#i want to apologize for existing

[anadorablekiwi]

I forgot about my wrio plushie

[plagalkey]

ENERGETIC ⚡️

you make me feel so high

[mobius-m-mobius]

#so unserious 😂💖

[zilabee]

the roman fucking empire:

gif by @autechres

[zehl0w]

Very messy scribble of a comic because they were on my mind (I doubt I’ll ever clean it up so I’m just posting it now so it doesn’t rot in my procreate files LOL)

[themyscirah]

What runs/stories do you recommend for someone starting WW? Could you please be specific (/nicely)

Yeah ofc!

My Wonder Woman Starter Recs (specific style 😎)

First stops: for an initial introduction to Wonder Woman, I'd generally recommend going to at least one of three places first. These three are:

Wonder Woman: Historia: The Amazons by Kelly Sue DeConnick

Wonder Woman: Year One by Greg Rucka

Wonder Woman: the Hiketeia by Greg Rucka

Of these I generally recommend reading Historia first, as it's a retelling of the origin of the Amazons as a race and how Diana came to be (so it essentially starts from the beginning) and is also the most recent of the them (if that means anything). Something to note about Historia though is that it's a DC Black Label book, so it's events aren't strictly canon in the main DCU and there are some changes and new elements present. I don't think this is something that should discourage anyone from reading it though, it's the best WW origin story out there, and even in strict main canon over the years her origin is one that has had many fluctuations and small (& sometimes big) changes. WW:Historia is three prestige format (longer) issues.

You'll notice the third book there is WW: The Hiketeia. Hiketeia is a great book if you're looking for a view into Diana as a professional and experienced hero. It's a graphic novel so standalone and not too long, and has a great Diana and really interesting plot (Diana vows to protect a young woman and finds herself pressed against the wheels of Greek Tragedy). This is also the first work with Diana done by Greg Rucka, one of her most prolific and loved writers. A sampling of this work (and also Historia) I think gives a good guide to where to go next in terms of runs on her main title.

Wonder Woman: Year One is the second book on the list up there, but I'm mentioning it last here as it's a bit more complicated in terms of format. Unlike other year one books, WW: Year One is actually a series of issues on her main title, showcasing Diana's arrival to man's world in Rebirth (and also current p sure) continuity. The issue numbering for this one is strange (only the even issues 2-14 on WW (2016)) so I recommend looking for this in trade form if possible.

These 3 books I think give a taste of some of the best standalone stuff in the Wonder Woman mythos, and give the reader a good idea of where they may want to go next in terms of longer runs on the title. So I'll break that down here as a Step 2.

STEP 2: WHERE NEXT?

Here I break down some highly recommended runs based on what they have in common with the standalone books from step 1. As a rule, these runs are going to be much longer than the above and generally more connected to the wider DCU and other books. Look for the italics to see the introduction to each new work. Explanation paragraphs follow after each italic/bold rec.

Curious about Greek mythology in WW and the Amazons' origins after reading Historia? Liked the prescence of a supporting cast and Diana learning about Man's World from Year One? Willing to read a longer run? I recommend: Wonder Woman by George Pérez

George Pérez's time on Wonder Woman totally reinvented the character after Crisis on Infinite Earths, and is fundamental in establishing many core concepts of her lore. At 62 issues, 2 annuals, and a 4-issue crossover event at the end (War of the Gods), it's definitely a commitment to read, but it's the most enduring and well-loved run on Wonder Woman for a reason--it's just that damn good. Lots of focus on mythology (although with a lighter tone than Historia) alongside Diana learning her role in relation to Man's World & establishing herself as a hero and ambassador. Pérez's run also has almost-certainly the most expansive and developed supporting cast in WW comics, something that really drives the emotional core of the series, especially in later issues. Obligatory note that this series was written between 1987 and 1992 and contains some very occasional aspects that I thought were in some way dated/uncomfortable etc. while reading (details of Cheetah's origin, depiction of the Bana-Mighdall, Hercules) but despite that I still highly, highly recommend this run. The word fundamental cannot begin to describe it.

Liked the experienced Diana of the Hiketeia? Interested to see her attempt to balance the high stakes responsibilities of an ambassador and superhero? Looking for some really badass moments and fights? Haven't read enough terrible tragedy? I suggest: Wonder Woman by Greg Rucka 2003 EDITION.

Some of Diana's coolest moments of all time are collected here. Also one of her most controversial. The 1st Rucka run is very much the story for anyone who liked the Diana of the Hiketeia and the tragedy of that and Historia. 2003 Rucka Diana is a Diana tested, forced to make decisions that are anything but easy, and live with the consequences. She's extraordinarily capable, but her enemies know that and are prepared to that end. This run, along with the Pérez run, rank among my favorite Wondy comics of all time (those and Historia are my top 3). This run is such peak Diana, especially in terms of sheer badassery. Her final confrontation with Medusa is in my opinion perhaps the greatest Wonder Woman fight scene of all time. Her encounter with Athena in the second-to-last issue breaks me every time. Cannot recommend this book more.

*a note abt this run is that it is more context-dependent than the other ones listed here, as it's the run that finishes out the Wonder Woman vol. 2 book and so has some guest appearances from characters introduced in other prior runs (Artemis of Bana-Mighdall, Cassie Sandsmark, and Vanessa Kapatelis, to name a few). I read this run before knowing much (if anything) about any of them, and still enjoyed it a lot, so I wouldn't be worried about this really but just thought I'd mention it.

Rucka's 2003 run is published from Wonder Woman (1987) #195-226. You can also find it in trade and I believe(?) omnibus. Sometimes the Hiketeia is included in collections of this series, as the 03 run is thematically similar in many places, just with a much deeper look at Diana and the world & with higher stakes.

Liked the specific characters and plot threads of Wonder Woman: Year One? Want to see what happens with Diana's exile, or learn more about Barbara Ann? Want a Diana in between the extremes of young and highly experienced? Wonder Woman by Greg Rucka 2016 EDITION may be for you.

...yes I'm putting ANOTHER Rucka book on here. He writes a great Diana, what can I say. This run is the same one that Year One came out of, just the follow ups to that story and versions of the characters. I have this run listed as separate from Year One though, as there's some really big time skips since the events of that first volume. A lot of time has passed since then, and there's more history between the characters, not all of it without drama. This run continues to be weird with the numbering, as well as some artist changes, so I definitely recommend looking into reading this in trade format (physical or digital) if at all possible. My recommended reading order is WW 2016 by Rucka vol. 2 "The Lies" (Wonder Woman: Rebirth Special #1, followed by 2016 main title odd numbered issues 1-11), then Rucka 16 vol. 3 "The Truth" (odds 13-23) then Godwatch (evens 16 through 24) followed by 25? But The Truth and Godwatch combine near the end so that doesn't really work either. This run is so good but recommending it is such a pain because the numbering is so all over the place. On God I never know which order to read this in. Going to revoke my previous statement and say read it as Rebirth Special 1, then only odds 1 through 11, then from 13 through 25 normally. That may lead to some weirdness as you read because the two stories take place at different times and have different art styles, but they come together at the end pretty dramatically so I think it's less confusing to read it this way? Maybe? So strange bc this is one of the go to good starter runs and yet it's set up so unintuitively. If someone has a better way to read this then let me know and ill edit, ik this explanation is super confusing bc neither way to read it is totally ideal imo and I feel I definitely read it in a weird order.

Going to call that a good rundown of some of my greatest recommendations in terms of Wonder Woman comics. If anything wasn't fully clear here or anyone (not just anon) has questions or wants to talk abt WW comics/my choices feel free to send as many asks or dms as you want. Have a good day everybody, & as Diana says, may the glory of Gaea be with you <3

[teaboot]

Your post about art vs content got me thinking about the differences between the two. To me there is no difference besides the mindsets. One is of creator and the enjoyer, the other is content and consumer it removes the personhood, the joy/emotion, from the equation. Like a writer or video creator may not see their work as art so content creator maybe a way to refer to themselves comfortably but it sounds so machine, emotionless and lifeless, like a cookie cutter recipe mass producing something verses people lovingly crafting something...then again Disney uses a cookie cutter recipe for the most part and it brings out bangers cause people lovingly make it their own so maybe I'm thinking too hard on this

Does my long-winded rant make sense?

see, I get what you mean, but I still feel like the willingness to entertain calling art of any kind "content" reduces it to the facet of consumption where in reality, the experience of consuming art is not the sole defining trait of it.

Reducing arts like music, writing, painting, dance, voice acting, theater, etc. to the role of "content"- a thing created to be consumed, measured and valued by how pleasant or easy it is to digest- I feel that it was our biggest red flag to herald the incoming tide of AI "art".

Because if art is "content", if arts are nothing but consumable matter, then obviously the key to success is to produce as much soft, tasty, edible paste as we possibly can at the lowest possible expense.

It's the same issue I have with "meal replacements", diet culture, nutrient slurries, twenty-step skincare routines, 24/7 body padding and shapewear and laxative teas and "grind culture". It's not a cause, but a symptom, of the disease that is late-stage capitalism.

Things must be produced at low cost and remain in high demand forever. Things must be perfect and palatable and the new hit trend forever. People must pay hand over fist to consume without asking anything in return, and if they start dropping like flies at the unending unrewarded thankless demand of it all, then that must be treated as a weakness. We should all take pride in how much we can spend, pay, give, produce, and think as little as possible about what we ask for ourselves.

So, who cares if, of two identical paintings, one was made by a person and one was made by a computer program? It's the same work, so what does it matter? What does it matter?

I am an artist. I make art. I ask a question, make a statement, declare something horrific or challenging or upsetting or wrong or grotesque, and when you respond, we are together experiencing a conversation. We are existing, two people living one life and reaching out and touching across time and space. No matter the work, you're at the barest minimum saying, "I'm alive, and you're alive, and at one time or another we shared this same world, and at the end of the day we aren't too terribly different. My heart is worth sharing, and your heart is worth the struggle of understanding."

An AI-generated piece, a computer-generated voice, a CGI puppet of someone long since dead and gone, they cannot speak. They have no voice. Ay best, they are the most chewable, consumable, landlord-beige common denominator possible that you can sit and listen to like the lone survivor of a shipwreck listening to the same three songs on a broken record, and at worst, they're the uncaring vomit of an empty, unloving, value-addled hack wearing the skin of someone I know over their own.

When you abandon art to say that you make content, that should not be a point of pride. That's an embarrassment. That's not sitting down for an intelligent discussion with an equal, that's kneeling at the feet of the crowd and saying, "what do you want to see me do? I can be anyone you've ever loved. I can be them, I can be anyone, as long as you love me."

I can make content. I can be consumed. What do you want to consume? I'll make myself consumable. I'll make myself just like anything you like. And I'll make so much of it that you'll never have to go anywhere else, because it'll all be right here, and under all the cut-and-paste schlock you've seen before I will sit alone in the dark and the silence and I will know that I am safe, because I am valued, because I am desired, and I need to be desired or else I am worthless like a factory that no longer churns out steel or a hen that no longer lays eggs or a cow that is too old to make milk.

Content, the most literal meaning, is something which is contained inside a container. What it is doesn't really matter, and the best it can hope to be is something worthy of being scooped out and used.

Art is an experience that transcends value. Art is something you can eat without paying for. You can make it out of anything and anyone can do it. It can be crude and vulgar and bad, and that's a strength because it means something. It always, always means something, and it doesn't matter if you like it or not. It's not content because it doesn't fill anything. It's a living, breathing thing, and whether you want to birth it or eat it, then you're going to have to be willing to put the fucking work in

[bumblingbabooshka]

S'chn T'gai-Grayson Family Memes

[cubbyhole-for-flea-bee]

Apologies

[jewishvitya]

I feel like people see "abuser" as like... a variety of person. A category of its own. A kind of human. Not a label for someone who has a pattern of behaviors with reasoning and internal logic that a lot of people can fall into without meaning to, and it's possible to unlearn, even if it doesn't undo harm.

There has to be sinister villainous intent, otherwise... I don't know, my hurt isn't enough?

If I admit they're not a different kind of human, I'll have to accept that I'm capable of just as much harm.

If there's a kind of person that's evil and we can "remove them from society" then we'll be left with The Good Ones.

I don't know.

[sentientstump]

thinkingg

about things

in the alt text with some notes

[kanerallels]

In Saecula Saeculorum

My contribution for @inklings-challenge 2024! Content warning for death and injury

Playlist link (I HIGHLY recommend listening along I spent like four collective hours on this thing I'm super proud. I am, however, adding which songs are best listened to at which points. They will be the bold italicized captions at the beginning of different sections. All the songs mentioned can be found on the playlist! (also, when you finish Afraid Of Time, just listen to the rest of the playlist straight through. It should line up well enough!))

~Time~

When Stephen Reid was nineteen, he almost got hit by a truck while trying to cross the street. A young woman a few years older than him yanked him back onto the sidewalk as the massive garbage truck barreled past, seemingly unaware that it had almost caused his demise.

Stephen steadied his breathing, heart pounding so hard he could feel it in his throat, then turned to thank the young woman who’d saved him. His mother had drilled good manners into him from a young age, and she’d have scolded him soundly for wandering into the street without looking first, let alone not thanking the person who’d saved him.

But she’d already started moving down the sidewalk, shoulders hunched in her green jacket, her hair (the tips of which were dyed an electric blue) brushing her shoulders as she moved. She was hunched over her cupped hands, whispering to something she was holding, and Stephen frowned. Strange way to hold your phone.

But there were more pressing things on Stephen’s mind. Namely, the fact that the world was tearing itself apart.

When he was little, things were so simple. It wasn’t just that he was a kid—Stephen remembered things had been happy, peaceful. He remembered summers spent digging holes in his backyard with his friends and raking leaves in the autumn. His mother and father had been happy, and life had been good.

As he got older, he saw the little ways things weren’t so good. The strain his father’s job put on him, the leaner times. But his family was still happy.

And then he turned eighteen. And things got really bad. Countries baying for each other’s blood, corrupt leaders turning their backs and doing nothing to help. Every day, the news showed more horrors. Every day, things got worse, and war was on the way. And Stephen knew he couldn’t just sit by and watch. His mother had taught him manners, common sense, and how to be fierce when it was needed. And his father had taught him that if you could help, you did help, and to care even when it was hard. 

So that was what Stephen planned to do. In every way possible.

He’d started out with volunteering as he started college classes. There were even more people living on the streets now than ever, and helping make meals at shelters was a step toward helping them.

But then things took an abrupt turn for the worse. And suddenly, they were at war. And Stephen found himself dropping out of school to enlist.

He was twenty when he saw his first dead body—a woman on the side of the road. Face pale, limbs at unnatural angles, blood still staining the front of her shirt. It was an image that didn’t leave his mind for a long, long time.

Two months later he killed someone for the first time. He tried not to remember that. But it wasn’t the last time. Every time he took a life, he found himself mourning, for what the world had come to, for the life that he’d ended.

Stephen may have known the reasons for what he was doing. But that didn’t make it hurt any less, or stop him from wondering if there was a better way he could help.

At twenty-two, he was shot in the line of duty.

It wasn’t the first time he’d been injured. But it was the first time it had been serious enough to warrant being sent to a hospital for a prolonged stay. And as it turned out, it was serious enough that he was discharged from the army. The bullet had shattered bones in his leg, leaving him with a serious limp and pain that never fully went away.

It was strange. One minute he was fighting for his life, the next he was home. Like nothing had changed, like he was supposed to pick up where he left off. Stephen found himself adrift, unsure of his next step. He went back to school, but his old major didn’t seem to fit anymore. Nothing did.

He was twenty-two and a half when one of his classmates dragged him to their local church. Howard was stubborn and usually said exactly what was on his mind, without thought toward how he’d affect others. It was an odd combination of refreshing and very irritating.

And yet, in that sanctuary, Stephen had never seen Howard light up the way he did when the singing started. And listening to the words, he started to understand why.

He’d gone to church growing up, and it had been fine. But this was different. This was something beautiful rediscovered, and he cherished it. Soaked in every word spoken from the front. It was like water after years in the desert, healing after pain for so long. It brought peace he hadn’t known could exist.

Stephen was twenty-three when he changed his major. Not to a pastor, though Howard joked that he might as well, with all the Bible reading and questions. But to a counselor. Someone who could guide others through what he’d gone through, and worse. Someone who could help.

It was a refreshing of his original purpose, a rewriting of his story. It was the right thing to do, and that was all he’d ever wanted.

When he was twenty-seven, he started on an internship. And that was where he met Marian.

She was an astrophysicist, and while Stephen admittedly didn’t understand a lot of what she did, he liked to listen to her talk about it anyway. He liked her smile, too, and her warm brown eyes that lit up like gold in the sunlight. They both loved music, and swapped favorite songs every time they saw each other. She loaned him her favorite book, and Stephen read it eagerly, looking for what she loved in every line.

It took him a while to gather the courage to ask Marian out. Howard—now graduated, running his own construction company, and happily engaged—teased him relentlessly about it. “She likes you, you clearly like her,” the young man would tell him. “What’s the problem?”

“I’m waiting for the right moment,” Stephen would respond, and Howard scoffed in response.

In the end, he didn’t ask her at the right moment. He simply asked her, one day when she was stopping by at his work to talk about the book she’d just finished, eyes bright with happiness. Her smile outshone the sun when she said yes.

One year and six months later, she said yes again when he went down on one knee on a date to one of the few functioning observatories left in the country. He would have given her every star in the sky if he could have, but Marian settled for a diamond ring and a small wedding at her brother’s farm. Stephen hadn’t known someone could hold this much joy within them without bursting.

Two years later, Stephen was thirty years old. And that was when things started to get strange.

~~~

~Prepping For Rescue~

“Are you sure you want to do this?”

She avoided his gaze as she strapped on her protective gear. While the technology they were using had come a long way since the beginning of its use, there were still dangers. Being pulled through time and space could cause serious injury or damage, and the cuffs she was locking into place would generate a field that could protect her from that. Strange, how they almost felt like shackles, weighing her down, when they were the only thing bringing her hope right now.

“You know I am,” she said. “We already tested it. We can go back now, not just forward. And if I have that chance—”

“You’re gonna take it. I know,” he said. “But we still don’t know everything about this. We don’t know how it could affect the timeline. You could start wars, cause innumerable deaths. You could prevent yourself from even being born.”

“I know the risks.” She finished with the cuffs and grabbed her jacket, pulling it on to hide the cuffs from sight. “I don’t care.”

He looked like he wanted to comment on that very much, but just sighed. “Okay. Do you have your location drone?”

“Her name is Penni,” she informed him, and he sighed again.

“It’s a robot. It doesn’t have a name.”

She couldn’t hold back a smile at the old argument. “She does now. And I have her here.” Slipping a hand into her pocket, she pulled out a flat, circular object about the size of her palm. The domed top flickered between different colors, trying to camouflage itself with its surroundings, and it zipped into the air, hovering right above her shoulder. She brushed a hand along Penni’s surface, taking a deep breath.

“Good. Keep her with you, and I’ll be able to bring you back,” he reminded her. “Otherwise…things could get ugly. Because this is all supposed to be theoretical.”

“Then I guess I’m a pioneer,” she said, mouth suddenly dry. Squaring her shoulders, she said, “Let’s do this thing.”

~~~

Exactly twenty-seven days before his thirty-first birthday, Stephen was on his way home from work. He stopped at a grocery store to pick up a few things for dinner—Marian was working later than usual, and he wanted to surprise her with a delicious home cooked meal when she got home.

When he stepped out of the store, a car drove by at top speed and shot him three times in the chest. Two other pedestrians were hit, but he was the only casualty.

Except he wasn’t.

He heard the car screech around the corner, and looked up in time to see the dark barrel of a gun pointing out a window—and then a girl slammed bodily into him, sending him crashing to the ground.

Glass from the store windows shattered upon the bullet’s impact, tinkling against the pavement. There were screams, and Stephen pushed himself into a sitting position with a groan, looking around as the car roared away.

Two other pedestrians lay on the ground—one hit in the shoulder, the other only grazed in the arm. Stephen automatically moved to help them, calling for someone to call the cops, his head spinning.

Because there had been a moment where he’d known, he’d been sure, that he was going to die. Not just fear. Utter confidence. He’d all but felt the bullets pass through his body.

But instead, a girl had saved his life.

The girl. Stephen glanced around—but there was no sign of her. And all he could remember, as he later recounted to the cops, then Marian, was a blur of green jacket and blue hair.

Something about the description itched at the back of his brain, but he wasn’t sure what. All he knew is that he was somehow, impossibly alive. And he was grateful for it.

Two days later they found out Marian was pregnant.

~~~

“It worked,” she gasped, stumbling away from the framework of the machine.

Her friend looked up, eyes widening. “It—it did? Are you okay?”

She nodded, then stumbled again, and he caught her by the arm, hauling her upward. “Whoa. Sit down, have something to drink. We should check you out—”

“I’m fine,” she said, waving away his worry. “It worked, Tad. He—he’s not dead. Is he? I can’t—I can’t think—”

Steering her into a chair, Tad said, “Disorientation is a common side effect after traveling. Let me look at the database—drink some water.”

Taking the water bottle he shoved into her hands before moving to the computer, she gulped down some of the contents, her head spinning. “Do you remember how it was before?” she asked. “You said that you might not—”

“I think being close to the temporal field distortion preserved my memory,” Tad said, typing rapidly. “It’s fascinating, and if we don’t get arrested for this, I’ll write a paper–oh.”

Her stomach dropped as his face fell. “What?”

“You…almost succeeded.” Reading from the screen, he said, “Stephen Reid, died age thirty-two, in the ‘65 train bombings.”

“What?” Rocketing out of her chair, she moved to his side, swaying a little. Tad put a hand out to steady her as she bent over the screen. “How?”

“Looks like he was injured, but didn’t let on because he was busy helping others to safety,” Tad read. Glancing at her, he said, “I know that’s not what you wanted to hear, but—”

She was already moving toward the machine. “We have to go again.”

“What? I don’t think that’s a good idea. You already somehow created a temporal loop when you first went in. Who knows what—”

Spinning around, she said, “We can’t save him from being murdered just to let him die in a freak accident. It’s not—no. We’re fixing this.”

“And you don’t think this has anything to do with—”

Fixing him with a fierce glare, she said, “We’re going. Again.”

~~~

~The Typewriter Theme~

If that was the only incident, Stephen would have accepted it and moved on. He wasn’t dead, and that was something he was fiercely grateful for. His wife was pregnant, and instead of being dead he was there. For the moment when their little girl came into the world, and he held her close for the first time.

They named her Zara Grace Reid, and Stephen’s heart was full. For two long years, they had peace.

Then, when he was thirty-two, things started getting bad again. The governments were all fighting, and groups of dissenters were getting angry at, well, everyone, no matter who they claimed to hold responsible for everything going badly. Danger of terror threats grew more and more present.

The day after Zara’s birthday, Stephen was taking the train to a meeting across town. But when he got to the door, his ticket was missing. Racking his brains, Stephen vaguely remembered slipping it into his jacket pocket—and a girl bumping into him as they crossed paths in the station.

Strange. Who would steal a train ticket? He considered buying another one, but it was a nice day and he was in no hurry. He decided to walk.

Two blocks later the world exploded. Four trains, all across the city, blew up at once, killing hundreds in a deadly attack.

Stephen not only saw it when it happened, he felt it. In his chest, like he was on the train when it happened. But no sooner had the feeling come then it was gone and he was running toward the rubble, hoping desperately that he could pull someone, anyone out.

He missed his meeting and saved twelve lives that day. All the while wondering at the phantom pain in his side, but there was too much to do for him to care.

Hours later, he made it home after Marian, cleaned up, and only by the time he fell into bed did he wonder—did the girl who took my ticket know?

~~~

“SIX MONTHS?”

Pacing back and forth, she glared into space. “I only bought him six months? What does he do that makes these people want him dead so badly?”

“It’s pretty fishy,” he agreed, typing rapidly. “Okay, the records are a little messy, but I think I know the exact date. Are you feeling okay?”

“I’m fine. Let’s go again.”

~~~

The thought didn’t really leave Stephen, as he racked his brain to remember what the girl looked like. He remembered dark hair with a splash of blue, and the girl had been holding something small. And those thoughts tugged at other memories—of a day almost twenty years ago, when someone had pulled him out of the way of a truck. Of the shooting before Zara was born.

He wasn’t able to really consider the idea, let alone voice it. Not until six months later, when there was a fire in his work building, and someone locked the door of his office, leaving him trapped inside while the flames grew and the smoke filled his lungs.

He’d been in tight spots before. He’d been trained, in the Army, not to panic, even when it was logical to do so. But as his oxygen seeped away and the door refused to budge, even as he bashed at it with a chair, Stephen found himself absolutely terrified.

No. No, this can’t be it. Images of Marian and Zara flickered through his head and he knew he had to fight, had to live at all costs. But if there was nothing he could do—

The door swung open, and someone pulled him forward.

~~~

~The Hornburg~

“I wonder what makes them choose the intervals they do,” Tad mused as he typed. “Is there someone else preventing them? Do we just do this for the rest of our lives? Are they experts or are they just trying everything and every year they can to kill him? Furthermore, what’s going to stop them from just going back to the same year and trying again—”

He stopped short when he saw her face. “Which…they definitely can’t do. Most likely. I think they can’t, anyway. It’s just that the science is so—I’m sorry. They haven’t done it yet, they probably won’t ever.”

“I hope not,” she said, checking her cuffs and scooping up Penni, who chirped a little greeting. “The last thing we need is more things to worry about.”

“Or to send you through more times.” His worry showed through the edges of his speech. “You don’t have to—”

“Let’s go again.”

“Okay.” 

~~~

Stephen made it out of the fire and he could have cried with gratitude. The firefighters who arrived on scene seemed very startled to see him stumble out of the building, coughing—they said that the last man to come out had sworn up and down that there was no one else inside.

And they swore with equal fervor that they hadn’t sent anyone else in. They claimed that he must have made it out under his own steam somehow—adrenaline, maybe?

Stephen knew better.

“There are two options,” he told Marian when he explained everything to her later that day. Her brow was furrowed like it always was when she tried to solve a problem. “Either I have a literal guardian angel, or somehow the exact same person is traveling through time and space to save me.”

“I’m not sure which is more improbable,” Marian said slowly. They were sitting at the table, and her fingers twitched against the surface like she wished she had something to write on. “Bending time and space isn’t…unheard of, per se, but we’re years away from being able to achieve it under our own steam. And if we assume they’re from the future, they’d be moving into the past, which is, theoretically, even harder.”

“But then there’s the guardian angel idea,” Stephen said, grinning at her expression. “Which you think is scientifically impossible?”

She let out a long sigh. “I’ve learned not to count anything out when it comes to our faith. So…I don’t know.”

Reaching across the table, Stephen caught her hand and gave it a squeeze. “We’ll just have to pray that whatever this is keeps ending up at the right place at the right time.”

Their prayers were answered when, two years later, someone tried to shoot Stephen again. And again, he was pulled out of the way just in time.

~~~

“So,” Tad said, staring at the screen.

“Yup,” she said.

“A sibling, huh?”

She rolled her eyes. “Let’s do it again.”

~~~

It started happening more frequently. A near knifing in an alleyway, a car barreling toward him as he crossed the street. Every time, it was thwarted. Sometimes, he didn’t even see it coming—the coffee knocked out of his hands that hissed alarmingly on contact with the concrete, leaving it pitted and worn, for instance.

But every time, the attackers failed. And eventually, Stephen started to wonder if they should stop prevention and start focusing on the attackers. The only problem? He had no idea how to do that.

So he decided to reach out to the person who did.

~~~

“How. Did he do that?” Tad asked, staring at the screen.

“He must have realized what we’re doing, somehow,” she whispered. “I mean, he’s married to an astrophysicist, he has to have picked something up.”

Shaking his head, Tad said, “Okay, then how do we respond?”

She stared at the screen for a moment longer, thinking as she reread the lines on the screen. More specifically, the email Tad had found during his usual archive wide search for anything pertaining to Stephen Reid.

He’d sent it to himself, apparently hoping that it would be good enough. And it had been.

To whoever is helping me:

Thank you. I don’t know who you are or if you’ll receive this, but I have faith it’ll end up in the right hands. 

Clearly someone wants me dead, for whatever reason. Instead of preventing it, why don’t we get rid of the attackers? Let me know how and when to help.

Stephen.

“What do we do?” Tad asked quietly

She studied it for a moment longer, then said, “We answer. I can slip him a message on my next trip. Have you located who it is and why yet?”

“I think so.” Opening a new screen, Tad tapped on the article he pulled up. “There’s a stabbing, two years from the next attempt, in an alley nearby his route to work. Exactly the kind of thing he’d get involved in and try to stop, right?”

Nodding slowly, she said, “Right. But why this person?”

“No idea. They’re dead in every timeline so far. They must do something that the attackers aren’t a fan of.”

Taking a deep breath, she said, “Then let’s hope we’re not actually on their side.”

~~~

~FREEPORT~

For a while, Stephen didn’t think his message had worked. Things were peaceful—no attacks, no poisonings. Marian found out she was pregnant again, and nine months somehow managed to fly and drag by until she gave birth to a healthy baby boy, who they named Isaiah.

And then three months after that, it happened again.

At exactly the right moment, he was pushed forward, just in time to avoid a bunch of tiles crashing to the ground from the roof. When he caught his balance and his breath, there was no one there. But when Stephen put his hands in his jacket pocket as he started onward again, he found a slip of paper.

10/11/71. Four in the afternoon on your way home from work. Watch the alleyway off Racine. Be ready.

This was it. This was the answer. A little under a year in future, he’d be able to fix this, for good. Whatever this was.

So he kept the paper tucked in his pocket until it grew worn, the folds flimsy. He kept going with life—worked and went to church and looked after his wife and children. He avoided two more attacks in that time, and every time, his mysterious helper was there just in time, only to disappear before he could get a good look at her.

Finally, the day came. Stephen usually carried a knife, out of habit, and this time he made sure he had it, just in case. The day passed in a haze of business as he worked with patients and did paperwork and wondered what exactly was going to happen.

And then work was over. It was 3:45, and he was walking home from work, hands tucked in his pockets, trying to pretend like his heart wasn’t thundering in his chest.

3:47. He passed the cart that sold churros. Oftentimes he stopped to buy one and chat with the owner, but for now Stephen just gave her a little wave and kept moving, pace brisk.

3:50. A couple of kids zipped by on bikes, laughing.

3:51. He heard footsteps behind him, and his heart lurched. Be ready, Stephen.

3:55. The sidewalk came to an end at an intersection, and he turned onto the sidewalk along Racine.

3:58. He wove through a group of teenagers and sped up a little. He could see the opening for the alleyway.

3:59. Heart pounding in his throat, Stephen came to a stop outside the alleyway.

4:00.

For a heartbeat, there was nothing. And then he heard a muffled scream from the alleyway.

Instinctively, Stephen started forward, concern rippling through him. It had been the voice of a girl—young, too young. Most likely not his helper, but that didn’t lower his concern.

He made it two steps forward before he was grabbed from behind. Stephen vaguely registered the cold press of steel against his throat for a heartbeat before he moved, driving an elbow backward into his attacker’s gut.

There was a grunt—a man’s voice, judging by the baritone—but the grip didn’t loosen. Until Stephen snapped his head backward , connecting solidly with the other man’s nose.

There was a crunch and a howl of pain, and Stephen felt the knife at his throat break skin—

And then the grip was gone, and he was stumbling forward, hand pressed against the shallow cut on his neck. Spinning around, Stephen registered a man in all black taking a swing at a young woman—green jacket, hair dyed blue at the tips, holding a weapon he didn’t recognize. What looked like a tiny flying saucer hovered next to her shoulder.

“Help her!” she shouted, dodging her opponent’s blow with ease.

For a moment, Stephen didn’t know what she meant. And then he remembered the scream from the alleyway, and turned. Pulling his knife from his pocket, he moved.

There were two men, both trying to subdue a struggling, terrified girl. One had a hand over her mouth, and the other held a wickedly curved knife. Stephen took a moment to wonder why these people insisted on using knives, and then he was on top of them.

Clearly, either of the men were expecting him. The one holding the blade went flying into the wall with a cry of pain, clutching his shoulder where Stephen’s knife had gone deep, tearing through muscle.

 The second tried to reel backward, avoiding Stephen as he clutched for his own weapon while clinging to his victim. But Stephen smashed his fist into the man’s face, catching hold of the girl’s arm and pulling her away at the same time, using the man’s momentum as he fell to tear her free.

He took a minute to glance at her—no sign of injuries, just bright red hair and freckles and shocked tears starting to escape—and then turned to face his opponents again.

Only to find them gone, a trace of blood on the ground the only sign that they’d been there in the first place.

What? Baffled, Stephen turned in a full circle, then glanced at the girl. “Are you okay?” he asked, and she nodded shakily. “Okay. Wait here a minute. Call if you need me.”

Moving quickly, he headed back to the mouth of the alleyway, to see if there was any sign of his mysterious helper, or her opponent. But there was nothing. Just the now oddly dusty sidewalk, passersby who seemed to have no idea what had happened, and—

A scrap of white paper. Stephen bent and picked it up, unfolding it, and read the now familiar lopsided script inside.

She’s safe. You both are, unless you see me again. Look after her. Don’t worry about the other attackers.

There was no signature, although Stephen hadn’t expected one. A wave of relief swept over him, and he breathed out a prayer of thanks.

He was safe. They were both safe. It was done.

~~~

~Afraid Of Time~

“It’s not done,” she said.

“What?” Tad stared at her, baffled. “How can it not be done? We saved the victims, including a victim we didn’t even know we had until now, helped catch time traveling murderers, and hopefully we’re not even getting arrested for using government property without permission. Your mom might not even yell at us. How is this not a win—”

He stopped short, looking at her. As she looked at the computer file in front of her, wishing the words were different.

Stephen Reid. Died 10/12/83

“Zee.” Tad’s voice was soft. “You can’t stop everything.”

“That’s kind of the point of this whole time travel thing, Tad. I can.” Taking a deep breath, she said, “I’m stopping this. I’m going in again.”

~~~

Stephen had always loved autumns. The crisp, cool air, the knowledge of the approaching season that heralded celebrations and wonder and joy and family time. How could he do anything but love it?

Sure, he’d almost died at this time of year a few times, but with his life, when was that not true? 

It had been 12 years since the last incident. He’d helped the girl—Jenny, a teenager who’d been alone and afraid and had no idea why those men had attacked her—to the hospital to get checked out. They repeated the same impossible story to the police over and over until they finally got tired of asking and declared the case closed. Stephen was fine with it. He’d been told they were safe, and he believed that.

Years had passed. Jenny became all but a member of the family, and he and Marian encouraged her and supported as she chose a career path and moved forward with her life. Stephen still wasn’t sure what the men wanted with her, but it didn’t matter. Her purpose was her own to discover.

His other two children were far too close to grown up for his taste, as well. Isaiah was thirteen, flirting with girls, and discovering a love for basketball paralleled only by his love for mischief. And Zara was in college, pursuing a degree in physics.

He held great hope and joy for both of them, that they would grow up to change the world in whatever small or big ways the Lord had planned for them. If Stephen was being honest, he held a very specific theory for one of them, as time passed and the similarity grew stronger and stronger.

And that was why, on his walk home from work, he wasn’t overly surprised to see a familiar figure at his bus stop.

She was sitting on the bench, knees pulled up against her chest. Her hair, dark like her mother’s where it wasn’t blue, covered her face in a curtain, and the tiny flying saucer hovered at her shoulder again. As Stephen drew closer, he heard it letting out soft little chirps, like it was trying to comfort her.

Sitting next to her with a grunt, Stephen set down his bag and leaned back. Glancing at her, he said, “Nice day, isn’t it?”

Her chin jerked up a little, like she was surprised to hear his voice, then lowered again. Stephen watched her for a moment, debating whether or not he should speak again, when she did, voice low and cautious.

“If you could know the day that you died, would you want to?”

Stephen considered for a moment, tapping a finger against his knee. “I don’t know,” he admitted. “My instinct would be no—why live in dread of something like that? But I can’t say I would be curious.”

“Who wouldn’t be?” the girl agreed, voice still quiet. “What if…what if you could stop it? If someone just told you the right things?”

A heavy feeling began to settle over Stepehn’s chest. “Can you?” he asked, abandoning all pretense.

She let out a choked sob, and Stephen felt a stab of sadness. “I tried,” she choked out. “I tried again and again, but no matter what I do—”

“It’s okay,” Stephen told her, gently reaching out to touch her shoulder. “It’s not your fault.”

Letting her feet drop down, the girl scrubbed a hand across her face angrily. “You don’t understand.”

“I think I might,” Stephen said, his voice very soft.

She shook her head. “No, you don’t. For you, it’s been another twenty years, but for me…I thought I’d get to go home and—” she stopped short, staring across the street, eyes red.

“And I’d be there?”

She swiveled to face him, eyes going wide. “What—how did you—”

“You’re my daughter, Zara. How could I not recognize you?”

Her face crumpled, and Stephen slid across the bench to pull her into a hug as she burst into tears. She pressed her face against his shoulder and he ran his hand over her hair, the way he used to when she was a little girl.

Closing his eyes against tears of his, he whispered, “It’s okay.”

“It’s not,” she mumbled, voice muffled by his shirt. “I was supposed to get you back.”

“You did,” Stephen pointed out. “Just not for as long as you wanted. But you were the one who saved me, so many times. You’re the reason I got to watch you and Isaiah grow up, and I will never stop being grateful for that. You’re the reason Jenny’s alive.”

“It’s not enough,” she whispered. “This shouldn’t be the last time I see you.”

Stephen almost laughed, tears springing to his eyes. “It won’t be. If there’s one thing I hope your mother and I taught you, it’s that.”

Pressing a kiss against the top of her head, he pulled back a little, taking a look at her. Zara had his wife’s beauty and dark wavy hair, and he wondered when she would dye the tips blue. Her eyes were the same warm brown as Marian’s—oh, Marian—and right now, they were wet with tears.

“I don’t want to let you go,” she said, voice shaking.

“I know,” Stephen said, heart aching. All he wanted was to tell his daughter that it was going to be okay, that he was going to be able to come home. But it was becoming increasingly clear that he couldn’t make that promise.

Instead, he asked, “Tell me about what you do next. Tell me everything.”

So they sat on the bench, and Zara told him about her work and her best friend Tad—whom Stephen had already met, but the two hadn’t grown close yet—and how Isaiah was coaching at a local high school and Marian was still working, still looking out for Jenny, still going to church every day. “She still loves you so much,” Zara told him. “Even when I never knew you, she’d tell me about you and how important you were to her. I—I thought I could bring you home to her.”

“You did,” Stephen pointed out, remembering all the days he’d almost died, and all the days his daughter had saved his life. His daughter.

Eventually, the bus came around the corner, and the little flying saucer at Zara’s shoulder let out a chirp. Zara’s eyes widened, and she glanced up. “I—”

“You have to go,” Stephen guessed.

“I don’t want to,” she whispered.

“I know. But if this is it, I don’t want you to have to watch it.”

Shaking her head, Zara said, “You shouldn’t have to be alone.”

“I’m not alone,” Stephen told her, and he meant it. Though his heart was heavy with grief, it wasn’t for him. And he knew—he was sure of it—that his family would be alright. They were strong enough to look after each other without him.

Getting to his feet, he waited until Zara did the same, then pulled her into a fierce hug. “I love you,” he told her. “And I’m proud of you. You and Isaiah, you’re the best thing I’ve ever done.”

She was openly crying now, but nodded, holding him tightly for another minute. “I love you, too,” she said.

And then stepped back and the bus was there. Stephen took one last look at her, taking in every detail. At last, he turned and boarded the bus, taking a seat in the back.

It lurched into motion, and Stephen glanced out the window at the now empty bus stop. I’ll see you again, he thought. And he knew, in his heart, it was true.

Pulling out his phone, he opened up his text messages and began one to Marian.

I love you, Mari. I love the life we’ve lived together for the past twenty years. Thank you for being the best wife and friend I could have ever asked for. 

Looking up, Stephen took one last look around him, and wondered what would come next. He knew more than most sitting on the bus did, and yet found himself frightened. And yet, at the same time, excited.

Whatever else happened, he was ready, with no regrets.

He sent the text.

~~~

Zara was still crying when she stumbled back into her own time, bones aching fiercely. Most trips, she’d taken a break in between, but for the past five or so, she’d gone in without stopping, time after time. Trying desperately to stop what she knew was going to happen.

It hadn’t worked.

But somehow, despite the tears and the ache in her heart, it was okay.

“Zara?”

Tad had moved to stand in front of her, face twisted with concern. “Are you okay? Or—are you hurt?”

Shaking her head, Zara took a shaking breath. “I’m okay,” she said, and he gave her an unconvinced look. “Fine, I’m not hurt. And I…” she trailed off.

“It didn’t work,” Tad said quietly. “Zee, I know you want to do this, but so many trips in a row are hurting you. And if this is so hard to stop—”

“I know,” Zara said, taking a deep breath. “It’s okay. I’m…I’m not going in again.”

Tad’s eyes widened. “Really? I—I didn’t expect that to work.”

“It didn’t,” Zara said, and couldn’t hold back a laugh at his expression. “I…I talked to my dad. It’s okay.”

“You’re sure?” Tad said slowly. “Because five minutes ago you were very ready to keep doing this or die trying.”

Nodding, Zara swiped a hand over her face, ridding herself of the last traces of tears. “I am. I got to say goodbye, and…he’s right. I’m gonna see him again. Someday.”

Resting a gentle, if slightly awkward, hand on her shoulder, Tad nodded. “I’m glad. He’d be proud of you, Zee.”

“Thanks, Tad.” Zara took a deep breath. It was time to stop living in the past, and start looking at the new, and slightly changed present she had waiting for her.

And when the time came to see her father again, she would greet him with joy and the knowledge that she’d lived her life to the fullest, like he had. Until then, all she could do was take the first step toward doing that.

[butchvamp]

i had time to play a decent amount today and actually further the main quest & companion quests and. i dont have anything eloquent to say this time and im not feeling generous anymore... taash's writing sucks dogshit

[teapot-of-tyrahn]

Mumpearl Drabble please :3?

His name is Mumbo Jumbo. His name is Mumbo Jumbo. His name is Mumbo Jumbo. His name is Mumbo Jumbo. His name is Mumbo Jumbo. His name is Mumbo Jumbo. His name is Mumbo Jumbo. His name is Mumbo Jumbo. His name is Mumbo Jumbo.

PearlescentMoon has gone by many names: Peril. Farmer Queen. Santa Perla. Madre de Girasoles. The Great Lunar Neighbour. Even Moonatrix Octa. She was no stranger to deification. She'd been worshipped by a wide variety of people. By her own Helianthias, by the Harengons of Sanctuary, by Jeremys of Stratos: and, now, even by The Order of Octa. And yet, out of all these followings, out of all these flocks of religions, cults and sects dedicated to her image… there was only one she was interested in. The Mooners. Or, rather, its founder. And his name was Mumbo Jumbo. She had to admit, it was odd. She’d been worshipped by countless mortals throughout history, but this wasn't just another mindless devotee, no, before that, he had been someone she'd known; somebody she'd loved. A friend. Before he had been a Mooner he had been apart of Boatem. He still was. It was surreal to see the same man she'd laughed with, the same man who had teased her and taught her what it was like to love and be loved and be human… worship the very thing about her that wasn't. Worship the idea of her, worship the concept of a omnipotent, despotic rock in the sky, worship everything about herself she hated. She had hated being a goddess. That's why she had come to Hermitcraft in the first place. She was sick of being treated as a stagnant notion - something simultaneously too abstract to comprehend and yet something superficial enough to be classified by one word: perfect. She wasn't a person, just an idea. A deity. But Mumbo Jumbo had taught her how to be a person. No… he'd been the one who had made her a person. Or maybe he had just showed her that she had always been one. He made her laugh. Cry. Love. Hate. Learn. Live. Experience. He taught her how to feel, want, explore, be… he had showed her the wonders of this world, shown her that everything alive was sacred and unkillable, that this planet was alive and thus beautiful. He had made her fall in love with the dull world that she had grown to loathe over the centuries all over again. He had made her fall in love with him. And so, watching him fall in love, not with her — not with the genuine, real version of herself she'd become — but with postulated perception of herself she'd been trying so hard to unbecome? The dehumanized idea of what she was supposed to be? The version of herself he'd unwittingly taught her she wasn't defined by? It felt like death. It felt like she was dying. Was this heartache? Could somebody who never had a heart have it break? Pearl loved Mumbo. But Mumbo only loved the Moon. Not Pearlescent.

The moon had two faces; one of which was always hidden from sight. One face could never be seen the human eye. No matter how much they tried, no matter what they used — whether it be telescopes, binoculars, spectrometers, or observation stations… nobody could ever see the far side of the moon. Nobody could ever see her in full display. Only in facets; fragments. In some ways, Pearl resented this fact. Nobody could ever know her; not truly. Nobody could never know her in her entirety. What would happen if they knew the new Australian Hermit wasn't from Australia at all, but from the moon, anyway? No, actually, she wasn't from the moon, she was the moon. She was just the actual, literal moon. That big 'ol floating rock in the sky? The one rapidly plummeting towards their planet on a path set to destruction? Yeah, that was her. Well, not exactly her, but her divine shell, which missed its' goddess after she had taken mortal form so much it was trying to reunite with her by colliding with Hermitcraft… Oopsie-daisy, yeah, my bad, sorry about the impending doom! On the slim chance they didn't immediately kick her off the server due to her very presence being a threat not only to everyone but the world itself's safety, what would they think of her, then? If the fact half of the Hermit's first instincts were to start cults around The Moon in response to its enlargement was any indication, something told her they wouldn't treat her like a regular Hermit anymore. They'd start treating her exactly like what she'd come here to get away from: a goddess. She wouldn't be Pearl anymore. She wouldn't have friends anymore. Just followers. She hated that sometimes she considered it. Oh, how easy it would be, to tell Mumbo she was the Great Lunar Neighbour he loved so much. That she was who he'd been unknowingly worshipping this entire time; she was his goddess. Her feelings for him would be reciprocated in a heartbeat. He'd love her in the same way she loved him; endlessly and entirely. …But he wouldn't. Not really. He wouldn't love her. He'd love the idealized idea of her he thought she was, this version of her he'd made up in his head. And even saying he'd love her would be a stretch… no, he wouldn't love her. He'd revere her, worship her, exalt her��� but not love. Not in the ways mortals loved each other. He wouldn't love her for who she was, but for what she was. And, so, she wouldn't tell him. Because as long as he didn't know, there was still a chance he could love her; the actual her. She just had to be patient. Though it was times like this her patience really ran thin.

"I don't understand," Mumbo sobbed; the sound was hoarse, gravelly and guttural. He hadn't slept in… nobody knew how long, and the hysteric delirium of sleep-deprivation seemed to finally be catching up with him. "I — I did… I did everything right! I'm doing everything right, I don't — I don't understand what I did wrong. What am I doing wrong?" He cried. "Shh, shh… you're not doing anything wrong, Mumbs. You didn't do anything wrong. You're perfect. You've done everything perfect," Pearl consoled him, running her fingertips' through his hair in an assuaging manner, trying to coax him to calmness in the same way somebody might try to coax a crying infant back to sleep in the late hours of the night… which, was what she was doing, really, in a sense. His locks were unkempt, disheveled and sloven, bedraggled despite the fact he hadn't touched a bed for weeks. But even in his grotty state, to her, he was still gorgeous. He was still perfect. "Then why is she still mad? I — I made her a temple, I made her altars, I built her shrines, and — and — and — I even convinced Boatem to give up their beds! I even —  I don't understand… I thought — I thought that would fix it… I thought that would make her happy, but she's still — is it not enough? Am I not doing enough..?" Mumbo sniffled as he looked at her with hollow, sunken eyes, a strange mixture of devotion and desperation on his face. His eyebags were so heavy they weighed down his cheeks' like an anchor, an anvil. "Can't she tell I love her? I — I just want to make her happy. I just want her to know — I — I just… I just want her to know how much I love her." Pearl's heart ached. I know. "She knows," she whispered, trying to keep her voice from hitching, trying to control her pitch. "She knows you love her. She… she loves you too. So, so much." I love you too. I love you so, so much. "No," Mumbo shook his head with a strangled snuffle, dismissing her words as nothing but empty consolations. He didn't know how true they really were, he didn't know they weren't just a friend's weak attempt to lift his spirits, but that they were a love confession from the very God he had devoted his entire being too. That she really did love him, too, more than he could possibly fathom. "If — if she loved me, she… she wouldn't still be upset. If she knew how much I loved her, she wouldn't be — she wouldn't still be causing earthquakes and stealing blocks, and — I just, I need — I need to try harder. I need to show her, I need her to know, I need her to see…" No, you just need to see. You just need to see it's me. I'm right here - why can't you see? I'm not mad. I was never mad. I could never be mad at you. I love you. Please, please, please… stop. I don't want this. I'd never want you to do this to yourself. But he never listened. He would never listen to Pearl; and the one voice he would listen to was one she couldn't admit was her own. It was infuriating… He loved her so, so much, too much, and yet he didn't love her at all. He could never love her while he still loved who she had been. Who had to be. He could never love her while his love for her was destroying him. It was killing him. And, so, it seemed there was only one solution. She had to make him hate her. She had to make him hate The Moon. She had to make him hate her as much as she hated herself. And with the fact he didn't already, despite the fact her old vessel had actively been spreading insanity amongst the Hermits, causing earthquakes and disasters, destroying the landscape? It would take some drastic measures. Lengths she didn't want to go to. But knew she had too. For his sake and her own.

When she'd abandoned her celestial form, she'd abandoned most of her deific abilities with it. Fortunately, not all of them. She had enough power in reserve to call upon a mite of her old body down to Earth; a meteor. Little more than an atom compared to her mass. But enough to serve as a teensy deposit of her powers she could tap into and exploit. Enough to influence those around around her with The Moon's voice. Enough to make it clear love wouldn't work. Enough to make it clear there was only one option.

"…'I must have them'? Who must she have? Who must she have? Is it us? Must she have me? Must she have Doc? Who? Who does she need…?"

"He who doth preach to us on the first day of the server… so doth shall be returned to dust first." "His name is Mumbo Jumbo."

His name is Mumbo Jumbo. His name is Mumbo Jumbo. His name is Mumbo Jumbo. His name is Mumbo Jumbo. His name is Mumbo Jumbo. His name is Mumbo Jumbo. His name is Mumbo Jumbo. His name is Mumbo Jumbo. His name is Mumbo Jumbo.

Make love, not war. But if love doesn't work… use war.

-- so. uh. you asked for a drabble. this is uh..... this is 1.8k words. i may have. i may have gotten a little carried away. approximately 18 times the requested length carried away. I'M SO SORRY. I AM....... SO SORRY. I GOT A LITTLE BIT ILL ABOUT THEM. I HOPE THIS IS OK LOL. ANYWAY. thinking about hc s8 mumbo and the moon's strange relationship......... what do you MEAN mumbo made a cult and a temple and a shrine completely dedicated to the moon? what do you MEAN the first thing the moon did when it gained control over ren and doc's minds was make them sacrifice mumbo jumbo specifically ? and then cub ALSO sacrificed [an imitation of] mumbo jumbo SPECIFICALLY to appease the moon ? the moon was JUST as insane about mumbo as mumbo was about the moon. mumpearl is real guys i don't know what to tell you they're obsessed with each other they're deranged yuri

[underwaterspiderbird]

“falling to the dark side” is the jedi’s way of stripping agency from anybody who breaks away from them or disagrees with them, it relies on the notion that jedi beliefs are the default & that “nobody could POSSIBLY be a decent, sensible person and NOT want to be a jedi”, & that’s how they get away with othering and conquistadoring anybody who doesn’t think like them.

same energy as “believe what i believe or you’re gonna burn in hell forever” and “my ex is a crazy bitch you can’t trust anything they say”.