#i want to write so many fics about these concepts

[delimeful]

I was wondering, do you ever play around in any of the worlds you've created without planning to write a story about it? Like imagining what-ifs or imagining if you were in that world? I've been really into the humans are space orcs stories lately and I have certain fantasies in those worlds I've been daydreaming for the past months. But even when I imagine a completely different backstory for them, I recently realized I usually imagine the races you described in WIBAR and YCGB and other alien fics. Still daydream of sanders sides characters a lot and now Ampen and Ulgorii just live in my brain as character concepts lol

it's hard to say that i play around without planning to write about it, because most of the time, if i roll an idea or concept for a story around in my head for long enough, i inevitably end up wanting to put it to words properly :'D but i certainly do like to imagine or daydream about my worlds so often that there's plenty that doesn't make it to my published stories

for "what-ifs" i even have a folder that's mostly a collection of spin offs/alternate POVs of some of my AUs! here's the placeholder titles of a handful of them, ranging from extreme silly to extreme angst lol

when it comes to humans are space orcs stories, i do love to play around with the setting + characters i already have (as my biggest universe, wibar has SO MANY of the aforementioned spin off/AU ideas) but i also love to come up with new alien designs + fun ways the designs can be juxtaposed with human deathworlder stuff, so i often end up branching out and making something new! i'm flattered that my designs have joined your imaginings though :D

as for lime in the wibar-verse... i've speculated on it a few times, and atm i think my wibarsona would probably be not a human, but a crav'on! spiky lime :) i have seen some very cute art/writing/speculation with other people's self inserts, mostly as humans, and i think it's so fun that others are playing in my sandbox too! ^_^

[mydearestbeloved]

okay chapter 5 review here bc word limit.

amazing how your very first and latest draft can change how I feel about your story as a whole lmao. ngl the jinwoo in your first draft reminds me of those daydream yandere!jinwoo fics lolololol so imagine my whipslash when i read the revised and expanded draft of this.

i love those to death i will be honest here but sl reader fics that depicts jinwoo more closely to his canon counterpart always hit different fr. i love how jinwoo isn't trusting of reader and constantly trying to figure her out. he's so inquisitive and smart when trying to piece everything he can find about reader (that makes a lot of sense since he becomes a detective in the revised timeline).

i really appreciate you writing him like this and it's a shame canon kinda stop writing the strategic and observant jinwoo after over the half of the story. of course if you wanted to be more canon compliant (and an excuse to keep reader involved), jinwoo would have to be more suspicious and distrustful of her and monitor her (such a jinwoo move) bc yk his deep trust issue (that has been forgotten or somehow resolved on its own in the canon story just bc. no im not bitter about it nope). therefore, it's so intriguing to read fics where his issues being addressed and his worldview being challenged. i know solo leveling is a power fantasy but it's frustrating to see our protagonist keep proving right about his very flawed and detrimental outlook, carrying the world on his shoulders alone and all that and the story acts like none of that affects him negatively or has any long lasting consequences. again it's a power fantasy but i think i can overlook this very real potential issue only if the story isn't set in a modern and semi-realistic urban setting.

anyway i skimmed through all the drafts you have and i love how they are mostly about him slowly opening up to reader. my god i cannot wait until jinwoo becomes absolutely whipped for our fae queen like in the old drafts. i know it will be absolutely satistfying and worthwhile. (can't believe all the chapters are still drafts???)

?System¿:

[ Review of (14/11/2024) has been submitted.

We thank you for your feedback, Reader.

System will now connect you you to 《AUTHOR》 ]

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Thank you for sending your review, this genuinely made my day! 💞

Now onto your review:

Original vs Now

Funny story, this Trial Player AU's original idea was just supposed to be a single, one-shot thing. So, you're not wrong to think that it feels like a daydream yandere!Jinwoo fic, because IT IS.

I even format it like so because I didn't want to get overboard, and that I was afraid of losing interest if I held onto it for too long just because I don't have enough time to write it as long and detailed as I would've liked.

But as it turns out, I just fooled myself, because here we are with a full blown series. And me with too little time still.

The original concept of a trial player isn't even mine. I was inspired by one of @circeyoru's fics, where I just wanted to write a similar story but with a Reader that have different powers and personality.

I ended up having too many interesting ideas to expand this after posting Imagine #1, which now became the summary of this series instead of its original purpose as a one-shot, one-time thing.

To simplify: I hyperfixate. Drafts started piling up. I wanted to work out the details little by little but they were too messy for me to find the time to sit down and edit them. New method: try posting it. I can edit them as I go as long as I gave warnings beforehand to Readers that my writings can change. If this goes well, there's a chance I can receive feedbacks to improve further. Two birds with one stone. A win-win scenario for me.

I mostly write when I'm stressed out from studying and needed a temporary escape. So, it brings me extra joy when people actually enjoy my stress-induced vomit of words. 🥰

How I write canon characters

I LOVE Reader Inserts/x Reader stories, and one of the things that most of the time ruined them for me personally is if the canon intended act too OOC.

Like, I get it, we Readers aren't in the canon story, of course the canon characters will act out of script since they literally are. But if they act like a different person all together with little to no explanation, no reason that can tie them back to the essence that make them just them, then what's the point of canon x reader when it's just the same as oc x reader?

At least add a warning/note/anything else to inform readers if you're going to do that, or if you're not too sure you can write them to stay true to their canon counterparts (like me 😓).

In real life, we already proven that we are fickle beings. We kept changing for one reason or another, but we can still stay true to ourselves or be recognize as just us.

And that is what I tried to do in writing the canon characters, especially the MCs since we readers follow their story the closest, which resulted in us knowing about them more then the side/supporting characters.

We don't truly know them, we never will, but we can predict them when we put those characters in different scenes/scenarios/settings because they already have a pattern that we know.

That is what we readers of Readers Inserts ultimately sought after, to be able to imagine interacting with those same characters that we know through the pages.

At least, this is what I want. Different people, different views and opinions. This is mine.

How I write Sung Jinwoo in this alternate scenario

I only know of Solo Leveling through its webtoon/manhwa and anime adaptations. I know little no none how they are in the original webnovel/novel and game, and the little that I know are form spoilers, tidbits of them.

With this in mind, I do feel that the manhwa are missing some things, and as it turns out (from the spoilers I read), it does skip many scenes from the novel.

No hate for the artist though, if it were not for him, I wouldn't have known Solo Leveling. And I could only imagine how hard it would be to draw everything from the original.

As for Jinwoo, I'll try my best to stay true to his character from the manhwa. But note that I also added the 'Yandere' element. So, to make him not too OOC, I'll explore his thought process from the start to then falling in love to the point of madness with someone like Trial Player!Reader.

Back to the topic, this Trial Player AU of mine will mostly follow the manhwa, and I'll be using the manhwa-specific plot-holes/gaps to further integrate Trial Player!Reader into the story.

That said, I won't write/in detail all scenes there are in the manhwa. I'll only detailed scenes where I can show Trial Player!Reader's impact, while the rest are either skipped or summarized for the purpose of smooth transition between one scene and another.

I don't want this to be a slowburn, but I also needed to work out the details to Jinwoo's feelings if I want to execute this as smooth as I can get.

Hence, I apologize for the later instances of Jinwoo acting not himself, I'm still figuring out the details for those scenes, that is why I still labeled them as drafts.

Extra related topics

There is two points I shared that can be tied back to Player!Reader's personality:

One, she is a casual fan of Solo Leveling. To make this easier to write, what she knows about the original story is what I know. Reader reads the manhwa, watches the anime, and knows little of the game and original novel from spoilers only.

Second, her view of the Yandere trope. I already I wrote it somewhere in the (for now) unknown chapter 0.1, the only writing that I managed to finish.

I explained there how Reader views this particular fiction trope. It is in many ways similar to mine too. It's just so interesting to see how different people with different personalities spiral down to the far end of the emotion called love, more often associated with warmth and healing.

Emphasis on 'how', I want to see the process. Tying back to how I write Jinwoo.

It is just such an fascinating concept to imagine. And fiction have less restrictions to express that ideas than in reality, as long as we can (and should) differentiate which is true or not, which is good and bad, even if the line that separated them often blurred.

I DON'T condone yandere, toxic and extreme behaviors and actions in real life. All of my works are purely FICTION.

---

I think that's all I can say for now. Thank you once again for reading my stories and for sharing your reviews. I really means a lot! 💞

Also, a piece of advice:

Perhaps you should hold off reading the last two chapter for now (9 and 10) until I updated them. Because they are of the newer drafts, there are certain 'too-fast-of-a-development'/OOC instances there that you might find a bit weird if I assumed through this review of yours.

I just feel responsible to point this out.

You're still free to read them, of course. After, you can just keep watch if I updated them, though by then you might want reread them. Hopefully, this is not too much. This is the downside of posting drafts. I apologize for the inconveniences.

I'll always inform a major draft update in my Masterlist. So there is no need to check each draft individually everytime.

[jolynejay]

The pitch black void where Rei/Akari/The player meet Arceus before entering the game's world of Hisui is The Distortion World.

Giratina dragged its marks into the Distortion World where they wandered for an indeterminate amount of time. The Distortion World in turn messes with the people that enter it, as it is theorized to be the anti-matter parallel mirror to its paired counterpart of the material world. And of course matter interacting with anti-matter (the fictional version of anti-matter mind you) will always have consequences.

(wow, it's almost as if the distortion world is some kind of underworld/after-life analogy that might explain how people and items can become pokemon. or how some pokemon become entirely different variations of pokemon by being distorted and twisted. how the world of the dead might twist the living and even its own ruler *cough cough* though that's a headcanon for another time)

Someone forced to wander the Distortion World for a long time might for example find themselves loosing their memories (points at MC & Ingo who are both very disoriented & have varying degrees of memory loss). Or maybe you'd find yourself fragmented into different parts or versions of yourself that reflect your views on yourself which also reflects back onto "the real world" (see: character creation and the rival character, for example.)

And when you wander the Distortion World long enough - a place outside of the realms space and time, might I remind you - you stumble through one of its cracks where the worlds of matter and anti-matter intersect for but a moment on their streams toward infinity. You fall through the void between the worlds.

And only then can Arceus interfere. It may not be able to return you to your original world and timeline, it is after all, not all powerful despite its status as The Original One and abilities of creation. Arceus may create concepts, pokemon, and possibly worlds but it holds no direct control over them.

So, what it can do, for a moment, is to guide you. Give you - the player and the character - a purpose when you have likely lost so much of your "self" already - of the champion that once managed to earn Arceus' respect and favor in battle.

And the crack in the space-time-continuum that looms above Mount Coronet like the Crow of the World, connecting this reality to the distorted mirror dimension, spits you out.

Miraculously unharmed, like an act of apology by a creature that is assigned more power than it holds, you open your eyes in a world that is not your own.

Displaced in space and time through the distorted world that is not slave to these forces. Displaced by a man and a pokemon unendingly desperate and vengeful for being forsaken, cursed, by one they once revered.

[caeslxys]

Something I think is extremely interesting thematically when it comes to connecting what Downfall and the ideas it tackled to the overarching narrative of campaign three is that the things Downfall made a point to showcase of Aeor—Cassida, Hallis, the visual of an aeormaton proposing to her partner, the specific and intentional decision to shed light on a far from insignificant amount of the population being civilians or refugees—is that it plays in perfect parallel across from what is happening (and, really, has been happening) to the ruidusborn on Exandria in present.

Bear with me for a moment. Aeor is ultimately a city that was collectively punished for the decisions of its leadership. We could (and, judging by the amount of discourse around this particular topic already, probably will) argue about what the Gods’ motivation for all of this was—whether it be that they could not, in the end, bear to kill their siblings or that they were terrified at the prospect of mortality—for me it is a very healthy dose of both—but for this I am much more interested in the latter. They were scared. That, really, is the driving force behind both this arc and their role in c3 as a whole.

Why I point this out is: It is far more interesting to me, especially as we go back to Bells Hells this week, to dissect the Gods and their decisions not purely on sympathetic motivation alone but as beings in the highest seat of power in the highest social class in Exandria.

So, having established that the Gods (in relation to mortals) are more a higher social class than anything we could compare to our real life understanding of divinity and that Aeor was eviscerated largely because of their fear—what is the difference between those innocents in Aeor caught in the trappings of their autocratic government leadership and a divine war on the ground, and those of the ruidusborn being manipulated both by Ludinus and by the very thing that inspired such visceral fear in the Gods to start with. I would argue very little.

I think of Cassida, doing what she genuinely thought was right and good and would save people, her son, and the object of her worship—and how that did not matter enough to any of them to spare her because of the fear they held at the very concept of mortality. I think of Liliana and Imogen, one of which we know begged for the gods to help her or send her a sign for years on years, and how every single one of their largest struggles could have been avoided had the gods loved them, their supposed children, as much as they feared what they could be. I think of how the thing that did save Imogen, in the end, was a woman who herself existed in direct defiance of the gods will. I think of that young boy, sixteen years old, that Laudna exalted on Ruidus.

I think it’s completely fair to judge Aeor’s overall society as deeply corrupt—it was!—but its leadership and police force are not a reflection of every one of its citizens. Similarly, it is fair to judge the Ruby Vanguard as corrupt—it is!—but its multiple heads of leadership and even the god-eater further are not a reflection of every one of its members.

Notably, and what I think the Hells will latch onto, this did not matter to the Gods. It did not matter that Cassida was trying to help. She was still too much of a risk. Will it matter, what Imogen does? Will it matter, if that young boy is in the blast radius when they decide to take no further chances?

I’ve seen a lot of people say that the Hells will side with the gods and I don’t think I agree. Especially as Imogen has been scolded and villainized over and over for daring to try and save her mother—who herself has been seen by some as an irredeemable evil in spite of her drive being the exact same—her family—but when it’s the Gods it’s justified? When it’s the Gods, it’s sympathetic? Too sympathetic to criticize further than “they’re family”?

I obviously do not think the Gods should die or be eaten or what have you, and I certainly don’t agree with Ludinus (though I find him much more compelling than just a variation of hubris wizard), but when talking about the Gods in Aeor and in present it isn’t really at all about their motivation or their family. It can’t be. Too many people, including our active protagonists, lives have been effected for it to be as cut and dry as “they’re family”. These are your children. They are your family, too.

[blondiest]

i tire of posts complaining about the quality of other people's writing. a) this discourages new writers from sharing their work. b) fanfiction is free. c) you're killing the vibe and the whimsy. d) go do it yourself if everyone sucks so bad. bitchass

[crownedwille]

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[watery-melon-baller]

hellooo tumblrinas i have a question for you. if postcanon gus had the opportunity to go to human college, what major(s) do you think he would study. i need your opinions for science

[sunshine-and-her-ikevil-stuff]

Wondering if I should just post all of my ikevil (oneshot) fic ideas in case I never write them. Just so people can see the vision

This was inspired by another idea I got by listening to "The Last Great American Dynasty" and the quote "Nothing provokes more than the sight of a woman enjoying herself". And then me wanting to write a William x fem reader where he encourages the reader to enjoy herself and (upper class) people whisper about how she's crazy and going to ruin him, but his eyes draw her in and she finds she doesn't care. Let them think you're crazy, you're having the time of your life, with your love laughing beside you.

[orcelito]

Wild that anytime I post an update a lot of people read it and are even excited about it and have their own thoughts and reactions to it that I'll never know.

Comments are only the very tip of the iceberg with it. And I am Very grateful to commenters for letting me in on it. But in the same way that I'll be excited with my friends when a fic we love updates, it's likely that Other people enthuse with Their friends when my fic updates. And it's just so strange. An experience I'll never have access to.

Everyone's relationship with my fic is unique. So many different people with so many different circumstances and preferences... and the number of people that have told me that my fic is one of their favorites, some even saying it's their Favorite favorite... every single one of them have their own relationship with my writing.

It's just interesting to me. I think and think and think on my writing. I have my plans for basically the entire fic, the way I want it to end already thought out, all the major plot beats and the relationship progressions, All of that thought out. I love my writing so very much, but I'm on the inside looking out. This is my mechanical horse, and I'm in here laying out the groundwork and pulling levers and constructing limbs, puttering away making the horse move. Forever and always, my relationship with it will be more intimate than anyone's, and yet more clinical. Because I know it better than the back of my own hand, but I'll never have the experience of reading it fresh. Of reading it without knowing everything that's going to happen from now to the end and beyond. I won't have the thrill of the plot twists I have planned, the delight at seeing things progress, the horror at seeing things go wrong...

This is my mechanical horse, and I'm making it move.

I just always wonder what it must be like to see it from the outside. I hope to others that it's a pretty horse.

[wreckedhoney]

it makes me stupid happy tho checking the archive for kf & seeing that top recent fic atm knowing it's a spiritual sister/cousin to my longfic

[heirtotheempire]

The world always needs more Thrawn angst. As in angst to other people caused by Thrawn. Hurt no comfort everybody dies. I wanna see him at his worst

[desperatecheesecubes]

Every time I see a post making fun of people being afraid to get into comics I think about how when I was first getting into comics I thought it would be fun to read Infinite Crisis because it was a HUGE event and it would give me an idea of what a whole slew of runs and characters were like. I made a post about some panel pretty early into the event (I think it was a build up comic that wasn't even officially part of the Road To Infinite Crisis so EARLY early) and some blog I didn't know made fun of me for not knowing the greater context of the panel I was commenting on. And while I was naively typing up a quick little 'ah sorry I'm new to comics and didn't know that. Thanks for the context!' they had gone through my blog and started doing the same for a bunch of other comics I'd read, and then mocked me for reading IC when I clearly new so little about comics.

Now, obviously, that behavior is ridiculous, and I just blocked them, but it did stick with me. It was one of my earliest interactions with comic fandom and I never forgot it. Most of the people I've intereacted with have been lovely. Even when I have gotten comic cannon wrong corrections are normally very kind. But not all of them are, and the ones who aren't are so vocal about it.

So i actually don't think it's the comics themselves that make getting into comics an unappealing prospect.

[doctorweebmd]

there comes a time in every fic writers life when, as they're finishing their story, have to decide which plot holes to plug up and which ones to pretend don't exist

that time is called 'pure unadulterated agony'

[rinhaler]

If you’re a blank blog you’re getting blocked

If you don’t have an age indicator you’re getting blocked

If you say ‘part two?’ You’re getting BLOCKT

[spacelesbin]

Watched Mocking Jay for the first time today and a fanfiction idea popped into my head when they finally introduced the concept of an Avox

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)