The moon will sing a song for me,
I loved you like the sun.
[Click to zoom, reblogs over likes please]
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so ive talked about previously of an alt version of evil!bonnie au, of gregory ending up with bonnie first and cause chaos dismantling the other animatronics...
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Harley joining the batfam be like.
(More shenanigans under the cut)
Harley: Bats! I have a gift for ya!
Batman: ... What is this?
Harley: A club's membership's card!
Batman: ...
Harley: And I've some for the commie, his daughter and your big red riding hood.
The cards in question:
(yes, she drew the pictures. Jason is Bat Brat for reasons)
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skk au where everything is the same except Chuuya and Dazai have literal red string of fate tied to their pinkies. It appears when Chuuya kicked Dazai down in Suribachi. No one else can see the string. They've tried to untie it, cut it, burn it, rip it, bomb it- but to no avail. There's no limit to the length of the string. No matter how far they go, they're always tied to each other.
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[ cw: death mention / strangulation mention / stabbing mention / blood mention / self-sacrifice / codependency mention in tags / ]
I think a lot about how common it is for Raph to be the one to have direct focus put on him when Leo gets into all his near death experiences.
Like, when Leo is thrown off a building, it’s Raph who’s right there jumping after him, not even thinking about the consequences to himself when he does. When Leo almost gets skewered by the Krang, Raph’s right there to take the blow and send Leo to safety without a second thought. When Leo’s being strangled to near death, it’s a Krangified Raph doing the job, doing exactly what Raph would never, ever want to do. When Leo is telling Casey Jr to close the portal, it’s Raph who tries desperately to convince Leo otherwise.
Likewise, Leo is consistently very single minded when Raph gets forcibly separated from them. Both when in the sewers and by the Krang, Leo is dead set on finding Raph first and foremost.
I also think it’s interesting that during each of Leo’s near death experiences, the lightheartedness of his words during them goes directly hand in hand with both how close Raph is to him physically and how much danger Raph is also in in that moment. From a literal “I told you so” as Leo’s falling away from Raph to a soft joke about how “hero moves” are Raph’s style - both of these are on the more morbidly carefree side and both of these notably take Leo farther away from Raph and, in turn, have Raph not in immediate danger.
On the other side of things is the apology from Leo, heedless of the danger he himself is in as he seriously and genuinely speaks to a Krangified Raph face to face. Then there’s Leo’s freezing and desperation as Raph takes a hit meant for him and sends just Leo to safety, leaving Raph himself behind. Both of these involve much closer proximity and Raph being directly harmed - these together make Leo much more vulnerable in his words and actions, something not even the threat of death can make him.
These two care about each other so much, and they’re way too much alike for their own good.
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She hears him calling her name as she flees down the spiral staircase, almost tripping over her feet in her rush to get away from him, but he catches up quickly, reaching out to grab her arm in an attempt to slow her down. She stops running immediately - she supposes her traitorous body wants to see what he has to say, or maybe it just wants to bask in his intoxicating proximity. He crowds her space, and she sees that unfamiliar look in his eyes again. So very different from the cold disdain she had seen the last time she had been this close to him, during the argument that had ended their friendship.
Oh, Merlin, he's getting closer to her, and she can now clearly see the freckles dusting his cheeks and nose and forehead and then before she knows it, his hand is sliding up her arm, leaving goosebumps everywhere he touches and then he's caressing her jaw with his rough thumb and he pauses. Her eyelids flutter closed as her head tilts towards him - she couldn't stop herself even if she wanted to (what does she want?). She can feel his warm breath ghosting over her lips and she has the improbable, ridiculous thought - how is he remembering to breathe? - before he speaks. His lips brush against hers with every soft word and a deep shiver runs through her body.
"I," she hears him say, his voice so, so low, "haven't been able to think since last week."
That's all she needs to hear, the brush of his bottom lip against hers all she needs to feel, to push her into closing what minuscule distance there is between them and then his lips are on hers and it's better than anything she's been imagining. His mouth is soft against hers, insistent, and her hands go up to grip the collar of his plaid jacket to make sure he doesn't go away or disappear on her.
from my oneshot💘
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