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evanhereonearth · 2 months ago

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The Insidious Cycle of the Abuser Who Says They Love You: Mythal and Solas

Likely goes without saying, but Veilguard spoilers all under the jump.

I have been absolutely wrecked by the end scenes in Veilguard for weeks now, and I want to do a deep dive into Solas's relationship with Mythal and how it absolutely reeks of abuse. Long post incoming!

CW for heavy discussion of cycles of abuse, trauma response, and abuse tactics.

When I finished my first playthrough, this moment hit me like an absolute freight train. His visceral response to her presence and the way he instinctively retreats and flinches back/puts out a hand to protect himself is a full-blown trauma response.

And then she starts talking and moving towards him, and it gets worse.

Solas curls in on himself; his body goes even further into self-protection mode. His face is downcast, not the way he bowed to his vhenan moments before with a straight back and open posture, but shrinking.

And then as she advances, he cowers.

He completely folds inward. He crumples; he shakes, he hyperventilates, and the moment she reaches for him, he fumblingly offers her the lyrium dagger to kill him with.

Is this shame? Yes, of course, but it's far, far more than that.

For the sake of brevity, I'm going to limit this list to the four most widely recognised trauma responses:

Fight

Flight

Freeze

Fawn

As someone whose primary trauma response is fawn (wooo CPTSD), which is intensely common among people who experience complex trauma, especially through emotional and prolonged physical/mental abuse where their needs are discarded, pushed aside, or otherwise steamrolled, I felt this right alongside Solas. My own body responded to seeing it. This is, quite frankly, one of the most visceral and realistic (and extreme) fawn responses I've seen depicted in media.

Mythal in this scene is...phew, something else.

"She was the best of them," Solas tells us in Trespasser.

But she was not good, everything tells us in Veilguard.

Let's look at his regrets in chronological order.

Through Solas's memories of regret, we see this germinate in his foundational regret: leaving the Fade to take a physical form.

He does not want to do this. He tells her he does not want to do this. From the conversation, it's clear it's not the first time she's asked.

And the way she asks? Outright coercion.

"You have so long observed the world. Why not consider joining it?" [I want you to do this thing, so I will frame it as logical for you to make the choice I want you to make.]

"But I have no desire to live as humans. Besides, this talk of taking on a solid form. I think you underestimate the danger." [I don't want to do that. It does not feel safe to me.] "When you took the glowing stone to build your body, did the earth not shake?" [This is dangerous and selfish.]

"The lyrium gives us the strength we had when we were of the Fade; we are the best of both physical and Fade." [It makes us powerful, so I don't care about the risks.] "I need your wisdom, Solas, to withstand the louder voices like Elgar'nan's who would go too far." [If you do not come with me, a tyrant you abhor will make others suffer.] "I need you."

"This is madness. You must know that." [I don't want to do this at all. This will hurt me. I don't want this.] "I will always follow where you go." [Because I love you and trust you.]

Mythal's words in this part are classic abusive framing. When appealing to his natural curiosity does not work and he expresses strong rejection of her logical thought process (just because I have observed this place does not mean I want to go there, echoing his comments to the Inquisitor in DAI: "Many Orlesian peasants dream of travelling to exotic Rivain. But not everyone wants to go to Rivain!") and expresses that there is significant danger to continue to build bodies out of lyrium, she changes tactics.

Her second tactic is that it gives them power--she implies that he is limited and not enough for being only of the Fade. If he follows her, he will be the best of both, like she is. She clearly already sees herself as above him.

Her third tactic is pure emotional blackmail: "I need you. I will give in to the tyrants without your wisdom, and having your counsel in the Fade is not enough. If you don't go against your own nature and desires, people will suffer...and it will be your fault for not being by my side."

She doesn't say those things outright, but they are implied by everything she is saying. He says again he doesn't want it--that it is madness and that she must be aware of that despite her ignoring any suggestion that she actually is. All she is seeing is power and her desires: for Solas to do what she wants him to do.

So he agrees. Because she is his friend, and she says she needs him.

As far as core wounds go, this one is a doozy. It's absolutely brutal, because it's irrevocable. It's a point of no return. It's the first in what will become millennia of regret, of her ignoring the Wisdom she coerced out of the Fade to do what she wants regardless, to continue to push him to twist his nature under the guise of the greater good, to continue to cede to Elgar'nan and enable the very tyrants she promised him to balance.

This regret was deeply painful for me to watch. The nuance here is easily lost if people don't understand abuse tactics and how this sort of manipulation is used. It also serves to bind Solas to Mythal, an enormous sunk cost fallacy in the making--once he has made this choice, there is no going back.

And you see Solas curled in on himself in anguish and regret from the trauma of taking a physical form. It is in deep, painful contrast to his open, free wingspan as a spirit of Wisdom; he will never be the same.

"Have you created what we need?" From the outset Mythal is framing this as his idea as much as hers, when from everything he says, that is not true.

"With this, the proper ritual will sunder every Titan from its spirit. But you must know, those severed dreams will certainly be driven mad, a disembodied blight of pain and anger. It--is--awful what we are doing."

"And the only way to end this war."

Again, Solas offers the wisdom she claimed she took him from the Fade to listen to. He warns her, again, of the danger. He does not want to do this. Just like he warned her of the earth quaking when they made their bodies--they, the Evanuris, started this war by taking what they wanted regardless of who it hurt. He never wanted to participate in it, but now he is in the middle of that war. Mythal was one of the initial perpetrators of this war; she brought Solas into it against his will because he loved her, and now he's stuck. He is past his point of no return. And she is still using his heart against him. She has isolated him from everyone he knew in the Fade; he has no one to support him. He. Only. Has. Her.

This is another classic abuse tactic; if the person being abused has no one else, they will continue to enable that abuse even if it harms others, because they cannot see a way out. If you don't do what I say, it will destroy our children, our family. If you don't do what I say, this war will consume all you have, and you no longer have a home to return to. If you don't do what I say and hurt yourself and the Other, more will suffer, and it will be your fault.

Again, his posture, curled up and broken, appearing to cradle a now-tranquil Titan beneath him--and be embraced in return. This is an interesting artistic choice here, one that aches. It speaks to the depth of his own wound and how much it rent his own spirit to follow through with Mythal's wants here; that it sundered him from his spirit as much as it did the Titans.

"You cannot do this, Elgar'nan! You swore we would give up our commands when this war was over!"

"Our people need our leadership. If you are unwilling, leave."

From Elgar'nan, this is expected. From Mythal?

"Our people must rebuild. And we must help unite them."

Solas, once again, betrayed. He put his trust in Mythal and in the other Evanuris to follow through with their promise. Everything he has done thus far is poisoned in this moment; had the Evanuris indeed stepped back rather than stepped on necks, perhaps Solas could have healed, found a way to live with what he had done, maybe even to make amends. But this starts his war anew--and Mythal is standing with his enemy despite her promises, despite every wheedling word she's used to get what she wants from him over the centuries and longer, despite him turning from everything, everything, he loved to love her. This is the moment where he understands that he has only been a tool to her all along.

"So we did not fight for freedom, but to conquer this land and our own."

Let's pick apart Solas's words.

So we did not fight for freedom: He truly believed that he was fighting for freedom, that no matter how bad it got, that he could bear it for freedom.

But to conquer this land: Literally the land, I think, because of the Titans. To subdue them at all costs. This was not what he came for, but he believed Mythal.

And our own: Our own, our people, more spirits we gave bodies for this war, more who may not have wanted to leave the Fade. Our own, our people. To Solas, he is one of them. In this moment, he realises how much Mythal holds herself above all of them.

Elgar'nan's words are all too telling: "We fought to win. And now the Evanuris are as gods. I do not answer to Mythal's annoying lapdog."

They all--all--see him thus. As her pet.

Because he is. She has, until now, controlled him utterly with her manipulation and "need" for him.

"The people are afraid. They must believe in something." Mythal does not even stand up for Solas here; she does not reject Elgar'nan's perception of him. All she does is further distance herself.

The people are afraid: The Evanuris made them. They are as controlled as Solas and more.

Elgar'nan asserts, "They need strength."

"And wisdom." Mythal has the absolute gall to attribute this to herself, when Solas is the source of the wisdom she "needed" for so long. (Belated addition: And another level here: she may also be saying again that she needs him, but doing so in a way that doesn't require her to stand up for him directly. Honestly, fucking gross.)

"They need gods who can protect them," Elgar'nan continues.

"We are not gods. You will learn that." Solas's voice here is pure defeat. The scales are falling from his eyes.

"Every lapdog holds a wolf inside," says Elgar'nan.

Solas knows that Elgar'nan's "protection" is hollow, based on subjugation. And I think in this moment, he learns that Mythal's is based only in her belief that she is better than those beneath her, who cannot possibly handle themselves.

So her lapdog becomes the Wolf.

"I was not certain you would come."

Solas's opening words in this regret show the distance between them already and how much he has realised he does not know this woman who called herself his friend.

And her response is to instantly blame him.

"You are the one who walked away. I never turn my back when my friend needs me."

In putting this post together, this line absolutely sucker punched me. I've watched these several times already, but the absolute audacity to blame him for standing up for his principles for the first time against all her manipulation? Hoo.

She blames him for doing just that, "turning his back when his friend needed him." She needed her enabler, and when he stopped, she turned bitter. Just like any abuser.

That he goes straight into "The Evanuris seek the magic of the Blight" instead of engaging, honestly shows that he's still Wisdom. That is one battle that is unwinnable, trying to stand up against an abuser's bullshit like that.

"Impossible," she says. "The Blight is safely sealed away forever."

Gaslight, girl boss, gatekeep.

"Though I wish I could believe you." [You have lied to me so many times.] "I have sensed the breaking of the wards."

And her answer is patronising. "I will investigate your claims." [I don't believe you.] "If they forget the danger of the Blight, I will endeavour to remind them."

Solas knows this is futile. "What if, instead, you left the Evanuris and remained with me? Do you not wish for freedom from this struggle?"

He asks her, again, to veer from the dangerous path. He desperately wants to believe he was not completely wrong about her, I think. If she were to leave, he could heal somewhat, for not having so thoroughly misjudged her character.

Am I enough for you? Was I ever enough? is the unspoken question here when he asks if she will remain with him.

And in return, he gets back even more patronising bullshit and hubris. "Be at peace, love. I will stop them."

(Can you tell Mythal pisses me off?)

She calls him love. What an unbearable insult after everything, to go on telling him she cares for him whilst ignoring his wisdom--the very wisdom she coerced him into leaving the Fade so she would have by her side--and consolidating her own power at the expense of his people.

"As you must," he says. "The Blight is our mistake."

Might be unpopular, but I do not think Solas bears a split fifty-fifty custody for whose fault the Blight is. Could he have said no about the dagger? Could he have pushed then? Maybe. But by this point, he'd already had probable millennia of complex trauma and a deeply abusive codependent relationship, probably also a level of magical bond. Like, sorry, Trick and BioWare, if you want to retcon everything you shared with us in Inquisition about being in service to the Evanuris ("You have given yourself into the service of an ancient elven god! You are Mythal's creature now. Everything you do, whether you know it or not, will be for her.") AND Mythal casually overriding her servants' will and Solas burning her vallaslin off his face and leaving a scar and devoting himself to freeing the elven people from the Evanuris's domination, fine, but I don't buy it. Even if there was no magical compulsion on him all this time, that is immaterial.

Complex trauma literally rewires the brain to survive. She spent lifetimes programming him, isolating him, stripping from him every bit of agency he had. This man did not have the capacity to say no.

When our no is trampled even for a few months or years, we stop trying to use it. We comply. We, as mortal humans, cannot begin to comprehend the compounded trauma of millennia of this happening with the stakes of worlds in the balance. Solas, quite simply, has lost the entire ability to consent. No one of us can even imagine.

Yet he managed to walk away from her somehow, when she chose Elgar'nan. This man is stronger than anyone gives him credit for.

The dagger was clearly Mythal's idea. The plan to sever the Titans from their dreams, clearly her idea. To end the war. For there to be "peace". For there to be "freedom". Except that never came.

His loyalty was to her and to their people; hers was only ever to herself.

And again, she walks away and lets Solas suffer.

What a good friend.

[screaming from the general direction of Scotland]

She put her trust in monsters instead of her oldest friend, and the monsters ate her face.

Anyone surprised? I'm surprised. (I'm not surprised.)

And on top of this, Mythal finally, finally giving Solas one tiny breadcrumb that she had any principles remaining? I think that cemented his bindings to her forever. Not just that the Evanuris killed her, but why they killed her: because after millennia, she listened to him.

For someone that deep into trauma and abuse? Well. We know what happened.

It cannot be overstated that with his imprisonment of the Evanuris and the Blight, Solas saved the entire world. The entire world. Every living being in Thedas had a chance at life because of him. Only because of him.

Morrigan says it early on in the game, that for all the consequences of the veil (which, it also must be said, was not supposed to be global!), "his imprisonment of the Evanuris was just. Had he not done so, all of Thedas would have fallen to the Blight."

And the world has hated him for it.

He woke after sleeping for millennia, exhausted by this immense act of magic, to discover that not only had it gone horribly wrong, but that it had cost his people everything. That Tevinter had come in and enslaved them, released a trickle of the Blight after breaking into the Black City, used so much blood magic that the veil itself all over Thedas has been in tatters--not least because in releasing the Blight, the survivors had had to face down and kill the dragon thralls (archdemons) of the Evanuris, rendering five out of seven of them mortal, and with their deaths over the intervening centuries, the veil had grown threadbare with only two Evanuris sustaining it.

The risks were catastrophic, the price unbearable.

Everything he'd ever done to protect the world could still come crashing down...and in a sick twist of fate, he would be alive to see it.

And, shockingly, so would Mythal.

Mythal, whose fragment has just been chilling in a swamp for centuries in human form. Mythal, whose abuse of him lasted through the entirety of the world's history. Mythal, who, due to the Evanuris's betrayal and her abusee's abandonment, has become little more than retribution.

Mythal, who could have set him free at any point in all this time and didn't, because he was hers.

Mythal, who is the only remaining person with the power to do what he feels must be done.

I find it interesting that they chose not to use the post-Inquisition dialogue at all. Interesting also that they used Mythal's voice actor and not Flemeth's. This feels like a retcon, but we'll go with it. Whatevs.

"I knew that you would find me soon enough. You need the power of a god, the strength that I alone still carry."

She's still asserting her own godhood.

He's not having it. "The blighted Evanuris will soon break free from their prison. I must make a stronger one that can contain them."

He's not wrong. Not even a little bit wrong. And he's also right that she won't help him. Why would she? She never has.

"While the prison is important, it is not the only goal you seek."

"Why should I not tear down the veil? And bring back immortality to all the elven people? They deserve it."

And this is where I get even more raging, because Mythal's answer is this: "The elven people of today do not deserve to see the world they love torn apart to salve your conscience."

I'm sorry, what?

The world they love? The world that has offered them nowt but literal genocide for thousands of years? The world where in Tevinter, they're chattel slaves and worse, fuel for blood magic without a thought? The world where in the "civilised", slaveless nations to the south, they're either confined to alienages and subjected to repeated genocide (that's what a "purge" is, if anyone isn't clear on that) or the remnants of the Dales, who are the descendents of another enormous genocide? The world where elven magic has been pillaged but elven mages in human settlements are confined to Circles and abused or made tranquil or also genocided by Templars invoking the Rite of Annulment? The world where they're called "elf savage" and "rabbit" and "knife ear" and cannot participate in Thedosian religious life because the Chantry erases every instance of elves from even the Chant of Light? The world where it took the Inquisitor installing a perpetrator of genocide on the Orlesian throne (both Celene AND Gaspard fit this bill) and either having Celene reconcile with Briala (Briala and Celene's relationship could be a whole other post. Boak.) and blackmailing them to give a single elf lands and a title? That world????

What the fuck, Mythal, die faster.

I got real mad there for a second. I'm fine. I'm fine!

Solas, once more, simply says, "I must fix what I have broken. I am sorry."

More than she deserves, frankly. Man's a mess, but at least he tries. She's been chilling in a swamp and pulling puppet strings for ages and abusing her kids. Nudging history like it's some sort of hobby, because it has always just been pieces on a board to her. They have never been people in her eyes like they are in his.

"As am I, old friend."

Aye, get tae fuck. Friends don't treat friends the way you treated Solas. The closest thing to an apology Solas will ever get from her is that she pretty much just lies down and dies when he comes to kill her. And she still won't set him free before he does. Has to continue to twist her own knife.

This scene has me riled.

And this takes us back to the beginning of this post.

To her essence showing up to release him from her service.

In what is, to me, the least accountable, bare minimum non-apology (she never actually says she's sorry) I've had the displeasure to witness in a videogame, with Solas literally cowering before her and offering her a knife to kill him with since this is the first time he's seen her actual, non-Flemythal face since she died.

This was never a friendship of equals. Ever.

She got one thing right. She did break him. But she knew it all this time, and she never took a single step to put it right until pushed. Her corner of the Crossroads, which he built for her in the desperate hope that she would show a glimmer of the friend he believed she was, notably has a pair of wolf statues. Both beheaded.

She's spent all this time punishing him further.

He never went to visit her? I wouldn't either. I could not blame him.

This has gone to an angry place. So let's conclude with what is, I think, the entire point.

Grace.

"I lied. I betrayed you."

"I forgive you."

Has anyone--anyone--in all his long life, ever said those words to him?

I'll say that again: has anyone--ANYONE--in all his millennia of existence, EVER said those words to him?

I forgive you.

Mythal certainly didn't.

The world certainly didn't.

He has shouldered all the blame of an entire pantheon, a war that broke the world, a blight, everything, always, and while people have come alongside him to help him, I am not sure anyone (certainly not anyone he cares about) has given him the grace of forgiveness.

The beauty of this final scene for me wasn't just Ilaana, wasn't just Ilaana reuniting with the man she has loved for a decade who has spent all that time pushing her away so he couldn't--in his mind--inevitably poison the love of the only person who has seen his spirit and cherished it without twisting him.

It was the slow realisation that Rook trusted his love enough to try.

It was Morrigan, who carries all Mythal's memories and her own of Flemythal's abuse and machinations, who responds to Rook's question about her views of Solas with: "Or do you mean to discover if I would stand directly against the Dread Wolf, were there a need? I shall aid you in any way but that. What has passed between Solas and Mythal...I beg you: do not ask this of me again."

Morrigan knows. She will not raise a hand against him. She will not try to stop him. She will let the veil fall. She will not fight with Rook. Because she knows this being whose memories she holds has harmed him enough.

Solas, in these final moments, even before Mythal shows up to gut punch him, realises all these people have somehow, somehow, banded together to help him.

Not work for him.

Not be his agents.

Not worship him.

Not follow him blindly.

To help him. To help Solas. To help him, after all this time, take the first steps towards himself. Towards his own essence, so long twisted into something he never sought or wanted.

The Inquisitor and Morrigan certainly understand what it's like to be seen only as the symbol others raise in your image. Rook will learn that someday, but is still naive.

But even with that naivete, willing. Present. Able to put aside being a chess piece on his board. Able to see that they would never have succeeded without his help. Able to trust two people who know him better than they ever will.

Able to offer him grace.

And when they produce Mythal's essence, how that must brutalise him; to think that perhaps all this has been to let his abuser kill him back. He clearly thinks that's what's happening. He breaks. He fawns. He offers her the blade that has caused so much pain.

Her release of him is the bare minimum she owes him. I've already railed about that.

What is transcendent here, transformative--it is the mortals.

The mortals offering grace to a god who never wanted to be a god.

It's them together showing him a way out of an endless cycle of trauma and abuse. No one of them alone is enough. Without Rook, they wouldn't have Mythal's essence; Morrigan can't go get it, and she can't do what is needed because she's not actually Mythal, only has her memories. Without Morrigan, who can stand there with those memories but from the compassionate perspective of someone who has watched them in horror from the outside. She's far from objective, but she can do this one thing to help.

Without the Inquisitor (romanced or not, still someone he let know him as he most desperately wanted to be known--the Fade-walker, the Dreamer, the humble mage who desperately needed a friend). The Inquisitor, who kneels before him to comfort him. Who sees his hurt and responds.

If romanced, without Lavellan, who kneels to repeat back words he once shouted at the Nightmare in the Fade after Adamant.

"Dirth ma, harellan. Ma banal enasalin. Mar solas ema mar din." (Speak, traitor. Your victory was fruitless. Your pride gives way only to your death.)

To which Solas replied, "Banal nadas."

On the surface, nothing is inevitable, but can also be taken to mean that nothingness is inevitable, entropy, the final void. (Thanks to Dumped, Drunk, and Dalish for this excellent long post on this scene.)

And here is Lavellan, kneeling beside him with those words. "Banal nadas ar lath, ma vhenan."

Nothing is inevitable but the love we share, my heart.

I see everything you are, all you have done, and I love you. I forgive you for the pain you have caused me. I understand, see, and forgive.

No one has ever shown him grace like this.

Ever.

And Solas, this shattered man, sobs.

He sobs.

Someone has taken the trouble to isolate his voice in the video. This man has nothing left. And, after millennia of this trauma cycle repeating over and over, he is finally free to make the choice he wants to make. It's not the outcome he wants; that has to be said. He doesn't want to leave the veil up. He doesn't want to be bound into prison forever with no hope of seeing the world he fought for ever return.

But he is done.

In the Fade after Adamant, there is a cemetery with the worst fears of every companion scriven on shrines and stones. Solas's is dying alone.

After all of this, he is willing to face just that--and would, if not for her.

She knows his deepest fears. She has faced the demon Mythal made of the man she loves. She has given unwitting comfort to the spirit of Wisdom still within. She has seen his sweetest self. Nurtured him, cherished him, and has been nurtured and cherished in return.

Does she want to leave the world behind and spend eternity in a Fade prison? Probably not her first choice. It's not my Ilaana's; she has been on his side all this time, dreaming of a world where the spirits she loves can be reunited with the world in peace and ready to make that happen.

But it was not supposed to happen this way. It did happen this way anyway.

He has sacrificed everything--everything--including his own spirit self, his soul, his life. How could she not offer him what no one ever has? A friend forever, a lover willing to walk the din'an shiral by his side, a companion to ward off the forever alone.

Together, the two of them can begin to heal, with their counterpart who has always seen through the burdens of the world to the soul within.

This is the only thing I've ever had any faith in. Grace I know you carry us Grace And it was such a mess Grace I don't say it enough Grace You are so loved

#solavellan #a solavellan heart beats in my chest #bellanaris #solas x lavellan #solas x inquisitor #solas romance #veilguard spoilers #da4 spoilers #datv spoilers #fen'harel #solas x female lavellan #ilaana lavellan x solas #these two are my everything forever #breaking trauma cycles

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escespace · 5 months ago

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Merlin and Arthur but someone help me I can't get it out of my head:

A threat, Merlin is going to face it, Investigate, fight, yadyadayada... The only solution is to make a deal that, in exchange for keeping Camelot safe for another day, Merlin must give up all the memories of his most precious person.

Obviously after running out of memories of ☆Arthur☆ He doesn't understand the importance of returning to Camelot, why is he still there if Gaius has taught him almost everything he can, Even kilgharrah isn't there anymore. For some reason, moreover, he feels that he often causes the poor physician more problems that should be... And all this without mentioning that before he wanted to see the world, he wanted to explore, to know and who knows? He might even make a name for himself... At least that's what he dreamed of as a child.

Again, why is he still in Camelot?

THEN HE GOES. JUST LIKE THAT

The next day Arthur can't find Merlin anywhere and we all know how he gets. He searches for him, he stresses, he screams... But it is not until night comes and he speaks with Gaius that the old man breaks his facade and Arthur notices the concern, that something is not right. He presses and presses until Gaius finally admits that he hasn't seen Merlin since the previous evening, that Merlin didn't sleep there and that he didn't even know where Merlin had gone.

It is canon that Arthur would immediately lose the marbles. As prince regent he order a wanted party. Nothing can stop him because *the power of the script*

Weeks go by with no sign of Merlin. Search efforts are dwindling as there are other priorities These priorities include certain strange occurrences in border villages.Some of these strange occurrences include a group of knights who were defeated by an entity they failed to see or recognize when they went to pick up an accused sorcerer. In addition, in the town next to that one, an entire family suspected of magic disappeared.

The council agrees that action must be taken or the people will begin to see those signs of weakness when it comes to responding to the law, with a sick king and having faced a mini conquest (I don't remember the chronological order of certain events, apologies); They must make it clear that Camelot is still the same as always...

Then, by the power of the script, the prince argues until he is the one who is designated to command the patrol of knights who will go to the villages in question (for honor, to make the people see him as a prince who executes his own orders or whatever)

Between surveys in the villages, some talks with peasants, follow clues... GUESS WHO THEY FIND?

Merlin has been wandering here and there, posing as a herb seller (because that must be good for something), Coincidentally, he has not left that specific town where the suspicious events occurred (he is that stupidly confident)...

He seems to vaguely recognize the knights. One of them he met in a tavern, another fighting a griffin, another is the brother of someone he met who-knows-where; and the other... He can't remember where he knows him from. That makes him feel strangely dizzy, there is a pressure in his head and there are pits that he does not want to question himself.In all this, Arthur does not stop shouting a thousand and one things at him. How stupid he is, how careless he is, how much work he has put in the backlog while touring every tavern in Albion...

Then Merlin says the three words that put Arthur's world Heel over head:

«who are You?»

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sugar-grigri · 7 months ago

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Nayuta wasn't killed by Barem, she's his ally

Poor fandom, you're disorientated just when your compasses should be working properly.

Let's learn how to eat sushi properly, step by step. Or rather, how about reading Chainsaw Man in the right order? By calmly superimposing everything we know in the right order

So let's not panic, let's get on with it. Dry your tears, clean your snot and let's get back to the introductions.

First layer of sushi: Denji and Pochita are made for each other

Who is Chainsaw Man? It's a question we've been asking ourselves a lot, but how about a simple answer - we're not here to mess around. Chainsaw Man is the combined result of Pochita + Denji. Do we agree? Why have they become so close? Because they look alike, don't they? Alone, hungry, in need of a little warmth and a little love.

Second layer of sushi: birthday, despair, amnesia...

If we take the stories in outline, Denji meets Makima and then bonds with his siblings. A sibling who eventually dies, and whose final breaking point is his sister, cut in two. On top of that, it's his birthday, isn't it? Makima invites Denji to open the door that confined his traumas, including the death of Denji’s father?

You see, I've already missed it, I went too fast. Let's resume calmly, birthday... Denji had forgotten it was his birthday, hadn't he? His birthday is the day you're born, it's one of the few pieces of information we don't really question, but Denji forgot it. But haven't you ever really wondered...

If Denji had celebrated his birthday? And why, how, he wanted to eat a cake? His father was violent and his mother died when he was very young, so is it really safe to say that Denji celebrated his birthday?

I had another question, why does Fujimoto always seem to accentuate the cakes so much?

I really think that cake is one of the keys, because it's a tunnel of memories that resurfaces in Denji, the cake, his birthday, then Power's death, then his father's death. It's a sushi within a sushi (we're slowly taking things back in order), I think it's about layers that need to be taken back in chronological order, yes chronological 1) the death of Denji's father 2) the death of Power 3) Denji's birthday 4) the cake. Which brings us to this scene.

Was this scene shown not just metaphorical or symbolic, but actually happened? Denji having contracted with the control demon whose power is to control memory, in order to reshape him perfectly so as not to be happy and to do whatever she asks of him later. Why couldn't Denji open that door? Why does Aki's death sound so abruptly like Denji's absence, with a mini ellipsis that doesn't show us in concrete terms how Chainsaw Man killed him? I'm going too fast again, let's start again...

Makima hasn't made Denji unhappy, she's created a being made for unhappiness.

This scene refers to an anniversary, amnesia and despair, all ingredients that enabled Pochita to take complete possession of Denji and show us the most complete version of Chainsaw Man.

Which means Barem isn't lying, is he? Same here, I'm going too fast!

Third layer of sushi: the closer Denji gets to happiness, the more he doubts...

Denji manages to become himself again and succeeds in killing Makima, by devouring her. In a very simple and concrete way, Makima was devoured and this put an end to her existence. Keep this in mind. Nayuta is reborn, becoming Denji's little sister, lots of dogs surround them, Chainsaw Man becomes extremely popular and it's in this part 2 that Denji will feel the least like himself, the least like Chainsaw Man. Strangely enough, it's when he approaches a semblance of happiness that Denji pulls away from himself.

Barem really doesn't seem to be lying, does he? But once again, I'm going too fast, let's get on with it!

Fourth layer of sushi: Barem never lies

This is something I quickly came up with, and it's so precise, I think his character is thought of that way, and it's his narrative role. Even though he's deceitful, manipulative and devious, the bro does NOT LIE. He didn't lie about the weapons attack, he didn't lie that he looked like a Chainsaw Man fan, and he doesn't lie in the last chapter. But same, I'm going too fast.

Fifth layer of sushi: Nayuta betrayed by Chainsaw Man

When Denji made the choice to become Chainsaw Man, the house, his source of happiness, was falling to ashes, his dogs, his cat were dying. Denji went through with his dream and abandoned the little sister who made him happy. Barem didn't impose misfortune on Denji; it was Denji who chose misfortune, despite Nayuta's fears. The happier he was with her, the more he lost himself. He left her in Barem's hands and provoked an existential crisis in her. Which made her reconnect with her old self.

Sixth layer of sushi: an unblocked memory.

The aftertaste that sticks to your palate is a piece of information I mentioned earlier. Makima has been devoured. What defines the Knights of the Apocalypse from the rest of the demons? Their memory. What if Nayuta had now understood how Chainsaw Man's power worked?

Seventh layer of sushi: chapter 170.

This explains Nayuta's severed head, a macabre mise-en-scène to make her brother lose his mind a little more. As for Barem, he doesn't lie to us and gives us instructions on how to read Chainsaw Man. He knows how to read Chainsaw Man, since he knows the two conditions for him to regain his full power because Nayuta gave them to him. For all this is nothing more than their death.

Layer zero of sushi: the unknown.

Now I'm entering the quintessential madness of my analysis. Makima contracted with Denji at a very young age, and gave him several orders: survive at all costs, remain miserable, and one day kill Power and Aki. Above all, she ordered him to contract with Pochita, hence Denji's reflex to hand his open wound directly to the demon. This misfortune, this amnesia due to the contract with Makima, this survival on his own, finally allowed a weakened Chainsaw Man to find a kindred spirit, a loved one. Believing in happiness, then destroying it, kept Chainsaw Man's power in check, those vain dreams only a human could imagine. Denji was a kind of Russian doll, holding back Pochita and his over-power. That's why these two conditions exist.

To be unhappy, or to break this Russian doll.

To be feared by all, or to be alone.

Or kill Denji.

To save Pochita.

Layer - 100000 of sushi: did you think I'd finished losing my head? I don't think so. What if everything I've been telling you all along, taking things in order, were to be done in reverse? Take them out of order. I'll ask the questions so you can understand. Why is Makima so obsessed with Chainsaw Man? Why did the Knights of the Apocalypse fight Chainsaw Man in the underworld? How did they manage to retain their memories? Why start the story with a parricide? Why was Denji finely polished by Makima to welcome Pochita when Makima never saw Denji, the reason for her own death? How could she enter into a contract with someone she has never seen?

Because someone is controlling the control demon itself. Just as it controls the way the story is presented to us. How can we trust an antagonist who controls memory? And an amnesiac protagonist?

Why did Pochita do what he did in the underworld? Why this sudden fury? Why do demons hear chainsaws at the moment of their death?

Because we've come full circle. More precisely, what you're reading is not part 2 but part 1, or to be more (MORE) precise, the end of Chainsaw Man will lead to its beginning. The desire to create a better world, to kill death, will lead to a temporal loop in the world that will never cross the apocalypse, blocked just ahead.

Makima herself is controlled by her future self, which allows her to make references to the future and know the recipes for unleashing Chainsaw Man's power without understanding why, her future self knows Chainsaw Man, she loved him. So Makima also loves Chainsaw Man without really understanding why, amnesiac like Denji.

Denji doesn't kill his father, it's his old self who is killed.

But another Denji tries to put an end to this...

Spiral.

Stuck between two worlds, two temporalities, morning (Asa), night (Yoru), someone is trying to put an end to this endless world, before dawn.

#chainsaw man #csm #csm part 2 #csm spoilers #denji #asa mitaka #my thoughts #yoru #nayuta #barem bridge #barem #fake!csm #csm 170 #chainsaw man chapter 170 #chainsaw man spoilers

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clairecrive · 3 months ago

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"Gorgeous and Untouchable" Eddie Munson x reader

A/n: thank you so much for requesting this lovely <3 this is definitely on the longer side but tbh I don't think it's that good. hope you enjoy!

Word count: 2.2+K

TW: tiny bit of angst, longing, unrequited love, fluffy end.

MY MASTERLIST

"You've ruined my life-"

Now this was new.

Eddie Munson, reigning freak of Hawkins High, was used to being avoided by most. On account of some stupid reason such as him being a devil worshipper and the likes.

Never had he thought to have enough influence or social presence to actually ruin someone's life. Unless they were trying to put their bad luck on him which... shouldn't surprise him at all.

Oh, to have such power...

He scoffed immediately losing himself to a daydream reality in which he actually had magic powers. Now that was a thought!

As he went to slam his locker door close, another piece of paper caught his eye.

What now?

"by not being mine." Read this one.

What?

Putting the two pieces of paper together he saw that it had been torn apart but it was actually the same piece of paper originally. So the complete message was "You've ruined my life by not being mine."

Rolling his eyes he closed his locker, now sure that it was just someone taking the piss out of him. Chuckling he threw the two pieces of paper in the trash without sparing them a second thought.

Little did he know, someone was watching him in that moment who, alas, didn't mean it as a joke at all.

"Oh well," they thought without losing spirit, "tomorrow we'll try again."

And try again they did. Every day, they would leave two little messages in Eddie's locker. One was to be found when he arrived at school and the other at the end of the day.

After the first two, which Eddie blatantly dismissed, he actually kept the rest of them. So, one day, after almost a week had gone by in this weird fashion, Eddie sat down in his room and put all the pieces together.

Tongue peeking out in concentration, Eddie rearranged them in chronological order. This proved more difficult than he thought because the messages weren't dated, of course, and they got all mixed up in the box where he had stored them.

After a while of playing Sherlock Holmes, he thought he got it. It added up to something like this:

You're so gorgeous I can't say anything to your face 'Cause look at your face And I'm so furious At you for making me feel this way But what can I say? You're gorgeous

He thought for a moment that he had made a mistake. He must have. Maybe they didn't have to be put in chronological order to be deciphered. Maybe there was another code he needed to figure out.

And so he tried to find one. For hours.

At one point he had to give up. Eddie plopped down on his bed. A frustrated scoff left him when he thought how much time he had wasted on this stupid thing.

Someone was messing with him. They must be.

The idea that those pieces of paper held a confession for him, never crossed his mind. It was unfathomable for Eddie to think that someone at school might actually think he was gorgeous. All he could think about was who the hell hated him so much to pull a prank this elaborate.

The next time Eddie went to school, he was hesitant to open his locker. Last time it was only some pieces of paper, but what if, with time, his pranker had grown bolder? Who knows what he was going to find this time.

When he finally did, though, he'd found that he needn't be scary. Eddie sighed in relief as yet another piece of paper fell to the ground by his feet.

This time, the paper had a distinct flowery scent to it. Eddie knew nothing of perfumes, let alone women's ones. But it was nice, he thought as he sniffed it again. He liked it. The other thing that was different this time, was the colour of the message. It was lilac and it read:

I'm caught up in you Untouchable, burning brighter than the sun and when you're close I feel like coming undone

Turns out that his secret admirer had become bolder indeed. Just not in the way Eddie expected. "Untouchable"? Him? People tended to stay away from him either because they believed the devil-worshipper rumours or not to taint their social standing. So he was having a hard time imagining someone coming undone in his presence.

Still not fully convinced this was genuine, Eddie shoved the piece of paper in his jeans as the bell rang.

Yet again, you watched as he walked away none the wiser of your presence. You knew that it was going to be hard to get Eddie to notice you. Even this way. However, you couldn't help but feel frustrated and helpless. You thought the perfume had been too much but a part of you hoped it'd be enough for Eddie to connect the dots.

"Not yet, I guess", you thought as you made your way to your class as well. I need to get even bolder.

You usually weren't this insistent. In fact, it wasn't really in your nature. Maybe that was why Eddie was having such a hard time connecting the dots and linking the pieces of paper back to you.

You had known him for a while now. Since the first year of high school. Well, your first year. Eddie had been in his first senior year. You had seen him in the cafeteria one day at lunch, doing one of his usual spectacles. Before that day you had only heard his name being whispered like a bad word amongst the other students.

Being new to the area, you didn't really understand what that was all about. Who was this Eddie? And why was he so famous that everyone knew him but at the same time, no one had actually talked to him?

Then you began to understand little by little. As the days passed you seemed to gather a lot of information about the guy, albeit against your will. It's just that everyone seemed to talk about him.

He honestly didn't seem that bad to you. You thought he was cute and quite endearing. He seemed to have strong opinions and a defined personality, which you admired. Maybe that was why people at school were so reticent about him. He stood out wherever he was and not for the reason people evilly whispered between them.

You were already halfway there but when you saw him interact with the younger kids one day, you were definitely gone. The crush turned more into an adoration with time.

And even though you had talked to him a few times, you had never tried to shoot your shot. Not until now, at least. You were tired of always dreaming about him and what it'd be like to be with him. For the first time in your life, you were adamant about turning your dreams into reality. You only needed to get the guy.

And in the middle of the night when I'm in this dream It's like a million little stars spelling out your name In the middle of the night waking from this dream I want to feel you by my side, standing next to me

This time, you had really put yourself out there. You didn't think you could be more obvious than this. Not only did you write the message with your favourite lilac pen, and spray a little bit of your perfume on the piece of paper, you also left a kiss on it. A glossy pink imprint of your mouth.

It was your favourite lipgloss. You wore it every day.

You only hoped that Eddie would notice. Otherwise, you had to take an even more drastic approach. One you dreaded. You had to go and talk to him. Ugh! Only thinking about it made you nauseous.

Little did you know, you didn't need to worry. It was going to end sooner than you thought.

You were at school bright and early as usual that day. The official excuse was that you needed to sort out something for the school paper. But really, you needed to slip the piece of paper into Eddie's locker without anyone seeing you.

That morning, however, you weren't the only one at school at that hour. Usually, Eddie was one of the last to show up. Often, at the last bell or late. However, the principal had called him to tell him that if he kept showing up late he wouldn't have permission to host Hellfire. Hence why he was one of the first ones to show up that day.

Whistling some random tune, Eddie was carelessly rolling through the hallways and about to turn to his locker when he spotted you. His whistling immediately stopped and he spoke without thinking.

"Y/n?"

His voice startled you so much that you flinched and almost slipped your foot retreating from the locker.

"Oh, h-hi Eddie!" you squeaked as you turned to face him.

"What..." he trailed as he took you in.

"Oh, uhm," you stumbled over your words trying to come up with something to say.

He was still looking at you with a questioning gaze. Standing so close to his locker and visibly nervous... Still, he didn't think anything of it. He was just curious to know why you were here.

That was until a piece of paper floated on the ground in between you and him. Both of your eyes were immediately drawn to it.

"Fuck", you silently swore to yourself. The piece of paper you trying to push inside his locker must have gotten stuck and then got loose exposing you to him at last.

You swallowed nervously and stepped back, almost as if you were trying to make a run for it. But this was the moment you had been waiting for! Stop being a coward and talk to him! you chided yourself as you forced your feet to stay put.

In the meantime, Eddie was still putting the pieces together. His eyes were looking between you and the piece of paper on the ground. Then his locker.

The paper. You. His locker. Then you again.

"God," you thought, "how slow can this boy be?!"

"It's me," you blurted out after a while, unable to bear this uncomfortable situation any longer. "I'm your secret admirer," you whispered when his eyes shot up to you.

"You?" he said, voice filled with disbelief.

You winced at the tone of his voice, assuming the worst.

"Surprise," you exclaimed weekly trying to laugh it off. Emphasis on trying.

But Eddie was yet to say anything and was only staring at you dumbfounded. So, you started to blabber nervously to fill the silence.

"I'm sorry if I wasn't who you were expecting. I-"

"Are you kidding me?"

"No, I-"

"I didn't think you'd be this cruel."

"What?"

"I always thought you were cool but to pull a prank like this...," hell Eddie thought you were more than cool actually. "It's not funny, you know."

A prank?

"Wha- Hold on," you called after him when you saw he was about to leave. "Wait. What do you mean a prank? This is not a prank."

"Yeah, sure," he scoffed, "and you really think I'm- what was it- gorgeous and all that shit?"

"Well, yeah," you admitted shyly. "I've had a crush on you for a while, Eddie." You toyed with your feet, too embarrassed to look at him.

"Then why haven't you said anything before?" he asked still sceptical.

"It's not easy to go to the person you like and tell them, you know," you scoffed as if what he was insinuating was preposterous. Even though it actually wasn't...

"So you left these in my locker instead," he said pointing to the piece of paper that was still on the ground.

You scrolled your shoulders at that, not sure what to say. Hearing it out loud made you feel foolish.

"You know what?" you spoke suddenly, "Never mind. It was a stupid idea, anyway." You were about to turn around and leave without waiting for his reply.

"Wait, no"- he called after you making you stop. "It's not stupid. It's very romantic actually."

"You think so?" You said tentatively as you turned around to face him.

"Yeah," he gave you a boyish grin. "You liked me for a while, huh?"

"Now who's being cruel?" you quipped blushing furiously.

"Nah, it's just that- I'm kicking myself for not asking you on out a date before," he admitted, scratching his head nervously.

"You like me too?" you smiled at him, hope blooming in your chest.

"I'm not blind sweetheart. I've had a soft spot for you for a while now. I thought you knew."

Hearts beating a thousand miles per hour, you could only give him a lovesick smile. You couldn't believe it.

Finally, your dream was coming true.

"So what do you say, sweetheart," he took a step closer to you, " will you bless my Friday and let me take you for a date?"

Giggling like a fool, you could only nod at him. Which earned you the biggest smile you had ever seen on Eddie's face.

"You have no idea how long I've been dying to hear those words."

"Trust me, lovely, I think I do."

Turns out you were both two lovesick idiots.

#eddie munson #eddie munson x reader #eddie munson fluff #eddie munson fic #eddie munson imagine #stranger things #taylor swift inspired #eddie munson x fem!reader #eddie munson fanfiction #eddie munson one shot #eddie munson x y/n

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reds-skull · 3 months ago

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The frames of the video from the comic in the previous post. I experimented a lot with this, it was really fun to work with this chunky brush I found. Also the first time I draw the Reaper of Destruction as it was before Lumity!

More comments under the cut+a frame I ended up scrapping!

I'll go by order of appearance, because it's basically a chronological retelling of the events of part 1.

So the first frame is the least fancy because it was the first and I didn't nail down a style for this yet lol. It shows Ghost and Soap's first true meeting, in chapter 1, where Ghost helps Soap when he gets impaled by a rebar.

The second frame jumps to chapter 8, when Ghost first put Soap in Limbo. The triangle around them was a later addition, taken from the next frame. I love this scene, it's so fun to see it drawn out now :)

The third frame was the most important one to nail the style. I painted a whole frame, only to come back to it the next day and restart from almost 0.

This is the original third frame

They both show the same event - chapter 21, the second time Soap is thrown into Limbo. The difference is, one shows a more literal image of what happened, and the other is more symbolic.

And by now I think you know how much I love symbolism lol

What also bothered me with the scraped painting is that the composition isn't central, and the entire pose, while more dynamic, isn't fitting the mural feel the rest has.

There's an even earlier version of the scrapped painting, with Soap's face, but nowhere else there are faces in these series, so I went wild with it and covered it with flames. He had them behind him already, as the description of this scene in the fic says Soap had a helo of fire behind him.

(also hated how Limbo's victims looked in the scrapped version like... ew lol)

There wasn't a real reason to add the circles around Soap. I just wanted to lean more heavily into the mural style. But I took that circle motif to the end, after that, and added it to Ghost as well, hence the triangle.

Soap has one skeletal hand, and one palm. That one is on purpose, to show he's hanging in between life and death.

The fourth frame is pretty self-explanatory, it shows the part in chapter 21 where Soap gets the dark marks on his forearm. If the colors look weird in that one, it's because I messed with them so much I couldn't tell if they look good anymore on not

The fifth frame shows another favorite moment of mine, the moment Ghost gets his marks, the white tear tracks, when he finally notices Soap fighting in the void.

The sixth frame is my favorite of the bunch. Soap and Ghost, the triangle and circle combined. The moment they killed Graves, Ghost in full control of his subjects, Soap with his sword of white fire and army of burning moths. They look so scary in this one I love them

The seventh frame shows Void and Destruction. Void was straight forward, I've drawn it a few times before, but I had to make a more detailed design for Destruction, and I only had the very first sketches I made for Revenant AU to go off of, as well as Lumity's design. Idk why I designed Lumity before Destruction, but that's how it is. I wanted Destruction melting, like it can't handle its own heat.

The eighth frame is of Void and Destruction combining. In the fic they had in-between states, it didn't look like this, but for the sake of the video I thought it'd be nicer to have a clear frame of them combining.

The ninth and last frame is of our beloved Lumity. Their design is a little more detailed than the drawing I made a while back. This frame is also the only one that interacts with the foreground, aka Makarov. I think he was jump-scared, don't know how much that comes across.

Damn I had a lot to write. Well, when given the opportunity to ramble...

#call of duty modern warfare 2 #cod mw2 #cod ghost #cod soap #john soap mactavish #simon ghost riley #call of duty modern warfare #revenant au #cod fanart #...fanart of my own au for the most part but oh well #ty for reading whoever did <3

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agatharkn3ss · 3 months ago

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Agatha's info/rumours

I thought I'd pull together all the info we've been shown in ep.6 and add my interpretation to it. I still can't believe that Billy read these short bits and claimed he knew an "egregious" amount about Agatha.

As usual, biased towards Agathario, because I think they are heavily implying Agatha's connection to Death (I mean yes, the writers could just be trying to explain why the internet would be so invested in her identity, but still)

First of all - "333 partial results for Agatha Harkness Ancient Witch". I love yet another allusion to how Agatha is linked with number 3, making her the actual harbinger of doom (I explain this here).

It's interesting that the related questions are all about the immortality of the witches:

Are witches immortal?

Do real witches ever die?

How do you kill a witch?

How old is the oldest witch?

If we didn't have other super-old witches in the show, it would make me wonder if Agatha didn't make some sort of pact with Death (Rio), where she provides "bodies" to her in exchange for her long life. But as it is, we have Lilia as 450+ years old and Jen is also older than a century, but you don't see them trying to kill people (I think).

The very first search result is quite fun:

"The Macabre Wiki – a comprehensive encyclopaedia of all things that only come out after dark. Created by two blood witched from Salem"

No matter what, I will forever believe this is Agatha and Rio's page. (for reasons explained here)

The rest of the search results are not as exciting:

Witchy Resource – Ancient witches and ancient warlocks are not well documented traditionally and usually for good reason…

Witches and Aging – Apparently, witches are able to chose how they age and present themselves to humans. Some withes choose to stop again at a certain point staying roughly 30 years old visually for literally hundreds of years.

Dreadit – Salem Witch Trials – Recently I’ve been researching a ton on the SWT and not many people know this but there are reports of witches that actually survived burning and drowning

The Art of the Ancients – Learn about the secret art of witchcraft and the witches that have [...]

So this suggests Agatha specifically chose her look and age. Neat. Quite empowering really.

Also, another suggestion that some witches can be immortal and survive burning and drowning. I wonder if we will see this in the show - Agatha and Rio having absolute blast at mocking people who were trying to torture/kill Agatha, only to realise she wasn't feeling any pain, she would just raise and shout "Surprise witches!".

Then we go onto the Salem Witch Trials page. This pretty much confirms what we already know about them. I immediately clocked how all the handles only have green or purple colours... Coincidence? I've not tried to decipher the names, but if anyone has any suggestions, let me know!

witchygirlblack: Did any witches survive the Salem witch trials? Are they still alive? Where are they? Witches can live for hundreds of years, so the ones that survived the trials might still be out there [] witchkraft dreadit, you must know of some?

4thlevelwarlock: The Salemites, Evanora Harkness’s coven, were prominent in the area. I’ve heard rumours [...]the young children from the coven escaped

SamSamwitch: @4thlevelwarlock look familiar? [Agatha image link]

BoftheEast: be careful posting about her just saying

Then Billy takes the photo through reverse image search. I know these are tiny, inconsequential details but I still love them:

"Looky" sounds like a little nod to Lilia's "kooky"

The letters “o” have moons inside of them.

Each letter has different colour that seems to align with the witches – light blue (Jan - water trial?), purple (Agatha - spirit), yellow (Lilia - air), dark blue (Billy?), orange (Alice – fire)

This search then leads to a number of events that Agatha has been spotted at. Rather than pull out the quotes, I'm going to put the events in a chronological order and add relevant background info:

Salem Witch Trials (1692-1693) - this was a series of hearings and prosecutions of people accused of witchcraft in colonial Massachusetts. More than 200 people were accused. It was the deadliest witch hunt in the history of colonial North America. This is the time where Agatha's mother and her coven try to "punish" her for using "the darkest of magic". Her fingers weren't black, so she's unlikely to have had Darkhold back then. (btw the script for this suggests Agatha was 18 at the time, so she was born ~1675, making her ~351 years old in 2026)

The Eastern Seaboard - Although we don't know the exact dates, there are "unconfirmed reports of Agatha traveling the Eastern Seaboard". This could relate to various areas but this is likely just referring to the US East Coast. The Thirteen Colonies, which formed the United States in 1776 were located on this coast, playing an important role in the development of the United States.

The sinking of the Titanic (1912) - the British ocean liner sank as a result of striking an iceberg on her maiden voyage from Southampton, England, to New York City, US. Of the estimated 2,224 passengers and crew aboard, approximately 1,500 died. Agatha is listed as one of the survivors

The Hindenburg disaster (1937) - a German commercial passenger airship caught fire and was destroyed during its attempt to dock at Lakehurst, New Jersey, on its journey from Frankfurt, Germany. The accident caused 35 fatalities among the 97 people on board, and an additional fatality on the ground. The publicity shattered public confidence in the giant, passenger-carrying rigid airship and marked the abrupt end of the airship era. Again, Agatha is spotted as a woman who "survived the explosion then disappeared"

"Jolene" (1972-1973) - The headline states "Does this 1972 Surveillance photo of Dolly Parton show the real Jolene?" and Jac Schaeffer confirmed that yes, Agatha = Jolene. So I had some fun with this, because why not?! I wondered what Agatha's play would've been here. Is she truly after Dolly's "man" - if so, in what way? Or is she after Dolly herself? Note that although the article says 1972, later on we also see statement that Agatha was last seen in Nashville Tennessee, 1973. Now - that year in Nashville, Dolly not only recorded "Jolene" in May, but a month later she also recorded "I will always love you" - a song that is widely understood to be a goodbye song to her business partner because she decided to pursue solo career. In my head this is all a result of Agatha's influence, who showed Dolly her real power.

On that note, I don't think we would be far off assuming that as Agatha kept Dolly (or her man) her company, she would've actually come across Lorna Wu herself? We know it was similar time, because "The Ballad of the Witches Road" record was made in 1978. Alice mentions how she got her tattoo in Colorado as her mum was playing at the Red Rocks amphitheatre. Dolly Parton also performed at the Red Rocks in 1972 (the same year as the camera footage), so Agatha could've been there...

Finally, we get to the "brujapedia" - the encyclopaedia of witches. It's fun to speculate who could be running this page - the whole theme is black and white, with red highlights. There is also an image of a raven - as I discussed it before, it is a symbol of bridging the world of life and death. So it would be fun if it was Death herself maintaining it, as she would be the only one who would truly know who the real witches were. Also it would be a cool census of who is still remaining for her to "collect" their dues.

Another good spot from @chaotic-homoromantic is that "bruja" is a Spanish word for "witch", giving us another hint to Rio.

I couldn't really find any info on any other names other than the top one. Abigail Adams was a founder of the US, wife of John Adams, the second US president and mother of John Quincy Adams, the 6th US president. I'd like to think witches had some input back then.

Also interesting is how Agatha's surname is misspelled - it has two Ks. I wonder why that is - no way it's a mistake, seeing how much detail they've put into this. Maybe it's a subtle suggestion that this information came straight from Agatha herself or as a joke from someone who knows her, since she's known for using wrong words. (or it could just be a suggestion that all of the other names on this list are also misspelled, explaining why we can't find any info on them)

Then we get to some info about her - most of which I already collated into the timeline above. There is also a vague mention of Nicky: "Agatha Harkness. Son. Name unkown, rumours [...]"

But there are also some other bits - hilariously referred to as "FUN" facts:

Fun Facts:

Murdered her entire coven

Possesses succubus powers

Nick name is “witch killer!”

Only known survivor of The Witches Road

Folklore references: It is said certain children’s book make reference to Agatha [...]

Funny how the nickname absolutely includes the exclamation mark. I feel like maybe Jen was the one who submitted this info.

As for the children's book - I feel like it wouldn't be just a single story but more like the Grimm's Fairy Tales. Following Lilia's comment, Agatha probably was the template they used for "evil witches" - poisoning apples and stealing kids and eating children. It's not something she would deny anyway.

Now, the Succubus comment is interesting. In lore they are generally depicted as a sexual being - "a female demon or supernatural entity in folklores who appears in dreams to seduce men, usually through sexual activity."

But I think in Agatha's case, things are different. Yes, she has the charisma and can probably seduce people quite easily (I mean, she probably seduced Death, didn't she?). But I don't think that's like a magical power. In fact, if it was, it think it would be really unfair to Agatha, erasing the fact that her character had to build and evolve around her experiences and the fact that she had to survive - "in a way that few do". So I think this "fun fact" could be partially coming from someone's snarky comment (Dolly Parton's?), who just wanted to take away Agatha's agency. Or fell for Agatha and then blamed it on her "powers" rather than admitting their own gullibility. Just like women over the centuries were accused of witchcraft and casting curses if things simply didn't go the way someone wanted.

Plus the way she goes about getting her magic from people is absolutely not seductive. She simply finds a way to annoy the heck out of the target!

But of course, that's not all there is to it, because on the other hand Agatha has her syphoning ability - now that could also be described as the "succubus powers" referred to above. In DnD succubus attacks using a "Deadly kiss", basically draining the essence of life and I feel like this is quite a good description:

"The kiss of a succubus is an echo of the emptiness that is the fiend’s longing for a corrupted soul. Likewise, the recipient of the fiend’s kiss gains no satisfaction from it, experiencing only pain and the profound emptiness that the fiend imparts. The kiss is nothing short of an attack, usually delivered as a final farewell before the fiend escapes."

In that magic/soul sucking way, she would have more parallels to Death, explaining their connection. More so, if Agatha can't control her powers - because Death does not really have much control either, she just has to do her job when the time comes.

#agatha all along #agatha harkness #kathryn hahn #aubrey plaza #rio vidal #agatha all along spoilers #agathario #agatha x rio

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jiskblr · 2 years ago

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Tumblr Rules for Redditors

Hello, fellow redditors! Many people are trying to tell you rules about how to Tumblr properly. Many of them are wrong, or assholes, or both. I am also an asshole but I’m going to not be one for a minute to give you some advice:

“Reblog this or you’re a bad person” and any variation on that is a violation of intergalactic law. Don’t do it. Also, refuse to comply if someone else does it.

Generally, people can see what you reblog, but cannot see what you ‘like’. A like may seem like an upvote, but it is much less significant than one, since it doesn’t affect visibility in the slightest. A like will be visible both to the OP of the thread, and to the person whose reblog you put the like on. Like promiscuously! It feels good to get likes and there’s no downside. (Unless you are a space alien AKA influencer.) There’s a setting for like visibility, but it’s still somewhat hard to find even if it’s turned on.

Tumblr nominally has the ability to browse global tags (e.g. seeing the entire site’s posts and reblogs tagged #superwholock or #reddit exodus) and to search the site for things. No one uses them and they don’t really work.

You are probably less surprised by this than denizens of literally any other website on the internet, but there’s mostly no algorithm here. Chronological order only. This now defaults to being on, but you can and should turn it off. (If you’re using the search or global tags, they might have an algorithm, but if they do, it doesn’t work. We don’t know because we don’t use them, because they mostly don’t work either.)

Anyone can have absolutely any conversation in the notes of your post that they like. This is how the website works. You are allowed to complain about it, but don’t expect anyone to humor you. I think it’s possible to make posts unrebloggable and disable replies, but this is essentially refusing to use Tumblr. If you want to do that... go ahead, I guess?

Many people have ‘DNI’ lists in their blog descriptions. This means ‘do not interact�� and indicates that they don’t want you to message them, reblog from them, reblog any posts they are OP of, or even, sometimes, ‘like’ their posts. It is good manners to respect these, if you know they exist, but in normal use you probably won’t look at blog descriptions very often so it is entirely okay to violate them by accident. (When the lists get very long, it becomes impractical to check whether you violate them. Generally, just skip it. You probably don’t want to interact with those people anyway.)

Notes on posts you start will go to you no matter how many intervening hops there are on the reblog chain. If you get a post with an enormous amount of notes, this can get overwhelming. Whatever the current incarnation of Xkit (basically RES for Tumblr except we’ve switched names and maintainers seven times) is, will have a setting to deal with this. If that’s insufficient, the suggested course of action is to reblog your OP to your own blog so that you have a copy for posterity’s sake, and then delete the OP. This silences the notes.

If you and another user both follow each other, you are ‘mutuals’. This makes it much easier to have conversations with each other, which is ordinarily sort of hard since everything is purely chronological. Frequently your mutuals are your friends; if not yet true, they may become your friends.

When you reblog things, you can write words both in the word part and in the tags, Modern tumblr norms are to write long rambling tags in full sentences rather than put words in the main body. Unlike some other norms, violating this one and putting your response in the body of the reblog is not particularly rude. The worst it does is make a reblog chain long. Probably don’t reblog things and just say “This.”, though.

Tags can be subjected to peer review, by which we mean someone copy-pastes your tags and/or screenshots them and adds them to the main body of their reblog. Generally this is a compliment. The alternative is to say “#prev tags”, and this makes everyone hate you because it’s hard to find which tags were ‘prev’. Please just peer review properly if they’re good.

If you want to search your blog, consider Siikr. Don’t overuse it, it’s one guy’s project.

Be verbose! This ain’t Twitter, no character limit. (Not even the really large character limit of a reddit comment.) Write a 3000-word story in a single reblog if you want, that sounds awesome. Use ‘read more’ if you do, though. Posts can be very long, one of our oldest memes is about this.

Infinite scroll is the default, but you can turn it off. Actually, check all the settings, many of them will improve your experience.

On queues: Go nuts. Some people put everything in the queue, some people almost nothing. Some queue specific aestheticposting (personally I do #too smol) and post other things normally. Most people who queue a lot add a queue-specific tag like #the mighty queue or #this queue shall pass, or at least I notice them more than poasters with untagged queues.

You know how Reddit lets you buy Gold and people go 'thanks for the gold kind stranger'? On tumblr we spend money on Tumblr Blaze, and it is considered the PvP section of Tumblr. Though sometimes people actually use it to spread posts they like, such as people attempting to evangelize Christianity (no, really, that happened a lot) or the, I hope, actually-kind stranger who blazed this OP. You can turn off PvP with one of the many settings.

Everybody be excellent to each other!

#reddit #reddit exodus #how to tumblr #blue hellsite (affectionate)

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i-hate-peas · 4 months ago

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The Old Guard Fic Recs

So I've been a long time lurker within the fandom without ever getting particularly involved, but I wanted to show some appreciation for some of the super talented people who go here, because I have read a lot of incredible TOG fic.

Most (probably all) of these authors have loads of other amazing fics, but I've tried to just chose one from each, to keep the list a vaguely reasonable length. Although then I cheated and did some honourable mentions.

** just a note to say I started this list year (s) ago and forgot about it until literally today when I saw fic recs going round. Any of these fics I haven’t put a description for it’s because I didn’t do it at the time, and if I go back to reread them all this would never be posted, not through any lack of affection or enjoyment **

If any writers want tagging/ untagging etc please let me know! (i knew/ could find some blogs more easily than others lol)

Within Canon

Old Olives by aeli_kindara

Garden of Gethsemane mention = instant tears

Death in Her Hands by superblackmarket

Nile's growing relationship with Joe and Nicky. All of their fics are so beautifully written, but I especially love Nile's relationship with the boys and her facing her own immortality.

Honourable mention: Station to Station

Between the Hour and the Age by hauntedjaeger (@hauntedfalcon)

Andy! Nile!

Ouroboros by CypressSunn (@cypresssunns)

Set after the film, literally just read it.

compassion, kindness, humility, gentleness and patience by Jack_R

A pair of early days Joe Nicky fics that reminds me of 'my wife is a bitch and i love her so much'

let's give them something to talk about by lacecat

When The Cherries White With Blossoms, Be Ready & Be Brave by chapstickaddict

Unearthed by merle_p

I think this is one of the most kudosed fics in the AO3 tag, but it deserves the hype!

Kidnapping for Dummies by Amiril

Similar to above, already very popular, but great and very funny!

The Last Man on Earth by Survivah (@optimismology)

I will admit I don't normally go for Booker/Nile, but this fic sold it to me. Looking at them and their developing relationship as the newer immortals.

Canon Divergent

Retrograde by Pinkninja

I mean this fic is the Big Bitch of the fandom for me, if you haven't already read this, where have you been? But also if you haven't already read this I am so jealous, read it and take your time with it and bawl your eyes out over it and appreciate the joy of reading it for the first time. The level of detail and planning in this fic is indescribable. It follows Nicky trapped in a Time Travellers Wife style life where he jumps back and forth throughout his own timeline, whilst Joe lives his life in chronological order. Exquisitely written.

If Never Again, If Every Day by gallifreyburning and takiki16 (@gallifreyburning, @takiki16)

Another absolute Titan of the genre. I know you’ve already been recommended this 500 times, what more can I say.

though I'm dying to (fall in love with you) by yusufsmoon (@babygirlyusuf)

Travellers from an Antique Land by kaydeefalls (@kaydeefalls)

Andy, not Quỳnh, trapped under the sea. I love all their fics.

AUs

Makes Me Want You More by Sixthlight (@sixth-light)

Perhaps not the typical favourite choice from Sixthlight, one of my absolute favourite TOG authors, but one that is funny and lovely and sweet that I keep coming back to. Shorter than many of theirs but perfectly formed.

pumpkin gnocci verse (series) by Liadan14 (@bewires)

I mean it's got estranged family, suspenseful chronological structure, cooking, spies, intimate and honest sex scenes, hilarious misunderstandings involving keeping halal, lovely found family moments, and the actual recipes used. What more do you want.

The Reality of Everything by Marbletopempire

One of the fics I desperately waited for each instalment for. Very funny, lots of sexual tension, plenty of Cate Blanchette spotting opportunities.

sine qua non by mellyflori (@werebearbearbar)

One of the first of their fics I read, with a very sweet build up of misunderstanding to friends to lovers, involving growing up, discovering sexuality, trying to be nice about your best friend's bad boyfriend, and a long suffering sofa.

The Brooklyn Verse (series) by GayLittleEarring, yusufsmoon, nicelytousled (@marwankenzarisgaylittleearring @babygirlyusuf @nicelytousled)

I saw the creation of this on Tumblr before it was a fic, and it lived up to every expectation. Very sweet and sincere, with lots of great discussions about art, whilst also very funny (Lamp the free loader, Joe sending thirst traps out of irritation) and hot. ItalianAmericanNickyfromBrooklyn and Joe my beloveds.

a good (eighth) impression by deaniker

I love a good hook-up to 'oh shit I have feelings' fic, and this is even more entertaining because Nicky is Lykon's ex, and Joe has very much seen him at his worst.

You do not have to be good by emjee (MerryHeart) (@emjee)

At one point a tumblr post about Joe the Professor and Nicky the Priest got very popular, and I'm not sure if this fic was inspired by that, but is one of the great fics with similar concepts. Such a lovely, gentle fic about love and also identity, featuring also Nile and a very sweet snail.

it's such an almighty sound (series) by raedear (@raedear)

A secret service AU that goes full enemies to lovers, with lots of tension, plotting, betrayal, frustration, and tenderness.

Honourable mention: take my hand (you got me rockin' and rollin')

fight 'til the day that i die 'verse by incurableromancer

Suspenseful, noir, super hero AU that has such a great writing style and is very atmospheric.

if you do take a thief by knoepfchen (@knoepfchen)

Cluedo style AU with lots of fun twists and slow building of backstories, with the whole gang.

Honourable mention: life is not the things that we do (it's who we're doing them with)

#the old guard #fic rec #champagne?#now I need to go back and reread all of these

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kanmom51 · 6 months ago

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Minimoni - album exchange - JM's Muse

youtube

Well my friends, this was certainly something.

I'm going to talk about somethings in this video that stood out to me, not necessarily in the order they came.

I must say, JM did surprise me. We got a level of candor from him we have never got before. And when I say candor I don't mean JM has not been truthful with us in the past, he has. But he is JM. In situations like these, the master of telling us it all without telling us anything.

When it came to Face JM talked. He told us how personal Face was to him. How he took all his pain and struggles and put it into these songs that also represent a progression in a chronological order ending with SMF pt. 2. He told us all that, and then at the same time left it so vague not going into any details. But it wasn't only the album he didn't talk much about, as we all know. And do we talk about Letter and how so very vague he was when it came to that song? The surprise, the "fan song", which he basically would not say more than two words about?

Funny how open and calm and relaxed JM is while talking about this song, eh? Not a hint of shyness. Not a glimmer of evasiveness. Just saying it loud and clear.

And very curious how for a man that was basically working on the two albums practically at the same time in his 2 mini albums he had 2 songs for the fans... Nope. Not curious at all. Because one of those songs was definitley not for the fans. Not like this one, which he tells us to think of as a letter... very funny when he has an actual song called Letter in Face. Only thing is that that Letter was not addressed to us AT ALL, while this one is!!!

You think his use of the word letter for Closer than this is a coincidence? Not thought out? Wrong once again. It's a conscious choice of a word !! One word that basically tells us EVERYTHING.

That was me kind of starting at the end. I just had to get it out of my system before getting into the nitty gritty of the rest.

Another thing we got from JM was just how easy it was for him to talk about JK in this 27 minute video.

First we get from him that JK was the first to hear the songs.

He tells RM that he is the first to listen to the Album though. Meaning, RM would be the first to listen to the songs in the order they are put on the album, as per his concept.

JM tells us later on in the video how he finished recording the songs early June 2023. And here he says that JK heard the songs back during their trip (in July 2023). The use of "since" makes me believe it is the July trip rather than the later one to Jeju. And telling RM he's the first to listen to the album means that JK got to hear them right after JM recorded them, not necessarily all at once, and not in the order they are heard on the album.

Then JM mentions the fact that they are going into the army together.

Now this one is curious to me.

This video was shot a day before JM was off to Hungary to shoot his MV. Mid November. What I find curious is him bringing it up like it was something that RM was not aware of...

It comes up as part of their conversation about JM's voice, how he is in the process of learning how to sing again, in a way that will not damage his voice.

Talking about that he says this:

RM steering him in the direction he wanted, which was the vocal tutors not JK... Lol.

This is clearly something the talk about a lot. And when I say they I mean JM and JK.

So JM talks about the vocal tutor and the things he has been doing to improve himself in that sense, and then this comes:

RM's reaction. "Oh right". So he knew. Which was understandable seeing that this was such a huge thing. Than why JM mentioning it? Well, probably explained by what comes next. But basically JM is telling RM, and us of course, that he is going to be practicing his singing with JK during their joint service. Yes haters. This is JM telling you that as much as you wish otherwise, the two of them are together right now, just doing their Jikook things when they can. And that includes, among many other things, having hours of conversation and practicing their singing.

So, here's what JM had to say:

Let's talk about this for a second here.

Complimenting JK, as he loves to.

Stating the obvious. JM confirming that they spend time together. This is throughout 2023 and while there were those that were once again, as part of the Jikook rollercoaster, claiming the two weren't actually close, not to mention together.

JM's use of wording. This is very important. And I don't even think this was intentional, as in something he was trying to tell us. I think this was just him saying things as they are and the use the different terms is because the situations are different. What am I talking about? JM talking about JK:

Talking about Suga:

When he talks about JK it's "when he and I are drinking together"... it's a regular occurrence. Not a once in a while. Using that term "when we are drinking..." as opposed to the term he uses with Suga "We had drinks with Suga..." 2 thinks we get here. 1st is the use of "having drinks", which implies a once in a while occurrence, and 2nd the use of "we" oh so very naturally. It's the two, together, going to meet Suga for drinks. And even then, Suga being the third wheel, was basically figuratively just thrown right out of their car, left by the road side, them continuing on their ride together, lol.

Love how when RM says "that's why you didn't invite me" JM says "It gets a little deep". Love it because he's basically saying that his conversations with JK are deep (he did say he loved his mind) but also he's kind of also saying what we already know and what he also continues to tell us when talking about them going for drinks with Suga, and that is that they are so deeply into each other that there is no room for another in their interaction/conversation.

JM talks about how they can go on for hours about music when drinking together. One more of the things they do when drinking together, spending those hours together. Yes, JM just also confirmed that they spend HOURS together. Something done regularly as per his wording. And just one more of the things we learnt they tend to do while drinking. Together.

Talking about music, singing, dancing.

Working out,

Giving or getting hickeys,

And having Ramyeon...

Moving on.

Let's talk about Muse and what JM tells us about it.

JM and RM filmed this just before JM left for Hungary to film his MV for Who, so mid November 2023. The convo about the choice of name was kind of telling. We basically find out that Muse was not yet set as the name for his album. He was really thinking of SGMB as the name, which really also shows us how much they were influenced by The Beatles Sgt. Peppers lonely heart club band album.

RM asks him if it's connected with Face and JM says not so much. He explains that Face was about him, his feelings, getting clarity, or if you want - of autobiographical nature, while Muse is more vague, or if you want - NOT AUTOBIOGRAPHICAL!!!

There is no doubt in my mind that JM, who wrote these songs, used his own experiences and memories and emotions to write them (some he needed reminding of, lol), but at the end of the day from JM's explanation, the concept of Muse is not about himself and not about love. It's him expressing feelings through the universal language of love. We know that language, we understand crushing and attraction and love. And through those he was conveying how he feels about his work, his music, his performances.

Excited over something... not someone...

And JM goes on...

He tried to capture the emotions he was feeling as being like...

tracks one through five:

track six

In a sense, if we are looking at it from this aspect, then indeed, his muse could be that "she" represented in the song. Or, being the artist that he is, and keeping it all vague, it encompasses it all. Those very famous JM layers we see in his art. Through his writing and his concepts and performances and the MV and what it conveys to us.

But I do have to emphasise this: JM wrote the lyrics to Rebirth (a song he states he is his favourite), he took part in writing the lyrics to the other 5 songs (all other than Who). The songs are not autobiographical. That is clear. But as an artist the question is where he draws his inspiration for his lyrics from. We know RM can just make it as he goes, create from nothing, from an idea, from a book he read. JK on the other hand can't. This comes from JK himself. It's something he admitted he would love to learn, but he creates from his own trove of memories and experiences. Songs like Your eyes tell, Film out, not personal, and yet he draws lyrics from his own life experiences...

Does that mean that every single song he wrote is autobiographical? Hell no. It means that his expression comes from feelings and memories and experiences he had. We know JM wrote from his own trove for Face, and there are hints he did the same for Muse (without the autobiographic side of it).

Clarifying once again ... a conceptual album does not mean that the artist does not draw from his own life experiences, his feelings, while writing his songs. It means it's not autobiographical but at same time he might be feeding his own reality into those songs.

All this to say, once again, that even if a song is not about himself, when writing it he takes from his own life experiences and feelings. And that is how we end up with lines like this in Rebirth:

You are the light in my darkness Like the sunshine vibe

This whole interaction:

The shining sun line. Yes, the reference to the sun again. And we know who the sun is.

But there's more. It's how JM talks about the line. It's about him saying he asked for permission from Taeyang to use the line in his song, all while the only word from that line that has to do with Taeyung is Vibe. But even more so their reaction to that line. Both of them. And RM at the end...

And look who's peaking from the window... Lol.

*See comments for connection with Taeyang = sun.

Please tell me RM what is so very funny about that line "shining sun" that has you folding over in laughter???

When talking about writing Rebirth and how hard it was writing the lyrics to the song, he says:

RM's reaction though, lol.

That "Bro..."

The snicker.🤣🤣

JM couldn't remember the last time he had a crush. You know. That kind of heart wrenching one sided feeling towards another (well, you think it's one sided until you have the guts to explore it further).

I can actually help him with that one:

Go look at some good wholesome BTS content back in 2014 and 2015. That, my friend is JM crushing.

And that is also why Mr. leader had his little snicker.

So yeah JM, it was a very long time ago. Since then you discovered the crush was not unrequited, and you happen to be with that same person for what? 9 years or so?

And yet, RM's reaction. Again. Cause JM might have forgotten what it's like to have a crush for someone, but RM on his part, has not forgotten what it was like to have two members in the band he was leader of crushing over each other. That was the start of his nightmare as Jikook's babysitter, lmao.

So yes, very amusing indeed.🤣

At the end RM says he loved Muse better than Face, but Rebirth is his favorite and he loves that song more than the whole of Face. He even thinks that Muse as an album is a lot better than Face.

Couldn't help myself, had to end the post with this RM about JM:

"Such a good FRIENDSHIP!!!", screams someone in the barracks.

🤣🤣

#Jimin #JM #JM Muse #minimoni album exchange #Jikook #Kookmin #Minkook

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fitzjamesbulletwound · 19 days ago

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if you ever wanted to hear my every thought on fitzier you're in luck because here it is! this is extremely long so it's going under the cut and if you read it all, i love you

fitzier- shame, performance, and the freeing ordeal of being known

oh man okay here we go everyone, if this sucks or is too stupid or too anything feel free to kill me

essentially what i want to try to convey here is that the reason crozier and fitzjames go from enemies to friends to lovers is because they both see each other and see themselves in each other in a way that frightens and compels them, hence the early enmity with a tinge of familiarity and desperation to connect thrown in. with the inevitable evolution of their relationship i really think it becomes about learning to be vulnerable with one another, to give each other space to be who they need to be, both to each other and their subordinates, and finally coming to a point where fitzjames, the most performative insecure character in the story (to me), bares his entire soul to crozier, whose own character development allows him to give james the gift of acceptance and compassion in that moment. i’m not going to go episode by episode like i did with my joplittle post but this is more or less in chronological order with maybe a few exceptions idk i get possessed when i write this stuff

the first scene we’ve got to look at is of course the dinner scene. james is absolutely showboating like no other in this scene but in his body language you can see he isn’t confident at all- fidgeting, gesturing, exaggerating, the voice he tends to put on in early episodes prevalent. but when crozier interrupts him you can see for a split second that james was actually excited to get attention from him until he realizes what he’s saying. in the early episodes james craves crozier’s attention and approval so badly because he knows that crozier doesn’t bullshit and he sees things for what they are and isn’t afraid to voice that either and despite the fact that this sometimes makes james uncomfortable as it is not in line with victorian ideals of emotional expression and masculinity, i think james, given the kind of man he is at the start of the story, craves the recognition of a man who he knows would see everything in him. early early early foreshadowing and story weaving for the cairn scene where he realizes “he can tell this man anything. it is possible”

what i also find fascinating about early james and francis is that they still refer to one another in a very familiar way despite the fact that they openly dislike each other- it’s always first name basis even when they’re arguing. also interesting to note that crozier in the beginning will often call him “fitzjames” in front of others when he’s discussing him when he’s not in the room, but later on he makes sure to always use his proper title when he’s talking about him in front of the men- showing james respect even when he dislikes him. i think he doesn’t understand at the time that james’s familiarity with him is an attempt at respect as well (the whole ‘don’t ever call me francis again’ scene). it might be a stretch but i do get the sense that from the very beginning they both tried at being friendly, even just for the sake of maintaining order in command.

when francis says “here technology still bends the knee to luck james” in ep 1 he says it with almost a mentor-like cadence. like yeah they’re both being a little bitchy here but god knows franklin wasn’t giving fitzjames any real or pertinent advice about surviving and navigating the fucking arctic so i find it interesting that crozier almost gently reminds him that yeah they’re making decent progress but that it would be foolish to let their guard down

one of my favorite early fitzier scenes is after dinner when crozier, franklin, and fitzjames are all on deck and fitzjames like sidles up to crozier and looks him up and down and just goes “goodnight francis” with that smirk on his face- he was trying so hard to flirt with him while also being an insufferable bitch with “try to shake the brown study”. but also james lingers so long waiting for francis to say something to him and then shakes his head and walks away to go bitch to franklin about him- i think he is truly hurt in this instance along with being angry and annoyed. and i love that complication because on one hand, i do think that fitzjames thinks that crozier owes him friendship or at the very least recognition because of who james believes himself to be, or at least who he’s trying to be- like he DOES probably see crozier as being beneath him as an irishman but i do think he genuinely wants his friendship and approval as well, for self serving reasons but not entirely. it’s about fitzjames and his desire to be seen by everyone around him in a certain light but also about his desire to be seen specifically by crozier because of who crozier is and how he acts in contrast to everyone else around them

next on the agenda is “dramatic opening shot”... fitzjames girl you are the most dramatic man in the fucking room. the projection is crazy. what this scene reveals most importantly i think is that another thing about francis that james is secretly very envious of is his ability to openly disagree with franklin. there are so many moments later on where you can see that james doesn’t fully believe in what franklin is saying or commanding (the way he looks at him when they realize they are trapped in the pack, the ways he looks at him when he tells fitzjames to escort silna off of erebus right after her father has died) and i think that he envies francis’s ability to challenge franklin and not care what the consequences are. anyway the staredown during this scene is crazy, the tension??

moving on… beginning of ep 1 crozier says “not if fitzjames is with us” in reference to jop saying dinner will be over before he knows it, and at the beginning of ep 2 fitzjames says “do you think francis will honor us with his presence today”- for two people who allegedly hate each other they sure do think about each other and find reasons to bring each other up in conversation a lot!

ahh the scene with silna’s father- fitzjames is so interesting to me in this scene and really illustrates one of my favorite things about him in the earlier episodes which is that when he goes silent his face journeys are amazing and really convey his true feelings that he won’t say out loud for various reasons. he watches crozier so much in this scene and looks to him for understanding and guidance which is also interesting because i do think that in this scene he’s watching silna, a woman who he probably sees as subhuman and alien, reacting with such grief and tenderness to her father’s death and probably thinking of his relationship with his own father. i know a lot of people speculate that he was just feeling empathy for her there and i do think that’s part of it but i think that to show that in his mind would be to out himself as being “not fully english”. i think i make this point later on in the story too but fitzjames really does that classic white supremacist thing of distancing yourself from “otherness” in order to align yourself with imperialist beliefs and status- he does it with silna and he does it with crozier. sorry this is also turning into my fitzjames character study lol.

the scene where crozier walks out after his big blow up with franklin… i get that james really didn’t have any place to try to hide the fact that he was eavesdropping but i find it so interesting that he decides to turn to face francis and look him directly in the eye. from what we can see of his expression i personally think there was at least a small amount of sympathy there. another attempt to extend friendship and familiarity while actively participating in crozier’s humiliation… god i hate him lol. and the face that james is making when francis first walks out before he turns around is contemplative, not like smug or triumphant or anything like we might expect given how much he seems to dislike crozier at this point. and francis looking back at him… there’s no anger there, just sadness and humiliation and it sucks. i would truly do anything to be able to see james’s face there, in the script it says that crozier can tell how much james heard from the look on his face which like??? could mean so much.

okay the face journey when francis walks into the erebus wardroom after sir john dies… his eyes stay on fitzjames who’s obviously extremely distraught and i wonder if crozier has ever seen fitzjames show genuine emotion up until this point? crozier then looks to blanky, who also looks to fitzjames almost as if to say “look at him, attend to him” and the sorrow and vulnerability on francis’s face when he looks again to james who is of course also showing a vulnerability we haven’t seen from him before. i love the note in the script that fitzjames isn’t used to being this candid or vulnerable in front of a man he doesn’t respect but he does it anyway. and i don’t think he knows how much sympathy crozier does have for him despite how callous he may come across when he says to send out the rescue parties. they both just fail so spectacularly at communication and expression early on, it’s crazy to see

when francis begins reading from the eulogy and stumbles over his words fitzjames gives him a very sharp look… i think he clocks his alcoholism starting to really affect him right away but may also be looking to see if the stumble is due to emotion or the alcohol. ugh and the look he gives him at the end too… it’s so piercing and there’s an anger to it as well. almost a “please prove me wrong but i don’t believe at this point that you will”. because for better or worse now they are linked, intertwined, married and they have to find a way to make it work.

ohhhh the fitzier dinner scene my beloved… “as i climbed the ridge” is such a parallel to james’s chinese sniper story scene!! AND this time it’s fitzjames who derisively interrupts crozier. The parallels, the callbacks… the look he gives fitzjames is crazy when fitzjames says “you should curb that for now” but what i find the most interesting about this scene is that the script makes a point to say that fitzjames was being sincere when he said that to crozier- there is care and concern there underneath the frustration and anger. and then it’s also wild that in that moment, fitzjames clearly reminds crozier of sophia. the way the narrative almost shifts to replace crozier’s love interest (sophia) with his burgeoning relationship with fitzjames is soooooo. i just love this scene because they are both trying so hard to be vulnerable and open with one another but they are both failing so spectacularly just like in the scene after sir john dies. they don’t have the respect and rapport between them yet to back up what they desperately want from each other- a connection. a camaraderie. leadership and capability. fitzjames tries to be sincere in his concern for francis but it is overshadowed by his frustration and anger towards what he views to be a sour outlook from crozier, and crozier attempts to be vulnerable with james by sharing about sophia only to be met with the knowledge that franklin has humiliated him yet again by discussing that topic with other people aboard the ship. and i think fitzjames does truly pity francis in that moment but it also frustrates him that that is the reason he’s here, for love, not for a yearning for adventure or glory- which i would venture to say is why fitzjames is there. fitzjames went on the expedition to prove his worth and francis went for love and they both ended up finding exactly those things from one another i’m dead.

oh and also why the fuck does fitzjames arch his slutty back against the wall when francis walks out of the room like that one scene in hannibal y’all know what i’m talking about. okay and i forgot about the way fitzjames jabs his finger at francis all up in his personal space which is just so unlike him. it is also worth noting that francis doesn’t get angry at this- he actually stills for a second and then continues to tell james what he was going to tell him. again there’s that strange familiarity they have despite the fact that they hate each other at this point. and that’s to say nothing of how they’re sitting in the first place which is so close to each other idk it just seems a little crazy to me?

i also find it so so interesting how james chooses to be honest with francis once he accidentally reveals that franklin discussed the whole sophia thing with him- he could’ve deflected and said like “oh yeah he mentioned it in passing’ or something like that but he chose to tell francis the truth of the conversation! francis really brings out an honest and candid side to james that we don’t see him put on for anyone else and i think it’s because deep down he knows that no matter how shitty, francis is always going to respect being told the truth vs. all of the obfuscating language that is so typical of the time. i think this is also why in the next episode francis insists that everyone leaves after he punches fitzjames and fitzjames is very resigned to it as well- they both know that it’s going to be ugly but they both want to hash out the truth of the situation for better or worse- like yeah they are at each other’s throats and they want the catharsis of screaming at each other because they’re so mad at each other here but i also think they crave honesty and candidness in their interactions- james because he feels like a fake and francis because it’s his nature- but both because it’s what they want from each other. and back to the dinner scene- just another look of genuine hurt from fitzjames when crozier says “keep your pity” plus the whole reason crozier even says that- i don’t think he expects pity from anyone at this point and doesn’t know how to respond to it.

in the scene where fitzjames says they should question silna about the creature crozier makes a point to say he agrees with him- he does this a couple of different times throughout the show and i think it’s a very small but important detail about how even when they aren’t on the best terms he makes sure to show james respect in front of the officers. and like yeah they end up yelling at each other here but i think that’s more james’s grief showing (again he shows emotion in front of/because of francis) and francis’s stress showing as well- that “we’re all exhausted” is very aimed at james but also an attempt to explain his own state of mind. they’re trying!!!!

the lashing scene- i don’t think we’ve ever seen fitzjames actually afraid of crozier but he definitely is here. he’s clenching his hands so hard throughout the whole scene and he keeps glancing at crozier as he allows the lashing to go on and even nervously gulps at one point. i think this along with crozier’s worsening addiction is a huge catalyst for where we find them and their dynamic in ep 5.

and speaking of which- at the beginning of the episode you can really see how their communication has just completely broken down. edward is basically bridging the gap between them and the resentment is growing. i know that the alcoholism is part of it, we can only assume that fitzjames started to keep his distance once he could tell it was getting bad, but i also think a lot of this is fall out from the lashing and how it affected the way fitzjames felt about crozier as stated earlier. and another aspect of the widening gap between fitzjames and crozier is how erebus is the very picture of order while terror is literally and figuratively falling apart

the fact that fitzjames told collins to watch out for crozier running out of alcohol on terror is further evidence that fitzjames was around a bit to witness crozier’s alcoholism getting really bad and isolated himself after that. he’s angry but he knows it was coming

ugh man the fight scene- the fact that james came himself, alone, to terror to talk to francis as a friend (straight from his own mouth in the script of their argument) about the alcohol issue. even though james is furious and stressed and shouldering the whole expedition, he still attempts to care for francis, it just ends up blowing up in his face and that’s when he lashes out. the way he says “francis” at first before crozier freaks out on him is in such a sincere and gentle tone and just the fucking genuine hurt in his face and his tone of voice when francis tells him to never call him by his first name again. fitzjames cared when francis was at his fucking lowest but still held him responsible and that’s love baby.

the body language is crazy when they’re yelling at each other or i guess when fitzjames is reading francis lol- and the way crozier can’t take his eyes off fitzjames when he’s telling everyone to get out. he’s so ready for this fucking throw down because both of them have been holding this in for so long. crozier is amped up but fitzjames is resigned to finally getting it all out in the open. he wants it to happen and he knows it needs to. even after getting punched in the mouth by him (i don’t think it’s any accident that fitzjames literally bears a scar from that punch and that it comes back open when he’s dying of scurvy) fitzjames still calmly tells everyone yes get out and says what he needs to say. i love the transcript of their argument because it’s so brutal but it really illustrates a kind of fucked up intimacy that we aren’t 100% privy to between them. crozier knows exactly what to say to james to hurt him- telling him he doesn’t have friends, he has admirers and that james has always been mad that he isn’t one, that james is a coward despite the fact that james is facing this down no matter what it takes in order to literally save crozier’s life; and james knows that all he can do is soldier through and lay the truth of what is happening on francis in a way no one else has dared to except for silna minutes before. james really goes out of his comfort zone- being honest and sincere and vulnerable for the sake of the expedition but also for francis. and i’m reading this back and wondering if i’m being too generous to james here but tbh he had every right to be this angry at francis at this point in the story!

ha fitzjames walks into the “i need to dry out meeting” looking all submissive and contrite… but for real his face is so open and entreating in this scene. he’s still annoyed but he wants so badly for things to go right. and you can see in francis’s expression that he is so ashamed to have to ask him

mmm and part of fitzjames coming to love and respect crozier is seeing jopson’s devotion to him in this scene… he’s never seen crozier be admired the way franklin was and i think this is a whole new way for him to see him. and just in general here i think that james “reshuffles everything he thought about the man” and he admires crozier for the way he put his humility and vulnerability in front of him finally and admitted to his wrongs, something i also don’t think franklin would ever do and didn’t ever do, to his and the entire crew’s demise. fitzjames followed franklin and looked up to him in the pursuit of his own vanity and the narrative he tells himself to cover the shame, but he learns to respect and love francis because he watches his evolution as a captain and as a man without any of the obfuscating that he’s used to from authority figures. he watches francis claw his way out of his own shame, the shame that drives him forward and i wonder what kind of ideas that gave fitzjames and how it influenced his own decision to share everything about his past with francis later

what i love about the opening scene of ep 6 is that we see how fitzjames’s leadership has been influenced by franklin and francis but specifically how he is acting more like francis- he does do a little bit of the whole “how dare you bring up anything unpleasant” thing when he yells at jirv for mentioning the number of men and when he does the whole “oh it’s just winter, we’ll feel better with the first sunrise, encourage the men with that” thing but it’s interesting because although we’re hearing echoes of franklin here, fitzjames is still trying to be more honest and open to feedback than franklin was. he doesn’t exactly take jirv’s advice on rationing but he does ration a bit. he is doing the whole toxic positivity thing with his “use that to encourage the men” line but he is also recognizing how hard everything has been for everyone and using an actual tangible event to lift spirits rather than referring to meaningless bullshit about god and country. and the simple fact that he seeks blanky’s advice and knowledge is more than sir john would ever have done in a scenario like this. he understands from blanky’s story about ross that he himself hasn’t been doing enough to combat the horror of their situation for the men, he understands that he must do more. even the way he asks ‘what do you mean’ when blanky says ross had no sympathy for the ill. to not care for the ill is an alien concept to him. tt’s so interesting because fitzjames occupies a space not dissimilar to francis’s- he has access and power in the hierarchy of the discovery service but, within his own mind, he is still an outsider. crozier on the other hand is a visible and tangible outsider due to his birth and his nationality. everyone can see it and i think that’s also part of why fitzjames is so antagonistic towards francis in the beginning- the projection goes crazy and in the true spirit of colonialism and white supremacy, james believes that if he can make himself as far apart from someone like francis as possible and align himself with men like franklin and barrow despite sharing way more similarities with francis than he does with them, he can succeed in upholding himself as the vision of victorian masculinity and social worthiness that he so desperately tries to emulate- this is what i was thinking about during the scene with silna’s father where he’s reluctant to fully show his (partial) sympathy to her

the line from the script that kills me is when it says a clock has begun for fitzjames once he discovers the blood in his hair… god it kills me, he knew he was dying for months. for literal months and who knows if he even told anyone but… i do think he had to have told francis at some point. it makes me so sick, it’s literally why the cairn walk scene happens- he knew he was dying, he knew it and one of the last things he wanted before he died was for someone to see him, truly see him flaws and mistakes and vanity and all before he died. and he wanted that person to be francis

gotta include the scene where james tells edward that francis was right about walking out- this is a huge turning point from ep 1

it’s so funny that when crozier and fitzjames see each other at carnival you can tell james is like “oh shit i’m in trouble” but crozier is just slightly amused seeing him like that and even though he finds the carnival strange and sees how reckless it was, he doesn’t chide james or the men about it even though that’s cleary what james is expecting. crozier empathizes with their longing for home and their need to do something happy and uses that momentum to tell the men about walking out and doing his best to reassure them about their chances. the way fitzjames looks up at him and nods along with him- i don’t think we’ve seen fitzjames look at him like that yet up until this point. he is seeing francis for who he can be as a competent captain and we are seeing crozier really step into that role. i also think that francis was relieved that fitzjames saw the urgency in walking out and that he wasn’t going to have to convince him the way he would’ve had to convince franklin. their leadership is finally syncing up here, built on humility (francis admitting he had an addiction and choosing to do something about it, fitzjames admitting how wrong he was about francis and his use of caution and logic) and respect (i do think crozier respected fitzjames for trying to build morale to the best of his ability and i think fitzjames respected francis finally behaving like the captain he needed him to be)

during the fire there’s a small moment where james is frozen- no doubt from ptsd which he deserves- and francis sends him ahead to look for an exit, telling him to go. he fucking loves him!!!!

poor fitzjames.. like yes the ghosts of his colonial past and all that of course which i will never not fully support him being subjected to but damn. and i don’t think he shrugs francis off because it’s francis or because he’s angry with them, he is punishing himself and francis sees that and lets him do what will help ease his own guilt and pain. tt is a moment of understanding between them i believe- fitzjames showing vulnerability in front of a man he now respects while adding another failure to his own personal checklist he keeps against himself (i can only imagine he does anyway). francis’s attempt to show him care and understanding while not undercutting his usefulness is also such an inspired choice for what he knows of fitzjames. you can really see the care starting to sprout between them here. i can only imagine what the rest of the winter was like but i feel like by episode 7, their dynamic has just completely changed, their entire vibe is different. and their love couldn’t have happened until they left the ships so it came at the worst and best time.

and by ep 7 their dynamic has just so completely shifted. even the fact that they are supervising the packing for the walk together and this may be real delusional hours but sending edward ahead to make the first camp instead of one of them going is a little interesting to me. i believe he’s technically the next in line for leadership after fitzjames but like did francis and james want to spend time together? with crozier finally dried out and knowing james’s time is almost up? them finally in a comfortable and friendly place? i love their conversation during the packing scene because fitzjames is voicing a concern to francis who calmly explains his reasoning and when fitzjames continues to press his own doubts they remain civil, familiar, acknowledge one another’s thought processes etc. a scene like this could NEVER have happened in episode 1 or 2. i looooong to know what they were like together during the winter after carnival

you all know i am INSANE about the fitzier hand holding scene, no one can match my freak on this. tt makes my stomach flutter every time i see it. it is my pride and prejudice hand clenching scene. first i want to acknowledge the quote from the script- “at one point, the only thing keeping fitzjames from sliding back into oblivion is crozier’s hand, but half the importance about the act is that fitzjames reached for it.” this KILLS me more than anything else from the script. and honestly at this point in the story i am becoming convinced that james told crozier about the scurvy, they knew the whole fucking time, they knew. they are literally marching to their deaths, against all odds still going, still trying and they are falling in love. the way james gazes up at francis in awe when he sees the offered hand and doesn’t stop looking at francis when he is up on the ridge. crozier doesn’t even turn to look at james, but he does make sure to stop and wait for him and extend the hand that he knows that james needs. Based on honestly even just this alone i am convinced that crozier knew about the scurvy already. there’s no fucking way he didn’t. and then the way james grabs francis’s jacket and holds on while they stare at each other, crozier smiling- it’s so interesting to me because it very much tells of finding an excuse to touch crozier again, as if he was so in awe of the touch that crozier initiated a few minutes before that he needed it again. he was trying to find a way to touch him again in that “this has to be acceptable by victorian standards of emotional and loving expression” way. and crozier accepts it! he smiles, he meets his gaze. there’s triumph there. and don’t think i didn’t fucking notice that the hand that francis keeps is the hand that held fitzjames’s hand and that also held his face when he was dying.

in the scene with morfin, as soon as crozier notices that james is there he makes sure to maneuver over to james so he can place himself between james and the gun despite the fact that he is unarmed and james has his pistol with him. i don’t necessarily doubt that francis would do this earlier in the story but i can say that he does this here as a selfless act of love and protection

and then the jop promotion scene yay the way james looks at francis with admiration and curiosity when he hands him the promotion letter to sign and the way james smiles at him when he reads it but not just because of that- but because of the words francis uses and the way francis is looking at him, saying someone “has earned our respect (looks to james), trust” and fitzjames smiles and nods- it’s not just about agreeing with him about jopson. this is how fitzjames feels about crozier now and the fact that crozier even in this small subtle way acknowledges that he DID need to prove himself to james after his behavior during the winter. their dynamic is just so much different now! at the end when everyone is shaking jopson’s hand, fitzjames gives crozier like… the most insane loving soft look… he looks so so happy. i don’t think we’ve ever seen him look like that before.

and now we are at the cairn walk. i again have to say how during this rewatch i become convinced of the knowledge that crozier has to know that fitzjames is dying. there’s just no way he doesn’t. the conversation they have about it does not convey that james is telling him this for the first time. tt more so implies that they both know but don’t speak of it often and james is updating francis with the vital information, the stages he’s at. what made fitzier happen was them leaving the boats, james dying, crozier getting sober, them both laying it all out on the table in different moments of vulnerability- crozier with his addiction, james with his heritage. the way those scenes parallel each other is actually crazy. james is fucking dying, they are all marching to their deaths and the knowledge that they are doing so is slowly sinking in, and all james wanted before he died was for crozier to see him, all of him. even the parts he was afraid to tell anyone, even himself. and francis isn’t even granting him a mercy, he isn’t sparing his feelings. he truly and genuinely accepts james for who he is, how he came to be a part of the expedition. they have both known from the start that beginnings and heritage don’t matter, it’s the actions that people take that makes them who they are. in different ways they both knew that and i think it’s part of what aligned them eventually. and from the script- james realizes he can say anything to this man. it is possible. crozier gives him the space to do it. and just the way they’re laughing and joking and being light with each other- another thing we never would’ve seen in the earlier episodes. okay focusing on some details now- when crozier says “that’s not how i see you” james literally stumbles as if he can’t believe crozier would say that to him. in the beginning of the scene francis gives james space and privacy when he sees him getting emotional about graham and franklin’s deaths and struggling to remember the date of sir john’s death. they communicate with a single glance there, james asking for a moment and crozier giving it to him. the grief on francis’s face when james tells him his latest symptoms. when crozier initially tries to comfort and encourage james… and james can’t accept it because he hasn’t told him everything yet. he doesn’t know if he can. i don’t want to get personal but that feeling that if you only tell part of your hidden sorrow to someone and they comfort and accept you and show you kindness, that feeling you then get that no no no you don’t know the whole of it and if you did you wouldn’t be showing me this kindness, you wouldn’t love me, you wouldn’t respect me. you wouldn’t see me. i genuinely can’t imagine the relief that fitzjames felt when he told francis it all, he told him everything and all francis gave back was love. also we can finally start to really see the bruise that francis gave fitzjames in ep 5. i love when fitzjames literally and metaphorically closes the gap between them. and francis waits for him until he is by his side again. “are we brothers francis” the tears, the attempt to laugh/smile them away until he sees that crozier is with him in this moment and taking it as seriously as it deserves to be. again the joining of the hands, the one that crozier keeps. they look at each other’s mouths, into each other’s eyes, the way francis dips his head to look at fitzjames when fitzjames ducks his emotionally. it’s insanity

when they get back to camp and listen to hodgson’s story and then go to see jirv’s body, they exchange a lot of glances, specifically around the times that hodgson mentions hickey- they are of one mind on him and on how the situation actually played out. james also watches francis a lot in the scene where they go to see jirv’s body. he looks to him for leadership now and doesn’t become irritated by his anger or his candor. this really persists for the rest of the episode - in the scene where crozier is yelling at edward about supplementing the marines all james has to say is “francis” and then basically talks him down from yelling at edward more, another scene i don’t think could have ever happened between them earlier in the story but james knows how to quell francis now. and this is such an interesting parallel to ep 5 when everyone was taking their shit out on edward; this time fitzjames protects him. but anyway- james and francis are just so in sync in every scene in this episode- they back each other up, communicate through glances, emphasize each other’s words and authority. yay<3

all right you’re all going to have to bear with me on ep 9 because it makes me crazy.

we gotta start with the fucking grief and pain in both of their expressions when they’re taking care of pocock and how this scene itself foreshadows the assisted suicide later

the look of absolute love and faith from fitzjames when crozier is telling them they will keep marching south and the “more than god loves them” scene- this is francis at his most captainly- and james is echoing his hollow vanity stricken words about franklin but really really meaning them about crozier- he says them to no one but himself, there is no performance here and crozier’s words aren’t a false display of empathy and care like franklin’s were for david young and fitzjames sees this.

fitzjame and crozier are hauling in front side by side- it makes a point to mention that in the script too.

when fitzjames falls… ugh. he hauled until he couldn’t anymore, direct call back to when blanky said ross sat atop the sledges- oh and when francis and fitzjames were caring for pocock together vs ross having no sympathy for illness. when james falls he reaches for crozier without even looking at him at first and you can hear crozier saying “it’s all right, it’s all right” when james is saying he can’t stand the heat. dundy and bridgens are lifting fitzjames up too but when he stumbles, when he reveals his wound, when he stumbles again, he is only looking at crozier the whole time. and the look on crozier’s face is one i don’t think we’ve seen from him yet. i noticed too that he’s holding onto fitzjames with his left arm and rubbing his back with the other before he takes the rope off of him.

i want to say about the following scene where james is laid up in the boat that i made a joke once to my friend about when crozier reaches into the boat and how it looks like they’re holding hands- but they actually are, it’s in the script. there’s just something about crozier’s face when he talks to fitzjames in later episodes, there’s such a softening of the edges to him, his expression is less guarded and more attentive and earnest. and the call back to their first scene together with the chinese sniper story…. the fucking fondness in both of their eyes as they laugh together, which was probably james’s last time laughing. when crozier says “there’s time” but that’s the tragedy of this show- there’s never enough time. everything happens too late.

james screaming in pain and crozier running to him and barely letting bridgens finish his sentence before he tells them to camp here also in the script during the officer’s meeting right after, they can hear fitzjames screaming in his tent :( i’m honestly kinda glad they left that out.

and here we are at THE fitzier scene. i could talk for hours about this scene. francis is holding james’s hand, rubbing his shoulder. james looks so young and frail and scared here and he uses some of his last words to tell francis he wanted him to live because he knew he wouldn’t be around to tell him that anymore soon. francis shaking his head when he says it as if to say “not without you”. in the script, when bridgens leaves it says ‘he looks at crozier. he looks at fitzjames. he understands”... and later during james’s funeral when crozier says that he had a service with james, just the two of them, peglar and bridgens exchange a very interesting, knowing look. to choose those two to react that way? idk man. fitzier real. but back to the scene- god okay crozier taps james’s chest twice in question and then just barely audible fitzjames says “please”. ugh the sad smile crozier gives fitzjames before he gives him the drug… then he places his hand, the one that crozier doesn’t lose, so gently and lovingly on james’s face, and even in his current state james looks almost taken aback at the gesture. when crozier tips the drug into his mouth his expression softens. i will never ever in my life forget the way james looks at crozier in that moment, the look of gratitude, love, farewell, of pain, longing, childlike fear. (nobody is doing it like tobias). crozier ever so lightly brushing james’s lips with both of his thumbs before he begins to massage it down and carefully wiping the excess away. they never stop looking at each other. dave k said that the service that crozier mentions happened before fitzjames dies and after crozier gives him the drug.

the last thing i want to say about the james death scene is that i was never that invested in the concept of cannibalism as a metaphor for love but fitzjames asking crozier to eat his body and live really really stuck in my brain- just their entire insane journey that i’ve been sitting here thinking about for months- acquaintances to enemies to allies to friends to lovers for it all to culminate in this final scene of fitzjames begging crozier to eat from his body and begging him to give him the final kiss of death all as crozier never once looks away or lets go of him. fitzjames loved him so much he was willing for crozier to desecrate his corpse if it meant francis would live, even without him next to him but crozier loved him so much that he couldn’t do it, he couldn’t add that act to his already impossibly devoted actions.

and the action of hiding james’s body because crozier doesn’t want tuunbaq to destroy it but then it turns out that someone at the very funeral ends up leading the mutineers to tear fitzjames’s body apart themselves. just like jirv not getting to keep the final gift of the seal meat even in death, crozier couldn’t do james this one last mercy even though he tried desperately to.

and this last part is a bit of a stretch but okay-along with the shirt and the gloves of fitzjames’s that crozier is wearing after his death i think he might be wearing his little neck thing too, so sorry y’all i do not know what it’s called and i’m locked in trying to finish this and i’m not googling it lol. but we see fitzjames wear it a lot throughout the show and francis does sometimes but it’s very much a fitzjames piece so i think it might be his too. and with the funeral scene and the blanky scene, we see the mismatched gloves clearly for the first time but i’m pretty sure the first glimpse is earlier in the episode when they’re hauling before fitzjames collapses. dave k still confirmed they had switched gloves but it really seems that this happened before james died, likely when they left terror camp. i still contend that crozier and fitzjames both knew james was dying and this may have been why they did it.

and on to the last episode and closing thoughts- in the last ep i was really keeping track of the gloves- he loses them at some point and i wanted to see when and it’s between the scene where he talks to hickey and when he’s chained back up in the tent with diggle. i hope he somehow hung on to them.

i will never forget how my stomach dropped out when i saw hickey wearing fitzjames’s boots on my first watch- the fucking sorrow in crozier’s face. he doesn’t understand the meaning just yet but when goodsir is cleaning his wounds and tells him they ate gibson, you can see crozier put it together that that’s why hickey has fitzjames’s boots. his expression turns from shock and grief to rage.

hickey really clocked crozier with the shame comment and you can see how it triggers crozier. this is a great confirmation because it really pervades the story and fitzjames’s story as well. they are both driven by shame, by a need to prove themselves but go about it in completely different ways. fitzjames is all bravado, flowery empty words and boasting to cover his origins, his feelings of inadequacy. he aligns himself with the empire and with those in power and distances himself from anyone he knows will be deemed lesser than in the hierarchy in which he exists and specifically pits himself against someone like crozier in order to bolster his own social standing. crozier on the other hand is hardened to his station, he has no way to hide his nationality or his origins no matter how capable he is and how long he’s been going to sea. crozier feels the shame of things like sophia’s rejection and not having straights that they sail named after him but hides it with his bluntness and his lack of decorum when pointing out the truth of a situation. james has everything crozier wishes he did, but crozier is something that james wishes he could be- just himself, despite his societal ineptitudes and barriers. i believe that this basis and the way it melds and breaks down and comes to a way of understanding between them is why fitzier is so strong, and so real and so visceral, especially at the end. honestly there is so much more i could say but i think i’m going to leave it there and just saw that i hope crozier thinks of james from time to time in his new life. i find it hard to believe he doesn’t.

#the terror #fitzier #james fitzjames #francis crozier #this kind of turned into a bit of a character study on fitzjames as well but hopefully you all just see that as a bonus

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