#i was debating whether or not i should post this

[afterglowkatie]

sliding into something real | c.f.

caitlin foord x kerr!reader | 1.1k | 'from slide tackling me to sliding in my dms,' + ‘being with you feels like coming home,’

❆♡────୨ holiday season blurb event ৎ────♡❆

‘I thought you two would have your shit together by now,’ A, slightly tipsy, Sam leaned on the table next to Caitlin. You had skipped the pre planned night out after how the match had gone beforehand. Losing a London derby to Arsenal was always going to sour your mood, especially when the person responsible for disrupting your last big chance to at least get the equaliser would be there.

You and Caitlin had mutual crushes on each other, but it had never been anything more than that. Or at least neither of you let it be anything more, you both didn’t even realise that the crush each of you had was mutual. Though it didn’t mean that the longing looks you both gave and the way you’d seek out each other's comfort, especially during national camp, didn’t go unnoticed. 

Sam, who frustratingly knows you better than you know yourself, picked up on the mutual feelings her best friend and younger sister had for each other. You’d skipped the night out and now Caitlin had been caught by your older sister, looking through your old instagram posts and debating on whether she should send you a message.

‘What do you mean?’ Caitlin tried to hide her phone away when she realised who was next to her, but she knew Sam had already seen anyway.

‘Just send her a message,’ Caitlin gave Sam a look, wanting to make sure that she was definitely okay with it. Sam being the main reason Caitlin had been holding back from acting on her feelings towards you, not wanting to cross any boundaries or lose an important friendship with your older sister. Sam rolled her eyes, ‘There’s only so much more I can take when she gets all pouty after showing her a picture of you smiling next to literally anyone else. Don’t get me wrong though, you better treat her well or you will have me to deal with,’ 

Sam left Caitlin to dwell on whether she actually would message you or not. Though she had a little confidence boost knowing your sister would be okay with it. She’d spent too many nights thinking about you and what it would be like to be with you, maybe she could make it actually happen instead of just thinking about it.

I thought you were unstoppable, or do you just like falling at my feet?

You half groaned when the message from Caitlin came through, reminding you of the match earlier, but you felt your heart race when you saw her name on your phone screen. Your cheeks heated up and you bit your lower lip trying to stop the grin that wanted to spread across your face. You felt like a teenager all over, smiling and kicking your feet while your crush was actually talking to you.

From slide tackling me to sliding in my dms.

Very smooth Cait.

Caitlin looked up from her phone, making sure no one was around to see the smile that wasn’t leaving her face any time soon. She’d surely be teased and everyone would try to see who she was texting. So she was thankful everyone else was preoccupied and she could focus on you. 

Smooth just like my tackle.

You rolled your eyes, but laughed a little anyway. It wasn’t often that Caitlin ever had the chance to make a tackle like that on you. Normally not playing near each other on the pitch. 

Keep that up and maybe you won’t get the chance to come here.

Somewhere you got the confidence, sending a bold and kind of risky message, especially considering you’d never really talked to each other like this before. Some conversations border lined it, but you both always stopped before implying something else.

Are you inviting me over?

Caitlin, already thinking of an excuse to leave the night early, not that any of the others would really notice if she left or not. 

Would you like to come over?

‘Thank god,’ were the first words out of your older sister’s mouth when you told her you and Caitlin had gotten together, a few months after those texts which led Caitlin to spending the night and the two of you talking and enjoying each other's company for that entire night and next day. Leading on to more talking and eventual official dates.

Sam ended up being you and Caitlin’s biggest supporter in your relationship. She also liked to take credit for the two of you actually getting your shit together, as she likes to say, and finally becoming official. Even if you did get endless teasing from your teammates when they found out, for going soft for an Arsenal player.

You waved up from the pitch where Caitlin and Sam were sitting. Arsenal had played the day before so she was able to make it to yours to support you. It was nice for you to look up and see your girlfriend sitting in the stands. You’d made a compromise and she would wear one of your Australia jerseys whenever she came to support you and you’d do the same whenever you found yourself at an Arsenal match for her.

As soon as the final whistle sounded, your hands went to your face as you let out a sigh of frustration. You’d not played your best, neither had your team, and Chelsea ended up dropping points to a club you shouldn’t be dropping points to. From the stands Caitlin could tell how hard the match had been for you. Wanting nothing more than to wrap her arms around you and tell you not to worry too much about everything that happened.

Finally you made your way through the stands towards your girlfriend. Sam had already come down, giving you a little hug before pushing you towards where Caitlin was, knowing who you really needed right now.

‘Hey,’ Your voice was small, exhaustion evident on your face. Caitlin reached out, grabbing a hold of your hand before pulling you onto her lap. You laid your head against her shoulder looking up at her, small, tired smile on your face, ‘Thank you for being here. Sorry I couldn’t play better,’

Caitlin frowned a little, wrapping her arms around you a little bit tighter, ‘You always play well and baby you know I love watching you play, even if you’re wearing the wrong colour,’ Caitlin trying to lighten your mood a little, you let out a small chuckle. The two of you always ‘fighting’ over which club was better. Caitlin leaned down, pressing a small kiss to your forehead, then each of your temples, a little one on your nose and peppering kisses all over your cheeks. Your smile widened and you cuddled further into her, turning your head when she went to kiss your cheek so she’d kiss your lips instead. 

‘Being with you feels like coming home,’ You laid your hand on top of where Caitlin’s were resting against your waist. Even after a match that wasn’t an ideal result, you had the comfort of your girlfriend you could come home to. When you were with Caitlin not much else mattered.

[mariamegale]

More clarification on Dybowski's position within Ice Pick Lodge today from IPL ex-employee Luchin, after yesterday's comments.

Sorry for posting so much in the patho tag, but unfortunately it's what's best for visibility. I have, and will be, using the "Dybowski Allegations" tag for any post on this, so please block that tag if you don't want to see it.

Since my post yesterday on Alexey Luchin's comments/allegations against Dybowski, he has given Reddit some updates and clarifications. I'll summarise the Reddit thread, but quote Luchin in full for transparency.

The thread is on the topic of Dybowski's current involvement with IPL/Pathologic 3. Commenters stated that he has sold the company, and hasn't been very involved with the games since The Void (2008). Whether this is a valid interpretation of Luchin's earlier statements was discussed, and the fact that he's been a main P2 writer and involved with a lot of promo stuff over the years was brought up. Luchin, after being pinged, showed up to clarify:

Russian companies often use a "fake owner" for various reasons, this is the case here. Motivations may be to avoid alimony, to ease money transfers between the main company part in Kazakhstan and the original main company and it's Cyprus subordinary. It is not illegal, and even not a loophole, though. I wouldn't dwell on that much. It's important what people work in the studio factually.

and,

Yep, I'd say it's up to the currently employed to shed light reliably. But in general around after the Void he was more of an broad ideas guy — and a good one, it wasn't my intent to downplay him in that regard. At the same time, game development is a multistage process, and from my personal knowledge, I can attribute a lot of the new games qualities to "fresh blood", and the other co-founders acting more professional. E.g. Alphyna has covered a decent chunk of actual writing on Pathologic 2 and had a pivotal role in maintaining the timeline of events of the game, charater motivations, etc together. Ivan Slovtsov carried the detailed game design and balancing with his team — which gave him a good position in tinyBuild after, etc. IPL is to some extent an autere game company, with the source and numerous modifications coming from Nikolay, but in my time his input was irregural, disrupting, and in my personal opinion wasn't often for the good of the game. At the same time, the fresh blood in the studio grew on the principles on which the studio was founded and successfully carries its legacy already. This is an opinion, though, still. Personally, I'll still play Pathologic 3, it's great, from what I know / have seen. And all my posts here are done with a heavy heart — it's not easy to be dissapointed in a talanted figure such as Dybowsky myself.

So, based on this (keep in mind Luchin himself has stated to have no contact with Dybowski himself since 2018, although it feels fair to assume he'd still be in contact with other former coworkers) the exact role of Dybowski in the creation of these games seems a little unclear. But I also don't think anyone's been debating whether he's been involved up until p3, as much as how deeply involved he is in p3.

Ultimately, it's up to everyone to decide for themselves where they stand in terms of opinion on p3, buying the game, sticking around in the fandom, supporting the studio, et cetera., but that's the new info.

To just give my own personal two cents: I am still in the position I was yesterday, which is that I believe IPL has to make a statement on all of this, and cut ties with Dybowski, before I'll be completely comfortable giving them money. However, I do also want to acknowledge the fact that this is not a black and white situation, and that the discourse surrounding this does warrant some level of nuance. I'm, of course, speaking in relation to the other people working at IPL.

It's incredibly easy to say both, "Dybowski is not his team; they should never be punished for his actions," and "they may have helped cover for him for twenty years; they should be held responsible." Silence is, to a degree, complicity, and if Luchin is to be believed not just in his "open secret" statement but also here, in reference to the student grooming allegations:

That's the Nema-Soda episode around the same time previous accusations surfaced. Well known in the Russian segment of the internet.

That's bad. If this truly has been this out in the open and known, that's really fucking bad, and I want this company - at least its management - to be held responsible for their potential silence and complicity in this.

But, at risk of sounding like I'm excusing any of this, I do also want to remind you that according to Luchin, as well as earlier testimonies including Renata's, this is also a person who is apparently incredibly vindictive. He is also pretty rich by Russian standards, and has held some level of influence in academia and the Russian game dev community for many years. I don't know exactly how his vindictiveness would take its form, especially not against employees, but I've been in toxic workplaces before - it can be scary, downright terrifying, to go after or even up against someone like this. No matter how shitty they are, especially if you're not in a country with good whistleblower laws (and just, in general, a system which will take the original allegations seriously, which... I'm not Russian, but I'm allowing myself some possibly problematic doubt that you'd be able to comfortably know that. I come from a significantly more progressive country, and I would absolutely not take it for certain) it can be incredibly difficult to stand up for what's right and take that risk to your livelihood, safety, and future job prospects. Especially in a job market so (relatively) niche as Russian game development. I'm also pretty damn sure there's not a union, or anything like it, to back you up if you get inofficially retaliated against.

Human being end up in abusive situations and find themselves, for one reason or another, not doing anything about it all the time. SA victims don't always report their perpetrator. Fraud victims don't always come forward. People subjected to wage theft don't always call their union reps. And others, those who witness it, don't always do it either. Sometimes because it's not their place, sometimes because they don't care, and sometimes because they're afraid. I don't think it's fair to assume everyone is in the second category, just as how I wouldn't think it's fair to assume everyone is in any of the others - it'd be absurd to assume every IPL worker doesn't want to out someone else's victimhood, which is why they haven't said anything publicly, for example. However, not reporting is an incredibly common blame to put on a victim or witness, because it's assumed that by not reporting it, they're essentially enabling the perpetrator to do it again. And I personally just don't think that's just - not without knowing what else weighed into a person's decision not to speak up.

I'm not saying this absolves all of IPL. I especially don't think it absolves the people at the top with Dybowski, who would have been more protected than the bottom-line workers. I simply am asking for some honest-to-god nuance. Personally, I'm still not happy to give IPL any money - not until I know Dybowski is not getting any of it, and measures have been taken to protect their other employees. But I'm also not interested in broad brushing an entire company of twenty years as evil, because the employees haven't made (english) publically available attempts at getting this guy out. We know, by his own accord, Luchin didn't - we know nothing of the others. A conversation with a manager that went badly is not likely to become public knowledge. People lamenting their powerlessness to stop someone to their colleagues or friends won't reach us. Someone quietly resigning because they can't do this anymore, but not being willing to put themselves on the line, is not a detail we're going to have.

I'm happy the silence has, hopefully irrevocably and undeniably, been broken. I'm hoping some people, Dybowski in particular, will face justice, or at least consequences. I hope Renata and her son, as well as Dybowski's other children, are safe and happy. I hope that IPL will do something, and move forward as a better company.

I want them to make a statement about this. That's non-negiotiable, for me, personally. I also want to see a change, and a better company with a better work culture going forward, making games and nurturing a community safely away from all this shit.

However, I accept the grim possibility that this will never happen, and am trying to decide on what that means for me personally moving forward with the fandom. I don't have any moral qualms about piracy, that's not what this is about. And that's the wider conversation I think I personally will need more, moving forward, in regards to my relationship with Pathologic.

That's my two cents.

[cocrante]

I believe that when we like something, it's fair to discuss its flaws as well, with a critical yet well-reasoned approach. What I mean is: I often find myself disagreeing with certain users and their posts, not because they aren't well-constructed or descriptive, but because their critiques are based on personal inventions, lacking solid reasoning or citations to back up their points. Sometimes I’m tempted to reply with something like: "are you talking about *insert fandom name here*?" because, more often than not, it feels like we're discussing completely different fandoms. Perhaps that's why I fail to grasp their critiques (sarcasm). It’s a shame to waste so much time writing “critiques” that seem more focused on tearing down a work than enriching it with valid arguments (whether negative or positive).

The line between “critique” and “hate” is, unfortunately, quite thin. Too often, what is merely disguised as critique is actually poorly veiled disdain. Perhaps we should start by clarifying what we mean by “critique” and what tone is required for a text to be recognized as such. At its core, a critique is essentially a short essay, one that cannot exist without citations drawn from the original work, argued and described with coherence. I may sound strict, but I find it disheartening to read consistently negative posts about certain fandoms that lack coherence or analysis of the source material. These posts fail to ask the fundamental questions that should always be considered in any critique or analysis. Questions like: “why did the author choose to develop the story this way?” or “why did the author decide to portray the characters in this manner?” and then follow up with: “how could these characters or the story itself be improved?”. These are essential questions if you want to substantiate your arguments. Otherwise, your words remain empty and lack any coherence. Truly critical texts are dense and meticulously crafted. Senseless “critiques” don’t exist; they’re nothing more than incoherent and malicious chatter. If you genuinely want to critique something or someone, learn how to do it properly. Alternatively, reimagine the characters that, in your opinion, weren’t well-developed. Create your own headcanons or fanfiction, using the evergreen “what if” to reshape the scenarios you didn’t enjoy in the original work. Use alternative settings to ease your frustration with the fandoms you reference when engaging in these senseless debates.

Dear fandom, this is a kind reminder that criticism =/= hate; you can enjoy and like a piece of media, and engage in critical analysis.

[tstain-is-an-idiot]

*checks to make sure no-one's looking*

GAYS

[velnna]

our endings bound

[nekrosmos]

Making out after their date 👨‍❤️‍💋‍👨​🍷​

[acorviart]

would anyone be interested if I made a breakdown post of reasons why merch artists don't share their manufacturers? it's oversimplified as "artists are just gatekeeping" in part because I think there's just not a lot of awareness that it's a significantly more complex situation and involves some level of risk compared to sharing simpler resources such as brushes

artists also don't tend to explain beyond "sorry, I don't share my manufacturers" (for good reason, they're not going to write an essay to answer a quick question) but maybe diving into the details will help people understand why so many merch artists are protective of their manufacturers and will not share with strangers

[chilchucktimbs]

saw an image on tumblr and it reminded me of them

[nights-at-crystarium]

✧✦✧ "Fragments" - episode 44 ✧✦✧

It somehow didn't cross Vivi's mind that ascians wouldn't just stay on the Source and let him enjoy a new life on the First.

New reader? episode list on tumblr | webtoon Read 4 more episodes: patreon | kofi

[kenobivirgin69]

Update on my jacket

I think it looks great!!!

[velvetwyrme]

His bonbons are gone(gone)

A silly little blooper/outtake from the end of Flipping Fate Ch9 that I thought was funny enough as a standalone comic ;D

[premamelody]

derg

[murderofsomeone]

it's probably decently obvious that my main lemon demon design was created BEFORE seeing any fandom depictions (or even really that much official art past the logo) because of how violently he stands out in comparison to other designs. it's a little obvious that my inspiration was self-contained and it granted me a bit of creative freedom along with a completely different train of thought while designing him. his three eyes however is very much a relic of 2022 because I was designing a lot of demons with asymmetrical faces at the time and well, why not make another

anyway here's a comparison of him to my most recent lemon demon original design (where it's a bit more obvious I was influenced by somewhat of a fandom culture)

extra bonus rambling under the cut

my general design process has actually stayed relatively contained with a few exceptions like soft fuzzy man's color and weirdly neil himself. yeah sorry chat neil is the first guy that was highly influenced by someone else's design you can shoot me too if you'd like. but I legitimately believe he's the only real example because every other character that has a design remotely similar to someone else is likely due to us both following a similar source material (like my cabinet design being based off polybius) or there being only so many ways to interpret the design (gef the mongoose would've fallen into this category if it wasn't for the fact I made him Joker colors)

in general I tend to follow a mindset of how "weird" I can make a design or how much I can push a lyric/implement it into a design. I also like to twist around the convention and try new things. a good example of both of these apply to my doctor amnesia design.

really the main things going through my head were "well he didn't state HOW many eyes", chosing an eye color that often is overlooked in conventional beauty standards to elevate them and cause you to think, while leaning into the somewhat otherworldly nature she's depicted in by giving her blue skin, a color I associate with the song.

another fun thing I'll do is create a "design pipeline" where I'll take an attribute and run it through a list of connections before we end up in a place long past where we started or just combining a bunch of traits that could be interpreted that way, resulting in designs like this.

though wolfgang isn't my weirdest design, he definitely did not start where we ended off. I believe before the wizard of oz theming for clown circus was set in stone (a choice that has EVERYTHING to do with oz explodes and an element I'll explain later), he was some kinda mirror object head that had absolutely nothing to do with his current namesake. since I wasn't satisfied with that design, I kept a relative aspect of the personality and shapes and thus ended up creating a really interesting take on a character who is largely depicted as... well there's no really good way to say this, but Bad.

since I was working with a new fresh aspect I started by making him a wolf... and then connecting him to "there's a robot in my head". this kind of connected the dots to ultimately make him associated to the tin man, since no one was connected to that character for the wizard of oz element and it was up for grabs (this is also how he somehow got associated with toasters via connecting the previously mentioned song to "what's in the toaster", etc etc). these pipelines of connecting songs that aren't normally related, but making them Work in a believable way makes designs more interesting for me and gives them a bit more purpose and personality. I think this is what ultimately makes people get a bit lost on my interpretations considering they aren't super simple by just being about One Song, but by being about multiple that aren't originally related in the source material. just like how I connected dr amnesia to when he died, explaining a bit of her more mildly supernatural or off-putting elements by making the man in that song her father.

the final real design element that I focus on is the strange rule I follow in terms of how these characters are shaped. there's a massive sort of "alice in wonderland" theming going on in terms of how human/humanoid designs look in contrast to designs that look less and less human. their proportions become more cartoon and shaped, their sizes are affected etc etc all while the human/humanoid characters stay relatively normal next to each other with more believable design elements.

here's the horrid long strip of nearly 100 different character renders next to each other to get a general idea on what I'm talking about

the silhouettes of the human characters "pop" less because they're supposed to contrast to their nonhuman counterparts. which isn't something I normally do, but given the source idea of a sort of "wonderland", I think it works in this specific context.

in conclusion: I'm design autistic and like to use designing to try new things, which is why I fucked that lemon up. sorry about that chat

[wakeupthemembersofbylernation]

Where did this idea that aggressive harassment, sending death threats, bullying, doxxing, telling people to kill themselves, using homophobic and antisemitic slurs, attacking people’s looks, encouraging hate crimes, threatening to release sex videos, and engaging in a wide range of genuinely psychotic behaviors from behind a screen is reasonable and acceptable and even necessary “progressive” activism come from?

Yes, this is about the Noah Schnapp situation, but it’s about more than that, cause I’ve noticed this kind of mindset becoming more and more normalized, and I’ll never agree with it. How does this kind of behavior help the Palestinian people (or any other cause you’re being an “activist” for?) How does this kind of behavior encourage Noah or anyone else to change their views? How does wishing for Hamas to brutally murder the entire Schnapp family lead to peace and justice? How does saying Noah should dig up his dead dog and eat it stop bombs from dropping on Gaza???

I think all of us can agree that what’s happening in Israel/Palestine is horrible and stomach-churning. And I think most of us can agree that Noah wielding “Zionism is sexy” stickers when children are dying is tone-deaf and extraordinarily foolish at best. Please don’t mistake my words for saying that no one should ever be criticized or an endorsement of Noah’s reckless actions. But if you don’t have ANY compassion for the anxieties Jewish people face at a time when antisemitism is skyrocketing, that’s very concerning to me. Why can’t two things be true at once?

There’s this insidious notion that cruelty/calls for suicide/bullying are tools to weaponize against “bad” people, as if human decency, kindness, and empathy are food items to be snatched away whenever folks are deemed problematic (whether the reason is valid or not). People fancy themselves radicals, as if they are fighting in the French Revolution, when they are… not. I promise you that tweeting like this all day doesn’t make you a hero. It makes you look foolish:

[spooky-month-archive]

Hi all. I know this post is kind of random but as the creator of this blog I feel the need to touch on this subject.

I don't know how many people here are aware of certain people that are/were associated with the community/fandom and their extremely problematic and even illegal behaviour and how their OCs made it into Hollow Sorrows as cameo characters.

As we know, Sr Pelo shares the guest characters that made it into each episode so I will inevitably have to upload these artworks regardless of who is featured in them.

Also please note that Sr Pelo chooses the cameo characters at random and does not do background checks on these people as it would be an extremely long and tedious task. So once I do eventually get to uploading the cameo characters for Hollow Sorrows, please DO NOT bring up any drama (if you're aware of it). DO NOT ask me about it. And (this should go without saying) DO NOT harass or bother Pelo about it (he has been informed already. While disgusted by these people it's too late for him to make any changes to the episode).

This blog is an archive and nothing more. I cannot simply choose not to upload content or censor things as that would go against the concept of an archive. This post was simply made to a. inform everyone and b. act as a heads up in case anyone is aware of the situation. If you believe exposure to these peoples characters will trigger you in any way then I highly recommend muting the 'guests and cameos' tag for the time being.

This post was not made to stir up drama. Just to inform everyone that may be aware of the situation.

That is all and thank you for reading.

[maentisiw]

Heartbroken to realize that I never shared this 2021 costest on here ❤️‍🩹

(obviously heavily edited hihi)