#i wanna keep reading tho

[kuiinncedes]

:p

[crimescrimson]

Leon S. Kennedy in Resident Evil 6 (2012)

[neige-leblanche]

the crazy thing abt "the literary canon is inaccessible" argument is that. it is quite literally some of the most accessible literature out there. depending on the format you prefer, famous books in the public domain are often available for free. if you're having trouble understanding a book, there are almost always discussion and literary guides that you can also find for free. if you genuinely still find old books too difficult but want to get into them, keep shopping around for authors and genres. if the topic interests you then you'll have more passion for a book and i guarantee you not all 100+y/o authors have confusing writing styles. and once you get into a groove it gets easier and easier, & more and more fun

[toxintouch]

I'm not sure if what I wrote is what this post had in mind but… also I meant to do this as a rb but my toxic trait is writing things in drafts/private posts so I err uhhh look I can't keep fighting with Tumblr formatting ok

Mhin receiving an unusually specific compliment. ᵕ ω ᵕ

“You're so fascinating, Mhin. If you wrote a book, I would definitely read it.  Even if you wrote the book about something really boring.  Even if you wrote…a dictionary, full of words I already know the meanings to.  I'd still read it, just because you wrote it.  Just to feel like I got to walk beside you in the world for a little while."

Mhin looks over at you despite themself. Your voice is low, tone affectionate difficult to parse over the incessant noise permeating the Wet Wick. They find themselves staring at your lips, as if to read your words despite hearing you clearly.

“You're really the most interesting person I know...  Which is saying a lot, in this city!”  You laugh at yourself, bandaged fingers trailing around the rim of the glass placed in front of you at the bar.  Your face is flushed, pupils dilated.  The longer they look at you, brows furrowed as they try to make sense of your words, the less you seem able to look them in the eyes.

The liquid in your glass is clear.  

Tequila?  Vodka?  Gin?  A stomach wrenching combination of all three, possibly.  Who knows what Leander was willing to put in front of you, if it makes you so…

Mhin huffs, mouth wrenching into a frown. They clasp a hand around the glass in front of you. "I think you've had enough." They must have gone (miraculously) nose-blind from the boozy scent of the Wet Wick because even as they slide the heavy tankard closer to themself, the pungent tang of alcohol is no more invasive than it was prior. They expected to be able to taste the fumes coming off of whatever concoction they just took from you.

"I'm--" You start to protest, but you find yourself cut off when Leander says something that causes the crowded bar to go wild, cheers erupting. One of the Bloodhounds jostles Mhin in their mirth, causing your confiscated drink to upend, contents sloshing over the surface of the bar and soaking the sleeve of Mhin's shirt.

It's water.

You were saying those things while sober.

Mhin's eyes find yours, no attention spared for the slurring Bloodhound beside them. You're looking at them affectionately, lips quirked.

"Would you be mad at me if I told you that you're too cute?" You ask, something far too warm, too inviting in your words.

Mhin is halfway across the bar in a heartbeat, burning red ears gone deaf to the sound of Leander's voice, calling out to them that they haven't picked their pay up yet. They'll get it tomorrow, they think, racing towards the respite of the fresh night air. Away from the urge to--

Mhin doesn't let themself turn to look back at you as they leave. Though they can't stop themself from wondering: if they did, would they see you staring back at them?

Damn Mhin just take the compliment. I made Mhin's about their brains instead of their looks etc. bc while I think mentioning wanting to kiss their beauty mark would fluster them I think this is the type of thing that would absolutely infect their brain.  Have them thinking about those words over and over until it completely ruins their nightly Soulless hunting; they give up & just stargaze all night.

[quirkedupkicks]

preview of my latest comic ... ive been reading too many 3rd year tddk fanfics lately -////-

[todayisafridaynight]

rate the outfit

[kenchann]

カラオケ行こ! 🎤🎶

[luck-of-the-drawings]

OH ARTHUR BENNETT.. such a gorgeous and intriguing character. terribly burdened by a GRUESOME set of crimes, his light suffocated by a HEAVY century of GUILT. so tragic, so dark and broody, and yet PAINFULLY awkward in any social setting ever

[monst]

Sometimes y/n is better than me cause istg I would crash tf out ✋

[xxplastic-cubexx]

what is your favorite thing about charles and your favorite thing about erik? separately, as in what you like most about their characters :]

a devious question this one is, my friend!!! it's hard enough for me to explain my thoughts cohesively, but having to pick ONE thing i particularly love is difficult. with characters like charles and erik, theres been so much done with their characters over the decades and so they have so many components to them that make them so interesting and fun to observe. BUT I TRY FOR YOU TODAY. under the cut i kinda ramble and the size of this text box makin me anxious

i think if i were to be simple and broad, what i enjoy most about charles is his determination to help others, even if he isn't really thanked and/or if people don't even like him. ofc, this isn't to say he hasn't done wrong- to be honest, the fact he does wrong/questionable things at times is another aspect of him i really enjoy, maybe because- broadly speaking- he's meant to be altruistic (intent vs outcome and all that). i don't know if that's super exciting to most people, but it is for me

as for erik, my reason for liking him is easier to explain tbh. To Be Simple And Broad, his progression from villain to antihero over the decades has been fun to observe (as much as i have so far anyhow) and analyze. i think to be a bit more specific, him using his rage and pain as justifications for his villainous actions is definitely what compels me the most: hurt people hurt and the sort, an idea i've always found interesting (something something vicious cycles and the like). yet now, he recognizes this wasn't really. A Just Thing To Do and is beginning to change that, which i enjoy

[temeyes]

pfp change!! ft an actual doodle of myself gaspppp!!

[mastersoftheair]

"Masters of the Air details. Part 6-Bombsight and bombing.

"[...] I was brought in to Masters of the Air to teach actors how to look like they knew what they were doing, and the bombardier work would certainly be important to the series.

"[...] The Norden bombsight was being developed in the 1920’s by Carl Lucas Norden, a Swiss engineer, who worked for the US Navy. He developed this sight (eventually the Mark 15 series for the Navy and the M series for the Army) and the autopilot system that goes along with it. The autopilot was needed as it could fly the aircraft more precisely on the bomb run than the pilot could. Just don’t tell the pilot this!

"The Mk 15 Norden sight was a beautiful hand-built and fit device with an analog computer that would calculate the point in space at which to drop the bombs. The Bombardier would input information to the sight in the form of altitude, air speed and the ballistics of the bomb. On the bomb run he would pick up the target with the crosshairs in the optics and engage a motor drive that would keep the crosshairs synchronized on the target during the approach. On the run he would also make fine adjustments to be sure the crosshair stayed on the target for range and drift. When the sighting angle reached the predetermined dropping angle the sight sent an electrical signal to the intervalometer that would drop the selected bombs at the specified interval.

"The mission order would define what bombs were to be used and what the nose and tail fuses were to be used and their delay settings, if any. The order would also specify the aiming point and the interval to be set in to the intervalometer. This would space the bombs across the ground as desired. Maybe you wanted the bombs dropped quickly, right next to each other, to try and put a hole in the roof of the hardened sub pens. Or maybe you wanted to walk them down a long runway. The intervalometer would be set for your ground speed and how many feet apart you wanted the bombs to hit on the ground.

"If you wanted to drop a string of bombs all down a line, like a runway or a front line, then you would want the center bomb of the stick to hit in the middle so you would adjust the trail plate on the bombsight the right amount to drop the first bomb early and have the center bomb right in the middle. This center bomb spot would be the mean point of impact or MPI.

"When I arrived on set at MoTA they had several nose sections with varying amounts of the bombardier’s equipment and controls. They had one real Norden sight head called the hero sight in the hero fuselage. The hero label was attached to the best props where special or close up filming with lead actors might take place.

"The stabilizer is the lower half of the bombsight and contains the yaw gyro for the autopilot. The bombsight head sits on the stabilizer and pivots to keep pointed at the target.

"The hero sight was sitting on a prop stabilizer, and it needed more accessories and work to look as good as the real sight head. I asked if they had a better stabilizer around and they thought so, but where it was seemed to be uncertain. It was eventually located and cleaned up for mounting in the hero nose. It was still missing some items namely the directional panel and an Automatic Bombing Computer or ABC. The ABC was used on the bomb run so they could perform evasive maneuvers and not have to do the run and drift calculations again. I was told that a Norden Bombsight expert in the UK said that they didn’t use the ABC early in the war, if at all. I had to differ with that opinion as it was most certainly used throughout the early war and almost all the way through. Its use dropped off later in the war if anything.

"The ABC is quite visible on top of the stabilizer so I thought the hero sight should have the ABC not only for authenticity but for eye candy too. I asked my daughter, Sydney, to send out the directional panel and ABC set from our museum’s bombsight back home in California.

"[...] Like with the pilots and their own preference for hand positions on the throttles, the bombardiers were given the options of the two different hand configurations bombardiers often used to adjust the sight on the run. The more uncomfortable two-handed method or the single hand. Which eye to use while looking through the eyepiece was also their own decision as this would have been a preference item as well.

"We also taught them how to look over the sight to pick up the target then transition down to the eye piece and to uncage and adjust the gyro for leveling the optics in case this might be of interest to the directors. We went over the control sequence for the bomb bay doors, bomb select and intervalometer adjustments and the bomb run itself.

"[...] The standard procedure for the bomb run was developed early on by the 8th AF which was to navigate to a point where the bomb run would begin. This was called the Initial Point or IP. From the IP it was either a straight line into the target, or evasive maneuvers along this line to the target.

"At the IP, the bombardier would open the bomb bay doors. This would change the drag and the airspeed accordingly. It was up to the pilot to adjust power to maintaining a specific airspeed and altitude which was critical to accurate bombing. The pilot would also re-trim the aircraft so it would fly hands off at which point he would engage the servos of the autopilot and turn control of the aircraft over to the bombardier. The Bombardier would fly the aircraft through the bombsight and its connection to the autopilot.

"The main bombardier actor, Elliot Warren, portrayed James R. Douglass. Elliot was a quick learn and did a great job. He was a pleasure to work with and I really enjoyed his scenes.

"[...]Props made several Norden sights. Rubber ones and some with more detail. One was set up with squibs to detonate when the sight was shot by the actor with his 45 cal M1911 pistol. They were wired and the squibs went off with the sound of the pistol. It looked pretty good on camera.

"It was AAF policy to try and destroy the bombsight so it would not fall in to enemy hands. Some of the manuals actually discuss what should be done to destroy it. I would hope that the large gyro in the sight head was not spinning at its normal 25,000 RPM when the bullet hit the 2-pound rotor, as I would imagine that it would come apart and potentially send shrapnel back at the guy holding the gun!

"The lighting folks would control the instruments and lights throughout the fuselages, like the bomb bay door open light on the bombardier’s panel. We put in a lag between the bomb door handle operation and the door open light coming on. Not an accurate lag as we obviously will not be filming for the actual 20 seconds or so needed to open the electric bomb bay doors. It was a delight to work with the lighting crew and they did magical work especially with the custom made instrumentation.

"[...] Here is a full-on rant about the Norden so you might want to skip out!

"Keep in mind that this is my own opinion. An American who is discussing the Norden sight. Your mileage may vary.

"Recently there has been, what I call a ‘revisionist historians’ view of the Norden Bombsight. In short, this modern interpretation, pretty much lead by Malcolm Gladwell’s TED Talk on YouTube and his book Bomber Mafia, calls in to question the usefulness of the Norden. Basically, saying it was not effective and some of his followers have even been using the term ‘useless’ recently.

"Just keep a few thoughts of this rant in mind.

"The bomb sighting systems we had going into WWII were based on technology left over from WWI. They were simple sights with wires to sight down. They were meant for aircraft speeds and altitudes from WWI. Now skip ahead to the new bombers flying two to three times as fast and at altitudes up to 30,000 feet instead of 3000 feet.

"An all-new system was needed to solve this new complex bombing problem. Sperry was working on it and Norden, who had left employment at Sperry, started his own effort.

"The Sperry and Norden sights were the leaders of synchronous sights going in to WWII. They both were good sights which were constantly being improved. They had each also developed a highly advanced autopilot that the bombardier used to fly the aircraft on the bomb run.

"These were visual sights, so it was necessary to see the target in order to be effective. Not so easy in Europe all year long. Radar and other methods were coming online to help with all weather bombing but there were many limitations in play.

"Results would certainly vary from target to target, and it was a brand new technology made up of gyros to keep the optics level, a mechanical computer to make the calculations, motors to drive the optics. Lots of parts needed to be able to work at 200 degrees F to 50 below, not to mention the complex autopilot system.

"So, my main question is: If this new technology was so bad then what exactly was it that brought the German war effort to its knees?

"The RAF was going after cities and targets at night and the AAF was trying to hit specific strategic targets like submarine production, aircraft and weapons plants, fuel and machine parts to make the weapons work. The very things the Germans needed to wage war.

"What brought this production essentially to a halt?

"I submit that it was the bombing campaign.

"If it was the bombing campaign, then it was likely the Norden and Sperry sights that made it possible. Mostly the Norden as it was chosen as the primary system and the Sperry S-1 sight was discontinued.

"The invasion of fortress Europe was certainly needed to push the Germans all the way back to Berlin, but I would also submit that these efforts were made easier by the results of the bombing campaign.

"There were certainly mistakes and errors all throughout this campaign as there was a massive learning curve in doing something that had never been accomplished on such a scale before. How to amass hundreds to a thousand plus bombers to rally together to attack a target effectively and then get home. The attrition was unbelievably steep in the early years as so beautifully depicted in Master’s.

"Just how do you get back in that bomber the next day and face near certain death once again like they did. Again, as seen in Master’s. Just a few of the wonderful aspects of this series and the history behind it.

"Having a PR campaign about the weapon that would help win the war, like Harold T. Barth created for Norden, was not such a bad thing. If it rallied the troops and home front to keep up morale, then I think it was a good thing. Just open any wartime magazine and look at the full page ads all throughout. Each ad promoting the companies contribution to winning the war effort. BF Goodrich with their new Rivnut or Seeger Refrigerator building bomb racks and feed chutes for the 50's. It was a nationwide industrial and personal team effort to wage this war against the Axis. Norden was one of them.

"Barth said that the sight could hit a pickle barrel from 20,000 feet. When the press asked if this was true Norden replied ‘sure if you tell me which pickle you want me to hit’. Some folks nowadays are taking this literally and complaining that it really couldn’t hit a specific pickle. No kidding. Say it isn’t so. Those bastards!

"To Mr. Gladwell and his followers, I'll ask again: What was it, in your mind, that allowed all of those bombs to take out the German AND the Japanese war efforts? If it wasn’t Sperry’s S-1 and Norden’s M series bombsights, then just exactly what was it?

"Rant over. Flak vest, with crotch protector, and helmet, on."

[wicked-west-cats]

seeing the news: moonpaw is very cute.... dumb and inaccurate chimera thing tho but this is battle cats so lbr lol (plus i do like the dark side of the moon imagery idea so ill let it slide....even tho split face is just normal tortie markings)

also i hate to break it to yall but the series would need a total and complete rework and overhaul where the clans break apart and reform in order to escape the incest problem currently in the series just because of how much of firestars dna has injected itself everywhere >>;;

the authors clearly dont keep proper track of the family trees (they have a lot of cats to keep track of i get it) and i dont think it needs to constantly be this major talking point we all know it, its not ideal, but theres more interesting things to discuss about the character reveal for moonpaw imo

[august-racoone]

im just saying, im pirating the great gatsby movie for the book. i am watching a leonardo dicaprio movie on purpose for the book of bill

[riiviir]

hey guys so I just started reading Flatland by Edwin A. Abbott and OMG AHSBNSBSBSNSNBSHZHSHDBFHGGHFHGRJ2KSHSBSNSK AAAAAAAAAAAAAAA I LOVE THINKING ABOUT THE RELATIVITY BETWEEN DIMENSIONS!!!!!!

[orcelito]

Like OK so I've been reading a fic with trans wolfwood in it that is so. HONEST. About how it affected him and still affects him. In a way that's very much not an average cis writer portrayal of a trans character.

Like. Either this writer is trans or did plenty of research, but it just feels REAL to me. And it has me thinking about my own way of writing trans Wolfwood.

I'm not there yet. But I've been thinking about it. The ways that what the EOM did fucked him up... but it also acted as HRT that affirmed his gender. So what do you do when you're in a body you don't recognize, but looks much more like a man than ever before? There's some gender euphoria in a way, but dysphoria at the same time bc you didn't grow into this. You didn't watch yourself transition. Suddenly you just Were this, and it's not you, but also it's nice to finally be seen as a man, but it also feels wrong to feel grateful for any part of what they did to you...

On and on and on

You see? This is what I want to think about with him. This is why trans Wolfwood is so compelling to me. It's just so Complicated, he'd have such Complicated feelings about his body and the way he lives with it. He learns this new body, it starts to feel more like his, but he also mourns the fact that he didn't get to watch it grow into this like he should've.

That kind of thing.