#i wanna write with you guys <3< /div> Explore tagged Tumblr posts

[jinxcdd]

He didn’t make Jinx. You did.

An independent portrayal of jinx, from the netflix original series Arcane by riot games.  I don’t play the games so portrayal is strictly on the show.

Open to OCs Open to Crossovers BNHA verse written up. Happy to try and figure out different verses for her to be in if I'm knowledgeable with it

Written by Molly. She/her. UK. 29. Been writing on tumblr for a decade rip Would let Jinx step on me.

[idontmindifuforgetme]

I genuinely love not having a crush like I’m not over here feeling physically sick over some mid guy being dry to me I’m literally chilling

[sincerelybubbles]

Here's a dialogue prompt for Emily please! Try this out pls. Love you Kam sm sm. "So why are you here?" "To make a fool of myself." ok ty lysm

even though i watched u type this, the wording makes me giggle every time i look at it.

emily prentiss x tech analyst!reader <3

warnings: fem!reader, cannon typical violence, very brief allusions to sexual assault (nothing happens!), angst and fluff! mutual pining.

word count: 5.4k

Emily is the loveliest thing you've ever seen and you can't imagine how she could ever possibly like you back. She enjoys the game, though, and teasing you is her favorite hobby.

-

It’s a sunny day. Warmth trickles down with the scattered light through the leaves. Patterns trace your arms, throwing your skin into a collage of different shapes and shades. Leaning back on your elbows, you watch people mill about the park. You look back down at your arm after a few more minutes, this time focused on the small watch resting there. With a sigh, you stand up and dust off your pants before picking up the small blanket you laid out and tucking it into your bag. 

You walk back to work, enjoying the sounds of the people around you. You lingered too long at the park during your break and are hoping that nobody notices your slightly late return. Maybe the team will be in a meeting, gruesome pictures you never quite learned to stomach plastered on the board, entirely oblivious to your tardiness. 

Unlikely, but a welcome thought soothing your anxiety as you push the door open and scan your badge at the security desk. 

“Welcome back,” the security guard says, smiling at you over his paperback. He’s an old greying man and you vaguely recognize him. You think he’s new and send him a warm smile in return. 

“Thanks,” you glance at his name badge, “Martin!”

You walk past him and step into the elevator. “Wait!” A voice calls and you reach forward to hit the hold button instinctively before you register the voice as Emily’s. 

She jogs into the elevator with you, smiling gratefully. “Thanks, I’m already running a little behind.” She lifts a container and shakes it a little. The label is from the Italian bistro across the street, about a ten-minute walk away and always nearly triple that in wait time. 

“Brave of you to go there during your lunch,” you joke, returning her smile and pressing the button for your floor. 

You hope she can’t see how your hands shake as you reach forward.

“I know, I just love their Pasta Brado. Have you tried it?”

“Can’t say I have. I’m boring, I usually go for the parm.”

“You’re not boring,” she says so earnestly that you can’t help but blush. You cough as an excuse to raise your hand to your face and hopefully hide it some. “You do have to try it, though. Here,” she offers you the plastic box. 

“Oh, I couldn’t. And I already ate.” You ignore the way your chest hurts a little at how enthusiastic she is. The worst part? She doesn’t even know how endearing her simple kindness, her casual enthusiasm, is to you. 

“Tomorrow, then. We can go together.” The elevator doors open as she says it and she steps out with an affirmative nod to solidify it. “Don’t try to bail out on me either, I know where to find you.”

“Yeah, I'm okay,” you say, feeling lame as you step out behind her. “I would love to.” She’s too far to hear you, though, already heading to Spencer’s desk and jumping right into his conversation with Morgan. 

Someone says your last name and you turn on your heel to see Hotch and cringe slightly. “I was trying to find you.” It’s a kinder way of him reminding you that you’re nearly ten minutes late back from your lunch. 

“Sorry, sir.”

“It’s fine. Do you have the reports finished from last week's trip to Huston?”

“Yes, sir, they’re at my desk. One moment.”

-

You and Emily don’t go to the bistro the next day because she and the team are sent to a small town in Kansas that night. 

“I’ll owe you lunch,” she says, hand on the back of your desk chair and brushing your shoulder as the team rushes to the jet. 

“Don’t worry about it!” You reassure her.

“I’m taking you to lunch,” she calls over her shoulder, pretend-glaring, “you will try that Brado!”

And then she’s gone, leaving you giddy and breathless. 

You know she’s just being friendly – she treats Spencer, Morgan, and JJ all the same as you – but her efforts to spend one-on-one time with you outside of work still have you feeling like a schoolgirl passed a note from her crush in class. 

You try to remind your heart to stop singing because Emily probably isn’t even gay and definitely isn’t interested. Instead, Garcia scares the shit out of you when she interrupts your inner monologue. 

“Lunch with Emily? Things are getting serious in your work marriage.” You hadn’t seen her walk into the room and jump at her voice, hand jumping to your mouth to suppress a yelp. “Sorry! Sorry!”

“It’s okay, didn’t see you.”

“Your loss, I look fantastic today.”

“As always,” you smile up at her, nose wrinkling and genuine fondness filling your senses. 

“Careful, wouldn’t want a workplace affair,” she jokes, leaning against your desk and picking up the stress ball you keep handy. 

“Stop,” you moan in good nature. “Nobody else calls us work wives.”

“That’s just because they don’t have my brilliance and excellent observational skills.”

“Nor do they have the same privy to my more personal thoughts,” you say, glancing up at her before returning to your paperwork. With the team leaving so quickly to tend to a missing child's case, you’re not getting home in time to cook dinner but are hoping to leave early enough to grab food instead of resorting to your freezer stash. 

“I would hope not. You know I can’t be replaced, baby.”

“Does Morgan know you talk to all your work besties like this?”

“I most certainly do not. You’re a regular bestie, not a work bestie.” A wink and then her expression sobers. “I do have an actual reason for visiting your humble cubical, though.”

“Hm?”

“I’m going to need extra hands for this case. It’s time-sensitive, as usual, and seems like it will be particularly tricky.”

“Yes ma’am,” you say, dropping your pen and standing to follow her. 

Your position at the bureau is kind of a catch-all. Most of your time is spent logging data, building reports, and doing general research for the team. Occasionally, though, you jump in to help Garcia with real-time research. Nothing as high-stakes as her direct assignments, more background work. Calling offices to talk to managers, combing through more meticulous data, generic census material to rule out obvious dead ends. 

It’s stressful work that technically isn’t what you’re paid for but you never complain. Your team saves lives, consistently putting themselves in the line of danger. If you have to spend a few hours a month helping Garcia call a suspect's manager at McDonald's to see if he still works there, it’s literally the least you can do. 

“Yes, so, it looks like our unsub…”

You drown out Garcia’s brief about information you already have sitting in front of you and begin vetting possible suspects from the large pool her system created.

It’s going to be a long night. You think about future Brado to cheer you up. 

-

“Reid, Prentiss take the back,” Hotch’s voice fills your ears. You imagine the pair nodding and splitting off from the group. 

This is your least favorite part of helping the team with active investigations – listening in on the calls. It’s rare that you and Garcia join the line when they’re approaching the unsub but, with you helping her, it isn’t a risk to distract Garcia and a much quicker method of getting any new information the team needs. It’s a new system you’ve only tried thrice, unsure how having microphones on 24/7 will work, and it grants you and the team more fluid communication.

Still, adrenaline floods your veins as you listen to their coms, the sounds of Garcia typing a constant behind their voices, imagining every way this could go wrong. 

You suspect the girl is still alive, the uncle doesn’t seem to have any reason to kill her just yet, but your fear for her grows with every minute. 

“Clear!”

Your eyes fall to the receipts flooding your screen. Ammo. A new rifle and pistol. The team knows but the evidence of this unsubs ability to hurt any of your friends, your family, isn’t helping your nerves. 

“I think he’s going to the roof!” Morgan’s voice, clear in the comms. 

You click out of the documents. Two swift motions on the screen. The firm press of the button. 

“Morgan, you’re on foot. Prentiss, follow him. Everyone else in vans, go!”

“Garcia, map out possible escape routes from the roof,” you instruct. 

She nods, screens shifting immediately. She puts on her own headset with one hand and clicks on the call and starts to bark information to Hotch. 

“Got her!” Reid’s voice sounds and you deflate a little. He mutes as he begins to console the small girl. 

You know you can take off your headset now, leave the call, and go to your paperwork. There isn’t much more you can do to help – you’re sure that’s what you’re supposed to do – but you stay on anyway, listening. 

“Right on Elmore!” Morgan calls. You find the street on Garcia’s screen, eyes tracing the path you think they’re taking. 

“We’ll try to cut him off,” Rossi says and you can hear tires in the background of the call. The click of a steering wheel cutting to the side too quickly. Someone’s labored breathing – probably Morgan’s as he dead sprints. 

“Stop! Put your hands up!” Emily shouts. The firmness in her voice makes you sit up straighter in your chair. 

You hear something that sounds vaguely like, “bitch,” before a loud pop drowns anything else out. 

“Emily!” Morgan’s voice, more pops. 

Gunfire. That’s gunfire, your brain recognizes. 

Your blood has gone cold.

“We need a medic!” Morgan shouts. Hotch’s line blinks red, going dead as he calls the ambulance. “Emily, Emily.”

Rustling. Cars. Sirens. Morgan’s line goes dead after you hear a car door slam shut. Then Reid’s and Rossi’s. Emily’s is the last to stay green, blinking.

You and Garcia stare at each other as you listen to Emily be loaded into an ambulance. Listen to Morgan tell the team, voice far away and barely tangible, that the unsub only managed to fire out one shot before he downed him. 

Neither of you can hear where she was shot or how badly injured she is before Emily’s line goes red as well.

-

“Emily?” You call softly, rapping your knuckles softly on the frame of the cracked hospital door. 

Your name, faint, answers you and you take that as permission to nudge the door open. The room looked dark from the hallway but Emily has the small lamp embedded on the wall switched on, throwing her face into harsh shadow. 

“Hey, you,” you say, walking in, arms full. “I brought things.”

“You didn’t have to do that,” she says, trying to sit herself up further and wincing as the motion pulls on her stitches in her abdomen. 

“Wait, let me help you,” you say, setting your things down and reaching out a hand. 

You wait for her nod before touching her, letting her grasp your arm and looping your other arm around the back of her waist to take most of her weight yourself. 

“Thanks,” she mumbles. You can tell she hates feeling useless, hates needing help for something as simple as sitting up, so you drop the subject with a nod and kind smile. 

You turn around to the small rolling tray where you put your things down, pulling two black containers out from a plastic bag. You feel silly and very awkward as you turn around to show them to her. 

“I know it’s probably not quite what you meant but,” you set the containers down on her bed and pop one open. 

“The Pasta Brado! Oh man, I was going to treat you.” She’s pouting through a smile, attempting to put on an upset facade and failing miserably. 

It’s so cute that you struggle with what to say next. 

“Thank you, really. You can pull up that chair, if you’re hungry now.”

You grab the chair she’s motioned to and drag it to sit next to her. “I’m hungry if you are. It might be a little cold, though, it’s kind of a far walk.”

“You walked here?” Emily asks, tone appalled and face comically shocked. 

“Yeah, my car broke down last week. I’ve been walking to work – it’s actually really nice out right now – and I couldn’t find a cab from the bistro.” You busy yourself with the food while you talk, opening the second container, setting it on her legs, and unwrapping the plastic cutlery for her. 

“Jesus! You didn’t need to come and see me if you don’t have a car. You didn’t need to come at all, actually. I really appreciate it,” she amends, seeing how your bashful smile freezes on your face, reaching forward as if to touch your face and brushing your shoulder instead. “It’s really sweet of you but you didn’t need to walk all that way. Isn’t it like a twenty-minute walk from here?”

Over thirty, but you nod anyway, knowing it won’t help your case to correct her. “It’s not a big deal. You were shot in the stomach, of course I wanted to see you.”

“Ah, so you wouldn't want to see me otherwise,” she teases, nodding and pushing her pasta around with her fork. She doesn’t even try to conceal her grin. 

“Ha ha, very funny,” you mumble. You take a bite of your food and your eyes widen. “Oh my god.”

“I knew you would love it,” she beams, watching your expression as you taste the food. You you she meant to say it in a gloating way but you swear you can hear a sort of fondness behind the words. Something in you warms at her ability to know you so well. 

You tell yourself you’re overreacting about both thoughts. 

“You were right – Emily this is unfairly good.”

“Oh, I know,” she says, taking her own bite and letting out an exaggerated moan, complete with an eye roll. You giggle and she smiles at you. “Thank you, this is exactly what I needed.”

“You’re welcome,” you say, holding her eye contact. 

She's been in the hospital for three days, transferred back to Virginia last night; her hair is unwashed and unbrushed, and she’s wearing no makeup and a hospital gown. 

She’s still the prettiest girl you’ve ever seen. 

-

Your car is fixed by the time Emily is released from the hospital two days later and you offer to take her home. 

“Hi Sergio,” you greet the cat brushing against your legs as Emily disengages the alarm. 

You set her things down by the door before turning to offer her your arm. Emily doesn’t pretend that she doesn’t need the help when it’s just you two, something you’re grateful for after watching her struggle with the team around, and lets you guide her to her bedroom. 

You set about making her comfortable, turning down her sheets and propping the pillows up so she can sit. 

“I’ve got it,” she laughs, playfully pushing away your hands. 

You laugh along with her, raising your hands and backing away. “I’m going to go put the rest of your stuff away and get you a drink.”

“Perfect, I’ll take an old-fashioned. Don’t forget the cherry.”

You roll your eyes at her, scoffing and leaving her room. 

You throw her clothes and go-bag in her laundry room before making her a glass of water and another glass of juice. Once you’re sure she’s settled in her bed with her book, you return to the kitchen to make her a few dinners, ignoring her protests. 

-

Emily is back in the field much sooner than you would have liked. 

“I was cleared by the doctors,” she tells you, coat slung over her arm as she digs through her bag for her badge. 

You smile at Martin, sending him a mock exasperated look, before she finds her ID and shows it to him. 

“It still seems too soon, Em,” you persist, reaching forward to push the elevator button and turning so you can lean back to watch her face. 

“Em?” Emily asks, the hint of a smile pulling up the left corner of her mouth. 

You sort of feel like you could die in that moment, just from the heat that simple gesture surges through you. 

“It just sort of slipped out, sorry,” you say, thoroughly embarrassed. 

The elevator dings and the doors open, throwing you off balance for a second. This doesn’t help your already flared nerves as you stumble back and drop your bag. You reach down to gather it and the files scattered across the floor. 

You’re kneeling to stuff everything in your bag when Emily crosses your line of sight again, wide smile on her face – teeth fully on display and nose scrunched, you are in desperate need of help – holding out your notepad.

“I think the nickname’s sweet. I kind of like the idea of having a name only one person, only you, calls me.”

All of the air has left this godforsaken elevator, the heat must be on, you stare dumbly at her as she reaches forward to grab your bag and put the rest of your papers inside of it for you. 

And then, realizing you look like an absolute idiot, you snap back into your body and cough slightly. The doors ding and open again, you grab your bag from her and stand slowly. Smiling at her, still crouched on the floor and looking, amused, up at you through her eyelashes, you say, “Okay. Thanks, then, Emmy.”

You walk away after that brief flash of confidence, telling yourself you’re just imagining how you swear her face flushed bright at your comment. 

And if Morgan mentions a few minutes that Emily seems flusters, well, who can blame you for floating on that high for a few days?

Except she doesn’t let it go. 

She corners you on your break in the kitchenette. Literally. She catches you when you’re examining the coffee pot that has been making concerning gurgles for the past few days and leans on the counter behind you, effectively blocking your exit. 

Not that you really want to leave. 

She’s wearing a red tank top and dark jeans, her hair is loose around her shoulders, eyes steadily trained on your face as you work. 

“Hello,” you say, quiet in a way you’re not normally. 

“Hi.”

“What’re you doing?” You ask after a few more moments of her silently staring at you while you pretend to know what you’re doing with a screwdriver. 

“Enjoying the view.”

You drop your screwdriver and relish in the sound of her laugh. 

-

You’d love to say that you had some suave answer to return her charm but you think you spent it all that morning with your boldness. 

You’re not shy but confidence doesn’t run in your blood either. You’d say you’re pretty normal – average. You don’t find much wrong with that, you know you have other qualities that build you up into an interesting person. You love your friends and coworkers deeply, for one. And have an intense trust in them and their abilities. 

That trust is always tested in your day-to-day at work but never more than now as you feel the car around you make turns at highway speeds. You think you’re on some sort of back road but it’s hard to tell from the trunk given the obvious lack of windows. 

You’re calmer than you thought you would be if kidnapped. 

Groaning after one particularly rough turn that has you jostling against the sides of the trunk, you allow your head to thump back and stare at the inside of the dark car. Light breaks through the cracks of the hinges of the trunk and you wonder if water trickles through when it rains. 

You’ve been in here too long to consider if you’re focused on the wrong things. You’re scared shitless, of course, but the adrenaline faded about an hour into your drive and now you’re just bored. 

Imagine that – bored as fuck in the trunk of a stranger's car, wrists burning from the rope and jaw sore from where it’s been forced open too long by the fabric tied around the back of your head. 

You’re just allowing yourself to reimagine your morning with Emily when the car stops and the engine cuts. 

You snap back into the present, energy flooding your system again as your brain flicks into overdrive. You might spend your days paper-pushing behind a desk, but you passed your physical. You’re smart, you’ve heard the stories of how these victims survive captivity. 

When the trunk pops open, you squeeze your eyes shut to prevent pain from the sudden lack of light. You don’t want to be blinded and the action has the added benefit of pleasing your captor. He put a hood over your hood when he grabbed you, muttering in your ear in tense tones that you would do best to not even try to see him. 

Say what you will, you usually do a pretty good job at following directions. This one is easy and happens to be number one on your list right now – keep him happy so he keeps you alive. 

“Good girl,” a gruff voice says before a calloused hand gropes the back of your neck to yank you forward. Scratchy fabric envelops your head and your hot breath bounces back against you, trapped against the fabric of the hood. 

You stand when his hands start to grab your waist, pulling yourself to your knees and allowing yourself to be lifted from the trunk.

You want to run but know now’s not the time. 

“Look at how well-behaved you are!” His breath is wet against your neck. He stands too close, hands clawing under the hem of your shirt to cling to your skin. 

He walks you forward like that, chest pressed against your back and breath slithering down the collar of your shirt to hang uncomfortably over your collarbones. 

It’s becoming increasingly more obvious what this sicko wants from you and your stomach is twisting at the thought. You urge the team to hurry up, knowing your absence would have been missed ages ago. They have to be looking for you by now. And, with how sloppy this dude seems to be, he must have left a plethora of clues waiting to be found. 

You have to repeat this to yourself as you hear a door lock click. 

“Took you long enough. This is the girl? She’s kind of … well,” the second man kisses his teeth with a sharp sound. You’re pushed forward again. “Whatever floats your boat man.” The door shuts and locks behind you. The second man's voice fades as he talks, disinterested. 

You wonder if it’s wrong to feel slightly insulted right now. 

“This way, doll.”

You listen. It’s saving your life to be complicit in his directions, so you listen. Still, you’re shoved harshly to the floor once you get to where he wants you, knees striking what feels like cement. Before you can recover, your cheek stings and your head is whipping to the side from a sudden slap. 

Then, there’s a kick to your ribs. You fall onto your side, too winded to even cry out, lips falling open in a silent scream. A boot in your belly. Your ribs again, your hip and back. 

“Why?” You manage to sob out. “Why, why?”

You don’t get an answer.

-

You’re not overly religious but you thank whatever heavens or universe exists that he leaves you alone once he’s done kicking the shit out of you. Your ribs are bruised but the worst you expected hasn’t happened. 

The boredom returns as you lay with throbbing ribs. At least one is broken and every breath hurts. You can’t imagine sitting up and, luckily, with your hands tied behind your back, it’s not really an option anyway. 

It must be near an hour later when you’re fading out of consciousness – a purposeful choice on your part to save your energy – when you hear the front door burst down. 

“FBI! Hands where I can see them!” Morgan. You nearly weep but think better when your stuttered gasp makes your side throb. “What the fuck?” You hear shouted in reply. “Robb, what the fuck man.”

There isn’t much of a resistance from the living room. The second man is shouting at what you can only assume is the first – your initial kidnapper – but there’s nothing else other than that. 

“Clear!” You hear Hotch call. Spencer replies and then you hear the door nearest you open. 

His voice calls out your name. You deflate against the floor. A second, you know he’s scanning the room with his gun before holstering it. “Clear! I need a medic!”

Hands, gentle, against your face, removing the hood. Swifter after that, removing your gag, and then hand binds. 

“Hey, Spence,” you say, trying to smile up at him. 

“Shh, you’re okay. We’ve got you.” He starts to support your weight behind your shoulders and the pain that brings is too intense to prevent your yelp. 

“Oh my god, is she okay?” You hear Emily ask seconds before you see her. She looks concerned, hair now in a tight ponytail and FBI vest strapped over her chest. She whispers your name once and then a second time, reaching forward to gently brush your hair out of your eyes. 

“Hey, pretty,” you say, words tumbling out of your mouth before you can catch them.

“Hi beautiful,” she answers, reply just as soft as your own. Earnest. 

It makes your heart ache and, for the first time since being yanked off the road walking to grab lunch, you start to cry. 

“Hey, hey, I’m sorry. I’m sorry, beautiful, it’s okay. You’re okay.” She repeats this as you’re lifted by the paramedics and cry harder. 

She repeats it when they stitch up where kicks burst the skin over your cheekbone open, repeats it as she trails a hand down your arm in gentle patterns while they examine your ribs and confirm that you’ve broken two, maybe three. 

She tries with you in the ambulance. 

You can’t help but think about being on the phone when you heard Emily be shot weeks earlier. You squeeze your eye shut as they insert the IV, beyond grateful that she’s there to hold your hand while they do it. The tear that falls down your cheek has nothing to do with the pain and everything to do with the thought that you couldn’t have been there for her in the same way. 

An odd thought, you realize, but it’s the one you’re stuck with as you drift away when the pain medicine enters your system. 

-

You’re sent home three days later. You insist on spending the night alone, afraid to admit you’re scared because, honestly, nothing much happened to you. 

Oh, of course, everyone tries to convince you otherwise but you know they’ve all had it worse. You were gone from the bureau for about eight hours and spent most of it bored. 

So you force yourself to spend the night alone. You don’t need help moving around or doing things for yourself so you convince yourself you don’t need help. 

You’re cooking dinner when the doorbell rings. You wipe your hands with a dish towel and take your time walking to the door to look through the peephole. You don’t know who took you yet, you haven’t asked and nobody has said, but you can imagine seeing him through the door. Waiting for you, waiting to kill you this time. 

Okay, yeah, maybe Spencer was right when he talked about PTSD and usual levels of anxiety, but you’re so tired of him being so right all of the time that you really want to prove him right.

There is no man standing on the other side of the door, though. Instead, you see Emily, holding a plate wrapped in tin foil and looking serene in your apartment hallway. 

You open the door quickly, unlatching it and turning off your alarm with a few clicks. “Emily?”

“Ah, man, I was getting used to Emmy,” she jokes, stepping inside with a smile in your direction and kicking off her shoes. 

You can’t think of an answer so you just smile at her, hoping she’ll take the lead. You’re tired and she must see it because she offers the plate in her hands to you once the door is closed and the alarm is reengaged. 

“Rossi sent me with it with explicit instructions to not let you share it.”

You giggle and take the plate. “I’ll have to tell him thank you. It’s kind of out of your way to come all this way, though, isn’t it?”

“Not out of my way at all,” she says, words dripping with meaning as she holds your eyes. “I would have come even if Rossi didn’t have food for you.”

“So why are you here?”

“To make a fool of myself,” she says, casually, like that’s something people say every day, “probably. You’ve just gotten back from the hospital and I know you said you wanted to be alone, but,” she swallows and her words are becoming more rushed as she speaks, “I said the same thing and you still stayed.”

“Emily?” You ask, setting the plate down on your hallway table and clearing your throat. “Ah, Emmy?” You amend when she cuts you a look. Your attempt to diffuse the tension doesn’t work and she steps closer so you’re toe to toe.

“That doesn’t really answer your question, though. You’re sweet enough that you would let it go, but,” she shrugs, reaching forward to gently loop her fingers around your wrists. “Stop me if this is awful timing. Please,” she says, leaning forward and staring into your eyes. 

You feel like you’re suffocating, but if this is death, you’ll greet it gladly in the irises of Emily Prentiss. You’re caught in the trap of the moment, heart hardly breathing, all aches and sores forgotten because Emily is leaning closer, breath fanning across your face. You feel intoxicated, ensnared. 

Everything that has ever been exists here, now, in this moment. Every breath used to blow out birthday candles and blow away eyelashes – breaths with purpose, with wishes, with intent – exists between the two of you as she leans closer and closer. Closer, still, and how can so much distance exist between you two when you’ve been standing so closely?

“Just, stop me, if you want,” she whispers against your lips, eyes falling shut. 

Time yawns again, freezing. Your eyes open, hers closed, beats of seconds pausing. Hesitating for you to hold this moment in your hands. You’re grateful to appreciate it because she really is so lovely. Her bangs are pushed back from her face with a headband – imagine that! Emily owns headbands! – and you can see every detail of her face. Her elegant nose, her slim eyebrows, her narrow, prominent, lips.

And then your heart finally catches up, beats loudly, cracks whatever fragile plane of glass holding the moment so perfectly still, and her lips are meeting yours. 

You gasp into her mouth, hands breaking out of her hold to grab her face. You’re afraid that she’s going to pull away before this kiss can be fully real. Before you can actually taste her – lemon cake and rain and warmth. Before you can memorize the feel of her lips pressed against your own before you can drag her closer and slip your hands into her hair. 

But she doesn’t pull away. She meets your enthusiasm with a sigh and then enthusiasm tenfold. You can feel relief in the kiss, feel how she relaxes into you. She takes a step forward and you take one back half the amount to account for it. 

A tilt of your head and it’s better, impossibly. She’s firm, sturdy, beautiful. Confident. Lovely, lovely, lovely. 

And then she reaches forward to hold you to her, hands brushing your ribs to wrap around your back and you can’t hold in the gasp of pain that causes you to stiffen. You want to take it back, want to ignore the pain, want to keep her near, but she won’t allow it.

“Oh, I’m so so sorry. Are you okay? I’m sorry.” You smush the apologies against her lips, removing one hand from her hand to guide her arms around your shoulders where they won’t hurt. “Okay! Okay,” she giggles, leaning back with several short kisses that do nothing to satiate you. “I need to know you’re okay.”

She can obviously tell she hasn’t hurt you too bad by your reaction, but the sweet caution in her voice has you melting further. 

“I’m perfect.”

[rawbin-hsr]

OMGGG Your latest smut fic is so amazing!!! The smut is absolutely delicious! but....the angst is breaking my heart so...could you please write a continuation or part two where the reader confronts Aventurine's dark internal thoughts and comforts them? A fic where they actually get him to believe that they love him for real, where they tell him that he's not a monster and that he wasn't ruining them.

You've got it ! (˵ •̀ ᴗ - ˵ ) ✧

Aventurine x Reader

You treat Aventurine with more respect than he deserves. (Part 2)

Read part 1 here !

CW: dehumanisation (internal, thoughts Aventurine has of himself, referring to himself as a “monster”), lots of mentions of death, passively suicidal Aventurine, violent imagery (through metaphors, nobody is actually physically harmed), intrusive thoughts, Aventurine thinks kind of vicious things about you (refers to you as "stupid", "brainless", "naive" etc), cursing.

Lmk if there’s anything else I should warn about !!

Small note: Spoiler alert sorry, but you will not completely fix Aventurine in this fic. Making any real progress would take YEARS. The trauma he's gone through and his beliefs about his own humanity are EXTREMELY deep-seated, just one conversation would not be enough to make him truly believe he was loved. Super sorry since I'm sure that's not what you wanted (you specifically requested they "truly get him to believe that they love him for real", but this does still end on a hopeful note so I hope you won't be too disappointed (•ᴗ•,, ) )

Sometimes Aventurine gains enough clarity to remember where he stands. More importantly, he gains enough clarity to remember where you should stand. That is to say, as far away from him as possible. Unfortunately, you are never keen on doing that. 

In these moments of clarity, he distances himself. If you won’t do it, he has to. He needs to. He needs to even when he can feel the little pieces of him that you’ve managed to haphazardly glue together splinter into tiny shards again, even when it feels like every step away is a step walked on shattered glass. He can hardly be called a ‘person’ anyways, what does his suffering matter? He has already lost so many good things, why not add another loss to the tally?

He reads your texts, but he doesn’t respond. He hangs up on you the moment you call. By doing this, he makes sure you know he is alive. Both because he knows it would devastate you if you thought he died, but even more so to make sure you know he is intentionally ignoring you. He hopes at least some part of you hates him. He thinks part of him hates you.

But he can never stay away for long. Like a werewolf called by the full moon; like a vampire to blood; like a siren to a sailor. Thoughts of you always cloud his mind too much to do what is right. He reminds himself he will destroy you. He comes back anyways. He is too selfish not to. 

And you welcome him with open arms every time. Sure, sometimes you yell. Sometimes you berate him. Sometimes you cry. But he never does something beyond the bounds of what you’ll forgive, even though he tries to. You’re patient to a fault. Though he feels bad, he never takes it fully seriously, because you always hold him with so much sweetness, even when your words are filled with righteous anger and justified hurt. You always end it by reminding him that you love him. Something clenches in his chest; something that is not his heart, because he has none. He claims he is sorry, but you both know he will do this again. He always does. You know he will hurt you over and over, even if you don’t know the extent. You know he will test you, that he will ignore you, that he will cling to you and that he will taunt you. You don’t know he will drag his claws through you and tear you to ribbons; you don’t know he will sink his teeth into your neck and drink all your blood; you don’t know he will lure you to sea and drown you. You are never aware of the true danger you are in. 

Maybe that’s why you one day feel comfortable enough to corner the creature that has taken on the appearance of a lover. You sit down next to him in bed one evening after one of his many attempts to push you away, your expression grim. You look straight ahead, right into his dead eyes, unaware that a monster is towering over you. 

“We can’t go on like this,” you say. For one moment, the crushing relief and devastation threatens to consume him, and he’s not sure which of the feelings is stronger. For one moment he can’t breathe. 

He hacks our a laugh, his skin straining. Something is shifting beneath his flesh, something ugly and dangerous. He needs to leave and he needs to do it quickly. 

“You’re right, we can’t,” he agrees, his voice a lot more steady than he feels. He feels the urge to grab you and shake you until you pass out. He feels the urge to suck out your life force until your body is an empty husk. He feels the urge to slam your head into the bathroom sink in the next room over. He feels the urge to shoot himself in the head, because he does not want to do any of that. 

“I love you,” you say, unexpectedly. Or maybe it’s not unexpected. You always say such stupid, brainless things. (You say it with sweetness. The only sweetness he can offer in return is the sweetness of bacteria digesting rotting meat. Is the flesh his, or will it be yours?) He laughs again. 

“I thought we were breaking up,” he says. Smirking, as if it’s funny. (It isn’t.)

“No, we’re really not,” you say firmly. He snorts. 

“Maybe we should.”

You don’t answer. Instead, you come closer. 

Get away, he thinks. Run, you fucking idiot. 

You don’t have many flaws, but the ones you do have are insurmountably big. You are too forgiving, you are too kind, you are too selfless, you are too naive. You will kill yourself doing this one day. You will let him kill you.

Your arms wrap around him. He can’t help but relax. The thing lurking under his human disguise grows more restless. 

“I don’t hate you,” you say, unexpectedly. And this one really is unexpected, because what made you say that? Your arms squeeze around him tighter. “I thought I was being obvious enough about that, but you’re so bad at understanding it.”

The feeling he has is the same as the feeling he gets when he realises a deal is going awry. You are the highest risk stakes he has ever made a bet on: will he ruin you, or will you ruin him? What you could do to him is so much more serious than death. He knows that he is holding a losing hand. He doesn’t even know what he stands to win.

You kiss his neck. He shudders. 

“Why are you so scared of me?” you ask. 

Scared? He is not scared. What an outright laughable concept. Neither of you are scared, but if one of you was, it should be you, but you aren’t, for some reason.

“What gives you that idea?” he chuckles, but his voice is not as steady this time, and he can feel his smile slipping. (What is wrong with him? He doesn’t want to think about it. The answer is always ‘everything’.)

“Your hand is shaking.”

It is, but that is not because he is afraid. Fear is a human response, borne from the desire to live. It is instinctual. It means kicking and screaming, it means clawing your way out of hell for the chance to see another day, it means fighting for the life you don’t want to end. He cannot die, you see. Death cannot occur twice. Just because his body reacts, that does not necessarily mean he can truly fear any longer.

(Then again, maybe his reaction does not come from the thought of his death.)

“I’m not scared,” he says, and his voice sounds a lot weaker than he had expected. You pull him closer, cradling his head against the crook of your neck. His blood is pulsing too quickly.

“It would be okay if you were,” you murmur. “I know you don’t know how to be loved. That’s okay. I’ll teach you. You just have to let me.”

Squash. Slice. Tear.

Maybe you are the monster. He can feel your claws prying his chest open; he can feel your teeth dig into his flesh; he can feel something that is not air fill his lungs. The biggest difference between you and him is that he devours, while you give. You painfully shove something back into the cavity meant to contain his soul, you pump blood back into his system, and you fill whatever gaps are left in him with something that is first cold but quickly warms. 

(He realises, belatedly, that something is pumping inside his chest again. But it can’t be a heart, can it? He lost that so long ago.)

“I’ll kill you,” he manages through gritted teeth, claws digging into your shirt. It is not a threat. It is not a warning. It is just the truth.

“You think too much,” you admonish him. Your tone is as gentle as your words are cutting. “I wish you would trust me more. You’re so determined to ruin your own life, and I don’t like it.”

“That’s just how I am. Deal with it or leave.”

“I’ll deal with it, then.”

Like a werewolf called by the full moon; like a vampire to blood; like a siren to a sailor. He will destroy you. But you accept it. 

He has tried time and time again to push you away, but he is weak. So incorrigibly weak, and though your flaws are insurmountable, his are all-consuming. He is a monster in all the ways that matter. But you stubbornly will not leave despite that. 

(Maybe that makes him a little more willing to try to change his nature. Just a little. Just for you. If you will not leave anyways, maybe he could try to make his presence a little less torturous.)

“Just… please stop ignoring me,” you sigh, nuzzling into his hair. Tenderly, tenderly, tenderly, so tenderly it makes his skin crawl. Your claws are softly piercing into him and he is helpless, unable (unwilling) to fight back. “I can deal with everything else. I just hate it when you do that. I can’t keep going weeks without speaking to you. I know you have some kind of… weird ideas that I’d be better off without you, but that’s not true. I love you, and I love being around you. I can’t help you when you cut me off at every corner.”

Cut, slice, slash.

Something in him breaks. Something he knows cannot be salvaged. Something he knows you would not want to salvage. Something he is not sure if he wants to salvage either, now that it is broken anyways.

He breathes a shaky breath, his fingers — his fingers, not claws, not this time — digging into your back. He buries his face into the crook of your neck, and he does not feel the urge to bite down. Though his eyes feel wet, it would not be enough water to drown you. 

He knows your line of logic is wrong. He knows the fact remains unchanged: he is a monster of a man. He will ruin you. But maybe your presence sparks enough electricity to keep his heart pumping, just for a little while, and maybe he can wait until things actually start going downhill before he lets you go. Maybe he can remember how to be a human for a bit, maybe he can pretend he is. 

“I just… don’t want to do something I can’t take back,” he whispers. “Not with you. You’re the… the only good thing I have left. I don’t know what I’d do if I…”

“That’s sweet, but I’m not as weak as you think I am,” you reply. “I’ve held out this long, haven’t I? Put more faith in me.”

He smiles.

“Yeah, I guess you’re right.”

---------------------------------------------------------

My inbox is open, feel free to send in asks or requests, I'd love to ramble about things <3 Also reblogs are EXTREMELY appreciated the final push I needed to finish this was from a very kind individual who reposted and analysed my writing I've been riding that high ever since they did that ily bro

[timetravellingkitty]

I'm not listening to a white person on what's racist or insensitive to brown people. read orientalism by edward said before talking to me or my son ever again

[bipanicoverthegravessiblings]

I was wondering if you could do Mrs Graves x reader, some wholesome romantic stuff. And if its okay, her s/o is younger, not like minor young, but the same age as Ashley?

Certainly wasn’t expecting a Mrs Graves x Reader request but alright!

Renee Graves x Reader

Milfs! Milfs! Milfs! Milfs!

What is there not to love about older women? More experience…hot as hell…a caring demeanor that appeals to your mommy issues

Truly, there are no downsides

And that was your reasoning when dating Mrs Gra- you mean, Renee

“You don’t need to be formal you know…”

that neutral tone broke you out of your stupor. You blinked, having been running on autopilot for most of this outing with the woman beside you. Outing is a strange way of putting it- all things considered this was a date. You still weren’t used to this.

“Sorry!” Your shoulders tensed as you looked at her apologetically, “I guess it’s just a force of habit..”

“Well, break it.” She said so casually- it wasn’t that easy but you’d certainly try, “It isn’t even ‘Mrs’ anymore you know.”

She had you there. Truly a tragic thing that happened to Renee’s husband and children. Apparently they’d all been quarantined in that apartment building a ways away- something about parasites in the water. Renee thankfully hadn’t drank any of the tap water, so she was free to leave. The same can’t be said for her family though. Before you two had begun dating, a fire had broken out in the building- there were no survivors. You had tried to console her, living in the same neighborhood with your family when she moved in. You two had grown close during then…perhaps too close.

Renee patted your hand, her fingers interlacing with yours to break you from your thoughts once again. She sighed, her tired eyes looking into your own with a gentle smile.

“Relax dear…it’s fine, just,” she turned away from you, her smile uneasy, “Try to break that habit for me, okay? I feel like we should be on a first name basis by now…”

You felt your face heat up at her words, deciding to silently nod as you gave her hand a squeeze.

The age gap was certainly a topic amongst your neighbors and colleagues….not much of one though

Now- if Renee was a man, oh she’d be deemed a cradle robber, a creepy old geezer preying on the youth

But because she isn’t an ugly old man and a conventionally attractive woman then it’s fine!

Plus you’re both adults so, where’s the harm

Note you did only- just enter your twenties but it’s fiiinnneeeeee

For as cold as Renee seems, she’s surprisingly soft with you- if not a bit firm at times

She’ll take a napkin to the corners of your mouth while reprimanding you about not eating neatly

She’ll loan you a jacket if you didn’t bring one, all the while scolding you for not being prepared

It was almost- motherly

….yeah you really gotta see a therapist about those mommy issues

[amiableness]

how would you guys feel about me putting a pause/stopping dad!james to focus on hockey!james? and my other works i’ve been neglecting 👀

[ki1ldeer]

Ok you know I can hardly call this a redraw. But it’s a redraw… in concept… in uhhh character placement? #4 of 4. Maybe I’ll do more later we’ll see

This I think is the VERY FIRST digital drawing of my trio from 2020. They were once friends you know

Emmeline changed a lot both in design and character. Liam hasn’t changed much in design but he’s very different in character (he used to be friendly). Finn’s name changed from Everett because I got really into life is strange 2 and there’s a guy named Finn in that game and I was like “… hmm wait 🤔” (his full name is still Everett Finneas Mercer tho). Also can’t exactly remember why I decided they weren’t friends anymore?? I know Liam was always intended to be magical in some way (though it was originally he attracts magic but wasn’t magic himself) and one random day I was putting my laundry away and I was like “… Finn dies. OMG who said thaaat that’s so crazy I could neveeeeerrrr 🤭”

[pushing500]

Where did mechi get his mechlink?

In my idea for his background, Mechi applied for a mechlink on his homeworld (one of the more developed urbworlds) and, after what probably felt like an achingly long period of review, was approved for it!

Probably the only person more excited about it than Mechi was his baby sister Yamka.

Also, the description of mechlinks on the RimWorld wiki made me grimace at how uncomfortable it sounded. I bet Yamka had a ball teasing Mechi about it, and I'm sure he had one hell of a headache for a few days after it was first installed.

[beatcroc]

on the peppinos, postgame

i like to think the peppinos are pretty good friends now, but that certainly wasn't always the case. in fact i think they were both pretty terrified of eachother for a good couple months or so after the tower's fall. here's a moderately-sized ramble on how they went from one end to the other, with some extra thoughts on their current dynamic.

peppino's deal here is pretty obvious. being anxious and afraid of everything all the time is like his main character trait, but frankly he has every reason to be terrified of fake pep even aside from that, given the... you know. the everything. everything that went down in and around their fights, and just the nature of what fake peppino is-both as a general horror creature and also, specifically, as some kind of fucked up parody of himself that exists for reasons unknown to anybody. the only reason peppino let fp hang around in the first place was out of fear of pissing him off and getting attacked if he did try to take some action to Remove him. he tries his best not to invoke that, and stays far away from fake pep.

but fake peppino is also pretty terrified of peppino for the same reasons- he's really only ever seen peppino at his most violent, he's already gotten his ass kicked twice, and what's more he's acutely aware that he's on borrowed land and borrowed time out here. he only went to pizzeria in the first place out of instinct and because he didn't really have anywhere else to go without the tower, but he knows damn well that this is not his turf to be hanging out on, and that peppino has every right to defend it if he wants. he tries his best not to invoke that, and stays far away from peppino.

unfortunately, neither of them are perfect at that, and both of them are peppinos, so...

their paths do tend to cross on occasion. fortunately, neither of them actually want to fight again, so these run-ins never escalate to conflict, and end with them both scrambling away as quickly as they spot the other.

as it goes, time passes and they get more used to eachother at a distance; fake pep being naturally curious and poking around despite his reservations, and peppino sorta noticing fp is skittish whenever he ventures a bit past his usual boundaries. with that and the fact they've never actually had any violent encounters with eachother, peppino eventually catches the vibe that "oh maybe this thing isn't just here to menace me''. there is definitely still the aspect of "why the fuck is this freak here and what does it want" to deal with, so he doesn't drop his guard entirely, but he does go from ardent avoidance to more a... neutral observation.

and it's a bit of a positive feedback loop; fp seeing peppino being less Reactive about him means he's less worried about being Retaliated Upon & thus a bit more venturous still. perhaps even enough to be seen Inside the restaurant...?

from here it doesn't take long for peppino to start seeing fake's, uh, utilitarian benefits. he eats the rats so it's free pest control, and noise seems really afraid of him too which is funny as hell, so pep just kinda starts going lik ''oh lmao ok maybe this is kind of cool''.

for fake pep i think it was just... the first time peppino showed him any kind of thanks or congratulations for such. a moment of "??? does he like that?? does he like me?? do i not need to be afraid of this guy???" and so this is where fp starts trying to Deliberately interact with peppino a bit, and things just kinda grew from there.

i think it's neat because while peppino may have been the first to get over his fear and technically 'be accepting' of fp [shockingly???], it still takes the both of them because without fp trying to Initiate something, i really don't think pep would have ever gone out of his way to Give A Shit or achieve anything besides a mutual tolerance.

it is also so funny because like. i think peppino still is not seeing his end as anything more than a tolerance. sure, by now he knows fake pep likes him a lot, but as far as he's concerned he still only keeps fp around because he's '"'useful''", and because he thinks "ohhh i guess this guy is just never gonna leave ¯\_(ツ)_/¯ i guess there is nothing i can do about this ¯\_(ツ)_/¯ ¯\_(ツ)_/¯" when in reality it would take very little to drive fake pep off, and also, i need to reiterate, peppino has very much already beat fp's ass twice [when fp actually WAS trying to fight no less!], and could very much do it again if he actually wanted to. he just doesn't want to. he isn't actually any more stingy towards fp for all this, but it also means like, he's never going to give fp an actual "name" because that would be waaaaaay too direct an admission.

i wouldn't call peppino emotionally Stupid or immature, but i like to think he is often very....oblivious of his own actual state even when LITERALLY everyone else knows otherwise.

fp knows bc peppino lets him get away A Lot Of Shit and even openly solicit affections, gus knows bc peppino actually defending fp and/or making an effort to work him with is an insane leap of faith/trust for this man to have made, every random customer who sees the two buddying around knows, hell even noise knows [and is terrified of it] bc why the hell would the most panicky man on earth casually have a freak fucking beast around in the first place?

and nobody really tries to press peppino on this because he is stubborn. it's a good bit of denial, but it's also partially him thinking he's just being logical; "why would i be mean or try to chase him off if he's beneficial?"

if you asked him whether he was gonna give fp a name he'd get all defensive and probably straight up say some shit like ''noo you know how they say if you name it you'll get attached'.' dumbass. you are already attached.

we all know peppino is a nervous animal but really i think they are both nervous animals. pep is a nervous prey animal who's mostly stressed out and afraid for like, self-preservation reasons; and fake pep is a nervous predator animal like a cheetah who needs constant companionship and reassurance or else he's Also going to be very stressed. and they're like weirdly good at covering this for eachother & so trust the other way more than they probably realize.

for peppino it's as simple as "if this guy was going to hurt me he already would have", perhaps with a bit of extra "if this big scary thing is on my side maybe i'll have less to worry about in general" [i mean this mostly in the powerful allies "oh he can kill things for me" sense, but i'd like to think there's a bit of a confidence boost in the sense of "if i can overcome/make peace with this maybe i can overcome other things too" somewhere in there as well]

for fake pep I think a lot of it is that peppino is like completely incapable of hiding his emotions. it makes him very easy to trust in that regard, and for a guy as Unsure about everything as fp is it's very good for him to have that kind of straightforwardness. there's never any guesswork with peppino; if you are doing something he doesn't like or makes him uncomfortable...you will know it. and for the same, on the rare chances he's showing approval, you can be sure that's genuine too.

[fiepige]

Okay guys, hear me out:

Sea Serpent Hobie!!!

Sea Serpent Hobie who sinks any superyachts he comes across!

Sea Serpent Hobie who uses harpoon spears meant to kill him as piercings! And old anchor chains as jewelry!

Sea Serpent Hobie who attacks big commercial fishing boats that are destroying the ecosystem by overfishing

But also benign Sea Serpent Hobie, who aids those lost at sea!

Who helps smaller local fishing buisnesses with sustainable fishing

Who looks out for this small fishing community and in return they warn him whenever hunters show up in the area!

Sea Serpent Hobie who is huge but still manages to hide perfectly in the kelp forests!

Who has bioluminescence and uses it both to terrify enemies and as a way to calm down people in distress, as a way for him to signal goodwill - and to show off when he feels like it!

Who can change his pigmentation similarly to octopi to communicate his mood and feelings! Or just to blend in with his surroundings (also as a nod to the way he changes filters in the movie!)

Sea Serpent Hobie who's frequently seen swimming with whale pods- Orcas being his favourites to hang out with (they sometimes go on yacht sinking trips together)

Sea Serpent Hobie who likes to give people a show and will show off by breaching right next to unsuspecting boats

DO YOU SEE MY VISION?!??

SEA SERPENT HOBIE!!!!!!💙💙💙

[solar-halos]

How would Finnick and Annie spend Christmas??

omg thank you so much for asking this! <3. you truly brightened my day now i can't stop thinking about christmas odesta

i think i already wrote out a list of hcs last year, but i can't find them, so hopefully this isn't too redundant! hope you like them

annie is blastinggg nonsense (christmas edition) by sabrina carpenter. i dont make the rules i just follow them

annie is super into decorating, whether its the christmas trees or their cookies or their gingerbread house, and i think finnick would have a lot of fun with the assembly and creating backstories for their creations

speaking of baking cookies, finnick wipes flour on annie's nose when they're making sugar cookies. so, naturally, annie smears his cheek with it. and, even more naturally, this snowballs (no pun intended!) into a flour fight each year

they would have so much fun in the snow!! johanna would challenge (and demolish them) in a snowball fight and they'd spend sooo long making the most perfect snowman (annie knits a scarf for it)

speaking of fiber arts, im so sad that i cant find the specific pic im talking about, but annie is definitely crocheting so many snowman/candy cane/christmas-y themed hats and scarves for everyone!! also, ugly christmas sweaters for everyone! also, personalized stockings for her loved ones!!

moving back to christmas odesta, they would be so insufferable with the mistletoe

i def remember putting this in the previous list of odesta christmas hcs, but i love it sm im gonna put it here: for 3 king's day finnick is like "annie turn uppp i found the baby!!" and she is like finnick put that BACK before u make us host an entire fuckin party

on christmas day, they're cuddled up together in fuzzy socks and the aformentioned ugly sweaters surrounded by all their friends and family <3. annie's drink of choice is hot chocolate with sprinkles dusted over an entire tower of whipped cream. finnick adds a blasphemous amount of chocolate syrup into his eggnog, adding in xtra cinnamon for good measure

[admincourtneykissesgirls]

i drew (and headcanoned some of) people's courtneys. too out of it to tag the specific ppl these courtlets come from so if you see your courtlet say hi i guess? wanted to post this since i love this piece so much and i love seeing how people interpret concepts.

and a bonus featuring my own courtlet. thank you.

[raytm]

i think that when the time comes i might actually move this blog.

[stuckwith-harry]

i am handing in my b.a. thesis (on motherhood in gothic fiction) in a few short days and though i have been complaining about having to write it for six months straight, right now i am actually feeling bereft of future opportunities to write academic papers about my silly little interests. for instance right now i really want to research & write about dracula daily & genre & the impacts of the newsletter format on the narrative (the addition of a timeloop)

i think about format and the specifics of narration a lot when i'm writing my own little things and i loooove when the narration - not just the narrator, but the act of telling the story - is part of the narrative. love when the narration is diegetic! love an epistolary novel (like dracula!) for this reason. should read more of them

inventory by carmen maria machado (short story! read it immediately!) is a GREAT example of this. the format of the narration is so integral to the story. does more than elevate it imo, i would argue the story genuinely wouldn't work any other way

g*d. i'm gonna have to become a video essayist

[bonebabbles]

God the new ultimate guide sucks

It's not JUST the awful art, either. The art's just worth mentioning because even if the book's info had been terrible or contained nothing new, really cute art can make it still worth having.

But, no, it's even full of recycled lines we've been hearing for years like "Bramblestar Can Match Squirrelflight's Fire Not Contain It," and that's when it DOES get everything right. These entries leave out major, important details (making them bad summaries) and are sometimes even straight-up incorrect.

SUMMARY THOUGHTS

Leafpool is said to have watched Brambleclaw kill Hawkfrost to save Firestar-- but for one, no, she was not there because Ashfur was still leading her and Squilf towards the scene. For two, no, Brambleclaw did not kill Hawkfrost just to save Firestar, it was self-defense. Hawkfrost had him pinned and was going to kill him.

They're REAL cute about Leafpool's death, too, neglecting to mention WHY the Sisters needed to be saved at all and just saying Leafpool's "generosity" lead to her death in that cave-in.

I'm not even going to get into everything on Bramble's entry jesus christ.

Sagewhisker's entry is ESPECIALLY fucken' dandy, framing Yellowfang's Secret like she was simply waiting patiently for Yellow to realize her 'destiny' and not actively shoving it on her at every opportunity.

Leopardstar's entry states that romantic interest in Tigerstar was part of her motivation. "Perhaps she'd hoped he would be her mate" please speak to a woman irl for once in your life.

Gray Wing's entry forgot that the reason he "blamed himself" for Bright Stream's death is because he was literally staring at his big strong brother too much and tripped on a root in front of him. It IS his fault she died.

Clear Sky/Skystar's entry is just obscene. "He regretted abandoning his son and after a fire, he encouraged him to live with him" instead of "saw his teenage child was useful now and bullied and belittled the kid and his uncle into letting Thunder come with him." "Retaining his fierceness towards his cats and outsiders which caused his son to leave" instead of "murdering, brutalizing, and abusing everyone around him caused Thunder to leave." I'll just say this tho; "Fierce" is an interesting way to spell "Cruel."

It's interesting that they don't point out that a major part of Jagged Peak's arc was proving he was "Just As Good" as every other cat in spite of his disability, thanks to his introduced-and-pregnant-in-the-same-book wife becoming his life coach, only earning Clear Sky's respect after being allowed to physically lead a patrol in Blazing Star. Instead they frame him finding his place through taking care of kits, which... was something he seemed to resent in the actual series, considering how the books suddenly treat Gray Wing's protective treatment of him as a terrible thing in Blazing Star because he "didn't give him a chance". But at the same time I actually strongly dislike Jagged Peak and his messy, frustrating character arc so I'm not really UPSET with it. Just... noting it. I suppose this is the official direction they're taking away from it?

Shadowstar's entry is barely even 3 paragraphs yikes.

SHORT STORY THOUGHTS

And if you're wondering if the 4 brand new stories they smooshed into the end in a desperate attempt to make the rush job worth buying are good? No. Of course not. They're all slop.

Story 1: Firestar and Graystripe

First one's a marginally cute story about Graystripe and Firestar which is setting up the framing device linking the mini-tales together. They both remember this situation where Firestar fell into a ditch wrong. The punchline is that Thunderstar remembers it perfectly and they're both like, "WOW! Too bad Thunderstar's memory sucks!"

It's not terrible, but it does feel a bit pointless. But, hey, if you want more Firestar and Graystripe in the series that tosses them fanservice at every turn, who am I to judge?

Story 2: Dovewing and Ivypool

The next one is the Dovewing/Ivypool reconciliation passage everyone's talking about. It's... fine, but immensely dissatisfying to me.

Dovewing is apparently having problems adjusting to her Clan, grapples a little bit with the fact she has no friends but is going to be finding meaning in helping tigerHeartstar "bring the new ShadowClan into existence." She ultimately decides that she needs to talk to her sister, and begs for reassurance that Ivypool believes in her, feeling that her support can help her get through this difficult time in her life.

I think its biggest problem is that Dovewing was not the right choice for the POV here.

Dove was never the one responsible for the rift in their relationship. Ivypool is. Ivypool is the one who was jealous, willing to sabotage anything that would put Dovewing closer to Tigerheart, and continues to be generally aggressive towards her. So when Dovewing is reaching out to Ivypool in hopes of them reconciling, it feels wrong because Ivypool is the one that should be reaching out to Dovewing. SHE is the one who has some things to apologize for, and to show how much she loves and misses her.

It's even kind of frustrating, because Dovewing can never catch a break. She has to have these problems to force her to reach out, Ivypool even ends up suggesting that she leave and come home and take her kids with her, but in the end even a LITTLE bit of assurance from her aggressive sister helps.

I feel super bad for Dovewing, man. She deserves better than this cheap writing. What was the point of such an unsatisfying, rushed reconciliation, shoved into a crummy field guide, when we KNOW from the newest book that they're just going to use tension between them as part of the drama anyway?

shouldn't have even been written, imo. Even ends off with, "They'll always have each other :)" which is so... cliche. It's TIRED. Are any of you really happy with just getting a retconned platitude in a good-for-nothing field guide, instead of seeing complicated, INTERESTING feelings in a main book?

Story 3: Alderheart and Twigbranch

A tale of Cherryfall getting sick during TBC and Alderheart sneaks back into the territory to treat her. Also Crowfeather has a scene where he yells at him. Charming.

Twigbranch comes up with a diversion while Alderheart does his work, which is cute. It's a fine story.

Story 4: Clear Sky

Trash. Three dogs spawn in the middle of a gathering so that Skystar can have an uwu big boy sendoff saving his grandkit. Then he goes to StarClan and throws a fit because they can't give him ANOTHER life, becoming so upset that he attacks the nearest woman. Naturally, Shadowstar brushes it off because it's not the first time Clear Sky has pummeled her in the midst of an adult tantrum and this book series thinks violence is fine if their favorite sadboy does it.

Then Gray Wing brings him to the magic mirror pool where you can see the living, to confirm that Star Flower is ok and that makes him feel better.

Then it launches into Firestar saying "ouuuugh yum I LOVE the taste of his butthole. Clear Sky is so misunderstood, He Just Loved Too Much."

to which Graystripe responds, "Yes, he was a good and amazing person and his farts smells SO good, and can you believe that some people think StarClan punished his Clan for his arrogance? As if he ever did anything wrong, ever?"

Firestar, indignant, refutes it with, "Ugh!! StarClan would NEVER be interesting, we don't punish living cats we just float around and make vague, frustrating prophecies that do nothing but pad the word count. Why cant ppl understand that, gosh."

who wrote this? Gray Wing??