#i want to write a book about this if only to get all my feelings out.

[caffeinewitchcraft]

I love writing. The first thing I do when I get up is write, the last thing I do before I go to sleep is write. Between reading horror/fantasy/speculative fiction books, I read books on craft by anyone and everyone. My passions in life are the craft of writing AND storytelling.

Note: those are two different things. Having a story to tell and craft (the way we tell that story).

I am not saying that people who use AI to tell a story don't have a story to tell. They do! But that doesn't make them writers.

We have folktales across every culture about not accepting ourselves for who we are and that way leading to madness. Your version might go a little something like this:

A person who feels different than everyone else wishes to whoever is listening that they wake up beautiful/smart/charming. In the morning they wake to a mirror at the foot of their bed. Their reflection is all of those things! Filled with confidence, they go out into the world but, before meeting anyone, they catch sight of themself in a window. Their reflection normal but (having seen themself in the mirror) they now perceive themself as hideous.

They rush back home to check. In the mirror they're beautiful! What a relief. They stare deeply into the glass. Slowly their hair grows tangled and their clothing ragged. Days and weeks and months pass. They can't do anything without watching themself do it in the mirror. Dishes are done at the sink with the mirror blocking the window they used to love looking at the garden through. They wake with the mirror in bed with them rather than their lover. Etc, etc.

Using generative AI is like that mirror. Surface level, it makes things pretty. It may be entertaining and it may convey the story you want to convey.

But it's not your voice. It's your story, but not your voice. And it will trick you into thinking there is something wrong with your voice, that the way you tell stories is hideous, that you are incapable of the craft of writing. It will lie to you and you will live your whole life feeling disconnected from your own stories because something else is telling them for you.

That's why I'm against AI. Because I love writing. I love the way people tell stories, imperfect or perfect, because it's people telling them. Writers grow and change. Their punctuation choice, their word choice, their choice of form matter to a written story. There is connection in those decisions. A deeper level to a story that AI can never touch, only a person can.

So, please. Give your own voice a chance to grow and be heard.

[myjjongie]

౨ৎ to my beloved ── p. jongseong ⟢ teaser

SYNOPSIS . . . Moon Yn daughter of a notorious Duke who is said to be one of the Emperor's most loyal aides is married off to Archduke Park Jay. Their marriage soon became the talk of the country. Everyone adored the joining of Yn, daughter of Duke Moon and the Emperor's eldest son Jay. Two people the Emperor cherished very deeply. Unaware of Duke Moon's true intentions, he desired the throne the Emperor sat on. Using his own daughter as a means of infiltration he marries her off to Jay. Yn being shackled down to her father listened to everything he told her to do. Eventually when the day came for the overthrowing of the Emperor's throne Yn dies before ever knowing who truly won in the end.

OR

IN WHICH . . . Yn is sent back in time to before she married Jay, before her father started preparations to overthrow the Emperor, before everything was lost. Finally having a second chance to save the people most dear to her. Yn won't let her father control her as he pleases this time. For Yn will make her own decisions despite the unforeseeable future. With this second chance she'll marry Jay with the intentions of helping him without the control of her father. ⌇WORD COUNT . . . 382 ⌇

.ᐟ PAIRING . . . archduke!jay x archduchess fem!reader

.ᐟ GENRES . . . oneshot histrorical au, time travel trope, enemies to lovers (if you squint your eyes hard enough), magic/magical beings are a thing, contract marriage, she fell first he fell harder, angst, yn was a villainess in her past life (???)

.ᐟ WARNINGS . . . yn unalives herself (in the beginning), family abuse (all from the father), heavy descriptions of certain topics, detailed scenes with physical touch

.ᐟ STARRING . . . enhypen (all members) ive (liz) nct (chenle + mark) aespa (giselle) + possible mentions of other idols

•

꒰ evie's note : so i cooked up this snippet an hour or so ago. posting this fic teaser to test the waters in a way cause i only have a smau being posted at the moment. i've also been itching to write write something and it's been a hot minute since i've gotten my creative brain juices flowing as well. back into reading manhwas again so if this reminds you of any of those, yes. and yes it's about jay again IM SORRY i miss my pookie bear angel can yall blame me :( also if i finish this within a timely manner i wanna have it out before the end of next week tbh. really hoping i'm able to do this fic justice for yall. but alas enjoy the tiny bit of what my brain cooked up. ꒱

taglist ( open! send a ask/comment to be added ) . . . @shinkenprincess-oh @jiryunn

perm. taglist ( open! send a ask/comment to be added ) . . . @ikeulove @leehsngs @nickiminajleftasscheek

YN POV .

My eyes blink open to see the view of an all too familiar ceiling above myself. It was the same cream colored ceiling that belonged in my bedroom in the manor at the Moon duchy. Slowly sitting up my eyes scanned my surroundings. It was exactly as I had remembered the room, the sitting area for when guests were over. The windowsill where I had often read books to pass time through the day. The tall walls decorated with intricate designs only a Duke could afford for a singular room. Thing was the last time I had been in this room was before I left for the Park duchy. When I left to get married to Duke Jay. My mind was a mess of memories as it all dawned on me.

I remembered the blazing fire as I ran through the trees in the forest next to the Park duchy. I could recall the stinging pain as the branches scratched and tore at the skin of my arms. Then the feeling of my legs numbing as I sprinted in the heavy dress that was tailored for a archduchess to wear. My head ached as everything came back to me. Remembering the sound of the knights corning me in the forest, shouting how I needed to go with them. Jay wanted me alive, but I knew it was all a lie. My father had started a coup d’état, he always craved for the higher power in the aristocracy. Being granted a duke title while not being related to the royal family simply wasn’t enough for him. So he sought out higher power, the throne of the Emperor. Jay was one of the Emperor’s sons, there was a feeling in me. Jay wouldn’t stand for his wife being the daughter of the man who wanted to take his father’s throne as well as his life. If the knights captured me to take me to Jay he for sure would have killed me with his own hands. With no other choice I took my life. In hopes that there would be one last thing I had control over before I died. It was laughable at how in the end I only had control over how I got to die and who got to kill me.

©myjjongie 2025

[pooplyface1423]

Through Dusk and Dawn

"Through dusk and dawn" means throughout the entire night, from the time it starts getting dark (dusk) until the first light of day appears (dawn), essentially encompassing the whole nighttime

Shadow x reader (platonic)

Warnings : none other than Shadow already has a tiny soft spot for reader

☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆★☆☆☆☆☆☆☆☆

One of your worst nightmares coming to life was not what you planned for this year.

Losing the people u cared for the most was awful.

Never thought it would've come to this you thought

You were nowhere to be seen during the guardianship stuff always hiding in the bathroom to wipe tears of sorrow and guilt people might ask why you feel guilt but the thing is you had nothing to do with it you just feel like you should of done something but didn't you blamed yourself for it.

Once Tom and Maddie got full guardianship over you they finally got to take you home with them.The drive from the foster care centre and to there home was wierd Tom having lost his brother (ur dad) was hard on him but they always had this promise to each other that if something went wrong that the other would care for their family and Tom wanted to keep that promise and make it true.

☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆★☆☆☆☆☆☆☆☆

*Car stops*

You got to were you would call home

Tom and Maddie help you w ur 2 bags while u carried ur main bag w all ur most personal things

Once the door opened sonic and tails were the first to try to greet you

“Oooooh hiii you must be y/n! Nice to meet you!” Said sonic with a warm smile

“Sonic she can't hear you…” said Maddie

“Oh let me speak louder my bad HI IM SO-” I mean she's deaf sonic she can read lips but she can't hear anything”says Maddie

“Oh I'm Sorry”

☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆★☆☆☆☆☆☆☆☆

Maddie an Tom help u set up in the room you'd stay in

As you entered you saw a beautiful room decorated with a small vase of flowers and a candle in a nightstand next to it you saw two small beds in one of them was a small black and red hedgehog sitting down reading a book

Feeling interrupted shadow wanted to say something

“I'm sorry shadow but quickly we wanted you to meet y/n she's my niece and she will share a room with you for a while until we find a way to set everything up” says Tom looking at shadow hoping for a small “okay” or a head nod

Shadow nods his head and continues reading

After putting ur things away Tom writes on a sticky note

“Wanna have pizza for dinner?”

You wrote back

“Ok sure” just wanting to be left to your own thoughts

Tom could feel that you were probably not in the mood for anything so he waved goodbye and left

☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆★☆☆☆☆☆☆☆☆

Now being alone (w only shadow being there) you finally felt the wave of grief hit you like a stack of bricks a few silent tears slipped down your cheeks onto ur knees as you hugged them tighter hoping everything was a bad dream even if you knew it wasnt….

Shadow took notice of this since he could hear what you thought were silent sobs were actually not that silent but quite enough he could hear.

Jumping of his bed he thought he should see what's wrong since he did overhear Tom and Maddie talk about why you were coming to sonic tail and knuckles. He slowly climbed up into you bed and tapped ur hand gaining ur attention

“Are you okay” he said, feeling a small shock as he was reminded of Maria as soon as he saw our tear filled eyes.

You read his lips and nodded your head in a no motion

Shadow felt a small crack in his heart seeing you like this,as it reminded him so much of his sweet maria.he said something gaining no response and thought maybe u wanted to be left alone as he was about to go back to his bed you held onto his hand patting the side next to you signalling him to sit next to you

You quickly grabbed a notepad u had in you bag and wrote

I'm sorry if u said anything but I can't hear you

“It's okay, do you wanna write about why ur crying?” he wrote back

Not right now can you just stay with me for a bit?

You wrote back waiting for a reply

Shadow slowly nodded, feeling a small wave of happiness in his heart being able to be wanted was not new but it was a feeling he's almost forgotten about since the last time he felt it was with her..

as he say back next to you layer down motioning him to do the same

As you both layer in your bed in comfortable silence he noticed you seemed less tense as you did when u got here.after a while he poked his head up to she if you doing okay only to see you in deep sleep. Feeling like his job was done he thought he should head back to his bed but he felt like his heart was telling him to stay feeling as if he left you would disappear.

Around 20 minutes after shadow Slowly felt his eyes starting to feel heavy he wanted falling asleep next to you but before anything happened he snapped back as he heard someone approaching quickly teleporting back into his bed

As the door opened he looked up from the open book seeing tails and knuckles acting nonchalant he looked at them with a speak or get out face

Seeing that tails spoke up

“Maddie wanted us to let you and y/n know that the pizza is almost here and to come to the table” he said sheepishly

“Well be there in a bit”he said as tails and knuckles left the room

Shadow walked over to your bed and slowly shook you awake

He quickly wrote on the notepad “pizza I here let's go eat” as you woke up.

You quickly nodded as you were hungry quickly, getting up and following him to the kitchen

☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆★☆☆☆☆☆☆☆☆

Finished!

Thanks for reading!

I lwk LOVE how this turned out hope you guys like it too<3

Taglist

@bluefang1 @fawnsies @sabakarp @z3zabytez @ellaprime7 @buddee @star-maker-rain-dancer @generousdiamond

[randum-famdoms]

Something I have seen people complain about is when the story “stops” for a character to mentally think about their feelings regarding something.

I think that’s bullshit.

Like, okay. Think about it. How fast is your train of thought? Faster than your reading speed, right? Do your thoughts all happen in neat little sentences, or as more of a nebulous and/or choppy half-formed thing that *you* understand, but would sound like nonsense on a page?

Also, the character probably isn’t actually taking as long to think these things as you are reading it. “Character A feels xyz about this” isn’t taking ten seconds to actually happen, feelings coexist with action!

Now, there is a time and place for introspection. It is my personal philosophy to have the amount of introspection reflect the pacing of a scene. Fast battle scenes will be far more action-heavy and introspection-light compared to, say, a calm breakfast.

I think it balances the annoyance over pages of introspection completely breaking the flow of an intense section of the story (at least, from the perspective of the reader), while still maintaining some of that wonderful interiority (which is actually a new word for me, and I adore it).

I’m the first to admit that I am far from an experienced or professional author. I don’t have a professional editor, and my only education is via Highschool and middle school classes (and while I was always in the advanced classes, a few even college level, they were still restricted by being part of the American education system). I definitely can think of times where my grasp on the interiority slipped. Especially when it comes to describing things that wouldn’t necessarily be noticed by the pov character, simply because I as the author do know about it and think it’s funny or important.

I’d imagine a good rule of thumb regarding this would be to treat it like dialogue. People always say to read your dialogue out loud to notice any problems. Well, just act out the scene as though you are the pov character. Not necessarily irl, but in your head. (And maybe even irl if you can manage it, it can’t hurt!) What way are you facing? Would you be able to see that annoying dog? Would you focus on the person you are talking to’s face, or their hands? Is this activity one that you would space out during, or does it require laser focus?

Basically, all the things you would not think about if you imagine the scene like a movie as you are writing.

Picturing the scene as a movie can be helpful, particularly for things like imagery. But it does have its shortcomings, as op said.

It can work thematically for some stories, but when it comes to most writing that is not third person omniscient, it’s definitely something that can cause the reader to feel… distant, I guess. Less immersed.

It’s also something that, sadly, many writers will have to teach themselves and seek out to learn, because, as OP said, it’s becoming harder to find in modern works. This is doubly so do people who mainly read non-published works. I will sing the praises of fanfiction until the day that I die, and maybe even after, but the fact of the matter is that 99% of fanfiction authors are self taught. They may not know how to incorporate interiority. They may not even have ever read a work that had it.

I know a lot of people say that you should read the “classics”, and you may be thinking that could help here, but I for one am a fierce defender of not putting up requirements to be considered a writer, and that includes required reading. Yes it can help you learn skills, but so can more modern works. I learned a lot from reading Percy Jackson, and other lesser known books, and none of them are considered classics on par with The Great Gatsby or Shakespeare.

Instead, I propose this: if you want to get a better grasp on writing with interiority, try actually consciously focusing on your day to day life for a little while every day. Focus on your train of thought, on the things you focus on, on the things you see.

If you want to read something, great! Ask for recommendations, go to your local library and flip through books until you find one you think you will both enjoy and which has a good grasp of the concept.

First and foremost, however, in any writing, is to remember how we as humans actually live and interact with the world, and you’ve got a primary source of research at all times: yourself. Exclusively using other texts as sources will only ever end in a very broken game of telephone.

A lot of fiction these days reads as if—as I saw Peter Raleigh put it the other day, and as I’ve discussed it before—the author is trying to describe a video playing in their mind. Often there is little or no interiority. Scenes play out in “real time” without summary. First-person POV stories describe things the character can’t see, but a distant camera could. There’s an overemphasis on characters’ outfits and facial expressions, including my personal pet peeve: the “reaction shot round-up” in which we get a description of every character’s reaction to something as if a camera was cutting between sitcom actors.

When I talk with other creative writing professors, we all seem to agree that interiority is disappearing. Even in first-person POV stories, younger writers often skip describing their character’s hopes, dreams, fears, thoughts, memories, or reactions. This trend is hardly limited to young writers though. I was speaking to an editor yesterday who agreed interiority has largely vanished from commercial fiction, and I think you increasingly notice its absence even in works shelved as “literary fiction.” When interiority does appear on the page, it is often brief and redundant with the dialogue and action. All of this is a great shame. Interiority is perhaps the prime example of an advantage prose as a medium holds over other artforms.

fascinated by this article, "Turning Off the TV in Your Mind," about the influences of visual narratives on writing prose narratives. i def notice the two things i excerpted above in fanfic, which i guess makes even more sense as most of the fic i read is for tv and film. i will also be thinking about its discussion of time in prose - i think that's something i often struggle with and i will try to be more conscious of the differences between screen and page next time i'm writing.

[lordprettyflackotara]

Follow You || Chapter Two || Eyeless Jack

sum: after returning to your college dorm room, jack just can’t stay away. this ends up resulting in an unfortunate run in with your unhinged roommate

tw: mentions of drug usage/drugs

a/n: i want to make it very clear i do not support drug usage as depicted in this story. this is a work of fiction and i would never encourage you to snort adderall lmaoo

chapter one is here

“You’re gonna be shaped like the letter C for the rest of your life if you sit like that.”

Jennifer’s voice was sour, an obvious sign she was sober. You looked over at your roommate, rolling your eyes. “You sit just like this, only you do it to get high, I do it for academics,” You countered. You wouldn’t consider your roommate, Jennifer, a friend. If anything she was far from it. She had long ginger hair, big green eyes, and freckles that decorated her cheeks. You had been assigned as roommates your freshman year of college. You both had heard horror stories of other people's roommates and decided although you weren’t fond of one another, you could tolerate each other's habits.

Giving Jennifer the benefit of the doubt she wasn’t wrong, even if it was hypocritical. You had been hunched over your desk for what felt like eternity, studying and writing notes for an upcoming exam. Out of instinct you leaned back, stretching over the back of your chair. “Touché. This exam has you bent out of shape huh?” Jennifer asked. She was laying on her bed, lazily hanging her head off of the side. Her eyes were glued to her phone, her fingers typing away. “That's a severe understatement. You try taking biochemistry. Everything is blending together the longer I look at it,” You sighed. You rubbed your temple, letting out an exhausted breath. “Yeah, I think I'm good. I’ll still with my art major,” The ginger replied. Glancing at her you could see the noticeable eye bags hanging under her eyes. You see Jennifer had an astounding drug problem, one you had grown tolerant of. Despite not partaking in substances yourself, you were well educated in the world of pharmaceuticals. Jennifer took advantage of your knowledge, in exchange for keeping that aspect of her life out of your dorm.

Your shared bathroom was up for grabs naturally, but your main bedroom was not. You thought of Jennifer to just be a woke party girl, who spent her spare time either partying or attending whatever cause she was obsessed with for the week. This week it happened to be veganism. You suspected this charade wouldn’t last long, considering any protein Jennifer consumed seemed to evaporate due to her constant drug usage. She’d feel like shit and get bacon next week at breakfast, you were sure. “Are you going to Mark’s Halloween party? It’s all anyone can talk about right now,” Jennifer asked. You propped your head up on your hand, giving her a sarcastic smile. “Cmon Jen, you know I don’t party. Besides my big exams are the day after,” You reminded her. Not that she should’ve needed reminding, considering it’s all you could think about. It may have only been the beginning of October, but your focus was consumed by your studies.

Jennifer rolled her eyes, rolling over on her stomach. “You know a part of the college experience is socializing right? Your books aren’t going to do you any favors when it comes to meeting hot guys,” She said teasingly, sticking out her tongue. You noticed she had changed her tongue piercing, a neon green ball sitting on her unbrushed tongue. “Hot guys can come after I become a doctor. Half of the guys here are gonna drop out anyways,” You replied. Jennifer snickered, her gaze returning to her phone. “Thats not what you think about Ethan Kibber though,” She teased. You felt heat rush to your cheeks at the sound of his name.

Ethan Kibber. Tall, mean, incredibly handsome. He had beautiful dreadlocks that went down to his shoulders, his chocolate orbs always captivating you every time you saw him. And his voice? It was deep and raspy enough to make you swoon. He was a psychology major, determined to thrive as a psychologist. His admission to Harvard had been publicized, his sister having been a victim to suicide. Ever since then he had been determined to help others mental health. A trait you absolutely adored. He also played football, typical jock popularity following along with it. But you admired his ability to never let that change him. Sure, your only interactions had been nods or brief greetings in the hallway. You were sure it was only because Jennifer walked beside you, but you thought the effort to acknowledge you was sweet.

Playfully you threw a pencil at her, causing her to giggle. “Don't tell me you’re going to try to bribe me by guaranteeing his attendance,” You groaned. Jennifer sat up fully, sliding off of her bed. “Not necessarily but it would be soooo good for you to get out more. You’re always cooped up in here all the time,” She replied. You watched her go over to the bathroom, doing what she did best. You tried not to stare as you heard a drawer open and shut. Her special little ‘stash’. “Hey, what'll get me through my quiz today? I have a bunch of uppers,” She asked. You cringed at the thought of her voice echoing into another dorm. “What time is your quiz?” You asked. You refrained from looking over your shoulder, no matter how much your curiosity lured you to. “In an hour,” Jennifer responded. Your eyes widened, your gaze glued to your desk. “Jesus, Jen. Take an adderall and crush it up and snort it,” You sighed. You didn’t enjoy assisting Jennifer’s drug problem, but you also despised the idea of having to help her detox. Not that she ever truly would.

“Thanks! You’re the best. Now back to what I was saying,” She replied. You could hear the rattling of pills in a bottle, before the sound of them crushing occurred. “I know you’re not a party go-er but why not give it a try? You’re basically a scientist right? Why not trial and error another party?” She asked. Another party. You felt slightly embarrassed at the memory, glancing down at your bandages. You hadn’t told anyone about Jack or what had happened. You pretended you went home with a guy you didn’t remember, earning a big congratulations from your precious roommate. Little did she or anyone else know you were a virgin, dreaming of the day Ethan Kibber would sweep you off your feet. So you played along with the story, claiming you had fallen a bunch at the party. You regretted every second that you attended, cringing at how sloppy of a drunk you turned out to be. Turns out having an unrestricted supply of alcohol is troublesome for even the best students.

“I want to be a doctor in medicine, not science. Although I appreciate the notion, I think i’m good,” You say. You cringed at the sound of her loudly snorting, a sigh of relief escaping her lips. “Give it some thought. Why not come out with me this weekend? Spend the week being a bookworm but loosen up on the weekend with me,” Jennifer suggested. She walked out of the bathroom, grabbing a hoodie. Her high waisted early 2000’s pink shorts were not suitable for the weather at all. Jennifer never feared the weather, no matter how freezing cold it was. Instead she would double layer her tank tops, making sure they were cropped enough to show off her playboy belly ring. She shoved on a hoodie that you presumed she ‘borrowed’ from her last fling. That was the only way she ever obtained winter wear. “Yeah yeah i’ll think about it. Hurry up and go before you’re late,” You say, finally rising from your chair. You handed her whatever pair of uggs she was obsessed with for the time being, wishing her good luck before practically shoving her out of the door.

You ran your fingers through your hair, stressed out beyond belief. How were you going to manage parenting your roommate while balancing studying for possibly your most important exam yet? You trudged over to the bathroom, satisfied to see that the counters were clean. You looked at yourself in the mirror, noticing how exhausted you appeared. Your hair had grown out longer than you preferred, your face more worn out looking than usual. You leaned over to the sink, flipping on the cold water. You needed to focus. You splashed your face with cold water, rubbing your eyes as you did so. Colorful dots danced in your vision as it settled, your hand struggling to find the towel. You managed to find it, wiping your face before tossing it aside.

It was then your heart jumped out of your chest, a tall ominous figure standing beside your desk. You jumped in surprise, nearly tripping over a pair of Jennifer’s discarded sneakers. Swallowing, you took deep breaths, realizing Jack was standing before you. In his visible hand was your heels, coated with mud from your journey into the woods. “Holy shit, what the hell are you doing here?” You hissed. While you were slightly fearful of Jack’s presence, the demon didn’t interpret your words to mean that at all. He held up your heels, setting them down on the floor. “I climbed through your window. You should really lock that,” Jack told you. He thought he was being helpfully informative, all the while your emotions were going haywire. “I brought you back your shoes, you accidentally left them at my cabin,” He explained. Your brain fully seemed to register the situation, your head instinctively nodding. Jack wasn’t intending to be creepy or unsettling, he was just trying to be nice.

“Thank you. You scared the shit out of me. At least give me some warning next time,” You say awkwardly, rocking back and forth on your heels. There was a certain tension, where neither of you seemed to know what to do with the other. Jack, an oversized demon with the communication skills of a walnut, just wanted to get to know you. Maybe it was the savior complex he was beginning to form, but something about you was intriguing. A connection. An odd connection that kept him wanting to come back. You, an overworked stressed out med student, were extremely unsure how to handle Jack’s attention. You had never acquired such attention from a male. Nor had you ever received such genuine kindness. It made you suspicious of his intentions, as if his rough exterior appearance didn’t do that enough. Jack inhaled, his eyebrows raising. His action confused you, your eyes widening in surprise as he pushed past you into the bathroom.

You stared dumb founded as he yanked open one of the bathroom drawers, revealing Jennifer’s infamous drawer of treasure. Jack couldn’t believe what he was seeing. “I thought you were a med student. Why the hell do you have percocet and xanax in your bathroom? Do you know how bad this is for you?” Jack asked, his tone laced with how offended he was. He was thankful for his acute sense of smell, the scent of crushed adderall catching his attention. You didn’t seem like you did substances, your face twisting in disgust. “They're not mine you flimsy snoop! They’re my roommates. How the hell did you know they were there?” You fired back. Jack went to quip a response, when his ears twitched. The scent of your roommate was coming closer, her heart racing as fast as Jack would expect from a college student snorting adderall. “Your roommate is coming,” Jack whispered. You barely managed to choke out a sound of confusion, his large hand grabbing your arm and dragging you into the bathroom. His touch was absurdly hot, his skin so warm it felt like it could burn you. You gasped in surprise as Jack pressed you back against the bathroom door, flicking the tiny lock on the door handle.

There was no time for confusion, the sound of your dorms door flying open. “Roomie? Where are you?” Jennifer asked. Jack flinched at the sound of her voice, the hoarseness making him freeze. He hadn’t accounted for being seen by anyone else. “In the bathroom, w-what’s up?” You sputtered. Jack didn’t need to relay the fear he felt, his tenseness telling you everything you needed to know. “Theyre sending the drug dogs around to our floor, I need to flush all of my shit,” Jennifer squealed, desperately shaking the doorknob. Under his mask Jack was terrified, seemingly frozen in fear. The Operator would have his head on a silver platter for exposing their kind. “I-I got it. Trust me i’ll take care of it,” You replied. Your eyes flickered back and forth at Jacks mask, searching for any emotion. The endless void of darkness stared back at you, the unsettling tar like substance dripping down the royal blue mask. Jack could then hear the sound of conversation a few doors down, a drunk pair of roommates arguing about a broken bottle. It wasn’t long before the smell of metallic blood flooded his nostrils, one of the roommates evidently cutting themselves on the glass. An odd sound escaped Jack’s throat, similar to a hum. You flinched at the sound, before pushing past Jack.

“You’ll take care of it? Let me help you it’s my stuff,” Jennifer pleaded, desperation lacing her words. Through Jack’s hungry haze, he realized just how worried your roommate was about you seeing her stash. Jack wasn’t an expert of human interaction by any means, but he gained the sense that you had no idea just how many kinds of drugs she had stored away in that drawer. Jack tried to push past you, not wanting to ruin your friendship. He grabbed random bottles, unscrewing the lids and tossing them in the toilet. “Is there someone else in there?” Jennifer asked. Jack watched your cheeks flush pink, your mouth running dry. “W-What? N-no!” You sputtered, becoming rapidly embarrassed. Your embarrassment was distraction enough, Jack managing to grab a majority of the unlabeled bottles. Your eyes flickered over to the drawer, your clammy hand grabbing a small baggie of marijuana. Jacks eye sockets widened as you shoved it down your shirt. “I can hear two sets of footsteps in there. Is this the guy?!” She squeaked, her mood jumping to excitement. Now Jack was the one flustered, freezing in place.

You grabbed the pill bottle from his hand, finishing dumping them out. Jack had misread you. You did tell her. How much did she know? “What? Fuck, uh, yeah it is,” You replied, stumbling over each word. You stood on your tippy toes, brushing past Jack’s hood. Your breath was hot against his skin, the demons own heart beginning to feel as though it was racing. “She thinks I lost my virginity in the woods, just follow my lead,” You whispered. Jack raised an eyebrow, relieved at the notion you had in fact kept his secret. “OH MY GOD! Can I meet him?” Jennifer squealed, her voice high and pitchy. Jack cringed at the sound, wondering if a human girl's whines could make his ears bleed. ”Uh no you cannot, we’re gonna leave now,” You rambled. In an unsure manner you grabbed his hand, the demon grabbing onto the wall. Your doe eyes met his, something calming about the color staring back at him. “Trust me,” You whispered. You unlocked the door, shoving it open. Jack avoided looking at Jennifer, keeping his head down. He could hear the cops beginning to search your neighboring dorm mates. “They’re coming,” Jack mumbled, just low enough so you could hear him. You squeezed his hand, pushing past a gushing Jennifer.

“This is him? Why’s he wearing a mask?” She questioned. You guided Jack over to the window, pushing the blinds aside and shoving it open. “I’m uh, into mask play,” You said slowly, as if you were unsure of the own words coming out of your mouth. Jack was halfway out of the window, freezing once he heard your flustered words. “Like ghostface? Seriously? You’ve only had sex once and you’re jumping into mask play?” Jennifer gasped, flabbergasted at the mere thought you were presenting her. Your cheeks were bright red, nervously shoving on a random pair of sneakers. “Yup I am. Don’t judge me. I don’t judge you. Gonna go now, bye!” You rambled, practically shoving Jack out of the window. He jumped down first effortlessly, realizing your dorm was on the third floor. You nervously peered out of the window, looking down at Jack. The demon knew time was thin, outstretching his arms and waiting for you to jump. The overwhelming knock at the door gave you enough courage, your eyes screwing shut as you threw yourself out of the window.

[crime-scene-psychic]

I honestly think that the Nolan Batman trilogy was the best and worst thing to happen to the Batman franchise, because on one hand, it was the first live-action instance of trying to make Batman more gritty and serious (because while the Keaton, Kilmer, Clooney movies took the story much more seriously than the 60s television show, they were still goofy at times, which is why I honestly think they're the best rendition of Batman, because they were able to balance silliness with seriousness, which is what Batman is all about, but that's obviously an entirely different thesis) which then allowed for more people to take comic book movies serious, consequently leading to the rise of the DCEU and, obviously, the MCU (we would not have the MCU today and the actual good movies that came out of it without Nolan's trilogy, there's simply no argument there).

However, the Nolan trilogy also unfortunately made "dark, gritty Batman" the norm, meaning that once anyone tries to actually have some fun with Batman, they immediately get shit on by comic book dude bros. It also created the most annoying characterization of the Joker that everyone has been trying to replicate since and no one will be able to replicate, because they simply do not understand the character (I honest to God think the closest live-action actor who has ever made a Joker character work besider Heath Ledger was Cameron Monaghan in the Gotham television show, and he wasn't even really Joker??? but at least he didn't make it everyone else's problem and was a good mix of goofy and psychotic, not just psychotic) and will never be Heath Ledger (but they don't stop trying much to my forever annoyment).

And while I can recognize the cultural and significant impact on the comic and film community that Nolan's trilogy had, it is still by far my least favorite adaptation because of how serious it takes itself (and of course, the racism. The racism is actually the bigger one for me. Fuck Christopher Nolan for that. Ra's al Ghul is NOT a white man just because you want a plot twist, and you CANNOT just erase Bane being mixed race because you fucking FEEL LIKE IT because him being mixed race is extremely relevant to his origin). Batman has had serious moments in the comics, don't get me wrong, and I know things must evolve and change over time and that I cannot expect an 80 year old character to not be further developed throughout the decades, but it almost feels as if Nolan and Goyer (the writer) read a Sparks Notes version of the history of Batman, cracked their knuckles, and said "yeah, I think I got it."

Spoiler alert: they did not get it.

When I watch the Nolan trilogy (which I haven't in quite some time and I really don't want to, even to prove a point to people on the Internet) I notice how uninspired it feels, story-wise. While the action and cinematography is excellent, the story is lacking for me, and when you're telling a story like Batman, that has decades of content, you cannot just forgo storytelling for cool special effects.

I'd much rather watch a Batman adaptation that has the shittiest effects known to man with a writer who whole-heartily cares for the characters they're writing and has taken time to research. And that's honestly one of the biggest problems the comic book film industry is having now, both DC and Marvel. They're not hiring people who actually care about these characters to write them and they're focusing much more at appealing to everyone they can instead of who the movies should be made for: fans.

You're gonna have such a harder time convincing my mom, a woman who only cares about Wonder Woman, to watch the new Captain America film than you would someone who has read the Sam Wilson Cap comic run. And while this entire issue stems from the fact that the film industry is just that, an industry, and has become less about filmmakers making art and more-so how much money investors and producers can get out of ticket sales, it is still infuriating to see franchises you care deeply about be ruined by guys just there to cash their paychecks and be done with it.

And really, the film industry as we know it needs to be fucking demolished from the inside out, but that will never happen and now we're a bit off-topic. So, back to Batman.

I think another issue I have with newer live-action Batman adaptations is that they choose to forgo a VERY IMPORTANT character when it comes to Batman/Bruce Wayne's evolution as a character and story line.

Robin.

Since whatever the fuck the casting of Chris O'Donnell in 1995 was (why was he, like, a grown man?), people have been afraid to touch a live-action Dick Grayson with a six-foot pole (besides Titans, which I'm gonna get to in a sec). Which is ridiculous, because he is, like I said, an insanely important character when it comes to showing the growth Bruce Wayne goes through.

Bruce Wayne becomes Batman because he is so angry about his parent's deaths and the corruption of Gotham that he doesn't know what else to do. All the money in the world cannot change things for the better, his own father tried and died for his troubles, and he is left with no other option. Bruce Wayne works during the day to fight corruption via charity and his company, Batman works during the night and is able to do what Bruce Wayne can't (beating the shit out of people, mainly). The two are separate sides of the same coin.

And despite this seeming like a good arrangement, it's pretty obvious in most adaptations (at least they get THAT right) that beating the shit out of people in back alleys is not a good replacement for therapy. You're able to see the toll being Batman has on Bruce. He quickly becomes more occupied with being a vigilante than being himself. Bruce needs something to break through this internal struggle and help him balance both lives.

And so a boy named Dick Grayson comes along.

Dick's so important (and so are the other Robins, of course, but Dick being the first means I have to talk about him a bit more) because he forced Bruce to get his shit together. Here's a boy who's about the same age Bruce was when his parents died, who also just saw his parents killed in front of him, and is so full of rage he has no idea what to do. Sounds familiar...

Bruce is able to help himself by helping Dick. He gives him an outlet to vent his anger and frustrations while also looking out for him in the best way he can. While there are many issues with how Robin comes to be in various comic runs (and if this was real life it would be fucking ridiculous) Dick becoming Robin is extremely important. If he hadn't been taken in by Bruce Wayne, if he'd been allowed to let that anger continue to bubble up inside of him, he probably would have killed Tony Zucco and that would have been enough to set Dick down a terrible path he might not recover from.

The same goes for Bruce. If he were to set out and kill the person who shot his parents, he wouldn't be a hero anymore because that single event would shatter the entire point of Batman, which is that he is not meant to decide who lives and dies. If he were, how would he be any different than all the villains in Gotham that he fights as Batman? How would he be better than the corrupt businessman and politicians that he has to battle as Bruce Wayne? He wouldn't.

Batman needs Robin and Robin needs Batman, because they are yin and yang. Light within darkness, darkness within light. You cannot separate these characters and still tell an accurate story, it's impossible. I think that's a huge issue Nolan's movies have, on top of many others. You cannot accurately present to me a Batman story if there is no Robin, just as you couldn't give me a Robin story without Batman.

Every Robin is so important to how Bruce Wayne as a character is developed, and disregarding this as a creator is not only disrespectful to the character, it misses the entire point. I refuse to take your adaptation of Batman seriously if you can't figure out how important Robin is. He isn't just some kid sidekick, he isn't an optional side character, he is what makes Batman human. You cannot have gritty, Neo-noir Batman and forgo Robin just because you see him as the sidekick in tights. When Batman was silly and took itself less seriously, sure, there wasn't a lot to Robin nor Batman's troubling pasts. But now that you want to deep dive into Bruce Wayne's psyche and pick apart what makes him the way he is you wanna throw in the towel and erase the part that humanizes him? Fuck. You.

You can't make a complex Bruce Wayne and take away parts that help audiences understand his complexities, that's fucking STUPID!

Titans, for all its faults and problems, will always have my gratitude as it had the fucking balls to give, without a doubt, the best and most rounded live-action adaptation of Dick Grayson we have ever seen. Titans introduces Dick at a very important and rocky time in his character arch: him leaving Bruce.

If you're not in the know, there's a falling out between Bruce and Dick that's been written a couple different ways over the years, but all comes down to Dick being "fired" from being Robin and leaving Gotham. This is a bit of a newer story line in comparison to how long the character of Dick Grayson has been around, and eventually leads to Dick becoming independent from Bruce, signalling his evolution from "side kick" to his own hero, Nightwing. However, there's issues with Dick having to give up the Robin mantel, because it's something that is whole-heartily Dick Grayson. Robin wasn't something Bruce Wayne came up with, it was the nickname his parents gave to him. Even the colors are his, those were the colors of the Flying Graysons' uniforms. Robin is much more than just a vigilante alter-ego to Dick, it is the last link he has to his past and his parents. So when this is taken away from him and given to another, this causes a huge internal struggle for Dick, as he has to deal with the anger he now has for Bruce, a man he originally looked up to and idolized. This is Dick seeing how wrong it was for Bruce to do some of the things he did to Dick, despite at the time those choices being what both needed.

The way Titans is able to portray this extremely delicate time in Dick's story line in a way that not only makes sense for his character, but also allows for growth is really admirable. Like I said, the show isn't perfect by any means (can I PLEASE get a Romani actor to play Dick PLEASE) but it's the first time I feel that the character is wholeheartedly taken serious in a live-action setting. You can tell the writers have a better idea about how the characters should interact in a live-action setting and while some choices are questionable to me, the heart is there.

Nolan's movies in comparison feel soulless and devoid of all creativity and love. He does not care about these characters, no matter how much he tries to make you think that, and he never will. Christopher Nolan, you will NEVER convince me that you give two shits about Bruce Wayne. And if you, the director, can't bother to care, why should the audience? Why should I care about your adaptation if you can't even be bothered to put an ounce of individuality into it?

With Matt Reeves' Batman films underway, things are getting worse again. For a while, we only had to deal with the shitty Joker adaptations that tried to replicate Ledger's Joker, but with the Reeves Batman movies, the film bros are making themselves known again. I remember when the new design for the Riddler dropped and I said it was shit and people on Twitter and YouTube got SO PISSY at me and told me I just don't understand Batman and that I'm childish for enjoying the designs for Gotham Riddler/ Batman Forever Riddler and whatever and that I'm stupid, which none of those things are true, I hate to be confident in anything, but I think I know more about Batman than you do, Twitter troll.

The suit sucked and the character sucked. They just created a new character but gave him the Riddler's name. That's NOT the Riddler. That's honestly closer to Hush than Riddler, so just... do that? But of course, less people know about Hush than Riddler, and you're not trying to make a film for fans, you're trying to make money, so why would you ever be so silly as to do that! I'm not gonna talk to much about the new Riddler, just because it's super old news and it's not the point I was trying to make here, it's just something that continues to piss me off when it comes to gritty recreations of characters, because Riddler really never was supposed to be some Zodiac Killer wannabe, he's supposed to be a guy who leaves you riddles and makes you solve them and he's supposed to be a little silly about it. And I'm not saying you can't do a more gritty Riddler, because Arkham Knights did it super well imo! Just don't reinvent the wheel! Don't just make a new character and call him by another's name, that's a disservice to the character themselves and their creators.

This is a hard topic, because you have people who get the point of these characters (people who have actually read a comic before and paid attention to the story) but you also have insufferable film/comic bros who worship the ground Nolan and Reeves walks upon and who don't even take time to explore the rest of the Batfamily comics (his gang of vigilante children show up in the stand-alone Batman comics, though, so I don't know how they're missing this, unless they have the reading comprehension of a goldfish, which they probably do tbh). It's why I think a lot of these weirdos don't like Gotham Knights or Wayne Family Adventures, because they hate the thought of there being any semblance of fun in the Batman franchise. Not everything needs to be doom and gloom! Let Dick Grayson be bisexual and let Bruce Wayne have a PTA rival! You can have your cake and eat it too!

I know this seems like a silly sentiment coming from a person who just wrote an entire essay on this, but maybe don't take Batman so seriously? I don't mean, of course, that you can't care about these characters, I'm actually saying the opposite! I care very deeply for these characters, so much that I obviously spat all this out. I just think some people need to fucking chill when it comes to realistically portraying Batman. There's nothing wrong with taking a more serious approach to the characters and I have no problem modernizing them, but you can't just have action hero Batman, you have to have the human behind the mask too. And if you can't balance that, then I'm sorry, but you shouldn't be making Batman adaptations, because you obviously don't understand what the character is about.

I'm nervous to see where Reeves will go with the character, and only time will tell. I've heard rumors he plans to introduce Robin, I've heard rumors he doesn't. Either way, it's obviously out of my hands and I'll have opinions either way, but I really hope he has a better understanding of the history of the franchise than Nolan. While I appreciate, again, what Nolan did for revolutionizing not only the Batman franchise but the comic movie industry as well, I can still find faults in how he went about things. I truly don't believe we can have a worthy adaptation of Batman live action without Robin and without embracing the silliness of Batman's villains and I really hope producers, writers, and directors realize that soon.

Sorry if you read all that...

[hivemuthur]

The Game of Teaching Body - Ch. 2.

viktorxfemale!reader mature! (for now, I will mark later chapters as explicit when the time comes)

AU university, AU modern era, slow burn, frenemies to lovers, teasing, pinning, banter, eventual romance and therefore smut, Viktor is simultaneously a menace and needs a hug, TA Viktor

Ch.1. | Ch.3. | Ch.4. | Ch.5. | Ch.6 | Ch.7. | Ch.8. | Ch.9. | Ch.10. | Ch.11. | Ch.12.

word count: 4K

summary: Reader is hit by a truck which is *university*. So, a lot of studying and a lot of frustrations. And the TA is being a pain in the ass, you know how it is. Some science talk, based on the remnants of my knowledge from uni.

author’s note: Guys, you have showered me with love, so I'm showering you with writing. I have created a tag for this fic, will make it easier to find on my blog before I sit down and create a list, you will find it in the tag list.

Cross-posted on AO3 alongside POV3rd Person Version

—

Sue was so fucking right. It had only been one week of freedom, and then the workload came crashing down on you. Suddenly, every class had a welcome test attached to it, and you found yourself buried under a mountain of homework—chemical equations to solve and analyse, essays, books to read, lab practice, and lectures to attend. There wasn’t any snowball effect; it all hit at once, and by the time you and Sue returned on the first Monday of the second week, you were carrying enough work to fill two mules, and it would still have been too heavy even for them.

“Your mum is calling,” Sue’s voice pulled you out of a particularly boring passage about physical chemistry in one of your shared workbooks. You would usually put your phones on the cabinet for study time, but the vibration had startled Sue for the third time in ten minutes, so she decided to address it.

“Ugh, can you put her on speaker? I’ll deal with this quickly, and I don’t want to move,” you rolled your eyes, catching Sue’s judgmental glare. She’s your mum!

“Kochanie, finally! I’ve been trying and trying, how are you doing?” Your mum’s voice filled the room with her familiar heavy accent, though she insisted it was improving. Your dad didn’t speak a word of Polish, so Joanna had to switch to English entirely after you left.

“All good, Mum. Lots and lots and lots of studying,” you said, your voice so unamused you barely lifted your eyes from the book, though your gaze was unseeing. You had been staring at the same equation for about half an hour now.

“Have you been practising your affirmations?” Of course, you hadn’t. Silly idea.

“Yes, every day and every time someone pisses me off. How’s Dad?” You decided to deflect as soon as the opportunity presented itself.

“Dad went to Calais for a retreat, and I’m left alone for the entire week. He’s not allowed a mobile, you see,” Your mum rambled on a little longer, and you let her. You were happy to hear your parents were moving on after losing their only daughter. Even though Joanna insisted she could feel your presence in the house, in the clothes and trinkets you’d left behind, and could sense your moods through an invisible mother-daughter bond you shared. What a load of nonsense.

“Mamusia, I love you, but I have to go. I’m studying with Sue, and we’ve got a test in thirty minutes,” you added a round of loud pecks so she could hear the kisses through the phone speaker. She told you to wear red underwear and get Sue to kick you for good luck.

“Your mum sounds awesome,” Sue laughed under her breath. She tried to study but ended up listening to the entire conversation.

“Eh, she’s something. She’s pretty cool when she’s not suffocating you with love, you know?” You gave Sue a knowing smile, and she understood immediately. “Have you managed to learn anything? My brain is literally fuming.”

Sue groaned as she started packing up her notebooks to head toward the lab class. “Honestly, I don’t know. I think I’ll use my last resort—can I borrow some red knickers?” You snickered as Sue shot you a huge mocking grin.

“No, but I can kick you alright, sweet Sue,” you couldn’t help but laugh. You gathered all the papers scattered around you with both hands and shoved them into your bag. You glanced at yourself in the mirror before leaving your dorm room, and Jesus Christ, your youth had already fled. Dark circles under your eyes, a gaunt face, lips chapped—all of it painfully underlined by an ink stain on your t-shirt. Whatever, there was no time to do anything about it.

It was Viktor’s class again. You had slowly grown to dislike them, ever since he and Jayce began to switch every second day, after Jayce got a new girlfriend—beautiful Mel Medarda, a third-year theatre student whom Hale once called a close second contender to rule the planet one day. Second after you, of course.

All of Viktor’s initial friendly sass had dissolved into the mean kind, which he executed each time Heimerdinger’s students were supposed to already know something they didn’t—including you. Thankfully, most of the time, you knew. The times you didn’t, he relished it and squeezed the situation to the maximum, like a sad lemon.

“Alright, take a test from the tray on the teacher’s desk and take your usual seat. And as usual, you can have a calculator and periodic table on your workbench,” Viktor’s instructions boomed through the lab classroom as one by one, students dragged themselves through the door, each one looking more exhausted than the other. “Looking ravishing today, Y/N,” he sent a smirk your way as you passed by him without sparing him so much as a glance and a quiet ‘hi.’

“Bite me, Viktor,” you barked back at him. What the hell was he thinking?

“Gladly, but maybe after class.” Usually, the smug look on his face would get you to scoff; this time, you granted him a faint eye roll as you dragged your feet toward the workbench you shared with Sue. As Viktor strolled through the room, making sure no one had anything illegal on their tables, he snatched your phone from your desk just as you were putting it into your bag.

“No phones,” he slid it into his lab coat pocket with a wink. You whined, about to say something you’d regret, but were immediately cut off by “I said, after class,” coming from behind you as you watched his back, your eyes burning a hole in it.

You solved the test first; you were so angry. As soon as you put it back in the tray, a realisation washed over you, and what you realised was the mistake you’d made in one of the exercises. You wanted to retrieve it and fix it, but Viktor’s hand shooshed you away.

“Come on, Viktor, it was there for less than a second!”

“You put it away, it’s gone for grading. That’s the rule. Also—it’s a learning curve,” he smiled at you sweetly, and you wanted to choke him out.

“Learning curve of what? That you are being a dick?” The last part was barely a whisper, nevertheless, a whisper that was fuming with rage and could cut through steel.

“Patience. And decision-making, which is a process that you clearly haven’t mastered yet,” he said coldly, not even looking you in the eye. This time, you did scoff, and angry steps carried you back to your seat.

The class settled into a more familiar rhythm after the test, the shuffle of papers and the steady hum of Bunsen burners filling the air. Viktor moved around the room, overseeing his students’ chemistry lab exercises with the same detached air he always wore. You tried to focus, but your thoughts kept drifting back to the test—and Viktor's smug little smile as he watched your frustration unfold.

The task at hand was simple enough: a titration experiment to determine the concentration of an unknown solution. Viktor had given you all the instructions, but as you watched the beaker of sodium hydroxide mix with the diluted acid, you felt a sinking feeling in your stomach. Something about the instructions didn’t sit right with you.

You glanced over at Sue, who was carefully measuring out the chemicals. You leaned in, whispering so Viktor wouldn’t overhear.

“Sue, I think he messed up the ratios in the instructions. If we follow this, it’s gonna screw everything up. We’ll end up with a totally different result.”

Sue frowned, taking a closer look at the setup. “You sure?”

“I’m certain. The way he wrote it—if we add that much of the sodium hydroxide, the pH is going to overshoot too quickly. It'll neutralise the acid too fast, and we won’t get an accurate reading. If we’re supposed to get a neutralisation point, that change will mess with the whole titration curve.”

Sue was sceptical, but you were adamant. You felt it in your gut. "It’ll be off. Trust me."

Sue nodded reluctantly. "So, what do we do?"

You hesitated for a moment, your fingers tapping the edge of the desk as you thought. You pulled up a few formulas on Sue’s phone, glancing back at Viktor to make sure he wasn’t looking in your direction.

“If we use less sodium hydroxide, the neutralisation will occur more slowly, and we’ll get a more accurate pH reading. We’re supposed to use a much more diluted solution.”

Sue nodded, though she looked uneasy. “What the hell, let’s try it.”

You adjusted the solution as you suggested, making the necessary changes to the procedure. You proceeded with the experiment, and despite her hesitation, Sue followed your lead. The two of you worked in tandem, the smooth, natural chemistry of your lab partnership taking over. As you neared the end of the titration, it was clear you had achieved the neutralisation point correctly—without overshooting or leaving any room for error.

Meanwhile, the rest of the class was still fumbling through their measurements, the air thick with the sounds of Viktor’s quiet reprimands. You couldn’t help but glance at him every now and then, noting the small, almost imperceptible frown on his face as he inspected his students’ work.

When the clock pointed to fifteen minutes away from the class ending, Heimerdinger stepped into the lab, his eyes scanning the results with interest. He walked toward your workbench, eyes lighting up as he reviewed your calculations.

“Well, it seems we have at least one pair who didn’t follow the instructions blindly,” Heimerdinger said, his voice rich with approval. “Good work, you two. You’ve done the experiment correctly. Trusting your instincts—making adjustments based on the data rather than simply following authority—is key in science. After all, we’re here to discover, not just to repeat what’s been done.”

You allowed yourself a smile of satisfaction, while Sue breathed a little easier, glancing at you in admiration.

Viktor’s face, however, was unreadable. He stood at the back of the room, arms folded tightly across his chest, watching the interaction with narrowed eyes.

Heimerdinger didn’t seem to mind. “It’s a learning curve for all of us, even your teacher. Mistakes are inevitable. But sometimes when we challenge authority—question the procedures—that’s when we learn and grow. Science is born from curiosity and defiance. Respect is important, of course, but don’t be afraid to challenge when you feel something isn’t right.”

You raised an eyebrow at Viktor, who hadn’t said a word. His lips were pressed into a thin line, but his eyes were hard as steel. He wasn’t pleased by Heimerdinger’s praise of your independent thinking.

“That’s how science is made,” Heimerdinger continued, completely oblivious to the tension between his students and the teacher. “By asking ‘what if?’ and exploring the unknown.”

Viktor finally spoke, his voice cool and controlled. “That’s true,” he said, glancing at you. “But there's a fine line between innovation and recklessness. Don’t mistake one for the other.”

You met his gaze, your jaw tight. “I don’t think we did.”

Viktor’s eyes flickered with something unreadable, but he didn’t respond, turning on his heel and walking toward the front of the room. Sue nudged you gently, a smirk tugging at her lips. “Well, at least we didn’t screw up,” she whispered.

You smiled back, but your mind was still racing. You had challenged Viktor’s authority—hadn’t followed his instructions—and it had got you praise from the professor. This couldn’t be good. “Sue, I don’t think I’m getting my phone back,” you whined into your friend's shoulder, who giggled uncontrollably.

You waited for your group to disperse into the library or the cantina before the start of the next lecture, making sure Viktor wouldn’t be able to humiliate you in front of anyone. You took a deep breath and knocked weakly on the door of the assistant’s back office.

“Come in,” Viktor’s voice was as flat and unwelcoming as ever. You braced yourself as you turned the doorknob and stepped inside quietly. Viktor was sitting at one of the tiny desks you were cramped at with Jayce and didn’t even look up. You cleared your throat.

“Yes?” This time, he looked up. God, he looked angry. When he finally raised his eyes to meet yours, he only sighed. “I doubt I can do much for you, Y/N. Given that you know everything already.”

“That’s rich coming from a guy who broke into the lab to prove his point once. Yes, Jayce told me,” you smiled at him sweetly, referring to his second-year incident when he and Jayce breached the lab security at night and conducted an experiment they were forbidden to do by Heimerdinger himself. This got them secure spots for PhD and TA positions.

Seeing that there was absolutely nothing coming from his direction but a blank stare, you asked carefully, “Well… why did you fuck up?”

Viktor sighed again, stood up slowly, and walked toward you. “Some theatre girls got us drunk last night—Mel’s friends. And I messed up the notes. Chemistry is not my major, as you know.” A smirk started to paint his face as he observed your reaction to the mention of drinking with some girls.

Viktor decided to push you further, his smirk widening as he leaned against the desk. “It’s hard to focus when you’re surrounded by Mel’s friends, you know. A lot of distractions. I haven't quite shaken last night off me yet,” he teased, his eyes glinting with amusement.

Your heart dropped at his words. You forced yourself to keep your expression neutral, but something inside you shifted—you didn’t want to admit it, but it hurt. Viktor was deliberately drawing attention to some girls, and it stung more than you cared to acknowledge.

You scolded yourself internally. Stop it. Don’t let him get to you. But it was already too late. You could feel a pang of something—jealousy, maybe, or insecurity—but you refused to let it show.

Viktor, sensing your discomfort, didn’t let up. “By the way,” he said, his tone casual, “I took a closer look at your test. You know, given your answers, I understand how you worked out the correct proportions for the exercise. Same mistake you made on the test itself, right?”

Your stomach twisted, and your chest tightened. “So now you’re just going to relish in my defeat, aren’t you?” you shot back, your voice strained.

Viktor raised an eyebrow. “I’ve got far better things to relish in. Just making observations.”

You exhaled sharply, your anger bubbling over. “You know, because you were being such a dick, the thing I actually knew will probably lower my final grade now. Congratulations.”

Viktor’s smirk never faltered. “I wasn’t being a dick,” he said, voice smooth. “I was merely being a meticulous stiff bastard.” He leaned back, his tone laced with sarcasm. “You were quite vocal about that, if I recall. Something about me being a ‘pedantic pain in the ass’ when you were drunk.”

Your face flushed, your hand tightening into a fist at your side. That comment struck a nerve you hadn’t even realised was there. Your heart pounded. “Are you seriously so petty, Viktor, that you’re going to take revenge for some drunken slur by messing with my grade?” you snapped, your voice rising. You turned to leave, the weight of your frustration heavy on your chest.

But Viktor’s voice stopped you cold. “Wait,” he said, and for a moment, you thought he was going to apologise. Maybe even admit he’d gone too far.

You glanced over your shoulder, ready to hear some kind of redemption. But then Viktor’s tone shifted again. “You didn’t forget something, did you?”

You froze as he pulled your phone from his pocket and held it out to you, a mischievous gleam in his eye. The sight of your phone in his hand made your heart sink. You really are a bastard, you thought.

With strained composure, you took the phone from him. Your fingers brushed his, sending an unexpected jolt through you. Viktor’s gaze lingered on you a moment longer than necessary, and for the briefest second, you saw something flicker behind his usual cool façade. Something almost… uncertain.

Your stomach fluttered—No. Not now. Don’t let him do this to you.

You forced a tight smile, returning his gaze. “I can play this game too, Viktor,” you said, your voice low and controlled.

Viktor’s smirk faltered for a brief moment, and he leaned back against the desk, watching you with a hint of something deeper in his expression. His eyes softened, but he quickly masked it with another calculated look.

You turned to leave, your mind racing with frustration and another weird emotion you didn’t have the name for. Just before you reached the door, you felt a shift in the air. Viktor’s teasing had crossed a line, and somehow, the distance between you felt less like a joke and more like something real. Why does this matter so much to me?

Your heart thudded painfully in your chest. Viktor hadn’t just teased you. He’d affected you, and you hated that. As you stepped out of the office, you could feel his gaze on your back, following you, studying your body. You scolded yourself internally for looking like a wreck and made your way to join Sue in the library.

Your friend regarded you with concern as you slid into the chair at the table, books already splayed out in front of her. “Did you get your phone back?”

“Yeah, it was a fight to the death,” you mumbled, sighing heavily as you opened a massive tome of genetics for the next lecture.

“And who died?” Sue asked, placing a reassuring hand on your shoulder.

“Oh, definitely me this time.” You whined and dropped your head face-flat onto the table. “I don’t understand when this happened. Can you direct me to a point in time when Viktor woke up and chose violence?” you chuckled despite yourself.

“Um… I think it was some time after the party where that cute curly-haired guy with a poetic name clung to you the entire evening. Or—” she smirked—“you calling Viktor a meticulous stiff bastard.”

“Ambrose? I completely forgot about him,” you mused for a second. There had been an Ambrose sometime during your first weeks. He was from the theatre department too, full of big words, slightly obsessive, but overall nice. You never gave him your number, though, deciding it wasn’t meant to be.

“So you think Viktor loves me so much, jealousy rotted his guts?” you laughed a little too loudly, drawing a few irritated ‘shh!’ sounds from nearby students.

“Let’s say it’s my instinct,” Sue replied with a mischievous smile. “And remember, Y/N—trusting your instincts is key in science,” she added in a hushed, exaggerated Heimerdinger impression, causing you to suppress your laugh even further.

***

Viktor stretched in his chair. The last paper to check stared him in the eye, glaring at him almost as intensely as you had that morning. He groaned slightly at the pain in his leg as the door creaked open.

“Hi, partner,” Jayce greeted, shooting him a smile that was a mix of guilt and a plea for forgiveness. He’d left Viktor for an entire day to gallivant around campus with Mel. She had apparently needed strong arms to carry boxes of flyers advertising their winter show.

“Don’t ‘hi, partner’ me, Jayce,” Viktor huffed but smiled faintly under his nose. “How was it?”

“She’s really something, Vik. I can tell you over a beer?” Jayce offered, clearly still buzzing from his all-day hangout with his beautiful, smart, interesting, unique, elegant, new girlfriend.

“I think I’m going to call it a night. One last paper to check.” Viktor groaned slightly as he flipped your paper in front of his friend’s face. Jayce snatched it mid-air and studied it carefully for a minute.

“How come? I thought she was the only one to work around your… notes mishap?” Jayce tread carefully, noticing the frown forming on Viktor’s forehead. He knew exactly how Viktor had messed up the notes—sadly, it was partially his fault as well.

Viktor leaned back in his chair, still staring at the paper. “Yes, indeed, she was. She even tried to fix her answer when she put the test into the box,” he muttered quietly under his breath.

Jayce raised an eyebrow. “So why didn’t she?”

Viktor rolled his eyes, the motion quick and dismissive. “Because, Jayce, I don’t make exceptions for students who can't follow the rules.”

“Oh, Viktor,” Jayce sighed, shaking his head. “What did she do to get so deeply under your skin? Seriously, you're not usually like this.” Viktor was only mean and vigilant when he cared—or when he was hurt. That, Jayce knew. He just didn’t know which one it was.

Viktor shrugged nonchalantly, but there was an edge to his voice. “She’s just full of herself. Thinks she can do whatever she wants because she’s got it all figured out.”

Jayce’s lips twitched into a knowing smile. “Oh, I see. Well, if someone’s getting on your nerves that much, it usually means they’re reflecting something about you that you don’t want to see.”

Viktor stared at him blankly, the words almost not registering. Then, he let out a short, mocking laugh. “When did you start spreading the wisdom of your people around the world, Jayce?”

Jayce leaned back in his chair, crossing his arms casually. “Mel teaches me how to talk to difficult people now. You know, learning to understand them and not just shut them down immediately.”

Viktor raised an eyebrow, his tone sceptical. “Am I the difficult one here?”

Jayce’s grin widened. “Clearly. I mean, you’re willing to fuck up Y/N’s final grade over a sentiment. That’s not exactly… rational behaviour, is it?” He leaned into the desk, hoping for a moment of self-reflection from his friend.

Viktor was silent for a moment, then scoffed, trying to brush off the conversation. “It’s not like that. I’m not just doing it to be petty.”

Jayce leaned in slightly. “So, what did you tell Heimerdinger about the mishap?”

Viktor leaned forward as well, his voice dropping into a more serious tone. “I told him the truth—both of us fell asleep in the lab, working on our side project. I had to rush to class that morning. No big deal.”

Jayce nodded, processing this. “I’m sure Heimerdinger won’t bat an eyelid if you step up for Y/N, especially since she did well in class. If anything, she deserves some leniency.”

Viktor paused, looking at his friend thoughtfully. “I guess I could do that. Just… don’t think this is something I do for everyone,” he exhaled, rubbing his temple. “But I’ll talk to Heimerdinger.”

Jayce smirked, leaning back in his chair again. “There you go. Maybe Mel’s influence is working on you after all.”

Viktor shot him a look, clearly not amused. But deep down, he couldn't deny there was something about you that unsettled him—and, for some reason, it had started to bother him more than he cared to admit.

“Just keep your wisdom to yourself,” Viktor muttered. “And get out of my office. I still have work to do.”

Jayce chuckled but stood up, winking. “Hey, it’s my office as well! But yeah, I get the point.” As Jayce exited, Viktor stared at the paper before him, his mind occupied by frustration. A meticulous stiff bastard he was indeed.

[h-sleepingirl]

Hi!

I've been participating in the hypnosis world for about a year only as a subject, with somebody's audio files I've grown to enjoy. Being relatively... intelligent? (ADHD former "gifted kid" stereotype,) I've loved the way it can be so calming to my head which often has thoughts racing left and right with no end.

Your latest post about being a wizard with tomes piqued my interest and I would love to learn more and be one myself, especially in regards to Erickson who I had no knowledge of prior to today. Where would you recommend I start...? I would love to DM you and chat if the response would otherwise be too vague and long to be a reply to anon :)

Excellent to hear! I’ll give you some recommended reading and info. (And thanks for asking in my inbox, because this may help others!)

Milton Erickson was a hypnotherapist active in the 1900s who helped shape the form of modern hypnosis. There are many mythology-type stories about him. He really pioneered non-authoritative hypnosis (like, not “You will go into trance now!”), and hypnosis where he considered each client individually in order to figure out the best hypnotic method for them (this is the most critical thing and we still need to learn from it IMO). He’s known for some distinct techniques including storytelling and indirect language, although how those work and what they are depends on who you ask. He was a major inspiration for Neuro-Linguistic Programming, which takes inspiration from him but really changes a lot.

If you are just starting to learn how to hypnotize another person, I would not recommend STARTING with Erickson’s direct works (I mean feel free to read about the guy, just don't try to fight through his writing yet) -- but I don’t think you have to wait too long, especially if you have some experience as a subject. I would highly recommend reading a VARIETY of “intro to erotic hypnosis” guides -- there are a bunch, and as you’ll see, everyone teaches them differently. That’s because there are MANY ways of looking at how to do hypnosis and what it even is. Keep that in mind as you explore. I would like to offer my own guide: https://www.learnhypnokink.com/ in which I do try to teach a more overarching perspective that should be useful for learning other perspectives, and especially useful for progressing past beginner level.

Reading is great and if you only ever want to read that is fine, but a lot comes from experience, too. I don’t have recommendations for finding people to play with -- just remember that as a hypnotist, you have boundaries too, and you do not have to let yourself be used as a “trance vending machine” by eager subjects.

In terms of Erickson, take a look at his Wikipedia page or articles about him to get the gist of his character and history -- fascinating stories about him. And then when you want to try, read “Hypnotic Realities”, by him and his student Ernst Rossi. This is THE definitive Erickson book. I would not recommend reading books ABOUT "Ericksonian hypnosis" first -- anything talking ABOUT Erickson really tends to transform the meat of what he's trying to communicate IMO. Read from the source first. “Hypnotic Realities” is the greatest book on hypnosis of all time in my opinion, but it’s dense and challenging. It’s also beautifully subtle and you should plan to reread it ever so often because you will get new things out of it at different places along your journey.

Good luck! I hope this helps you and anyone else curious!

[nightlyrequiem]

Would it be possible to get Valeria with a homebody writer (specifically romance writer maybe) partner?

This is totalllly not self indulgent at all, but I feel like the scenario you write where she broke into the readers house (which I loved btw) and becomes her stowaway would probably be the only way they meet lol, it's also possible that she could see the writer in a coffeeshop somewhere and have a meet cute but that doesn't really seem like her style to me :(

Feel free to change this up in any way you want I'm just throwing my ideas out from my mind palace

Yeah, I feel like meeting Valeria would be a little difficult unless it was some kind of home invasion type of scenario. Meet Cutes aren't her style sadly

Tags/Warnings: Kidnapping, WLW, Reader Gets Knocked Around, Fangirl Valeria

Meet Cute

Human error is unavoidable, like misspelling a word or grammatical errors. Even with a proof-reader, things are bound to slip past notice. Mistakes will be made eventually, no matter how careful a person is. You're tossed to the cement floor harshly, pain blossoming in your ribs from the impact. The sac over your head prevents you from seeing anything. Your ears ring, making it impossible to make out the low muttering of male voices.

No one is truly aware of how quickly things can change. Having four walls and a door often provides one with a false sense of security. Of safety. You thought you were safe. You were a bit reclusive. Preferring to be inside where the variables of life are easier to control. Even in a city like Las Almas. The environment that night was perfect for writing. Dark and slightly stormy. You were curled up on your couch, laptop in your lap with inspiration flowing from your pores. The first draft for your latest sapphic romance novel was almost completed.

Without any warning your front door was kicked open. The locks proving to be completely useless. You screamed and fought as masked men stormed inside. However, it was a short-lived battle. One punch to the temple was all it took to take the fight from you.

You're not given any time to catch your breath or get your bearings. Your grabbed by rough hands and dragged somewhere else. You're lifted and placed into a chair, hands tied behind you. Footsteps fade as the men leave you bound and blind. The only sound now being your own breathing and the frantic beating of your heart.

Waiting is the worst part. The dread of what's to come will never compare to what will actually happen. You're never going to finish your book. The second in your series. Your readers will never get to know what happens to the two main leads. Maybe it's your writing that got you here. You had gotten death threats before. As well as other types. As was the risks of writing the things you do. The situation almost reminds you of the story you posted to the internet when you were too young to be on it. A flawlessly witty girl is kidnapped by a stereotypically masculine guy. They fall in love.

You doubt there will be any love here though. Love doesn't flourish where death and decay feast. Finally, you hear footsteps approaching. Firm and confident. The door slides open and people enter, the room becoming heavy with tension.

"You thought you'd get away with stealing, hm?" A woman asks. You frown. You don't recall stealing anything. "Thought you were smarter than me?"

The bag is ripped from your head, and you recoil at how bright the lights are. You blink at the sight of the visibly angry woman in front of you. Reeking of violence and danger. Maybe it's because of all the questionable romantic leads you've written but there's something alluring about her. Though her being attractive doesn't make you less frightened.

She almost looks as confused as you feel. Brows furrowed into a frown. She says your name, which doesn't bode well for you.

"... I didn't steal from you." You say softly. Hoping to pacify the situation. "At least not knowingly, if I did I can replace it or give it back." You promise. The woman doesn't respond, just continues to gawk at you.

The silent staring is beginning to get uncomfortable. The two men she brought with her exchange confused glances. Clearly something isn't going the way it should.

"You wrote Stardust." She says finally. Your face warms with embarrassment. You're proud of what you write but it still feels... weird to have people talk about it. You furrow your brows. You didn't think a woman that looks like her would be in your audience.

"... Yeah, I uh, did." You nod awkwardly.

She puts her gun back into its holster. "I have all your books." She says. Surprising you.

The woman turns to the men beside her. 

"This isn't the right woman you fucking idiots! I even gave you a picture how did you mess up?" She hisses at them. You almost deflate with relief at those words. A mistake. A simple case of human error. "Get out." She snaps. The men nod and leave quickly. Ashamed or afraid that they messed up. She turns back to you with an appraising eye.

"... Do you like them?" You ask.

Her brows furrow. "What?"

"My books." You clarify nervously. 

She walks behind you.

"One of my guilty pleasures is romance," She starts. "it's a nice escape from the grueling, bloody reality of my life."

"That's... nice." You reply. She didn't really answer your question.

"I'm picky though, I'll drop a book easily if the characters do something I think is stupid."

Oh. She's probably going to chastise you for writing idiots - which admittedly, you have. In some of your earlier books. The ropes loosen, freeing your hands.

"But I like the way you write people." She praises. "They're realistically stupid."

You bring your hands to your lap and inspect your wrists. The soft skin is a little red.

"Oh, thank you." You say, blinking gratefully. She walks back in front of you.

"This was a misunderstanding." She says, voice soft and placating. You look at her and wonder if this is a trick. You rise to your feet.

"All good." You smile. Though it's actually not all good. You're shaken. Your home was broken into and you were kidnapped. However, saying that might not bode over well.

"... So is Stardust getting a sequel?" She asks, narrowing her eyes at you.

She has a very intense stare. You have to look away because staring into her dark brown eyes is starting to make you uncomfortable.

"I'm in the process of writing it, actually." You tell her. "Well, the draft."

She continues to stare at you. "Do you think you could add me into the book?"

You frown. "Yeah, sure I could do that." You nod reluctantly. This woman scares you and you'd hate to disappoint her.

"I shouldn't tell you my name, but I just love you and your writing so much," She admits. "I'm Valeria."

You nod.

"Valeria." You repeat. "Nice to meet you, I suppose."

Valeria nods and cracks a small smile. "Great. Why don't I take you home now then?" She says, herding you towards the door. You try to protest against that, not really wanting her to know where you live. Though considering her people had taken you from your home in the first place, she probably already knows. Your words fall on deaf ears. Valeria is determined to escort you home safely. Wanting to spend a little one on one time with her favourite author.

[velvetvexations]

Nursed With Kerosene Chapter One Willow World

Here it is! The first part of my serial novel, Nursed With Kerosene. This is the result of so much hard work. It's a story I've been wanting to tell for awhile, with a core cast of characters I first created as a child and many more I've created over the last few years. It's 79 pages long but it would mean the world to me if you read it and enjoy it. I really can't tell you how much this work means to me.

To give a brief description, Nursed With Kerosene is about praxis, love, rage, friendship, compassion, humanity, horror, lesbians, capitalism, psychosis, faith, therapy, music, understanding, swords, parenting, ninja, and a lot of other things.

To give a somewhat less brief description, Nursed With Kerosene is influenced a lot by the structure of TV shows like Angel and The Librarians, featuring a team of supernatural problem-solvers dealing with things no one else can. There is also more than a dash of anime in there, because I'm a shameless weeb. My ideal medium would be a series of Newground animations in 2006.

Nursed With Kerosene is part of my setting Memoirs to Prove the Existence of the Devil. The only other released MtPtEotD story is my previously published short story Six Underground, but it actually takes place long after NWK. Having said that, like a Soulsborne, a large part of NWK is going to be slowly unraveling things. You're not intended to understand everything. Names and events and concepts get mentioned, and you don't get it, and that's the intended experience. Hopefully you feel like you want to learn more.

Memoirs to Prove the Existence of the Devil is an adaption of the Cthulhu Mythos, as well as several stories in it's orbit not nearly as remembered as the works of Lovecraft, such as Algernon Blackwood's work. I really mine the shit out of the public domain, ngl. The journey I've taken through obscure late 19th and early 20th century literature is worthy of a non-fiction book all of it's own, and I may write that someday as well.

Some content warnings:

gore

transphobia

ableism

sexual harassment

misogyny

anti-masculinity

feds

Englishmen

characters who are honestly pretty terrible people but I demand, selfishly, that you like them anyway

I hope you like it. <3

[your-reference-here]

Okay, I know I already reblogged this, but my brain has been absolutely gnawing on this AU's possibilities so I had to write some of my ideas down.

Boq is definitely the DM. He seems like the kind of guy who would have gotten into the game back home and then brought it to Shiz. He tries for weeks to get Galinda to play, but it's not until he mentions it to Nessa, who then mentions it to Elphaba, who THEN mentions it to Galinda that a game comes together. Fiyero tags along too because he's curious...or at least that's what he says. It's not until they actually arrive at their session zero character creation that he rolls up with a fully prepared character sheet and they all realize "oh this guy knows this game."

Here's what I think everyone decides to play:

Galinda = College of Glamour Bard. I put this in my original reblog and I'm sticking with that. The whole subclass just feels like it was made for her.

Elphaba = Wild Magic Sorcerer. I was torn on whether Wild Magic or Divine Soul would be her subclass, but thinking it over more I've decided to say fuck it, give her the Wild Magic Sorcerer build because it fits thematically and because its shenanigans are fun. In universe, my excuse is Boq suggested choosing options that they could relate to as a first time player, so there you go.

Nessa = Order Domain Cleric. In my head, Boq mentions that cleric is his favorite class, so Nessa decides to explore those options. Something about the Order Domain just speaks to her...maybe it's the desire for some control over her own life, maybe it's a dark foreshadow of who she will become later. But who's looking into it that deeply?

Fiyero = Cavalier Fighter. He just wants to kick ass on a horse. It's also a nice way to uphold a "knight in shining armor" appearance for his peers. Galinda loves it, while Elphaba just rolls her eyes and calls him out for being a horse boy.

The first game is a simple fetch quest that quickly goes off the rails. This isn't unusual as far as D&D goes, but it does escalate to a loud enough volume that the crew gets kicked out of the library and has to find another spot to play. This could be a number of places, but I like to think Doctor Dillamond is kind enough to allow them access to his classroom, mostly to keep them all out of trouble and because of his soft spot for Elphaba (he's happy to see her making friends and joining in whatever this strange social club is). His only request is that whatever mess they make is cleaned up before the first class the following day. It's very close once or twice.

Now, in terms of how our cast actually are as players...

Galinda is the confused enthusiast who has no idea what she's doing but is going to do everything with an air of exaggerated flair. This results in her being the unintentional button pusher/trap trigger-er/the one the party is constantly yelling "NO!" at a second too late. Somehow, she always manages to pull through whatever mess she is in or has gotten the entire party in, mostly because she's able to gaslight, gatekeep, girlboss everyone else, including the DM, on a whim.

Elphaba is a born rules lawyer who comes to the game having memorized all her spells and abilities, only to find herself consistently exasperated by Galinda's choices and/or fighting with Fiyero who knows the game so well that he's found countless loopholes to exploit. She does end up having fun but hoo boy does she come close to magically throwing a book at someone's head on multiple occasions.

Fiyero is just vibing and, though he won't admit it out loud, is genuinely having a good time with these people and it's the happiest he's been in a long time.

Nessa is the only one trying to keep the party on track with the plot for Boq's sake, who is beginning to question bringing this particular group of people together.

UPDATE: I just saw the spellbook again in the artwork and was like "shit that's really a wizard thing to have a spellbook" and then I remembered the beauty of the multi-class, so my solution is that Elphaba decides to multi-class later on into a School of Transmutation Wizard.

dnd au request

[tumblerislovetumblerislife]

2024 Writing Year in Review

tagged by @nix-nihili, thank you darling <3 this is gonna get long, buckle in!

January

the radiant university: the radiant emperor duology, ma/zhu, ouyang/esen

five people. five conversations. who will win this episode of the radiant university? (spoiler: it's wang baoxiang. everyone else is too busy making out.)

May

the ghost of the past that you live in: dead boy detectives, payneland

It didn’t start as much. As anything, really. Charles noticed him in the hallways only because he was new, which was rare in Year 11, and because he smiled shyly whenever Charles said hi. Aysar, he’d introduced himself, and Charles liked the way the syllables formed in his mouth. He wanted to be Aysar’s friend. Or: Five boys Charles didn't date, and one he did.

June

2 dead 2 boys: dead boy detectives, cryland, payneland, palasaki

It had been pretty obvious to Crystal from the start: their closeness and comfort with each other, the way they moved in sync, the way Edwin couldn’t quite contain his jealousy at Charles’ interest in her. She’d seen it before (where?), a relationship that one person wanted open and the other didn’t but would go along with, out of love. Ah, lack of communication. The enemy of polyamory. Or: Crystal comes to the horrifying realization that these boys are not dating, and leads them to enlightenment (polyamory).

take your chances (win or lose her): dead boy detectives, payneland, palasaki, charles & his mum

His dad was sitting in the living room – Charles ignored the instinct screaming at him to move away from Edwin – with his head in his hands. His mum wasn’t visible. It shouldn’t have been strange. Charles had seen both of them alone, at times, though rarely now as age caught up with them. But he and Edwin had been in the business too long to ignore bad feelings. They exchanged a glance, Edwin’s eyebrows beginning to furrow, and then Charles’ dad shifted, and bright morning light caught on his red, red knuckles. Or: Maybe Charles’ death was the wake-up call his dad needed to become a better man. Then again, maybe it wasn’t.

touch my tears with your lips (touch my world with your fingertips): dead boy detectives, payneland

Over the years, their music collection grew, until a shelf for their records joined the shelves for their books. Edwin was proud to say that the acquisition of the record player had made their office more lively, ghosts though they were. He certainly enjoyed their dancing lessons. If Edwin noted Charles’ quiet singing during this time, it was only to classify Charles as having enough musical talent to not clash horribly with the original singers’ voices. Some decades later, Edwin discovered the magnitude of his error. Or: Charles attempts to woo Edwin with the power of Queen.

July

if i could reach the stars (i’d give them all to you): dead boy detectives, payneland, palasaki

Loving Edwin was the easiest thing in the world. Charles got so used to it that he could sometimes go months without thinking about it, until Edwin did something kind or charming or literally just stood there catching the light in exactly the right way, and it would hit Charles all over again, like getting socked in the face. It certainly made for some interesting decades together. Or: Charles falls first. Edwin falls harder. Surprisingly little changes.

August

acu (aysar cinematic universe): dead boy detectives, payneland, palasaki

“Welcome to the Dead Boy Detective Agency, I am Edwin Payne. My partner should be returning shortly. Why don’t you tell me about your case?” “Yes, of course,” said the client, perfectly politely. “I am seeking justice. It was an incident that has haunted me, if you will excuse my wording, for years.” A pause. “I want justice for –” “Charles Rowland, hi!” said Charles, already wincing at his own timing. He hadn’t realised the ghost was winding up to the big reveal. Whoops. Or: A ghost from the past comes knocking. Charles gets justice; Edwin gets a hint.

September

(don't you) forget about me: dead boy detectives, payneland

Edwin returned to the envelope, from which his attention should never have veered, and opened it with a single, precise cut. The letter opener was returned to Charles – another brief, searing touch – as Edwin carefully removed and unfolded the glossy paper. The crest in the letterhead, a bloody wound against the white background, immediately caught his eye. “St. Hil’s, innit?” Charles, leaning over Edwin’s shoulder, confirmed what they both knew. They exchanged a dark, speaking glance. No, neither of them had fond memories of that place. Or: Edwin attends his high school reunion and is very normal about his (legal) partner.

(black is the colour) of my true love's hair: dead boy detectives, payneland

“Edwin,” Charles said, one splendid morning. “D’you notice anything different? About me?” With his face angled towards the window, Charles was lovingly lit by the morning sun, caught as it was on his forehead and cheeks and chin, limning the straight line of his nose and pooling in the depths of his dark eyes, lingering on his lips as if in a kiss. Beyond the light: the curve of his ear, his rather exquisite jawline, the glint of his earring and necklace, his bare shoulders, lean and strong, the curls of his hair just brushing them – Or: The boys spend a morning in the office; Charles has a lightbulb moment.

lovesick girls: dead boy detectives, palasaki

The thing was, the boys might tease Crystal about taking long to get ready, but she didn’t, not really. And the few times she did, she’d let you know beforehand. Niko checked her phone again. No new messages. A thought drifted into her mind like a dark cloud over the sun, taking all the brightness and warmth of the day with it. Crystal had told them stories from before she lost her memories, of the horrible things she’d done to friends and strangers alike. (To warn them off, Niko and Edwin privately thought.) What if one such thing was asking out some loser, only to stand them up and go laugh behind their backs with some friends? What if it’d been a joke all along? Or: Niko doesn’t quite get the first date she was expecting.

October

nectar, affection, truth: dead boy detectives, palasaki

if a girl looked at me like That i would simply perish Or: Art of the Look™ from episode 8.

it was only a (demonic) kiss: dead boy detectives, palasaki

“I need to talk…” Crystal took a deep breath and continued, “…to the thing inside Niko. The demon. I have a really attractive offer.” The demon forced Niko upright in jerky, unnatural movements, the fully black sclera only adding to the horror movie effect. Nothing at all like Niko’s sweet brown eyes. Crystal fought back a shiver. “You’ve got nothing I want, sweetheart. I just need to read one pesky little book, and then I’ll be on my way! So stay out of it.” Or: A newly sprite-free Crystal will do whatever it takes to save a victim of demonic possession: her neighbor, Niko Sasaki.

(if you cut me) i'll bleed pink: dead boy detectives, palasaki

Crystal was just opening her locker, the first time she saw her. The most beautiful girl in the world, probably, all shiny black hair and wide eyes, a cute outfit and an even cuter smile. Crystal could swear that when their eyes met, the world lit up with stars and hearts and bright pink light. She couldn’t look away. Or: Crystal meets someone new at the high school her parents shipped her off to.

can't see the stars for clouds: dead boy detectives, palasaki

“So, what do you do around here?” Niko asked, when all the introductions had been handled, and she and the cloud goddess – Crystal, a pretty name for a pretty goddess – stood just within sight of Edwin and his sun god suitor. After all, being chosen as a chaperone for this celestial courting was the highest honor imaginable – unless you were the moon god’s best, and maybe only, friend. Or not anymore, by the look of Charles’ easy smile and the loosening line of Edwin’s shoulders, visible even through the veil. Niko sure hoped so. It would be nice for Edwin to get a friend out of this union, at the very least. She hoped for more, but then, she’d always been a romantic. Or: The star and cloud goddesses must chaperone the courting sun and moon gods. However shall they pass the time?

when you see the flashing of the lights (remember you're in love tonight): dead boy detectives, palasaki

“I’m… I’m right across the hall,” Crystal said, not quite sure where she was going with this, only that she wanted this girl to keep looking at her. Forever. “If you…” “I like your jacket!” the girl interrupted, and slammed the door in her face. Crystal blinked a couple of times, quickly, and it was only around the tenth one that she realized the world had changed. It appeared… warmer, almost. The lights looked different from the walls looked different from Charles’ shirt as he asked, “What are you doing?” Or: Seeing your soulmate makes the world gain color. So do the dandelion sprites. What could possibly go wrong?

grinning from ear to ear in purple lace: dead boy detectives, palasaki

Every manga Niko read, every movie she watched, the smutty fanfiction she’d devoured from what was a probably too young age – all of them said the same thing: sex was a serious thing. You had to be amazing at it, even if it was your first time. You had to know exactly what your partner wanted. You had to look hot the whole time. You were not supposed to laugh during it. Or: Niko and Crystal’s first time.

it'll seem more like a song (when you pull on my hair): dead boy detectives, payneland

The implications of Charles putting up a ‘Closed’ sign took a slow, syrupy second to filter through. Charles had planned this. Impetuous, spur-of-the-moment Charles had planned this. At the same time, from his position mouthing at Edwin’s clavicle, Charles murmured, “Can I try something new?” Or: Edwin and Charles have some fun with his long hair.

memories decay into these stories: dead boy detectives, payneland

“Everyone has a place. Don’t you want to know what yours is? It might be wonderful,” the Night Nurse told Charles, her voice soothing as a lullaby. Charles faltered at the Night Nurse’s words. His shoulders loosened; his cricket bat descended out of its ready position. Stood behind him, Edwin could not see his expression, but he could imagine it well enough: a slack expression, morphing slowly into wide-eyed wonder. Charles took a dazed step toward her. And, in the single most selfish act of his entire existence – Edwin darted after him, clutching handfuls of his coat, and tried to hold Charles back. Or: The Night Nurse says a little less. Edwin does a little more. They all deal with the consequences.

(call me baby) run his hands through my hair: dead boy detectives, payneland, palasaki

It had been quite some time since Charles and Niko, armed with a truly astonishing amount of clothing, disappeared into the office’s spare bedroom. Only their murmurs and the occasional bright peals of laughter were audible through the walls, providing no hint as to what they were doing. Edwin and Crystal had been relegated to the main office to ward away any would-be clients on the agency’s official day off. Or: Charles gets a makeover! Edwin gets a makeover! Everybody gets a makeover!

we would be so good (if we were given the chance): dead boy detectives, payneland

“Kinda makes you want to write your own poetry, doesn’t it?” It was a split-second of an expression – a sideways flash of the eyes, a tinge of colour in the cheeks – before Edwin said, composed as always, “Indeed. But that is a task best left to the professionals, I believe.” Anyone else would have missed it. But Charles wasn’t in the habit of missing things, not when it came to Edwin. “Wait,” he said slowly, and Edwin’s eyes were already closing in defeat. “Have you – You’ve written poetry?” Or: Charles, Edwin, and poetry.

November

love's so strange (so real in the dark): dead boy detectives, payneland

To illustrate his point, he gave Charles’ necklace a sharp tug. Charles did not answer the question, because Charles’ eyes were slipping shut and his lips were parting around a pretty gasp, the necklace slackening under Edwin’s finger as Charles followed the motion down – “Charles…” Edwin whispered, and it was not quite a question and not quite a warning. If he were to be brutally honest with himself – something he rarely allowed – it was simply to feel the shape of it in his mouth. “Tell me to stop,” Charles said at last, breaking the charged silence between them. His voice was hoarse. Edwin swallowed with difficulty. Charles’ eyes dipped down, and his ridiculously long lashes accenting the motion, until there could be no doubt that he was staring at Edwin’s mouth. “Tell me to stop, and I will.” Or: In another universe, the doorbell doesn’t ring.

take the ribbon from your hair (shake it loose, let it fall): dead boy detectives, payneland

In mere hours, Charles would tie his hair back, out of the way of their work. Sometimes he missed a strand, which would then frame his face most fetchingly. Terribly tempting, that one curl, not to mention the fantasy of tucking it behind his ear and then ravishing him beyond what his poor hair tie could contain. For now, there was no such restriction, and so it was yet another thing Edwin planned to take full advantage of. He took hold of Charles’ hair and simultaneously set his teeth against Charles’ neck. Charles’ grip on him tightened. With a barely perceptible pop, Edwin’s shirt vanished. Or: The first time Charles vanished Edwin’s clothes.

a lap dance club without the dancers: dead boy detectives, (sapphic) payneland

The woman was a sight and a half. Glazed eyes, dark strands of hair sticking to flushed cheeks, the proper button-down doing nothing to hide the way her chest heaved with her rapid breaths. Easy. Charlize had barely started. And, oh, there was still so much she planned to do… Or: A lap dance gets a little out of hand.

December

need an adversary (to my down-to-marry): dead boy detectives, palasaki, payneland

The guests all stood and turned back to face the doors as they slid open. The music rose to a crescendo, and in walked Edwin, beautifully dressed and clutching a spray of flowers. He was wearing that small and secret smile that Charles knew better than his own, strutting down the aisle like it was a runway privileged enough to feature him. Charles couldn’t take his eyes off him even if he wanted to. The world and everyone in it faded away, ‘til Edwin was all he could see. If Charles could choose to live in this moment for the rest of forever, he would. Or: A real wedding; a fake relationship. What could possibly go wrong?

tagging @tragedy-machine, @lolotr, @aletterinthenameofsanity, @c-rowland, @shadowquill17 and whoever else wants to take part! <333

[cuteandhughesy]

You Are In Love | Matthew Knies (playlist)

summary: imagine my writing has been turned into a film - complete with a soundtrack that perfectly captures the essence of the scenes and helps you visualize the words you’ve previously read and bringing them into movie format ✨

warnings: descriptive scenes that may include suggestive and/or smutty dialogue | songs and artists that you may not like | read at your own discretion

a/n: welcome to the first instalment of my playlist series ! check out the masterlist to check if your favourite fic of mine will be published in playlist form :) this series will not only provide extras explanation of scenes from the fic, but dive into clues you may of missed ♥️

link to you are in love

───────── 🎶 ─────────

I WANT TO HOLD YOUR HAND BY THE BEATLES

track 1: the opening track

picture the mini credits/ introduction at the beginning of a classic rom-com movie. usually its scenery and/or brief, 1 second scenes complied together to give the viewer a sense of direction.

for you are in love, I picture that kind of style — but the movie realistically wouldn’t start like the fic. in the writing, you’re thrown right into the story—finding out matthew is coming to live with you and your family. but in a movie I would want that to be different.

I picture the reader perhaps rushing through the arena, needing to get back home and edit some footage. a montage clip of her moving through the arena, dodging people as she makes her way through the space—and that’s where she runs into matthew knies.

the two would look at one another—maybe he steadies her before she falls—and he briefly recognizes her from the filming she’d been doing earlier on the ice. there’s an unspoken moment there, before the reader rushes away with a quick apology. leading into her going home, getting settled and then answering the call from john about matthew coming to live with them. that’s brings you right up to the beginning of the book.

I like the overall vibes of this song, and I would choose it to play throughout the beginning montage scene of this movie. right after the reader learns matthew is coming to live with her and her brothers family, you see her shocked/nervous face and then the title screen pops up—the song coming to its full tilt before ending.

LOVE BY LANA DEL REY

track 2

you and matthew are in the car, chatting casually on your way to the coffee shop. the day is dreary, adding to the ambiance of the city. inside the car is warm and a little foggy, and you’re stealing glances at matthew as he drives.

this song is playing through the radio—shuffled on your playlist—creating a soft sound in the background of the scene. there’d be sweet laughter and more secretive looks at one another, which I feel sets up that romantic, lovey dovey vibe this story has.

CORNELIA STREET BY TAYLOR SWIFT

track 3

this song would play on two separate occasions. the first of the two begins gently—you and matthew getting back into the car after collecting the coffees from the store. your phone begins to play this song, the begging instrumentals in the background of the scene. matthew brings up the idea of a taylor swift themed question for your work—which is a good idea.

the second time, although still related to the taylor swift question, happens during that actual scene. you’ve been asking the players what their favourite taylor swift song is with your mini microphone, and when matthew comes over to you (in a surge if jealousy) and you ask him his favourite, he says cornelia street.

both times you hear this song, it is only the instrumentals.

as well, matthew said you were in you lover era—and this song is from that album, adding to it all.

GLUE SONG BY BEABADOOBEE

track 4

matthew keeps glancing over at you, both of you only illuminated by the movie playing on the tv. the movie is heard in the background, kate and matthew’s distinctive lines playing out.

matthew and you are at that point of crushing where you want to spend every waking moment with one another—despite your stomachs swimming in nerves.

as you and matthew begin to tease one another, the movie sound is replaced with this song, playing gently in the background.

LOVERS BY ANNA OF THE NORTH

track 5

matthew and you are in the locker room after his injury. there’s a soft moment, one that includes the beginning of the relationship between you.

in the conversation, as the vibe starts to shift and matthew begins to crack jokes the song would start—the beginning instrumentals.

the chorus of the songs hits as soon as matthew and you kiss, continuing into the rest of the scene—including when they’re are texting one another later that night.

this is one of my favourite movie esq songs and the upbeat, lovey vibes are what I feel would hold best with this first kiss scene.

MIDNIGHT LOVE BY GIRL IN RED

track 6

I don’t have a specific scene tied to this song—not in the fic anyways. I picture this song playing after matthew and you have a talk in the kitchen, essentially established what is going on between you.

obviously he’s going back to arizona for a few weeks, so for this song I picture a set group of scenes, going between matthew in arizona and you and toronto—sharing texts and facetimes.

the song has that vibe of secret/forbidden relationship that I feel really portrays the secrecy between you.

FALLIN IN YOU BY COLBIE CAILLAT

track 7

another song without a specific scene, but rather a group of scenes. this cute and upbeat love song would play throughout a variety of scenes, including; getting the mail together, sneaking in each others rooms at night, kissing behind everyone’s backs, sex, coffee runs, answering questions with the team, looking across the room at one another—flirting without words.

this song is one i’ve always loved—believing it to be an anthem for this fic.

this song would continue into the shower scene, where matthew and you are soaping each other up, giggling and kissing—but, the song would abruptly stop when aryne knocks on the door. the abrupt stop translates to your and matthew’s shock, not expecting your sister-in-law to be home yet.

UNIVERSE BY KELSEA BALLERINI

track 8

you and aryne have cooked dinner (after you practically getting caught with matthew in the bathroom) and just when you thought you’re in the clear, aryne calls you out.

you’re both on the couch, cuddling under the blankets when she tells you that she knows. at first you’re emotional—panicked—scared that everything will be ruined.

but she reassures you that it’s okay, and she would never spill the beans if you didn’t want her too.

I chose this song specifically to play after aryne says, “y/n, he looks at you like you created the universe—like you could do no wrong. and you look at him the exact same. I just knew.”

this beautiful love ballad would begin to play during this scene, softly in the background as the conversation progresses—continuing as matthew takes you up to bed.

WE FELL IN LOVE IN OCTOBER BY GIRL IN RED

track 9

matthew’s birthday scene, although in the fic is a little more raunchy, would be different in the movie—sweet and cuddly. essentially the same conversation that leads up to the blowjob, but just skipping over that part in a film—perhaps just alluding to that.

the instrumentals of this song would make another appearance—playing when matthew tells you that you’re his best friend after your little tiff. this is one of my favourite moments in the books, and I feel the music of this song perfectly captures the essence of the scenes.

ITS BEGINNING TO LOOK A LOT LIKE CHISTMAS BY MICHAEL BUBLE

track 10

christmas has approached in the story. the beginning instrumentals of this song would start near the end of the previous scene—which was john telling matthew and you that he’s okay with your being together. so the vibes are up!

you and matthew are at the christmas market, shopping for family and this song is playing through the scene, transitioning to the background as you and matthew begin to talk.

this is the scene where you see the snow globe you love—which eventually you open on christmas morning.

YOU ARE IN LOVE BY TAYLOR SWIFT

track 11

the final scene of the story—christmas morning and you’ve just opened your snow globe from matthew. the beginning chords start playing in the background, gradually building as the scene comes to a close.

in that moment you feel seen—you are in love.

a call back to the beginning of the story when matthew and you are on your way to tim hortons, discussing you’re respective taylor swift eras. as previously discussed, yours is lover—hence cornelia street. matthew says his is 1989–hence the title of the fic.

[wolfstarlibrarian]

9 books to read in 2025 (sweet + spicy)

Thank you SO much to @eyra for tagging me! I love an excuse to talk about books.

I had SO much fun reading these books I'm excited to share them, so pretty please let me know if you read any of them? I might put anon asks back on because I'm so eager to discuss them. Also, all of these books have HEAs.

Also, I'm working on related marauders lists for almost all of these, so stay tuned!

🌶️ = the more peppers the spicier it is

🍭 = the more lollipops the sweeter it is

Captive Prince: 🌶️🌶️🌶️🌶️🌶️

This series is one that ifykyk. It's a dark, dramatic, sexy mlm series set in a pseudo historic age and WOW. If it was a fic it'd come with tons of warnings and tags, but there's also an underlying softness between the main characters. Lots of angst and drama and characters you can't help root for. DEFINITELY an 18+ rec so please proceed accordingly.

Johann: Vampire Mates: 🌶️🌶️🌶️🌶️🌶️ 🍭🍭🍭🍭🍭

I already rec'd one of the books in this series here, but this one is tied for my favorite. A modern soulmate/vampire au that's got humor, the CUTEST cinnamon roll who's inexperienced (and hundreds of years old), a russian mobster, and just enough angst to make me you ache.

Boystown Heartbreakers: 🌶️🌶️ 🍭🍭🍭

If you're a wolfstar fan, then you'll absolutely adore this friends-to-lovers modern story about a hairstylist who is so worried about dating his DROP DEAD GORGEOUS best friend. All the internal turmoil paired with a book boyfriend you'll absolutely love, and lines that actually had me laughing out loud makes this one of my top reads for the year.

The Charm Offensive: 🌶️🌶️ 🍭🍭🍭

This one totally surprised me with how well it dealth with mental health issues in the middle of a VERY charming story about falling in love with someone (when it's literally your job to help them fall in love with someone else). A bi-awakening and oblivious pining gem. If you want more fics that feature a reality show check out this rec list.

Myles Below Freezing: 🍭🍭🍭🍭🍭

Okay can someone alert the Hazelnoot server? Because this one feels like a cross between Solntse and Sweater Weather. Myles (a cinnamon roll, nerdy Remus IMO) has to solve a murder mystery at the South Pole while trying not to fall for the sweetheart Russian Alexei. The banter is incredible and honestly my friends and I need a second book about the lesbians in it. Forced proximity, oblivious DATING, anxiety rep, action and chase scenes, cuddling, and locked-in together all in one.

Sapphire Sunset: 🌶️🌶️🌶️🌶️🌶️ 🍭🍭🍭

If you don't know Chris Rice, he's the gay son of Anne Rice (author of Interview With A Vampire) and thank god he's followed in her footsteps because his romance books are SO good and intense and yet fluffy? It's a ton of drama about an ex-marine and a hotel heir and a family scandal for the books. Feels delightfully like an age-gap modern Drarry book.

Lightning Born: 🌶️ 🍭

A friend recommended me this Frankenstein mlm retelling, and I was like "ew, no". However, I was completely surprised by how much heart it had, and how much it reminded me of R/S. Amnesia (due to ya know, dying), forbidden love, some serious angst, and thankfully a HEA that includes lesbians getting to live out in the tropics.

Honey Girl: 🌶️🌶️ 🍭🍭🍭

This is the only book on the list with wlw as the main pairing and by god, it's beautiful. The writing style gripped me on the first page and I've been recommending it to everyone since I've read it. Imagine waking up in a hotel room in Vegas, by yourself, with a wedding band on your finger and a note. The whole book feels like an intimate love letter and it should absolutely be on your TBR.

On Writing

No spice or sweetness in this non-fiction book, because it's a book by Stephen King on writing. Whenever I talk to anyone who's struggling with their craft I always recommend this book. It's short, to the point, and will leave you feeling much more confident in your abilities while helping you improve your writing. 10/10.

⭐

Okay well I hope you enjoy these recs! I've turned on anon asks so please share your thoughts or your own recs as I'm always looking for new books and fics to read. (We'll just ignore how long the TBR list is already...)

Tagging: @thedrarrylibrarian @wolfstarwarehouse @wolfstarmicrofic @pancakehouse @imsiriuslyreading @lavenderhaze @rainbowrowell @gayliketheancients @brandileigh2003 @mrtellmeafckingsecret @imjusthereforwolfstar And ANYONE ELSE who also love books

[thejakeformerlyknownasprince]

To address some further points that the notes have been kind enough to bring up, it would appear further debunking is needed. To be clear, I get that most people don't have my encyclopedic knowledge of a series that ended a quarter century ago and are getting their information filtered through fandom. However.

"She doesn't acknowledge the sacrifices her friends make for the war effort."

Counterpoint:

"I guess I'm not you, Tobias. I guess I'm not willing to make the sacrifices you've made... That can mean... I'm a coward. I'm selfish." (Cassie, #19)

"'Each day, each battle, each mission, I just feel less and less.' ...I turned to Jake. He made the ghost of a smile and nodded his head. He understood. He knew. It was happening to him, too." (Cassie, #19)

"Cassie put her arm around my shoulder. It is a human gesture of comfort. 'You okay?' she asked. [Ax just rejected the only 3 other andalites on the planet.]... Cassie held my hand, and in the darkness where no one could see, I cried." (Ax, #38)

"She [Rachel] had this way of seeming untouched by what went on around her. Unaffected. Above... But the war had touched her. She'd changed, and she'd known she was changing... My beautiful, brave best friend." (Cassie, #54)

"'So how is he [Jake], really?' /'I'm not exactly a psychiatrist, Cassie.' /I wasn't going to accept that. "Marco, you have a very subtle mind and you're a good observer. And he's your best friend." (Cassie, #54)

"Jake had done an almost superhuman job of protecting his parents. Both from death and a fate worse than death. Infestation. Until the last time." (Cassie, #50)

"He wants us to just quit the whole thing... But at the same time, it's Marco who is very aware of all the security problems. He's the one who makes sure we never discuss anything on the phone, where enemy ears might be listening in." (Cassie, #4)

In conclusion: I could go on, but she's IMHO more aware of the others' sacrifices than Ax or Marco is.

"Her saving Ax with brain surgery in #29 is a deus ex machina"

Counterpoint: First, trephination predates writing in parts of the world so, a) it can be done without modern tools, b) it can be done without written instruction (which Cassie has), c) it can be done without yeerk assistance (which Cassie has). Cassie doesn't literally trepan Ax, but her surgery isn't far off.

Second... I already brought up Tobias reshaping the history of the entire Earth, didn't I? Aight, how about:

Marco predicts Visser One's moves months in advance, using information gleaned from 3 interactions with her that each lasted less than 15 minutes (#30)

Ax, who weighs ~100lbs, kills a T. rex that weighs ~25,000lbs using only his tail (MM2)

Rachel fights three hork-bajir controllers, injuring two and killing one, with no morphing and only melee weapons (MM4)

Tobias catches an arrow in midair, intercepting an object traveling at over 200 MPH while himself traveling at up to 60 MPH and actively being shot at (MM3)

Marco and Ax hack the CIA database in an afternoon because they're bored (#48)

In conclusion: It's a superhero story, ffs.

"Her ability to morph well is rarely or never helpful"

Counterpoint: This one has got to be down to OP not having read the books in ~20 years.

In #37, she morphs her way out of shackles without revealing she's human by only demorphing parts of her polar bear legs.

In #44, she pulls a similar trick by breaking into an airplane with human fingers while still 90% gull.

The default "nuclear option" (MM1, #24, #34, #39) is for the kids to drop Moby Cassie on their problems, a strategy that never fails to get results — and that hinges on Cassie being able to turn into a whale ultra-fast while retaining some of her bird parts.

In #9, she saves everyone's lives by regaining control of her termite morph long enough to kill the queen, something none of her friends can do.

In #3, #21, and #26, she saves fellow morphers from being trapped by helping them demorph.

In conclusion: Cassie being a skilled morpher doesn't become useful quite as often as Tobias's flying skills or Ax's lightning calculation, but it's a close contest.

"She's the one who pushed the others to dump oatmeal in the yeerk pool and later to drop a nuclear bomb on it."

Counterpoint: This one has got to be down to OP not having read the books in ~20 years, but also it's extremely telling that this false rumor is making its way around the fandom. I'm sure someone's come up with a way to blame her for the JFK assassination and the Mount St. Helens eruption while they're at it.

"'Cassie?' I asked. 'What do you think?' /... When she turned around, I was shocked. She had a stricken look. 'I... I don't know anymore, okay?... All the rights and wrongs, and all the lines between good and evil...' Cassie hugged herself." (Rachel, #17)

"I kicked the rest of the barrels into the pool, just so Marco couldn't possibly miss. Then Cassie went off to free the others... «Marco has to shoot,» I said... /«He's not leaving us any choice,» Tobias said grimly. He hopped over to sit on Marco's shoulder. «You're aiming high,» he said. «A hair lower...»" (Rachel, #17)

[Jake and Eva discuss bombing the yeerk pool] "«You know, maybe we should rethink this,» Tobias said. /'Yeah, we should,' Cassie agreed. 'This mission is way too heavy with bad karma.' .../'I'm out,' Cassie said hotly. 'I thought that maybe... but I can't. And I can tell you my parents are out, too.' .../ Cassie turned to walk away, but Jake grabbed her sleeve. 'Cassie! Come on.'/ 'Come on what! ... You don't knowingly take innocent life. Not if you're a decent person. I thought you knew that, Jake.'" (Ax, #52)

"'Cassie's going [on the mission],' Jake said. 'If there are tough decisions to be made along the way, I want Cassie to make them.' .../'Cassie!' Marco sighed. 'We increase the risk...' /«Cassie is right,» I said abruptly. «We agreed to give a full five minutes to those who wish to escape. To give them less would be dishonorable and inhumane.»" (Ax, #52)

In conclusion: She's capable of tough calls when they need to be made. But she always opposes slaughtering unhosted yeerks.

"Cassie is preachy and moralizing"

Counterpoint: I could bring up all the times Jake outright scolds someone for going against the team, or the times Tobias decides the fate of the world based on a gut feeling, or the times Marco's a straight-up asshole about someone disagreeing with him. But instead I'd like to list Cassie's morals:

Don't kill prisoners of war if at all possible (#19, #52, #16)

Don't ask anyone else to do something you wouldn't be willing to do yourself (#9, #19)

We should maybe stop annihilating every other species on Earth at top speed, even if doing so is good for the economy (#4, #9, #24)

Sport hunting is wasteful (#29)

Hunting for food is not only acceptable, but often a person's only option (#25, #9)

Animals feel pain (#4, #28)

Animal experimentation, especially for cosmetics, is cruel (#28)

It's better to fuck up by saving a life than by taking one (#19, #29, #50)

An eye for an eye will leave the whole world blind (sometimes you have to compromise) (#41, #52)

In conclusion: The environmentalism is the obvious place where Cassie's idealism has stood the test of time, far better than Marco's mockery about logging limits being the same as "let dogs vote!" (#9). But if we take a step back from the idea that the point of war is winning at all costs (again: if you want that, play Call of Duty) then most of what Cassie supports seems downright reasonable. You don't have to agree with her on everything — I'm in favor of culling animal overpopulations with sport hunting — but in a lot of ways she's less extreme in her views than Marco or Ax.

So I'm putting together an In Defence of Cassie PowerPoint for a PowerPoint night with friends. Do you have any arguments for or against her? I trust your opinion and am curious.

Let's see.

"She's too powerful, too unique, too far-seeing, and not good enough for Jake! What a Mary Sue!"

Counterpoint: May I introduce you to the reigning champion fan favorite, Sad White Boy Tobias?

Only nothlit ever to regain the ability to morph

Only known human-andalite hybrid ever to exist

Regarded as savior by entire hork-bajir species

Entire existence is a time paradox the war hinges upon

Pulls the canonically "most beautiful girl in our grade", who turns down 6 or 7 other offers in favor of Bird Boy

Correctly predicted planetary ecology 65 million years in advance

Believed to be immune to 2-hour limit

In conclusion: y'all wouldn't be crying "Mary Sue" if Cassie was a sad white boy, and I can prove it.

"She's too weak and hand-wringing, and she never helps the war effort!"

Counterpoint: First of all, the fact that the same people say this in the same breath as "she's too powerful" is... telling. Secondly:

She saved the entire team's lives in #24, in #29, in #44, and in MM1, among others.

Specifically calling out #44 — that ending shows she is willing and able to be ruthless when her friends are in need. She doesn't like slaughtering human-controllers, but if the alternative is everyone she loves dying, then she'll fucking well do it.

Much like Jake (see: Sad White Boy), she's more willing to risk herself than her friends, hence the end of MM1

Her medical knowledge saves Marco from rabies, Ax from brain!appendicitis, and Tobias from bird flu.

Her survivalist knowledge saves everyone in #25 (the Arctic), MM2 (Cretaceous Era), #11 (rainforest), and #14 (desert).

In conclusion: Cassie's only idealistic-looking by the standards of this extremely morally gray team.

"She's so unfair to Jake!"

Counterpoint: Jake? The Jake who refused to speak with her for weeks? Jake who proposes marriage while they're still broken up? Jake who announces he'll never trust Cassie again because she [checks notes] saved his brother's life? That Jake?

Also:

She gives him tons of emotional support in #16, #21, #47, and other times he's feeling low.

They have a healthy argument where they air differences and come to an understanding in #9.

Did I mention he doesn't just dump her but ghosts her in the middle of the war's endgame?

They're teenagers. Their relationship isn't perfect, but it is built on open communication and mutual respect which is more than Rachel and Tobias can say

She's fighting a war, and PTSD for that matter. No, she doesn't have infinite emotional bandwidth.

In conclusion: Their relationship is fine, their breakup is mutual, and her behavior only looks bad if, once again, you're holding Cassie to a different standard than you are Jake.

"She shouldn't have trusted Aftran!"

Counterpoint: friendly reminder that the alternative was killing a 6-year-old for being in the wrong place at the wrong time. If that's what you think Cassie should've done, that tells us more about you than about her.

"She spends too much time moralizing!"

Counterpoint: this is a book series about war, not a friggin' video game. If you want moral pornography, go play Call of Duty. If you want sci fi realism, then you're going to have to accept that a majority of humans prefer not to kill their fellow humans if at all possible.

"She's a ripoff of [insert character here]!"

Counterpoint: literally every single one of these says more about the commenter than about the source work. "Every dystopia is set in the U.S." is the kind of thing only people who only read books by American authors would think. "All epic fantasy is Eurocentric" => tell me you only read books by white people without telling me. I'm glad you think Cassie is too similar to Willow Rosenberg, but there are at least 6 other stories in the known world, and I hear some of them even feature sweet/dorky/caring characters who are secretly ultra-powerful.

In conclusion: You don't have to like Cassie as a (fictional) person, but 85% of criticisms directed at her are bad-faith attacks on one of the 1990s' only fat Black female gnc ultra-powerful superheroes.

[skyfallscotland]

Twisted Love, by Ana Huang 📷

“I never claimed to be Prince Charming, and my love isn’t a fairy-tale type of love. I’m a fucked-up person with fucked-up morals. I won’t write you poems or serenade you beneath the moonlight. But you are the only woman I have eyes for."

I was so close to DNF'ing this, and honestly, I hate-read my way to the end. It's a shame really, because I feel like Huang isn't a bad writer per se, but her characters are completely intolerable (to me) and she needed to make better choices about what was included in this book.

Firstly, this book has every trope you could possibly imagine and I am not exaggerating. This is every wattpad story ever written crammed into one (too long tbh) book. Brother's best friend, grumpy-sunshine, billionaire CEO who doesn't like anyone else, crazy ex-boyfriend, one bed, family members out for your money, family members who wanted to kill you, oh shit actually you're adopted—everything. EVERYTHING. It's too much.

And even if we put that aside...let's move onto the characters.

Ava: the girl with so much trauma she has night terrors and a mysterious past she can't remember, whose father acts like he hates her, whose ex stalks and manhandles her, and oh yeah, she's SO nice and SO happy and just the BEST PERSON EVER all the fucking time, because none of that affected her. At all. ✔️ Check.

Alex: What isn't Alex Volkov? No seriously, what can't he do? And that's not a compliment.

He drove the same way he walked, talked, and breathed—steady and controlled, with an undercurrent of danger warning those foolish enough to contemplate crossing him that doing so would be their death sentence.

Alex’s parents had died when he was young and left him a pile of money he’d quadrupled the value of when he came into his inheritance at age eighteen. Not that he’d needed it, because he’d invented a new financial modeling software in high school that made him a multimillionaire before he could vote. With an IQ of 160, Alex Volkov was a genius, or close to it. He was the only person in Thayer’s history to complete its five-year joint undergrad/ MBA program in three years, and at age twenty-six, he was the COO of one of the most successful real estate development companies in the country. He was a legend, and he knew it.

“I’m not bragging. I have hyperthymesia, or HSAM. Highly superior autobiographical memory. Look it up.”

Stop. Please, I'm begging you.

And if you thought that might have just been her thoughts about him, well...

I didn’t do sweet nothings or lovemaking. I fucked a certain way, and only a specific type of woman was into that shit. Not hard-core BDSM, but not soft. No kissing, no face-to-face contact. Women agreed, then tried to change it up halfway through, after which I’d stop and show them the door.

You like to take a woman from behind and throw in some dirty talk and degradation babe, it's really not that deep 🥴

It's giving ✨i'm not like other guys✨

So anyway after we filter through at least 3178920 predictable plots and sideplots and just sideways journeys that didn't really need to be in here, finally we get to a third-act breakup (his choice) after which he decides he doesn't like (his choice) and decides to stalk her. For over a year.

“I’ll file a restraining order against you. Have you arrested for stalking.” “You can try, but I can’t guarantee my friends in the British government will comply.” His face darkened. “And if you think I’m leaving you alone and unprotected anywhere, you don’t know me at all.”

Ummm bro, the only danger to her here is you, are you kidding me? And sunny old Ava who was literally stalked by her last boyfriend (and it was a whole damn plot point) is like you know what, I love this guy who's stalking me! I'll give him another chance! Sure!

But wait, wait, wait, only after he serenades her with a love song. I'm not kidding. Oh, and you guessed it—voice of an angel, because there's nothing Alex Volkov can't do.

Personally I feel like ten years have passed since I picked up this book yesterday and some chick was stranded in the rain on the side of the road.

Also, minus ten points for

thick, and hard as a steel pipe—

Just...no. Just no.

I'd love to have something more positive to say but I really don't have anything. The side characters were more tolerable than the main characters and that's the only reason I'm wondering if I should subject myself to the next book in the series, but honestly? I really don't think I can. I wish I'd picked up one of the fanfics on my TBR instead 😶