#i want to be stabbed by john doe

[jupiterjelliez]

They're all yours, Mr Doe.

lief is like roblloxz

[aidoxl]

Thinking about Yellow. Thinking about the Shifu Tie Lung of it all. The nature vs nurture. How Arthur was so regretful of how he treated Yellow that he memorized Yellow's vindictive speech.

I reblogged a post with this sentiment but in it I essentially said that Arthur obviously projects himself on people like Larson, the Butcher, and John. How he was stuck in a cycle of wanting to kill the ugly parts of himself he saw in Larson. Wanted to hide and ignore the parts of himself he saw in the Butcher. And that he wanted to help the parts of himself he saw in John. But in never giving up Arthur-Spit-In-The-Eye-Of-God-Lester created an Ouroboros in himself. Because if he can't help John then it circles back around to wanting to kill and hide himself.

Yellow and John started off the exact same. Except Yellow found himself bound to a ragged and jaded Arthur who didn't hesitate to tell him all the ways he wasn't like John. And Yellow acted out but there was still light in him. Arthur recites a poem while drunk and Yellow shuts up and listens. Larson later reciting one too and he almost sounds hopeful when he asks if Larson wrote it. Yet Arthur failed him. He wasn't patient and he expected Yellow to reach the same point it took John months to reach in a few days. And he doomed Yellow by chosing to guide him like that.

Shifu raised a monster by promising him the world and Arthur raised a monster by making him think he was holding him back from owning the world. And it kills me that Yellow ended up with Larson. From one unhealthy relationship to an even worse one.

Hell when Arthur confronts him and admits that he failed him Yellow listens. He doesn't accept the apology and he's not obligated to. But he listens to it. When he comes face to face with John all he can ask is "why you?" Why does Arthur care for you? What do I lack? And when John says "because I care about him."

Yellow who was thrust into an unfamiliar world and lied to by the man he's supposed to trust. Who gets told time and time again that he's not right. Who wasn't given the chance to grow attached to anything or anyone. But who knows he's the least loved compared to a "weaker" version of himself. How can he trust anyone? How can he care about anyone? How could he love anyone when all he can latch onto and trust is the knowledge that he was once a king.

It hurts me that he was thrown into the Dark World/dreamlands lol. Cause he's so similar to John that it's not a far fetch to guess that it will be his hell. And if he makes the best of it and rules with an iron fist it won't make him happy. Not forever. Because not even the King in Yellow could live within it.

Arthur couldn't fix the parts of himself he saw in Yellow fast enough for his waning patience and for it Arthur shamed him. But it was a failed expectation from the start. Yellow was doomed the moment he was ripped out of the King in Yellow and thrown at Arthur like a newborn baby. He was doomed the moment he became the second piece of the king in yellow to attach itself to Arthur. In a way, he was doomed since episode one when he wasn't the lucky piece that made it out of the portal. Arthur couldn't have helped him in the mental state he was in during season 3. Arthur failed him. And now Yellow is drowning.

[zincbotted]

homestuck is getting crazy

[teletubbyinlipstick]

More Hybrid!Poly TF141 x Reader pleaaasseeeee? 🥹

(ps, love your writing!)

OwlHybrid!Poly TF141 X Reader

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Thank you for reading. You're all so sweet for the support! I'm negl. I didn't expect people to read it, haha. I'm so shocked by the love.

Thankyou @bina-passion-fruit for the morning after idea! See her reblog of the first part for the gist. And please feel free to send in scenarios you could see these birbs end up in!

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The next day IS tense. The atmosphere has never been this suffocating.

Not in their own home.

Gaz sits curled up in Johnny's frame at the breakfast nook, head resting on the older mans shoulder, a deep frown setting into his face. His eyes are crusted a little, nose still deep red and cheeks puffy. He looks thoroughly exhausted, like he hasn't slept.

They all do.

Johnny has a cuppa sitting untouched. It's luke warm by now, but he can't bring himself to drink it. Face mirroring Gaz's, glaring down at the coffee like it has personally offended him. Every couple minutes, he huffs deeply, eyes darting away from the cup to glance around as if in thought, but he inevitably ends up gazing lost into his cup again.

Price and Simon are at the stove and counter. Quietly discussing things that need to be done for the day. There's lulls of silence in their convos, moments where their minds wander to the dove sleeping down the hall. Price feels guilt eating him alive. He's hunched a bit, chin tucked down in a clear sign of forlorn. Simon continues to run a hand up his spine soothingly, pressing closer to offer as much comfort as he can. But he can't deny the stabs of agony he, himself, feels.

It's raw. It sucks.

And Simon feels so fucking lost in this moment. He wants to gather all his mates in his arms (even you) and shush, coo, and coddle until there's nothing but purrs, chirps, and preened content lovers piled into a nest. He wants to scent you and rub you in their things to let you know you're safe and cared for now. He sees the trauma, the fear when Johnny reached for you. The self soothing you do by rubbing your arms.

He sees you. And in doing so, he sees himself. A scared fledgling unsure of the world, burned and bitten, spat upon by those who swore to love them.

Someone hurt you.

Tore at your feathers until you were too scared to take flight. And if Ghost ever gets a name he'd tear the motherfuckers wings from their spine.

The pitter patter of footsteps approaching the kitchen lifted them from their haze, four pairs of eyes snapping to you as you sleepily shuffled in. You wore a simple oversized t shirt and sweatpants to bed, hair rumpled from sleep, eyes and cheeks red and puffy from sleep. They can see the tear streaks dried from last night and it breaks their heart all over again.

Price makes the first move, taking a small step towards you with a plate held out. Buttered toast, sizzling eggs, and red srawberries sit on top.

"G'mornin' sweetheart, hope you slept well. 'Ve cooked some breakfast. There's coffee in the pot. Help yourself." Soft eyes gaze down at you. He's hunched inwards a little, head tilted down and the sweetest smile gracing his face. You feel very flustered, keenly aware of the 3 other sets of eyes intently watching.

Taking a deep breath, you offer a half smile, grasping the plate with slightly shaky hands.

"Uhm..t-thankyou, sir"

"John."

Wide doe eyes peer up at him, shock clear on your face. He feels his lips quirk at the sight.

"My mates call me John. Not sir. We're equal here, okay? You call me by my name." When his hand reaches out, you don't swat it away this time, only watching in marvel as he tucks hair behind your ears, crows feet aligning his kind eyes.

Taking a shaky breath, a soft, geniune smile spreads across your face, eyes darting to your feet and back up as you turn to the table. Johnny and Gaz are staring right at you, wings perked up. Gaz is quickest to his feet, pulling out a chair, a handsome grin settling on face. Pretty boy, you muse to yourself. Sitting down with a grateful smile and a hushed thankyou.

A hand reaches past your shoulder, jarring and unexpected. You whip your head up to see Simon offering a placate smile down at you, other palm face up to soothe. You tilt your head owlishly, blinking at him. It causes the older mans lips to quirk up on one side, brown eyes softening as he gazes down at you. He nods his head towards the table, and upon looking back to your plate, you realize he sat down a fork...oh.

Tears welled in your eyes, and a sniffle broke through. Simon's eyes widened a fraction, quickly backing away with both his hands raised, palm up.

"'M sorry luvie, didn't mean t'startle you."

It was sincere, filled with guilt. A small sob breaks past your lips. Johnny whines high in his throat, reaching out for your hand across the table, only to stop short, unsure if you'd appreciate the contact. His lips are once again pulled down, eyes saddened.

"Bonnie?..." Murmured so quietly into the air, the boys hold their breath, pulling their wings in to appear smaller. You wipe at your face again, sniffling, eyes glossy and cheeks rosy. And when you finally lifted your head, the last thing they expected was to see the brightest grin painted across your face, pure happiness shining, tear streaks lined with joy.

"No one's ever been so kind to me...thankyou. All of you."

Oh, dove, you haven't seen anything yet.

[whateveriwant]

Annoying Things the 141 Do

Price

Never cleans the sink well after he shaves. Every time you go in the bathroom after he’s trimmed his beard, it’s like walking into a crime scene of a hamster massacre

Always manages to load the dishwasher wrong (because, yes, there is a right way and a wrong way to do it, John)

Asks you to wait for him to get home so you can watch your shows together, but then as soon as you start the first episode, he falls asleep beside you

Smokes his cigars inside sometimes. I don’t care that you sprayed air freshener afterwards, sir. Now the whole house smells like spring meadow and shit!

Is incapable of closing the door behind himself?? At least, that appears to be the case since he’s always leaving your door wide open even though you ask him to shut it when he goes

Doesn’t like throwing things out because he’ll “find a use for it one day”. Even if that day ever does come, I think he has a better chance of finding Atlantis than finding that scrap piece of wood he saved four years ago

Ghost

Turns the TV on and then just… walks away??? And if you try to change it to something else, he grumbles “I was watchin’ tha’” when he comes back

Drinks milk/juice/etc. straight out of the carton. Mr Simon “Patient Zero” Riley might not see the problem with this, but I think the rest of us would agree that is diabolical behavior

Leaves his wet towel on the floor after he showers even though the towel rack is right? there?

Hates asking for help even when he has no clue what he’s doing. Like, sure, I get wanting to fix things yourself. However, I’d rather spend $100 on a simple repair than $1000 on a full replacement after he breaks the thing even more

Puts his phone calls on speaker whenever possible. While this can have its merits sometimes (you get firsthand news of Gaz’s engagement!), most of the time it feels like a nuisance (do you really need to hear Soap talk about his hemorrhoids?)

MANSPREADERRRR! This man cannot sit like a civilized being to save his life. He claims he sits like that because his balls need to breathe, and to that I say good luck trying to breathe after I karate chop you in the throat :))))

Soap

Cuts his toenails in bed, which wouldn’t necessarily be an issue if he didn’t accidentally leave one or two rogue clippings that stab you in the side later when you’re trying to get comfortable

Forgets to put the toilet seat down when he gets up in the middle of the night to pee – that or he pisses all over the seat in the dark. Either way, prepare to have wet cheeks the next time you sit on the toilet

Whenever he doesn’t feel like doing the laundry, he just buys a new set of whatever’s dirty (that’s how he ended up with 100 pairs of socks and 200 pairs of underwear)

Talks nonstop through every show/movie you try to watch. Good luck getting more than five minutes of uninterrupted runtime next to this yapper

Apparently, doesn’t understand what “one bite” means? Whenever he asks you for a bite of your food, he always ends up taking five or six

Also, apparently doesn’t know how to chew with his mouth closed? Like, I’m glad you’re enjoying your meal, Johnny, but can you enjoy it without speckling it all over the table and my face?

Gaz

Two words: bathroom hog. I hope you don’t like taking hot showers or having more than a 6x6 inch square of counter space for your stuff, because after Kyle’s done with his 30-step beauty routine, there’s little of either left

Never knows what he wants to eat for dinner, and no matter what you suggest, he never thinks it sounds good

Has the gall to chastise you for your screen time even though he’s just as bad as you, if not worse (because you being on your phone before bed is so much worse than him playing video games for nine hours straight, right?)

Rests his feet on the couch/bed/coffee table while wearing shoes. It doesn’t matter if they’re brand new or beaten up; take your damn shoes off the furniture, sir!

Never writes down the shopping list because he’ll “remember everything”. (Newsflash: he does not remember everything, which means cue taking a second trip to the store)

Watches one documentary and thinks he’s an expert on the subject. You can have studied a thing for years, can present him with a bunch of rock solid facts and reputable sources, and he’ll hit you with a “Well, actually ☝️🤓” and then proceed to give the most nonsensical take ever

[noxcheshire]

Taking it with Phantom now turned Robin, let’s assume he had been de-aged and was wandering different universes, cause I have a VISION. He’s around Tim’s age physically now, but mentally? He’s less human than he is ghost now a days.

So the questions is: just how long Danny stays.

Angsty route is that Danny never intended to stay longer than to just help Batman, and when he sees him healing — perhaps to a human it’s been so much longer, long enough for people to have become comfortable seeing this new Robin, long enough for years to pass, but so short for Danny because time is almost nothing even to a half ghost — and he vanished.

Just up and vanished, because he looked at Batman — he looked at Bruce Wayne — and saw a man who has healed since Jason’s passing. And if this is BEFORE Jason’s return, then I do believe even Red Hood would be confused as to how his replacement is just? Not? There? Not anywhere, what will he think?

Does he believe, in his own burdened mind that maybe Bruce had done it again, he caused another Robin to die because what else could have caused a prominent figure both in the vigilante night life and in the civilian one to suddenly disappear?

Jason’s no longer angry that he had been replaced, now he is angry that even that new Robin had died and Bruce is keeping it hidden.

And the rest of the Batfam?

Bruce who had become dependent on his third child, who could trust and rely on his capabilities and warmth, being the very glue that kept him together — and Dick, whose second brother is now missing, the one he would crack silly little jokes with, and who loved to bother him with that cocky smile and affectionate shove of his shoulder when he would visit — and Cass who felt seen because Danny just knew even when she didn’t speak, like he could hear the voice kept tightly in her chest, and had made her feel like she was just as normal as anyone else — and Damien, who had been righteously upset from the get go, who ran his sword straight through Danny who simply laughed, his blue eyes lighting up with expectation and joy, and who never scolded Damien for his differences and more violent tinged upbringing — all these soul touched people?

He was their brother/son/friend and they wanted him back.

On the other hand, the non angsty Danny side, this boy is just chilling with a smoothie and patting himself on the back for helping out a fellow hero(s).

As for Tim, I’m not sure.

If there is no reason to become Robin, then is there anything truly to integrate himself into the Wayne household?

But he is a kid, a tiny wisp of a child and maybe Danny saw him some nights when he would burst across rooftops and cock his ears to listen for crimes.

He would stop for a moment, and maybe he wanted to help the kid too. Because he was so tiny and pale, and there are bruises clinging to his eyes from lack of sleep.

He begins to act as Tim’s little shadow, a companion, and when finding out Tim is all on his own?

Well, Danny had never really thought too hard about his actions and simply dropped the child right in front of Alfred so that Tim could be feed.

Bruce doesn’t even notice the kid, at first. After all, Tim doesn’t need to be a Robin, Danny has this role filled, so what does Tim do? He stays away, hiding dem sight and trying not to bother because he has nothing to offer the Batman.

Bruce doesn’t notice until Dick visits and finds Danny with a kid not even younger than himself, obviously taking care of the kid and is demanding why Bruce hasn’t introduced them to Timothy Drake.

Tim in this way becomes Timothy Drake-Wayne, but he still isn’t a Robin. But what if he wants to be included? What if he wants to help? What if there’s a moment in all this where Danny get’s hurt, or Bruce, or maybe even both, and Tim decided that he would be the tech support. He would be the mini Oracle of that time, without ever taking the name.

In the future Bab’s and Tim are a fearsome duo.

And maybe that’s what causes them the most pain, because even together, they are not capable of finding Danny.

At least, not until John Constantine gives an unexpected clue: “You never even knew, did you?” Perhaps he’s sympathetic, or maybe he’s just curious because surely they must have noticed how very not human Danny is. “That kid was already dead.”

After Jason's death, Bruce spiraled hard. Tim decided something needed to be done and went to Dick for help. However when the man refused to go back to being Robin, Tim resolved to become Robin instead. It turns out he didn't need to though as by time he makes his way back to Gotham, there's already a new Robin swinging through the streets.

[rubiehart]

when john b is wanted by the cops, leopard!reader uses her pretty privilege to get the pogues some sustenance in the form of shitty pizza.

the roughed up teens sit in the crowded truck, seats reclined to keep them out of view of any passers-by who were drooling for that reward money. the yellow-ish light coming from the ‘urban slice’ sign illuminated the side walk, casting eerie shadows across the faces of the teens and distorted reflections against the windows.

“does anyone have any more cash to contribute?” clearly irritated, pope tries again, shaking the few coins he has in the palm of his hand, giving expected looks towards everyone. the silence was all the evidence he needed and he lets out a long sigh.

“dude, i’m so hungry i could eat my own arm.” jj pipes up, throwing his head back against the seat and flopping his arm around for empasis. the girl with her head on his lap gives him a sideways look, teeth crunching down loudly on the hard candy, completely unamused by his antics.

“only time i’ll agree with jj.” kiara adds from the driver’s seat, throwing an arm over her eyes and groaning. jj scoffs. “how much you got pope?” the second girl asks, sitting up from her laying position against jj and eyeing up pope expectedly. “uh-“ he starts, jingling the coins around between his palms to count. “79 cents.” he almost winces, eyes flitting to the girls face as she throws herself back against the leather seat with a groan. “great.”

“will you all shut up, for even five seconds? please.” john b asks with his eyebrows furrowed, turning his body to face the three in the backseat, eyes trained specifically on the girl with a short temper. “acting like i can’t hear your stomach rumbling from here.” she quips back, arms crossed over her chest, an equally unamused expression on her face.

huffing impatiently, she takes one last glance at her unhelpful friends, reaching over pope to pull the handle of the door. “since none of you losers wanna help-“ she starts, climbing over pope’s stunned body and jumping down onto the pavement, her sneakers smacking the concrete. “i’ll just do this myself.”

“um- i know i’m not the plan guy but i’m not really seein’ how this is workin’ out.” john b adds from the front seat, eyeing her suspiciously through the dirty window and she rolls her eyes, a little grin gracing her lips, teeth glinting in the shifty light.

“i got this. ‘kay?” she directs the questions at everyone, but her eyes are still trained on john b’s, blinking slowly as his eyes widen ever so slightly, his whole attitude seemingly changing. “uh- yeah whatever, be safe n’ stuff.” he nods, ignoring jj’s teasing from the backseat.

she gives everyone a once over, returning kiara’s supportive thumbs up with sticking her tongue out, slamming the car door and starting towards the borderline abandoned pizzeria.

she pushes open the door, big smile on her face directed to the only person behind the counter, a boy about her age, his cheeks noticeably redden as he looks her over, he hesitantly returns a little smile as she shoves her hands into the back pockets of her shorts, back arched a little and tits pushed forward as she eyes up the menu overhead.

her eyes are big and innocent as she blinks slowly at the menu, eyes flitting to his once she’d decided. “could i please get a large pizza, deep dish.“ she starts, eyes trained on him intently as he nods, stabbing nervously at the shitty screen, attempting to take her order.

“um- what toppings?” he hiccups out, her eyes widen a little and she pouts her lips a little, looking to the side as if she was thinking. “hmm..” she mumbles, bouncing on her heels a little, boobs practically in his face as she reels of her incessant list of toppings.

“cool. uh- will that be all?” he asks, scratching behind his ear awkwardly as he tries to keep his eyes on her face. “mhm. and a strawberry milkshake, extra whipped cream.” she smiles, rapping her nails against the chipped marble counter, tips of his ears reddening as he processes the order and quickly scurries into the back without another word.

she smirks to herself, pulling out her phone and swiping onto whatever app to pass the time, elbows leaning against the counter as the guy sneaks glances at her whilst sprinkling olives onto her pizza.

sliding her order across the counter to her. “that’ll be $12.95.” he nods, and she smiles, a little too confidently for someone who currently doesn’t even have a cent to her name. “for sure.”

she reaches into her bra, purposely making a show of dipping hem of her tank down to show the lace of her bra. “oh shoot.” she whispers, theatrically patting down the rest of her pockets and sighing when she expectedly finds nothing, concealing her smirk at the way his gaze followed her hands, shamlessly taking up and down her body as she pouted.

“i must’ve forgot my purse..” she mumbles, throwing one hand down at her side, giving her best puppy eyes to the scrawny boy and he goes red, something that seemed to be routine for him. “uh, y’know what, it’s on the house. closing up this shit hole in half an hour or so anyways-“ he coughs up the excuse, clearly a lie but she was thankful anyway.

“really?” she smiles, canines gleaming as she picks up the pizza box, milkshake in the other hand, wrapping her lips around the shitty paper straw and taking an overly suggestive sip, eyes closed and fluttering as she lets out a pleasured noise.

“that’s really good.” she smiles, he’s bright red by this point and she’s feeling a little bad, although she does take pride in making perverted men uncomfortable, he seemed sweet so she left it at that. “see ya!” she turns on her heel, waving behind her as the little bell above the door chimes to signal her exit, sneakers tapping against the concrete as she slides open the truck door again, the smell of freshly baked pizza filling the senses of the starved teens.

“someone order a pizza?”

[laswells-ashtray]

Soo uhm... autistic ghost if you do that? I mean that man is autism creature. And I love him. And need him being a silly little autistic guy. Like headcannons, and how it'd be in his relationships with people. Like romantic sexual or platonic? Please and thank you.

Ghost doesn't think he shows many symptoms of having autism because he's commonly told "I'd never have guessed", however, that's typically because the people telling him that haven't spent enough time with him to pick up on anything.

Eventually, the people he's closest to notice things but they never bring it up. Notable but not worth making him self-conscious about. That's what John calls it.

Simon doesn't like the texture of some of his clothes, he'll brush up against John and then automatically reach away to wipe his hand on his own t-shirt or his cargos. John stops wearing certain shirts around him, and sticks to the softer, worn fabrics that Simon doesn't mind touching when it's reasonable for him to do so.

He notices that his lieutenant stocks up on certain foods that he likes, always the same ones before they spontaneously switch up after almost a year and he doesn't tend to go back to them. He tries to keep whatever snack or drink it is in his office so that on the days that Simon wants to crawl out of his skin, he can offer the other man something and maybe somewhere quiet to sit in away from everyone else.

Gaz thinks for a while that maybe Ghost just doesn't like him, but that's alright, they're coworkers and they don't have to be friends. He doesn't seem to like Soap either. That's until he picks up on something, Soap and he can get loud after missions. The adrenaline is still pulsing through their system and they joke around, getting rowdy like two lads in the back of a classroom. Ghost tends to stay quiet, only speaking if spoken to and even then it's a faint mutter. He gets twitchy the louder Gaz and Soap get, his breathing becomes consciously slow and his eyes narrow until he's glaring daggers into whatever is opposite him.

Then it clicks, the man is overstimulated. Overstimulated and unwilling to say so despite his own blatant discomfort. And all it takes is keeping quiet after missions, the conversations between him and Soap become soft whispers and the stabbing tension in Ghost's shoulders lessens noticeably. It's after that, that Ghost starts talking to him more, friendlier and willing to joke around. Gaz knows they aren't exactly the closest of friends, Simon Riley is a puzzle he doesn't have the decades of solving like Price does but it's something and that's good enough.

John and Nikolai have to adapt certain aspects of their relationship when it opens up to include Simon, something that both of them are more than willing to do to ensure the comfort of everyone involved.

Simon is open to touch in varying ways. If he's the one to initiate contact then he could end up sandwiched between the captain and the pilot without complaint. He'll grumble and bat at them half-heartedly, all for show but all it takes is Nikolai kissing his cheek and John nuzzling his jaw to shut him up.

Some days a simple hand on his shoulder is too much, Simon will tense up and he won't say a word about it but they can hear how his breath hitches. Those days they won't touch him, if they sit down together on the couch tne he'll sit down on the tattered, ancient swivel chair by the window. Sometimes he'll brave sticking his legs out and poking John's thighs with his toes, other times he won't. It's up to him and they see no reason to push.

It can be a mix other days, a kiss on the cheek might be fine but when Nikolai plasters himself over Simon's back it's just too much at once. He'll retreat tactically and brush a thumb over his cheek instead.

Sex is different than they're used to but it's a welcome change. There's no more lying around and falling asleep disgusting, leaving it a mess to be dealt with the next day. They become adept at clean-up, and Simon prefers to shower after they're done. Sometimes he'll drag one of them in alongside him, other days he needs the moment alone. Make no mistake, Simon is usually the filthiest out of the three of them. he does things with this tongue that have left John's ears ringing and he can haul Nikolai around without thinking twice. But he needs time to decompress and he'll take it as a moment in the shower or a post-shower cigarette.

[doe-core]

INFODUMPING ABOUT JOHN DOE<3

Regular guys are fully grown and were never children

His species is a regular guy (hair ball)

He likes burgers

He doesn’t like sweet things, but would eat anything you made him

He prefers bitter stuff

His favorite snack is teeth

His likes include you, teeth, eyes, baby rats, television, and static

His dislikes are under stimulation, being alone, “That Guy”, You ignoring him, and baths

He is afraid of water (reason being that regular guys have to swim through large bodies of water in order to escape the motherball which causes a fear of water in a lot of regular guys)

Doe nearly drowned in the river when escaping the motherball, which is why he’s afraid of water

Regular guys don’t need to take baths. If their fake body needs to be cleaned, they will simply eat it and reform it again!!

His fake body will melt if it touches water, but his actual body (hair ball) won’t die, it will just be very painful and traumatic

He feels through his hair which means that he doesn’t like combing his hair, tieing it up, and cutting his hair is the equivalent to cutting off limb

He has many teeth

He has the power to manipulate reality and get “You” to say and do anything he wants, as shown in ending 4 “Yes”

He is gender-fluid, bisexual and goes by any pronouns. “His gender is just as mysterious as he is!!”

He has no organs or bones, but he can create them if you wish!

He eats materials to make up his fake body. Harder materials lead to a harder form, as softer materials make his body softer. His form also can freeze in extreme cold and melt in extreme heat

He is around 20-40 years old (Regular guys are already grown when made)

Regular guys produce asexually

They are classified as pests due to how fast they spread

Doe’s IQ is slightly higher than the average in uncanny valley, but slightly lower in the human realm

Doe’s scars are not due to him being “sad”, they are a kink/reminder

The reason he can feel is because strands of hair are spread throughout his body

His hairball form is 2 ft tall

Cartoon physics apply to him and he is described to move like a claymation figure

His voice claim is Weird Al and Fox (the creator) stated that “his voice sounds like when someone is talking to you in a dream and you forget how it sounded”

He states that creating 2 eyes is difficult and it can cause him to have blurred vision, but “he will do it if you think it will make him perfect”

Even though he is a sexually active adult, that is not his main goal. He strives for genuine connections and affection

His shirt changes based on how he’s feeling and it can say words or have pictures!

He doesn’t have pain receptors, so he didnt know that stabbing you in ending 2 would hurt you

He slightly pefers taller and bigger partners because it makes him feel protected, but he will love you no matter what!! He will love you no matter what body type you are!!

He leaves you a gift no matter the ending (ex. even when doe loses interest in ending 3, he still leaves you a parting gift)

He is a sadistic masochist

His interest increases when you choose to not take a shower (he prefers your natural scent)

He also likes to scare you because “you’re cute when you’re scared” :3

If you were to kiss him, he would be very happy and his reality will reflect that!!

Everything about you is appealing to him. EVERYTHING. When he is in love, it is HARD to make him fall out of love, but if you are firm enough with him, he will eventually take the hint.

Doe is a hoarder and is hinted to be very messy. If you had baked him something, (ex. cake, cookies, etc.) he would ether eat it, or keep it in his endless pile of shit <3

Speaking of which, he will most likely lose you in his house :p

He’s not rlly good with comforting people with depression, but he will try his best!! He will give you all the reassurance you need by giving you “gifts”,(i use that word very lightly) affection, and watching tv with you!!

He repeats words to emphasize how he’s feeling!! (ex. “I just love love love you!!”)

He loves the feeling of static from when you lick vintage television (whatever the fuck that means 😭)

Though, he doesn’t need to blink and only blinks when he wants to, when he does blink, it sounds like something else. (ex. car crash, glass breaking, screaming, metal clanking together, etc.)

His birthday is November 35th!! (people celebrate it on the 5th of december!)

He behaves like he’s in a cartoon and can be a little slow… (in a loveable way ofc)

He’s allergic to pollen and certain types of flowers </3

He’s also more prone to abdominal pain and nausea;(

Even though he is odd, he is NOT the creepiest creature in the valley

If doe were an animal, he would be a Bullet Dog or a Bark Cat <3

If you were to die, he wouldn’t notice it right away *_*

Doe likes the classic series!!

If you try to comb his hair, his hair WILL absorb it

He watches you sleep :3

He has no ears ^.^

He can drink anything as thick or thicker than oil or blood!

His favorite colors are bright red and burnt orange

He LOVES insects!!

He has no blood and he is naturally hard as clay

Speaking of clay, he doesn’t smell bad or good, he smells like clay or wet rain.

He feeds birds when he’s lonely in the valley 🥲💕

He can’t cry, but he can melt and whine as if he were crying

He is a demonic entity (good luck, buddy!)

Because regular guys reproduce asexually, he can create a mini doe!!

He has no friends or family (besides you ofc <3)

He’s goth but he doesn’t know it >_<

He is 5’8 :3

He weighs 50 kilograms!! (110lbs)

His skin is uncomfortably warm to the touch

If you ever tried to stab him, the knife would get sucked into him and would reappear in his hand.

He does not taste good! His fake body has no nutritional value and in fact REMOVES nutrition from yours!!

It’s hard for him to close his mouth lol

You meet him in House Hunted 2, then see him in HH 1, then finally in the John Doe game!

Idk if I said this, but his nails are naturally black and his teeth are naturally yellow <3

He doesn’t know how to wear his jacket properly

Idk if this is true, but his scars may represent how many times he’s tried to get with you-

If he got piercings, they would melt into his body within 20 minutes 😭

He can express sadness, but not in the way others can

His voice would probably be really deep in the middle of the game

When it’s his birthday, streamers and balloons randomly appear in his house and he celebrates it with his meat effigy of You!

Although he’s not the most dangerous thing in uncanny valley, he’s very hard to kill.

Things he finds cute: Everything “You” does, when “You” is scared, baby rats before they grow hair, heartbeats, and eye contact <3

His favorite candy would be hard candy (or glass 😭)

His hair is slick and uncomfortably warm

Saying “I love you” is his way of flirting

He’s not mentally ill, it’s just the way he acts

He will talk to you about his favorite shows

If he gets to eat you, he sees it as a bonus <3

If you were upset, he would stare at you, call you cute, and wrap his hair around you

He would never hurt you out of strong negative emotions 🥩🖤

He has many rows of teeth that are just collected teeth to try to mimic a human smile

He would never hurt an animal, but they’re scared of him :(

He pefers eating things raw <3

His tongue looks like a lil heart in his mouth, but it’s very long

Whenever he uses human like materials for his body, he looks a lot older and crusty, so he consumes things like metal to create a cleaner body

He stops smiling when someone makes him mad or upset

He has many outfits, but his main outfit is his favorite

He’s a stalker, but not an insane stalker

He weights about 2.5 pounds in his hairball form

He doesn’t have a belly button

He hates Maison Talo because he gets too close to the MC

regular guys are actually pretty clean and they don’t need to bathe! if his human body does get too dirty, he will eat it and craft it over again, but if his hairball body gets dirty, he can take a dust bath! regular guys usually tend to each others hygienic needs too!

The creator stated that they see doe as "trans in representation," but they want their fanbase to have fun and make him whatever they want him to be!

If doe were on a boat, would he get sea sick? The answer is no, but he would be extremely terrified.

He has no preference for the gender of his partner, so he could be considered Pan or canonically, Bisexual.

John doe can drive! Here’s his license:

[djarincore]

— vampire!simon punishes you

warnings: noncon/dubcon, smut, angst, dark, jealousy if you squint, blood, sorta based off this post

You're stiff when he throws you against the sheets. A silk nightgown does nothing to shield the feeling of his body molding into yours, trapping you against the bed.

His hands leave trails of ice along your skin as they slide beneath your thighs to force them apart. His lips are on your neck; his tongue drags against your rapid pulse for a taste. You shrink beneath him when it becomes teeth—pointed canines scraping against your skin.

Your voice wavers, a thick lump swelling in your throat. Tears gloss over your eyes as you force the words out. “My Lord, forgive m-”

“Shut up,” he hisses, wrenching away from your neck. His nose meets yours as he looks into your tear filled eyes. “You’re lucky I don't fuckin’ drain you.”

“Thank you, my Lord,” you whimper, shutting your eyes. His gaze, so intense, is enough to make you feel like you're being swallowed whole. If he wants to bite you, fuck you, then he can. You just want to be free of his grasp and breathe again.

“What did you hope to accomplish tonight?”

“N-Nothing, I-”

“Look at me!” He roars. A hand clamps around your jaw and forces your face back to his.

When your bleary eyes open, Simon is still above you, holding a carved stake. The same one you tried plunging into his back.

“Thought you could stick me with this twig? Who gave you that idea, huh? You think that bastard wants to save you?”

You know you shouldn't be going back to him, but you can't help yourself. John makes you feel safe, wanted, more than a lamb for slaughter. When he takes you into his arms, they're warm. Pressed against his chest, you hear his heartbeat, reminding you you're still alive too.

When you're forced to return to Simon at dusk, you're hit with the harsh reality of why you no longer belong to the living.

Simon barks out a mocking laugh. “No one wants to save a pathetic, sniveling thing like you.”

Your chest aches and the tears you hold back flow down your temples.

“I should stick this in you to teach you a lesson. You'd like that wouldn't you?”

A new cold washes over you. When his hands push your nightgown past your hips, exposing your naked core, you grab at his wrists. He ignores your clawing fingers and you begin pleading instead. “Please, don't. Please.”

“You'll take anything in that greedy cunt. This won't be a problem,” he sneers, smoothing a hand down to your mound. “I'll even get you nice and ready for it.”

His thumb presses down on your clit and your legs lock around his waist as the sensation jolts through your body. Quick circles are all it takes for you to shift your hips forward.

“Look at you. Already asking for it.”

You bite your lip and hold back a moan. You hate the way he makes you feel used and dirty and breaks you apart with his touch.

When the stake’s tip touches your folds, you gasp. Luckily, it's dulled at the tip, not sharp enough to pierce you, and the round base is sanded down.

Simon bullies the stake into you, ignoring the way you squirm. He's met with resistance as he pushes deeper because you're not wet enough to take it.

“I can't,” you insist, shaking your head. Its pointed head prods at your walls and you wince. You resist shifting your hips and focus on his thumb still slowly swirling on your clit instead.

“That's not what this cunt’s tellin’ me,” he retorts. “Look at ‘er, takin’ it just like a cock.”

Simon thrusts the stake further. The head stabs deeper into you, forcing a pained gasp from you. Tears swell in your eyes once again and your finger dig into the sheets.

“I can't—I've learned my lesson. Forgive me,” you cry.

He pulls the stake from your cunt. It drags against your walls, making you wince, as it is pulled free, glistening with some of your arousal. Simon throws it to the side with so much force it’s embedded into the wall. To serve as a reminder for the next time you get any foolish ideas.

You take in a shuddering breath, hoping the worst is over, but yelp when his hands suddenly grasp your hips and flip you on your stomach.

Simon bends to your ear, chest pressed against you back and his hard cock against your ass. “Next time the two of you try to kill me, bring him along and I'll drain you last.”

You burrow your face into the pillow and nod your head in shame. You would be a fool to try anything like this again. And you wouldn't dare put John in danger.

“That’s a good girl,” he coos, grinding his cock against your ass. A hand sneaks between your thighs, returning to your clit.

You can't help but move your hips against his hand now that the stake is gone.

His nose brushes your bare shoulder and his other hand forces your head to the side, baring your neck for him. “Now, stay still for me.”

The pierce of his fangs is a cold sting at the juncture of your neck and shoulder. The shock is always first, rooting you in place and unable to even form a scream. And when that subsides, the pain comes hot like poison spreading through your veins.

You squirm beneath him, both the heat of his bite and your rising pleasure clash in you. But the pleasure always wins and the pain becomes nothing but an afterthought against his fingers. Instead of a scream, you moan.

You're so close, you can feel the knot in your belly tighten, but your vision is becoming blurry. You begin to fear he’ll make good on his threat to drain you.

He drinks and drinks, taking what he needs, but you feel yourself slipping between consciousness and your climax. You open your mouth but all that you manage is a weak, intelligible mumble and any pleasure you hoped for slips into a cruel darkness.

[a-b-riddle]

A Simple (Mis) Understanding Chapter One: Location, Location, Location

John

"MacTavish," It had been about three months since the 141 had returned from our last OP. It had been a rough one and, although, we had all come back alive, we didn't come back unscathed. And we all had to thank a pretty little IT 'expert' to thank for that. Stupid fucking Omega...

"Usually I'm the one calling you. To what do I owe the pleasure?" I threw back the amber colored liquor, finishing the last of my latest bottle. It seemed all I had in my free time was drinking myself into an early grave.

Good.

"Care for a hunting trip, Cap'n?" Johnny's tone was playful, which was almost always never a good sign. MacTavish could seek out trouble like a bloody bloodhound. 

"What d'ya have in mind?" I humored. I had come home to a sedentary life style. Any ideals I had about settling down, extinguished. I wasn't as young as I used to be, but I'm still too into the fight to retire now. So whatever Johnny had in mind, surely must be something worth at least entertaining.

"A pretty little flower." He says and I swear I can almost hear the see the smirk on his face. "Stands at about five foot three. Has a knack for stabbing a man in the back right after suckin' 'im dry."

Daisy.

"You got a lead then I take it?" I try to stifle the anger as I feel it beginning to bubble. Every Alpha instinct is telling me to track, hunt, kill. Before, every biological urge I had toward our flower was to protect, keep, and fuck until she forgot her own bloody name. Now, I wasn't so sure I could stand the sight of her long enough to get the answers I wanted-- needed-- before absolutely tearing her to fucking shreds. 

"Aye." He confirmed. "Wanted to see if you were up for it before I called the lads."

"How polite."

"You're still, Cap'n."   "And I know you had more..." There was a shift in his tone. Unease as he tried to find the words, but couldn't. He couldn't. None of us could. Because none of us could describe what had happened with Daisy. Betrayal is too gentle of a word, too short and modest of a word to describe what she had done to us; hell, me. Johnny cleared his throat. Clearly uncomfortable and wanting to retract the beginning of whatever statement he had intended on making.  "Join me to settle an old debt, ye?" 

I didn't need to think twice about Johnny's officer. An opportunity to finish what we started back in Austria. I didn't regret stopping Johnny as much as I did not getting the answers I needed before the little bitch disappeared like a damn thief in the night. Now was the chance. Not only revenge for what we had been through, but the betrayal she had put us through. Jeopardizing not only the 141, but the few loved ones we had. My mum, MacTavish's sisters, Garrick's entire fucking family and the little solace that Simon had. A peace of mind knowing if he wanted to start living again, he could. All of it was almost lost. 

"You got eyes on our-" No. She wasn't ours anymore. Not our girl. Not our flower. Sure as fuck never our Omega. "On her."

"I got an address." If he noticed my pause, he didn't say anything. For that I'm grateful. I can't be weak again because some of doe-eyed little Omega. One who whispered sweet lies about how good my knot felt and all the things she wanted in life. Things we-I- wanted.  "Had an old contact have her name pop up. Hen is too fucking dense to make sure to use an alias especially considering she stayed on our side of the pond."

Don't really plan on going home after this. Not really anything waiting for me back there except some student debt. She had hid the pain of having no family well, but, now after everything, nothing seemed genuine. Every kiss, every touch, every smile and laugh she had thrown my way was now tainted.

Now it was time to bury it all.

"I'll call Garrick." That was all the confirmation Johnny would get out of me. I didn't want to seem too eager to finally get my hands on her. I needed to be collected. Level headed. I was the Alpha. I was the one my team looked to for guidance. I had already failed them once. I damn sure wouldn't be doing it again. "I'll let you convince Riley to come along."

"Lettin' me call in the boogeyman?" Johnny was smiling again. Could fucking hear it in his voice. He was the one who had probably fallen the hardest for the little bitch. Indulging him in soft touches and soothing his temper. Probably the same reason he had put a barrel to her forehead the moment she had admitted to it.

I was going to tell you. She had tried to excuse her delay as if that were the issue. I just didn't know how to tell you. But can you blame me? Yes. We could. And we did. For the shitty last seven months. For the constant worry all of us had for having to pull our mind out of the mission to worry about what was going on back home.

Her tears didn't save her. Only until Laswell came in raising an absolute bloody stink. Claims of how the very audacity to potentially injure an Omega on her team could cost her career. Fuck her career.

"Send me the details." I pulled another bottle off the shelf. Promising myself it would be the last one I had until I finally pulled that weed of a woman out of existence. Killing her meant I could finally move on. Find someone, certainly not a fucking Omega, to settle down with. I could heal from the heartbreak I would never admit to. It would be the ending that we all needed.

"Will do Cap'n." Johnny didn't wait for my dismissal before he hung up. He was just as ready for a hunt as I was.

[hotvintagepoll]

Will Scarlett has lost his temporary lead in the Hot Medieval and Fantasy Man Melee, so I'm back with screenshots to prove my point that Will is the Hottest Boy in the Land. I normally avoid these types of long posts but I will do anything for my Slutty Merry Boy, so buckle in.

To introduce Will Scarlett—oh by the way here's the link to his whole movie—I think it's important context to know that when we first meet him, Robin is saving a man's life and Scarlett is staring at nothing in particular. His head is empty of thoughts. He looks this way the entire scene. I'm not sure he blinks.

As soon as the danger is over (a danger he did absolutely nothing to help with) he has a chuckle with Robin! Sunshine and laughter and roses!

The next time we see him (which is soon, because this movie loves Will Scarlett too), he is bitching because Robin had them sleep in the woods (???) and he got stabbed in the back by some acorns.

Here he is falling over a log.

Here he is getting smacked with a branch.

HERE HE IS AFTER GETTING SMACKED BY THE BRANCH.

He serves cunt continuously through the entire Little John sequence, and we don't have time for all of my screenshots, so just a quick smattering:

Here he is being hot and unsupportive when Robin decides to fight the biggest guy he's ever seen. (Scarlett literally says "your skull not mine" and then just stands there.)

Here he is getting in Robin's way.

Here he is, picking the hottest pose possible so he can be the bard and play little showtunes while Robin gets his ass kicked.

Oh my goddd fuck me.

Worth mentioning that Little John does loudly identify Will Scarlett as "a pretty fellow" and nobody contradicts this. In a world where all of Robin's men have one personality trait (big, friar, or tiny), Will Scarlett's is Slut.

Once we get out of the Will's Musical Singalong chapter and Robin goes in disguise to the archery contest, Scarlett does too, except whoever told him he couldn't wear his normal Versace didn't tell him what normal people wear because he shows up looking like this.

Absolutely nobody else in the crowd looks like that. That's just what he thinks the Normies are doing.

With Robin captured, you'd think it's time for Will Scarlett to contribute something. Unfortunately he is constitutionally incapable of not serving cunt at all times to the exclusion of all else, so Maid Marian thinks of the plot while he stands by looking really hot.

Here he is serving cunt as a monk. Jesus Christ.

HERE he actually does something during the climatic battle! I had forgotten but he does swing his sword around a little bit. He doesn't actually look hot while doing this which explains why he has never done it before.

i saved this screenshot with the caption "the beatles" and i'm not wrong.

here he is doing new things with blood eyeliner. very brat.

SUCH A SERVE THERE IN THE BACKGROUND AND FOR WHAT

in conclusion, Will Scarlett is a hot hot man who is clever (by his own estimation, never proven within the story) and extremely hot (by everyone else's estimation, proven twenty-seven thousand times over). He serves several different looks in the movie, all of them incredible, and is apparently brought along by Robin just for his charming good looks and lack of thoughts because he's certainly not good at anything else. He is the hero to all of us who want to hang out in this movie but not actually work out or hold a weapon, and the bard that every Sherwood story deserves. Vote Will Scarlett, my legend, my icon, my idiot.

@medievalandfantasymelee

[brucewaynehater101]

Hello, I am the person from a few days ago that mentioned House MD. .y idea for it is very simple and very funny. Tim ends up in House's hospital with House as his doctor. He was found unconscious on the side of the road with 3 stab wounds, two broken ribs, and a broken leg.

Tim is Knocked Out and in Civilian Clothes with No Wallet. Which means No ID. They call him John Doe for now and move on to stitching him up and doing an xray of his chest so they can fix up his ribs and check for internal bleeding from the stabs. They are having some kind of debate about how the kid has clearly had his ribs shattered many, many times and how they healed when House suddenly stands up and says, "all of you are missing the forest for the tree. Ignore the ribs for a second before the kid dies." He then leaves the room to the confusion of all the assistants. It takes almost ten seconds for one of them to yell, "WHERES HIS SPLEEN"

Within an hour Tim has been put in one if their Anti Germ Bubbles for the Immuno Compromised. Oh the bright side he 100% has a room all to himself! Tim wakes up in the bubble, very confused with House looming over him. Tim is Baffled and says, "who send you? What info are you after?" And House just says, "im your doctor. What's your name so we can stop calling you John Doe The Spleenless Wonder."

Tim and House verbally joust almost constantly for Tim's entire stay and honestly? Most relaxed he's been in *years*. However it takes *days* for them to pry him name out of him and it's not even *from* him. Someone saw his face on a magazine in the grocery store check out and went "that's out John Doe!!" And when Tim tells them that he is Tim Drake he simply says, "I didn't tell you for a very simple reason. If word got out it was The Tim Drake in your hospital, which is outside Gothem, could you imagine the Paparazzi? And what would happen? I can garentee you at least one person would show up trying to kill me. Why do you think I was outside gothem beat up? Assassins, obviously." House's boss is terrified this guy is gunna sue them into the ground for how House has been jabbing at him constantly.

House simply asks why his bones look like Swiss Cheese and Tim simply raises an eyebrow at him and says, "I live in Gothem."

Later on after Tim gets released, he buys the entire hospital, becomes its new boss, goes to House's boss who actually runs the hospital and says, "I do not care about running this hospital. It's all up to you, I want No Power here. I am simply here to triple your budget, no quadruple it. And you remain completely in power on one condition. I want House to be my Primary Doctor. He's fun."

Oh and if you want some Angst, House asking if Tim wants to call someone to pick him up and Tim says, "oh, I have a tracker on me. Someone will show up to check me out once they notice I'm missing." House squinting at him and says, "you've been here two weeks. So I don't believe you." But Tim is telling the truth. His tracker has said he's been at an out of city hospital for weeks and no one really noticed he was even gone.

Fuck yeah. I've seen some clips of House and, despite the large amounts of medical malpractice they should be sued for, Tim would absolutely enjoy House's banter.

Also, I'd so live for House and Tim trying to trick each other. Tim realizes quickly that House doesn't believe a word about what Tim says about how he got his injuries. House keeps trying to pull one over on Tim so that Tim actually receives medical treatment (especially because Tim keeps going back out on field with injuries). It becomes a somewhat friendly game

Fair warning, I'm probably about to butcher House's character. Idk enough about him, but here's what I think. Tim would prefer House as his main doctor for two reasons:

How House cares

House isn't Batman/Bat affiliated

For the first point, House does care but not in the way most others do. I think Tim will eventually start telling House the truth about how he gets his injuries because of how House reacts. House isn't going to be overly sympathetic, pity Tim, or try to mother hen him. Tim will stroll up, say he's been held without food for a week and has 3 broken bones, and House will just banter with Tim.

If Tim's being an idiot (like not resting), House won't try to tell him off. He won't yell or undermine Tim. He'll just point blank tell Tim he deserves whatever injury he got for being an idiot while helping the vigilante treat it.

Tim will never admit to being a cape, but he eventually trusts House enough not to hide it.

Then there's House not being a Bat doctor. Leslie may or may not inform Bruce of any injuries Tim gets that Leslie deems is important for Bruce to know about. Alfred for sure won't hide that shit. Either way, whether founded or not, Tim can't trust those doctors to give away his information "for his own good."

House probably wouldn't go out of his way to inform Bruce (especially if we add on your angst angle).

Probably fucked up House's characterization, but let me know what ya think! Feel free to send another ask or reblog or whatever with changes ya think I need to add

[soft-pine]

spn20rewatch: 2.20 what is and what should never be

this has got to be in my top ten episodes of all time! there is so much i love about it! it has my favorite favorite scene and then my other FAVORITE FAVORITE SCENE!!!

but before we get there it has some wonderful dean character moments.

dean's confused, withdrawn, performative kiss with carmen!

this whole scene watching his face go from performance to confusion and worry and back and forth! he is so funny and i love him so much!

but this is also a cruel foreshadowing that the next two kisses dean has are him specifically sacrificing himself and his body as a means to an end.

but we're not there yet so let's just bask in THIS!

DEAN: Well, who'd'a thought, baby. We're civilians.

or THIIISSSSS!!!

DEAN Dad's dead? And the thing that killed him was a... MARY A stroke. He died in his sleep. You know that. DEAN That's great.

or the way dean is so fucking happy to see jess and it's heartbreakingly sweet!

there is also so much that can be said about how even in dean's "dream world," he's the family fuck-up. he's never really thought much about his own future or himself but the best thing he can picture is his family (or most of them, HA!) alive and happy and safe. and i think there's a component of this where he has to remove himself (and John) in order to imagine it being possible. gutting honestly.

season two opens with dean yelling at john (though john can't hear him) and ends with dean crying at john's grave. i'm interested in the shared threads between these two iterations.

2.01

DEAN: I've done everything you have ever asked me. Everything. I have given everything I've ever had.

2.20

DEAN: Course I know what you'd say. Well, not the you that played softball but... "So go hunt the Djinn. He put you here, it can put you back. Your happiness for all those people's lives, no contest. Right?" But why? Why is it my job to save these people? Why do I have to be some kind of hero?

the speech in 2.20 is actually one of the very best explanations i feel we ever get for dean's relationship with john. because the issue is not only that john forced dean into hunting, it's that hunting saves people. like dean can rail against john and against his childhood that was stolen and against his future that will be stolen and against all the cruelty and harshness and ways he was parentified and it was subtly reinforced that his life literally mattered less than sam's or than strangers. but hunting does save people, goddammit and dean both cares so deeply about that on his own that many of these sacrifices would be freely chosen and he cannot fully hate or distance himself from his father because so much of what john did was actually just straightforwardly good.

abuse is messy. i think john winchester's characterization is perfect, actually.

dean can much more easily put to rest a father who played softball than a father who "got a bum rap around every turn. But you know what? He kept going. And in the end, he did a hell of a lot more good than he did bad." (8.12)

like dean has to remove himself and john from their family's lives to picture their family getting a happy life. but for it to feel easy, he also has to make this father one who just worked at a body shop (i'm extrapolating) and played softball.

so yes, okay this episode is a nonstop thrill ride of beautiful, cute, wonderful dean moments and utter heartbreak. so of course, the next thing i have to say is THAT THIS SCENE IS SO FUCKING CUTE!!!!! i can't stand it! (rip to the "I know how it sounds" that i didn't squeeze in because it was too long. because that line just kills me !!!!!)

but look look look!!!! he's so smooth and cunty AHHH

so it follows that what comes next is heartbreak. dean wants a future where mary is alive, where jess is alive, where sam is happy and safe and in college and alive. and it's not real and he can't have it and it will kill him but he wants to stay. so he stabs himself in the heart.

and in the next episode sam dies anyway.

... well here we are, this is already so long and i haven't even talked about my actual favorite scene. which also, i think, happens to be my favorite scene in all of supernatural....

Dean realizing one of the other of the djinn's victims is still alive and catching her as sam cuts her free.

DEAN: I gotcha. I gotcha. We're gonna get you out of here, OK? I gotcha. I got you.

the way the fact that he's in pain and weak and drained is layered throughout the desperate care in his voice here.... besties i don't have words...

all hail 2.20

[bullet-prooflove]

Self Defense: Terry Silver x Reader

Tagging: @volumesofforgottenlore@kmc1989@somethingdarkside17@noonee333

A Loaded Gun - Terry begins to struggle after John Kreese turns up on your doorstep.

Letting Go - It takes you leaving for Terry to realise he needs to make a change.

Stranglehold - Terry begs an unlikely duo for help.

Three Men & A Baby - You discover you're pregnant at an unforunate time.

Terry isn’t home the night that John Kreese tries to kill you. He’s trapped in an LAPD police station with his driver and his lawyer, trying to explain why they found a couple of baggies of coke in his car.

Terry, he hasn’t touched the stuff since the eighties and his driver is as sober as a judge.

“What about your wife?” He’s asked as he sits in an interrogation room, his hands clasped together. “She uses the car too.”

He fixs the officer that’s interviewing him with a hard look.

“My wife has never used coke, she wouldn’t put it anywhere near her body, especially in her current condition.”

He spends hours with his lawyer trying to straighten the whole thing out. When he finally gets home it’s to blue and red flashing lights and his house being cordoned off with crime scene tape. It’s in that moment that he realises that his incarceration tonight, it was entirely by design.

It’s when you’re led out of the house covered in blood, that his heart just dies in this chest. It’s smeared across your face, matted in your hair, the pearl, silk pyjama short set you’re wearing is soaked in it.

There’s fingertip marks already blemishing your delicate throat. Your arms are wrapped protectively around your stomach. It’s the expression on your face that terrifies him, there’s no life in your eyes, no spark, there’s nothing.

He thinks about the sonogram stuck to the fridge, the one of his son at twelve weeks. You were four months along at this point, a small baby bump beginning to show. He wonders if Kreese has taken that from the two of you, if he’s stolen away your baby.

“Georgia.” He says as he ducks under the tape and hurtles towards you. A cop puts his hand on his arm trying to stop him but Terry shakes him off. There is nothing in this world that will prevent him from being with his wife right now.

He rides with you to the hospital in the back of the ambulance, his hand clasping yours and he listens to the litany of injuries. You squeeze his fingers tightly as they reel them off. Concussion, damaged larynx, bruised ribs, laceration to your right hand.

“What about the baby?” You ask, your voice barely more than a rasp.

“I’m sorry Ma’am, they should be able to tell you at the hospital.” The paramedic says apologetically.

It’s a few hours later after you’ve given your statement to the police that you tell Terry what happened, about how you killed John Kreese in self defence. The two of you are in a private room, the lights turned down low. Terry’s sitting on the hospital bed with you, your entire body curled up against him as his fingertips comb soothingly through your hair. You feel so small in his arms, so fragile.

“I woke up with his hands around my throat.” You tell him, your voice devoid of emotion. “He was surprised when I broke free, that I fought back. Danny and Johnny, they taught me what to do if…”

You trail off, your grip on his shirt tightening just a little. Terry has never felt as grateful as he does in this moment for those two men.

“I broke a glass in the scuffle, we ended up on the floor. He got his hands back on my throat, slammed my head against the hardwood. I was starting to blackout when my hand found the glass and I just… I stabbed him in the neck and I kept stabbing him until he stopped, I just wanted him to stop.”

Your voice breaks then and Terry can’t stand it. He gathers you up even closer, his lips brushing over your hairline. Your hand comes to rest on the small baby bump, smoothing over the space where your son resides.

“I kept thinking about Sebastian, how he wouldn’t get to meet you.”  

Terry’s hand covers yours and he thinks of the tiny life nestled inside of you, the one that survived despite all odds.

He’s a fighter, his son, just like his mother, like his father.

“You’re going to stay here with me tonight?” You ask him as his fingertips caress your stomach. “With us?”

“Yes my love.” He whispers as he tips your chin up to meet his gaze. “I’m never leaving you alone again.”

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Paste Magazine: 'Dragon Age: The Veilguard‘s Creative Director Talks Restoring the Lore'

Rest of post under cut due to length and possible spoilers.

"“I was the one cinematic person who always snuck their way into all the writing meetings because I love storytelling,” [John] Epler tells Paste. “I love narrative, and they wanted me to be Narrative Director on the franchise.” When the Creative Director position opened up later on, Epler was primed for the role thanks to his experience across multiple aspects of game design.  ‘They wanted someone who had a good relationship with the people on the team, who could work across disciplines, and who knew the story,” Epler explains. “You know, knew the franchise and its storytelling. Because I think for Dragon Age in particular, narrative is such a core part of the franchise’s identity. They wanted someone who could operate in that space, but also knew how to work with gameplay, work with design, work with art, and that was something that, with both QA and cinematics, I had learned to do. I think just a history of being always willing to do whatever was necessary and also having good relationships with most people on the team helped me out.” As creative director on Veilguard, Epler worked with a team that fluctuated in size from a dozen to several dozen depending on which phase of development it was in. And given Epler’s history with cinematic design, that team worked closely with narrative to craft the kind of epic story Dragon Age and Bioware are known for. “Storytelling is huge, probably the biggest part of Dragon Age: The Veilguard,” Epler reminds us."

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"Paste: When you’re bringing back a series after a decade, how do you decide what threads to pick back up on, which characters to use, which lore to focus on, etc.? John Epler: It is going to sound very cliche, but it is true: It honestly comes as we build it. We knew a couple of core parts of the story. From the end of Trespasser, for good or for ill, we pretty much determined where we were going and what we were going to be doing. It was about the chase, the search for Solas. Solas had been very clear in his ambitions to end the world at the end of Trespasser. And, you know, at the end of the very final scene of Trespasser, we stabbed a knife, a dagger, into the map on Tevinter. So we kind of knew we wanted to go to Tevinter. We knew we wanted to chase Solas. Now that said, as the story started being constructed, and we discovered, okay, where else do we want to go, what characters make the most sense in this story, that kind of determines what lore threads we want to start pulling on. So without getting too much into spoilers, obviously, Scout Harding has a story that’s very focused on the dwarves and their history; Shery Chee started writing Harden’s ark, and realized, okay, this is actually something we’re going to want to dive into more deeply. Belarra’s story is very focused on the ancient elves, not just the gods, but who they were. So that became a lore thread we wanted to pull on.  As far as returning characters for us, it really does come down to who has the most to say about what’s going on in the world. Who is the most likely to be involved in this particular story. And I think, most importantly, this is something that we always talk about, is who has more to say in their story, whose story isn’t over. Because one of the things that I don’t necessarily want to do, I don’t want to bring back a character just so they show up and then disappear. That doesn’t necessarily do that character justice, but it also contributes to what you do see in some franchises, which is a sense of small world syndrome, where there’s literally 30 or 40 important people in this whole world, and they all somehow know each other.  But again, you know, you see Morrigan in the in the previews, and as we’re writing the stories like, well, of course, Morrigan, who is the daughter of Flemeth, who was at least an aspect of the goddess Mythal, one of the ancient elven gods, she probably has something to say or something to do in a story about the last two elven gods escaping. So, yeah, it comes down to who has something interesting to say, who has something more to say in their story, and who do we feel makes the most sense for where we’re going and what we’re doing."

"Paste: Sticking to the long gap between the last two games, what are the challenges in trying to make a satisfying continuation of that story without making it impenetrable for new players who maybe weren’t old enough to have really played Dragon Age in the past? John Epler: Well, I think it was funny because, on the one hand, yeah, the challenge is, you’re trying to tell another chapter of a story that’s been dormant for at this point nearly a decade. But it’s funny because I do think that actually ends up working to our benefit. For the second question, we cannot assume anything about what players remember. Because even people who were playing Origins, were playing Inquisition, all the DLC, they may not have done so for quite some time. And obviously some players are going to like—I mean, I see it all on social media, people doing their final Inquisition playthrough before Veilguard, which is great, but you have to assume that people don’t remember everything that happened. You have to re-onboard them back to the world, back to the lore, and you’re also bringing in new players. I think honestly, for Veilguard, one of the things that’s worked the most to our benefit is that this is a continuation of that story, but the context changes so dramatically within the first hour. You know you’re going after Solas, you know the first mission. We’ve always said we wanted it to feel like the last mission of a different game. But then you get to him, the ritual crumbles, the gods come out. And now, even if you’ve been following this story up to this point, for everyone, it’s just a sharp left turn. Solas is no longer the central antagonist of this at this moment, it’s now these two new figures, which means Rook, you know, you as a player character, but also the player themselves… You need to bring them back into this story, because nobody, including the people who’ve been playing forever, know what’s going on at this point. So it’s actually a really great way to do the first couple of hours, because you can’t assume everyone is coming into it with the same level of grounding in the story itself. Some people are gonna have more lore. And one of the things we do try to do is, anytime we introduce a proper lore term, I use Venatori as an example, we always try to pair it with a more commonly understood phrase. So “Venatori” and “cultists” always go together in the first few hours of the game. “Evanuris” and “elven gods” always go together in the first few hours of the game, but done in a way that doesn’t feel like the game is like, “Hey, don’t worry, we’re going to tell you everything.” It feels natural the way the people in the world talk about it. So you encounter Strike and Irelin, two of the Veil Jumpers, early on, and they use the terms interchangeably in a way that allows players who don’t know as much about the world to get what all these things mean. Like I said, it’s just the context of the stories. The story shifts so dramatically in those first couple hours that everyone is catching up, even the characters, even, you know, Harding is still trying to figure out what the heck is going on."

"Paste: Speaking of what’s going on, in Veilguard we have a new character as the protagonist, Rook. What’s happening with the Inquisitor and the protagonists from the first two games? What are they doing in this world now, assuming they survived their games? John Epler: One of our storytelling philosophies is, for us, especially when it comes to importing, is unless we explicitly say so, assume that those characters are still around. So what we do, because this is the story of Solas and the Inquisitor has a very direct tie to Solas, the Inquisitor does show up in Veilguard. I’m not going to tune into spoilers, or what the role is, but it would have been very strange for us to tell the story of Solas without having the Inquisitor involved, because, again, they were part of that story. As to the previous two protagonists, they’re still around; that said, their personal arcs, their stories that they were part of in their games, aren’t as directly tied into this story, either narratively or geographically. We’re now in the north of Thedas. So the Hero of Ferelden, who you know, if your hero survived, one of the things we talked about is they were looking for a cure to the Calling. They’re not going to necessarily be involved in this because they weren’t tied to the elven gods, and the blight is still present elsewhere. And Hawke, depending on what you did in Inquisition, may be deep in the Fade, or they may have gone to work with the Wardens and also engage with the Hero of Ferelden at some point. So we’re not going to say much about them because they’re not directly related to the story, but we want players to understand the fact that we’re not saying anything about them because they’re still alive. They’re still doing something."

"Paste: A lot has changed in the world of games and game design in the last decade. How has the creative process of creating a Dragon Age like Veilguard changed over that time? How was making Veilguard different than Inquisition? John Epler: I’d say the biggest change for me has been leaning much more heavily into pre-production on everything. So one of the things that we’d done on Inquisition, I was a cinematic designer on it, we didn’t really have the sense of storyboarding, of previsualization the way we do now. But with Veilguard, one of the things we did very early on is we built the entire story in Twine so we could play through and see the interaction points, see the word branch, and get the sense of how it was flowing, how it was coming together. Beyond that, very heavy use of previsualization, whether storyboards or actual white box, in-engine—or, I say “in-engine,” but, you know, in Maya—models, moving together, figuring out how these shots work. But I mean, ultimately, a lot of the same processes are in use now that we did then. Writing does peer reviews, they still do the same peer reviews. Take your work, you put it in front of the group, and you basically say tear it apart. Let me know what works, what doesn’t work. But I do think the other thing that’s been a great change since Inquisition is there’s a lot more sense of… if you’re building a level, you’re not just bringing in the level designers and level artists, you’re bringing in the gameplay people, you’re bringing in writing, you’re bringing in, you know, all these different groups to kind of build the feel, build the shape. Not to say Inquisition wasn’t collaborative, but I will say, as someone who worked on it, I felt much more like each pod was kind of an entity onto itself, you know, doing this thing, but not really touching the other parts of the game. In Veilguard, we very much wanted people to understand how their work fit into the whole that we were building. So there was a lot more sense of collaboration. And then, you know, more practically, COVID happened while we were making this game and brought work-from-home, remote work in general. I’m doing this interview from my basement right now, but in general, people are working more distributedly, so there becomes a much higher premium on communication. And like, we use Slack pretty extensively, and the sense of like, talking to people as much as you need to, as much as you can communicate broadly, and information sharing, I think, has become a much bigger part of it."

"Paste: So having the different departments less siloed, like it used to be, how has that impacted the day-to-day experience for a Bioware employee. Are they working more or less hours now that things are more collaborative? John Epler: I think it depends on who you are. And, I mean, I’d say generally less but again, it depends. I will say for myself, I have difficulty because of work-from-home. And this is a personal thing. I don’t always have the best separation between work and life because sometimes it’ll be like, nine o’clock at night and you’ll be like, oh, you know what? I just had this really great idea, I’m going to hop on and do something about it. That used to mean driving back to the office. So I will say now I’m not in the office, which is great. For me, one of the greatest things about this has been, I have a personal rule of I don’t ever do work between the time my kids come home and when they go to bed, which means I get to be fully involved as a parent. But then, like I said, 9:30 comes along [and the kids are in bed], and, you know, I think because I’m creative director, it’s a little bit different. I gotta jump in and be like, oh, I want to do this. So I think, you know, it depends on the person. But I think what it’s done is, in general, allowed a lot more freedom in defining your hours. And we do have some people who are not morning people, so maybe they don’t get up and jump on as early, but then I’ll see them later at night, and they’re doing the work that they would have done. And I think that freedom for me has been, and I think I can speak for a lot of people, has been probably the best part of how things have changed."

"Paste: So something else that’s changed in games over the last decade, I guess it really became standard right before Inquisition came out, and it’s something that’s been a constant problem for many people who are creatives in many different mediums. But some of the fans and fan accounts online and how they react to games and designers and games media, starting with what they call GamerGate. What are your thoughts on that type of fan interaction and how has it impacted the Veilguard team? John Epler: Anytime you get fan feedback, the question I always ask is, what is it that they’re actually saying? And, you know, sometimes it is literally what’s coming out, what they’re typing. But a lot of times, from whatever group it’s from, there’s a sense that they’re speaking to something deeper, something that’s, you know… I think ultimately, for me, it comes down to understanding and being confident in your vision which means you take the fan feedback, you can look at it, you can decide what you do or don’t do with it. But one of the most—I don’t want to say challenging, but one of, I think, the easiest traps to fall into is a feeling that you need to be, “oh God, they don’t like this, and they don’t like this, change this, change this.” And I think there’s a sense of, if you have a vision that you’re comfortable with, are confident in, you continue to stick with that vision, you can make make adjustments, make tweaks based on what people get excited or don’t get excited about. But I think the other side of it is, when you’re releasing news, you’re doing press events, you’re talking about the game, you’re only giving people a small slice and a decision that may, for them, like, “I cannot believe that, why would they do this,” makes a lot more sense when you know the context of the decision as a whole. And I’ll say it for myself, one of the bigger examples of this was when the Yakuza series went from action to JRPG, turn based RPG, and I’m like, “Oh, this is so weird. I don’t know. I don’t know how I feel about this. You know, this feels like a very strange shift.” When I played the game, like, “oh yeah, holy smokes, this makes so much sense.” They made it make sense narratively. They made it make sense from the gameplay perspective. So I always try to remind myself, like we know the game as a whole. We know all the pieces and how they fit together. When you get that feedback again, you can look at it. Some feedback is obviously better than others. Some feedback is more, you know, is more interesting, and more does more for us than others. But again, it comes down to know the game you’re building, be confident in the game you’re building, and don’t try to design by committee, because ultimately, everyone has a different thing that they want out of the game, and a lot of people, even themselves, will have two very contradictory things that they want out of a game. So you have to be careful not to overreact and water down what you’re building into something that I would describe as, you know, mushy. You don’t ever want to be in the mushy middle. You want to make a strong statement with your game and how your vision evolves, and stick with that."

"Paste: Where do you hope to see Dragon Age go from here? John Epler: Honestly, I love telling stories in this world, and I think one of the fun things about the ending of this game and some of the seeds that it sows for the future is the sense that everything you thought you knew, maybe you weren’t as right as you thought you were. And that stuff like using the unreliable narrator. It’s fun to be able to take that and apply it to things that you as a player experienced, and then see that there’s an additional layer. Context that you didn’t have at the time that now throws into questions some of what’s going on. So again, I’m trying to be as vague as possible to avoid spoilers. But I do like the idea of—because one of the things, the other side of it is Thedas is one continent in this world. There’s still a whole other world out there. And I think, you know, for myself, I kind of want to know what’s out there. I kind of want to know what’s going on in a world where, over the last 15 years, Thedas has almost ended the world three times by themselves. If you’re from a different continent, how are you feeling about that? I’m gonna guess, probably not great. So I think there’s a lot of fun stories to tell there. We haven’t said much about the rest of this world. So there’s just this giant blank canvas for us to start playing in, which I think is, for me, the most exciting thing about moving forward with this franchise."

[source]