#i was going to use it for art and such and i still will but. my writing is on a new blog. gunkbaby is my home

[sunlit-mess]

[3liza]

i mean the truth is that we do not need and should not have all this stupid plastic clutter in or houses. no one should be producing or selling this shit. everyone make your own merchandise and charge a living hourly wage to sell it 🤷 sorry to be so simplistic about this but it's one of the results of the lack of class unity specifically in the means of production-owning creative class, who is not mentioned or dealt with by the core Marxist texts as far as I know (i asked about this earlier on here, did marx ever address in his analysis people like, for example, a professional photographer who owns a camera ans prints his own dagguereotypes? or a portrait painter or idk, independent milliner or seamstress? these people all own the means of production and do not employ anyone, and the answer from better educated people than I was that no, Marx didn't mention them), I'm not well read on this at all, there is just a big void where leftist analysis of what modern economists call "the creative class"

I'm getting off topic. my point is make your own keychains in your kitchen. it's actually not hard. you can even mass produce (on a small scale) little plastic crap if you want, with resin and a UV lamp, or a 3d printer, or a laser cutter and acrylic sheets (or just use balsa wood damn, at least its biodegradable and less tacky).

all this stuff is available to little creators AND there are hundreds of people who already own these machines who will take work for you and produce your designs. you just have to actually find them and know them and email them. that's what I mean about the class unity issue with creatives. we have no large scale union, we have no large scale class consciousness, and we're all sending our orders for little plastic crap to sweatshops instead of emailing a guy with a laser cutter in his garage and saying "hey Keith can I get uhhhhhhhhhhh 50 laser cut keychains of this twerking Diggler design I made, like how much would that cost" and he's like sure here's the work and materials cost and tbh it's always always less than i think it's going to be. you just have to do some basic arithmetic and then order shipping, and I hate order fulfillment with my life but you can actually pay or barter with someone to do that for you too. learn to delegate and then factor that into your unit cost. this is basic shit every commercial creator needs to know. they should teach you this in art school but they dont

don't give me crap about "I can't afford a laser cutter" either because I just told you to email Keith. and all these machines get sold secondhand when a manufacturer or hobbyist needs to upgrade. i got a color laser printer perfect for making zines and wheatpastes and shipping labels from a retired lesbian on capital hill for $75 and it was still full of ink. my friend gave me her 20 year old canon dslr because she just didn't need it and didn't want to bother selling it. it works fine because I spent the time finding the right drivers and shit for my computer. and card readers exist. Craigslist. Facebook marketplace. nextdoor sales section. eBay. everyone always forgets eBay. eBay lets you save searches and will email you when it finds a guy selling his vinyl plotter in your city with local pickup. I'm serious

[piastrisun]

front page flirt.

pairings: franco colapinto + (journalist) fem character.

summary: the usual charm of franco don’t sway elaine, but he knows he’s found his match—and he’s not giving up until he has her.

genre: fluff.⠀word count: 5.9k.⠀ warning: none.

notes: named female character. inspired by andrew and amelia, so this is a long one. i plan on making an smau about this as well.

elaine bennett is known for her sharp instincts and unflinching professionalism as one of the most respected journalists in sports media. she's navigated countless interviews, handled high-profile personalities, and mastered the art of staying calm under pressure. she is, also, widely admired in the paddock, for the genuine warmth she brings to every interaction. drivers, team principals, and staff alike have nothing but respect for her, drawn to her quick humor and deep knowledge of the sport.

but from the moment she meets franco colapinto, the effortlessly charming and notoriously flirtatious driver, she knows he’s going to be different.

he has a reputation: the charming, sharp-witted rookie who seems as at ease with a microphone in his face as he is on the field; he’s the kind of guy who never misses a chance to crack a joke or toss a playful compliment. for him, every interaction is part of the performance, and his banter with the press has become almost as famous as his achievements on the field, he’s quickly become a fan favorite both on and off the track. when he first meets with elaine, he's prepared for the usual routine of deflecting flirtation and steering the conversation back on track. but he knows she’s going to be different.

SCENE #1.

the paddock buzzes with activity as elaine step into view, her camera crew following closely behind, already recording. her warm smile, the one that wins over every driver, spreads across her face as she approaches him. she scans the crowd, but her eyes settle on franco, who’s leaning casually against the barrier, chatting with another reporter. he notices her immediately, straightening up a little, though trying to play it cool. there’s a hint of amusement dancing in his eyes, flashing a wide grin her way, the kind that’s just a little too charming, already anticipating the conversation.

she walks toward him after the reporter leaves, maintaining her serious expression despite the playful energy bubbling beneath the surface. “i’ve been trying to get an interview with you for a while now,” she says, her voice steady but teasing. there’s a glint in her eyes, but she holds back her smile, keeping things professional—at least for the camera.

“really?” franco’s voice is smooth, but his body language says more than his words. he shifts his weight, standing a little closer to her, his arm casually brushing against hers. he tilts his head, letting his gaze linger on her, his eyes scanning her face as if he’s trying to read her thoughts.

“yeah,” she nods, keeping a straight face, though there’s a lightness in her tone. “but you know, you were playing hard to get.”

franco smirks, stepping even closer, his body leaning in, a low chuckle escaping his lips. “me? i’d never play hard to get with you.” his voice drops just enough to make the words sound like a promise. his hand hovers near her arm, not quite touching but close enough that she can feel the warmth radiating from him. he’s using the excuse of the interview to close the gap, and she notices it.

“of course you’d say that.” her voice remains calm, unwavering, but inside, she feels the tension building. his presence is undeniable, but she’s determined to keep up the professional front, even though it’s becoming harder to ignore the way he’s leaning in, the way his eyes flicker from her face to the camera and back again, like he’s fully aware of the audience watching.

franco, still grinning, takes a small step back but only to tilt his head again, eyeing her playfully. “why? i’m being honest here,” he says, shrugging as if he’s confessing something. “i’ve been waiting for you to come over. every time i’m looking out for you, you’re always busy interviewing someone else.” his voice has dropped to a playful whisper now, but loud enough for the camera team to catch, as if he’s letting the viewers in on an inside joke. his fingers graze her chin, a small, thoughtful gesture, but she can tell he’s watching her closely, waiting for her reaction.

she fights the urge to smile, keeping her expression neutral. “that’s how jobs work, franco. you know that.” her voice is light, but her eyes remain locked on his, daring him to push further.

he laughs, his body language loose, but she can sense the focus in the way he’s standing—completely tuned in to her. “you sure it’s just the job, or are you just trying to keep me waiting?” he winks, and for a moment, the playful flirtation between them seems almost palpable.

she raises an eyebrow, her lips pressed together in an amused but serious line, refusing to let him get the upper hand. the camera crew captures everything, but it feels like the world has shrunk down to just the two of them in that moment. there's a lightness in between, the flirtation woven through her words, but beneath it, a genuine connection. the atmosphere around them fades into the background, both caught in this playful back-and-forth, completely at ease despite the cameras rolling.

franco watches her closely, clearly amused by her refusal to break character, but he’s not backing down either. he takes a step to the side, casually leaning against the railing, his body angled towards her, arms folding across his chest in a way that draws attention to his relaxed confidence.

“keep you waiting?” she tilts her head slightly, her tone dry, but the teasing in her eyes gives it away. “you think i’ve got time to keep anyone waiting?”

franco laughs softly, his eyes never leaving hers. he’s fully aware of the camera team recording every word, but he seems to enjoy the game more with the audience. “you’re right,” he says, his voice low and smooth. “i’m the one waiting, not you.” he shifts his weight again, this time leaning just a little closer, his arm brushing against hers again—but this time, it feels more deliberate. “i guess i just like waiting for you.” the words are casual, but the way he says them, with that small, knowing smile, feels like a challenge.

she keeps her expression neutral, but the playful tension is unmistakable now. “is that so?” she asks, raising an eyebrow as she finally meets his gaze head-on. she can feel the camera crew just behind her, recording the whole exchange.

he shrugs, letting his eyes drift slowly down to the microphone in your hand before returning to her face. “you’ve got my attention now,” he says, voice softer, almost as if the cameras aren’t there. “what’s next?”

she pauses for a moment, pretending to think, then finally cracks the smallest smile, enough to show him that he hasn’t completely worn her down yet. “what’s next?” she echoes, leaning in just slightly. “the interview, obviously. try to keep up, franco.”

he chuckles again, raising his hands in mock surrender, but his grin doesn’t fade. “alright, alright,” he says, the playful glint in his eyes growing stronger. “but i’ve got to say, i think i’d prefer it if you just kept me waiting a little longer.”

she shakes her head, amused, and lifts her microphone again. “i’m sure you do,” she replies, still professional, but now with a smirk just barely tugging at her lips. the camera crew catches the moment, and she can already imagine the headlines—viewers love this kind of banter.

he shifts closer one last time, just enough to make it clear he’s still playing this game with her. “you know, if you ever get tired of interviews… we could always talk off the record.”

she gives him a long look, narrowing her eyes slightly as she raises the microphone to his face, her voice cool and composed. “let’s start with on the record, shall we?”

he laughs, a warm, genuine sound, but she can see the spark in his eyes that says he’s far from done. the camera crew continues filming, but in this moment, it’s all just part of the fun. the interview has begun, but the real game is still unfolding.

SCENE #2.

the second interview starts as elaine spots franco in the paddock again, and this time, there’s a different energy between them—something more familiar, more playful, after your first meeting. the camera crew is behind her once more, recording everything, but she has learned by now that franco loves the game, and today is no different.

she approaches him with her usual confident stride, the microphone ready, her serious face firmly in place, even though she can feel the anticipation.

“franco,” she greets him, keeping her voice smooth and professional.

“elaine, hi.” he responds, his smile instant, the warmth in his voice impossible to miss. there’s something about the way he says her name, as if he’s been waiting for this moment again.

she glances at him, arching an eyebrow slightly. “we’re meeting each other again,” she says, her tone light but teasing. “finally, dare i say.”

franco laughs softly, taking a step closer, his posture relaxed as always, but there’s a spark in his eyes as he responds, “i only ever want to see you in moments like this.”

“oh!” she’s taken off guard for a second but recovers quickly, maintaining her serious face.

he shrugs, his voice casual but carrying that familiar flirtatious undertone. “can’t you blame me? you’re one of a kind.”

her lips quirk slightly, but she doesn’t give in. “really? what about other kinds of situations?” she asks, tilting her head just a little, challenging him as she always does, the camera capturing the subtle tension.

franco’s eyes gleam, and he leans in, lowering his voice enough that it feels like the conversation is just between them—even with the crew around. “now you’re open to that?”

she holds his gaze, unfazed, the seriousness never leaving her expression. “i didn’t say that,” she replies, her voice even, but there’s a hint of curiosity beneath it. “i’m just wondering.”

the air between you shifts once more, charged with the same playful tension from the last encounter. franco chuckles softly, but this time, he doesn’t press further. she can tell he’s enjoying the back-and-forth just as much as she is. the cameras are rolling, but once again, it feels like the world has shrunk down, playing your game in the midst of the media frenzy.

franco’s smile deepens as her words hang in the air, and he steps just a little closer, still careful to keep it subtle for the cameras but enough for her to feel the shift in his energy. his eyes linger on hers, playful but with a new intensity.

“i think you’re doing more than just wondering,” he says, voice dropping lower, his tone teasing but with an edge that makes the moment feel more personal.

she doesn’t flinch, keeping her professional demeanor intact, though inside, she feels the tension growing. “that’s your interpretation,” she responds, her voice smooth and steady. “but we both know how interviews work, right?”

franco tilts his head, his gaze sweeping over her, amused. “is that what we’re calling this?” he laughs lightly, the sound warm, but his eyes remain locked on hers. “because this feels like something else.”

she raises an eyebrow, keeping her cool as she tilts the microphone slightly toward him. “oh? you think this is something more?”

he shrugs, his grin never faltering, but there’s something more deliberate in the way he leans in just a little further. as he speaks, his hand casually reaches out, his fingers wrapping around the microphone she’s holding, his touch firm yet playful. he doesn’t take it from her, but the gesture makes her heart skip for a moment. “let’s just say,” he murmurs, his voice low, “i don’t get this kind of vibe with anyone else.”

her finally allows herself a small smile, just enough to acknowledge his playful attempt. her grip on the microphone tightens just slightly. “vibe?” she echoes, pretending to mull over the word. “well, if that’s what you’re picking up, i must be doing my job right.”

franco chuckles again, but she sees in his eyes that he’s still not letting go of the game. “you’re good at your job, elaine,” he admits, a bit more seriously now, though his playful tone lingers. “but i’m not sure that’s what i mean.”

she narrows her eyes slightly, pretending to consider his words. “well, i’m not here to interpret feelings, franco,” she replies, her voice still measured, professional. “i’m here to ask the real questions.”

he smirks, clearly enjoying the banter. “okay then, ask away,” he says, spreading his arms slightly, as if welcoming whatever she’s about to throw his way. “hit me with your best shot.”

she pauses for a beat, still holding his gaze, the challenge hanging between them. “how about this?” she says, lowering her voice just a touch. “what’s it like knowing you’re the driver everyone’s watching this season after your unexpected jump to f1?”

he leans back slightly, his expression shifting as he switches to the more serious part of the interview, though she can still see that playful glint in his eyes. “it’s exciting,” he admits, finally breaking eye contact as he glances off to the side, his tone more thoughtful now. “a little nerve-wracking, too, if i’m being honest. but i’ve been waiting for this moment my whole life, so i’m ready for it.”

she nods, letting him speak as her camera crew captures his words, but even as the conversation turns more professional, she notices the underlying tension. it’s like the game never really stopped—it’s just paused for now.

“do you feel the pressure?” she asks, keeping her tone level but letting a hint of curiosity slip through. “knowing that so many eyes are on you?”

franco meets her gaze again, his expression softening slightly. “yeah, i feel it,” he admits. “but i think that’s part of what makes it fun. the pressure pushes you to be better. and… i’ve got good people around me.” his eyes flicker toward her for just a second, and she doesn’t miss the way his words seem to hold a double meaning.

she maintains her professional surface, but inside, the familiar game is still alive. “good people, huh?” she says, her voice steady. “that’s important.”

he nods, his smile returning, but there’s something softer behind it now. “yeah,” he says, his tone quieter but still light. “it makes all the difference.”

she holds his gaze for a moment longer before glancing down at her notes, signaling that the playful banter is over—at least for now. “well,” she says, shifting back into reporter mode, “i think that’s a wrap for today.”

franco’s grin widens, and as she lowers the microphone, he steps closer again, just for a moment, his voice dropping to a near whisper. “i’m already looking forward to our next interview, elaine.”

her smile—this time fully—allowing him that little victory. “i’m sure you are,” she says softly, before turning back to her camera crew.

SCENE #3.

elaine meets franco for another interview during a casual media day. it’s quieter than usual, with fewer cameras and press around, giving everything a more relaxed vibe. she sets up her microphone, preparing to ask him a standard question about his preparations for the upcoming race.

“franco,” she starts, flashing her usual friendly smile, “how are you feeling about this weekend? any special strategies for the race?”

but instead of answering her question seriously, franco leans back in his seat, a playful smirk curling at the edge of his lips. he doesn’t bother with the usual racing talk. “you know, i’ve been preparing for this moment—seeing you again,” he says, his voice smooth and teasing.

her laugh comes out naturally, caught off guard by the shift in conversation. she tries to stay composed, shaking her head slightly, but the comment lingers in the air between them. “franco, we’re supposed to be talking about racing,” she replies, though there’s a hint of amusement in her voice. she’s used to his charm by now, but today it feels different, bolder.

franco, far from backing down, leans in a little closer, his gaze holding hers with a new intensity. “what? you’re the one who keeps finding reasons to talk to me,” he says, his tone lighter but insistent. “i think we’re overdue.”

she raises an eyebrow, trying to keep the conversation on track, but her pulse quickens at the way he’s looking at her. his usual playfulness feels more deliberate, the line between professionalism and personal interest blurring.

“overdue for what, exactly?” she counters, her voice calm, but her heart isn’t. she’s not giving him an easy out, and she knows he’s testing her. he chuckles, clearly enjoying the banter.

“a real conversation, no microphones, no cameras,” he clarifies, his voice dropping slightly as if it’s just the two of them in the room. he’s serious, and she can feel it. his eyes haven’t left hers since the conversation started, and suddenly, the interview feels less like work and more like something else entirely.

elaine shifts, gripping the microphone a little tighter, trying to brush it off with another laugh. “is that your new strategy? charm your way through the season?”

he leans back, arms crossed, his grin unfaltering. “hey, i’m just playing to my strengths.” he flashes her a wink, making it clear he’s not just talking about his racing skills.

elaine glances at her camera team briefly, aware of the recording, but her mind’s already distracted by the shift in their dynamic. she takes a steady breath, maintaining her professional stance, but deep down, she knows franco has her cornered in a way she didn’t expect.

SCENE #4.

elaine steps into the interview space, all set to keep things professional as always, but there’s something different about franco today. his posture is more relaxed, leaning casually against a wall, and as she approaches, his eyes light up with that same familiar mischief, though now it feels heavier with intention. she notices the subtle change; the playful flirtation he once scattered freely with other journalists has all but vanished. by now, she’s the only one he reserves it for, and the realisation makes her heart skip a beat.

before she can even get her opening question out, franco interrupts, not missing a beat as he says, “you look gorgeous today, by the way. but then again, you always do.”

elaine is momentarily thrown off, her grip tightening slightly on the microphone as she processes his words. but her professionalism kicks in, and she brushes it off with a small laugh, her expression staying composed. “thank you, franco,” she replies, her tone polite but distant, trying to keep things on track.

he doesn’t let it go. he leans in just enough for their arms to brush, his smirk deepening as he adds, “i’m serious, elaine. it’s getting hard to focus on anything else when you’re around.”

her heart skips a beat, and she feels the warmth of his proximity, but she stays cool under pressure. she knows he’s trying to get a reaction, but she won’t give him the satisfaction that easily. raising an eyebrow, she tilts her head slightly, her voice smooth and teasing, “really?”

he chuckles, clearly enjoying the back-and-forth, his eyes locked on hers as if there’s no one else in the room. “let’s just say that doesn’t happen often with anyone else,” he replies, his voice dropping lower, as though they’re the only ones in on this private conversation.

her pulse quickens despite herself. the camera crew behind her is still rolling, and she knows every second of this will be captured, but franco doesn’t seem to care. there’s a daring edge to him today, a boldness that’s pushing the boundaries of their usual exchanges.

she takes a steadying breath, maintaining her professional demeanor, but there’s no denying the tension between them. “looks aside,” she starts, her voice firm but softening at the edges, “i’m here to talk about your race, not to boost your ego.”

franco grins wider, clearly not deterred. his hand briefly brushes against her arm again as he leans closer, his eyes sparkling with amusement. “who says you can’t do both?”

elaine huffs a small laugh, shaking her head as she refocuses on the microphone. “let’s keep this professional, franco.”

“sure,” he says, though his eyes tell a different story. the playfulness lingers in the air between them, and though she tries to push through the rest of the interview, there’s an unspoken tension that neither can quite ignore.

SCENE #5.

as the interview begins, franco leans against the wall, a glimmer of amusement in his eyes as she approaches. her camera team sets up nearby, but this time the atmosphere feels more relaxed, less formal, as if the race weekend has left everyone in a calmer mood.

she asks the first question about his performance, her tone professional, but with that familiar playful edge that always seems to bring out franco’s charm. he smiles through her questions, barely paying attention to the words. when she finishes, microphone in hand, he reaches out, gently taking hold of the microphone as if to steady it, but instead of letting go, he keeps his fingers wrapped around hers.

“there’s something i’ve been meaning to ask you,” franco says, his voice low, eyes locked on hers.

she blinks, slightly thrown by the sudden shift in tone. “oh? about the race?” she asks, her professional mask slipping just a little as she looks up at him.

he grins, shaking his head. “no,” he replies, his grip still firm on the microphone. “something a little more personal.”

she raises an eyebrow, trying to maintain her composure, though she’s acutely aware of how close he is now, the warmth of his hand next to hers. “go on,” she says, her voice steady despite the tension.

he leans in just a little closer, his grin turning playful but his tone serious. “when are we going to stop pretending these interviews are just about racing?”

she feels a flutter in her chest, but she quickly regains her footing, narrowing her eyes slightly as she tries to maintain the upper hand. “is that what you think we’re doing?”

he chuckles softly, his hand lingering on the microphone for a beat longer before pulling back slightly, though the space between them is still minimal. “i’m just saying… i think we’ve had enough interviews to cover racing. maybe it’s time we talk about something else. maybe somewhere quieter.”

her breath hitches, but she keeps her expression composed, giving him a small, teasing smile. “you have something in mind?”

franco’s gaze holds hers, his smile widening as he steps back just a fraction, giving her space but not letting go of the playful tension. “i do,” he says simply, “but it’s not really something we can talk about on camera, is it?”

her heart skips a beat, but she doesn’t let him see that. instead, she tilts her head slightly, amused. “i think you’re getting ahead of yourself.”

he shrugs, his confidence unwavering. “maybe. or maybe i’m just catching up to what we’ve both been thinking.”

she pauses, the weight of his words settling between them, but before she can respond, the camera team signals that they’re ready to wrap up. franco flashes them a grin, his usual media charm slipping back into place as he steps away, but there’s something unmistakably different in the way he looks at her now—something that lingers long after the interview ends.

SCENE #6.

as the sixth interview begins, there’s an unmistakable tension in the air. the setting feels quieter than usual, tucked away in a calmer part of the paddock. the hum of activity continues in the background, but here, it’s just franco, elaine, and her camera crew. the atmosphere feels more intimate, almost as if it’s just the two of them despite the cameras rolling. franco stands close to her, his energy brimming with the confidence he’s earned after a successful weekend. there’s something about the way he’s standing tells her he’s ready to push the boundaries further this time.

as elaine begins the interview, franco listens with a half-smile, his gaze never straying from her face. he answers her first few questions with his usual charm, but there’s a noticeable shift as the interview starts to wind down. instead of letting her wrap things up, he steps forward and takes hold of the microphone, stopping her in her tracks. his fingers brush against hers, and his smile widens as he keeps a playful grip on the mic.

“one last question before we finish up, elaine,” he says, his voice low and teasing, though his eyes are filled with a mischievous gleam. he doesn’t wait for her to respond, his gaze fixed intently on her, making sure she’s paying full attention. “when are you going to let me take you out?”

she blinks, momentarily caught off guard by the directness of his question. the cameras are still rolling, and she knows her crew is watching. her professional mask stays firmly in place, but there’s a flicker of surprise in her eyes as she glances at him, not sure whether to laugh or call his bluff.

franco doesn’t back down. if anything, her silence only fuels his confidence. he leans in just a little closer, his voice dropping to a more private tone. “i mean, we’ve done enough interviews by now, haven’t we?” his fingers remain on the microphone, his touch lingering. “don’t you think it’s about time we see each other outside of work?”

she tilts her head, her lips parting as she considers how to respond. she knows franco has been flirty before, but this—this is different. this is more direct, and he’s not hiding behind playful banter this time. there’s no subtlety, no room for her to misinterpret his intentions. she could brush him off with a witty remark, like she usually does, but the way he’s looking at her—so certain, so bold—makes her pause.

her camera crew stays silent behind her, but she can feel their eyes on the two of them. still, it’s as if the rest of the world has melted away, leaving only them in this charged, electric moment.

“i see,” she says finally, her voice steady though her heart races. “so this is your big question? the one you’ve been waiting to ask?”

his grin widens, and he nods, not even pretending to be bashful. “it’s the only one that matters, really.” his hand drops from the microphone, but he doesn’t step back. he holds her gaze, waiting for her response, as if daring her to either accept his offer or shut him down.

she takes a breath, then exhales slowly, her eyes narrowing playfully. “well,” she says, her tone light but with an undercurrent of something more, “i suppose i could consider it… if you can survive another interview.”

franco chuckles, the sound deep and rich as he leans back slightly, still keeping that air of confidence. “oh, i’ll survive,” he says, flashing her one last grin. “but i’d much rather we skip to the part where i get to take you out.”

the tension lingers as the interview ends, the flirty exchange hanging in the air long after the cameras stop rolling. elaine may still be in control, but franco has made his intentions clear—this wasn’t just another interview. and judging by the way her eyes linger on him, there’s a part of her that doesn’t want to brush him off so easily this time.

SCENE #7.

the interview begins like any other. elaine approaches franco with her usual composure, ready to dive into another conversation about the upcoming race. but today, there’s a subtle tension in the air, something unspoken lingering between them from their previous encounters.

as she greets him, microphone in hand, franco’s eyes immediately lock on hers, that playful glint back in full force. “elaine,” he says smoothly, “i was beginning to think you were avoiding me.”

she smirks, raising an eyebrow. “avoiding you? you’re impossible to avoid.”

franco laughs softly, his gaze never leaving her. “and yet, you manage to always keep your distance.” there’s a teasing edge to his words, but something else too, something more serious.

she moves to start the interview, but franco takes a step closer, his hand casually reaching out to brush against hers. the touch is brief at first, but enough to make her pause. she glances down at their hands, a slight flutter in her chest, but she tries to maintain her professionalism, focusing on the task at hand.

“so, franco,” she starts, trying to regain control of the situation, “how are you feeling about this race? confident, as always?”

he doesn’t answer immediately. instead, his fingers lightly graze hers again, this time more intentional. before she knows it, he’s gently holding her hand, not forcefully, but enough to make her heart skip. her breath hitches for a second, and she glances up at him, but he’s already watching her with a grin that’s both charming and undeniably bold.

“you know, i could talk about the race,” franco says softly, his voice low, as if the two of them are the only people in the room. “but i think we’ve had enough of that, don’t you?”

elaine tries to pull her hand back, but he holds it for a moment longer, his thumb brushing over her knuckles. it’s subtle, almost imperceptible, but it sends a shiver down her spine. “franco,” she starts, trying to steady herself, but the teasing light in his eyes tells her he’s fully aware of what he’s doing.

he leans in slightly, closing the space between them just enough to feel his presence more than ever. “what if, just this once, we forget about the race? talk about something else... something more interesting.”

elaine’s heart is racing now, the intensity of the moment catching her off guard. she knows the camera is rolling, but for a split second, she forgets about everything else. “like what?” she asks, her voice quieter, betraying the calm exterior she’s trying to maintain.

his smirk deepens, and he gives her hand one last squeeze before finally letting go. “how about that dinner we’ve been talking about? you can’t say no forever, elaine.”

she blinks, regaining her composure, and steps back just enough to create some distance, though her heart is still racing from the brief but electric contact. “we’ll see about that,” she replies, her voice stronger now, though there’s a lingering warmth where his hand had been.

franco grins, clearly satisfied with the effect he’s had on her. “i’ll take that as a ‘maybe.’”

the interview resumes, but neither of them can ignore the unspoken tension that now sits between them, even as the cameras roll and the questions continue.

FINAL SCENE.

from the moment the cameras roll, it’s clear that today, franco isn't holding back. his confidence is palpable, his eyes locked on hers as if the world outside the interview doesn’t exist.

“you know, we’ve danced around this long enough,” franco says, his tone playful yet sincere, the easy smile on his face revealing a deeper intent.

“danced around what exactly?” her tone is playful, but she knows exactly where this is going.

franco’s smile is different today—there’s no teasing, just an open honesty in the way he speaks. “when are you going to stop dodging my dinner invitations? you said one more interview and you’ll let me take you out and it’s been two already.”

elaine raises an eyebrow, amusement dancing in her eyes. “is this your way of trying to get an exclusive or something?”

franco chuckles softly, leaning in just a bit closer, his confidence radiating from him. “no, i’m serious. i’ve asked enough times, and you’ve given me the runaround. it’s time for a real dinner, just the two of us, no cameras.”

elaine laughs lightly, but there’s a spark of intrigue in her gaze. “and what makes you think i’d say yes now?”

franco steps a little closer, the warmth of his presence wrapping around her. “maybe because you’ve enjoyed our conversations just as much as i have. eight interviews later, don’t you think it’s time we had one without the cameras?”

she pauses, letting his words hang in the air for a moment, the tension palpable. finally, a smile breaks through. “alright, franco. dinner it is. but don’t think this means you’re off the hook for next season.”

his grin widens, genuine delight lighting up his face. “i’ll take what i can get. dinner it is.”

once the cameras shut off, the atmosphere shifts. franco doesn’t move away from her side. the energy is different now—calmer, more intimate. he’s always had a playful, cocky edge, but today there’s something deeper in the way he looks at her. he hands off the microphone to a crew member, his arm brushing against hers, sending a thrill through her.

elaine lowers the microphone, her professional demeanor softening. she’s always been careful to keep their interactions light and work-related, but tonight feels different, like a turning point.

“i never thought you’d actually accept,” franco says quietly, his gaze steady on hers, a hint of vulnerability beneath his usual charm.

elaine meets his gaze, feeling her guard beginning to lower. “what can i say? i’m full of surprises.”

as they stroll side by side, the conversation shifts. they talk about their careers, the crazy schedules that keep them both moving from one city to another, and how their paths keep crossing in the most unexpected ways. franco is more relaxed now, no longer the charming rookie trying to win her over, but just himself. elaine listens, her guard slipping down more with every word.

at one point, he gently reaches for her hand, testing the waters as his fingers brush against hers. she pauses for a brief second, her heart skipping a beat as she feels a rush of warmth at the contact. surprised but pleased, she lets him touch her.

“you know,” he says softly, glancing at her with a mix of seriousness and mischief, “i’ve been waiting for you to say yes for a long time, you know.”

she squeezes his hand lightly, a smile tugging at her lips. “maybe i was just waiting for the right moment.”

franco’s expression brightens, a spark of hope igniting in his eyes. “and what about now? do you think this is the right moment?”

elaine feels her heart flutter at the sincerity in his gaze. the playful teasing from their earlier interviews has melted into something deeper, something she has been longing for but hesitated to acknowledge. “i think it could be,” she replies, her voice softening.

he steps even closer, the warmth of his body radiating against hers. “good. because i can’t be any more obvious than i already am.”

elaine tilts her head, teasingly raising an eyebrow. “obvious? maybe you were just being charming—it’s hard to tell sometimes.”

his grin broadens, and he takes a small step closer, the air thick with unspoken tension. “charming, huh? i guess i’ll have to keep it up then.”

“don’t get too cocky,” she warns playfully, her heart racing at the way he leans in just a bit more. “i might change my mind.”

“not a chance,” he replies, his voice low and confident. “i’m determined now. i’ll make you see how good we could be together. you and me—it’s worth pursuing.”

©⠀piastrisun original work. please don’t translate, claim or repost any of my writing, 24’.

[cozylittleartblog]

me omw to scare mormons out of a wendys!! 🍂🖤🍟

ootd from like 2 weeks ago and yes that really happened

[ghostoffuturespast]

I blame big agri, big pharma (You think pharmaceutical companies are only in the business of drugs? A lot of them have patents on and sell pesticides too), and land developers. You know, the corporate entities that are actively destroying habitat and eradicating plants and wildlife.

But you know what? There's something you can actually do about this.

Step 1: KILL YOUR LAWN

Link to t-shirt art here.

And I mean this literally, metaphorically, and spiritually.

Unless it's an actual communal space, urban turf lawns are elitist colonial holdovers from the days of European estates - from wealthy land owners who could afford to have servants hand cut their lawns and didn't need the land to subsite off of. Rather the elites just subsisted off the backs of other people's labor. Like they still do today. Turf lawns are status symbols, they provide very limited habitat for wildlife, very limited eco service system functions, and are fucking boring.

So kill your lawn and eat the rich. You don't need a lawn to throw a potluck bbq.

Step 2: Plant Native Plants

(Photo credit)

Plant them in your yard, next to your vegetable garden, in containers outside you apartment, plant them in your asshole neighbor's yard, in hellstrips, in road medians, on the sides of the roads community gardens, at your kid's school, guerilla garden in some businesses landscaping, talk to your HOA about changing their dumb rules, join a local volunteer restoration effort, advocate for installing pollinator gardens at your local park. Wherever you think you can get native plants to grow.

Sure there are some immediate benefits to planting native plants, but one plant or one garden is not gonna fix climate change or habitat loss on its own. But that's not the point. The point is to learn and to heal. The point is to show people how to re-democratize our landscapes, because we as a species have forgotten what that looks like. It is about reminding people what the beauty of nature is, the sustenance it provides us, and the interconnectedness of all living things.

So go out there and get your hands dirty.

Also, as someone who works in land stewardship and natural resources, and who has completely gone down the Prairie Dog burrow on native plants, hit me up with questions. Chances are I don't live in the same ecosystem as you do and won't be able to answer in fine detail, but I'm happy to help people get started and point them to local resources.

it's kind of crazy climate change has occurred at such a remarkable pace that I and everyone else around my age can remember a completely different climate in our childhoods. I truly watched winter gradually disappear in my life.

[fuctacles]

<<😺😺😺😺😺😺😺

"Yes? Hello, officer? There's a man in my apartment."��

Eddie stirs awake, his surroundings coming back to him in hazy waves.

"What?" he slurs out, blinking to clear his vision.

"Oh, I was just telling the officer that I've found a man sleeping on my couch," Stephanie says with a troubled expression, hovering over him.

Over the couch that he fell asleep on.

He sits up so suddenly he loses his balance and falls back against the cushion.

"I'm so sorry, please don't call the cops—!"

Stephanie immediately shakes her hands, which are free of a phone.

"I was joking, I was joking!" she reassures him quickly. "I'm sorry." She smiles apologetically, taking a seat next to him. "I guess that wasn't the best way to wake up someone." 

"No," Eddie chuckles awkwardly, rubbing the back of his neck. "Especially not an ex-drug dealer," he huffs dryly. 

Steph cocks her head with a surprised "huh" and only then does Eddie realize what he has just blurted out. 

"Ah, shit. Am I ruining my good neighbor status?" he winces.

"Not at all," Steph shakes her head, and gently pats his knee. He zeroes his focus on her hand when she decides to rest it there on his jean-clad leg. 

"I know my nice neighbor Eddie, not the drug dealer one," she smiles reassuringly. "What made you turn around? If you don't mind me asking," she squeezes his knee and retrieves her hand to lean back more comfortably on the couch. One of her cats, Garfield, jumps on her lap for a greeting, and Eddie realizes she's still wearing her jacket. He looks at the clock on the wall and realizes it's almost midnight. 

"Sorry, I'm holding you back, you're clearly tired," she backtracks quickly, watching his eyes dart around. But Eddie shakes his head.

"Nah, I just took an invigorating nap." She laughs at that and he can't help but smile as well. "I'd assume you're tired after traveling."

"I took an invigorating nap on the bus," she smiles, petting her cat. Arwen finally decides she's not above greeting her human and jumps in next to her as well, occupying Stephanie's other hand. 

Eddie reminds himself not to get jealous of felines.

"I managed to graduate," he says and when Steph looks at him in confusion, he adds: "I dealt in high school to save money for my band, thought that was my only route. But then I did graduate, on my third try, and the art teacher pulled some strings, asked around, and told me I could go study music. The guys forced me to go for it," he smiles at the memory. "My band, I mean. They said at least one of us should know some theory," he chuckles. 

"That's very nice of them," Stephanie comments. 

"Yeah. The bastards followed me after high school too." He grins. 

"And I still haven't heard your music," she sighs wistfully. 

"I'll bring a tape next time," he promises. 

"You better."

They sit in silence for a while, only the cat's purring filling the night ambiance. 

"Want some tea?"

"I guess I should go."

They speak over each other, eyes wide when they meet awkwardly. They chuckle, and Eddie can feel his cheeks warm up.

"Or I can get us a beer? Since you're not an old lady," she offers, spotting the empty bottle on the table. "Unless you really need to go."

"Beer sounds good. Considering there are no old ladies here," he smiles charmingly, daring her to protest. 

Steph doesn't say anything, only rolls her eyes and gently nudges Garfield from her lap onto the couch cushions. She scratches Eddie's head when she passes, thankfully missing the way it causes his whole body to shiver. 

"Won't your uncle be worried where you are?" she asks from the kitchen, giving Eddie the space he needs to collect himself. 

"I told him I'd wait for you," he answers, scratching Garfield and trying to forget how good it felt when done to him. "Also, I don't have a curfew anymore. Never had, in fact. Not with Wayne."

"Lucky you." She steps back into the room, handing him a chilled bottle. "How long have you been living with him?"

"Since high school," he answers before taking a swig. "Spent a short time in a halfway house before that. My parents couldn't handle me anymore, but they managed to reach my uncle and he took me in."

"The hell do you mean 'couldn't handle you'?" Steph asks with a frown.

Eddie chuckles at her immediate offense.

"They got into legal trouble, and couldn't afford the house anymore, I think my dad spent some time in prison too. Tax fraud and shit, never cared enough to dig into it and Wayne doesn't like talking about them either. He's a better parent they'd ever be anyway."

"Yeah," Steph softens. "I'd love to have had someone like him back in the day." Then, she deflates with a sigh. "Though even the nicest people can turn out to be bigots. Not Wayne, of course!" she rushes to add. "He knows about Robin and he's really cool about it." 

Eddie sees his opening and feels comfortable enough to use it finally. 

"He better be, since his nephew is bisexual," he says with a little huff. 

"He is?" Steph picks up curiously. 

"Yeah," Eddie scratches his cheek, suddenly sheepish. "Turned out I wasn't watching Indiana Jones for the plot."

"I think that sweaty chest is plot enough," she says and they both laugh.

"Have you dated a guy, then?" Stephanie asks next. 

"Only one for real," Eddie admits. "But it's not like I've dated many girls either, though it is easier."

"A young bachelor like you?" Stephanie raises her eyebrows in surprise. "You should be swarming with marriage proposals, the way your uncle describes you."

Eddie groans, throwing his head back against the cushions. 

"What nonsense is he telling about me?"

"Only that he has a talented, smart boy in Indy, who's always helpful and protective of his friends and family. Also, he has really frizzy hair."

"Excuse me?"

Eddie picks up his head to look at Stephanie. She's suddenly closer than before, rubbing a lock of his hair between her fingers. 

"When was the last time you had your hair done?"

"Uh." He looks between her hand and her face like he'll find the answer there. "Never? Probably? At least not that I remember."

Stephanie's mouth purses with displeasure. 

"I can fix them for you. For taking care of my cats."

Eddie wants her hands in his hair so badly, but he raises his beer like a dumbass. 

"But I already got a beer," he points out. 

She shakes her head. 

"I share beers with friends for less. I'd usually buzz Wayne too, and you'd be doing me a favor because I can't focus with your split ends right in my face."

She's really playing it up, pout and all, and unfortunately, it's working on him. 

But he'd probably do anything she asked for. 

"Then, uh... Sure, I guess."

[midnight-shadow-cafe]

After Hours

Pairing: Poly 141 x reader

AU: Mechanic 141x Reader

Warnings: language, mentions of drinking

Authors Note: I hope you enjoy, I love this AU so much-

Word Count: 1.2k

Masterlist

MDNI18+MDNI18+MDNI18+MDNI18+MDNI18+

The hum of engines echoed in the quiet garage, softened by the dim overhead lights as evening bled into night. Most of the team had clocked out, leaving just you and a few of the guys to finish up the last project of the day. Price had stayed, though he lingered more at the edges of the room, keeping a steady, watchful eye as he supervised the night’s work.

Soap was stationed at the paint table, bent over a vibrant paint mix he’d been obsessing over all week. His eyes lit up as he caught you watching, grinning as he lifted a paintbrush with a flourish. “See, it’s all about layers,” he said, his accent thick with his excitement. He dipped his brush, dragging it across the paint in deft strokes. “Depth’s gotta be just right. With the right mix, it catches the light like—dunno—a sunrise on a clear day, yeah?”

“Since when did you get so poetic, Soap?” you teased, a smile tugging at the corner of your mouth as you watched him. You were still wiping grease off your hands, the stain already becoming a familiar sight from your few weeks here, but somehow you’d come to like it. A reminder of belonging.

“Since I met you,” he said without missing a beat, that grin of his widening just enough to make your cheeks flush.

Before you could even respond, Gaz strolled in, his own work gloves tossed over his shoulder as he settled against the workbench beside you. “Still on about that paint job, eh, Soap?” He shot you a conspiratorial smile. “Trust me, he’s dragged everyone into it—won’t be long before he’s begging you to stay all night mixing colors with him.”

“Oi, don’t you start, Gaz,” Soap protested, a playful scowl forming as he brandished his paintbrush like a weapon. “Art takes patience, you know. Some of us have an eye for beauty.”

“More like an eye for wasting time,” Gaz shot back, shaking his head with a laugh as Soap huffed in mock offense.

Their banter was interrupted by the sound of footsteps. Price approached, arms crossed as he surveyed the group with a small smirk. His gruff expression was softened by the amusement in his eyes, but his words were all business. “Alright, enough chit-chat. We’ve got that engine to finish if we want it done by morning.”

That was Price for you—focused and direct, keeping everyone in line. Yet he never pushed too hard, and the respect he commanded made it easy to listen, to want to do your best. He’d taken you under his wing from the start, not coddling you but always offering steady guidance when things got tough. You had only been at *Tactical Motors* a few weeks, but already, he made you feel like part of the team.

“Already on it,” came a low voice from behind you. Ghost stepped forward from the shadows, silent and as intimidating as ever. He handed you a wrench, his gloved fingers brushing against yours for a brief second. His presence settled next to you, steady and unyielding, making you feel like there was nothing that could go wrong while he was around.

“Thanks, Ghost,” you murmured, your gaze meeting his. Though he didn’t say anything, the slight nod he gave you was enough to send a shiver of something warm and reassuring through you.

With Price’s nod, you all moved into the work with ease. Together, the five of you fell into a seamless rhythm. Price guided you through the intricacies of the engine assembly while Ghost tightened each bolt with practiced precision, his quiet demeanor masking an intense focus. Gaz worked diagnostics, occasionally chiming in with quips that kept everyone laughing, while Soap hovered around the edges, finishing up his paint job but constantly stealing glances at you, his smile never fading.

The line between work and something deeper began to blur as the hours slipped by. You noticed the small touches and shared glances—Soap’s shoulder brushing against yours more often than necessary, the way Gaz’s eyes lingered when he handed you a tool. Even Ghost seemed to hover closer, his usual distance replaced by a comforting protectiveness that made you feel secure.

And then there was Price. His eyes softened whenever he caught you laughing with the others, his gaze one of steady approval mixed with something else, something that made your pulse quicken. You’d felt close to him since day one, but tonight, it felt more real than ever.

By midnight, the engine purred to life, humming with perfect precision. You and Price stepped back to admire the work, and Soap threw his arm around your shoulders, pulling you close with a grin.

“Not too shabby for a newbie, eh?” he teased, squeezing your shoulder.

“More than not too shabby,” Gaz chimed in, his voice filled with approval. “That was a masterclass. I’d say you’re officially one of us now.”

Even Ghost seemed pleased, his usual stoic expression softening as he gave a rare nod. You caught a glimpse of pride in his eyes, his silent approval meaning more than you’d ever expected.

Price approached, his gaze steady and intent. “You’ve proven yourself,” he said softly, his voice carrying a warmth that sent butterflies fluttering in your stomach. “Welcome to the family, love.”

The word “family” hit you, settling deep in your chest. You’d had jobs before, but nothing like this. Nothing that made you feel this…connected. Standing there in the dim light of the garage, surrounded by Price’s quiet strength, Soap’s playful warmth, Gaz’s easy charm, and Ghost’s silent protectiveness, you felt like you’d found something you didn’t know you were missing.

After a moment, Soap broke the silence with a mischievous grin. “I’d say this calls for a celebration, yeah? My place, a couple rounds on me.”

Price raised an eyebrow, glancing at you with that soft smile again. “What do you say? You up for a night with these idiots?”

You couldn’t help but laugh, feeling the anticipation spark between you all. “Yeah, I think I am.”

A Few Hours Later

The five of you sat on Soap’s back patio, beers in hand as laughter echoed through the night. The camaraderie that had formed in the garage only deepened in the quiet intimacy of the darkened backyard. Soap had a warmth that kept you smiling, and Gaz’s easy charm drew you in, the two of them joking as if they’d known you forever.

Price stayed close, watching over the group with his usual quiet intensity, his gaze occasionally meeting yours in a way that made your heart race. And Ghost, though still silent, seemed more relaxed than you’d ever seen him, his usual guarded demeanor softened in the safe company of his teammates—and you.

The hours slipped by in a haze of laughter and stolen glances. By the time dawn approached, you felt more than a part of the team. You felt the warmth of a family, the thrill of something new and unknown blossoming with each smile, each touch, each whispered word.

And you knew, in the quiet light of the early morning, that whatever this was, you didn’t want it to end.

Hope you enjoyed! Please consider liking and reposting! -Midnight💜

[tubbytarchia]

I see so so many videos and comments and discussion from people including artists expressing grievance and cringing in one way or another at modern and performance art, and all I can think is damn. That sort of art is really goddamn effective when it gets this much publicity and attention from people trying to cope because it gets under their skin so easily and not realizing the irony

At this point there's no modern or performance art I don't respect (other than ones that cause harm to animals 😐) just for being able to so effortlessly get reactions out of people. Like the "who's afraid of yellow, red and blue" paintings that to most people look like solid boring colors, 'how in the world is that art?' and all that, and yet, fittingly for its name, it gets vandalized (and is also impossible to restore because no one can replicate the intricate technique of the author). Some things never change. Godspeed modern and performance artists

[maybejj]

The Beginning of Us. Part 1

babydaddy!rafe x sweetheart!reader

summary: You and Rafe were high school sweethearts that continued into college however Rafe went down the wrong path and you found out you were pregnant. 3 years later finds you and Rafe trying to navigate co-parenting your 2 year old son while overcoming life’s obstacles and past experiences.

warnings: mention of drugs, I think that’s it?

word count: 1.1k

“Mommy look at my tractor!” You hear your two year old son call to you from the other side of the room. You were distracting yourself from the fact Rafe was coming over to pick up Asher, the son you shared.

You turn towards him and gently smile. Asher was a spitting image of his dad. The only thing he inherited from you were your green eyes, everything else was all his father. The dimples, the blonde hair, the little smirk he got on his face right before he was about to do something he shouldn’t, his attitude. God, it was all Rafe. It use to make you emotional after you and Rafe broke it off but you’ve had time to move on. It doesn’t hurt as bad anymore.

“I see your tractor baby. It’s your favorite color.” You grinned at him and he returned it with his own goofy grin. Everything you did these days was to provide for your son. Making sure he had the best of the best and Rafe made sure of it as well. Your relationship with Rafe may have ended but you two try to put your differences aside to take care of Asher.

You and Rafe got together when you were 15. High school sweethearts, the power couple, the relationship everyone envied in high school. You were great together in high school. You were the couple that loved public displays of affection, always all over each other no matter the setting. Rafe was always so attentive to you, always so sweet and caring. You always listened to him and helped him express his emotions and feelings, especially when it came to his dad. There was never any arguing. Disagreements were common in any relationship and you definitely had those but you both never yelled at each other. You would work through any problems calmly to come to a solution. College was a different story.

You both went to UNC Chapel Hill and the first 3 months were unreal. The freedom of moving away from Kildare felt so good. You had your own dorm room, as did Rafe. You were both freshman at the time so your plans to have an apartment together was ruined by the college rules but you still made time for each other. Rafe was studying business, you were studying art. You thought you had the world at your fingertips. That was, until Rafe got into a fraternity. It didn’t take long at all until you noticed the shift in him. The staying out later than normal, lying to you about where he was, going to parties every night, ditching plans with you more often than not. When he did make time to come to your dorm to say sorry for the night before, he smelled like liquor and his eyes were red around the edges. He constantly rubbed his index finger under his nose, almost rubbed raw. He wouldn’t look you in the eyes when he spoke to you. You weren’t stupid, you knew he was getting into stuff he shouldn’t and you told him as such. He immediately would blow up on you saying it was none of your business. It was a never ending cycle that went on for months. One night it become too much when you found two bags of Coke in his truck glove box.

The front door opening pulled you from your thoughts. Rafe entered the apartment with several bags in his hands. Asher immediately dropped his tractor and ran to his father, grabbing onto his pant leg and jumping up and down.

“Hey little man, you look like you’ve been busy today.” Rafe gently smiled down at him while holding the bags in his hands away from the little toddler attached to his leg.

Asher only nodded multiple times and continued hugging his leg. Rafe didn’t move from his spot in the doorway, just gazing down at his son with a soft smile on his face. You watched silently from the other side of the room. Rafe only let his guard fully down around Asher, his son bringing out the best in him. You truly believed Asher was the only thing that saved Rafe from an overdose.

Rafe looked away from his son and met your gaze. The smile left his face and the solemn expression took over again. He nodded in your direction and lifted his hand holding the bags, “Got some stuff from the store I thought you might need.”

“You didn’t have to do that.” You shook your head. Every time he came over he would bring bags of stuff he thought you or Asher might need; baby wipes, deodorant, your favorite shampoo, Asher’s favorite snacks, your favorite candy. He did it every time and every time you told him he didn’t have to do it. Rafe would just give you a flat look, shake his head, and change the subject.

Rafe exhaled softly and said your name which had you swallowing thickly. The way he said your name after all these years still caused butterflies in your stomach.

Asher seemed to be getting bored of not getting attention and detached himself from Rafe’s leg. He reached his chubby hands above his head to grab one of the bags Rafe was holding, “I take it Daddy. I strong for mommy.”

You and Rafe laughed as he took one of the bags and set it on the chair in the living room. Rafe followed Asher’s steps and laid the rest of the bags down for you to go through later.

“You got your bag ready, little man?” Rafe raised his eyebrows in Asher’s direction and the toddler quickly scrambled down the hall to his room. You waited until Asher was out of sight until you turned back to Rafe.

“I know I don’t have to say this but I feel better when I do,” You made eye contact with Rafe. “Please be careful.”

Rafe nodded slightly, raising his hand to run across his jaw. Rafe knew you worried a lot about Asher, he’d gotten better with dealing with it and not getting so frustrated. It use to piss him off because he thought you didn’t trust him with his own son but it was deeper than that. You and Asher had been through a lot and Rafe knew firsthand what it did to you. You knew Rafe would protect Asher with his life, he’d done it before. You just couldn’t help but think about past experiences every time Rafe took him for an outing but you were trying to get better.

“You know we will. I’ll bring him back before dinner.” Rafe promised before you both were interrupted by the bundle of energy barreling through the living room with his Spider-Man backpack dragging behind him.

“Let’s go daddy!” Asher grabbed Rafe’s hand and drug him to the front door. He waved his hand half heartedly in your direction and pulled his father out of the apartment, leaving you alone with your thoughts.

[echantedtoon]

Father To Be

In a since, some of the upper moons reaction to holding their child(ren) for the first time. Plus how they react to their birth.

All art found on Pinterest and not mine. Doing top three moons plus Gyutaro and Hantengu. Will do the other male Moons later.

KOKUSHIBO:

*Calmest of all the upper moons. He trusts the doctors and allows you to murder his hand in the process whilst simultaneously offering some comforting words and encouragement until he hears his newborns cry out.

*It's silent as his wife sleeps away beside him recovering after hours of labor, her chest rising and falling in even breaths. He was thankful for her being alright as that was what he was worried about the most having sat next to her the entire time until she was ok and eventually fell asleep.

*holding his newborns hadn't even crossed his mind yet in that moment until he had heard the unmistakable cries of one of the newborns stirring from their soft makeshift bed of blankets and pillows. Of course one stirring had awoken the other and now they both had started whimpering for attention. (He has twins I don't make the rules.)

*Of course to keep them calm and from waking his wife, he picks them up and finally has his first look at them both. They both look completely normal like her. He wasn't surprised considering he looked quite human himself minus the extra eyes and fangs, so this was to be expected.

*However he was lightly reluctant to hold them. He could barely remember his past children so he wasn't too sure about this. But as soon as the little ones yawn and snuggle into him, it's as if everything returned to him and he was expertly gently rocking them back to sleep.

*A deep feeling of something long buried stirs in his chest and he can feel Muzan briefly looking at him in his mind before departing. It's not every day Upper Moon One becomes attached to something else but now he'll tear the world apart with his bare hands to protect them.

DOUMA:

*He's.. what's the feeling? Incredibly happy! He still hasn't gotten used to emotions yet since you broke through his apathy. But he knows with help from you explaining that what he's feeling now is true, pure happiness.

*Honestly he nearly fainted from when you gave birth because of the whirlwind of emotions he now feels. You would've laughed if you weren't in such good awful PAIN. A demon who's seen the worst bloodshed and torture on the verge of a panic attack when his wife gives birth to his child(ren).

*Eventually things go numb. He's just sitting there numb as can be as a midwife congratulations him and places his newborn in his arms/carefully puts each swaddled baby in his arms and lap (if there's more than one). He's just sitting there staring at them in silence. You're afraid he might've retreated back into an apathetic state..then he starts balling.

*it's a lunatic laughing crying. The unstable emotion all of a sudden come back hitting him harder than Akazas punches. The midwife is freaking out at the weird sight of Douma absolutely loosing his mind laughing like someone told him the world's funniest joke and at the same time sobbing and crying fat tears.

*he knows that there was a lot of messed up things about his childhood he still is processing but now he doesn't feel alone and vows to be the most loving father ever to his chubby little spawn(s).

AKAZA:

*He's panicking, shocked, nearly fainting, and all in that order. He has to dig his fingers into his palms as he tries not to panic at all. When he first hears his baby(ies) crying he has to brace himself against the floor where he sits to not faint there and then

*It's actually pretty amusing to watch the usual battle ready demon taking deep breaths trying to steady himself. Was he the one giving birth or you?

*He's unusually silent as the midwives take care of the baby(ies) and you before he blinked as a bundled up mass(es) was gently placed into his arms by one of them. He flinches, freezes up....and then he melts seeing their chubby little face(s) and big cheeks.

*He's in awe of his newborn(s). He hates weak things so he should theoretically detest them but instead all he can do is sob and babble on about how beautiful this tiny version(s) of him is. He loves them very much and the midwife has trouble convincing him to let go so you can hold them.

GYUTARO:

*This man is going through all the stages of grief and even stages of grief people didn't know existed the moment his child(ren) are coming into the world. Daki isn't fairing too much better half panicking because 'OMG IM GONNA BE AN AUNT! OMG IM NOT READY TO SHARE BROTHER!' is going through her mind and half she's trying to get her brother to unsuccessfully calm down.

*Gyutaro is going through all the stages of grief AND a midlife crises as a similar mantra of 'OMG IM GONNA BE A DAD! OMG IM GONNA BE A DAD! IM NOT READY! SHIT WHAT DO I DO?!' is going through his mind. They both get kicked out and panic outside the room.

*Man faints upon hearing the first cries. I mean DROPS. There's a loud THUD as he shuts down and just goes limp onto the floor. He does wake up for at least half an hour and when he does it's to Daki all giddy and immediately shoving the baby(ies) into his panicked arms.

*Nearly drops them fumbling to hold on as he looks at the helpless creature(s) in his arms. It takes a moment for him to really process what's going on despite Daki jabbering away at his side. But then the realization of 'Holy shit I'm a dad' hammer's home and he allows himself to relax slightly. Repressed memories of caring for Daki come back up and he's able to shift in a more comfortable position.

*A sense of familiarity comes back and depending on how many children you have the first time, he'll be begging to have another with you so his baby can grow up with siblings like he did

HANTENGU(+CLONES):

*Hantengu faints. Sekido faints but unlike Hantengu he'll wake up after a moment. Karaku Sekido and Urami are all arguing/panicking. Urogi is outside panicking like a chicken with it's head cut off. Aizetsu is the calm af one kicking everyone else out and letting you murder his hand while still softly crying himself at what was going on. The entire chaos confuses the poor doctor and midwife.

*The only time everyone calms down really is a few hours later when they hear a baby crying. Sekido joining the still unconscious Hantengu and fainting again.

*Aizetsu is sobbing unconditionally as he gets to hold baby(ies) first. Straight up bawling like he had just lost everything but don't worry. He's actually very happy. Just give him about fifteen minutes to calm down.

*Sekido eventually wakes up after two other clones got a turn to hold the baby(ies). Which makes him made no one woke him up to have a turn first. He was leader for fucks sake! However just freezes like a statue once someone hands them over. He's frozen solid and internally panicking. Doesn't want to risk hurting them with his claws so he ends up tucking his hands into his sleeves. Possible more stressed than anyone in the room.

*Karaku and Urogi are overly excited to hold the little one(s) but like everyone else nervous when holding the baby(ies). Although everyone refused to let Urogi even go near the baby(ies) until he agreed to let them clip his claws and wrapped thick blankets around both hands. He thinks it makes him look ridiculous but everyone wouldn't budge unless he agreed to it.

*Urami is the second calmest. With how big he is, the baby(ies) easily fit in one of his hands. So he holds them for a little bit before just passing them back over to Aizetsu or Karaku.

*Hantengu tries holding them, lasts about four seconds, and then someone takes the baby(ies) from him from how much he's shaking in fear he'll drop them.

*Zohakutan is the big brother/Uncle to your baby

[aesthetictarlos]

BuckTommy is the very first fandom I've felt welcomed in. I've been in lots of fandom (and I still am), but no one has ever been as good and kind and welcoming like this one. The way we interact and support each other, the way no one feels better than the others, the way we exchange opinions and headcanons without being rude, and I could go on and on.

It hurts me to know that they ripped the canon BuckTommy from us, but I refuse to think fanon BuckTommy is over. I wasn't planning on writing new fics before the Tommy Kinard Week event, but this is me promising that I'll keep writing about them.

This is me promising that I'll keep interacting with y'all, supporting your fics, your posts, your arts, whatever.

Thank you for welcoming me in such a wonderful fandom, ily whether we're moots or not.

[cerealmonster15]

[vibrating a little too fast] Do You Understand My Vision Yet

[ari-cuno]

A little drabble I wrote after some inspiration and a little break between drawing some art <3

I just wanted to experiment and see how an interaction like this would go between them. It was supposed to be angst but I couldn't help changing it a bit. >3<

Please let me know if I did the couch potato justice @zu-is-here and if there's anything else I could've done better!

“Aim…” Axel mumbled, looking as if he were ready to crumble or disappear from the anxiety in his soul. It formed a painful lump, making his words struggle to come out properly. But under all that was the undying love and trust of the man before him. In all his unconditional love there was still part of him that needed to know, it needed to know that Aim was truly there, and that he was his, no matter how murky the waters they swam in were. Of course it was a silly question though. He knew that answer well enough. Aim was his, but…was Axel himself Aim's? 

“...I need you, Aim.” His voice finally managed to say. “...But I don't know if you need me.” He admitted quietly, his voice suddenly breaking.

Aim, sitting on the other side of the bed, turned to look at the distressed skeleton, offering him a look of comfort with some sort of humor attached to it. “What do ya mean? Of course I need you.” He said, sounding slightly surprised by how the shorter skeleton only seemed to look sadder at his reply. 

“...No- just- ugh! You don't understand!” Axel cried out as he sat on the opposite side of the bed. “You seemed so fine before I came back to find you. Part of me wonders if I'm being selfish by asking so much of you. You don't owe me your companionship. But…but I want it, I crave it, and I crave you.” He said, looking frustrated. 

“...Heh, you have no idea how nice it is having you around.” Aim said, laying back on the mattress, his arms resting above his head. That response made Axel look at him with surprise. 

“If anything I probably need you more. I mean, I must've been really stuck in your head to make you come back after so long. Like a rattle in your skull?” He said in a lighthearted tone, watching Axel's face flush as he looked away. 

“Hm…something like that.” Axel said quietly. 

“This whole thing between us isn't bad. You've already done so much for me and-” Aim paused, noticing the little glitter from a tear that streamed down Axel's cheek. Oh no, had he said something wrong? 

“You're right. You have been stuck in my head forever, and you have no idea how great it was to see you again, but…I don't want to push my feelings on you like this.” Axel said quietly, letting out a little laugh through a few sobs. 

“Stars…oh stars…how are we going to make this work?” He said meekly, voice full of raw vulnerability and sorrow. His soul fluttered intensely in his chest any time he laid eyes on the man before him, couch-potato and lazy-bones aside. 

“Axel, you're crying-” Aim tried, sitting up. 

“Of course I am…this is never going to work!” Axel cried out, trying to wipe his tears away. “I can't even kiss you-”

“You can.” Aim replied. 

“...what?” Axel said, lifting his head up to look at him, surprised by his answer. Aim looked at him with a more genuine smile. “Is that why you are so upset? Are you afraid to ask me for a hug or a kiss?” The larger skeleton asked with a little grin. 

“I might not get it, but we're a team. One member just can't pull all the weight, I'm too heavy for you to be carrying all the weight of us. I can try my best for you if it will make you happy, just ask. There's nothing wrong giving back to my ‘partner’, eh?” Aim grinned, winking under his goggles. 

Axel stared, the glitchy skeletons gaze was  less upset, and more just shocked and moved by his words. “...you'd…you'd do that for me? Aim please…your boundaries, I don't want you to feel uncomfortable.” He said gently, trying to be careful with his wording. 

“Oi! I don't mind as long as you're happy by the end of it, I gotta keep the hand who feeds me happy, don't i?~” 

Axel rolled his eyes, sighing. He wiped the tears from his eyes, taking in a steady breath to calm himself. “Well…” he said, moving closer to Aim, their bodies close in contact. 

“...I've always wanted to see you without your goggles. The real you. I miss your beautiful eye lights. Please…let me see you.” Axel whispered, shifting his potion, sitting right in front of Aim as he reached out to the ever important goggles that hid Aim's orange eyelights. 

Aim seemed to hesitate, looking unsure as Axel grabbed the edges of his goggles with care. “Heh…they really haven't changed much.” He said, struggling to keep the smile on his face. “Are you sure it's worth your time?” The larger skeleton asked. 

Axel frowned, lifting his goggles above his head gently. “...I'm sure.” He said firmly, cupping Aim's face with his hands, lifting himself up and settling amongst his partner's lap. He moved his face closer to Aim's, a small smile of appreciation and adoration flashing across his face. He was warm, very warm, and the way his eyelights stared back at him caused Axel's soul to flutter intensely with delight. 

He leaned it, pressing his nose against Aim's, an affection nuzzle. “...Is this okay?” He asked after a few tense moments of silence, staring into Aim's face. The other skeleton seemed quite relaxed, his eye lights faintly illuminating the space between them like a dim light, a small light compared to the blue hue spread across Axel's face.

“Of course.” Aim said calmly, “...you know, you're actually pretty light, heh.” He teased. 

“Feeling better?” Aim asked for a few moments, the warmth between them being pleasant, like a warm blanket on a cold day. Axel hesitated, his hands resting on Aim's chest as he let them go from his face. 

“...May I kiss you?” Axel asked, before stopping to think for a second. “-and more?” He asked with an added huskiness to his voice, his soul beating heavily against his ribcage in a flurry of emotions. 

“Sure.” Aim said simply, leaning back. His simple response caught Axel off guard. Stars, did he really trust him that much? Axel looked starstruck, staring at Aim with sparkling eyes full of a swirl of positive emotions, the tears on his face long dry. 

Aim noticed, looking a little concerned, “You alright-?” He questioned, before he was cut off, his words swallowed up as Axel leaned in, pressing their mouths together in a soft, delicate motion. Axel held himself there for several moments, his breath held as he made contact with Aim, a warmth spreading over him, and a warmth he missed once he pulled away. 

His voice came out in a soft tone, full of emotion. 

“....Everything is fine.”

[sunnywalnut]

Even if I may not know them personally, I love them.

I love that all of us have that spark that makes us want change.

I love that all of us are able to experience being alive.

I love that all of us have known the kindness of a stranger.

I love that all of us have known the sense of community, or created one ourselves.

I love that all of us are trying our best.

I love that we all make mistakes.

I love that we all love.

I love that we all help others in ways that we can.

I love that we are here, living at the same exact moment.

I love that our stories and drawings and art are all echoes of each other, connecting us to the past present and future.

I love that we evolved to be kind.

I love that we can choose kindness.

I love that we don't give up.

I love that we're still breathing.

I love that we can experience a cold autumn morning and the dragon's breath that comes with it, or the bright summer sun turning your hair into precious melted metals.

I love that we can sit and enjoy the little things. The bugs and the mice and the rabbits and deer and lovely little wildlife creatures that make the world go round.

I love that we all have experienced being human.

I love that we can.

I love us.

I love you.

So yes, I do love strangers.

Just as much as I love the birds in the trees.

Because I may not be able to understand them, or know what their lives are like, so far away.

But I do know what it is like to be alive.

And by the stars, isn't it wonderful that we are?

i always mean it when i say i love you btw

[crustyfloor]

lowkey becoming a Till hater after this. I hte that guy (Regretted writing this 2 seconds later)

It was established earlier in the series that some of the cast do have parents, some know their parents or remember their face, some don't, I feel like it was important to us to know this fact about Till, because this comic answers more questions about him than I had thought, such as where his sense of humanity originates from entirely.

Starting the comic off with "Lo has always wondered ever since the creation was born whether or not providers also felt the same emotions that they were feeling towards the creation" shows more about the environment of Alien stage than I initially thought, Lo seems to love Till more than any "parental figure" I've seen in alien stage, its real, its affectionate, but Alien stage is so dystopian and detached from our society that Humans have no real solid attachment to morality, social code, etc. Aliens could never relate to humans either, so how can they enforce what they don't understand? This leaves Humans to figure it out on their own because no matter what, they'll still be human and feel inexplicable emotions. Love is one of these major emotions that get confused. and loving someone is normal, but I can imagine "Providers" can't afford to be as attached to their "Creations" as Lo was, they couldn't help forming a special bond with Till. But I love that it's immediately established that Lo loved Till as much as they could, and he wasn't brought into the world without care and familial love.

And it's also made clear that Till's passion for art and music was apparent from the jump.. even as a child, he composed his own song and sang it to his mother, he started showing skill and talent at a young age, he was as much of a prodigy as he's always been said to have been, but Lo's expression upon realizing that is so unmistakably afraid. Lo knew more than anyone in that situation how risky it would be letting Till go on because singing, they were more than familiar with the environment of Alien stage, the elaborate display of talent and entertainment on the big screens, the inauthentic excitement of the performers, Till was almost just like them, and Lo knew that Alien stage was where innocent children like him go to be chewed and spat out by Segyein until they had their fill and moved on to the next talent, Lo feared that fate all the same, humans like them didn't have the right to just sing when they want however loud they want, their voices didn't belong to them. Not anymore, but Till had made it into something of his own, he was too naive to know the truth.

They knew the risk, as a survivor, Lo knew what life, what horrors Till would be subjected to if this was ever found out by the aliens who would only use it to hurt and market him, to put him through a grueling cycle of pain until he too met his end on that stage. Lo's ear notch is a nod to their experience, and they were completely right. But as a mother, they didn't even want to take that innocence away from Till, not when his eyes sparked so brightly and pitifully.

In relationships like these in Alien stage, I always see that there is a choice to make between breaking making reality clear or reveling in obliviousness, it happens with Ivan and Sua, Sua and Mizi, Till and Mizi, etc etc. Something has to give and take.

Sua's sister is my favorite example of this kind of exchange, she told Sua bluntly that she would be doomed on that stage as she is now, that she was pitiful, if only to ensure her safety in some twisted, caring way, it effected Sua a lot as a child, living with such deep seated trauma caused Sua to develop an obsession with safety and security based on the fear her sister instilled in her so deeply, to find that warmth in Mizi, Sua was content living in delusion until she had to face it, continuing the cycle.

Lo made the decision to let Till remain oblivious, they, too, found comfort in such childish carefreeness. Like they had hope, they let Till keep singing despite their unease. They cared so deeply about Till enough to prioritize him being himself rather than making him suppress his spirit. The darkness that shadows over Lo's perspective in contrast to the light that makes Till's shines behind Till shows the difference between living in fear--delusion and living freely, oblivious.

The cruelty of their situation was overshadowed by love for a moment, Lo's one wish for their son-- that he would grow up knowing what it's like to love and be loved and chase after the feeling--if only in his heart he would remember how much they tried to show him that love and actively seek it after they're gone, or give it to someone else. They wanted to teach him to be himself through encouraging his love for music.

I don't believe they failed at all. Till was fully aware of how much he meant to his mother, it was so obvious. He loved making them proud, and making them smile and sing with him every time he tried to replicate those 'good cries', Till loved Lo back equally, and as he grew up he never stopped loving.

One thing about Lo's wish was that they hoped Till would never grow up alone. Till's separation from his mother must have had more of an impact on him than we could ever realize from his perspective, even if we never hear about it again, even if he's forgotten about it, suppressed it, it's a trauma that has deeply plagued his subconscious. He lives with that wariness for the rest of his life.

It was Till's fear that stemmed from the pain and regret of losing his mother that caused him to avoid attachments, emotionally suppressing himself, and he keeps his heart behind restrictive chains because he can never let that vulnerability be used against him again, it explains a lot about his relationship with his friends, how he percieves his own relationship with them after going so long not addressing his feelings. He craves connections but fear, and being in the middle of confusion makes him freeze in place and run back to old habits. Jumping to feelings he can easily rationalize, hatred, anger--or avoiding conflict all together.

Even after Lo and Till were separated, Till did not grow up without love, or without the feeling of loving, even though he was alone in his own self-made bubble distanced from his peers, there is a difference between isolation and loneliness, in his case, he remained distant even with his closest friends, or the girl he loved more than anything, as a way to protect himself. But he was never left alone with 4nakt beside him.

When Till can only realize he's loved when he can recognize it and see it for himself, thats what makes the comic being focused on the whole group rather than just Mizi or Ivan interesting, and telling about his character. It drives home the fact that Till was also a little kid who craved connection just like the others, he expects to be left to himself, and his friends seek him out naturally. He valued and loved all of his friends. rather than a specific person like Sua focuses on Mizi and Ivan focuses on Till this shows that everyone who stayed with Till had an importance to him

(Even Sua looks somewhat fond...)

Till grew up knowing what it was like to be cared about and loved it, sought it out, and inherited that touch from his caretaker, What Till gained from his relationship with his mother shows in the way he treats Mizi, Ivan, even Sua. Mizi's kindness and care were a familiarity, something that instantly attracted him to her, it likely reminded him of his mother in a way and he subtly sought out her attention for that very feeling of love and feeling cared for.

With Ivan, he couldn't help caring about him in little ways, it was only natural, if only because it was part of Till's nature to nurture, letting Ivan be himself around him as a parallel to the way his mother encouraged him to be loud about his interests. And Sua, even if they weren't close at all, Sua was an acquaintance to him, hell even the way he treats a little broken flower with just as much compassion shows us how much Lo impacted Till's growth

To the Segyein, Humans are nothing more than a product, to those who disobey, they are punished, to those who comply, living to sing on stage and feed the aliens is their "prize" for living through it all. Their separation was something Lo saw as a their punishment for having their own little rebellion in making music for themselves, loving it, making it into something the aliens couldn't use against them, it was their own little fun, and they could do it freely. It was an inevitable consequence that they could have prevented as Till's caretaker

In the end, Lo probably never lived to see her son grow up, but they prayed for Till's pursuit of happiness. The traces of them, the evidence of their care that they tried to deeply thread into Till's person stayed with him forever, exactly what kind of trace Lo had left on him...they taught him how to love and be loved, they let him love art, they showed him what living freely with no restraints was like, that's the kind of life he fights for even after he's trapped in this system. her impact keeps him kind-hearted and fighting. It keeps him human despite all of the pain he was burdened with as he grows up

And even when his art is his pain, the creation of art and music reminds him of why he lives, what he lives for, it gives him a vague sense of hope even if for a moment, it brings him that same joy he had when he was a child

"Exactly what kind of trace"

The traces you leave behind is what's important to a human, every human is born to die, what matters most is how you live your life, what impact and memory you leave behind, I love Lo's character, even if we have little context around her background, because she knew that fact and wanted nothing more than to leave a meaningful impact on Till, if they were to one day die they wanted to leave him with a trace of them, a message he would never let go of. and that sentiment became deeply intertwined in his being. Till's emotions, his love, makes him the character he is.

The title of the comic expresses this too. "evidence" or "traces"--this comic is evidence of Lo's impact, evidence that Till was loved and knew how to love in return, Till had relationships. His entire existence was the product of love, it's evidence that he was alive and had humanity, that's what makes this comic even more tragic. It's evidence that he was human at all when we can forget that in the midst of the chaos of all of their lives. Innocence where the aliens don't bother to acknowledge. Till isn't a weapon, or a product. And this perspective of him through his mother's eyes reflects that.

The humanity that he holds within himself even after losing family connects him to more people who prove to care for him as deeply as he cares for them. Till was lonely but never alone with the love he had around him, they always come back, the relationships around him that his mother wished he would have so that he would never sink into a lonely abyss, only a boy and his song, and on that wall is a drawing that draws a picture of a life he's always wanted, a real heavenly garden with real trees and a real sky, and the drawing includes the four of them together, because he had always envisioned a life worth living, free, with all of his friends by his side.

The translation is done by @/WhatfaFruit

[theolivetree123]

Victor's Fairytale Soiree Card!

Event by @angelwishess ! Congrats on 100+ followers! Mention of their character, Kyra, in the voice lines.

Mention of @oya-oya-okay 's character, Shuu, in the voice lines.

"Though mist may fill the air, you'll always be in my care, Ms. Kyra~!"

GROOVY: [LOCKED]

VOICE LINES

💜: My wish? Well, money or fame seem nice, but... if Kyra lends me her wish, I'd want to wish for my family's happiness! They deserve it. Especially with... all we've been through.

💜: My outfit is so pretty! If only I could keep it...

💜: Ah! They have so many sweets here! Perhaps I can sneak some back to school~

💜: *sigh* I wish I was on that throne. Being treated like royalty and being pampered by little fairy servants... if only I was rich and successful.

💜: Kyra looks so lovely! Floyd is a very lucky guy. *sigh* If only I could find my prince charming...

💜: Shuu looks so cute! You better watch out, Azul...~

💜: Maybe I can use some spell to make Kyra pick me! Ah, no. I wouldn't wanna get on Floyd's bad side. Looks like I'll just have to use my charm, then!

💜: I wonder what it's like to be a fairy. Though they're small, they serve an extremely important purpose in our world, being the ones who change the seasons. Maybe I'd be important if I was a fairy, too.

💜: Even if I don't get picked, I'd still want the lucky one's wish to be granted! I think everyone deserves a happy ending.

DUO MAGIC

Victor: Come on, Kyra! Dance with me!

Kyra: Vic! You're going too fast!

Yapping under the cut!

HALLO EVERYONE! I'm starting to feel a little better, so I decided to FINALLY make Victor a (non-birthday) SRR!!! And to congratulate Angel on 100+ followers! They're SOOO talented, and their art never ceases to amaze me. Keep up the hard work, Angie 💙💙

As for Victor's outfit, I wanted to go for a king/bard kind of look. I mainly used bards and jesters as inspo, though I added a modern take to it. I also wanted a subtle floral theme since the event has to do with fairies, and I like to compare certain flowers to the Sanderson siblings. So Victor's outfit is also slightly inspired by purple lilacs and foxglove.

Here's his reference below: