#i was also thinking it might be the most critical thinking i've seen from a fandom

[0rionz-belt]

Can I just say that I've been in online fandom spaces for over half of the 21 years I've been alive (9 of those years being spent on here) and I have never, and I mean Never, seen a fandom that feels so much collective hatred and vitriol towards anything in it's media the way Mouthwashing fans feel about Jimmy. And y'all are right for it.

[astrowrld300]

Astro Observations

Pt 2

It's so unreal how well Taurus placements can cook. Especially if there's Cancer in the big three. Taurus suns also have natural green thumbs

Cancer suns with Gemini Venuses are in constant conflict between they're ego and what they actually desire for love

This is definitely becoming common knowledge on the internet but all Libra placements that are personal and not generational are gay to some extent. Something about the scales allows them to go both ways I don't know . Depending on the placement and degree, it might make them uncomfortable, or the may proudly embrace it. But personal Libra placements can definitely go both ways

Cardinal signs are obsessed with each other, even though they're so toxic for each other.

5th house and Leo placements really love music. Leo rules the 5th house which is all about music, creativity and fun. So these natives really feel it.

Having your sun in the 11th house is a beautiful placement and creates a selfless person, but its the only placement for the sun to not be about "I" anymore. The sun is all about ego and self, ruled by Aries, but the 11th house is all about the collective, friends and the "greater good". Your ego is also heavily influenced by the collective and how you insert your self into the world.

Taurus moons have round/visible nostrils. They all have a green thumb for cooking as well

Aquarius suns and moons have very square shaped jawlines. Both the men and women.

The best sun+rising combo I've ever seen for Aquarius suns has to be Cancer rising. The blend is really heavenly and harmonious, the Cancer really softens out the Aquarian features perfectly (talking about the women idk about the men). This is only physical though

The best combo for Cancer suns definitely has to be Virgo in the big three. Either in the moon or rising, Virgo gives Cancer this snatched look that blends perfectly with the bone structure of cancer suns. (I'm also mostly referring to women here I don't know about the men) Although physically pretty, the combo creates a super insecure individual

Travel is such a big theme in the lives of natives with personal 9th house placements. It almost becomes the focus of life if there's a stellium.

Having your moon at 17 degrees (a critical Leo degree) makes you hella dramatic with your feelings. They're still valid, but you come off as a drama queen when feeling them.

Cancer suns are just as insecure and attention seeking as Leo when underdeveloped. Even though they're not sister signs they're ruled by the sun and moon, so essentially they are each other inside out.

Pisces is represented by the fish and the suns usually have big/swelled features and look a little bit like fish. Virgo placements have sharper/more defined features and Aries placements have prominent/tighter features.

Neptune aspecting Venus is a very underrated beauty indicator for transits and natal charts

Sagittarius rising are blessed with good luck in life since their chart ruler is Jupiter, the planet of luck. They also have hips on the larger side since Sagittarius rules the hips

Capricorn rules the skeletal part of the body and the native suns really have that skeleton bone structure in the face

Moon conjunct Rising is one of my favorite placements synastry placements for friendships. They are each other inside out and understand each other without words.

The most underrated house for the moon imo is the 9th house. The moon does really well here, there's a natural optimism and lightness to their feelings and emotions. I think this is from the influence of Sagittarius and Jupiter. They're also really funny people naturally and have a kind of intelligent humor

Cancer and Taurus placements are such big foodies. They also know how to cook very well and genuinely enjoy getting fat over other signs. Obviously all signs have the ability to cook, but Cancers and Tauruses make that home cooked comfort food that tastes like the feeling of your mom carrying you to bed.

5th house moons never feel emotionally fulfilled unless they're feeling some kind of fun or pleasure in life.

Taurus suns are the definition of work smarter not harder

Aries Mercuries are so smart especially if the sun is in Taurus or Gemini.

Geminis are known to talk with their hands and Italy's rising sign is literally Gemini...

You can always tell someone is Somali from the size of their forehead and the countries rising sign is literally Aries

Venus in the 8th house natal and synastry is that kind of ride or die love

Capricorn sun men actually think people what to hear their life lessons/lectures. It's really corny but they genuinely think they're helping. They also care so much about their rep but will never admit it. It makes sense because they rule the tenth house which is the house of popularity and is associated with our public image and rep. So obviously when Capricorn is in the sun, planet of self, their ego is closely tied with how they're perceived by others.

Scorpio moons are low key delusional but it's okay you guys had a rough childhood/relationship with your mother

The sexual attraction is crazy when you have the same mars sign as your partners rising sign (example. Leo mars-Leo rising) or if you have your mars opposite to their mars (example. Leo mars-Aquarius mars)

Aries moon women in red or leopard print is so perfect

Your gonna love the sun sign of whatever your rising sign is since the sun will naturally embody all the traits that you admire and will effortlessly be everything you want to be portrayed as.

Taurus risings, suns and moons look like bulls

Cancer venuses can lowkey hold down gemini venuses, it’s really harmonious for friendships. Not as compatible relationship wise because cancer venuses really don’t mess with how gemini venuses love. The love languages are just too different but when there are no constricting boundaries and it’s more of a playful friendship this pairing really works

[the-one-and-only-elita]

One thing that I absolutely love about TFOne's writing is that it manages to avoid a lot of the heavier criticism I've seen regarding MegOp's hero/villain dynamic over the years (trust me, the mid-2010s TF discourse was crazy)

*Spoilers Below*

First of all, the narrative benefits so much from the main 4 cast members all being a part of the same exploited mining class. So many takes on MegOp have Orion being of a higher status (an archivist, a cop, etc) while Megatron is much lower down on the social latter (a miner, a gladiator, often in the context of being a slave).

I've seen many people be put off by this, because it feels as if Megs is being villianized for being rightfully angry at the system that deeply harmed and exploited him, while Orion/Optimus is praised for taking a more pacifistic stance despite him not suffering as much from or in some ways even benefiting from the system he claims to oppose. I don't find their dynamic to be as simple as that, and I do find these takes to be a bit reductive, but I do very much see where they are coming from.

I am definitely one of those people who's very frustrated with the way pacifism is hailed as the one true path of morality, and the inherent implication that taking any sort of revenge on the people who abused/exploited you makes you just as bad as them. Also, Marvel's particular brand of demonizing any form of radical political action, despite the system clearly being broken and corrupt, but being completely unwilling to offer any other alternatives to meaningfully change things for the better.

When looking at what I described above its pretty easy to see how a lot of versions of MegOp's hero/villain dynamic unfortunately fits into that trope. Bringing it back to TFOne, you can see how Op and Meg coming from the same political/social status subverts this. The existence of Elita and Bee only further illustrates that out of the 4 people of the mining class who were all deceived, exploited, and literally mutilated in the same way it is only D-16 that completely loses himself to his rage, even to the point where he loses compassion for his own companions and disregarding the safety of the other miners (when he decides to "tears everything down" and Elita exclaims he's going to "kill everyone").

What I think I love most about the characterization in TFOne is that Orion is the radical one. Not only that, but he is praised by Elita and by extension the narrative for it. He is constantly challenging authority, and is the first to have the suspicion that their society is structured in an unjust way.

Meanwhile D-16, to be frank, is kind of a bootlicker. He fully believed in the system and that Sentinal Prime, as someone with power, had the right to decided "what was best" for those who are weaker/lesser (I wish I had the specific quote from D-16 to support this, but the movie's still in theaters). It illustrate that D-16 already held certain fascistic ideals, and that he and Orion already have fundamentally opposing moral/political values, it simply hasn't been of any consequence yet. It shows that their eventual falling out was inevitable, even if they had decided to rebuild Cybertron together.

It should also be noted that D-16's feelings of anger and betrayal do not necessarily have anything to do with the unjust system itself, but that said unjust system was predicated on a lie. Hence his fixation on deception in the post-credits scene and him naming his faction the Decepticons. Meanwhile, when Orion learns the truth he's just sort of like "yeah, I always kinda knew something was up" because again, he understood on some level that their system was predicated on injustice.

Even D-16's obsession with Megatronus Prime, while initially an endearing aspect of his character, is also an indicator of the questionably large amount of value he puts on one's strength. It foreshadows the "might makes right" ideology that the decepticons follow, and is a key part of their ideological characterization across continuities.

Instead of the narrative we often see in Transformers media were Optimus is idolized by the narrative for being more moderate and Megatron is villiainized for being radical (or so people often claim), it is instead Optimus who is rewarded and praised by the narrative for being radical, and Megatron who is villainized and punished by the narrative for holding potentially fascistic values.

I do agree with some criticism I've seen that the whole thing with killing Sentinel and D-16's final turn into villainy felt a bit rushed and more than a little cliche, but I also understand it both had a limited runtime and that it is ultimately a family film meant to be accessible to children. More importantly though, I think the movie set the groundwork early on that, no matter how this final act played out, D-16 was always going to turn to darkness, and Orion would not have been able to stop him.

Its perfectly tragic, the way all MegOp should be, while also feeling really well thought out from a thematic standpoint. I love it.

[byuno-o]

RETROGRADE PLANETS IN NATAL CHARTS.

NOTE: PERSONAL OBSERVATIONS. HENCE, MIGHT NOT BE APPLICABLE FOR EVERYONE. ONLY FOR ENTERTAINMENT. HENCE, DISCRETION IS ADVISED. DO PROVIDE FEEDBACKS, I LOVE IT. :)

MERCURY IN RETROGRADE

If you have mercury in retrograde in your natal chart, you might deal with aversion when it comes to verbal, direct communication. Putting your ideas and thoughts into clear sentences might not be your forte. However, I've read somewhere that people with Mercury Rx, have really good intuition. I can vouch for this since my brother has this in his 11th house, and boy has he saved himself from bad influences countless times purely because he could sense BS right away. People with Mercury Rx, however, possess a unique way of communicating their ideas and thoughts. They don't necessarily use art, but just different words and their brains are often configured differently. They might see logic in things that others can't, and somehow, everything works fine for them. These people also tend to be profound thinkers and internalize their life philosophies instead of using those philosophies for other, unlike forward mercuries. People with forward mercuries-even the ones with debilitated mercuries use their words and ideas in order to help others. while retrograde mercuries wants the betterment of self. Hence, seeing other perspectives can be difficult for them, and finding balance between conscious and callous communication can be hard. Retrograde mercuries have hard-hitting sense of humour which can be the result of unique communication style. Forward mercuries can choose their words carefully, but retrograde mercuries often cannot, for this is their lesson for their present life.

2) VENUS RETROGRADE

I see people with venus in retrograde having issues with their sense of self, which can be seen in their communication style and sense of humour. Overcompensating outwardly for lack of sensing lack of style and panache that forward Venus tend to possess, even the debilitated ones. yet they can't see their own unique flavour which goes against the conventions. A friend whose venus is in retrograde has the wildest love life in my group. Her standards are high, which stemmed from dealing with problematic, almost karmic relationships. There can be confusions regarding one's own opinion about self, likes, dislikes, and there can be a tendency to see oneself through other's judgements. Finance can be a hard to deal with, overspending can be a problem. Their lesson for their present life is to accept themselves the way they are, and love themselves before looking for love and validation elsewhere. The root cause of almost all of their problems is the lack of sense of strong self and self-validation which come first and foremost. That is the only one they can see their own uniqueness, and leverage it for their benefits.

3) MARS RETROGRADE

These people can deal with heavy procrastination, and lacks efforts when it comes to their dreams and goals. There can be a push and pull effect regarding their individuality. A cousin of mine has mars retrograde, and despite having his mars in Scorpio, he loathes adventures, and risks--and you can also add changes. while people with forward mars can be very courageous--even the debilitated ones, although they need immense pressure to make them feel agitated, people with mars retrograde rather suffer in silence than assert themselves. For them, action-orientation, and assertion can be the lessons for their present lives. However, I also think Mars in retrograde can make one very diplomatic and can make the person possess mercurial qualities. That same cousin have debilitated mercury, yet he sounds the most critical and logical among us when we have to fight for our food rights (jokes) against our grandparents. Rather than have a individualistic nature, these people can harness excellent group qualities. They can suffer through sex related traumas.

4) JUPITER RETROGRADE

People with Jupiter in retrograde may be raised with issues regarding self, religion and higher knowledge. Their viewpoints are very different, and may often come off as illogical. They care very cautious when it comes to voicing their opinions. However, they can possess a very twisted kind of luck. Since I have this, I can vouch for this. I may never get what I want, but what I need always finds me, Unlike people with forward Jupiter who may get what they want just like that. my brother has forward Jupiter in Cancer, and I have never seen a person as lucky as him. Brotha is protected by angels and our family. One order, and the whole family scrambles to obey him. While in my case, I just work hard and get the bare minimum, but the things I get always helps me at times. Getting higher knowledge is especially harder for people with Jupiter in Rx, and may deal with confusion regarding the validity of knowledge. People with jupiter in Rx also deal with lack of mentors and teachers needed to shape their personality and inner world, hence they become vagabonds when it comes to knowledge. It is only them they can rely on for a strong sense of self, hence they may go through hard time alone. It is not like they don't look for help, it's just help never comes, but rewards are worth the pain. There's always a tendency to question everything which may lead to paranoia and overthinking. Yet, they are overly self-righteous, causing relationships to falter. Their main lessons are to have faith in them, and build their unique perspectives.

5) SATURN RETROGRADE

People with saturn in retrograde tends to introspect a lot. The limitations they bear are often internalised. they tend to have problems with authority and authoritative figures, such as father and teachers and boss, yet there is a deep sense of responsibility and lack of discipline. I also have saturn retrograde in my natal chart and well, it is a blessing in disguise. to be honest. I do tend to disregard authority, but there were times when I was asked for help by some authoritative figures. Although I have a deep sense of responsibity, I lack the courage, the strategic mind and the general effort I need to fulfil my dreams, which is why this saturn retrograde is proving to be immensely helpful. There is a strong fear of failure, and the person's success is always delayed. Trust me, I know. While I work twice as hard as my friends, I am often the last person to taste any success. Same is happening with job hunt. I have read that this retrograde is strongly related to past life karma, and I think I might be deal with lessons regarding finance and material gain since I have Saturn in Taurus in 2nd house. These people often deal with loneliness, and the lack of communication from their side only add salt to injury.

6) URANUS RETROGRADE

While Uranus deals with rebellion and one's uniqueness, Retrograding Uranus may often lead to these aspects being internalised by the person. There may be a strong sense for rebellion and forging one's own path, but the person may lack the spine to do so--often relying on others to validate their uniqueness. Changes may come like tornados, ruining their very sense of being, and forcing them to refine everything again and again, until there no sense of old self is there. Unlike Pluto, Uranus retrograde often forces the person's outer world, and outer relationships to change. These people have heightened intuition which not only scares the outer world, but also force it to alienate the person. There is a strong need for rejecting tradition which might stop them from becoming the eccentric person they can be. Note, I am not using 'eccentric' in a negative way. I just think, people with Uranus Rx need to learn showcase their eccentric side to the world. so that innovation can be made. There's a huge between one accepting their eccentricity and showing the world who they actually are. If anything, I think Uranus in Rx is one of the best placements one can have for the sheer creativity it can bestow. These people must have been destined to become pioneers, but their fears of outer rejection had stopped them, hence they ended up with Uranus in retrograde in their present life. They are supposed to let go of the fear in order to fulfil their purpose.

7) NEPTUNE RETROGRADE

So, my other brother has mars, Uranus and Neptune in retrograde. And I kid you not, I have never seen someone so eccentric, so prideful yet so fearful, so disillusioned yet so full of himself till date.

For me, Neptune Retrograde is one of the worst placement one can have. This placement is not about the outer world, but breaking oneself to fill the world with happiness. people with Neptune Rx has to go through a whole journey of living in a illusionary world to become disillusioned and hate the real world, only to realise that there's more than pain and suffering in the world and it is not a utopia. these people have heightened intuition, only to never master it. They get fed with escapism illusion by the universe time and time again, for them to learn to exercise their intuition yet the fog in their mind becomes the biggest obstacle. For a long time, these people believe in, "my way or highway" and "all or nothing." Hence, when faced with failure and pain, they crumble and become disillusioned. Once they see the world as it is, they go through the spiritual quest of learning and unlearning the ways of the world. And acceptance of the worldy woes, and understanding that one can never change the ways of the world but the ways of human minds are the lessons these people have to learn. They have to make peace with the fact that there will pain and suffering, and this is what feels like to be humans. They have to learn to avoid escapism, and grab life by the balls and open their arms to the gifts of intuitions, detachment, art and healing.

8) PLUTO RETROGRADE

I see Pluto retrograde as an eagle which keeps gnawing onto one's guts while the person can do nothing but accept the eagle. The pain never goes aways. People with pluto Rx in their chart internalises every thought, every little or big change, causing them to go through intense overthinking and traumatic relationship changes. The world is never these people's friends. If you think having Pluto placements are tough, look at pluto Retrograde people. Another cousin of mine has this. And she is a control freak, with really great psychological insights. There's obssesion with every little thing, and fear of betrayal and others breaking their walls and trusts. These people live an intense karmic life. If they badmouth someone, they get tenfold of it. If they wish someone bad luck, they get ten fold of it. These people must have done something great or something very loathsome which needs heavy penance and great patience. These people are bound to become great. These people are supposed to learn the ways of the world and help change the world, but on a ground level. What I mean by that is, these people need to learn to accept their shadow side in order to help the ones who have lost their paths to attain goodness. I see people with Pluto retrograde as the ones who has to break a piece of themselves in order to fix others, since they constantly get their heart broken, and trust broken, and fears spitting on their faces until they overcome those fears, and they are constantly forced by the universe to bare themselves naked in order for the world to use their vulnerabilities. Yet, these people rise like phoenix, and continue the cycle until they realise that their higher purpose is to have faith in the ways of the universe and let it run its magic. Good things may take time, but are always worth the wait.

NOTE: I SEE RETROGRADES AS BLESSINGS IN DISGUISE. ALTHOUGH RETROGRADE PLANETS MAKE THINGS HARD, AND ALMOST UNATTAINABLE, HARD TIMES MAKE GREAT PEOPLE. THE TWISTS UNIVERSE PLAYS ON PEOPLE WITH NATAL RETROGRADE PLANETS ARE SUPPOSED TO PUSH THESE PEOPLE TO THEIR EDGES UNTIL THERE'S NOTHING THEY CAN BE FEARFUL OF. FOR GREAT CHANGES NEED GREATER HANDS.

ALRIGHT, DO LET ME KNOW WHAT YOU THINK ABOUT THIS. AND I WELCOME CRITICISM AND HARD HITTING FEEDBACKS WITH OPEN ARMS. JUST MAKE SURE I DON'T HAVE TO SHOW MY FANGS, TOO. :) I LOVE GATHERING NEW INFORMATION, SO UNTIL THEN, MAY GOD BLESS YOU.

[creatingblackcharacters]

"Calling Out Racists? Help!"

(shout out to the situation sender who's chosen to remain anonymous!)

NOTE: People of color, if you feel that your efforts would be in vain or cause more pain than it's worth, I fully respect not doing it. I've been there, and tbh I usually don't. But white netizens, I expect boots on the ground. Racism festers when no one does anything about it.

So, it's finally happened! You've come face to face with antiblackness in your fandom space. You never thought it could be this bad! Naturally YOU don't condone this behavior, so you take steps to remove yourself from this person.

However! Your friends and other fans are still happily sharing from someone that you KNOW is capable of this. Would they still be comfortable knowing they're yapping amongst racists? And then you wonder- should I tell everyone about them? I mean, surely everyone should know?

Thus we've come to the decision:

The Callout

In my honest opinion, callouts are morally neutral. When used to reveal consistent harmful beliefs, intentions, and behaviors to other people, usually of marginalized identities, I think they're critical. Our safety and humanity matters far more than someone's internet fame. If I can't stop someone from being a racist, I at least don't want their vitriol on my dash, and I ALSO don't want people thinking I agree! Racism shouldn't be tolerated at all, but unfortunately, many an antiblack racist has a popular following and will not be removed. Anything less overt than a slur like the example above is more often than not, not a dealbreaker for many.

On the other hand, when it is maliciously weaponized to drag someone down on nothing but hearsay and rumor, it can be devastating. It has often been used as retaliation against those very same marginalized peoples to shut down discussions of racism and other forms of bigotry. In my opinion, you should not do these sorts of things when you don't have any solid proof or an actual education on what you're talking about. Period.

I say that all to say, be intentional. Use your discernment and some critical thinking.

How Ice Deals With It

Let's say you see something that concerns you. First, you need to pay attention to if other Black fans have noted this person's behavior. Has it been previously noticed, have they seen dogwhistles you've completely missed? Keep in mind as well, antiblackness does not have to come from a white person. Don't let "I'm brown" fool you.

If you're confident: confront the person on the particular issue you've noticed.

‼️‼️‼️ For the maintenance of your mental health, you CANNOT go into this expecting to change someone's mind and behavior. If you do, 9/10 you will face demoralization. You cannot walk into these thinking they care. Most people don't, and will deny the harm of their behavior. It sucks, but it's the truth. Change your perspective. The only goal you need to have is pointing out the harm done, so that this person loses the excuse to be racist out of "ignorance". Once you've spoken up, ball's now in their court.

Confrontation doesn't have to be negative! It can be as simple as "hey, what you said was not okay, here's why, and I hope that you can learn from this to do better for yourself and for your fans." Simple, to the point.

‼️Keep in mind, from Fans of Color: the private confrontation is a sign that we're trying to give you a chance to do right. Everyone's not going to receive that grace, nor do I expect every fan of color to offer it. It might just be up with you and your racism that day. 🤷🏾‍♀️ I would take the chance if offered.‼️

We're going to go two routes here.

1) It works

If it works, then what should come next is 1) a full acknowledgment of the violence and harm, 2) visible steps to ameliorate that harm, and 3) an apology to those harmed.

It doesn't have to be a complex apology (unless the situation itself was that large). But it has to be genuine and the change needs to be seen.

Very often you'll see apologies for antiblackness... To white fans. You cannot apologize for your actions to people who were not harmed by them, because they are not the ones with the right to accept the apology!!!! It's not a real apology. They've just covered for being exposed, is all. Be willing to hold each other accountable!

2) It doesn't work

This might still happen after the "it works", btw! Some people genuinely just want the appearance of progressiveness.

Here's where it gets gritty and you'll experience the most discomfort, I'm just being honest:

They might fucking suck!

They might suck, they might make it a point to share with their followers that you suck, and those same followers might also suck! You know how they sound? Like those people who fought for rapist Brock Turner because "he had a good future and this shouldn't ruin it". Yeah.

Recognize that this backlash you may experience from strangers is not coming just from their need to be entertained, but from a realization that if their fave is antiblack and they agree, then THEY are being antiblack too.

That acute pain you're feeling from this effort- you're now feeling a part of the chronic pain that is being a Black fan! And if you're white, you just temporarily sacrificed your whiteness to defend what was right, and now you are seeing a piece what that whiteness shields you from. Idk how else to put it.

Now what?

Well first, this shouldn't make you go "oh well there's no point in fighting racism bc they're so mean." Why do you want to identify with the people who just acted like that lmao. Antiracism is hard, but the right thing isn't always easy. Stand up and dust yourself off, soldier.

Take the steps to protect yourself. That might be a break from socials to decompress. Block people as necessary, use the tag blocker thing.

Recognize that you are not in the wrong for wanting this harm to be accounted for. If this person didn't want to be seen as a willful racist, they should have chosen to do better. They didn't want to, they chose to triple down on their racism, which they are now aware of doing! They just don't care. And that's not within your control. They wanna be a racist, let them be treated like one!

"Curate your space" as they say, and recognize that antiblackness is going to have you potentially removing folks you thought were cool left and right. You might see some people close to you show their true colors. It's time to make some tough personal decisions. I can't walk you through that. But I don't want to be around people who treat antiblackness with apathy, because birds of a feather... 👀

I obviously didn't cover every single scenario here. And this is only *my* way of dealing with these things (if I do at all, anymore). Some folks may go about it differently. But yeah, in summary, go in to point the racism out, and don't let the response determine your self value. 👍🏾

[petermorwood]

Is "Uh, nope" a frequent US response to lamb?

Or is US lamb somehow different?

This is just a vaguely mystified response to some comments here.

I'm guessing the "G-word" is gamey. I've smelt gamey meat, I don't like it, and Irish lamb definitely isn't that. Also, most people I know don't need to screw up their courage before cooking or eating it.

Mutton, mature sheep-meat, has - or so I've been told, because I've never found it in any local butcher - a much fuller flavour, still not gamey, but more ... robust, pronounced, emphatic, choose your descriptor. It is, after all, a more mature meat.

For terminology reference (though this may not be current any more), "lamb" is up to one year old, "hogget" - remember the farmer's name in "Babe"? - is up to two years old, and "mutton" is over two years.

*****

As I said, I haven't seen mutton anywhere, and haven't HEARD of hogget.

This might be, as I hinted, because terminology has been simplified and all meat from sheep is now "lamb" - and that may answer my own question. Sometimes US lamb has a fuller flavour than, say, Wicklow lamb in Ireland, because sometimes US lamb is hogget or mutton instead.

If so, it restores a possible original meaning to "mutton dressed as lamb". That's now best known as "an older woman dressed inappropriately young", and though the meaning has been around for a long time (this Rowlandson print is dated 1810)...

..."dressing" is also the term for preparing meat for sale.

And THAT makes me wonder if the critical phrase goes beyond fashion into the fine old tradition of adulterating food, and wily butchers transforming elderly sheep into the semblance of younger lamb then charging undiscerning customers accordingly.

I don't know how they might have done it, but if they could then they would. The ways in which 18th-19th century foods were fiddled with is amazing, and more than a bit Yuck.

Or in this case, Ew.

Comments, corrections, criticisms and all the rest are cordially invited.

:->

*****

Side-note; in keeping with the way nicknames get attached to surnames - "Chalky" White, "Dusty" Miller etc. - anyone called Curry usually ended up as "Mutton".

Two brothers at my school had this happen; Tom Curry, the older one, had been "Mutton" for a couple of years, and when his kid brother Will started school he became, of course, "Lamb".

Oh, how we laffed...

*****

ETA: @bellyoftheblast just messaged me this:

It turns out, and I only learned this very recently (I think it's in Hannah Glasse) that "dressed" used to mean "cooked" rather than "prepared for sale". Which would mean "mutton dressed as lamb" would be fast-cooked and thus greasy, unpleasantly tough and decidedly stringy. (Meanwhile I'll never waste good lamb on stew again now that I have a source for mutton -- MUCH better flavour for slow cooking).

Thanks for this snippet! We've got the Prospect Books facsimile of Hannah Glasse 1st ed, so I pulled it down, blew off the dust - it's been a while - and yes indeed, I found the following recipes in just four successive pages:

"To dreſs a Leg of Mutton à la Royale",

"To dreſs a Leg of Mutton to eat like Veniſon",

"To dreſs Mutton the Turkiſh Way"

"To dreſs Veal à la Bourgoiſe"

Mutton dressed (or dreſsed) as Lamb doesn't get mentioned, probably because Mistress Glasse knew better, though that business of Mutton to eat (taste) like Venison is interesting.

It involves cutting the leg of mutton "in the shape of a Haunch of Veniſon" then steeping it in the sheep's blood "for five or six Hours" before wrapping it in layers of buttered paper and roasting it, basted frequently with butter or beef dripping.

Not quite mutton as lamb, but still mutton disguised as something more expensive...

[jngkz]

THE MEN OF THE 12 SIGNS & THEIR RED FLAGS (PT. I)

₊ ⊹ apply these to PERSONAL plants and especially stelliums.

₊ ⊹ as for generational planets, account for them if they are in the what i like to call "the partnership houses" (1st/3rd/5th/7th houses)

aries men

₊ ⊹ short tempered ASF! one of the most irratible and easily frustrated out of all the signs. especially if things aren't going at their specific pace. their short tempter leads to arguments. not as argumentative as virgo men tho lol.

₊ ⊹ LOYAL ... until they don't want to be. similar to their fire sign sister in law sagittarius, aries men will be your ride or die but once they are even slightly bored they'll go ghost.

taurus men

₊ ⊹ SCARILY good at hiding secrets. their red flags/true character won't even show up until months into the relationship. be having you wondering if you really even knew them at all.

₊ ⊹ too nonchalant. i'm not even explaining this one cause i bet everyone reading this has had atleast ONE experience/encounter with a nonchalant taurus man, OR knows someone who has.

gemini men

₊ ⊹ flirty AND oblivious (.....except they're not oblivious at all).

₊ ⊹ they're the type to be friends with all their exes and see no harm in it. WILL claim he and his exes are one big happy family.. after borderline freaking it on with every single one of them.

₊ ⊹ ALWAYS playing devils advocate. they just be taking whatever side you're not on for the sake of a little giggle and a debate. even if that means hurting your feelings in the process.

cancer men

₊ ⊹ mommy issues on 10. but yall already knew the tea on cancer men!!!!! don't be suprised if his mom shows up w him on your dates.

₊ ⊹ manipulative. will be incredibly defensive during arguments and might even put on this sad boy facade that'll make you feel bad for him. but girl just know it's all for show.

leo men

₊ ⊹ will hit on any living breathing thing. has for sure already hit on and tried to get with every person in your friends group.

₊ ⊹ obsessed with themselves. yeah idc the leo stereotypes are true.. no matter how good of a person u think they are. it's interesting (to say the least) because they also tend to be very insecure. tbh they just love put on an arrogant front.

virgo men

₊ ⊹ YALL KNOW HOW I FEEL ABOUT VIRGO MEN.

₊ ⊹ EXTREMELYYYYYY argumentative. WILL start arguments and WILL always believe that only they are in the right. from what i've seen, 99.9% of women's villain origin stories began because a virgo man wronged her.

₊ ⊹ perfectionists. just very critical and particular about what they like - sometimes so excessive that they project their unrealistic expectations onto their partners.

ok that's all 4 nowwww. might post a pt.2 who knowssss

[syrena-del-mar]

Navigating the Conflict in My Stand In: Surrender and Softening in Love

(Disclaimer: Ming/Joe is an incredibly toxic relationship; I fully realize and acknowledge that, but Poom makes a critical distinction in Joe's reasoning, and I think it's interesting to dissect. Also, this is fiction.)

It's been some time since I've written any meta, but I can't stop thinking about the video @poomphuripan shared of Poom making the distinction that Joe isn't giving in to Ming, but rather, his heart is melting for him.

It makes so much sense that Joe would melt at the littlest semblance of 'love.' He was so alone for so long. His parents have been dead for longer than he had them, he has no siblings, and his extended relatives don't care about him. I forget if it's mentioned in the show, but in the novel, Joe had a pretty big crush on Sol, and Sol rejected him quite brutally. Even without meaning to be, Joe is always alone at the end of the day.

Yes, Joe has friends, and yes, Joe made his own found family. But at the end of the day, Joe would return to an unlit, empty home. Everyone else would return to their wives or families, while Joe could only return to the pictures of his parents. Meanwhile, for all of Ming's bs and frightening behavior, he was the only one that made his dream come true.

For the first time, with Ming around, Joe would come home and be greeted by the warmth of another living, breathing person. Joe craved to have a human bond, and Ming was the one who was willing (albeit for his own interest) to give it to him. And he cooked for him. He took up space in his home! He remembered the very things Joe had told him he longed for. They had a lot of good times, a lot of good memories, and a pretty set routine that really integrated Ming into Joe's life. But then they fight, his blissful reality breaks, and Joe dies.

But Joe wakes up from what feels like a day's nap when, in actuality, two years have passed. And what does he find? Ming has cared for his apartment since his death and is unwilling to change anything just in case Joe returns. Ming continues to fulfill Joe's dream of returning to a warm home. So he turns on the lights, and he cooks the same dinner that they used to share for two years. And even in his rightful anger of wanting Ming to leave him alone, he's still seeing that. In the two years since his disappearance, someone still thought about him and hadn't fully grieved him. Ming's brother only confirms that.

Giving in would mean that Joe wanted to end the fight with Ming, when no feelings had changed. It'd be him emotionally surrendering himself, compromising his feelings of being just a double for Tong, and fully conceding himself when he still thought that Ming only saw him as a replacement. While Joe might have given Ming access to his body to pay his new mom's debts, he was still blocking Ming out as much as he could. But that's not why Joe forgives Ming; it's not for a superficial reason to stop the feud. There's a visible shift in how he perceives Ming, the guy who waited two years for him, who protected and filled his home with warmth, just in case he wasn't really gone. His motivation was rooted in the slivers of positive feelings he had for Ming, which allowed him to move past the anger that he held for him.

A quote that I've seen floating around the internet for years comes to mind. "And when nobody wakes you up in the morning and when nobody waits for you at night and when you do whatever you want. What do you call it? Freedom or loneliness?" Joe has had that freedom for the majority of his whole life. It's no longer freedom for him. But even his found family isn't fully aware of the loneliness that would wash over him when he would return to an empty home.

After all is said and done, he sees that only one person knows him intimately enough to understand and learn even the most mundane of his desires. Ming, even with all the toxic shit he has pulled, stood by his word of not letting Joe return to an empty home. For Joe, that was enough. It changes how he sees and understands Ming.

It's also why Sol and Joe would have never worked out.

As Poom said, ultimately, it's not that he gives in to Ming but rather he lets his heart melt when he sees exactly what Ming has done for him in his absence.

Even after everything, Joe still loves him.

[weirdmarioenemies]

Name: Spoing

Debut: Super Mario Galaxy

Spoing is a jumping spider! Though it's not quite a jumping spider, you know? Like how a lynx is a big cat, but it's not a big cat. You know. But even so, I would like to express my appreciation to real jumping spiders! With their extra conventional cuteness, they capture the hearts of even people who are scared of other bugs, and as such are ambassadors for the rest of spiderkind. A gateway to appreciating some other creatures, which some fools may call "less charismatic", as if it is not charismatic to, for example, dangle a blob of silk to catch moths like a little fisherman. Anyway, as president, I will make sure all jumping spiders are compensated for their services. In dollars.

I don't know if I'm just saying this because I've been replaying Galaxy recently and have a sort of recency bias, but Spoing really might be one of the cutest Mario enemies ever! We all know, we all love, the eyes-in-a-void face! And on a BUG? Yowza! I've seen that kind of face on crabs and sometimes bagworms (I think?) but I'm not sure I've seen it on any other arthropod, and ESPECIALLY not a spider. I don't know how Spoing would hunt. Would it just shove prey into the eye void? Is it also a mouth? That would be pretty awesome.

You know, their faces make them look kind of like funny astronauts... and they only have four limbs, not eight. Are these truly spiders? Were they once human, until something unspeakable happened? And will it happen to me someday? I hope so!

Spoings mainly appear in Space Junk Galaxy, which I think we on the Weird Mario Enemies Office Pizza Party Email Chain all agree is a really great galaxy, with impeccable vibes. It's space at some of its most lonely, as opposed to spectacle, and I REALLY appreciate the presence of spiders here. Spiders and their webs are always used to visually communicate the idea of a place or object being unused, abandoned. And this galaxy is just a bunch of forgotten debris, not inhabited by any sapient civilization! If moths are the mascot of empty wallets, spiders are the mascots of forgotten attics! Spoings to not seem to make webs, which, yeah, actively hunting spiders do not! But they might make Sling Pods. And Sling Pod Galaxy is... well, I don't want to use this post to criticize a galaxy that precious spiders may have had a part in designing. So I will move on to...

Name: Spangler

Debut: Super Mario Galaxy

Spoing's got an evolutionary relative, and rather than being a spider boing, this is a spider dangler! It at first looks like a recolor of Spoing, but it actually lacks the fuzziness of Spoing's abdomen, and it DOES have a big ol' spinneret, which it is always using to dangle on a silk thread! One big one, like a really long string cheese. These ones debut in Ghostly Galaxy, indicating that they are spookier than the more generalized Spoings. Is it the silk? Is silk Spooky? It is what ends up encasing the spider's prey... like a MUMMY! Maybe I'm on to something here!

I really like Spoing and Spangler, and that both exist! It may be sort of the same design for two different enemy behaviors, but they're both behaviors that make sense for the design, and it's a design I always love to see. It's like they're closely related species! Maybe a population of Spanglers was separated from the others and ended up in the more barren Space Junk Galaxy, where there was not nearly as much infrastructure to dangle from, and where only active hunting was a viable strategy. And over time, Spoings evolved from this population! Actually, maybe they even use the Sling Pods for hunting, when we're not looking, launching themselves at unsuspecting prey...

And just to make sure we're not appreciating fictional creatures over real ones too much, I should tell you that there is, indeed, a spider that slingshots itself at prey using its web. Sometimes reality is stranger than fiction. And it's often a spider's fault! The variety of ways in which different species use their silk is honestly one of the most incredible things in all of nature!

[astroohoe]

Astro observations

Hi! I know its been a while since i posted ...was going through some thangs loll now let's get to itttt.

•Gemini women loves to gossip lol. They can literally be gossiping about you while youre literally there, they do not care if you hear or not . Honestly, i think the end goal was for you to hear theyre talking shit about you lol

•Gemini women have anger issues. They're really HOT TEMPERED and you can hear it from the top of their voice it's soooo bad😑

•Virgo women are mean 😑...most people dislike virgo women because they can criticize you, judge you all day and it might even seem like they bullying you lol...im a virgo myself and i don't even like most of the virgo women ive met ........they're personality is just 100% TRASH and they're sooo blunt eiiii😂😂😂

Ex:Beyonce in destinys's child...lol search for her old interviews with the...girl has been judging them all day😂 and the SHADE she used to give to them!! Guuuuuuuuurl was shady aslllll😂😂😂😂

•Taurus women are GOLDIGERS

•Aries sun men are selfish sometimes, they'll choose themselves first and you'll be soooo surprised😂

•Scorpio men are SENSITIVE! DRAMA KINGS ALL DAY...I swear I've never seen a man act sooooo petty and a bitch at the same time lol.

•Scorpio men are caring

•Scorpio men love love and loves the idea of love and a relationship lol they cant be single for oneday, always looking .

•Grown Capricorn men are 100% PREDATORY🙄

•Pieces men literally have a phase in their early 20's where they're just HOES and a menace in their relationships🤣😭😭😭 they could be dating three of four girls at the time and you wont even figure it out..that Neptune energy blurs all the lies..it makes them a GOOD LIAR and skilled at it....they can even gaslight you when you ask them if they are cheating on you...but when they grow in their 40's they actually STEP UP as MEN .they can literally reject girls to tell them im married and i love me wife..so be patient...They're also EXTREMELY LOVING AND SELF SACRIFICING 🥰🥰🥰🥰

.Pieces venus and mars knows how to give love, lol they're soooooo sweet. You're lucky to have a Pieces venus a bf or gf they know how to love.

•Virgo venuses are hoes100%

•Aquarius women are hypocrites but solo beautiful. They are shady friends and good at stealing peoples husbands and boyfriends....they're NOT that good of a people tbh.

•Sagitarrius women are thee most intelligent in the class followed by Capricorn women. They always get good grades . lol are you messing with a half horse half human and LITERALLY THE GOAT??😂😂😂 at you dumb??

•EARTH SIGNS WOULD ROAST YOU...YOU REALLY DO NOT WANT THE SMOKE WITH THEM....ESPECIALLY WITH TAURUS MEN...THEY WILL ROAST YOU TO EVEN END UP GETTING PLASTIC SURGERY

•Capricorn men can insult you on every deeper level.

•Virgo women have a sharp tongue and they can literally plan on revenging you honestly...im even scared of earth signs they're not to be played with .

•Sagitarius women see LITERALLY every women as they're competion...why??? They are one of theee most jealous signs EVER...LIKE??

•Gemini women are annoying tbh😑

•Capricorn girls were the mean girls in school 100%

•Aquarius mercuries have a smart mouth and a sooooo intelligent.

•Cancer women are soooo feminine...and extremely funny ...my beauties>>>>>>

•LEOS are soooooo motherly😭😭😭😭😭😭😭😭 like, i love y'all

•Aries and Libra....why do y'all like each other sooooo much??...and most of the times , it is the libras who chases the Aries suns...The libra men are sooooo obsessed with the Aries woman, or Aries rising lol....

So thats it forrrrr meeeee ......hope you enjoyed? Byeeee

[secondbeatsongs]

Hello, you said in some tags in a poll that Speed Racer (2008) is your favorite film. If you’re okay with it, I’d really like to hear more about why you love it. I love the Wachowskis’ work (they’re among my favorite directors), but I kinda ended up bouncing off Speed Racer (2008). So, hearing that it had a real impact on someone makes me very curious why. I’m not interested in criticizing your opinion or arguing with you, I’d just really like to know why you love it in the hopes I might be able to enjoy that movie more in the future.

oh god this is from seven months ago, I'm so sorry - but I do love almost everything about Speed Racer (2008) and I still think about it nearly every day.

I love that it's so bright and colorful and absurd. I love that it's an anime in live action form. and I love that at its heart, it is a story about love.

it's about the mistakes people make out of love, and the consequences of that. it's about the way children grow to understand why the adults around them make the choices they do, and maybe choose to do the same things. it's about taking risks for the people you love, and the pain of failing to change the world, because everything is capitalism and everything hurts.

(and it's also about being transgender btw. like, that's one of the main things about it - it is very much a movie about being transgender)

what if your father's choices hurt your older brother, and your older brother's choices hurt you, and now it's you and your younger brother staring down a future where you're going to end up hurting him by making the same choice?

and then...what if you can escape that? what if the broken parts put themselves back together, and the hope doesn't run out, and you're not alone with the things that haunt you? what then?

and now you're at the end and mistakes were still made, people were still hurt, but everyone's grown and changed and they're different now. and they've figured out that maybe, just maybe, you can change the world by doing something you love, by creating art and beauty and making people feel things.

maybe you really can defeat capitalism by driving a car really fast. and even if everyone thinks you can't...don't you have to try anyway? shouldn't you fight with the skills you have, the only way you know how?

what if it works?

and I'm not even gonna get into most of the Racer X stuff (because I want people to go watch this movie, and most folks probably won't be spoiled for it), but his whole deal is just...everything. I love him.

(if there's a guy from Speed Racer that I want to put in a jar and shake every so often, or maybe wrap in a blanket so he can have a nice nap, it's Racer X. he's a great character. prime blorbo material)

anyway I've been rotating this movie in my head ever since I saw it for the first time, and I think I've seen it...seven? times now? and I still cry at the final race, and I still get blown away by the intro sequence.

(the beginning of the movie is genuinely one of the best things I've ever seen - it does an amazing job of introducing you to the world and the story of the characters, and gets you emotionally invested in it right from the start. it's fantastic filmmaking)

also like. story stuff aside, from a technical standpoint, the movie is a masterpiece. it's the type of thing that people hated when it first came out, but when you look at it now and see how it was made, how it intentionally looks bizarre and cartoonish, plastic and surreal, you can see the exact vision the Wachowskis were going for, and it's brilliant.

the way they did the visual effects, the way they made the outdoor scenes feel so detailed, the way the driving and the tracks work - they put so much thought into that, and the behind-the-scenes vids show how cool their process was.

also uhhh cars go vroom, crash into each other, flip upside down, explode, maybe have bees and hammers in them sometimes?

(the above is me complimenting the unhinged vibe of the races themselves, which I love very much)

anyway I could make other full posts about the script of the film and how much I love it, or the cool side characters, or the fanfic potential of the amazing world of the film, or how I can prove that it's set in 1991...but I guess if anyone wants those rants, they'll just have to watch the film and then come talk to me. :)

(please. please come talk to me about Speed Racer.)

so, yeah! I kinda lost my mind there and made this post way longer than I intended, but I do feel strongly affected by this movie, and I hope this has helped explain why.

[bengiyo]

An Apology to The Miracle of Teddy Bear

I finally caught up with a show that was inaccessible for a long time, and also bogged down in bad-faith fan reporting, at the insistence of @lurkingshan, @twig-tea, and later @wen-kexing-apologist. A few months ago, Shan and Twig wrote about how The Miracle of Teddy Bear Saved the Gays to push back on the false narrative that the show buried the gays and forced the lead to marry a woman, and also about how it contains incisive social commentary about a Thai gay man. I won't reiterate what they said in their excellent essay, but I do want to pick up from my Apology to Ossan's Love and The Novelist to talk about going back for shows you missed.

When this show first began airing in the spring of 2022, it was completely inaccessible in the West. I remember seeing rumors at the time that the show was withheld from international distribution due to its critical themes about Thai society, and I was curious about how a show about how a guy falls in love with his teddy bear that comes to life could be causing such consternation. After the show ended, I also remember seeing discontented commentary about the end of the show's ending that turned out to be patently false.

Now that I've actually seen the show, I want to briefly gush about the things I loved in this show.

Job Thuchapon Imbues Nut With A Complex Humanity Rarely Afforded Gay Characters in the BL Sphere

As I was finishing the show last night, I commented to my friends that Job might be one of the most beautiful people I've encountered in Thai queer media, and I think it's because his performance as Nut feels recognizably human. I'm convinced it's because this was a drama with humanist goals that was able to avoid prioritizing romance as its key outcome. As such, Nut becomes one of the best expressions of the traumatized artist trying to do something with his pain in his art that I've ever been blessed to see.

Nut is dealing with intense family trauma from his father's homophobia, his mother's silence and impotence on the matter, and the social circumstances around his life. He's a man with deep anger at his mom and father, who is also tasked with being the breadwinner for his household because his mom is mentally ill. Moreover, his hateful aunt lives next door to only make their lives worse. Nut is an extremely lonely but talented writer who wants to make something more than a standard BL prioritizing romance, cuteness, and product placement.

Most importantly for me, Nut is so unabashedly gay in a way that I also found extremely believable. He's the kind of gay that's not exactly hiding who he is, but isn't going to go out of his way to blast it to everyone. He's not afraid to hold a man's hand in public, but he's also just going to ignore the female coworker who can't take a hint. On top of that, the gays have sex in this show! The show uses so many useful tools to show us that Nut and Tofu have sex without needing to do a lot of bed scenes. I deeply appreciated this.

Inn Sarin Makes The Teddy Bear Role Into a Meaningful Exploration of the Nature of Humanity and Kindness

I originally worried that Inn was here just to be beautiful (he is), and that his character would just be a joke (it most certainly wasn't). Instead, what I got was a character whose innocence allowed us as viewers to explore some heavy moral dilemmas that a simple view of human nature could not accommodate. By the end of the show I was screaming into the chat that "He's only a bear!" because none of the problems he faced were simple.

Tofu, through his interactions with the other inanimate objects in the house experiences incredibly growth over the show, and learns that loving a human as a human is far more complicated than loving them as a teddy bear. He's faced with difficult challenges around Nut's mom's health issues, Nut's family troubles, and even his own jealousy of Nut's childhood love. Inn's affect as Tofu matures as Tofu becomes more familiar with human nuance, which is contrasted so well by the flashbacks with his dead human doppelganger.

This Show Completed Every Thread it Established

This may not seem like an important thing to highlight, but it's so rare for shows to actually do this, especially when they're this complex. I have massive respect for screenwriter Prapt and the team around him, because it's so rare that I enjoy a final episode of a Thai drama. I was openly weeping at the resolution of a thread I thought was forgotten in the finale.

This show had much to say about speaking truth to power, and how the powerful wield death as a weapon. It had much to say about how internalized homophobia expresses in gay men in different ways. It took its mental health themes seriously. It also humanized its villains in a way that makes them some of cruelest I've seen on screen in a long time. It also shows how important community support systems are, especially the role elder gays play in your life. Most importantly, I loved that this show didn't insist that everyone has to hang out and be friendly with everyone who ever hurt them, even if it values getting closure from much-needed apologies.

Conclusion: This Show Has Everything

This show really is something special, and I recommend going on YouTube and watching it. It's a long watch, but it's one of the most rewarding viewing experiences I've had from Thailand in the last decade. I'm also convinced that I have to take learning Thai more seriously, because if Prapt's writing is this tight, I have serious doubts about what we got from The Eclipse. Any Thai people following me, please let me know if you get around to reading the book The Eclipse is based on so you can talk to me about what you experienced from Prapt's pen directly.

[queenburd]

The use of color in The Stanley Parable: HD and Ultra Deluxe (with honorable mentions to the Demo)

dedicated to @squuote who needs more TSP analysis to rotate

A little over a year ago, I (only somewhat jokingly) lay out the argument that while The Stanley Parable is notorious in its use of yellow, the color yellow is not actually associated to the Narrator. The color most associated with him, I argued, was red. [1, 2]

I've had plenty of thoughts regarding color and TSP in the interim and I want to go over those thoughts today in as much depth as I can manage. You know, for fun. None of this is to argue about creator intent, but it's a fun way to stretch the critical thinking and literary analysis portions of my brain. It's also super cool if you don't agree with my readings, since the point is to get you thinking about these things and studying them to interpret for yourself.

Anyway let's gooooooo

(note: all images are embedded with a link to the source page I pulled them from. For those on mobile, be careful with your scrolling and tapping!)

Yellow

Okay let's start with the “obvious” one. Yellow is seen as one of the main colors in the game, it's the color of the main office and the primary assets associated with the Parable. We see yellow PRIMARILY in the beginning of the office, before the two doors room. It lines the cubicles and the walls are often interpreted as yellow (eh, they're more of an off-white. They're actually absorbing color from the brown-yellow carpet, and they do the same in the lounge).

It's the color of the Line(TM), it's the color of the cargo lift in the warehouse, and, most strikingly, it's the color of the SKIP Button.

We'll get to you.

Okay, so yellow is a color with conflicting interpretations, which is par for the course for all of them, we're not going TOO insane on color theory and color psychology we will be here ALL DAY and I was an ART student. So let's just look at the most basic reading. Bright, oversaturated yellow is a color that can exhaust the eyes easily. It grabs our attention like a highlighter and burns our retinas.

It can be a color of excitement, but it can also be a color of sickness. I've been thinking about the short story The Yellow Wallpaper the past couple days. Or maybe I've been thinking about it for longer. It's just that I haven't reread it in actual years, but every time I saw someone talk about the wallpaper in TSP, I thought about the story. Here's some passing thoughts on the short story in comparison to TSP. [3]

Sickness, and madness, and beginnings, and infinity. In the end, yellow, to me, is the color of the Parable grabbing the player (and by extension the Narrator) by the nose and saying “let's get moving. We have a story to play. Play the game, and keep playing.” Notable to me is how the SKIP button is almost scathingly yellow in contrast to the room it's in, and as the room gets darker the glow gets more foreboding. The Parable did this. The Narrator might think he made it, but he doesn't control it. Yellow isn't his color, and it never was.

Red

“Stanley walked through the RED. DOOR.”

The use of red in TSP is probably the most interesting and fun to analyze for me. It's used extremely intentionally and it's commonly associated with power, anger, and passion. We see red in the Boss's Office, in the Countdown ending, as the door to the Starry Dome, and a TON in the TSP2 Expo. There's red doors and signs in the Escape Pod Bay.

So I've joked that the color red is the Narrator's color, and while it's still a fun interpretation, it's not one I'm married to. I think it's more accurate to say red symbolizes control. The Zending Door is you letting him control the story. The Countdown screens are him taking control from you. And TSP2 is the Narrator trying to exert control over what the developers have made. It's a response to New Content and to the SKIP button. I have a million trillion thoughts about the TSP2 Expo but I won't get into them here.

Anyway, red feels very obviously to me associated with the Narrator trying to take control, or things only being possible when he has control. I'm thinking about the signs in the Escape Pod Bay telling you that it won't work without him. (I'm thinking about how the same door asset for the Zending is used in the Escape Pod Bay. No. shhh. Staying on topic.) So I don't have much more to say on the matter because I feel like I've tread this ground before. Red is about control, and it is held in direct contrast with blue.

Blue

Oh, blue. Soothing blue, sweet relaxing lounge and ocean paintings and boss's bathroom and blue door that leads to broken textures and an irritable Voice.

If red is the color of control, then blue is the color of rebellion. Small rebellion, sure. Rebellion that means nothing in the scheme of things. Blue is the stepping stone to bigger deviations from the path. I mean, the lounge is only the first step to the right, and you can still get on the “correct” path. The blue door you have to go through repeatedly, you have to make the choice multiple times, for it to lead to the Games ending. The boss's bathroom doesn't GO anywhere until after the epilogue. These are “rebellious choices” in a game where you don't really have a choice, and it's the closest you get to defiance.

I like to make it Stanley's favorite color for obvious reasons.

(Hey, fandom, why you keep associating it with the Curator? The only blue in the Museum is in a couple assets on display.)

Green

I gotta admit, while there's definitely something to green and its use in TSP, a clear meaning for it is eluding me, and I've been thinking about it on and off for a couple days now. It's a fairly infrequent color in TSP as a whole, but it does make an appearance. Besides being the color of plants (such as the ever important fern, the potted plants scattered through the office and the ones in the TSP2 expo, and of course the growth in the SKIP button room), it's also the wallpaper in the Demo, and the same wallpaper is used in the Boss's Office in the Real Person Ending. Thinking further, it also appears in the small room before the stage in the Press Conference Ending, and it's the color of the carpet in the HL2 Office that is found under the Games ending. (It was also brought up by my pal glitch that green is the color of the cursor on Stanley's screen, the first thing you see before gameplay begins. Good catch!)

Thinking about it, it's hard to find a throughline. There's something familiar about the green. Not necessarily safe, but it usually comes before something much bigger. Maybe this is a bit of a stretch, though. Let's say for now green is associated with the familiar in the face of the unfamiliar.

(There's possibly a thesis here about green being associated with gifts and surprises. The Narrator makes the Press Conference ending something that teases but also praises Stanley, the Green Room in the Demo is the space where the Demo is meant to be revealed to you, and that alternate Boss's Office is supposed to, in the Narrator's mind, be the first step to a wonderful story made just for you.)

White

Most people, when they think of white in The Stanley Parable, immediately think of the Museum. And they're right to! It's one of the most prominent environments that uses white. With that in mind, we can't forget the other places it appears, since it's best to keep everything in mind when trying to formulate a meaning for it.

So, other places where white is prominent: We have the out-of-bounds ending, and the Art ending (aka play that Baby game for four hours). We also have a massive part of the TSP2 expo.

Honestly, there is a lot of white in the rest of the office, but it tends to be absorbing the colors of the environment in ways that make it less noticeable. White's really good at that, which means the times where it's by itself as the outstanding color are outliers and feel intentional. So what do these things have in common?

Well, they kind of show the seams of the game? Take this with a grain of salt, but the Museum is designed to show you some of the design process for the game, effectively taking you out of the setting to give you a top-down perspective (hehe, literally in the case of the diorama of the office up to the two doors), and the out-of-bounds ending is a joke about breaking the map, falling out of the world , which can break immersion in other games. The TSP2 Expo is the Narrator showing off all the features for his sequel idea, giving a “sneak peek” of what will be included.

The Art ending doesn't fit with this thesis, but it does involve the... revelation, I suppose, of the “character” of the Essence of Divine Art. What I'm trying to get to is that white is a color of revelation and display.

Gray

Gray is not a color that tends to stand on its own merit in The Stanley Parable, and that in itself is intentional. Gray is used as a texture of “unfinished�� things, things the Narrator doesn't want you to look closely at, and would prefer you move past Right Now Right This Second Please.

It's the walls of the Broom Closet, as well as the walls of the maintenance room. It's also the walls of the room right outside the Starry Dome—the hall that leads right to the stairs. (Honorable mention, @chirpbudgie brought up that the desks in the office are gray, which is also an implication of the way Stanley's coworkers seemed to disappear with work unfinished. There is a sense of “wrongness” in how they've all vanished. Nice eye, bud.)

You're not supposed to dwell in these places. Go back to the story, please!

Black

“Blackness, and a rising chill of uncertainty. Was it over?”

Last and least is black, less used as a color in its own right and more a use of shadow. It really stars primarily in the Mind Control Facility, dark rooms with a sense of foreboding. Honestly, what is there to say about black?

Only, I tell a lie. You see quite a lot of black in this game, don't you? After all:

It's the Loading screen.

Blackness is uncertainty, and mystery, like the game tells us, because anything could be hiding in the darkness, and anything could happen when that screen is finished loading. It's white's opposite not just in value but in meaning. You don't know what's going on, you just have to wait and see. Any time you might have an answer, or an ending, here comes that loading screen to wipe the slate clean and say “hey, what haven't you found yet? What haven't you tried? What tricks does this game still have up its sleeve?”

(And now I'm thinking about the Figurines ending, and how the Narrator shouts to stop the loading screen, to go back and stay in the familiar please!! Because the fellow hates uncertainty, really he does. But that's a thesis for another day.)

(We also can't forget that Ultra Deluxe's Setting the Time is also set on a black background, and there's always, to me, a sense of foreboding and uncertainty there too. What happens after this is the game, right? Is this for something? Is this doing anything? Is it changing anything?)

Silver

It's a bucket :)

Okay that's the end of this post. There's probably plenty more to say about this subject, this isn't exhaustive by any means. Color is an incredible tool, and visual storytelling and color interpretation is not in any way a science. As I posted bits of this in my server for extra feedback and examples of color, other folks brought up an entirely different interpretation of the color green. And I didn't even bring up Mariella being dressed in full green!

Anyway I didn't bring up orange because there's only a couple instances of it in the game but its always about unfinished things/assets (Baby game, just a lot of Games ending things) but it also shows up in the TSP2 Expo (Button That Says The Name of the Player Playing The Game (Jim)) for features that uuuuuh. Aren't done. So that's funny.

Like I said, there's almost certainly more to say about color theory and the game, but this thing is hitting 4 pages long and that's not including images oops.

I hope this was a fun read! Some of this stuff has been percolating in my brain for a while and it's good to finally get it on the page. Talk to me about TSP I love this game.

[earthstellar]

Brave Bang Bravern!: A Review for Transformers Fans

I've seen so much about this on my dash that I had to give it a try, and I gotta say, as someone who hasn't watched any new anime series since around 2008 at the most recent and I also hate the fucking military, this is a pretty good show.

THERE WILL BE SOME MILD SPOILERS. Nothing major. I'm not gonna spoil anything critical or mention characters that are introduced later etc. At of time of writing, only 6 episodes have been released.

Understanding Genre: The Trailer is A Lie

Now, while there is a trailer here, I want you to largely disregard it.

Why is that? Well, we need to talk about the "big two" robot show genres in Japan, which are as follows:

Real Robot -- This refers to a typically military setting or other serious setting, in which robots are handled as realistically as possible in terms of how they work and how they are applied. There tend to be less individual/sentient robots and more "suit" type mechs right along side human-made, more realistic machinery and mech designs, although that isn't entirely unique to this genre. Usually this stuff is labelled as sci-fi/action outside of Japan.

Super Robot (THIS IS THE SHIT TRANSFORMERS FANS GENERALLY WANT) --Essentially borderline seemingly magical robots with their own rules and in universe backstory for how they work, which isn't necessarily tied to realism. Usually this stuff is labelled as sci-fi/fantasy or space fantasy outside of Japan, since a lot of these tend to be space robots. They can be "driven" by pilots or just straight up sentient robots who are vibing with some human companions, although it's not exclusively that. It can be both, it can be neither, but no matter what, Super Robot shows are less about strict realism and more about really cool shit with robots that are basically their own people and exist according to their own rules.

Now, the trailer for BBBB (the acronym for the show is based on the Japanese title, which is Bang Brave Bang Bravern) is a COMPLETE FUCKING LIE.

It wants you to think this is going to be some dumbass GI Joe shit.

While there are elements of dumbass GI Joe shit, this is largely just to set up the premise for why shit is happening in the first place, and to help introduce the main threat (alien space creatures with fucking light beam lasers) as well as bring in our main characters under the premise of everyone having to work together to address this alien threat to Earth.

What we care about here amongst Transformers freaks is gay space robots, and this show delivers.

Getting Into Bravern: First Episode, Mild Plot Spoiler Summary

It wants you to think this is a Real Robot show.

The first episode sets things up as though it will be a Real Robot show.

There is a threat to Earth, a mystery space alien mechanical enemy, and nobody knows what the fuck to do. A military exercise between multiple nations using Titanostriders (which look very much like Shiro Masamune Appleseed-style mechs, human made in nature) to practice battle drills who are now instructed to swap over to real ammunition and go to fucking town.

Nobody knows how to do that.

They're skilled with the Titanostriders, sure, but it turns into a shit show. The alien mechanical enemies are using fucking space laser shit, it's a disaster---

--And then Bravern drops in from the fucking sky and it IMMEDIATELY TURNS INTO A SUPER ROBOT SHOW.

There's a "get in the robot, Shiji" moment where one of the Titanostrider operators, Isami Ao, is encouraged by Bravern to get inside of him.

He does. And immediately has no idea what the fuck is going on, Bravern is largely in control, and starts to blast his own theme song inside his cockpit as diegetic music while Isami is generally losing his shit, as one might do.

Humanity's reaction to Bravern is Real Robot genre type, where it is handled seriously by all the characters and organisations involved in universe, however Bravern is very much a Super Robot genre character who brings more of a Super Robot energy to the show at large.

The serious elements are mostly balanced by how fucking silly Bravern is, and there are some excellent moments in this show (currently only 6 episodes have been released) which make it entirely worth a watch.

Fun Things About Bravern Himself

Braven is very, very, very gay for his pilot.

Chances are, you've seen the screenshots of some of these moments on Tumblr already, but the delivery of these lines is magnificent.

Bravern sings his own theme song. It's the voice actor for Bravern doing the vocals, and the song itself is reminiscent of 1970s orchestrated big band energy mecha themes. For Transformers fans, it has a very Transformers Victory theme kind of vibe to it.

You gotta hear it, it fucking rules. The album cover shows Bravern holding a giant microphone.

Bravern is generally light hearted, doing his best to motivate his pilot while not hesitating to enter the action and try to defend humanity.

Now, why does Bravern care about humans so much? We don't know, but we'll talk about some mysteries in a later section below.

He is surprisingly insightful at times, while also fucking around and enjoying himself. (You may have seen screenshots going around Tumblr of Bravern with a loop of hot dogs strung around one of his chevron points on his forehead. This follows a scene in which he wants his pilot to take a break and associate with his peers for once, as a way to relieve stress. So they go to a bar, it turns out reception is positive and someone even brings weenies out for Bravern since he's too big to fit inside, lol.)

Generally, he's a very interesting mech, because we have so little information about him. He's fun, and clearly vibing, but he's also borderline if not outright obsessed with his pilot and has unknown origins, which has lead to some darker interpretations and audience discussion.

A lot of people have compared Bravern's energy to Rodimus, and generally I would agree with that. He has his high-energy silly moments, and his more serious personal moments (primarily with Isami, but also with Smith), and I think these aspects of his character work well to create a fun mech with the potential to be deep in a believable and effective way, with an equal capacity for being a doofus.

Bravern is obviously the number one reason to watch the show for most people, and I would say that if you're purely here for a giant gay space robot, then this is going to be a decent watch.

The Military Sucks: There Are Militaries Involved Yet Somehow This Is Still Watchable

I hate the fucking military, so at least the military here is depicted in an acceptable way (so far, at least). In episode 2, they waterboard Isami to interrogate him for information he doesn't have regarding Bravern, which is a realistically shitty and awful thing for the military to do-- They don't sugarcoat how fucked up the military is. These people very much have the capacity to harm their own staff, and they will do so if it means they might get an edge over the enemy.

At the same time, the actual characters in the military are depicted as primarily doing this shit out of a genuine personal desire to defeat these horrendously destructive space entities, which have attacked at least some of their home towns and home countries, so it's more personal rather than purely being a military directive that people are being forced to follow.

In this way, it's not really realistic, but everyone is on board for their own largely humanitarian aid type of reasons (there is a mission which is basically just locating survivors of an attack and then getting the fuck out) which makes the military context feel less oppressive and shitty.

Part of why this is more OK than other military depictions is because the military forces involved here are international (collaborating to defeat a global threat rather than kill each other's civilians) and because the military is clearly losing this war.

Because it's an international effort, this brings more diversity to the show-- There's a surprising amount of English interspersed between dialogue in Japanese here and there, and the military board consists of representatives from multiple nations, including some Germans who at first believe Bravern is some kind of secret American operation, lmao.

Bravern calls the military out on its shit, and essentially tells the military board to stop with the suspicious infighting bullshit and drop the internal tension because otherwise they'll all die to this mechanical nightmare creature threat.

They actually listen, which means this is an unrealistic portrayal of the military, lmao. I think they struck a good balance so far between showing that the military sucks and has problems, while also making sure that you're not really cheering for any given military force, but rather, you cheer for individual characters who just happen to be stuck doing this military shit as a premise for anything to be going on in the show at all.

So it's not the worst when it comes to the military shit; At least so far, it's watchable, which as someone who passionately hates the fucking military, is surprising to me.

It's less GI Joe and more "we just needed a reason for these characters to be involved in this situation".

Of course, your mileage may vary, but personally I found it easy to tune out or just skip through any military shit that got grating and I didn't miss anything important by doing so. At the very least, you can skip around and ignore a lot of this stuff and get right to the gay robot if that's all you want to do. It becomes clear pretty quickly what's going on if you skip around a bit, so no worries there.

Fun Speculation: What is Bravern?

Only 6 episodes are out at the moment, so there's tons of shit we don't know yet.

Bravern has a notable resemblance to a type of enemy in the show, called a Death-Drive.

Death-Drives are mecha who are distinct from the "minion" type enemies (which almost resemble flying saucers with laser gun arms and light shields), and have their own unique character designs and names.

Why these things are here, how they are here, why they are interested in Earth, and everything else is currently unknown.

Bravern looks like he could possibly be of the same mechanical species, although we don't know if that's true (yet). He has abilities that the other mecha don't seem to have, but how far this goes and what it might mean is not yet clear.

Bravern also seems to have knowledge of human media (he references The Abyss at one point and he likes 3D printing figures of sentai show characters lmao), and was immediately able to speak to the humans using language they would understand, so it's unclear if Bravern may have been studying Earth for some time before his arrival or why.

He is obsessed with his pilot and cares for him so much that he extends some care towards others purely based on their relation to Isami as co-workers; Why? What makes Isami special?

How does Bravern know seemingly every human language? How does his piloting system work? How similar is he to the Death-Drives-- Are organic beings critical to them in some way? If so, why are the other mechs killing so many of us? (These are big questions especially by the end of episode 6, due to some spoilers and a spoiler character who shows up later.)

We know little to nothing about a lot of the key elements of the show, including any motivations for the Death-Drives or what they are, what's up with the fucking UFO looking laser things, etc.

There's more to speculate on, but that would be getting into deeper spoiler territory so I'm gonna hold back on that for now.

Summary: It's Gay and Cool and Has Interesting Ideas

Bravern's not the sole source of gay vibes in this show, but it's fun that he is also a source of gay vibes in this show.

The designs are great, the Titanostriders remind me of Appleseed style mechanical suit designs which is nice, the Death-Drives are super interesting, Bravern is fucking fabulous but he's not too goofy to take seriously, and the military is unfortunately present but it's clear that they suck and are generally losing (and since the conflict is not between different groups of humans but rather is about human collaboration to defeat a non-human shared threat to our entire planet, this goes a long way to make the military shit tolerable).

It pretends to be a Real Robot show but has so much Super Robot show sprinkled in that you might as well consider it a little bit of both which the show balances pretty well.

I haven't watched an anime since around 2008 at the very latest, so I don't know how this might compare to any other robot animes since then and I am certainly not an anime expert by any means LOL, but this has been a fun show to watch so far.

It does have its problems, of course, but if you can get past the setup for the first episode (when it's still pretending to be a Real Robot show), from the moment Bravern arrives towards the end of that first episode, the show gains momentum and starts to get interesting very quickly.

It has some issues. But we're only 6 episodes in, so at the moment, they have plenty of time to potentially address those issues and we'll see where things go.

I'd recommend it if you want to give it a try!

I think there's enough here to appeal to the usual Transformers crowd and you might end up liking it, or at least having fun while watching it in the background.

If you end up wanting to to tap out then no worries-- I think it's worth giving it a shot and if it's not your thing, no problem.

Each episode is around 25 - 30 minutes, so while the first episode might feel like a slog to get through because fuck the military, once Bravern shows up the show actually gets started and I wouldn't blame anyone for just skipping to that point in the first episode and going from there, because there's nothing in that opening that you won't be reminded of or be able to figure out. It mostly just sets up the intro to the human characters and the collaboration training session, introduces the Titanostriders as a thing, and you can always go back and watch that part later if you want to.

All in all, pretty decent! Obviously we're Transformers people so we're here for the robots, and the robots are interesting and fun, and that's all I need to have a good time.

Hopefully this was a useful summary if you're interested or have seen Bravern stuff on your dash! :)

Thanks for reading!

BONUS: I forgot to mention this somehow, but there's a lot of overlap between Transformers and other Brave shows involving actual Transformers re-used in Japan for these shows; There's a good video about it here on YouTube which explains some of this, but if anyone's wondering, yes Bravern has a grounder alt-mode and it's pretty cool. Will we get a transforming Bravern figure??? We can hope!

There's another video here which mentions some of the Transformers elements in other Brave shows/Yuusha, which might be interesting for those of you who are unaware. :)

[spirantization]

I need to talk about NATLA Katara because this girl has been on my mind so much recently. In another post regarding Sokka's character arc, I mentioned briefly how the changes to his characterization impact Katara's character in turn. Her adaptation has been one of the most heavily criticized aspects of NATLA; even people who liked the show often bring this up as one of the weakest parts of the series.

I've been sick and rewatching the OG animation and NATLA to see the adaptation choices more clearly (and also think about what s2&3 might look like). I've said previously that changing Sokka's arc meant that Katara's arc had to change, and that wasn't satisfactorily done. Upon rewatch, I have to disagree with my previous statements and the popular opinion about Katara's characterization.

Katara's journey in season 1 is about her growing into her role as a warrior, when she has spent her life being thrust into a passive role -- not able save her mother, having to listen to Sokka (as both her big brother and protector of the village), and not able to fight against the Fire Nation. The first time we see her, she's unable to bend; we see her consistently develop her bending abilities and her strength throughout the season. She confronts her past inability to save her mother. She stands up to Sokka to do what's right. She fights against the Fire Nation and protects the Northern Water Tribe.

Sokka's arc, as I've said previously, is about him struggling with his identity. He was thrust into a leadership and warrior role at a young age, and he's tied up so much of himself into what this means. His arc is about accepting that he doesn't have to be a warrior and doesn't have to be a leader.

It's a yin & yang characterization. Katara's place as a warrior, leader, and protector grows as Sokka's ebbs. Their arcs make the most sense when considered together. They're meant to be in harmony with one another. I see the intention of the storytelling present in their respective characterizations, and how they develop in connection to each other.

Unfortunately, so many people appear to have watched the first episode and either reacted negatively to the changes or stopped watching altogether. I've seen adjectives like "passive" and "bland" thrown around in reference to Katara. And on reflection/rewatch, I think that was the point: to start her off as someone who is afraid & weak in her power, and to grow her over the season into someone who is brave & adept in her bending. By the end of the season, we see a very different Katara from the one in the first episode.

It's alright if these changes didn't resonate with you and you preferred OG Katara's characterization and arc in Book 1 of the animation. They made a choice in the adaptation that was clearly a stumble for the majority of fans. Perhaps, now that they've done the work to get her there in NATLA from a different beginning, her season 2 characterization will more closely match her OG counterpart.

[olderthannetfic]

I don't get my fandom. They want more queer rep. The main cast is a bisexual femme woman with a preference for women, an aroace gender-indifferent AMAB man, a genderfluid all-pronouns using AMAB person with a beard who wears a dress, and a biromantic asexual bigender AMAB man who is agender + male. The supporting cast has a lesbian girl, a middle-aged ace het woman living semi-romantically with another woman who is the main cast's (emotional) adoptive mom, and a ambiguously queer character whose gender is never really confirmed or discussed.

A big criticism I also see is "the writing team is all cishet". One, we don't know that, someone could be closeted. Two, why is that a problem? I think it's great that they went, "this makes sense for who this character is. We don't have to force them to be cishetallo just because that's what you normally see in animation. Web animation can be different. This is who this person is and that's fine."

I'm 19. I talked to my half brother, who is 38, about this and he actually choked on his coffee. He said when he was my age, nothing like this was easily accessible for him. It would have been jaw-dropping representation for him. I asked about the writers being cishetallo and he said, "who fucking cares? I would've moved Heaven and Earth to see these characters hanging out and just fucking existing back then!"

I know you get a metric fuckton of asks, but I'd love to hear your take on this. You've been in the queer community way longer than I have (I've barely started interacting with queer people IRL; I grew up in rural Wyoming) and I do wonder what this debacle looks like to people in other age groups. I'd also be curious to know what older people would've thought if they'd seen this friend group in media when they were younger. I know it means a lot to me. But I feel like I don't get what it would have meant back then.

--

Well, written up like this, it might get an eye-roll for sounding like Captain Planet casting. (You know "One of A and one of B and one of C" in a way that feels kind of forced.)

But yes, I think most older queer people when looking at the actual canon would be like "Sweet! A cast full of queer characters!"

I grew up somewhere shockingly liberal for the 90s next door to some old, married lesbians (who still live there, as it happens). It still sucked for teenagers. I had an okay time, but I was always hearing about other teens having an awful time even as the adults in the same communities did okay. And that's a very, very good version of what it was like in the 90s.

I did have access to queer media, vastly more access than most teens had. It was still mostly art films, boring coming out memoir, and The Pain of Being a Minority serious literature. What I wanted was genre fiction with a romance b-plot between queer characters I found hot. There was a bit of that, but not much.

I don't know that I personally would have killed for the exact set of queer rep in a modern show, but that makes sense. There are plenty of identities that present about the same but where people have internal reasons for choosing one or another. There are different forces making one queer identity or another more embattled at a given point in time. So while broadly similar queer people have always existed, there actually are fads in identity to an extent. (This is different from "wharrgarbl, the blue hairs with their pronouns!!!", which is just people being ahistorical assholes.) Modern media does and should reflect these differences. It might be for me, but it's going to be for 40-something me, not teenage me if it's coming out right now. If it's for current teens, it's not for teen me.

But yeah, in a general sense, I agree with your brother: "Damn, we have so much today! That's cool!"

The kvetching is usually people being angry that it's not representing their exact slice of queerness instead of someone else's. Or, let's be honest, a lot of it is "You didn't make my ship happen! How dare?!" dressed up as activism.

...

One thing I will say is that teenagers were extremely dramatic in my day too, and black-and-white thinking was just as common. Looking a gift horse in the mouth is not new. Yes, your fandom is full of idiots, but I wouldn't read too much into it.