village (just before showing face at a Tony’s luncheon). “This character feels like an exorcism of the lightest and darkest parts of myself.” With easy candor—and a charm not dissimilar to the kind he demonstrates in the role—Groff opened up about learning to live without shame and what Looking, the polarizing HBO series he starred in from 2014 to 2016, taught him about show business.

JAKE NEVINS: Hey, Jonathan. Congrats on your Tony nomination.

JONATHON GROFF: Thank you so much.

NEVINS: That’s exciting. How do you feel?

GROFF: Oh my god, I feel super emotional. I’ve been crying a lot these days. Last time I was nominated was during Hamilton, which was like seven or eight years ago. And I wasn’t in the show when the nominations happened. I had left to do a TV show. So this is the first time since Spring Awakening that I’ve experienced the intensity of awards season on Broadway while being in the show. I’m having a lot of flashbacks to being 22 years old.

NEVINS: What were your first encounters with Merrily in particular?

GROFF: Gideon Glick, who was in Spring Awakening with me, sent a text to the Spring Awakening text chain saying, “This documentary came out called The Best Worst Thing That Ever Could Have Happened. And it’s devastating and beautiful, and it reminded me so much of us. You all have to go see it.” So I watched the documentary about Merrily that Lonny Price made and was blown away by it. At the Hollywood Bowl, I had done Sondheim on Sondheim, where I sang the role of Frank in “Opening Doors” and Jesse Tyler Ferguson did “Franklin Shepard, Inc.,” so I knew the songs from there. Funny enough, we had just finished our Spring Awakening reunion concert, which was in the fall of 2021, and we were making a documentary about the concert and about the show. The Merrily doc was a big inspiration for that because of how they went back and forth and showed them as kids and showed them as adults. And then in January 2022, me and Jim Carnahan, who cast me in Spring Awakening 16 years before, were in a film club during COVID. After we saw 8½ at the Film Forum in January 2022, he said to me, “We’re going to come to you with an offer for Frank in Merrily We Roll Along. Do you know the show?” And I was like, “I know pieces of it, but I don’t know the show.” Maria’s production in London was on YouTube, so I watched it and I died for it. I just thought it was fucking genius, never having seen it and obviously knowing from the documentary that the show was originally a flop. So it took six months between January and June 2022 for us to figure out the dates. Dan [Radcliffe] was already attached to play Charley, and then Lindsay [Mendez] came on, and then we were off and running.

[Jonathan on reactions to Looking] And I was like, “Whoa.” That was when I started to learn the art of walking with an open heart and also protecting myself.

NEVINS: What does that look like?

GROFF: It’s like, having empathy and respect for the haters and honoring them and understanding that that opinion can exist and I can still be in my lane and express myself. Just because someone says it’s terrible doesn’t mean it wasn’t worth making.

NEVINS: Well, I’ll leave you with this. What’s the status of your inner voice? By all accounts, you’re living your dream, but I don’t want to draw any conclusions.

GROFF: This feels like it’s been a rebirth, a bit of a renaissance, and a release. It’s like I’m re-experiencing what I experienced when I was 22 with Spring Awakening, but now as a flashback, which is what Merrily is about. I moved to New York in 2004, 20 years ago. This show takes place over the course of 20 years. It’s about three friends. Spring Awakening was about these three characters. There’s so many powerful parallels and I’m feeling the opportunity to release a lot of the tension I was holding at that time. It feels like this opportunity to tap back into that 20-year-old I was and release all of the baggage from that time. I’m feeling more like myself than I ever have. This character feels like an exorcism of the lightest and darkest parts of myself.

NEVINS: An exorcism that ends with a Tony, hopefully

GROFF: Oh my god.

[tgmsunmontue]

More than movie magic... 4/24

Hangster AU. Explicit (eventually). Jake is a Hollywood actor and Bradley is a stunt coordinator. Jake's about to make a few self-discoveries.

ONE TWO THREE

FOUR

                It’s an old mini-documentary, not one that was super popular but it’s centered around the working stunt artists of Hollywood and there’s Bradley Bradshaw looking about ten years younger and almost hotter, except Jake thinks he likes his laugh lines and more mature body. He realizes the fact that he’s familiar with Bradley Bradshaw’s body enough from sight alone to identify a possible time lapse confirms that he definitely has a problem. He knew that already, but he’d still sort of hoped it had maybe gone away.

                No such luck

                “What got you into doing stunt work?”

                “My dad was a stuntman, he was a bit of a daredevil and specialized in car racing and tricks. He was good.”

                “Ah, yes. He died during filming didn’t he?”

                “Yeah, about twenty years ago now. Car accident on set when the brakes failed.”

                Jake does a mental calculation, that would make it over thirty years ago now, so sometime in the mid to late 1980s and he wonders if he can find out more details of if he’s starting to maybe become a little too much like one of those obsessed fans who can’t identify reality from fantasy.

                “You were a child actor too…”

                “Oh god, please don’t tell me you have footage of that.”

                “We do, but it’s not exactly relevant to the subject were interviewing you about.”

                “Thank goodness for small mercies!” Bradley laughs, and it’s a little tinny through the speakers but it’s still gorgeous, Jake would love to have Bradley laugh with him like that. Fuck.

                “Well, how about you show us some of the work you’ve been doing recently? I’ve heard you’ve become something of a rock climbing expert?”

                “I don’t know if I’d use expert, but I’m okay.”

                Of course he’s modest about his skill, and Jake watches as Bradley climbs the wall, racing up so fast it might as well be a fucking horizontal surface. He repels down effortlessly and Jake wonders just what Bradley’s workout regime entails to stay flexible and as strong as he needs to be for the activities that he’s seen him partake in.

                “So if people wanted to get into stunt work where would they go?”

                “There are schools for it, and workshops and plenty of training opportunities. Staying fit, strong and flexible is all important, but you also need to know choreography and rolls and falls, and then there’s the camera angles. It’s quite involved at the end of the day, but it’s a job I love.”

                The interviewer is then talking to someone else and he shut the window and despite it being against his better judgement he searches out Bradley Bradshaw’s father’s death and winces at the fact that he was only three when he died. Married to Carole Clarke and holy shit, Oscar award winner and silver-screen beauty and also somehow Bradley Bradshaw’s parent, although she died much too young… God. If he’d lost both his parents before he even turned ten he doesn’t know if he’d have survived to adulthood.

                Then he finds it, where Pete Mitchell fits in, best friends with Nick Bradshaw. He’s obviously been around Bradley Bradshaw as he grew up. Potentially even raised him if there was no other family, and he wonders if that is the case just how Pete Mitchell balanced raising a kid while also travelling the world directing films. Unless Bradley simply travelled with him of course, which is entirely plausible.

                He wants to see him again.

                It make no sense but it also doesn’t change the fact.

                He messages his agent and asks him to get Bradley Bradshaw’s number. Doesn’t specify why, doesn’t need to.

                The number sits in his phone unused.

…            …            …           

                Bradley reads through the contract, and he can’t help but frown, because there are clauses in here that are usually removed. His staff know that there are non-negotiables and the fact that they haven’t been removed could be simply human error, or it could be because they believe they don’t need to be removed. He doesn’t let people do their own stunt work unless they’re low risk, have sufficient training or experience in the activity. He rings Brigham in the office first, his skill at ability assessment the most crucial when drafting the contract.

                “Hey man, what’s up with the contract you just sent me?”

                “Ha! Knew you’d call me. I win the bet! Not even three hours!”

                “Brigham! Focus!”

                “Sorry. Just, this cowboy film, did you read who they’ve got starring in it?”

                Bradley ignores the little flip his stomach does and quickly flicks to the part which details the names of the actors and of course, of course, Jake Seresin’s name is there, staring at him in black and white and oh…

                “Jake Seresin, Javy Machado and Callie Bassett.”

                “Oh.”

                “Oh is right. So, no, we won’t need a stunt double for Seresin. He used to compete and is probably better than any of us. He knows what he’s doing around horses.”

                Oh boy does Bradley know what Jake can do around horses. He’s not worried about that at all. Brigham is still talking though and he forces himself to concentrate.

                “Though Machado and Bassett need doubles. Was thinking Rueben and Natasha, they’ve both worked with horses before.”

                “Yeah, they’d work. You’ve already gotten the backgrounds?”

                “Yep. Large working ranch, going to be a bit of legwork to get around it and scope it out, but they’re making every accommodation possible, definitely the easiest contract negotiations I’ve had in a while.”

                Huh.

                Interesting.

                “Seresin was always pushing for a more active role in the last film I worked on him with. Was there any push back about me having veto power?”

                “Nope, none at all. Don’t know why you’d use it though. He’s well suited to it, even sent a recent video of him riding and roping and doing fancy looking shit. However the other two are nowhere near as confident, in fact they’ve never even ridden a horse. So we’ve got that challenge ahead of us…”

                “Okay… well, you’re in charge of scheduling. Tell me when and where.”

                “You ever been to Texas?”

FIVE

[oldtvandcomics]

Happy Queer Media Monday!

Today: I Dream In Another Language (2017)

I watched this movie a few weeks ago, and it STUCK.

(Don Evaristo and Don Isauro just before their first interview to record Zikril together.)

I Dream in Another Language is a Mexican magic realism movie about the death of a culture. It documents the efforts of a linguist trying to save the (fictional) language Zikril, spoken only by three old indigenous people. When one of them dies, the studies come to a halt, as the other two, Don Evaristo and Don Isauro, have not spoken to each other in over fifty years and categorically refuse to have anything to do with each other. As he looks further into this, the linguist discovers that the real reason for this feud is their past relationship and an awful lot of internalized homophobia.

Zkril is an artificial language, created specially for this movie out of respect for the people who still speak the endangered and disappearing languages today. The fact that it has seemingly magic powers, and that its speakers appear to be living on after their death, clearly puts the story into the magic realism genre.

This is NOT a happy movie. The internalized homophobia part is no joke, and the main theme of course is the loss of a language, and the culture that comes with it. 

But it damn sure is leaving an emotional impact.

I strongly suggest that everyone who is even vaguely interested in this subject read up about languages and language conservation. The Wikipedia page of this movie is as a good place to start as any, since there are related articles linked in the references list. I also would like to thank @celluloidrainbow for bringing this film to my attention.

Queer Media Monday is an action I started to talk about some important and/or interesting parts of our queer heritage, that people, especially young people who are only just beginning to discover the wealth of stories out there, should be aware of. Please feel free to join in on the fun and make your own posts about things you personally find important!