#i want to draw so much more of them but i have a job

[nerdygirlramblings]

Hello! Ive been binging poly!141 and I keep coming back to your writing for my fix (because by now its basically an addiction😅)

I had this idea that the 141 are together with a civilian reader. And civilian reader works in retail, part time, and is mostly at home. Normally, they would be home by the time their boys came home, welcoming them with open arms, a hot plate of food, and time to rest and relax. But this time, the 141 get home early and realize where reader works: Walmart (or equivalent). Reader has been keeping this a secret cause they know its not cute like a coffee shop or cool. Its just their job. And now the most important men in their life know. Im thinking the 141 found out because they went grocery shopping and happened to come across reader or something similar to that.

I work at Walmart and it sucks🥲 thought that maybe something like this might help😅

Tysm, nonny! So happy to hear you like the writing. I hope this does your idea justice. (Walmart doesn't have stores in the UK, but they own ASDA.)

Also, thank you for my first request! 🫶🏻🫶🏻

pure fluff, bad accents (per usual)

Your boys find out you work part-time at ASDA on a random rainy Thursday in March.

You don't really need a job. All four of your lovers are officers with the British army. Prior to you, they all lived in base barracks. Prior to you, they lived fairly Spartan existences. Prior to you, most of their income sat in the bank, quietly accumulating.

They have plenty of money saved up that they love using to spoil you, when you let them. You know that if you asked, they'd give you everything, but you draw the line about asking them for an allowance like some tradwife. You want some pocket money of your own. Thus, the part-time job at the ASDA in town.

You're a people person, good at handling big personalities. You need to be to keep up with your boys. Between John's need for control, Simon's stoic dominance, Johnny's aggressive enthusiasm, and Kyle's blinding charisma, you aren't some shrinking violet. Within a week of your hire, your manager watches how you weather a nasty piece of work trying to demand concessions you aren't permitted to give and immediately puts you in customer service.

You're nearly unflappable in the face of frustrated pensioners and harried parents and entitled young professionals. Over and over, you're the one they call when a customer is going spare. Which is how your boys find out about your job.

They've been deployed for over two weeks, and you have no idea when they'll return. John had originally said they'd be gone for at least a month, so you aren't expecting them home any time soon. However, they'd come home much earlier than anyone thought, and they wanted to surprise you.

You're always so good about making the house feel like a home, with your bright smile and warm laughter, your home cooked food and soft touches in decor. You make them feel like people, not weapons, and they want to return the favor. This last deployment had been hard, and all four of your boys were missing your sweet voice and tender care. They wanted to show you that they loved and cared for you the way you always showed your love and care for them.

It was Johnny's suggestion to prep a meal for you as both a surprise and a thank you. After debrief, they pile into the car and decide to stop at ASDA for everything they need before heading home to surprise you. It's John who causes the code call.

You hear Susan's voice over the store-wide address system. "We could use a little Sunshine in the floral department." That's your cue. You finish with the pensioner at your till as Jacob, your manager, comes over to relieve you.

You take a deep breath and square your shoulders. In your experience, a Sunshine call in floral is a man angry the store doesn't have the fancy arrangements listed on the website. You wish the signage on the site would be more clear that the beautiful bouquets are online orders only. It would save you having to explain why the offers in store are so limited.

You hear him before you see him, smokey voice grumbling, "But if they show the bloody thing on the site as available, you should have it hear." You'd recognize the voice anywhere. He's not angry, not really, but Susan doesn't know that. Add in the sheer size of him, and Simon looming over his shoulder, it's no wonder she called for support.

You have never wanted to walk away from a situation as much as you want to right now, but before you can make an escape, Susan notices you over John's shoulder. Her little wave is enough for your men to notice, and they turn as one to see you coming towards them. Immediately their demeanor shifts. Simon's back sags as though his strings were cut, leaving him loose-limbed. John stands a little straighter, chin up as if to impress you. They've both broken out in smiles, though Simon's are only evidenced by the laugh lines you know to look for. It's only as you get close do they zero in on the badge on your shirt.

"I've got this, Susan," you say to your co-worker. "Jacob's on my till. Can you cover?"

Susan wrings her hands. "Are you sure you don't want me to stay and-"

"They're nothing I can't handle," you tell her, cutting off her worried rambles. There's a cheeky glint in your eye as you flick your gaze at your men. You clap your hands together and say, "Right, let's get this settled, then."

Susan takes one quick look between you and the now slightly less intimidating men and heads towards the front of the store.

Once she's out of earshot, John's face breaks into a frown. "What're you doing here, love?" He glances at your name on your chest again. "You work here?" He sounds almost hurt by the revelation. You can tell Simon wants to reach for you, and the only thing stopping him is you working.

You hear heavy footfalls behind you as Johnny's Scottish lilt reaches your ears. "Och, Cap! Ye said ye'd only be a moment. Gaz and I had a hell of a time getting the trolley on its lift ta find ye. How hard is it to buy bon..." His question dies on his lips as you turn around. "Bonnie?" He, too, sounds hurt to find you working here.

You can see Kyle over Johnny's shoulder, confusion written across his features. This is not how you wanted your boys to find out about your job, if you ever wanted them to actually find out. You thought maybe you'd surprise them with tickets to Hereford FC's opening game in a few months. And if they asked how you afforded them, you could handle this conversation then, but it's out of your hands now.

And as much as you don't want to have this conversation, especially not in the middle of the floral department, you can't stop the wide grin at seeing your boys again, home and whole.

"Hi, boys," you say, opening your arms. Disappointed he might be about finding you here, Johnny's no fool. He immediately steps into your embrace, and the others quickly follow suit. You're swallowed up by the smell and feel of them. The hug lasts one minute. Then two. Then they all slowly step back.

You can see the questions and cut them off before they get started. "I have another three hours before I'm off. We can talk at home, and I'll tell you anything you want to know."

John nods first. He recognizes your tone. You won't let them derail you for answers now, and they would be wasting their breath to try. "You heard the lady, lads. Let's get home."

They start to walk away when you tease, "Captain? Was there a reason you were arguing with Susan about the flowers?"

He halts his steps and turns to you, flush creeping up his neck. He brings his hand up to rub it as he says, "Er, I, we, wanted to get ya something nice, but they don't have the same ones as online."

You melt a little, watching the way your men shift nervously behind their captain. You smile softly and reach over, plucking a bouquet of rainbow poms from the rack. "These are what I usually get for myself when you're away."

John takes them gently from your hand and passes them to Gaz to put in the trolley. "We'll see you at home, love," he murmurs, leaning over briefly to kiss your cheek. Simon kisses the top of your head, fabric brushing your hair. Johnny pulls you in for another bruising hug and kisses your other cheek. Gaz puts his hands on your waist, drinking in the sight of you, before taking your hands in his and kissing your palms.

You watch them leave, wondering how you'll make it through the rest of your shift.

Three hours and fifteen minutes later, you cross the threshold of your shared home to the most delicious scents wafting from the kitchen. After slipping your shoes off next to the piles of boots at the door, you follow your nose back to the kitchen and the spread laid out on the large wood-topped island. There's a roast and mushy peas and mashed potatoes and stewed carrots and battered cod and crisps and spinach all surrounding the flowers you'd suggested, nestled in the vase you love most, the Caithness one Johnny'd bought you on your first trip with them to Scotland.

At the table, your men sit, plates made for everyone, waiting on you. They've changed since you saw them. Gone are any traces of fatigues and tactical gear. Instead they're all in casual civvies, truly home for the first time in nearly three weeks. Simon stands as you come in and pulls out your chair, smile on his scarred lips. "Come sit, doll," he tells you, not quite an order.

You look quickly around. "Let me change," you say, tugging at your uniform top. "I won't be but a minute." You back out of the room before they can stop you. You hurry to your bedroom, pulling your top off as you go. Once behind the door, you slip from your trousers into comfortable leggings and a large jumper, one of Kyle's you think.

By the time you make it back to the kitchen, your men are more than a little antsy. Simon's smile is a little strained, Johnny is fidgeting, Kyle keeps glancing between you and John, and John is staring at you. Your chair is still out. He waves a hand at it, and gently says, "Come sit, love." It's couched as request, but you know a command from your lover when you hear it.

You take your seat at the table. "Listen-" you start, but John cuts you off.

"Are we not providing for ya, love?" You see the hurt in his eyes, how much it bothers him to think he, they, aren't doing enough for you.

"Oh, John, dear, no!" you reply, putting your hand over his on the table. "It's not that at all."

"Then what?" Simon asks.

You look at them all, the expectant faces waiting to hear how they failed you. "I get restless sometimes. I love you, and I love our life. I'm happy to take care of the house and make sure you're all fed after a long day. But I wasn't built for sitting around doing nothing. I like people; being home on my own all day can get lonely. Especially when you're deployed. I also like having my own pocket money."

John opens his mouth, and you know what he's about to say, so you continue. "I know you'd give me any money I need or want, but I like having my money. Money I earned myself." You look around at them, willing them to understand. "It's only part time. Helps me keep a little busy and have a little extra to spoil you and me with."

Johnny is frowning, but you see Kyle, head cocked, looking at you as a puzzle. "I think I understand," he says softly. "You were making you way just fine before us, and you gave up everything for us."

At his words, the crease between John's brow deepens, and you're sure he's remembering the job you had, that you'd somewhat enjoyed, when you'd first met them. You'd been working at RAF Lakenheath, living in a cozy flat in Cambridge, near The Backs, when the 141 had been coming through the base after an op. An injury had put Kyle in the med center for a week, and while he could have been transported to Hereford once stable, Laswell had worked it out for the whole team to have some R&R near the base.

You'd quite literally run into John one day, rushing to your office, after which he suggested lunch as an apology. You quickly became close with all four, smitten with them from the start. In turn, they fell hard for you. They wooed you over the course of several weeks, stopping through Lakenheath on deployments to spend some time with you. Six months in and you were completely gone on all four of them, so when they'd asked you to move to Hereford, you did without ever looking back. But it meant giving up the life you'd led.

Somewhere along the way, your happiness overshadowed all you'd left behind. After a few weeks, being home alone while your men worked started to feel isolating. You liked being a little busy, and there weren't enough projects around the house to keep you busy enough. You'd always been independent, but you didn't want to be stuck in a job with long hours anymore. You wanted to be home for your men. So you'd found the job at ASDA.

Kyle reaches over to where you hand is still on John's. "I'm sorry we didn't ask how you were coping us being gone all day," he says. He looks you in the eye as he continues. "I understand wanting to do something, wanting to be a little busy, and if this makes you happy, then I'm all for it, doll." He gives you a small smile and squeezes your and John's hand.

"Gaz is right," Simon rumbles. "We were so happy to have you here we didn't think about what you did all alone all day." He puts a heavy hand on your thigh, the warmth of him seeping through your thin leggings. "'m glad you have something to keep you from getting lonely."

"Sorry, hen," Johnny murmurs, just above a whisper. "We didnae think a' ye enough." You smile widely at him.

"Johnny, you think of me all the time. This isn't about neglect at all!" You try to catch his eye, but he's looking hard at the table in front of him. "You did nothing wrong, love," you tell him gently.

He looks at you, blue eyes bright. "Ye sure?" You've never seen him this nervous before, and you break a little.

"I'm sure love."

He smiles then, a little smile, but it brightens his face and shifts the mood in the room. You look at John who's been surprisingly quiet this whole time.

He's smiling, but it's a little sad. "I know ya said we didn't do anything wrong, but we feel like we did. We didn't notice you were bored, didn't ask if you were lonely." He flips his hand over under yours and threads your fingers with his. "Yer giving us a gift by not blaming us, and we'd be stupid not to take it, even though it feels like yer giving us an out. Thank you." He brings your hand to his lips and kisses it softly.

"Thank you. I was worried you'd be mad," you admit.

"Never could make us mad with something like this, hen," Johnny reassures you. "I'm sorry we had to spoil your day is all."

You turn back to look at the food on the island. "You didn't spoil my day. You made it. You're home early, and you made such a lovely spread. I think we should tuck in, yeah?"

Simon chuckles. "Point made, doll," he says, scooping a heaping helping of mash onto his fork. The rest take it as a sign to start eating too.

The room is silent save for the sounds of food savored until John pipes up, "Why'd ya come to florals, love? We might have missed ya altogether if not for that."

You giggle. "The sunshine call, John."

"Yeah?" He clearly doesn't understand.

"It's the shop call for a difficult customer. When I'm on shift, it's my job to handle those." You look at each of your lovers in turn. "Seems I've got a knack for dealing with muppets," you tell them with a smirk.

[kyri45]

Hey hey! I wanted ask about ur personal schedule for shadowpeach bioparent comic(i just read through all of it in the span of a handful of hours i am slightly obsessed your work is wonderful)

when it comes to posting/drawing each chapter, how far in advance do you have everything sketched out/ready to go? i saw you also have a webcomic so im sure you have a similar schedule to keep yourself on track.

Are there any tricks that work well for you personally to keep you motivated/working consistently?

hope you’re well! very excited to sit next to everyone else and wait for the next update now lol

I expect you want to know because you might want to do something similar if I may assume?

be always at least one update ahead of time. DON'T post everyday, even if you are in a burst of motivation and u have like 4 chapters ready. DON'T POST THEM. SCHEDULE THEM. Future you will thank you.

There's either the issue of "i can't find motivation" or "I have so much I just want people to see it". You fill fluctuate between both multiple times.

Find a time in the day where you know it's easier for you to draw your stuff (for me it's after dinner). Don't draw until exhaustion. This is not your job.

I repeat.

This is NOT your JOB. DON'T TREAT IT AS ONE! ( I know it's tempting, but I must hold myself when my brain goes "hey, we could add more detail there so that everything is super high quality- NO. IF it's something you REALLY want to do and have fun then yeah sure go ahead. But if you know it would only be tiring but you are doing it just so you think people will like it more, then at that point you are working for the people.)

[mysteryanimator]

Breaking down "Even the Iron Still Fears the Rot" (almost) shot by shot!

The fan-animatic can be viewed here!

HEADS UP: This is a fan-made content. I am a fan. I just love Castlevania/animation a lot and I love storyboarding nuances and making people cry over character dynamics. Also apologises for any grammatical/spelling mistakes!

I wasn't planning to do another breakdown of my own work, simply due to imposter syndrome but I genuinely put so much love and care into this animatic! I want to talk about it! Also, people have been really open to hearing about my inspiration and notes, and why I take the directions I do for my work, even if it's fan-made, so here we go!

(Also the reciprocation of my animatics has been so kind and uplifting, and I'm really glad that there's a lot of love for them as much as I love doing them! I learn and grow with every single board I make, it's been really fun! I hope I get to shine this much passion in the future in actual work!)

Since this is also an adaptation of a fan one-shot by Aquila, (which you can read here!) I knew I wanted to evoke what they had written and interject some of my own nuances/personal readings to their story to elevate what they had! In turn, kind of created this monster (positive) of a fan creation haha. There are some changes/rearranging the placement of aspects of the one-shot to strengthen the existing tension going on!

With this out the way, let's begin!

(heads up, for any shots I completely skip over, it is because I'm reaching image limits here)

I wanted to evoke that strong halo light you see in a lot of media. Often than not, this visual is used to depict the character as a divine force of nature and/or when a character is bobbing in and out of death. It can also be a very very terrifying image, as, for example, s02e8, Mizrak is literally all dark with a brightly lit background. It is scary- BUT people will say hot because it's Mizrak but hey, look, all I can say is I fully understand haha. It all depends on your intentionality and what follows before and after to give context to your scene!

Mizrak is dead. Well, undead now. Olrox is the so-called angel giving him life and love and this halo of light gets repeated a few times!

By the end, not only do their literal positions switch, but their roles shift too so I hoped to convey that visually by also giving Mizrak that halo glow for the second last shot. At the start, Olrox consumes Mizrak’s love, and then it ends with Mizrak consuming Olrox’s love. Guh I love blood themes in vamprisim.

This shot honestly took me a bit to do, since I was going a lot cleaner than usual, the expression for Mizrak was super important for me to get right. I wanted him to look like he was about to die- yet still have an unwavering amount of life in him. (Also I hadn't warmed up drawing in this cleaned-up style so it definitely was me messing around). It was important for me for this to feel like a POV shot to contrast the first scene so we can get inside the mind of Olrox!

This too is where I only have sound effects since I can't have voice so I limit my SFX to the only most vital things to elevate things I personally find better elevate the scene with audio. It only happens TWICE. The heartbeat. His wrist is shown and from context clues from not only S01 of Nocturne with Tera's turning, but a whole bunch of other vampire media- the wrist is a place where the dead accept their new life of immortality!

Also, the pulse effect was definitely inspired by the transformation of Sekmet! I'm not sure personally if this went to a further stage I'd want to keep this since I'd personally want something more unique for vampire turning, more specifically for Olrox, HOWEVER, I think it still does a good job conveying the supernatural pull for the time being!

Wow who saw this coming HAHA

Immediately when I saw the line where Olrox said he went to straddle him immediately, my mind went to go and try to parallel this scene again! I don't have much to say about this shot rather than the feet are purposefully cut out for animation convenience's sake HAHA.

Jumpscare for sudden Olrox character layout (even though he's really off model and sketchy here HAHA)

I was again, wanting to depict Olrox BATHED in light and since this animatic is purely in greyscale (with accents of colour), I could really push for dramatic lighting when it called for it! This is also why some of the scenes just do not have backgrounds at all. I wanted to make some of the scenes as "heavenly" as possible and for Mizrak to be embraced by the light because Olrox is giving him a new a life.

If this were to ever be animated (I won't be since it would take too much of my time, but it's still a good thing to note when boarding anything... maybe I'll do cleaned screenshots since those are a breeze, or animate ONE scene from this animatic... we'll see what I have time for. I unfortunately don't have proper time to try and figure out the layout of s02e8 bgs and paint them. I did consider quickly doing a 3d mock-up but no haha), the light in the background can probably be lit with candles since it was already pre-established in s02e8! Also, the windows can reflect light into the room so there's that too since Mizrak was backlit in that episode too!

Fun fact, this entire scene was the first thing I ever thought up and why I started even making it. I thought about how cool of a visual it would be to have Mizrak's eye in the reflection.

I wanted to imbue the fact that Mizrak does not fear Olrox holding a blade, hell, he's not even looking at the blade. He's looking at Olrox. What is described as a relic from a terrifying past, Mizrak is not scared. Mizrak is not scared of Olrox.

This is where the heartbeat occurs AGAIN. This is mostly to signal to the audience what Olrox actually has planned. He's not feeding Mizrak from his wrist but from his actual chest, especially with how gently Olrox runs his hands over it.

I debated a lot on where the initial cut should go. The heart, for sentimentality, under the breast in the same way Christ had been pierced, etc etc- however I landed on just dead set in the middle so it could form a cross that would grow bigger and bigger as the animatic went on. (Fun fact, the blob of blood turns into a little heart as he squeezes his chest)

I wanted to put some weight to the repressed catholic guilt, so I thought a cool visual way to showcase that Mizrak has only known how to love is via worshipping God which has consumed his entire being and self. God has given him faith, a companion in the hardest of times when the world has abandoned him.

Now, once again, his world has abandoned him. The Hospitaller Order of Saint John of God is gone. In the face of death and fearing the devil will be waiting. Olrox has given him love, and he will be a companion in the hardest of times. He will not abandon Mizrak.

This aspect of the cross in the animatic gets expanded upon as time goes on. Both literally as the cross literally turns into a pool of blood more closely to the symbol Mizrak bares, but also it slowly expands upon Mizrak feeding off Olrox's love! I'll add some more of my personal notes when we get there!

Also by far one of my favourite scenes I've drawn. It's still rough but it decidedly made me go a lot cleaner with the rest of the storyboard!

This is supposed to be suddenly jarring because it cuts midway through Olrox in a midshot to a close-up of a hand! We need to see him actively halt Olrox for just a moment, but also to show that even when it's sudden- its not hostile, it's gentle.

This shot does a couple of things!

It showcases how gently Mizrak is reaching out to Olrox

It helps to continually establish Mizrak submission to vampirism. He is constantly placed on the bottom from the composition, or we as an audience, are always looking down at Mizrak! Seeing parts of Olrox here really cements this fact as Olrox towers over him to the point we don't even see him fully!

It helps to lead into the Fallen Angel reference!

This shot makes me sob because it is so gentle. Despite being placed constantly much higher in the composition in the animatic, therefore making him the most powerful in this dynamic- in no way Olrox is intentionally made out to be an intimidating figure. He is comfort. He is a companion. He will not abandon Mizrak. The act of turning Mizrak might be read as selfish. It may be read as cheating the natural cycle of life, it may be everything wrong and doomed as your mind makes it to be, however, it is done out of love. Morals, whether good or bad, no longer matters because Olrox is in love. Love has such a strong chokehold on this series, so I'm shoving as much love into these characters as I can. Both literally make these characters so sickly desiring love that it will be their doom and saving grace, but also me as an artist deeply putting love and thought into this board because care a lot about how to convey these complex emotions! Sure it is quite easy to churn out boards without care, but without putting care into your boards, your characters and stories lack life (in my personal opinion).

Immediately, this animatic shook me and told me to put in a reference to The Fallen Angel by Alexandre Cabnel!

Also, how does one portray the soul? EYES. Eyes are the window to the soul. Mizrak’s eyes are also considerably the most important/crucial part of his design. His eyes in both seasons ‘glow in the dark’ due to the highlights in his eyes. Mizrak is considerably really emotive too and that was important to me to emphasize. I wanted to capture his essence, his soul if you will, into this shot.

This is also why this shot is done really prettily if you will.

The reflection of Olrox's eye in Mizrak's is important here! Olrox is here to act to comfort Mizrak. Even when Olrox is not on the screen with us, he is majorly present here. He will not abandon Mizrak. Also, since it is coupled with this line, people can choose to infer what they wish with Olrox! It can symbolize Olrox does have a soul, it can symbolize how Olrox and Mizrak are now intertwined together, it can symbolize Mizrak reciprocating Olrox's love. The list can go on! I give that room for open interpretation (same as the rest of the animatic, the only reason I'm going through, breaking down almost shot by shot is that I deeply care about this sort of thing, and I know other people do too!)

This shot, is deceptively simple but it's here to actually initiate a bunch of scenes I wanted to happen after this!

Firstly, I needed a very nonchalant but easy way for Olrox to let go of Mizrak's hand without needing to overcomplicate. I needed something that gave it just enough importance for the hand kiss BUT not too much where it is the sole focus on the shot.

Secondly, I needed a way for Olrox to lean down to Mizrak and initiate him being way closer to him.

Thirdly, it acts to parallel another shot that happens with Mizrak where instead of going diagonally down, he goes diagonally up!

This is one of the points where I visually slightly deviate from the one-shot! I really REALLY wanted to emphasize Olrox's dialogue here so I chopped up and elongated the scene to make it that much more intense and tender. Which is why we get the next two close up shots!

Look it was very VERY important to me to have Olrox cup Mizrak's face and intentionally cut off his eyes. The important part I wanted to focus on solely was his hand and Mizrak looking up because genuinely, Mizrak's eyes are 'distracting' and it would remove the focus on the gesture! Also I am saving Mizrak's eyes for the next shot haha

After this shot too, you may notice the blood from his neck disappears for the rest of the animatic. This is because, after this, it began to take too much of a visual focus away from the blood on Olrox's chest since it is bright red against greys in the shot. We can chalk it up to Olrox wiping the blood off when he goes to cup him.

"The most beautiful soul a vampire can posses."

It was so important to me that we get a BEAUTIFUL shot of Mizrak. I needed the audience to see his entireeee face close up, unobscured by anything. Olrox is holding a beautiful soul in his hands. He's holding Mizrak. Actually makes me sob.

This shot by the way has been repeated 3 times with slight variations by this point. Yes, this is a very pretty shot so how could I not help but repeat it? HOWEVER, I was trying to make a reference to how Mizrak has said Olrox's name only 3 times in the show with a variation of what was said around it. After that, Olrox calls him my love, basically unlocking a new stage in their relationship.

So here, three times when he looks at Olrox, he's mentally calling out his name. After this, Olrox brings him to a new stage in the relationship.

Also in Catholicism, a lot of things are in 3s. One of the major ones is that three times, Christ fell over carrying the cross. On the third hour of that day, he died and on the third day, he was resurrected from the dead. The three sacraments that welcome someone into the Kingdom of God are Baptism, Communion, and Confirmation as they all build off one another! I could go on both those are the main points AND I feel you might get the gist now!

It was very important to me that when Olrox makes this promise, we HAVE to see his full face. This is why it's a close-up.

It lets for no shadow of a doubt that Olrox means what he says here. He's looking AT Mizrak. He's telling the truth to him.

This is a parallel to a much earlier shot of Olrox! He moves closer to Mizrak by going from top right to bottom left, while Mizrak moves closer to Olrox by going from bottom left to top right! You also both see them exit the screen too!

In this shot, we bring back that halo vibe but also this is a reference to S01E04 and S02E08! The curtain! It is BOTH their first-ever shots to establish a new scene, so I wanted to go “Hey this is establishing a new scene- a new life for Mizrak and Olrox.”

The camera is super purposefully cut just below the eyes. You can see them open then closed, but we will never ever get to see the look he had in his eyes, the single decision in his brain that let him indulge. That’s only for Olrox, and only Olrox will know.

From here on out, A LOT of the shots of Mizrak get segmented/have his face hidden for that reason too (except for one shot, also done intentionally).

When Mizrak actually closes his lips around the blood- it’s on the growling sound in the song. Mizrak has turned into the animal that he’s been calling vampires. In this new life, he is now given the choice to be freed from the man-made shackles of shame and guilt. To be untamed and unrestricted. A wild animal so to speak!

Honestly, I spent a lot of my time here (besides the pretty Olrox frames) because I was super particular about how I wanted to portray Mizrak giving into sucking the blood. The way he accepts vampirism is vital because it sets the tone and mood for how the rest of the board feel since his face gets hidden and you now have to infer from when you saw his face last.

If you have seen my analyses or my work before, you will know how much I enjoy having a frame within a frame. I loveeee my boxes! They're in the box! TOGETHER! THE CENTER TOO! There are no real divisions with the exception of Olrox's head which is important because it's not Mizrak we're focused on at this point in time, it's Olrox~

This is because the one-shot, even in third person, is mostly through Olrox's perspective!

Also, the camera is moving around in this shot, and the following subsequent shots! It hopefully gives off the "hand-held" feel, which often is associated with feeling as if you're right there in the moment with them.

Why pillows?

This is me shaking you to say how the blood-drinking is an allusion for sex if that wasn't already obvious enough. So showing pillows coupled with Olrox groaning really goes "Yes they are technically doing it."

Originally this shot (and the previous shot) was supposed to be way more pulled out, but I was saving it for the very last shot of the animatic so I went to pillows with the tinest hint of their body in the frame to make it seem super scandalous. Like what on earth could they be doing for me to cut them mostly out of the frame? Also also, the pillow was supposed to have an embroidery of a painting from 1790s or earlier BUT, for the life of me, I could not decide what I wanted and I did not want to keep reusing the same references I have had in past work. I didn't want to fuss about it for too long since its more of an easter egg rather than adding to the story. The main point is pillow = fucking HAHA.

Side tangent, you can get away with SO MUCH by having blood drinking be an allusion to sex. Like obviously when you have an age rating you must abide by, you must be creative with how you go about mature topics (my age rating is YouTube hahaha)! Not only is blood drinking in vampirism just inherently queer-coded, but the intimacy of it can convey so much more if it was just a regular ol' sex scene! I actually deeply enjoy conveying nsfw topics into art because you can discuss character dynamics at a much more vulnerable, raw state that literally bares them to just their essence and their current desires/needs. However I am getting off-topic, let's get back to it!

This shot was actually heavily inspired by the statue Adoration by Stephen Sinding!

While there are a lot of differences now simply because Mizrak is at Olrox's chest, I still hope that the vibe of that statue is still imbued. It also gives the sense of not only Olrox adoring Mizrak in this very moment, but Mizrak is too despite not seeing his face. Again quite intentional because it's only for Olrox to see.

Also, a lot of people have been telling me how Olrox is breastfeeding him, and in technicality, they're not wrong, he's feeding blood, from his chest. It is the funniest thing ever LOL

This shot was important to really focus in on his throat and how, much like in the one-shot, Mizrak is literally not taking breaths and is just continually consuming Olrox.

Wet sounds fill the room as his throat bobs with each steady gulp...He doesn’t stop, doesn’t take a moment to gasp for breath.

I also just wanted to make this scene feel very slow in order to contrast with a much more passion-filled desire that consumes Mizrak in this animatic! Also hopefully the descent of blood and the descent of the camera helps to strengthen the idea of Mizrak descending into vampirism!

It felt really cheesy to have this close-up shot of his eye HOWEVER at the time, I thought this was by far the clearest way to convey the immediate switch from gentle devotion to devouring devotion and how suddenly rapid it is. In my brain, the stylization for his eyes open would be textured and pulse in the same way Olrox's wrist did, which is why it's just outlined. I'm once again not 100% set on the pulse look and it probably needs some iterations if I ever came back to it again.

Also, the green hearts in his eyes only come through when he's actively consuming blood from his chest! The heart motif comes back later when Mizrak ends up throwing up the blood!

Here's the cross again, except it is growing bigger. This was very important to me that you see how "gentle" the blood-sucking is at first. A gentle devotion despite the "terrifying" shadow of Mizrak. Also, super an excuse to have kiss marks in my animatic, I love painting them in my art because it can say a lot with placement and how aggressively smudged they are!

Also, I thought it would be SO FUN to have Mizrak's turned self literally have his eyes overlay where Olrox's eyes are. It conveys how Mizrak and Olrox are now switching roles in this animatic! For the first half of this animatic, Olrox has been placed pretty high up in the shot composition, or where the camera looks up to put him in a high place of power! It makes him appear way more etheral and otherworldly, while Mizrak was placed lower in the composition, always looking up at him! Which I'm hoping invokes religious imagery of a God and his worshipper/follower!

When Mizrak's transformation is set, the dynamic switches up. For the rest of the animatic, Mizrak is now placed at a more supernatural/otherwordly position, while Olrox is just there passively, letting Mizrak BE in this position. He does not fight it, he embraces it, embraces how Mizrak reciprocates his love, his desire, and all his messy complications, much like how earlier in the animatic, Mizrak embraces vampirism.

Also if you slow it down enough you can see how I accidentally left my perspective grids in it HAHA, but it goes by fast enough it doesn't really matter! (I guess it's also kind of indicative of my natural style when it comes to digital painting too, I genuinely like having my sketch still peek through into the final painting!)

Wow even more shots to cement the new role switch AND how much much of the passionate need to consume is controlling his urges! Free to consume at his leisure, he is no longer bound by human nature (for now)!

This shot and his leg shot help to really strip Mizrak of his humanity. Faces in a shot really help to connect people to the characters because we see the emote, we see them breathe, we see them live. Especially for a character like Mizrak? He's super expressive face-wise and I'm purposefully not showing you the defining features of Mizrak. Here I am basically going "Mizrak is no longer human."

This is why in horror/thrillers with antagonist characters, we don't see their faces much and are saved for only key moments (usually, again your intentionality matters). It doesn't allow us to connect with the character on a much more human level. Think of Count Orlok from Nosferatu (2024). Purposefully a lot of his character is shrouded in darkness, focusing on his hands and other aspects, never his face, and even then it is really hard to make out because so much of him is obscured. It makes him that much of an imposing intimidating character! Otherworldly and something that we cannot fully understand.

This is a flipped version of Mizrak's close-up eye shot much earlier when he asked if his soul would remain. Again to hark on how Mizrak and Olrox are switching roles in this animatic! Olrox is looking at Mizrak's soul as we speak.

Despite us not seeing Mizrak's face, we as an audience noticing how unhuman Mizrak has suddenly become, Olrox looks quite gently at him and that was important to convey!

Woo! Lot's of horizontal lines here! While the camera is moving towards the left, Mizrak is moving right!

Originally this shot was going to have Mizrak's teeth sinking into Olrox like a very cool Olrox throwing his head back and Mizrak's fang reveal HOWEVER, I want to leave the "carnage" and bloodshed of the feeding out of the frame and only have it show up in very specific moments so I can have those moments actually have their proper impacts. I did not want to show any part of the front of his face at all since it would dampen the effect later on, so I opted for this instead. The legs give a sense of "something is happening but we don't know what, but it's to a point where Mizrak's entire body is moving oh jeez." Won't lie, this looks very sexual and I'm purposefully toying with that line again because blood drinking is an allusion to sex.

Also, I'm continuing the concept of having aspects of Mizrak's face only for Olrox's eyes. What does he look like when he's actively consuming him with such passion? Idk, Olrox you tell me.

This is everything I was building up for when I introduced the small crosses! The physical manifestation of how Mizrak reciprocates.

My thought process here was that Mizrak only knows how to love by fully devoting himself because that's all he's done for God. So he applies it here. He is reciprocating love, but it is FULL ON. It is intense. It is all-consuming.

The face once again is obscured for all the reasons I have mentioned before, but also it REALLY helps to really hard cut to Mizrak choking on the blood after because before it seemed like he was doing just fine. He is literally looking DOWN at Olrox, he takes up A LOT of the screen with just his back and head. He literally gets pulled into full focus while Olrox is blurred in the background. He appears like he is in control of the situation, however it could not be further from the truth.

Also, I was mostly inspired by the insane amount of bible verses talking about blood, so I'll drop some of those here!

John 6:53-56 ESV

So Jesus said to them, “Truly, truly, I say to you, unless you eat the flesh of the Son of Man and drink his blood, you have no life in you. Whoever feeds on my flesh and drinks my blood has eternal life, and I will raise him up on the last day. For my flesh is true food, and my blood is true drink. Whoever feeds on my flesh and drinks my blood abides in me, and I in him.

Ezekiel 16:6 ESV 

“And when I passed by you and saw you wallowing in your blood, I said to you in your blood, ‘Live!’ I said to you in your blood, ‘Live!’

Matthew 26:28 ESV

"For this is my [Christ's] blood of the covenant, which is poured out for many for the forgiveness of sins."

Absolute contrast to most of the other shots, not only because I decided to add way more character acting here, but it's because we actually see his FULL face. It's intentional because Mizrak realizes himself now so we need to see him have this reaction. I wanted to show that he is still a person. He still has a soul. He may not be human, but he does have a mind that can think and a heart that can love. He still retains human qualities.

He's choking on all the blood (a physical manifestation of love) and his body is rejecting it. He's not used to consuming this amount of love and he's not used to being self-indulgent. It's deeply overwhelming.

I wanted to say I LOVED drawing blood it is SO FUN, planning the camera movement, and how Mizrak coughs at specific moments was sooo fun. I wanted this to be MESSY AND INTENSE. I wanted the audience to feel the weight of Mizrak's sudden distraught. I wanted to throw him around and to really hark on this line from the one-shot.

What has he done? What has been done to him? What has he become?

It helps to deeply contrast with how still and gentle the next scene is!

Yes, that is right, Olrox's pupils are DILATED :)

Coupled with the fact that the blood splatters are hearts! They're outlined in cyan! Olrox has a massive heart-shaped blood splatter on his cheek while Mizrak has a few heart-shaped splatters BUT there are gaps in his bloodied mouth that create heart shapes as if Mizrak spewed out those hearts!

Firstly this is because Mizrak literally eats at his chest where the heart is. Secondly, I'm again pushing for Mizrak to consume and throw up his love due to how overwhelming it is. Not only is Olrox's love for him literally beyond his imagination, but Mizrak is trying to love back in with that same amount of passion and utter devotion. A lot is happening for this new-born vampire that is pushing and pulling at him. His emotional state is so overwhelming that it is manifested in physical form.

The green reflections are shown to visually communicate Olrox anchoring Mizrak back, as, throughout the animatic, it is one of the things that ease or calm him down. I could not portray it through voice BUT I can portray it via visual (guys walk with me here, imagine the insane combo of audio and visual, it would be so tasty). The sole reason why I did not have hearts in his eyes here is simply because I reserved the heart motif for when he's actively drinking out of Olrox's chest (so he's literally consuming his love) or when he's spitting out the blood!

Also, the reason why I cut to his eyes rather than pan to them is purely because I wanted the violence of his mouth to be suddenly jarring to the gentleness in his eyes. I didn't want the slow reveal, I wanted the "OMG the blood- aw Mizrak...."

"Lulled into a sense of hazy compliance by Olrox’s voice, the former monk carefully lowers himself and continues though not for long."

This final shot was soooo important to me to include. The “musty inn room” was mentioned much earlier during Mizrak’s transformation but there was a poeticism by having what is considerably the blossoming moment of their complicated relationship be the final shot. With the lyrics also ending with "Take me back to Eden" how could I not? Clearly, both the rooms between s01e4 and s02e8 are parallel to each other. The only difference is that s02e8 has the room be both red AND GREEN, while s01e4 is just earthy/green. Olrox has taken them both back to their earthly paradise. This is their Garden of Eden.

Woo ok and we're done! Also yes I do thumbnails for these, it's half the reason why I'm fast (this entire animatic, cleaned and everything, was done in 3 days good lord. Is that fast? I can't tell) I make the barest of bones chicken scratch of sketches to get a feel of pace/vibe, then I do my roughs/cleans and add/take away shots necessary for the story that needs to be told. I normally would not let this see the light of day because these are AWFUL BUT, this post is also half a documentation of my personal process so I'm going to close my eyes and share this HAHA

If you got this far, thank you for reading me geek out about this! I find a lot of joy in the visual storytelling medium. As much as I do enjoy animating, (wow could you guys tell in the name?) I have a deep love and passion for storyboarding personally and I get sit back, and enjoy crafting the entire picture! I still have a long way to go but I'm having fun and I'm pursuing my passions of storytelling!

I desperately want to make more animatics, dealing with different tones, pace etc, but I genuinely have to go prioritize other things for now that will help me build these skills hahaha. I say this but who knows, seeing my current track record haha, look I can do both. I follow wherever my creativity takes me. I may have missed a few things but I have to wrap this up now!

Thank you again! The final takeaway, go watch Castlevania again and go be inspired by animation <33333

[a-mint-bear]

Comfort Object

Male Yandere x Reader

You see a really weird "job" post online, and the money seems too good to be true. But you aren't really in a position where you can turn it down...

You hope it doesn't get weird.

---

It was a very… concerning “job” posting.

But desperate times, and all that. 

It had shown up about a week ago, and it wasn’t hard to see why no one had taken the poster up on it as of yet. 

Bedmate Needed ● 11 pm to 6 am ● $25/hour up front ● Riverside Motel ● Room 44 ● Not a sex thing

The last note seemed tacked on in a later edit, but it was still… not great.

You’d have to be either a gullible idiot or a desperate one to go for a job like this. Unfortunately, you were the latter. Very much so.

You couldn’t take another night on the street. It was getting so cold at night. The promise of a warm bed for the night was almost enough to lure you in on its own. But the money… 175 bucks just to sleep in the same bed as some internet creep?

Despite the clarification in the post, this had to be a sex thing, right?

You hadn’t gone that far, despite everything. It’s not like you hadn’t considered it… but the thought was too terrifying. Making yourself completely vulnerable to a stranger that could just decide you were less than a person and do whatever they wanted to you? You had to draw the line somewhere.

But at this point, you weren’t sure that there was a line you weren’t willing to cross anymore. 

. . .

The Motel wasn’t the seediest you’d ever seen around town but it wasn’t a place you would’ve voluntarily stayed at even two months ago. Back when you had options. 

Creepy post guy opened the door after a couple of knocks, with an awkward, pregnant pause between them. He wasn’t quite what you expected for an internet creep, but he was still a sight to see.

Really bad posture and dark, greasy-looking hair, with the darkest circles under his eyes you’d ever seen. He looked like he was about to pass out at any second, but he held it together long enough to gesture you into the room. 

“Hey…” His voice was low but he sounded nervous. And so, so tired. “You’re… You’re a little early. That’s…that’s fine. Uh, come in.”

You felt his eyes on you as you passed him, and it didn’t help your anxiousness. Not one bit. 

“Hey so, I-I really…I uh, need a shower.” He stumbled over his words with a breathy, nervous laugh. “Unless you wanna sleep next to a… fuckin’ sweaty mess all night. Do you wanna go first or…?”

You must’ve looked nervous because his eyes went wider, digging into his pocket.

“I wasn’t tryin’ to… Oh, uh…here.” He nodded, pressing the money into your hand. “Up front, just… just like I said. You just…just seemed like you maybe sorta needed one too.”

Some part of you must’ve still had an ounce of pride left because your whole body felt on fire with shame, embarrassment so consuming that you froze up. It had been a couple of days…

He just looked away, seeming like he was embarrassed himself. 

“I w-wasn’t gonna like… try to join you or peep on you or nothin’!” He tried to assure you, eyes darting in a panic and talking a bit too fast. “If I, like, go first? I won’t get mad if you change your mind and leave… I get it. I’m not gonna like… go after you or call the cops or nothin’ like that. I just…”

He stared at the floor, nails digging into his arm as he seemed like he was having trouble breathing.

“I really… I really need this.” He was so quiet, but his voice was so desperate.

You couldn’t really be considering this, could you?

He seemed more like a weird, awkward, sad guy than a real danger or some kind of pervert.

And you really did need a hot shower. 

It seemed like a safer bet to have him go first, if you were really going through with this. And it would give you a chance to look around the room for a spot to tuck away your pocket knife, just in case.

When he was in the shower, you did just that. The spot between the mattress and bed frame would be easy to grab at if things got hinky.

If things got all touchy-feely, as you suspected they would, him finding that on you or leaving it in your pocket when your clothes got tossed wherever would be really inconvenient. 

Steam rolled out of the bathroom when he stepped out, shirtless but with sweatpants and a towel around his neck. He was thin, almost alarmingly so, but you could still see muscle, enough to pose a problem should he decide to overpower you.

This was your last chance to back out, before you’d be vulnerable to this odd stranger.

But even if you left, the money wouldn’t last long, and it’s not like you had any other options. 

You were so grateful that the motel tub wasn’t disgusting, but you would’ve gotten clean regardless. Two days worth of sweat and funk was washed away and it felt so heavenly… But it was hard to relax when you were trying to stay hyper alert of any noise that could be that man trying to get in or even eavesdrop.

But…

Nothing. 

You finished your shower and brushed your teeth, doing everything you could to feel clean that a motel bathroom could provide. And there was no sign of the guy. 

But you had to go back out there eventually. You supposed you could lock yourself in here and get a full night’s sleep indoors, even if it was on the floor of a motel bathroom with your back against the door, but part of you just said “fuck it” and warily peeked around the doorway into the bedroom.

The lights in the room were dim, but warm. He was sitting on the end of the bed, one knee tucked into his chest, staring at the tv as the bright colors of a nightly talk show reflected in his eyes, but something told you he wasn’t really watching. His eyes met yours and you froze.

“It’s almost eleven…” He mumbled, his head resting awkwardly on his shoulder. His hand ghosted over the spot on the bed next to him. “… Will... will you stay?”

So many thoughts raced through your head. What would happen if you laid down beside him? You could probably deal with sex… even if it felt a bit wrong. But if he wanted to hurt you?

Your brain reminded you:

What do you really have to lose?

When you told him you would stay, sitting next to him, you could see him relax. Just a bit.

“If you still want to leave-”

But you cut him off, almost afraid he would talk you out of it after you’d made up your mind.

Avoiding his stare, you told him you had nowhere to go.

The bed was cold, it might take a bit to warm up with the two of you in it, but it was the least of your concerns at that moment. 

“So it’s...” He’d spoken up so suddenly, you hoped he didn’t see you flinch. He was staring at the ceiling, seeming just a tiny bit calmer. “... it’s fine if you just… lay there or h-hold onto me, or play on your phone or whatever, anything is fine. Just… just don’t leave ‘til mornin’. Okay?”

A worrying pause, but you told him you understood.

And that was that. He laid next to you unmoving for almost an hour before you had the nerve to move at all, shifting slowly to your side to face him.

His eyes were shut, his breathing even, but somehow you knew he was still awake. It was like he was trying to sleep but it just wasn’t coming to him. He looked so worn down, like he could just keel over any second. It definitely made him less intimidating, but you weren’t letting your guard down, no matter how much your body was screaming at you to just let go.

Despite your better judgement, you wondered if he really was being genuine about this not being a sex thing. It was a relief, sure, but it just raised more questions.

Why were you here?

. . .

You’d stopped looking at the bedside clock a while ago. It had to have been hours by then.

Your anxiety and dread somehow felt quieter under the lull of impending sleep. Despite everything, your body was at least grateful for a warm bed and hot shower, and if you didn’t sleep there now, you didn’t know when you’d be able to sleep somewhere warm any time soon. 

Every moment that ticked by, you felt your resolve slipping. Maybe it wouldn’t be so bad, just to let go… This whole situation was weird, but you just wanted to sleep.

------------------------------------------------------------------------------

He hoped against everything that he would just fall asleep.

Just this once, he didn’t want to have to follow through with it. But he was so damn tired. There was this ache behind his eyes that he could feel in his bones, his mind never stopped racing… 

He could feel your body heat in the bed next to him. You had either been very scared or very considerate, you’d only moved once since you laid down with him. 

He hated that he had to do this. He felt sorry for you, he really did. But it was drowned out by the buzzing in the back of his brain. The constant whispers in his ear. 

There had been so many before now, it was a miracle he hadn’t gotten caught. But this was a huge, dangerous city. Everyone in it was just a blip to anyone paying attention. 

He could feel their skin under his palms buzzing at the back of his brain. How their eyes stared into his, burning with betrayal, fear, helplessness. How he saw them fade away.

How it was the only thing that worked to let him finally sleep. The only thing that quieted the whispers, at least for a little bit. 

Some booked it after getting the money. Some just showed up and straight-up robbed him. Some tried to leave in the middle of the night, thinking he was asleep. But if they stayed and fell asleep, that was that.

He told himself that he gave them all a chance. 

If you managed to stay up all night, you’d be safe. But he really needed this… It was already day three, and he’d never made it past day five without completely losing it. Trying to fight this, it was too hard. The longer he stayed awake, trying to avoid what had to happen, the worse he felt. The louder the voice got. The deeper the ache in his bones. But the more often he did it, the easier it got. And that was worse in a different way. 

It was wrong. He wasn’t so deep in it that he couldn’t see that. The morning after, he always hated himself and what he did. 

But as the days went on, it would all creep back in. And doing it again felt less and less horrifying to him. 

You were scared. He could tell. And you had every reason to be, he told himself. But it just meant it would take you longer to fall asleep. 

He could wait all night. And if you made it the full seven hours, you weren’t what he needed. You’d be free from him, from this. Hopefully you wouldn’t come back, no matter how badly you needed the money.

He wondered what you meant by having nowhere to go.

But he tried not to wonder too much. It would make this harder. 

He could hear your breathing getting slower, your body relaxing into the bed. You wouldn’t last much longer. 

His eyes shot open when he felt you suddenly touch him, tucking your forehead into his shoulder. You weren’t quite asleep, a cuddler? He almost laughed to himself when half-asleep you looked a bit frustrated, like it wasn’t enough.

You muttered something about being cold, lazily scooting your body closer to him up the bed. He felt his breath catch when suddenly, his head was pulled to you, tucked into your chest as your arm circled him. He was suddenly the little spoon, but facing you. He could hear your heartbeat. 

He wanted to say something, wake you up or wriggle free to make what he had to do easier on you when you fell asleep. He felt a hand in his hair, playing with it and idle gentle nails on his scalp. 

It was… nice. Everything felt calm, the buzzing and horrible thoughts were still there but they were being drowned out by the warmth of your skin, the thump of your heart in his ear.

You were mumbling something. He held his breath, trying to hear.

You told him, or whoever you were dreaming about, maybe even no one at all, that he was okay. That he was safe. 

He couldn’t keep his eyes open. Something was different this time. He felt all his control slipping away, and for once, he wasn’t scared. 

------------------------------------------------------------------------------

You woke to a sunbeam across your face, and the strange man in your arms, sound asleep. According to your phone, it was 10 am. You were grateful for the extra hours in a warm bed, but would he be mad? Did he have somewhere to be?

You couldn’t remember anything past drifting off next to him, but the two of you were tangled together, he seemed so comfortable.

Now that it was over, and your anxieties were much quieter, you really got a good look at the guy. He wasn’t… unattractive, you supposed. He was all elbows and ribs but laying against your chest made him look so soft and harmless. 

Wasn’t the worst way you’d ever made 175 bucks.

You wondered if he’d shell out the extra 100, or if that would be pushing your luck. 

Either way, it would be best to wake him up.

Gently scratching at his scalp, you told him it was getting late.

You watched as his eyes struggled to open, and for a few calm moments, he just laid against you. After a beat, he gasped and jolted up, head swiveling around the room in a panic.

“I…” He seemed really out of it, almost scared. “I actually…”

He stared at you, eyes wide. You told him it was ten in the morning, hoping everything was okay and if it wasn’t, that he wouldn’t take it out on you.

He grabbed you by the shoulders, and for a moment you were sure something bad was going to happen, but somehow, it was even worse.

He was crying.

Breaking down, sobbing hard as he just kept staring at you. Even with the odd night you’d just had, this was somehow the weirdest part. 

Despite yourself, you asked him if he was okay. He pulled himself together and you were startled again when he touched your face, his thumb gently grazing your cheek. It was tender and sweet, and it was freaking you out a little. Just a tad. 

“You… It was you…”

All you could think to ask was if you should get going, maybe trying to make it seem like you had someplace to be, or were at least trying to be considerate of his time. But it didn’t seem like he was taking the hint. 

He grabbed you hands in his, the sudden contact made you jump. He pulled them to his chest, he was too close. The way he was looking at you…

“Can we… Can we do this again? Like tonight? Please?” He was practically begging, the look in his eyes changing. That nervous, achingly tired gaze was hopeful. And so warm.

“You can have the room, if that’s what you need!” he offered, maybe somehow having picked up on your current situation. “I can pay more too. Just p-please…”

He held your palm to his cheek, staring up at you.

“I need you.”

------------------------------------------------------------------------------

a bit of a different one from me, but i kind of liked how it turned out

that feeling when your new yandere was totally gonna off you but you were just too comfy

he's never gonna let you go. you're the only thing keepin him from killing again, ya know?

i don't have a ton of yanderes that actually kill, as odd as that seems. but this guy is one of them

he's not supposed to be a huge commentary on any particular mental health conditions, i did a bit of "research" into psychosis induced insomnia (using that term VERY loosely), but like does he hear voices because he can't sleep, or can he not sleep because he hears voices? who can say? certainly not I, the dummy who made him

i wrote this one pretty much right after my last big deadline ended, but it got reworked a bit cause it just needed some tweaks:

the yandere started out as tired but crass, kind of a dick, and when he switched after that good night's sleep it felt off. It felt more interesting if he was a bit pathetic and creepy, it felt like less of a red flag for the reader to stick around

the reader was originally going to be a straight up s*x worker that got hired by the yandere for him to kill, but it didn't really feel like my place to make that commentary on violence against s*x workers or to more or less soften it with a yandere love interest. it just didn't feel right for something so unserious

but ive been having horrible writer's block lately, so i thought i'd finally put this one out. i need to read/play some yandere stuff and get inspired. let me know if you have any recommendations y'all ✌️

[chronicallyonline101]

hiiii!!! if u feel like writing it i would love to request some rohan x fem reader headcanons or scenario where rohan's gf is also an artist but she's way more inexperienced than him. ty <3333

hi!!! i would love to do this it sounds so sweet! I am SO sorry for the wait, i've been pretty busy, BUT it's here now and i hope you enjoy!

Kishibe Rohan x Fem!Reader || Scenario + HCs - mostly scenario.

As much as it pains him to see you desecrate art in the way you do, I think Rohan would enjoy being with someone who is inexperienced in art.

Thanks to his career, and his stand, Rohan is naturally one of the best people there is at this kind of thing - people compliment him for it all the time, but it's special when it comes from someone he loves.

He wants your approval, and thanks to your inexperience, you're full of it; every time he creates something you're clapping your hands and singing praise and he devours it every single time.

However, it may be a little frustrating for him when you do start dabbling in the world of craft because wow, you really are new to this. That painting of a dog looks like a deformed cow.

He would offer to teach you, and you'd accept; but that would quickly fall down the drain because he has a very specific way of drawing - using Heavens Door - that literally no one else on Earth could achieve.

He also believes his art style is the best, and would try to convince you to use that instead of learning your own style.

But anyways, I can't think of any more HCs so lets just get on with what I'm good at - THE SCENARIO:

There was something so calming about art - the craft, the technique, the aptitude; each fine brush of paint against canvas, a blotch of ink to paper. It was soothing, and you felt silly for having only just picked up the hobby.

It was nice knowing that even with your inexperience, you could still create. And that's what you had been doing, that very afternoon - though late into the day, the sun continued to hang high in the air. Gentle golden rays of shimmering light flittered through your open window, splaying itself across your splattered canvas.

A smile settled across your lips at the sight, pressing a thin brush to the fabric for the last, small details. The lighting was perfect, displaying a visage of your boyfriend in the elegance he deserved - while you dipped your brush into a cup of water to clean it, you found yourself hoping that the sun would remain once you had made it to his place.

Yesterday, you had bought a fresh set of utensils; it had taken some brief self-encouragement, but in the late hours of the night you had picked them up and started sketching. With no real motif in mind, it hadn't surprised you to find a portrait of your partner sat before you. He had the face of a model; the kind of looks that were easy to detail, and though you hadn't slept a single wink last night, your efforts had paid off now that the work was done.

This was probably your best piece yet. Eagerly, you plucked the portrait from it's frame, wrapped it in thin, grease-proof paper to stop it from smudging, and tucked it into a large portfolio bag.

It took you no time at all to throw a jacket over your shoulders and slip out of the door - though the sun was high and the air was warm, there was a small breeze that flittered through the air, dragging along with it small, dry leaves and puffy clouds of pollen, a sign that soon, Spring would find itself curling around Morioh.

On a usual day, you'd likely find yourself bumping into a few friends or acquaintances on your way through the small town, but today you weren't bothered much. You supposed most of your friends would still be in work - blessed as you were to have a job that didn't involve a commute. It took you only a few minutes to reach your boyfriends house, and with a giddy smile held the large portfolio behind your back as you knocked at the door.

Kishibe Rohan didn't like being bothered.

Unless he was expecting someone, the likelihood of him opening his door to a random knocker was low; there was simply no need to. If it was urgent, they could call his landline.

When it came to you, however, he didn't mind being bothered. Living only a few minutes down the street from him, the two of you would frequently visit each others houses - you, more so coming to him than he did to you. It wasn't that he didn't enjoy visiting you, he was just always so busy during the day with his work and he knew that you would definitely come to him if you needed company.

Such is why you had a special knock - you would rap your first against the door in a particular rhythm, a melody unique to you, and he would recognise immediately who it was at his door.

Stuck in a block of what to do for his manga; hearing you knock at his door brought forth relief in his soul. As frustrating as it was to take a break from his important work, he at least at the restraint to recognise that perhaps a break was needed.

He wasn't sure what to expect when opening the front door to his house, but, seeing you try - and fail - to hide a rather large portfolio bag behind your back was not it. He eyed you up and down, growing sceptical.

"And what is that?" He inquired, tilting his body forward - a weak attempt at trying to see inside the bag. You quickly caught onto his snooping, and shifted the bag out of his view.

"Just wait," Was your gleeful chirp, ushering him aside so that you could flitter inside his house. Kicking off your shoes by the front door so that you could at least retain some semblance of respect, you quickly made your way past his stairs and into the main living area.

Startled, it took him a moment to clip the door shut once you had entered. He eyed you through his peripherals, before moving toward the kitchen.

"I'll put on some tea then."

"Oh, yes please!" You called out. With him distracted, you made swift work of unwrapping the portrait you had made - setting it up so that the fabric canvas was leant against the top of his coffee table.

It took a few seconds of setting up, but eventually, you had everything perfect. The canvas was angled in such a way that it bathed in the suns radiant glow. You stood in front of the picture, facing the doorway to the room; a cocky grin splayed itself across your lips when Rohan re-entered the room, a tray of tea clutched tightly in his hands.

He paused in the doorway. There was still a lilt of suspicion to his glare - he was unsure of what you were doing, but knew that you were up to something.

Slowly edging his way further into the room, Rohan placed the tray of tea on a table near the couch - a different one from the one you had been using for your artwork.

He crossed his arms over his chest, and with his brows furrowed, cocked his head to the side. "Can I see now?"

Giggling, you uttered out a jovial: "Yes!" And took a step to the side, allowing Rohan a full view of your artwork. "Look, I made you;"

Upon hearing that you had taken the time to make a portrait of him, Rohan's eyes lit up - he was a vain man, and the thought that you had been thinking of him enough to craft a portrait in his image pleased him greatly.

However, his excitement was quick to fade when he lay his gaze across the artwork. "Oh-!"

He gasped, his expression turning sour - the kind of sour where he had to bite his cheeks to stop himself from saying anything unsavoury. "Uh, that's... me?"

"Mhm! Do you like it?" You nodded your head, eager to hear his praises - It would be obvious that Rohan was exceptional at art, and so, you sought his approval more than anyone else's. His silence proved to be discouraging.

"It's certainly," He wanted to praise you, he really did. But, it was just so unflattering! Did you even look at a reference when you were making it, or were you doing it from memory? Or worse, did you have a pixelated polaroid? He couldn't even call it abstract, it was worse than that!

He swallowed thickly. "Well... it's,"

Your expression dropped, turning narrow the longer it took him to muster up a compliment. You crossed your arms over your chest, and with a huff, spoke out dully:

"I spent all night on it."

"Did you sleep last night?" His gaze flickered from the portrait to you. There wasn't concern in his tone, what you did in your spare time didn't bother him - you were an adult, and knew better than to stay awake late at night. He wasn't going to police you around like a parent.

When you shook your head, he clicked his tongue against the roof of his mouth. "Ah... that explains it,"

His attitude was infuriating you. You had spent an entire night on that painting, and he couldn't even think of one nice thing to say? You were sure if you took it to anyone else, they would compliment it - but of course, you just had to try and impress the great and amazing Kishibe Rohan.

"Explains what?" You grumbled, rolling your eyes to the side sarcastically. He didn't take kindly to your sass, but spoke nothing on the matter.

Instead, he walked to the other side of the room. Prying open a set of drawers to pull out a small, A-4 notebook and a thin ink-pen. Your eyes followed his lithe figure as he walked back toward you, narrowing in suspicion when he then sat on the couch; moving a pillow out the way so you could sit next to him. You didn't give in to what he wanted.

"You mustn't spent all night on these things," He reprimanded, frowning when he realised you were being petty. He was only trying to teach you: "It wears you out. You need to take breaks to ensure your skill doesn't deplete."

You said nothing on the matter. Huffing in disapproval. You didn't need to be taught, you just wanted appraisal - when he realised you weren't coming, he rolled his eyes and repeated a small:

"Look, come here," But offered no chance for you to move of your own accord. An invisible force seemed to push you forward, guiding you rather forcefully toward the couch where you were then plonked down.

Before you could even register what was happening, you found yourself flushing. His hand had coiled its way around your back and he held your hand with his, slipping the ink-pen between your fingers. He used your hand as a sort of puppet; pressing the tip of the pen to the paper gently.

With his lips close to your ear, Rohan murmured a quiet: "I'll show you how." You were flustered, but made no move to stop him - maybe your inexperience was a good thing after all.

[ashortdropandasuddenstop]

James sighed through his nose, a long-suffering exhale as the Joker basked in his own impossibility like it was some great achievement. “Why shouldn’t you be?” James repeated, lips pressing into a thin line. “Because most people find ‘impossible’ a nuisance, not a virtue.” He gave the clown a sharp look, but it was wasted on him. The Joker wasn’t most people—he reveled in being an enigma, and frankly, James wasn’t sure if that was something to admire or just endure.

James barely reacted as the Joker trailed his fingers along his clothing, his smug little smirk daring him to respond. “Then again, you seem endlessly entertained,” James muttered, watching the way those green eyes roamed his face. The intensity of them, the way they glowed with anticipation, made James wary. The clown wasn’t just looking forward to the shopping trip—he was looking forward to the fight, the back-and-forth, the game of it all.

But the Joker was also perceptive, annoyingly so, and the moment James’s guard slipped at the mention of his father, the clown latched onto it like a dog with a bone. James’s jaw clenched. “Don't really believe that's any of your business,” he said sharply, steering the clown away from the store and onto the street. But Joker was grinning, already peeling away layers James hadn’t meant to expose. James met the Joker’s gaze, unflinching. “You didn’t hit a nerve,” he said coolly, clearly a lie. “But if you did, I’d strongly advise against poking at it.” His voice was even, but there was an unspoken warning beneath it, something firm and final.

Then, the Joker grinned up at him, fingers tugging lightly at his shirt. James scowled at the words, rolling his eyes as he pried the bleached hands off of him. “Break your neck? Tempting, but I’d rather not deal with the mess that would make.”

His grip on the Joker’s arm didn’t loosen as they stepped out into the cool Gotham air, but the Joker’s expression shifted—his voice laced with something sharper, colder. The clown had picked up on the slight crack in his exterior, and he wasn’t going to let it go.

They walked down the sidewalk, the Joker’s sing-song questioning filling the air as James guided them toward their destination. The vampire scoffed at the accusation, shaking his head. “Yes, I kill,” he admitted without hesitation. “But I kill when I need to, not for sport. Not because it’s fun.” His grip on the Joker’s wrist loosened slightly, but his gaze remained firm.

“And I certainly don’t kill men who are just doing their jobs. I don’t kill for the sake of chaos or amusement. I don’t kill because it fills some twisted void inside me. I kill when I’m hungry. That’s the difference.” He turned his head slightly, eyes narrowing as he regarded the Joker. “You wouldn’t understand it, because there’s no rhyme or reason to what you do. But I have rules. And one of those rules is that men who work hard, men who have a duty to fulfill for the good of society, are not my prey.”

Duty. It had been drilled into him since childhood. It was what had defined his life before he’d become what he was. It had been a chain around his neck, a weight on his shoulders—but despite it all, he still believed in it. He had to less he be nothing more than a monster.

His grip on the Joker’s arm tightened again briefly as they moved through the streets. “That man in the store? He has a duty to perform. You don’t shoot men like that,” James said firmly. “If you want to shoot someone, pick someone who deserves it.” He turned his head slightly, glancing at the Joker from the corner of his eye. “I imagine you don’t have much trouble finding those sorts of people in Gotham.”

As they neared Gotham’s most extravagant dress shop, James didn’t slow his pace, his grip on the Joker’s arm firm and unyielding. The bell above the door chimed as he pushed the clown inside, drawing a few startled looks from the shop attendants. The store was filled with delicate fabrics, shimmering gowns, and walls lined with tailored women's suits fit for Gotham’s elite. The contrast between the pristine elegance of the boutique and the wild, chaotic presence of the Joker was almost comical. Almost. James barely gave him a moment to revel in the absurdity before steering him toward a row of mannequins draped in deep reds and royal blues. “Pick something and make it quick,” James muttered, low enough that only the Joker could hear.

The shop’s associates, a group of well-dressed women, hovered near the counters, their eyes wide with barely concealed fear. One clutched a measuring tape to her chest as if it might shield her from whatever chaos the Joker could unleash. None of them dared to approach, their gazes flickering between the grinning madman and the imposing vampire escorting him.

"Why shouldn't i be?" The clown can't get over how much he likes to hear those words come out of James mouth. Being impossible probably isn't a compliment for most people, but the Joker preferred being impossible. He believes it's charming. "Why i always find myself endearing," Sadly the madman isn't lying either. He does consider himself endearing, which isn't the case most of the times.

"Of course it'll be beautiful," Tender smiles graces his mouth between the Joker's touching his clothing. Green irises drifting back to his face when he begin speaking to him once again. He will make sure the both of them will be entertained alright.

The Joker doesn't flinch or move, he just keeps his eyes glued on him when James slightly leans in his personal space. Now, this, now this has the clown blushing again. He won't ever admit but certain people stopping his evil plans, and keeping him from killing someone. God, and especially with authority like this. He adores it secretly.

"Oh! You beautiful man," He grins contentedly, bleached hands yanking at his shirt lightly. "Keep talking like that, and I'll have ya' break my neck,"

"Oh!" His eyes expands because he spots the brief change in James demeanor. "Did i hit a nerve there, hunny?" He. smiles up at him. It's laced with something undeniably cold. The Joker willingly let the other lead him out of the store.

"I thought you were a murderer? " He walks down the sidewalk, heading to Gotham's clothes shop. "Now you care 'bout people I'm confused?"

[stil-lindigo]

gold and silver.

[deoidesign]

Doing master studies the only way I know how: Stealing them and making them my guys.

(Barberini Faun)

(The Fallen Angel - Alexandre Cabanel)

(Covent Garden - William Bruce Ellis Rankin)

[ohitslen]

Living together.

The snail video if you are interested :)

[tordoise-x3]

Just my drawigs from today cuz I haven’t been finishing anything 😞

[raticalshoez]

i'm having hyperfixation drought so i did what i did best and created a crossover episode

[luck-of-the-drawings]

"And soda; runs off into the street..." "...and soda... is totally okay!"

[myokk]

fast sketch for today💓💓

[moeblob]

Rey, who is in my very biased opinion, one of the funniest "girls" I have because she's just a guy, truly. Like Rey is just short for Reynold because he was recruited by a a goddess to help the hero she selected and the hero is conveniently Reynold's younger brother. So he agrees to help under the condition that the goddess gives him a female body for the other world. She's like "really odd flex but whatever" and gives him a female form and he's like "you know. I can't really blame anyone but myself for not specifying 'please don't turn me into a Lisa Frank personification'."

[lx1920jmax]

Imagine the situation: you are lying quietly sleeping, and then this monster lands on your head with all its might.)))

Ogron: Gr-r-r… Duman, it hurts by the way. Stop it now! * squeezed the cat hard. * Duman: * growls furiously and wriggles with all his might. *

Duman: * gave up the ghost.))) * Ogron: Huh..? * loosened his grip. *

Ogron: Ha! Is that all? All your resistance? You gave up very quickly this time. Duman: "If you hadn't squeezed my neck, I would have bitten off your damn long nose." * grumbles under his breath. *

Ogron: Hm… * starts scratching. * Duman: * Snort! * "Stop it! You're tickling me!!!" * trying to wriggle out. *

[hana-bobo-finch]

erm…..posting about an OC via a rushed shitpost was not on my 2025 bingo card!! 😂😂😂😂😂😂get it??? 😂😂😂because his name is bingo??(GETS SHOT)

these are all things he has done or has attempted to do so consider this the full intro post for that freak for now. he’s still too undercooked to fully introduce but damn I love him