#i wanted to put these all together

[alithetiredartist]

huntlow as spto

[fandaniel]

its because. youre always on that damn flower

[pineapple-frenzy]

Book 2 au with Zuko and Katara Lee and Huamei

Katara is separated from her friends, and so she's left to travel the earth kingdom on her own. She stumbles across Zuko, who is similarly travelling on his own. They decide that pairing up and travelling together would be best

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[lucabyte]

monologue

[antichrists-plus1]

[They're in love.]

[nidbaesenpai]

Dare you say this love could just save you

[luckyyharms]

if anyone complains about no agathario I'm going to punch them in the face LOOK AT LILIA LOOK AT HER. SHE'S FINALLY FOUND PEACE WITH HERSELF ANDBHER POWERS. SHE HAS A COVEN. LOOK AT HER

(further rant in tags)

[paintedcrows]

Some Fords! (and Martin K Blackwood is also there)

[hinamie]

u should think of tiny megu. To keep the stress at bay. You should draw him actually. Ooooo you wanna draw tiny megu getting the love he deserves so bad /j

he's with his 2 best friends

[cozylittleartblog]

Columbo and the Knight (1984)

put me in the universe where Columbo ran through the 1980s and had a crossover episode with Knight Rider. I think they deserved it, and I am not just saying that because they're my two favorite Old Shows. @telebeast wrote a little fanfic blurb about it and I HAD to visualize it into a comic (which is also the longest comic I have finished thus far at five pages...), so writing credit goes to them.

Autism W!

[bookwyrminspiration]

i love writing. i also would rather be doing literally anything else

[poorly-drawn-mdzs]

When in doubt, Soup it out.

[First] Prev <–-> Next

[desire-mona]

the time jumps in i saw the tv glow make me so fucking insane and i can never let it go. 2 years, 8 years, then 20, each jump taking more and more out of owen as we watch him decay into a painstakingly unvariable excuse of a protagonist. no matter how big of a jump in time, we never really feel like we've missed out on anything at all. the only real change we experience is what monotonous, yet colourfully and visually overstimulating job he's trudging through, all to live the unfulfilling life he feels is the most safe. no known ambitions, no known lasting relationships, even the family he says he loves more than anything feels less like a feat, and more like a giant step back in the journey we know he needs to go on.

3 decades pass in the span of an hour and 40 minutes, a speed that would seem overwhelmingly fast, yet we stay tuned into the comfortability of that perpetual survival. we know what's going on, and we dont need to play catch up if there's nothing to catch up on. yet despite that comfortability of knowing where and when owen's stuck, it is killing us to know that the potential of what he could be and experience goes unacknowledged through the painstaking amount of years. and it's made all that much worse when we're forced to remember that the slow death we're watching is all the more real, both literally and figuratively, to owen.

[fifthnailinstevesbat]

steve “cant get out of bed till middle of the day, barely leaves his house or is never home, isolating himself from everyone, never takes time for himself anymore, depressed and is slowly losing more and more of himself every single day” harrington post 1986’

robin “i know you loved her, and it must’ve killed that she wouldn’t take you back, but nancy is happy steve and she still loves you. she’s not the only one out there for you, and you’ve gotta get over it. we miss you” buckley post 1986’, trying to help her best friend

steve “…this isn’t about nancy” harrington.

robin “wha-?… oh. oh steve.” buckley.

he still wears the vest.

[egophiliac]

so on the subject of the "Crowley is secretly Revaan/Laverne/Levin/please Twst give us his name" theory, I think my feelings are best summed up as "I don't really buy it, but it's funny". like, in all seriousness, I'm not opposed to it; I have enjoyed the writing in Twst so far and I'm willing to trust that whatever happens will, you know, make sense and not be terrible. but I'm just not really convinced by the current evidence! maybe that'll change once we learn more, we'll see!

with that said, may I propose a few alternate theories about the possible Crowley/Revaan connection: