#i wanted to draw some dragons too but i had a lot to do and not enough time to do it

[fablegaze]

Spectember day 19 - dragon planet fauna

huge post today because I have a lot of thoughts about dragon planet animals!! it's by far been the easiest to design animals for, as they're all heavily inspired by some of my favorite mythical creatures. less realism with these because i'm focused more on hehe fun creatures, over the spec bio aspect

the clades I'll be covering today are gryphons & alicorns. gryphons & alicorns used to be some of the most widespread clades, but a mass extinction cleared the way for dragons to take over & diversify into niches they wouldn't have been able to otherwise

Gryphons

hippogriffs are the smaller, safer, and more beloved lineage of gryphons. itty bitty feathered prey animals that can be found all over the planet, both as part of the biosphere and as a domesticated pet in dragon society

true gryphons are predators, and regarded by dragons as being some of the most dangerous animals to exist. they are a highly social predator, and hunt in packs. previously the king of the skies, they have since lost their flight as dragons began to take over the planet

Alicorns

bicorns are the most widespread alicorn lineage. they're long-legged herbivores that live in a variety of habitats, characterized by the two large horns growing from their head. an increasingly common mutation among them is a varying amount of horns, with 1-horned bicorns being dubbed unicorns, and 3-horned bicorns dubbed trihorns

pegasi are hornless, brightly colored alicorns popular for their mating displays that are often compared to dancing. they can jump incredibly high in the air, and use this skill to both show off and escape from predators

qilins diverged from the alicorn lineage pretty early on, and convergently evolved a lot of traits similar to dragons. because of this, they're worshiped by dragons, who often consider themselves to be the greatest thing nature has to offer

[zosan-secondchances]

The Pirate King of the North

Main Themes: Villain Sanji, Alternate Universe, Zosan Ship

AU where Straw Hat Pirates meet old Sanji from a reality where Reiju didn't have emotions.

Warning: Long post ahead and some One Piece spoilers. Contains strong language.

Part 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12

Young Zoro hates the fucker but those scars and piercings are doing a number to his soul.

Old Sanji's story goes like this:

He didn't experience compassion from anyone else aside from his mother, who--you know what happened.

Judge kept him locked away until he was 13. He had him released when he was deemed too broken to do anything, and he was apparently a waste of space. As far as the world was concerned, he was already dead. He gets left behind at some random pirate town in the North.

His swirly brows were recognized by the pirates who took him in--only for him to be enslaved because people would pay a lot to have their way with royalty.

He picked up some skills from the other slaves and became cunning af--because he had to be.

At 17 he started a revolt against the slaver pirates, effectively taking over as their new pirate captain.

He became the feared "Mr. Prince" and his words are as sharp as his bite.

He's underweight because he doesn't give two shits about good food.

"The All Blue? It's nothing but an old fishwive's tale," he says.

He used his cunning mind and new pirate crew to hunt down and kill his own father from the shadows.

He enslaved his own siblings and becomes the new ruler of Germa Kingdom. Over the years, he used them for warfare and expanded the territory of the North.

His heart is a bottomless pit for power and control.

He had a fling or two or several with is closely allied with Doflamingo because god damn they're both mad like that. The alliance eventually lead to direct connections with Celestial Dragons.

Sanji gains more power and becomes the notorious "Pirate King of the North"

Meanwhile at the other side of the world, Luffy didn't make it as far as he could have without a good cook.

Luffy would have recruited one from Baratie but the restaurant was absolutely destroyed before the smaller Straw Hat crew could make a difference. Some of the staff didn't make it.

Zoro left the crew when it fell apart at some point.

Due to Zoro's reputation and bounty that he had occurred during his limited time with Luffy, he was offered a position as a Warlord, ultimately taking over the late Jinbe's old role. He accepted and served for several years before he was assigned a job that he didn't know would be the most challenging one yet.

The Celestial Dragons didn't like the fact that Sanji had started to have more worldly control over their own, so Zoro was quietly assigned to hunt down the great Pirate King of the North. Zoro accepted because he felt that he needed more experience before he could take on Mihawk again.

Zoro quickly realised that this mission is not a walk in the park.

Sanji loves toying with the Demon Warlord so he insists on taking him on by himself.

It becomes an endless game of cat and mouse. Sometimes Sanji chases and sometimes he runs, sometimes he wins and sometimes he loses.

They're at each others' throats everywhere in the world. Any person, city or being of any kind that gets in the way usually gets torn apart in the chaos. The hunt goes on for a lifetime. They're currently in their 40's.

Zoro severs Sanji's left arm during one huge fight.

Because of this, Sanji relentlessly tries to get Zoro to marry him to use him in so many ways he can think of--both as an asset and under the sheets--oh the things that he wants the swordsman to do and beg for.

Sanji likes to refer to the tiniest scar on his lip as "Zoro's love bite"

He was about to get a nice fresh one on his chest when some fuckers teleported him away.

Hearing old Sanji's backstory was a bit much. It was young Zoro's turn to have a nosebleed that day.

----------

Oh yes I had fun drawing old silver fox, damaged Sanji. I wish I have the time to colour it up. I've also been very much into reading AU stories, especially soul brand ones. Keep them coming, you beautiful people.

Edit: Woo! I finally decided to make my own AO3 account. It's about time. Link here for the story: https://archiveofourown.org/works/60686077

[moonstruckme]

Could you do a scenario of reader comforting sirus after he gets an injury while playing Quidditch and has to sit out a lot of games?

Thanks for requesting!

Sirius Black x fem!reader ♡ 701 words

Sirius hardly pauses his sulking to mutter a quiet, “thanks,” when you return with his hot cider. 

Remus scoffs. “Nice, Pads.” 

“What?” 

“You’re just so sweet to your girlfriend.” 

“It’s okay,” you say, sitting next to Sirius with a smile. “It’s his first match being barred from the pitch, I get it.” You fix your boyfriend with a look. “I won’t be patient forever, though.” 

Sirius looks genuinely contrite. “Sorry.” You accept his apology kiss, but he scowls when a first year nearly trips on his cast. “Fuck, is this thing bloody invisible?” 

“Easy,” Remus cautions, though both he and you shoot stern looks at the first year. 

“Wanna turn sideways?” you offer. “I could hold it in my lap?” 

Sirius perks up some. “You gonna give me a foot massage, gorgeous?” 

“Merlin,” Remus mutters, scanning the student section for Lily. 

“I don’t really see how that would be possible…” You raise your eyebrows, smiling when Sirius half turns in his seat to plonk his injured leg in your lap. “I was thinking more like I could draw on it. Any tattoos you’ve been wanting on this leg?” 

Most of Gryffindor has already had a turn signing Sirius’ cast. It’s been on since the match last weekend, when a bad fall had broken Sirius’ leg badly enough that Pomfrey eventually had to send him out of the infirmary with skele-gro to heal what she couldn’t. It’ll be on for another couple weeks at least, and between you and James the white plaster is beginning to run out of space. 

“Hm.” Sirius leans over, considering. You’re glad the distraction is working. He’s been quiet and sullen all week because he’s had to miss quidditch training, and you’re sure his melancholy is twice as bad having to miss out on an actual match. “What about a dragon?”

“I could maybe do that.” You fish a marker out of your bag. “What sort of dragon?” 

Sirius’ mood sinks again when the match starts and the players fly out onto the pitch, but as it gets going and Gryffindor starts to score points, he gets into it. He roars with the rest of the crowd, picks up a chant about house pride, and, though he shouts a few obscenities at the beater filling in for him when a bludger gets too close to Bell, he still smiles when James points at him after scoring a goal. A real smile, bright and heart-fluttering. 

Near the end of the game, Sirius looks rather contented. He sips his second cup of cider while you draw daisies in between the other doodles on his cast. 

“They’d have more points if I were out there,” he says, rather mildly. 

Remus nearly snorts. “Yeah? How do you figure?” 

“I’d have sent a bludger towards Malfoy ages ago. There’s been lots of opportunities. Marlene’s holding her own, though,” he acknowledges. “And there are some advantages to being off the pitch for a little while.” 

You catch the syrupy quality to his voice, and turn to find him looking at you. You raise your eyebrows. “Do tell.” 

“Well, the cider, for one.” Sirius holds up his cup, as though that’s obvious. “Can’t usually have that during a match.” 

“Mm, you’re welcome.” 

“Did I not say thank you?” He leans over to nose at your neck. Remus respectfully looks back to the match. “Thank you, baby. Really. It’s great.” 

“I didn’t make it.” You grin at him. “What are the other things?” 

Sirius hums. “No early morning training. I get to have breakfast with my girl.” 

“No afternoon training on the weekends, either.” 

“Ah, see? You’re catching on.” 

“Don’t talk down to me,” you laugh. “You’re the one who’s been giving everyone the cold shoulder all week, Black.” 

“I know.” Sirius pulls his face from beneath your jaw. The playfulness is mostly gone from his expression, his eyes deep blue and full of apology. “I’m sorry. I wasn’t trying to give anyone the cold shoulder, I just…” 

“It’s okay,” you say easily. You lean over, kissing the top of his head. “Really, I get it. You alright?” 

Sirius sighs, looking out over the pitch. “Yeah.” 

You rest your cheek on his hair. “Good.”

[the-ancient-dragons]

Observe the final Overcomplicated Pyrrhian tribe, the NightWings!!

As always, Joy and Tui already did an amazing job, I'm just adding my own flair.

Details and explanation below.

Next week I have something special... See you then!

More overcomplicated dragons.

The NightWing took me forever. First with school, and then because I picked the most annoying references. It was perfect, at least I thought it was, until I had to draw scales over the entire thing. THE ENTIRE THING. But I'm getting ahead of myself.

First, I modelled the main anatomy after the komodo dragon. A really uninspired choice but I saw how Morrowseer tracked that albatross in book 4 and said hold my 2 mL of beer. I recently did a few alterations because I felt I was following the komodo anatomy too much. I think I've got a nice balance now, but I might change it later when I do the full body.

Next is the elephant in the room, that fact that there are way too many small scales, especially over the areas that look like large scales. That comes from the caiman lizard. In the references I had their body scales had folded in the EXACT pattern of NightWing scales. As soon as I saw it I knew I needed to use them. You can also find their influences around the mouth with those large "lips" and the silver scales along the neck.

Lastly I used european starlings for the glossy scales. Not every NightWing would have blue and green and purple on them, but it would be a possibility, and I wanted it on this one to show that. Depending on the angle you look at them you would see a different colour. Some starlings also have lots of white spots on their underbelly, which I thought would look perfect for the underbelly of a NightWing. Again, not every dragon would have this, but it would make sense. If the underside of their wings are star-spangled then their necks, stomachs, and tails might as well be, no?

I really had a lot of fun with this. I mentioned something special next week and I think it's something you'll really like (if you liked this series so much). No spoilers though! Until next time >:)

[kiame-sama]

Humans Are Extinct (Yandere!TWST x fem!Reader) Monster AU pt 23

(Jade and Floyd are bioluminescent in darkness, so their scales often glitter and draw in too curious fish. Floyd is an extremely skilled hunter and often uses his Leiomano to fight with larger predators in close combat because he enjoys the thrill of the hunt. Jade usually lets his bioluminescence or his brother bring in the food and is less willing to fight a predator one on one even with his Harpoon. When fighting together, Jade and Floyd are both very skilled at playing off of one another and can easily overwhelm a larger predator.)

Warnings; RSA boys vs NRC boys, photoshoot, trying to rizz the Human ending poorly, Grim is a little shit to almost everyone except for his Hooman, mention of ill-tempered dragon, intentional sabotage of rizz, yanderes vs yanderes, Design Team and Guard Team alliance against Newcomers Team, protective behavior, sweet behavior, angry birds, Harpies, Merman, Drider, Hellcat, Water Nymph, Tree Nymph, Gnoll, Werewolf, Bakeneko, Nemean Lion, Shinigami,

~~~~~~~~

"So, why do we have to go to Pomefiore for this?"

"Because, mon Trickster, it has been storming since your departure to Savanaclaw. The grounds are too wet and muddy to take photos."

You frowned, looking out at the storm that was raging as Rook walked up to the Pomefiore mirror. Some of the storm was likely Malleus' doing, but there was no way he had kept the storm going for this long, right? That would take an unnatural amount of strength and energy to keep a storm going for days on end.

"Is it just rainy weather or is there something else happening?"

"Well," Vil cut in, flanking Rook and ensuring to keep the RSA students at an arm's length, "the storm started right after you joined Leona in Savanaclaw and hasn't stopped since then. Odds are a certain Dragon is throwing a fit."

The second after Vil's words, a large bolt of lightning struck the spires of the school nearby, making even Vil ruffle his feathers up. The lightning seemed to be throwing off all the students that passed by your group, and you stared out once more. You couldn't help but notice that the lightning has a bright green tint to it.

"Will we be able to do the Spelldrive Tournament if it keeps raining?"

"I assume that Crow will make Malleus calm down or you have to spend the night prior to the Spelldrive with Diasomnia to calm him down enough so the field is dry. I don't relish playing in the mud or getting soaked to the bone in this weather."

Rook entered the mirror with you, the others following suit and it was clear the RSA students were a bit thrown off by the mirror and the lovely sunny weather awaiting them in the Pomefiore dorm. You had only been to Pomefiore a few times when you were being fitted for clothes so it was nice to be at the dorm for a different reason. The many apple trees seemed to stretch out around the large iron gates of the dorm as they slowly swung open to allow your group entry.

Any students nearby were quick to bow their heads to Vil and back away, not wanting to earn the Harpy's ire when he had been in a mildly decent mood despite his pouting earlier in the week. It was clear the lush gardens of the dorm were awaiting your group as several students milled about with copious amounts of photography equipment. From different scale cameras to various sized lenses, even to large flash bulbs for lighting, it seemed a much more involved process than you had anticipated.

Leona caught on quickly to the less than excited way you stared at the many cameras and huffed lightly. He seemed amused by your lack of enthusiasm with the pending events.

"You know, Mousey, you don't have to do this if you don't want to."

"Yes, Leona, I do have to. The best way to combat the one negative photo would be a lot of positive photos instead. So I do have to do this. For me, for Cater, and so I can stay here at Night Raven."

The Lion hummed and frowned at the many students who had begun to race around, trying to get everything in place. You were a bit lost as to the finer details of the photoshoot but figured Vill knew what he was doing. It was then the almost sweet voice of the Harpy Neige spoke up cooing gently as his feathers fluffed.

"Wow, Vil! This is amazing. I always knew you were a high-tier Magicam model, but it is so cool to see the things you have at your disposal for it. Usually Hop or Grum take photos for my magicam. I've only seen commercials and movies with this much production."

"I wouldn't expect anything more from you. Luckily for us, I do know the best cameras for our little photoshoot. Now, hush, the professionals are working."

Ruggie was the one to help you off of the Drider's back, Grim actually jumping to his arms to avoid the many cameras now pointed in your direction. Vil frowned somewhat at the preference the Hellcat showed to the Lion's dormmates before he gently grabbed your arm, pulling you to what seemed to be the center of the setup. With a clap of his hands, several Pomefiore students began to crowd you as they tried to fix up your hair and add makeup they felt would match you best. Vil was spearheading the efforts, using his own magic to change your outfit to that of a comfortable sun dress that reminded you somewhat of the Pomefiore uniform.

"Sorry, could ya- ah, I mean, could you look up for me?"

The student standing in front of you was the same plant-looking effeminate one that had shown up with Vil and Rook at the beginning of the week. He seemed more uncomfortable than the others despite matching the general theme and vibe of the dorm better than the others. You smiled and did as asked, taking interest in the lovely plant man.

"You don't have to talk all fancy around me. I won't get mad at you for it."

"I wish but- ahem- however, Housewarden Vil said it is a rule to talk like this "

"I don't like that rule."

"Honestly? Ah don't like it much either, makes no sense ta-"

Vil sharply cleared his throat and narrowed his eyes at you and the plant man in warning. The plant man sighed and almost seemed to try and straighten up despite how uncomfortable it made him seem.

"Epel, I know you would not be callous enough to revert to your 'charming' accent when I have specifically instructed everyone to be on their best behavior and mind their manners."

"Of course not, Housewarden Vil, I was just..."

Before the plant-man- Epel, according to Vil- could continue his sentence, another voice cut in. You weren't as familiar with the voice but recognized the almost too kind tone of Erikír, the Merman prince.

"Careful, plant Nymph, no need to be rude or so dreadfully 'country' in front of fairer company."

You frowned at this, glancing at the grinning Merman who seemed to have no issue judging Epel right off the bat. Something about his tone made it seem like he intended it to be light-hearted and playful, but you couldn't help but take it as rude. Sure, Vil similarly griped at Epel, but it was Vil's duty as Housewarden to scold him. It was not Erikír's duty to do the same.

"Mind yourself, Prince Erikír, I asked him to speak in a comfortable way around me. Do not presume to scold a student not your own for a request I made."

Erikír seemed surprised by your tone and how clipped it had become before he bowed his head, conceding to your wishes. He almost seemed to have a slight grimace but his expression quickly smoothed back into a pleasant smile. That small lapse in behavior had you wondering about Erikír and if he had ulterior motives behind volunteering to guard you. It made you wonder about all of the RSA students.

"My apologies, fair (Y/n). I did not intend to offend."

"It is Vil's place and duty to keep his dormmates in line with the rules of their dorm. It is not your place nor your duty to do the same."

Erikír somewhat winced at your reprimand but Vil was absolutely beaming in pride. He had a clear smirk curling the corners of his lips as he sneered at the visiting student with his crest fully raised. You had half a mind to scold Vil as well, but figured you got your point across as Epel very carefully applied eye-liner to your lower lid. If anything, Epel actually seemed amused with your quick snap at Erikír and seemed much more relaxed around you now.

"There. I'd say it looks darn good- urk-! I mean- you- it looks nice on you. I mean- you always look nice-!"

You chuckled and caught Epel's hand as he stumbled over his words, holding the rough bark-covered limb in your own. The flowers that adorned the leaves making up his hair seemed to all bloom the moment you held his hand and smiled at him. It was clear Epel couldn't find the words to say what he wanted and was rendered almost mute by your friendly behavior towards him.

"Thank you, Epel, you've done a wonderful job."

"Aw, shucks, it ain't all that big a deal... I mean-!"

"I know. I think you should let your accent shine, it is very endearing."

"Sure..."

You could have sworn the Nymph would be blushing if he didn't have bark for skin and sap for blood. Vil was quick to sweep you away from the other Pomefiore students and towards the cameras, where he gave you a thrilled smile and spun you once to get a good look at you. He seemed pleased with what he saw as he nodded to the students behind the cameras.

"Alright, don't worry too much about posing at first, this is a 'casual' and 'natural' photoshoot, so just do what feels natural to you. Feel free to pull any of us into the photos if you wish, I will do my best to compose the photos and may ask for certain poses later as we continue the shoot."

"So I can make you pose for photos too?"

"Of course. I would certainly value any prints we get of the two of us together, but you may wish to pull Rook and even Leona in for a few pictures."

You nodded at this, letting Vil move you around and somewhat pose with you for the first few photos. He genuinely seemed happy to help you into typical model poses, a look of amusement and affection for your attempts to pose with him. How he valued those little moments guiding you as you trusted him to lead you through the casual steps he had long perfected.

All too soon it was over and Vil felt a kind of burning jealousy in his throat as you turned to the others who had mostly agreed to join this little event. Vil pulled away first to allow you to move on despite how he wanted to linger. You were keen to see how the softer Harpy would handle being in the photos with you.

You didn't notice the way Vil bristled and let out a low hissing sound as you gently pulled the smaller Harpy towards you. Neige was much more relaxed with the attention than you expected as he happily posed with you and smiled to the cameras that had yet to stop clicking and flashing. He even managed to get a chuckle from you as he cooed softly and seemed to cuddle up against you.

Like Vil, he led you through the different poses easily and made you feel comfortable around him. It was when he began a small somewhat dance of poses with you that Vil almost screamed in anger, clearly upset at the idea of anyone dancing with you, let alone this feathered rat-with-wings Dove. How dare he try to do something so inherently linked with Harpies? Even if they were just poses and not technically an actual dance, it made no difference to Vil.

Thankfully, Rook managed to keep Vil from leaping at the smaller Harpy. The Drider saw how you smiled and enjoyed the little dance with the ever lovely Dove Harpy he adored, knowing Neige intended it as a friendly interaction and not the beginning of intimacy as Vil perceived it to be. What did raise Rook's suspicion was how Erikír refused to take his eyes off of you even once, his blue orbs following you closely with every move you made.

"Vil, how about you join Neige and I for these next few photos?"

"If I may," Erikír interjected, stepping forward with a hand to his heart as he smiled warmly at you, "may I cut in for a little bit? Surely the presence of several species would lend credence to these photos?"

"Alright, that makes sense."

Erikír was quick to take his place by your side, almost brushing past Neige who happily stepped aside to let the merman approach instead. The Merman gently held your hands and spun you around in his hold, letting your back press against his chest as he moved in a slow progression of poses. Most of the poses he chose involved holding you in some way or having a hand resting on your soft figure as he seemed to almost enjoy the poses a bit too much.

As he moved you to a different pose, you noticed the way he was almost insistent about placing his hands on your stomach, his entire chest pressed against your back as he held you from behind. You were becoming a bit uncomfortable and it must have showed in your expression as Leona suddenly cut in, easily shoving the prince back and away from you as the Lion mimicked the same pose from earlier, only his hands remained on your hips and not your stomach. A soft growl escaped his lips as he glared at the prince who frowned angrily in response.

"Keep your hands in respectable places, little Prince."

The word Prince was spat out and almost hissed as if in mocking to the Merman who had been somewhat monopolizing the pictures in front of the cameras. Leona's words confused you though, and you glanced back at him curiously.

"Respectable places?"

"Don't worry about it, Mousey. I know Humans considered touching stomachs to be a provocative act. I won't let this rude little fish make you uncomfortable."

"... What? You guys do know I don't consider my stomach an erogenous zone... Right?"

It was Leona's turn to be surprised as he raised a brow at you, his scar pulling taut on his skin. He seemed confused as did the others and you sighed, realizing they must have made assumptions again about Humans as a whole.

"Sure, not every Human is okay with their stomachs being touched, and some- especially pregnant women- hate when someone touches their stomach uninvited. But that is an issue with consent, not overtly considered to be sexual behavior because it is their stomach."

Still, if all of them assumed stomachs were an overly sexualized location on Humans, then that meant Erikír was trying to sexualize you. If not sexualize you, then he was attempting to be overly sexual with you. That simply would not stand, even for poses.

"That, however, does not mean it is okay for anyone to touch me without permission. Ever."

"My apologies, I didn't intend-"

"Oh? You didn't intend? If everyone of you assumes my stomach is sexual in nature, then why the hell did you feel alright touching me there?"

"I- I just-"

"You 'just' what? Thought it was okay to cross any boundary you thought existed because you felt like it?"

"No! Not at all! Please, believe me, I was not trying to make you uncomfortable or do anything inappropriate."

"I don't think you need to be in any further pictures, Erikír."

"But I-! Very well. I apologize again for any discomfort I have caused you. I merely intended to befriend you."

"Well, you aren't doing a very good job at that."

You saw the Merman visibly jolt as if he had been struck by your words. A kind of look glinted in his eyes as he seemed to anger for a moment before suddenly calming himself down. He withdrew somewhat from the others and you gave one final glare before continuing to pose with Leona now, who kept his eyes glued to the offending Merman with clear distrust.

Erikír was fuming on the inside, glaring hatefully at the Lion that had outed his more than friendly behavior towards you. If the Lion had not said a word about it, you would have clearly been unaware of the implications of the Merman. He was trying so hard to charm and woo you, yet you came to the defense of the villains every time instead of seeing him as the hero he was supposed to be.

A poisonous feeling of resentment towards the villainous students boiled in the pit of his stomach. You had allowed Neige of all students to dance with you, why was Erikír the one being shunned? He was top of his class and was clearly a physically capable mate, so why choose that obnoxiously kind Harpy and nosey Lion over him?

He would just have to try harder to prove himself a worthy mate by any means necessary.

"Hey!"

A loud and familiar childish voice cut in to the photos you were taking with Leona, glancing over to see Ortho and Idia walking up to the group. Ortho was bouncing excitedly and held out the mechanical skull you recognized as the one Kalim had affected with his magic. It seemed Idia had managed to ensure it wouldn't explode and now sought to return the Skull to you.

"Nee-san! Idi-nii and I checked over and double checked to make sure it was safe!"

The little Shinigami was quick to bolt to your side and the ever nervous Idia followed suit at a much more timid pace than the younger. Idia was visibly distressed by the new faces and seemed to shrink in on himself as Ortho happily handed over the Skull. Though it had appeared inert in his hands, it sparked to life when you touched it and a soothing melody hummed out.

The return of familiar music was incredibly soothing to you and you smiled, humming along with the music as you gently ruffled the flame-hair of the littler Shinigami. Ortho was thrilled at the gentle touch and pressed his head into your hand, his blue flames feeling like gently warmed hair beneath your fingers instead of burning you. It was an unusual feeling, but one you appreciated regardless and it told you about the general nature of Idia and Ortho's hair.

"Thank you, Ortho, Idia. I appreciate the two of you quite a bit."

Idia smiled at this, his cheeks flaming a gentle blue as his hair began to take a somewhat magenta hue. He swayed back and forth as he bit his sleeve and looked away bashfully, clearly soaking up the praise you gave him.

"You don't have to be so sweet about it. It wasn't even that big a deal or that much work. I built them myself, so of course I could tell if anything was out of place. But if you want, you could thank me by gaming with Ortho and I a bit."

"Or," you playfully interjected, "you two can join me for some pictures for my new Magicam account."

Idia visibly balked at the idea and seemed so search for an immediate escape, unable to feel as Ortho grabbed his arm.

"Of course we'll take pictures with you, Nee-san! Papa Hades is gonna love them!"

"No! Wait, wait, wait! You can't spring a raid on me like this Ortho! I didn't even get a ready check-!"

"Let's go!"

You laughed at the brotherly behavior of the two Shinigami, continuing to hum with the music as it felt like you had been given a great gift. Perhaps you could even get Vil interested in a few of the songs you loved so much. Even Grim seemed to be enjoying the little photoshoot as he leaped out of Ruggie's arms and into your own, posing excitedly with Ortho.

Even among the renewed mirth and pulling several of the other monsters into the pictures with you, a certain darkness seemed to hover over one of the students. This monster had lived his entire life hoping he could come across some lonely and adoring Human that he could wed and keep as his own. He was not going to let these villains get in between him and his dream, even if he needed to make one of the others the monster in order to do that.

[she-who-fights-and-writes]

Hi! Firstly, thank you for creating this blog and helping all of us out! Secondly, and sorry if this is such a silly question, but how do you write an engaging summary?

I find my own fic summaries are so… lackluster… and not even I’m interested in reading it — so how I can I expect others to be? Even if I like my story, when I write the summary in the start of my fic/in my masterlist, I’m like “Wow… this is not even remotely interesting! 😭”

So yeah, I was wondering if you had any tips/advice for that? 😭 Totally fine if not, I just figured I’d ask. Thanks and have a great day/night! 😘

HOW TO WRITE AN ENGAGING FIC SUMMARY THAT WILL DRAW IN AUDIENCES

Summaries are the bane of many writers’ existences, including my own. It’s already hard enough to get the words down on paper for the actual story, and now people want you to convince them to read it with something more than “I WORKED REALLY HARD ON IT PLEASE IT’S GOOD I PROMISE!!!!”

Squishing a ton of context into a small blurb seems impossible, but I promise it can be done!

Obviously everyone goes about things differently, and a lot of these tips may not work for everyone, but nevertheless, here are some tricks on how to write an engaging summary!

Here’s a simple template I like to use, which will be the focus of this post:

Hook (Draw the reader in!)

Context (What are the core elements of your story?)

Cliffhanger (Introduce a question/scenario that the reader will want to click to know more about!)

1. Start With a Hook

Just like with the first sentence of a story, the first sentence of your summary should immediately spark the reader’s interest.

A bold statement! A good (short) quote from your fic! A shocking discovery! A cool word definition/the definition of your title!

I always like to put the hook of the story on its own line/paragraph, just to emphasize it.

Examples of a hook (Note, these are rushed and off the top of my head. Just meant to give a general idea, not be literary masterpieces): - "It all started when Character A puked on their Uber driver." - "War was inevitable." - "Character A would be dead by sunrise. That’s what Character B vowed." - "By the time they got to the city, it was too late."

Your hook is probably the most important part of your summary; someone will know within milliseconds whether or not they will continue reading.

Once you’re past that initial hump, it’ll be easier to convince a potential reader to skim the rest of the summary. Giving something that jumps out at them will set your story apart from others and ensure it gets that click you deserve!

2. Give Some Context

For shorter one-shots, sometimes a single hook is enough! But if your fic is longer, with a bit more moving parts, you might want to choose a few highlights. Get the essence of your story on paper.

This can be super hard, so don’t feel discouraged if you feel like you’re not getting it. I’d suggest keeping your context to about 1-3 sentences depending on the length of your story, so make sure they count.

Buzzwords are a key factor in getting the main points across. Use ones that relate to your main plot to your advantage! 

For example, if I were to make a short summary of Game of Thrones for someone who has never watched it before, I would definitely include some of these buzzwords: - Dragons - Conquest - Succession - Revenge - Slaughter - Betrayal

Using powerful words (i.e. slaughtered instead of killed) can help draw in your audience!

I can't dictate exactly how you should write your context, since every fic is different and shouldn't be brought under an umbrella of the same rules, so it might help to find inspiration from other people’s summaries.

3. Pose a Question the Reader Will Want the Answer To

The biggest point of a summary is the “so what?” factor. You have all of these tags, but how does the fic make use of them?

A summary shouldn’t be giving all of the answers, but it should still leave crumbs for the reader’s imagination! This doesn’t mean that you literally need to put a question in the summary, but rather pose an unresolved scenario/problem that the reader will want to click to know the solution to.

Here are some example sentence templates that pose an indirect question, often put at the end of a summary to spark interest (Note, these are rushed and off the top of my head. Just meant to give a general idea, not be literary masterpieces): - "Everything changes the moment Character A makes a choice they can't take back." (What is that choice? How does it affect the other characters?) - "As the truth comes to light, nothing will ever be the same." (What is the truth? How does it change things?) - "A dangerous game begins, and only one can emerge unscathed." (Who will be that person?) - “It’s the first time they meet, but it won’t be the last” (What will be these next instances? How do their worlds collide?)

4. Some General Advice

If you don't think the above format works well with your fic, here's just some general advice that can help you out!

DON'T MAKE IT TOO LONG

The biggest mistake I see writers making when posting their work is having a giant four-paragraph summary for their story that takes up half of the feed.

Unfortunately, in an age of fast swiping and instant gratification, a reader may skip over a super long summary simply because they don’t feel like reading all of it.

(The reason why long summaries work for books is because people are more patient when they intend on paying to read something; they’ll take more time considering investments than they would with a free read, since they want to make sure it's worth their money. It’s not fair, but that’s kind of how it goes.)

In my opinion, a fic summary should be no more than one short paragraph, two or three sentences max for a one-shot and maybe five sentences for a long fic.

This isn't exact. It really depends on the length and complexity of the sentence, because no matter the how many you use, if there are enough words to make folks comprehend it as a big block of text, then they’re going to be more likely to skip it.

People looking for long fics will be more patient (since they’re making an investment with their time, rather than money) but if you want to appeal to a wider audience that may be casually browsing and stumble across your fic, definitely consider a more brief route.

PROOFREADING MATTERS!

Because summaries are often an afterthought, many writers don’t put as much effort into it as they would the rest of their story.

I wouldn’t recommend this; people are basing their ENTIRE initial opinion of your fic on this small blurb.

If you rush it and make spelling or grammar errors, people will assume that the rest of your fic is also riddled with errors and scroll past!

Make sure to proofread!

Hope this helped, and happy writing!

[drenched-in-sunlight]

I contemplated a lot whether to reblog that post because i think most of it was wrong, but the addition is so great and refute pretty much everything while raising some amazing points so if i could reblog only the addition without the original posts i would.

It’s just funny to me how every time i see ppl “here are Marika’s crimes” they list like 50% is what she actually did, and the other 50% are things that either was during Radagon time (when Marika couldn’t even have a proper statue that depict her as being the one in control), done by some other guys, or after she got strung up inside the Erdtree. Y’know, literally impaled and knocked out cold ?

The ritual sword and shield talisman (which depict sword and shield of Crucible Knights too btw) pointed at Radagon’s face to say by his time, all ritual combats in honour of the Erdtree had died out, but in LoS it was maintained and Messmer even had a talisman of Godfrey in his castle. A talisman depicting Godfrey accepting the duty to be his Mother’s Lord. Without wavering.

The ritual combat is just another thing that will remind people of the first Elden Lord’s devotion to his Goddess, which would do Radagon no good. so that, along with the Crucible Knights, gotta go.

All this just show how by Radagon’s time, the Golden Order’s ideal no longer reflects the Erdtree’s - another testament at how far from each other his and Marika’s will have diverged.

Also, i really like the fact that the Zamor and Ice Dragons allied with Marika to fight the Fire Giants who had chased them from their home, because to me that means at the start of her age, Marika was extending her help to people who needed it (with ulterior motives, yes).

Her age wasn’t built in a vacuum. She was a healer Godling with no offensive spells, Messmer’s health just got a bit better, Godfrey with all the implications in SoTe, was probably just a simple bear hunter? What on earth those 3 could even do in a land where the Hornsent royalty reigned supreme?

Go somewhere else, recruit as many people and make as many alliances as they could. I have no doubt the world under the Hornsent was a violent one (hell, it still is now, every time i went into a Gaol i want to go back and smack the Hornsent inquisitors a few more times). And for a new God to appear, and instead of stuffing people into jars, delivering Death, entrapping their followers into watching over some flame for eternity, running away and leaving their Lord to get backstabbed by a tyrant, this new God… healed people? Big shock!

So of course people would flock to Godfrey’s banner, believing in a Goddess that could barely fight, but soothed away all of their pain and sorrow. Sounds fucking familiar isn’t it.

Btw, why do people like to invent a bunch of authority and power for Marika then at the same breath will say whatever her kids do is to… spite her and show kindness to the oppressed?

So she is an all-powerful tyrant that could kill whoever she dislikes, and by some ppl’s standards she dislikes literally everyone in Lands Between (💀), but Godwyn could just befriend a dragon and spread a cult about them within the Capital, Messmer could have an albinauric as his Commander (to command an army that she paid wads of cash to and bless them with her hammer’s power???), Miquella and Malenia could go their merry way and build a whole ass tree castle (where is the fund. Where is the fund) and she couldn’t do anything to stop them? Even though those actions directly affect the strength of her army? What?

I swear i can’t even see other people’s Marika as Marika. Because their Marika sounds dumb as hell and a doormat too. Like what is this???? 💀 do you think i sacrificed my back and wrist to draw Elden Ring characters as beautiful as possible, so they could go be devote to someone like the Marika some of y’all envision? The bar was on the floor for you but not for me.

[mjbarrosart]

My Dragon Prince Boards season 7, episode 702

The time has finally come for me to talk about my boards for the last season of the Dragon Prince! Wow, time flies!

To be honest season 7 was such a hard season to make. Telling a good story is always a challenge, but ending one, oof! that is an herculean job!

I remeber everyone being super stressed during the production of this season, because time was always in short supply, and it is really hard to produce great art with little time, haha.

Also, I think that after a year and a half working non stop doing boards for the show, most of us where starting to feel exhausted, and you can see it on my boards, they are much less polished than usual.

But, no matter the context and circumstances, we always try to deliver the best we can and tell the ending of this arc in the most satisfactory way possible.

Lets start with my sequences. First one is the one with Ezran's council in the Banther Lodge.

This one starts with the little exchange between Soren and Corvus, I really like these two. I think they grew on me as a duo during my time in the show. Soren was already one of my favorites, but by the end of season 7, Corvus and Soren was a top pair for me, too.

I think that, whatever you think their relationship is, physical touch is a thing between this two, they are always touching each other, there is some vulnerability that they allow with each other that is endearing.

If you read my comments about my boards in season 6, one of the things I was talking about is how sometimes the expressions we draw in boards don't translate that well to the final animation (This happens in a lot of shows, and it's because of limitation on the face rig of the characters, nothing related to the talent of our crew, because they are all super talented) This little shot is another case, I wanted Callum to feel like "Oh boy, shit is hitting the fan!"

I think this scene is mostly about the conflict between points of view, Callum and Rayla wanting for Ezran to free (and forgive) Runaan as soon as possible, while Ezran is struggling with his emotions. It's a hard one.

To be honest I understand Ezran 100% and I know that the right thing for him would be eventually to forgive Runaan, but is not something that could happen inmediatly. Grieve and angry are feelings that can get poisonus really easily, and they need time to heal and allow perspective.

I think Ralyla made the wrong choice bringing Runaan to Katolis.

Anyway, I wanted to play this sequence (and the next one) a little as a power play between the brothers. There are two forces pulling Callum rigth now, and the tension is growing because of it. I like this shot, I think, is cool.

My next sequence is the continuation of the Banther Lodge Council scene. Rayla is out of the building right now, and Callum is deeply distracted.

But we start with a little coment of comedy with Soren "testing" the bread. This shot ended flipped, but the idea is still the same, I am glad the keept the moment of Soren putting the bread on his mouth, haha.

Again this scene mix two trains of though or conflicts together, in one hand you have Ezran trying to figure out how to lead his people in a way that makes sure a tragedy like the burning of Katolis doesn't happen again. And in the other hand the struggle between Callum loyalties, and his inhability to be what Ezran needs him to be right now.

This is not hate to Callum, I think that his desicions are pretty ok taking in consideration that is he still a teeneager. But I feel that he gets tunnel vision when things are related to Rayla, and he failed miserably as a brother and member of the council during this time.

While I think Callum is right, Ezran should forgive Runaan, he should be there to provide love and support to his brother, and advice and perspective to his king. Space for Ezran to come to the conclusion that forgivenes is the right path.

Anyway, I had this gesture boarded with Ezran hitting the air, but they ended adding the cup there for him to toss. I don't know how I feel about it, It's fine (specially if you talke into consideration that the Anya pick up the cup and give it back to Ezran) but feels a little off to me. Not sure why, tho.

I like Anya and Ezran relationship. I think I would appreciate it if she also took the place that Callum was failing to fulfill and gave some space to Ezran to grieve and process his sadness in a more intimate level. Like as friends more than as "heads of state". But anyway, she is cool, I am glad Ezran had someone as his side during this time.

I remember that one of the instructions I got for this sequence was to make sure that Ezran feels like a mob boss. Hahaha. Funny, tho. But besides that, I think that something that I was glad to see and board was Ezran taking more action and having more agency.

Maybe we can disagree with his point of view, but it was great to finally see him taking the reins of the kingdom, being active and assertive with his actions.

My last two sequences in this episode were the talk of Callum and Ezran close to the fireplace. I think this was an instance of Callum trying to be Ezran brother, giving him support and love and helping him to see the erron of his ways.

BUT, and this is a big but, I feel that all of this feels empty and, from Ezran point of view, manipulative; because after this talk Callum right away decides not only to "betray" Ezran but also to leave him alone. And that was not pretty wise of him, imo.

It is always a pleasure to draw any character making a suspicious face, hahaha "I don't trust you":

I think during the first part of the talk, the sibilings are on pretty opposite sides, there is a rift between them, and it is hard to close. But then there is more space for vulnerability and trust.

I think a really significant momen is for Ezran to remove his crown. "I am not talking as the king, but as your brother" kind of moment. Humanizes him a lot and shows the sincerity of his words.

He is confesing here, how he is tired, how this dury felt on his shoulders even when he was not ready for it, and how much he is trying to carry the burden, but oh boy, how heavy is the crown!

And I feel that this is the part when Callum made a mistake. Instead of listen to him, to recognize his pain, to offer his aid and support, some kind of "you don't need to do this alone" kind of thing, he brings the topic back to Runaan.

And then he shots the shot: "You forgave Zubeia" And ouch! I mean, he is right, that is something that Ezran did, but I don't think this is the moment to bring it. But again, the conflict here is that none of them can see the other right now. Callum is too worried about Rayla and Runaan, and Ezran is too hurt and overwheelmed.

And I wanted to make the shift clear, so Callum literally points fingers at Ezran. He demands action, he expect his brother to do what he wants him to do, not what Ezran needs to do. In an ideal world there would be a trial for Runaan, one where we can hear both parties, where Ezran can express his feelings his doubts and grieve, that could end in him finding forgivenes in his heart.

But it is not an ideal world. Things are falling apart, and the struggles between the needs and wants of characters are in conflict. So, people make bad decisions. That is good writing if you ask me.

Then Zym intervines, he wants Ezran to forgive Runaan, not for the same reasons than Callum, tho.

I think in Zym's mind is more an attempt to get "the old Ezran back". So Callum and Zym try to make their point together. I wanted to paint it as if Zym has this naive approach to the stituation, while Callum is a little more manipulative (I don't think that on porpouse) being like "look, even Zym agrees" failing to see why Zym is agreeing. I think the sin of Callum in all this episode is blindness (or tunel vision as we said before)

And kinda works. Not because Ezran is ready to forgive, but because I feel that there is something inside Ezran that thinks like Zym too. That maybe there is a way to go back to be like he was before.

And that is the thing, pain and grieve change you, and accept that change is part of growing up. Aaravos talk about that a lot this season. So there is a little truce, a moment of "maybe" from Ezran. I really like to draw this two together.

Sadly this moment gets interrupted by Soren asking for help. And from here is downhill. I think Callum's actions after this point did not help at all to Ezran to heal or change his mind.

The fact that Callum decided to leave probably made Ezran wound worst, and any hope that this conversation could bring for the brothes to get back together gets shattered.

Great setting up of their conflict for this season, imo.

Well that was my work for 702. Thanks for reading this brickwall of text! Hope you like this! And feel free to ask if you have questions about the storyboard process!

See you for 705 boards soon!

[shima-draws]

I've been teasing her for months!! But at long last her ref is complete 🌷

I actually DON'T have a 5 page essay on her backstory this time (like I did for Ilari LMAO) but I do have some info about her if anybody is curious!

Name: Ione

Age: 25

Hair color: Silver

Eye color: Orangish-yellow

Element: Light

Grabbing info from the few posts I've talked about her already, Ione was originally a very famous singer, pretty much an idol within the world of ATS. She'd hold huge concerts that were always sold out and people from around the world would flock to see her perform. Eventually tho all of the attention started to attract the wrong kinds of people, and sooner or later Ione was "scouted" by a very rich man who wanted her all to himself. She was manipulated and blackmailed into signing a contract with him that would essentially end her touring and make it so that she would become a private singer for him. He basically chained her with this contract and so she disappeared from the public eye.

Ione soon discovered that other people with similar talents had also been gathered and trapped by this man's contracts. Among them was a prodigy violin player who she grew very close with. The two of them struggled under the demands of this man, and eventually violin boy started to get physically abused by him 😭 Things escalated to the point where Ione decided she wanted OUT and was determined to do anything to escape. This led to a very...traumatic event that caused her to go mute by choice.

When Ione finally makes her escape, thankfully she's changed so much that people don't recognize her in public (mostly her hair! It used to be short and didn't cover one of her eyes before). Shortly after she runs into Nahu and his group, and is unceremoniously recruited to join them lol (Nahu can be VERY persuasive). Ione communicates with them through sign language, which luckily a couple of them are fluent in--Ezio and Sage to be specific. They then teach the others in the group sign language too. It takes Nahu a bit to get the hang of it bc he has like, no attention span whatsoever, but being a dragon elemental helps since his senses are super attuned all the time, so he can generally tell what Ione is feeling and what she's trying to convey when she talks to him :")

Over time Ione grows closer with them, and like everybody else is hit with the Found Family, and realizes that yeah. She'd do absolutely ANYTHING for this group of crazy weirdos. She starts to fall in love with Nahu (bc who WOULDN'T), and slowly gains the courage to use her voice again. This leads to secret meetings with Sage, who helps her relearn how to use her vocal cords.

Eventually her past catches up with her, of course, but the group all bands together to set her free from it. She has to face off against violin boy, who thought she'd abandoned him and got Messed Up Mentally as a result, so THAT'S a thing she's gotta deal with. But she's able to reach him by singing for the first time in over five years, and everyone absolutely loses their shit at how beautiful her voice is and they all cry and it’s very emotional!!

Even after regaining her voice she still prefers to stay quiet most of the time, as that is what she's comfortable with, but she's totally okay with speaking when she needs to. Also I need to mention this but bc she used to be like. An idol. Obviously her routines consisted of both song and dance so she's a pretty good dancer. Out of everyone in the group, Ione is the ONLY person Ezio will dance with (and he is a very VERY good dancer himself, but will only dance with someone who can keep up with him, which Ione can). Everyone is very jealous of this, ESPECIALLY Nahu lol bc he wants to dance with Ezio too 😂

Ione's a light elemental! I haven't given a LOT of thought into her powers yet but I do know that her singing makes her stronger and also gives her powers a boost, which in turn helps the rest of the group. She also can ride on these light waves--I will have to draw them sometime bc I can't really explain them in words, it'd be better to show them visually lol

And that's her!! My flower light mute girl <33333

[purplealmonds]

Continuing to fire on all cylinders to make this Sky 🤝Mononoke collab a reality! 🐲⚖️🌊

Process GIFs and artist commentary below the cut. ⬇️

Left: Process GIF Middle: Just the background, cos I really like how it looks! Right: Illustration without the collab logo

And here are my notes on my inspirations and references. There's a lot of 'em, so instead of embedding relevant images one by one I put them in a callout sheet! For accessibility, I also included transcript (with bonus ramblings) below each sheet.

Ofuda circle modeled in Google Sketchup 2017, then lightly transformed in Photoshop to flare out. I tried my best to hand-draw these, but it the results came out really clunky and stiff. I figured if Mononoke shamelessly utilizes 3D in their show, I can too!

Krill and sky kid composition roughly inspired by the Ayakashi DVD cover illustration. On the surface level, the krill's black-and-red color scheme mirrored that of the bake-neko. Not to mention, in the world of Sky, the krill would be the best fit of a mononoke-like entity. The red background is also a nod to the red skies seen during a shard eruption in Sky.

Sky kid gesture based on the Festival Spin Dancer's Tier 3 poses and the Medicine Seller's iconic pose in the Zakishiwarahi episode as inspiration. This was the idea which springboarded this illustration into existence. I wanted to do my take of the Medicine Seller's pose, but in a more dynamic manner: rotate the pose to a profile position and set the ofuda in a diagonal, flared out arrangement.

Cape inspired by tenbin design featured in the 2024 Mononoke movie. This one's an interesting one - I wanted the cape to be a stiff material that doesn't "flap" when in flight - similar to the Aurora wing capes. It ended up looking like a kite of sorts, which I'm not entirely opposed to! I haven't had the opportunity to showcase the back view of this cape design, but I envision it having some mechanical aspects to it - the "wing" which are flared out in this illustration fold in like moth wings, and a little bell is attached to the "tail" part and it jingles a little whenever the sky kid flaps!

Bandana is based on the Scaredy Cadet's hairstyle from the Season of Assembly. Mask design utilizes the 2023 Days of Style mask and the Nintendo Pack mask as bases. Pretty self-explanatory. I basically went onto the Sky wiki and found the cosmetics that most closely matched what I was looking for. Then if necessary, I went to the Office space to do photoshoots to get the appropriate camera angles for them all.

Seasonal pendant inspired by the classic Medicine Seller's necklace and the eye motif featured in the 2024 Mononoke movie. Possibly the only one-to-one homage to the classic Medicine Seller design here, but his garnet necklace was too good of a match to the seasonal pendant. A side tangent: does the new Medicine Seller possess a necklace, let alone a mirror? So far all the shots of him don't feature it. Fascinating.

Dark dragon krill anatomy references a custom figurine crafted by @/escaflowne_n07 on Twitter. Until I found this, I was honestly at a loss finding reference for this - be it on the internet or during in-game photoshoots. The lighting on the krill in-game focused on its menacing silhouette rather than its structure. And not to mention, getting a close-up shot almost always set off the dark creature's aggro. I have no idea how this guy found the references to put this model together - well done!

Mantas, elder constellations, and sun dog references murals in the Cave of Prophecy. Krill aside, the overall illustration was leaning a little too much towards Mononoke so I tried finding opportunities to insert more Sky into it. Added bonus is that now there's storytelling in the background: during a shard eruption, a giant krill rises from the frothing waves of dark water to hunt down a flock of mantas.

Clouds behind the sun dog reference the ones featuring heavily in the Umibozu episode. This illustration has a lot of ocean theming, so I figured this would be appropriate.

Rendering style of the background is lightly inspired by the 2007 Mononoke illustration. Mainly having a 2D inked style to contrast with the more polished render of the sky kid. Funnily enough, this was a tertiary inspiration, which lead to the discovery in the next point!

Dark water waves and sun dog composition heavily references Hokusai's "The Great Wave". The waves were modified to be bottle-green of the Golden Wasteland's dark waters. The sun dog is in the spot where Mt. Fuji is in the original composition. these were all hand-drawn by the way! I merely emulated the style of the source material. As a side note, I also borrowed the spotted sea spray rendering for the krill's red spotlight.

Background pattern taken from the ofuda design featured in the 2024 Mononoke movie poster. Mainly to add some gritty texture to the sky. I worked pretty hard to replicate this ofuda design as a high-res asset so I wanted to use it more!

[edgeray]

Hello 🍉anon again, hope you’re doing okay and I hope my writing is not atrocious for this request. This idea has been on my mind for an Arlecchino x dragon reader(similar to Neuvillette). So, Arlecchino receive a report from her operatives that an unknown creature is lurking in the shadow near Poisson, that keeps on attacking the others fatui members and stealing their rations. She tells them that she will look into it eventually as she doesn’t want their ressources to be stolen. She starts to investigate to gather information on this creature and possibly locate it and by a twisted turn of fate, stumbles into a dragon(secretly the reader)that look awfully hurt and almost on the verge of dying. Arlecchino took pity on the rather tiny looking dragon (tought it seems to be an adult one) and brought them to the house of the heart to treat their wounds.

As the times pass and Arlecchino started to grow fond of the dragon, she see in the corner of the room, a human. Visibly confused, she starts to draw her scythe ready to impale the person in front of her should they pose a threat. Then the reader just go up to her and nuzzle into her as if it was the most natural thing in the world and it was at this moment that she realized it was the dragon she had rescued. They start to bond and eventually grow more intimate with each others.

My Little Fire

(Arlecchino x GN! Reader)

A/N -  Hi 🍉 Anon! Nice to see you again <3. Sorry this took so long. I just spoiled you guys with dragon arle, but how about dragon reader? Great idea, anon. Y'all really love dragons huh? Dragons are cool af, I don't blame you guys.  Unfortunately, I dunno a whole lot of genshin lore, so how genshin dragons work, idrk. I made you a Pyro Dragon, because bonding over fire abilities >>>  Dunno why I was so braindead while writing this, but that's why this took me an extra day to write this. By the way, the title is the english translation of the last three words. I headcanon that Arlecchino can speak Fontainian (French).  Content warnings / info - monster x human, reader is a dragon, reader is referred to ‘it’ for the most part, not second pov until the middle, arle's pov, reader is gn!, 1.7k words

Arlecchino didn't typically deal with these sorts of outings, not when her job typically dealt with information gathering and diplomacy. However, she couldn't turn a blind eye to this report in another Fatui camp situated in Poisson. Purportedly, rations have been going missing despite attempts to secure and protect them. Fatui operatives have been injured, and while Arlecchino does not doubt that some incompetence may have come into play, she does not believe that they are truly that incompetent. The operatives confirm that it is some type of creature, given the claws marks and the teeth indents the harmed operatives detailed. Whatever it was, it was too quick for the members to see, and so she now had to deal with it. 

Arriving at the camp, witness accounts didn't prove to be very helpful in terms of identifying the troublesome critter. However, the storage room, where the rations were stored, provided an interesting story to her. Unsurprisingly, clawed scratches littered around the containers of food, though she notices the indentures were caused by rather small paws. Despite the suggestion that the creature was rather tiny, it did not mean that creature was not weak, able to cut through solid metal. Interestingly enough, scorch marks also surrounded the area, even though there were no burns recorded in the injury accounts. The creature also seems rather famished. Each occurrence it raids the storage room, a considerable amount of food was stolen. Fascinating. Arlecchino can think of very few creatures like this but all of them seem implausible. 

However, there was a pattern to this creature’s visits. Every three nights, it came, wrecking havoc to whatever was in its way, but Arlecchino is sure that she'd be successful in capturing the beast tonight. She orders that no operatives are around the area–the last thing she desires is some inept fool getting in her way–and then she waits outside. 

It's near midnight when she first sees a glimpse of the creature's silhouette, about the size of a cat, but she can make out a long tail with spikes. Just as she anticipated, the creature appeared, flying through the open window she purposely opened. It pauses at the entrance, as if observing the lack of guards, but not questioning it as it dashes across the floor. Either this isn't a very smart creature, or its desperation for food outweighs the risks. Regardless, it just made a mistake. 

She uses her speed to enter the room before the creature has time to react, standing in front of the window it entered through. She closes the window, her eyes narrowing down on the now cornered beast. A scaled creature, with horns and wings. Its ears flattens against its head and their wings press against its body, imitating the fearful behavior a mutt would display. The longer she observers the creature the more she realizes that these traits match those of a dragon, albeit a very small dragon. She wonders if this was just a hatchling. 

The small dragon snarls at her, and a blaze emanates from its spine, the flames coursing down to its tail. The bright flames illuminate the dragon's features more, and it's when she notices that blood is spewing from a gruesome cut on its leg. 

An injured Pyro Dragon? It's terribly small, and she can't imagine how this one is still alive given its injury. Although the fire is an indicator it's a mature adult, the size is a cause of concern. What a pitiful thing.  

Arlecchino’s eyes flicker over to the box that the dragon tried getting into. As she approaches it, the dragon snarls, tensing its body to lunge at her at any second, however, she simply ignores it. Opening the lid, she's met with thick cuts of raw meat. She takes several cuts of the meat from the insulated container, before holding it out in front of the dragon. If the dragon needs raw meat, she has a particular selection of premium raw meat for herself that she could use for the dragon. 

“Eat,” she demands as she offers the food. The dragon, still maintaining its anxious behavior, stalks closer, sniffing the food before it latches its teeth on the steak. 

“I have as much meat as you could want, better quality as well. I'll feed you, shelter you, and take care of that cut for you. Come with me.” She says, offering another slab of meat. 

The dragon doesn't respond, nor stop eating, but its body relaxes. By the time it reaches its last piece of meat, it's eating out of her hand. Arlecchino uses the close proximity to examine the dragon's injuries. The dragon nudges its head against her hand, and Arlecchino strokes the dragon's head. 

“Will you come home with me?” 

The dragon gives her an affirmative croak. 

—

The dragon did not grow any larger even in the months it stayed with her, nor did it transform into its human form yet. Its wound had been festering for quite a while, however under her care, it is healing remarkably quickly. Arlecchino proposes that the dragon is using its energy to heal from the wound. Had the dragon not done so, it would have surely met an agonizing fate. This continuous depletion didn't allow for the  dragon to grow in size, transform, or use its powers and it would have continued in that state for years had she not rescued it. 

It must be because of this that the dragon does not take long to get attached to her.

The dragon always sticks near her, sometimes physically on top of her. If it's not on her shoulder or head, then it's on her lap. Getting accustomed to how clingy the dragon is was a struggle, but she soon learns. 

If she'd allow it, it'd follow her everywhere. It's almost endearing. 

It only took three days for the dragon to sneak into her bedroom. The morning after, she awakened with an unfamiliar weight over her torso, and she found that the dragon was nestled on top of her. The next night that she slept, it was nuzzled against her neck and sprawled over her right shoulder. She'd be lying if she said it was an unwelcome sight, and it became a nightly occurrence. 

Often the dragon would play and entertain the House of the Hearth children. Sometimes, it'd accompany her outside, but only on certain missions. After all, she needed to test the dragon’s abilities in its current condition, and who better to test it on than the scum of Fontaine? 

Something else she finds intriguing is that the dragon devours fire, much like how the Iudex fancies his water, though the dragon is particular to her blood flames than any typical flames. On occasion, she uses her powers as a treat that the creature happily indulges in. 

Arlecchino only wonders what more she would learn once the dragon finally transforms. 

—

Arlecchino returns to the House of the Hearth after another irritating Harbinger meeting, rather exasperated and irked by some of the impudence and dimness of her ‘coworkers.’ She reaches her bedroom, exhaling a sigh. Before she enters, she hears scuffling from beyond her bedroom door. Her door is slightly cracked open, implying that someone had entered during her absence. From the small opening of her door, she catches a glimpse of a figure. Instantly, her eyes narrow and she withdraws her scythe. 

Intruders have no place in her house. She knows that no children are inside, as it's one of the first things she's instilled when they first come: stay away from her room under any circumstance. So who is this audacious soul that dares trespass into her chambers?

Upon opening the door, she does not expect the speed of her assailant, as a figure crashes into her, wrapping their arms around her neck, face pressed against her neck. Arlecchino is momentarily stunned by the action, but for some reason, it feels familiar. The body is abnormally hot, too warm for a human being. This isn't someone she recognizes, and she was about to throw the being off of her when she paused. A purr erupts from the other person's throat, the vibrations coursing through the Harbinger. 

“Arle…” the person murmurs, the name making Arlecchino hesitate. They lean away, tilting their head and glancing up at her, and then her breath hitches. Vibrant, slitted eyes stare back at her, that gaze only belonging to a certain dragon she knows. 

“You're the–”

“–Dragon. It's finally nice to meet you, Arlecchino,” you say, as you finally uncoil your arms around her. Arlecchino observes you for longer, her scythe disappearing. Now that there's no threat, Arlecchino takes the time to observe your human form. 

“Are you fully healed?”

You nod, giving her a soft smile. “I am. Thank you. I'm indebted to you. I'm sure you know of this, but I would not have survived for much longer if it weren't for your help. If you'd allow me, I'd like to work under you as a repayment. I'm sure you'd like what I have to offer.” 

Arlecchino closes her eyes, a ghost of a smile appearing over her lips. “Very well.” 

—

Arlecchino learns many things about you. She learns of your favorite food, which happens to be her blood fire. The way you favor your meat served and how you're incredibly food-excitable. She learns that your wings and tails are incredibly sensitive underneath her fingertips and she is well aware that she abuses this knowledge. She learns that your presence lifts her heart and it’s only you that can appreciate her curse. 

Your favorite touch from her is your head. Everyday, she'd pat you on the head the same way she did the night she saved you. Kissing your forehead and carding through your hair are close seconds.

She learns that there are some things that don't change even with your new form. While you never return to your small size in your dragon form, it does not mean you still do not linger around her, sitting in her lap when she's at her desk. You still play with the children, often acting as the ‘Mother’ role that the children did not have. And every night, you return to her bedside, embraced in her arms. 

There are a few things that have changed with your new form. Arlecchino feels as if you've rekindled her, your love is another flame in her veins that doesn't scorch her being, but instead, you warm her soul, consuming her cursed blood flames. 

It's what inspires the name that she always calls you before you drift to sleep. 

“Mon petit feu.”

[levemetal]

Hi hello, I rushed this and I cannot be arsed to properly render this. I have other things to draw, many of them. But also. I really put too much effort into the flat of this that I kinda burned myself out LMAO

ANYWAY CALAMITY/GHOST KING SHEN JIU DESIGN. Take it, cherish him like I would. I wanted to dress him up like the pretty princess he is <3 Plus, ghost kings a la tgcf gotta slay in all categories so here we go. I'll ramble more about the more coherent thoughts I have but you can tear ghost king SJ from my cold dead hands. ٩( ᐛ )و

His motivations more becoming a ghost king/calamity are fairly straightforward if you're familiar with Shen Jiu and all the funky workings of his mind. It is to be stronger than everybody else and attaining a place that cannot be taken from him cause he has the power for it. So that no one else can have any power over him either.

However this also means that he does not necessarily have any grand plans of what to do with that power. I imagine he'd be a recluse, living off and alone somewhere hardly getting involved in the affairs of the living and gods etc.

If he does, I imagine it might more be in the style of killing slavers and otherwise bad men. Maybe a sort of brothel workers protector, getting rid of the most problematic and horrible clients? Let your imagination wander!

For a title? I have no clue man, I am not good enough at words for this. Something with green or teal as the color and leaves. That's how far I got.

Now the juicy stuff, POWERS. Leaves. Leaves and fans is the tldr version. I imagine he'd use the qi-infused leaves as in canon, just far more deadlier (probably) and conjured rather than just reliant on leaves off trees in the vicinity. For a weapon, if available (read: SY is not possessing SJ's OG body, or Xiu Ya was not obtained) I think he should get to keep Xiu Ya, or otherwise a blood weapon shaped after it. Tho if I had to give him a blood weapon a la Hua Cheng's E'ming, it would be a fan. The blades on it would likely be shift on, both an edge to cut with and places for darts to fly out. Otherwise in terms of weapons I could see daggers very well too for SJ. They'd suit him, as he could get in and get a quick stab or just throw them from afar. With his fighting style that likely has a lot of the ruthless tactics of his youth incorporated, I think it would fit just like a battle fan.

Otherwise, I do see him being a capable shapeshifter, or some sort of abilities to stay in the shadows undetected. If he needs some sort of animal or communication/surveillance skill associated with him, I personally would pick ravens. Spiritually created ravens as a sort of spying network and surveillance method.

Another juicy detail could be cultivation method. Tgcf does mention that the ghosts still have their own form of cultivating their power. For example, He Xuan eats and absorbs the abilities of other ghosts, whereas Hua Cheng is mentioned to cultivate via slaughtering. The xianxia in tgcf is rather vague now that I have a few more danmei under my belt, and specifically Devil Venerable also wants to know has given me a looot of thoughts about some interesting ways to detail this if it is so desired for a setting. Do please keep in mind tho I haven't really researched cultivation and the wuxia/xianxia 101 worldbuilding yet so this may not make sense. Anywho:

For Shen Jiu in particular I'd find it interesting to give him his own form rather than just copying either Hua Cheng (most fitting imo) or He Xuan (bonus eating disorder included, hooray!). So here are some ideas I had in no particular order:

- Take the core melting aspect from mdzs and applying it to ghosts (sorta): dissolving and absorbing the cores/qi of cultivators and ghosts alike, thus claiming the power for his own.

- Blood. Think less vampire and more slaughter. The messier the kill essentially, bleed the victims dry and absorb the blood to transform it into qi. (Thank you returning Dragon Age brainrot)

- dvawtk's Path of Slaughter. It doesn't really fit SJ as it relies on constantly finding stronger opponents to fight and challenge, especially ones stronger than oneself and persevering against the odds. Not his personal choice but it would poetically fit him and his entire life pretty well.

That's all for now. If you made it till here.... have a gold star: ⭐️

[nipuni]

Hello! Time for another blog post! I think my last one was two months ago and a lot has happened since 😊

We have been attending a ton of historical recreation events so I still have many photos to share, hope you don't hate those! It's been really fun! We are exhausted and all out of social battery however so we are taking it easy this month. Another thing that's been happening a lot is that even when we are not dressed in historical clothing we keep getting stopped by strangers on the street because of our everyday outfits, it's been like that for a couple of years now so we are no longer startled or nervous about it but it's happening more and more often now and it's so nice! we always end up chatting about the events we go to and our jobs and hobbies and exchanging contacts or they ask for photos and stuff! people are really kind and excited about it and I still find it so surprising in the best way. We grew up in a very hostile city and environment and that makes you paranoid and cynical so these interactions and response has been healing really. I know their words will stick with us for years to come 😭 Sadly the unbearable heat is starting though so that means our outings for the next three months will be limited to the crack of dawn and after sunset 😞 but at least the summer brings a lot of fruit with it so we can sit at home and eat pineapples and strawberries while we wait for autumn.

My family came to visit a few months ago too and we made them watch most of Doctor Who's season one to four and some of our favourite episodes from all the other seasons lmao. And much to our delight they really enjoyed it!! They both loved Ten the most and my step dad is now in love with Martha 🥰

We have also been watching the current season and it's been so fun keeping up with fandom theories in real time and talking about it and speculating with friends in person, it's the first time we get a chance to do it since we got into the series and we are enjoying it a lot!

We also watched season one of Jessica Jones and we loved David's performance as Kilgrave!! He stole the show for real. Kilgrave is such an incredible villain, one of the best I've seen and DT does such an amazing job portraying every aspect of him. He's detestable and volatile and frighteningly powerful and has such an intimidating terrifying presence in the narrative while also being pathetic and vulnerable and ridiculous and childish and so human with all it's worrying implications. It was just so gripping and I wish he had stayed for the rest of the show honestly!! Now we have to pick our next David Tennant series to watch! 😊

Also!! Dragon Age is back!! AHHH I wanted to thank everyone that commented on my last DA pieces, it has made my month to read the comments, I didn't expect so many people to remember my art or my character after so many years and it's so touching and flattering you have no idea 😭💘 I look forward to making more and sharing them with you all, I'm truly grateful for the kindness you've shown me both back then and now I hope you know.

I feel so spoiled lately with all these franchises that I love releasing new content!! I've never been in these many fandoms at once!! I have so many ideas to draw and keep jumping back and forth between drawings from different shows and games AAAAA it's a good and welcome change honestly, keeps me busy and inspired!

Anyway that's all for now I think! I hope you are doing well and this summer/winter is kind to you all ❤️

[lazyleafeon]

i put a lot more time into my piece for the serenity zine than I usually do, so ive been wanting to make a write up with more details about what i was intending + stuff thats easy to miss (full piece without the character names can be seen here)

[ID: a drawing centered on a young kim dokja writing in a notebook, surrounded by paper cut outs of ways of survival characters. there are names next to the cut outs to clarify which characters are which. End ID]

1: text on the characters

the text on all of the characters are all quotes from orv. for characters from specific rounds, the text is specifically linked to those rounds (ex: 1863 uriel has text from when kdj is thinking about how gabriel isn't aware of her own betrayal of eden). Where i could, i tried to find text that paralled kdj somehow (sp with changing the 999th worldline, and 41 sys with her resentment towards yjh paralleling kdj's towards lsk for leaving him behind.).

for characters that aren't from specific worldlines (or where i couldn't find text i wanted to use that related to their worldlines) , the text either centers something i feel is central to orv (ex jhy talking about the final wall is used in both of her cut outs), kdjs perception of the character or thoughts of them from wos (ex lsh and his line about not really knowing her), or something about the character that parallels kdj (bihyungs cut outs are both about his ending of sacrificing himself, yma is about yjh leaving in the epilogue and her belief he won't come back (which works doubly as yjh leaving as kdj often did, and yma being left behind by her guardian)).

there is also sunfish yjh. who only says "the sunfish" because of the constraints of being a tiny piece of paper. The full quote is "Maybe I had been lucky until now. I might be the 'sunfish' rather than yoo joonghyuk" from chapter 38.

i don't think everything like, perfectly follows these categories, but that was the intent for the most part. One intentional exception is that the yjh near the bottom of the drawing has the text: "I want to read this story for a little bit longer"

if you want to read all the text, I have it up on a doc here. (you can also ask me about thoughts behind specific quotes if you want to know why i chose them)

2: amount of characters + visual details

there are 2 versions of each character for the most part, with 4 exceptions: kdj (3), yjh (6, counting the sunfish but not the kkoma), and na bori and knw only having 1.

the reason there's only one na bori is because her fate is, for the most part, set before her story can be changed by yjh. there is only 1 of her in all of the characters memories, outside of the 1865 worldline (though given we see knw after kdj kills him, its not out of the question there isn't a worldline where she reappears.)

for kim namwoon, its part because of kdj's hatred for him as someone he sees himself in, and part because kdj in orv like. replaces knw pretty directly by killing him and trying to become yjh's companion. so in kdjs notes and doodles based on wos, knw is here only as an outergod king, where kdj is unaware of him.

the outer god kings all have at least one element that sets them apart from the other cut outs: sp has his crumpled paper cloak, knw's cut out is in the shape of dragons near the edges, uriel is on fire, lhs is partially tin foil, and ljh has a water stain and some of her paper is peeling off into water. this represents them being unbound from the worldlines, but since they're still bound to the story they're still made of paper.

anna croft (near uriel) is intentionally a little more 3D than the other characters, since she has memories from past worldlines. she's supposed to seem like shes going against the tide.

1863 uriel is also a bit of an exception, though not intentionally, since her halo looks better as a separate piece of paper, and i wanted her to have flames too... it fits because shes a constellation and seeing the story from a somewhat outside perspective but is still a part of it, but it wasn't intentional.

near the edges of the piece towards the right, some characters outlines start to become faded, and the paper cut out outlines become more irregular. the outer god kings are exempt because they've managed to keep their sense of self to an extent outside of the worldline.

some of kdjs books are from his library in orv.

the text for all characters is slightly cut off (i tried to make it so most of the quotes are missing some texts so you can't actually read them in full). this is both because they're cut out of a larger page, and because kdj can't actually learn everything about the characters once he meets them by reading them because you can't read people like that. so some of the text is out of view because the characters are viewed as characters to kdj and not "real" yet, so kdj doesn't see their full stories.

some concept art + one of the earliest digital sketches i have. all of my works in progress have a billion notes left on them so i know not to forget something when i get back to them:

[drawing of yjh made of paper, and an earlier sketch of the overall piece]

i sort of wish i kept the paper style of this yjh, but it wasn't meant to be....

3. final thoughts........

this really is the most... orv piece i've ever done (?), in a lot of ways. there is nothing that makes you feel more like kdj like searching up orv quotes from memory and then scrolling through the epub on your phone to find what you want. i even ended up explaining it to my mom and having to show her what a sunfish was.

there are things i would change about it if i did it now (i would probably erase the outline from adult kdjs cut out and emphasize his shadow falling on it instead), and things i didn't get to do that would've made it more like what i envisioned (ideally i would've reread all of orv to find quotes. and i didn't do that).

It's personal to me in ways that are kind of silly. I used to doodle a lot of paper cut out creatures in high school, which helped a lot with getting the sort of paper movement down here. and of course the handwriting is just my own, so i had to actually rewrite the quotes i found. it's probably the most ambitious piece i've drawn yet composition wise, and i don't think ive spent so long on a single illustration besides art studies for school. It feels like a love letter to everything orv means to me.

if you've read this far, thank you :)! i don't normally go into this much depth about my thought process, but there's a lot here i don't expect people to pick up that i wanted to get into

[baphometsss]

i had a galaxy brain moment where i realised that by keeping solas subservient to her in the war as an advisor mythal likely thought (or convinced herself) that she was protecting him from being twisted from his purpose. bc as long as he gives wisdom he's fulfilling his purpose, right??

but obviously she didn't factor in that declaring herself a god along with the other evanuris and doing all the horrible shit she did to the elves e.g: drawing them from the fade, keeping them as slaves, binding them to her will, binding a dragon to her will to preserve her immortality, etc etc, she was essentially twisting him from his purpose anyway bc she was going against the advice he was giving her. and that's on top of the fact that she bade him serve in a war where he would kill and genocide the titans which like. obviously that was gonna corrupt him

then she finally does listen to him and ends up dying bc of it, bc by that point her hubris was so great that she thought she was more powerful than the rest of the evanuris combined. then she spends the rest of her existence as a fragment in the crossroads hating him for going against her in the first place like ??

gurl what the fuck were you expecting really

the problem is that by the time of her death she's a lot more demon than spirit. (and yes i know the delineation isn't that straightforward, but i digress.) demons are clearly not that intelligent and they're even referred to as 'dolts' by the spirit of command in crestwood. solas says that demons are not intelligent enough to change their strategy and so the best method of defeating them is to survive the first few minutes of the fight

it's also telling that mythal wanted to leave the fade when all the lore up to this game tells us that spirits who want to leave the fade are usually demons. (this is largely circle mage talk but i think it's pretty accurate to everything else we've been shown.) ofc we don't get a full explanation as to why mythal wanted to leave, but in the memory of manifestation, mythal talks about how they're the best of both worlds when they manifest. so whatever her full reasoning was, we have to assume that she was dissatisfied enough with her life as a spirit of benevolence that she was willing to take a very big risk by building a body out of lyrium to leave the fade.

it's also... really crazy that she's remembered as the all-mother, that she had this very loving side and preserved at least some of her benevolence. and i do think that at one point she was kind and loving to her people--this is the side of her that solas, abelas, felassan and all her followers loved, whom solas befriended in the fade. but in the end, it mostly boiled down to her being protective over what she deemed to be hers. as she got twisted, she went from benevolence to retribution; her loving nature became a demand to first prove that you are 'worthy' followed by the unleashing of her wrath against anyone who defied that judgement by attacking what she saw as being 'hers' (the worthy). to attack someone she has judged to be worthy is to question her judgement, and as her crossroads fragment shows, she cannot and will not tolerate being wrong or having her judgement questioned.

what i'm saying is that dragon mythal is like one huge allegory for narcissistic rage lol

and i'm not trying to say that this is all she is. she's way too complex to boil down to just one of her manifestations. she is, in effect, a system of personalities at this point, as a lot of spirits and ancient elves were. they were highly emotional beings who, unlike modern elves, had a hard time experiencing more than one emotion at a time. they got tangled up in trying to navigate such an unpredictable emotional landscape when they were used to things being comparatively simple

yeah i just. i guess all the elves had the solas quality where they could be incredibly cunning and smart but still trip up and pull some of the dumbest shit imaginable

[sewerpalette]

My Human AL-AN redesign!! The video is still a WIP because I got sick haha, but yk.

At first I was scared I wouldn’t see a lot of visual Improvement, since the video is only 7 months old, but I compared the two and wow, there is a huge difference and I’m very happy with it.

Also this isn’t really much of an AU(?) it’s kinda hard to explain but it’s basically just the alien designs replaced with humanoids for my personal convenience (can’t draw em very well), with some minor story altercation that doesn’t really affect the plot. I think with AL this is easier to explain as they canonically have the ability to cause visual hallucinations, so this design would probably just be an extension of that, not really how he looks. I always liked the idea of the architects being a little eldritch that way, they have a true form but it’s unphysical, the human mind can’t make it up so the individual simply chooses what to present itself as: at least that’s my personal interpretation/headcanon.

As I’ve said before in the first post about the concept design where I further explain my decisions -

, I gave him a burn scar over his face from the disease research facility incident wich I imagine stuck with him in a way it, in one way or another, burns itself through every body he possesses aslong as the transfer doesn’t go wrong and he remains with the memory (also obviously to resemble his face screen).

His attire is based off of those the alterrans scientists wear, the pattern is a mix of precursor architecture textures and shapes mimicking those on his body, the logo on the lab coat is inspired by the architect statues from BZ, wich i reaaaally loved.

Hair/face shaped to vaguely resemble his face plate thingy and horns.

Also gave them a bag in wich I imagine carries all the different tools that are built into their arms in the game, because I’d rather die than draw those again beyond blocking in rough shapes haha, bag coincidentally ended up having a sea dragon color palette wich I initially wanted to change but ended up really loving because it kinda symbolises his guilt haunting him a little. it’s also stacked to the brim with enzyme 42 for obvious reasons.

I also still stand by the idea that the architects would look a little uncanny when trying to resemble humans, they can mimic them to near perfection, but something is just off, the body ratio looks strange, neck a few centimetres too long, shoulders a tad bit too low, lower legs too long, face moving too monotonely, small things like that yk.

Had to rerender this because I started drawing at like 6am at wich point my brain was rotting so hard I completely forgot what brushes I use, but that doesn’t really matter since I love to render so yk lol.

I made a poll on Instagram asking wether or not people liked the glasses, because on one hand I felt it made the colors more even whilst directing attention at and lighting the face nicely, but on the other I don’t really wanna make every „smart“ character have glasses, so I decided that these are reading glasses, wich means he does have them but he can also go without.

here is the alternative without: