#i used to dream about her

[girlandthedarkness]

my obsession with lin beifong during 2020/2021 should be studied, i literally couldn't function because she was the only thing I was thinking about 😭

[demaparbat-hp]

YOOOO DEMA YOU LIKE ARCANE???!! omg who's your favorite character??? and favorite moment(s) from s1??? (and fav ship too 👀 👀) will you draw for Arcane in the future???? (peak show with peak art =perfection, just saying)

Anon, you have the. Best. Timing. Ever. I literally just finished an Arcane artstyle study with Katara of the Undercity as a subject!

My favorite Arcane character is and forever shall be Ekko (best boy). Other faves are Viktor (chronic illness baby) and Jinx (trauma gremlin).

As for the S1 scene... Besides the finale and that breathtaking Guns for Hire sequence? The Ekko/Jinx fight from ep 7. It broke me. (And turned me into a Timebomb shipper. Which was arguably worse.)

[inkskinned]

one of the things that i think we should pay attention to, socially, about the disney v. desantis thing is that it is really highlighting the importance of remembering nuance.

in a purely neutral sense, if you engage in something problematic, that does not mean you are necessarily agreeing with what makes it problematic. and i am worried that we have become... so afraid of any form of nuance.

disney isn't my friend, they're a corporate monopoly that bastardized copyright laws for their own benefit, ruin the environment, and abuse their workers (... and many other things). this isn't a hypothetical for me - i grew up in florida. i also worked for the actual Walt Disney World; like, in the parks. i am keenly aware of the ways they hurt people, because they hurt me. i fully believe that part of the reason florida is so conservative is because it's been an "open secret" for years now that disney lobbies the government to keep minimum wage down, and i know they worked hard to keep the parks unmasked and open during the worst parts of Covid. they purposefully keep their employees in poverty. they are in part responsible for the way the floridian government works.

desantis is still, by a margin that is frankly daunting, way worse. the alternative here isn't just "republicans win", it's actual fascism.

in a case like this, where the alternative is to allow actual fascism into united states legislation - where, if desantis wins, there are huge and legal ramifications - it's tempting to minimize the harm disney is also doing, because... well, it's not fascism. but disney isn't the good guy, either, which means republicans are having a field day asking activists oh, so you think their treatment of their employees is okay?

we have been trained there is a right answer. you're right! you're in the good group, and you're winning at having an opinion.

except i have the Internet Prophecy that in 2-3 months, even left-wing people will be ripping apart activists for having "taken disney's side". aren't i an anti-capitalist? aren't i pro-union? aren't i one of the good ones? removed from context and nuance (that in this particular situation i am forced to side with disney, until an other option reveals itself), my act of being like "i hope they have goofy rip his throat out onstage, shaking his lifeless body like a dog toy" - how quickly does that seem like i actually do support disney?

and what about you! at home, reading this. are you experiencing the Thought Crime of... actually liking some of the things disney has made? your memories of days at the parks, or of good movies, or of your favorite show growing up. maybe you are also evil, if you ever enjoyed anything, ever, at all.

to some degree, the binary idealization/vilification of individual motive and meaning already exists in the desantis case. i have seen people saying not to go to the disney pride events because they're cash grabs (they are). i've seen people saying you have to go because they're a way to protest. there isn't a lot of internet understanding of nuance. instead it's just "good show of support" or "evil bootlicking."

this binary understanding is how you can become radicalized. when we fear nuance and disorder, we're allowing ourselves the safety of assuming that the world must exist in binary - good or bad, problematic or "not" problematic. and unfortunately, bigots want you to see the world in this binary ideal. they want you to get mad at me because "disney is taking a risk for our community but you won't sing their praises" and they want me to get mad at you for not respecting the legit personal trauma that disney forced me through.

in a grander scheme outside of disney: what happens is a horrific splintering within activist groups. we bicker with each other about minimal-harm minimal-impact ideologies, like which depiction of bisexuality is the most-true. we gratuitously analyze the personal lives of activists for any sign they might be "problematic". we get spooked because someone was in a dog collar at pride. we wring our hands about setting an empty shopping mall on fire. we tell each other what words we may identify ourselves by. we get fuckin steven universe disk horse when in reality it is a waste of our collective time.

the bigots want you to spend all your time focusing on how pristine and pretty you and your interests are. they want us at each other's throats instead of hand in hand. they want to say see? nothing is ever fucking good enough for these people.

and they want their followers to think in binary as well - a binary that's much easier to follow. see, in our spaces, we attack each other over "proper" behavior. but in bigoted groups? they attack outwards. they have someone they hate, and it is us. they hate you, specifically, and you are why they have problems - not the other people in their group. and that's a part of how they fucking keep winning.

some of the things that are beloved to you have a backbone in something terrible. the music industry is a wasteland. the publishing industry is a bastion of white supremacy. video games run off of unpaid labor and abuse.

the point of activism was always to bring to light that abuse and try to stop it from happening, not to condemn those who engage in the content that comes from those industries. "there is no ethical consumption under late capitalism" also applies to media. your childhood (and maybe current!) love of the little mermaid isn't something you should now flinch from, worried you'll be a "disney adult". wanting the music industry to change for the better does not require that you reject all popular music until that change occurs. you can acknowledge the harm something might cause - and celebrate the love that it has brought into your life.

we must detach an acknowledgment of nuance from a sense of shame and disgust. we must. punishing individual people for their harmless passions is not doing good work. encouraging more thoughtful, empathetic consumption does not mean people should feel ashamed of their basic human capacities and desires. it should never have even been about the individual when the corporation is so obviously the actual evil. this sense that we must live in shame and dread of our personal nuances - it just makes people bitter and hopeless. do you have any idea how scared i am to post this? to just acknowledge the idea of nuance? that i might like something nuanced, and engage in it joyfully? and, at the same time, that i'm brutally aware of the harm that they're doing?

"so what do i do?" ... well, often there isn't a right answer. i mean in this case, i hope mickey chops off ron's head and then does a little giggle. but truth be told, often our opinions on nuanced subjects will differ. you might be able to engage in things that i can't because the nuance doesn't sit right with me. i might think taylor swift is a great performer and a lot of fun, and you might be like "raquel, the jet fuel emissions". we are both correct; neither of us have any actual sway in this. and i think it's important to remember that - the actual scope of individual responsibility. like, i also love going to the parks. Thunder Mountain is so fun. you (just a person) are not responsible for the harm that Disney (the billion dollar corporation) caused me. i don't know. i think it's possible to both enjoy your memories and interrogate the current state of their employment policies.

there is no right way to interrogate or engage with nuance - i just hope you embrace it readily.

[lokh]

so ive been thinking so hard about that transfem butch zoro au.

i feel like at the Very beginning (after kuinas death) she does try to present real feminine like but it doesnt feel like Her and eventually she stops doing it (and in any case its not like kuina was super feminine so why would she try to be like that??)

on the other hand she HAS to make sure everyone knows shes a woman when she beats their ass and becomes the worlds greatest swordsman. so sports bras (or equivalent whatever) and open shirts are a staple

i think she would do hrt (or equivalent Whatever) because again she wants to prove that kuina could have done it. unfortunately i do also think this means she trains about 1 million times as hard

trans sanji............. coming to the realisation that maybe she Wants to be taken care of by a hot butch........................ as a pretty femme

[caligvlasaqvarivm]

[dancingdorito]

tell me he isn't flirting here and i wouldn't believe you.

colin SIR. who looks at their friends like that? like he must've realized he has some feelings outside friendship on his travels or SOMETHING.

[jonsnowunemploymentera]

Something that’s always missing whenever people talk about Lyanna and the Kingsguard at the Tower of Joy is that these things should always circle back to Jon Snow. He’s our main character here. Rhaegar and Lyanna, as well as the Kingsguard, are all dead. They were dead before this story began. This tiny section of text is meant to give color to Jon — who is alive, and whose story is currently unfolding. The events at the Tower of Joy, told entirely through Ned’s fever dream for a reason, essentially serve as one thing: fantasy protagonist myth building 101. Three wise men, a legendary magical sword, some of the greatest knights of an era, a dying queen lady, the end of an age, a dead prince, a dead king, and then here comes a soon to be completely orphaned prince whose life hangs on the balance and whose survival depends on the compassion of one lord and his wizard friend. GRRM is literally retelling King Arthur’s backstory through Jon. This whole thing is one giant literary allusion to Uther and Igraine and the boy king Arthur, to Lancelot and his Joyous Guard, to Guinevere, and to tragic romances. It reads as an ode to Arthurian fantasy and is meant to backdrop the main protagonist’s fantastical origins. The Kingsguard are there to play into that. Their presence at the Tower, in that moment, was never about Lyanna; not solely, anyway. Their presence is tied to Rhaegar’s last surviving male child, and the language used suggests that they had chosen their king, for better or worse. Any discussion surrounding the Kingsguard’s presence at the Tower that focuses on anyone but Jon completely misses the point imo.

[marblerose-rue]

braixen

(request)

[willyhoos]

metamy is insane. like.

what if i was the hero you loved gone wrong. defeated and destroyed. rebuilt as my own greatest enemy. what if i lost everything. what if i had been reprogrammed to despise all i had once fought for. what if i couldn't even remember why i had fought at all.

and what if you were made of roses. what if you represented every beautiful thing i once died trying to protect. what if you wore flowers in your hair and cared for small creatures and had eyes the color of the forests i used to call my home. what if you were everything i once loved.

those memories are just out of my reach. infuriatingly. maddeningly. but if anyone knows who i am (who i used to be) it's you. if anyone can make me feel like who i used to be (who i really am) it's you. i can't speak, i can't breathe, i can't remember anything (but you).

you are the world i have been ordered to burn. i am the weapon you have chosen to resist. i was (am) the hero that you loved.

you are my only memory.

i will do anything to make you believe me.

[creative-robot]

I know The Founders Cut, generally, is the edited scrubbed over version of genloss from Showfall in-universe (as well as a not-8-hour-long-three-stream-binge-night whenever we want to watch it again) but something that struck me as odd and I haven’t seen anyone mention yet, is this warning

It shows up right at the junction where the third act starts, where it appears the Hero is breaking free of Showfall thanks to Hetch. But here’s the thing, while a LOT less than the previous acts the audience still played a significant role in this act, even when really only given two audience interaction choices. Which makes me wonder, how real is this warning, and who is it for? Obviously the audience involved knows what happens past this point, but the audience is also implied to be an integral part of the Social Experiments, which is part of why things start to tweak out when the Founder removes them in the Founder Cut as the Generation Loss generation loses.

My first thought, was that obviously this is another bait and switch, a way to draw the audiences attention, seeing something that’s secret, something that’s not “meant for them”, which is a tactic I could see Showfall using in universe to keep people’s attention and add an air of mystery to their shows.

But

Showfall is doing all their experiments and these shows with a LOT of help from their censors to show it off, displaying a fun silly show that is definitely not uber fucked up and that is 100% just slime don’t worry about it, it’s kid friendly if it’s green! And I don’t think they’d want to bet all their cards on this one experiment doing well enough to their audience to not question the sudden shift in tone that follows this warning. Which makes me wonder.

They did their test, they did their experiment, and the evidence of this last act? I think it was a one time run, they don’t want anyone seeing this, it isn’t for the audience. Act three is specifically to both test and play with their Hero, Hetch’s new lines add a level to this, never once does he call the Hero by their name, just refers to Ranboo as their Role, and he’s not exactly. Nice? About literally any of Ranboos concerns, which wouldn’t really seem conductive to making an audience trust him, especially with his monologue at the end. Ranboo has escaped before, possibly right before act 1 started, they tightened the security on his mask to be unremovably part of them, Hetch doesn’t like the Hero but they’re a fan favorite so he can’t just get rid of them.

Act three is the cumulation of Ranboo being punished for things they don’t remember, for daring to break free from Showfalls control, this is Hetch taking the Hero and essentially majorly fucking and manipulating them to take his frustration out on a fan favorite they can’t otherwise get rid of or give a smaller role like Slimecicle. which is exemplified by the fact that we now know Charlie most likely was never able to actually able to fully snap out of the control, that even in act three in panic and confusion there was at least still a part of him being influenced by Showfall.

So the first two acts are the usual show, they have their posters, they have Squiggles to introduce them, they have goofs and silliness and only a couple slip ups that’re quickly dealt with, the usual rose tinted curtains. Act three?

Do not watch the following material

[xxplastic-cubexx]

waiting for marvel to take you up as their comic artist so that we can have amazing art with cherik official storyline

marvel hire me to draw professor x and magneto making out sloppy style for forty issues straight you will get a BAJILLION dollars i promise

[ball-of-butter]

i come back to say that maven's back had to be somewhat arched in that bathtub scene. he did not take his heat suppressants or something. because like what was that.

[quiinncherie]

I guess I’m sorta kinda back in the fandom? Idk she is just my first truly favorite character that made me start drawing so much more years ago (at least a decade ago and the moment I was out of the fandom was also the moment I stopped drawing) so she’s very dear to me. Erza and Selina would probably be the characters that have the most impact for me

[tickfleato]

i really should be recycling old OC designs more cause i had some really great fan*****s back in my day. i need to put them in my original settings. i need to make orcins a shark

[dynamitekansai]

💪🏾✨💪🏾✨

[beekeeper27]

may i have one humble nihachu please?

(if youre still doing requests, no worries if not)

Requests are open until the vote ends ✊

she has a fox :]