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solliewriter · 3 years ago

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Archery for Writers

In this post, I'll basically tell you the small stuff: e.g., what your archer will complain about to other archers, how different bows sound, what it's like shooting in the rain or snow, finding the goddamn arrows, etc. I’m also going into technical details and will discuss the legendary Robin Hood shot.

If you want a good basic primer, T.S. Strange on Instagram did a pretty good job https://www.instagram.com/p/COat-W1rQ7o/?utm_source=ig_web_copy_link

But, if you're ready for beyond the basics, I've got you covered.

To be clear, my knowledge of archery is primarily Western traditional archery. PLEASE research the history of the type of bow you choose as they’re all unique. There’s a reason why Mongolian bows are so different than English longbows.

I have primarily shot in thick, brushy forest (not parks, actual wilderness), so when you read, that I'm talking about that setting unless specified. My favored bow is a reflex/deflex, which is basically a recurve/longbow hybrid. I have also been doing archery for as long as I can remember, so yes I know how to shoot.

SOUNDS

Different bows make different sounds. Recurve bows are loud. They make this twangy sound when you use them, unless you put a silencer on the string. This silencer is usually a fluff-type thing that is woven around and through the string. The silencer doesn't make them perfectly silent. It's more of a muffler than a silencer.

Longbows are quieter, but they still make noise. It's short, grunt-like hum that usually only the archer and their immediate compatriots can hear.

For Your Character (FYC): a recurve archer and a longbow archer will very likely pester each other about noise.

SIGHT, pt1

You can shoot blind. Sorta. No, you can't put on a blindfold and still hit your target, but you can and will extrapolate what you see. As mentioned, I've done almost all of my shooting in the forest, in the mountains. Visibility is less than perfect. You have to aim through hundreds of branches, and the likelihood of hitting a branch and sending your arrow flying into No Man's Land is very likely as a beginner and amateur. Shooting through the forest isn't like in Lord of the Rings or Hunger Games, unless that forest is a well maintained park with marked trails made by things other than deer and bear. (FYI, bear trails are perfect for humans.) Half the time, if you move an inch the wrong way, your arrow will be way off target. Missing by an inch means missing by several feet, which is really far in archery.

More than once, you see your target at one angle, but can't shoot it at another. I've experienced this frequently because my Viking sized dad will pick targets that I, his 5'2" daughter, am too short to see. I have to stand on tip toes to see his target, then lower myself into almost a crouch to shoot. I still hit the target.

FYC: Besides the obvious banter that comes from discussing height differences, there are a few other things to note. In the forest, it can be hard to find two good angles to shoot something. This can lead to frustration, complaining, attempts to get the other archer out of the way, and etc.

SIGHT, pt 2

I’m talking about recurve/longbows, so there are no actual sights to look through.

This is where things are controversial. There’s a gap shooting and an instinctive shooting. Gap shooters guess the distance, then aim. Instinctive shooters just sorta ... wing it.

I’m not going to throw shade at either method. But here’s a key reason why one would use one style or another: gap shooting is largely ineffective in mountainous, forested terrain when you can’t really see much. So, if you have an archer from a prairie and an archer from the mountains, it’s likely they use different aiming styles.

Side note: Flu-flu shots are unique and fun shots that use big feathery arrows. You shoot nearly straight up in hopes of getting your arrow on top of the target rather than straight toward it. When doing this, you can either look at the target or look at your arrow angle, but you can't do both at the same time. You have to shoot blind. Flu-flu shots aren't good for killing creatures, but they are pure fun. This is a good example of using instinctive shooting rather than gap shooting. Also, flu-flu shots are prone to being highly effective by the wind, and it’s very easy to get them stuck in a tree for all eternity. There’s a shooting area my roving family calls “The Valley of Lost Flu-Flu’s.” It’s called this for very good reason.

SMELLS

Bows don't smell, unless you've just added beeswax to the string (strings fray, wax stops that). Arrows smell for about a day after you paint them and glue them.

Leather, however, smells and remains smelly forever. I personally like the smell (though I suppose I'm actually smelling the oil, not the leather). It's very hard to describe, partially because I have so many memories involved. Unfortunately, I have to leave this to you. Just note, leather from armguards, quivers, and pouches don't smell the same as couches and your typical urbanite materials. Find your hippie friend and ask them to make you a leather bracelet or something. That'll teach you the smell.

FYC: Your archer will have very strong memories associated with the smell of leather and beeswax. They will be warm fuzzy memories.

TOUCH, aka shooting in the cold weather

All right, it's cold, and your character is wearing a big coat. Big, puffy sleeves to fit all those layers beneath. No biggie, just nock the arrow, draw, and shoot ...

FWAP!

The string hits the character's coat sleeve. The arrow goes about ten feet before falling limp to the ground like a sad puppy.

To fix this, you need to tie a thick band around your character's sleeve. Easy peasy.

Now, your OC tries shooting again. Unfortunately, it’s been raining, so to their dismay, they've noticed that their turkey fletchings (standard in the western US states) have flattened and shrunk. It looks like there is barely any fletching at all. Fear not, the arrow will still fly. It'll just make aiming a bit harder, but not terribly worse. Those fletchings are just stabilizers.

Your OC goes home. When they take off their shooting glove/tab, they notice their fingers are yellow. Oh no! Don't worry, your OC is not sick, the dye has just come off the leather in the rain. It'll wash off, but it'll probably happen every time the leather gets wet for the next few months unless your OC makes a new glove/tab that isn't dyed.

LEFTIE VS RIGHTIE

It is extremely uncommon to find a left-handed archer. This is because even if someone’s right-handed doing their day-to-day things, it doesn’t mean they’re going to be right-handed for archery.

In archery, whether you shoot left or right handed is determined by your eye dominance. Most people are right-eyed dominant, so much so it’s very hard for a left-eye dominant archer (such as myself) to find new bows. And I mean really hard. Go anywhere and there’s a severe shortage of left-dominant archery gear simply because it’s that rare (hah I’m special- jk).

BOWS

There are manufactured bows (lame), and there are good bows. Yes, there’s a huge difference.

I’m not sure of the technical terms, but here’s my experience.

Manufactured bows, i.e., the cheap bows you find at a renaissance fair, are typically made from a type of plastic. Good traditional bows, from almost any country, are custom-made from wood that the bowyer (bow-maker) has shaped, treated, and glued.

Bows are a lot like musical instruments. Essentially, manufactured bows (or guitars, violins, etc.) are poor quality because they’re made of cheap materials which make the shooting quality less than superb (more on that later), and because they aren’t given the attention they need, which makes them of lesser quality because they’re just ... eh. Special treatment makes for a better bow.

Like musical instruments, there are a lot of different types. Most websites say there are only four (recurve, longbow, compound, and crossbow), but that’s not quite true. These acknowledge the four general shapes of a bow, but not the subtypes. For example, Mongolian bows are recurves, but tend to be shorter than Western recurves because Mongolian recurves are meant to be shot on horseback.

SHOOTING QUALITY

So, what is it like shooting a good bow?

Again, I’m speaking from experience with recurves, longbows, and reflexes.

A good bow has good speed. It moves the arrow faster than slower. This is a relative scale because recurves shoot arrows faster than longbows, and reflex/deflex tend to shoot faster than longbows but slower than recurves.

WEIGHT

Is it possible for people to have pulled 100 pounds of weight in a bow back in the olden days, or are people just confused?

Yes, it’s possible.

My dad, who used to do archery once or twice a week, had a 100 pound bow that he shot fairly regularly. That was before his shoulder injuries and, y’know, age.

Also note that he’s practically a Viking.

I pulled 50 pounds at 28 inches when I was doing it regularly, although now I probably have to go back to 45 pounds.

BASIC SHOOTING FORM

This is going to be heavily effected by your character’s culture, bow, and upbringing.

There’s the English, upright stance for shooting a longbow. The archer stands very straight, and their pull hand goes to anywhere between the lip and the ear.

There’s the forest stance, which is my own, and that’s slightly bent over to avoid string-slaps, finger to cheekbone. Also, I made up the forest stance, so don’t Google it.

Then there’s Walt Wilhem, who, due to physical disability, had to shoot from the hip and was still one of the best archers in the world. Watch the video of him and his brother:

https://www.youtube.com/watch?v=np8u69YfSA8

THE ROBIN HOOD SHOT

This is actually very attainable. I’ve done it six times. My dad has done it about 30 times. I have a friend who did it about 25 times.

In order for this situation to realistically happen (if you’re writing something unrealistic, you really shouldn’t bother reading all of this), the character needs to prep a few things.

1. Years of experience. At least six, and that’s assuming your archer shoots at least seven hours a week, without missing an hour.

2. At six years the archer might get a few Robin Hood shots. Very likely, it’ll be at a shorter distance and the arrow they’re shooting will be cross-wise instead of straight down the shaft.

3. At ten years, it’s quite likely your Robin Hood has shot straight down the shaft a few times.

4. Your Robin Hood must seek to improve every week.

SOME QUICK TIPS

unless you’re Walt Wilhem, you always pull from your back, not your arm

you never fire an arrow

back quivers are quieter and more mobile than hip quivers (suck it hipsters)

it takes practice and long fingers, but it’s quite doable to hold both a bow and an arrow in one hand while shooting

there is a system for very fast nocking

beginners have no clue what this system is and so take several minutes to nock their arrow.

contrast, it takes a second for an experienced archer.

someone who doesn’t take long to aim is often called a snap shooter, and this isn’t exactly complimentary.

This ought to take you far in your journey of writing an archer. I’ve been sitting on this post for about a year now, but still need to add to it. PLEASE google the following in case I don’t get to sharing the info.

arrow breakage

bow breaking

materials for arrows

types of wood for bows

types of wood for arrows

arrow spine weight

bow tuning

bow shelfs

different forms

holding a bow

stringing a bow

bow at rest

temperatures + bows

fletching types

aerodynamics

quivers

moving around

how to find the goddamn arrows

#archery #writeblr #writing #archers #bow and arrow #wip #writing tip #writing advice #don't tell anyone it's been 2 years since I've shot my lovely bear bow #I need my bow again #I need to shoot

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marvelyhp · 4 years ago

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Still you | chapter II

Chapter II: The comeback

Synopsis: Y/n decides to help the Avengers despite their betrayal two years prior and her life makes a big shift once again.

Pairing: Y/n x Bucky Barnes and some Y/n x Sam Wilson

Word count: 5,997

warnings: cussing, some fluff

note: I know I took so long but I had writer's block. then, I got covid and I felt too awful to write. But I'm okay now so this is what I could come up with. Not my greatest stuff. the tag list is open :)

Side note: I would really appreciate hearing from you and your thoughts!

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We managed to lower two floors without raising suspicion or making too much noise. At least, James and I were pretty silent, whispering if needed. But of course, Stark always had to open his damn mouth. He had been talking all the way —pretty loudly too— and he just did it again.

“Where’s the grandpa with the bad luck of having you as a tenant?” The man didn’t know the meaning of whispering. Or maybe he did. He just wanted to make my life more complex than it was. I looked frantically behind me, praying he had not seen me sneaking out. At the sight of no one, a breath of relief exploded out of me. But it didn’t last long, irritation quickly dampening my already poor mood.

“Shut the hell up!” I hissed. My patience with the insufferable man wearing thin.

“Oh, relax. If he sees us, we’ll knock him out and blame you.” He mocked, a chuckle erupting throughout the hall and following the stairlike a draft of wind. My blood started to boil inside my veins and I felt the heat spread from head to toes. I was afraid to be reaching my tipping point already because this was nothing. Two years out of practice left me hypersensitive to his shit. I wondered how long I would be able to stand the insufferable mortal and regret hit me like a ton of bricks.

“He is a good man, Stark. We will not knock him out.” I whispered as I pressed myself against the wall. Twisting my head around the corner at the end of the hall, I sneaked a glance at the stairs and the visible space from the top. “Watch your step here. His room is right underneath the stairs. We don’t want to wake him up.

I walked forward, pressing my foot in the first step, praying the creak of the old wood would keep quiet today as it did some nights. At least that’s what I hoped but it wasn’t what happened. A groan broke the silence in the room and I knew that if he was awake, he definitely heard it. I waited a couple of seconds, alert to any noise. When nothing came, I advanced four more steps. I focused on the one shadow dancing in the wall and relief swept through me. He wasn’t awake.

I turned, thinking the guys were still up. However, I let out a gasp when Bucky’s face came into view, mere inches away from mine. Thanks to the startle, the foot I had dangerously close to the edge slipped.

My heart stopped as I thought about the fall and the inevitable bone-crushing pain that would come after it. The stairs were pretty high and even though they were wood, it was quite sharp. Splinters roamed everywhere. I waited for the pain and the strenuous sound. It was phenomenal, the first time I saw the team in two years and I would meet them in a body bag with a broken neck.

However, it never came.

When I opened my eyes, blue electric eyes stared back at me. Our faces were inches away from each other. A hand wrapped around my waist, pulling me flush against him to hold me from falling. I was hyper-aware of our breaths clashing against each other, making the most sinful of sounds. Our lips were separated by a small space, too close for my brain to catch up quickly. I noticed how his lips roamed my face, stopping at my lips slightly parted by the surprise. His eyes held a fervent fire and my breath quickened once I felt the inevitable rush of warmth roaring my body.

Coughing slightly, I took a step backward, stepping out of his grasp. I forgot all about the landlord as I scolded myself. The man looked at me and there I was getting flushed like a raging hormonal teenager. I looked at everything but Bucky’s face, why I knew still had his eyes on me except now his jaw was firmly set. I wanted to ask him what was going on inside his head but a hovering shadow at the top of the stairs captured my attention.

“What are you still doing up there?'' The man looked utterly confused standing at the top of the stairs surrounded by darkness. I wondered if it had to do with what he just witnessed.

“You care about that grandpa, don’t you?” His expression was one of disbelief. His body wasn’t moving as if in shock or trying to process the information he thought was correct. And it was, but he didn’t have to know.

“I don’t know what you’re talking about,” I said, unaffected.

“Of course you do. You care about the landlord.”

I whirled around as fast as I could with the incident earlier present in my head as a gruff voice filled the room. A short, stubby old man stood at the foot of the stair dressed in a white t-shirt and some basketball shorts. The ends of his hair stood up as if held by a string and maneuvered by a child. His narrowed black eyes stared back at us. His lips pressed in a thin line.

“Of course, she does, kid. Why shouldn't she?” He crossed his arms in front of his chest. I followed the movement of the milk dancing in the glass on his right hand. I felt proud of the English I had taught him and how-- as much as I didn't want this to happen-- useful it would be. I looked back at Stark to find him gaping like a fish. Little croaks came from his throat but no coherent words came from him. It was the first time I had seen Stark speechless. “I’m an incredible landlord if I say so myself.”

He was.

I cursed inwardly. There were things I didn't want everyone to know. To a certain extent, I wasn’t ready for the team, for Stark, to find out that I wasn’t the monster he expected me to be. I wasn’t ready for him to look at me differently. Andrei had the power to change our whole dynamic.

It wasn’t that Andrei and I shared anything about life. Or at least I didn’t. Andrei liked to talk, to share his life with me, and try to make me talk. He said I was too reserved. I remember that day like it was yesterday.

It had been a warm evening. I could see the sun filtering through the windows. Shining onto the top of the show top and illuminating the cottage-like bakery. The dough in my hands stuck to my skin, lumps of a uniformed cream mass suffocating the fingers. The powdered white dust sat beside me and I felt irritated. I hadn’t thought about pouring it on the mixture before I touched it. ‘I was out of my element here’ I thought as I reached for the flour.

Andrei’s baker had abruptly called five minutes before work notifying him he couldn’t work his shift. His grandmother had fallen down the stairs and fractured her hip, hence his lack of concern for Andrei. He was the only living relative she had so it fell upon him to look after her. One missed shift would turn into dozens. The bakery was small and hidden in a remote part of Romania. The clientèle was not much besides those living in the small town from years ago, or even since they were born.

Everyone in town knew each other. When I arrived I had my doubts about staying in this place because of that same reason. I would be the talk for weeks and I couldn’t risk so many people questioning my presence. Except, I was lucky.

One evening, I sat in a small and dark corner of a bar near the outskirts of the town where it was most probable to see an outsider. Two men sat a couple of feet away from me, talking fairly loudly. Out of boredom and desire to know the people I might have been seeing every day, I heard and studied their moments. Taking notes about their behaviors and storing them far into the file I had on humanity. Their voices were cheery as they ate pastries that I was sure to not be from the small bar.

“This is so good! I can’t believe I haven't tasted a pastry this good since I left,” he moaned loudly in reaction to the puff on his hand. The crumbly dessert spilling powdered sugar all over his dark gray pants. “Andrei hasn’t lost his touch.”

“Who is this Andrei you talk so highly of?” The older male asked the seemingly young partner. The man wore an expensive suit, not one that could be found here and from what I gathered from their conversation, he had not grown up here. But his friend did. What he said next grabbed my attention the most.

“His bakery is pretty hidden in the town. Someone that didn’t know the road would not find him. He used to be a criminal, on the run and all that. But since he got out of prison he became a baker. the man sure has a gift. I don’t even know why he went to jail, because the man is a sweetheart. I think he was just dealt a bad hand.” The man kept munching on his pastry as he talked. The vowels all merging to create a soundless blob. I swore he said more but that was all I could understand and by the face of his friend, he understood less.

“It’s such a small town. Why was it never known?”

“I don’t know. Rumor has it that he was born here but left, something to do with his family. He came back years later, on the run from some people. People we assumed to be the police. Of course, the police followed his trail and eventually found him here. Two years later. He hid pretty well if, you asked me. He treats people with respect but he never talks about himself. He has always been reserved when it comes to his life, only telling small details that lead to nothing. You know, not enough to form a life picture…”

Before he finished talking, I was out of my seat, walking towards the pair. I plastered an innocent look on my face, one I had studied and perfected many times since coming to earth. I relaxed my posture, knowing I had been tense and tucked since I entered this town. I still can’t believe I was social before. Nobody would believe that if I told them now.

“Hey, those pastries look marvelous!” I said in a cheery voice when I reached the pair. Both of their heads whipped towards my direction, curiosity written in their faces. I could hear the questions in their head about me and where I came from and what I looked for in town. Typical gossiping mortals. I wanted to cut the tie between our heads, feeling bad about corrupting the men’s thoughts. But I couldn’t, not until I had what I wanted. “Do you know where could I find them?”

“Sure thing. What’s your name, sweet thing?” Sweet thing, that’s funny. If he had been into the American news he would not say that.

“Calypso. Do you know where the place is? Can you explain it to me?” I said, trying to hide the hurry in my voice. His thoughts were front seat in my mind, not wanting to miss a thing.

“So eager.” He chuckled. Instead of the route, I was expecting, he thought about my naked form and countless sexual images began replaying. I resisted the urge to impale his backside, taking a deep breath and counting to ten. I played his game. I battered my eyelashes and looked at him from hooded eyes. I bit my lip gently and walked closer. Sneaking a glance at his friend, I noticed he was no longer looking at us. He seemed uncomfortable and had turned to his coffee and pastries. I wish I had a coffee to turn to.

“Maybe you could take me there. If you remember the way, of course.” He smirked and grabbed the jacket slung over the wooden chair he sat on. His friend looked at us, startled as if he wasn’t expecting my response. However, the joy of his friend would be short-lived. Images of the way to the small bakery filled my head and I smirked. Before he could take my hand to guide me to his car I asked for the restroom.

As soon as I came in, my eyes searched for some window I could use to leave unnoticed. And I found it in the corner of the bathroom beside one of the huge black and white mirrors. I locked the door and hurried to open the window, sliding through the door. The darkness of the night didn’t face me but my alert was high. Everybody could hide in the dark. My heart rocked against my chest as I saw the same guy from early waiting beside his car. I hurried along the alleyway, pulling my hood up and hiding my hair, disappearing into the dark.

“Calypso, boy for you.” I was brought from my memories by the rough voice of Andrei. Whoever didn’t spend much time with him would think he was mad all the time thanks to his voice and forever furrowed white bushy eyebrows. I matched the furrowing of his eyebrows when he mentioned a boy. I had been careful enough to not get attached or get anyone attached to myself so the mention of another human being besides Andrei spooked me.

Suddenly, the thought of agents looking for me or the usual threats I had filled me with panic. I heard the thunderous beat of my heart. The tremble of my hands disrupted the beautiful form of the pastry in my hands. quickly cleaning and taking away the apron full of white dust, I walked to the front of the door.

A dark-haired man in his early twenties stood next to the door with a blue box in his hands. A white shimmering ribbon adorned the delicate box, wrapping silkily around it to form a well-done bow. The chiseled bone structure of his profile caught my breath as he looked to the small, underpopulated plaza in the corner of the rondure. The curvature of his roman nose and the thin shape of his lips sticking in his profile.

I saw him regularly at the small bakery. His usual was a Papanaşia with a black strong coffee. He left three dollars on the tip jar three times a week and I noticed if he was overly happy, he would leave a fiver regardless of the day or how many days he had tipped. I had seen him mad twice in the store. Seemingly, he was one of those guys that harbored every trouble inside in a chaotic turmoil. I knew because I had invaded his mind one of those times. Curiosity had gotten the best of me, knowing he was always the type of guy that carried the sun on his shoulder. Every time he caught my attention, I tried to remind myself that he could’ve been an agent sent by Hydra to kill me or worse, kidnap me.

“Hello. What can I help you with?” I said, confidence laced in my voice. The confidence I did not expect to have. His head whipped towards me. A smile broke on his face at the sight of me. I saw the fidgeting of the box in his hands and the sudden bobbing of his knee. He didn’t appear to be harboring any secrets, or at least not deadly ones.

“Hey. I know this will probably look very weird to you but I’ve been watch- I mean not watching but I just- I,” His stammering caused a giggle to leave my lips involuntarily. My hand immediately flew to my lips, hiding the smile corrupting my face. He lowered his face but not before giving me one of those smiles that could light up a world. God, I felt sappy. He looked at me once again. “I don’t know how to do this. I definitely didn’t think it through.” He chuckled. One of his hands came up to brush his face while shaking it, side to side. I could tell he was nervous, maybe more that I initially had been.

Seeing him stammer was the cutest thing I had seen since the little green and purple flowers that grew back home and surrounded our palace. So, I decided to help him a bit. “You could start with your name,” I said, trying to not smile too much. Agent, agent, agent…

“God, you probably should’ve done that first. Nice one.” He said, more to himself than for me to hear it. “I’m Razvan. It's lovely to finally meet you.” I shook his hand. It was rough yet soft with elongated fingers caressing my own small and thin one.

“Calypso.”

“What I meant to say, you know, before I shot myself in the foot was that you caught my eye since I first saw you. Now, I swear I'm not stalking you because it could be easy to think after the horrible introduction I just did. But, yeah, I would like to get to know you, if that’s okay with you.”

I did think about it. I swear I did. I thought about how he could be linked to Hydra and if you searched on the deepest paranoid corner, the Avengers. I thought he could’ve been just a random murderer whose floor I had shaken. My voice of reason said no. and with the saddest feeling settling my stomach, I told him what I thought. Or tried to.

“I’m sorry, I-I can’t. You seem like the loveliest person b-but I…” For some reason, I couldn’t just say no. “Can I think about this?” That was the only thing that came out of my mouth while I tried to get the words ‘go away and ‘don’t speak to me’ out of my mouth. His smile faded a bit, but even then he tried to keep his positivity and bright personality on. I could feel the waves of disappointment once I started speaking but hope soon came flooding back.

“Sure. I'm a complete stranger coming here every day just to see you. I can see how that’s alarming. take your time.” He shook his head as if realizing what he had just said. He chuckled and I tried to give him a small smile. Before I could turn away and leave, I felt him touch my elbow. I jumped back.

His brows furrowed quickly. “Forgive me. This is for you. And please accept it.” I thought about refusing but this would only prolong this meeting, pushing me to accept a company I wasn't ready for. I took the small box, my hand already trying to open the shimmering blue box. “No, please. Open it later, more calmly and everything and you can tell me whenever you’re ready if you like it.” I gave him a smile, which he returned brightly before diving back inside the back of the store.

Once inside, I undid the delicate ribbon, watching it dissolve like seafoam by the lovely blue water. The glistening gold chain with a tiny, colorful Koi fish rested in the center of the box. My heart swelled and I felt a way I hadn’t felt since Bucky. He remembered what I had told him that first, and the only time we had talked before today.

The voice of Andrei brought me out of my stupor with a jump. A hand traveled to grasp my heart while the other held the box tightly.

“Razvan is nice guy.” His voice was gruff and deep like it had been since I had met him. He walked behind me and grabbed a pack of flour to dump beside me. I looked towards the other and realized I was running out of it.

“Do you know him?”

“Yes. Comes every day for two years. Great boy.”

When I didn’t say anything, he stopped cutting open the pack of flour and turned to look at me. “You too reserved. Not want to end like Andrei alone. Give guy chance.” That was all he said before he left. A tall wrinkly woman with short red hair calling out for him.

The last thing I thought that day after he left drove me to the same road he had set me on. I didn’t want to end alone or die alone for that matter. But what was I to do if everyone thought I was a selfish monster who just wanted to kill and bring chaos? The only person who didn’t feel that particular way was the same man I was leaving without saying goodbye.

Stark seemed to have gathered his words together because he suddenly began spewing some shit on Andrei. shit, he didn’t like it.

“The girl is no selfish girl. Only a fool like yourself would think so. Only a blind man would propose such a thing.” His brows were furrowed but Otherwise, he was calmly standing at the bottom of the stairs sipping his milk. He seemed like he would continue but I made sure to stop him

“Andrei, no.”

“I see. She holds you hostage and controls you, doesn’t she?” Stark countered, a smirk settling in his features. I pinched my nose, sighing loudly.

“You have to leave with this buffoon?” I walked down to his side, muttering an annoyed yes. “I’m sadder for you than him.” A chuckle escaped him as he hugged my shoulders with one arm. I tried to push him away but found no will to do so. I would miss Andrei. He felt like the father I never had. Worry settled in my stomach knowing I had been here and I would no longer be if anything happened to him. I hugged him back, despite my better judgment and the four pairs of eyes staring back at me.

“Don’t forget about me, violet. Nor dear Razvan.’ He told me after letting me go. I nodded before calling back to my two companions. Stark came down, slowly walked to the front door. Bucky at his heels. They both turned. Bucky’s face had some sort of emotion I couldn't decipher. I thought I could, but I doubt he would feel happy about finding someone genuine to spend my days with.

Stark, on the other hand, looked at Andrei as if he had grown an extra head.

“I’m confused. Aren’t you supposed to be dying at her touch or something? Are you sure she didn’t threaten you to act this way?” The funny thing was, he sounded genuinely confused. The skepticism in his voice hurt my feelings but the mere fact it was stark made me forget quickly. He was an insensitive prick with a personal vendetta.

“Take this fool away before I turn him into a human pastry,” Andrei commented. I walked towards them, chuckling. “Ai grijă, violet aprins.” Take care, fiery violet. The elder said before we shut the door behind us. my heart swelled at his words. I knew I would long for those quiet evenings where it would rain and we would sit down in the living room with a book, quietly enjoying our presence. We laughed and made new and invented pastries in the kitchen for days, always looking for new and innovative flavors. I would miss the man that had treated me like his daughter.

“Take care, Pop.” I whispered to myself. Not thinking a long-haired blue-eyed soldier would hear.

And just like that, we disappeared quietly into the night and I said goodbye to one of the most important people in my life.

James let me know they came in the Quinjet, that enormous thing I had refused to sit on two years ago. the walk was not far from where we were and we found it in a while.

The Quinjet was hidden behind one of the buildings next to the bakery. the gigantic thing sleeping while we arrived to climb up. clint stood outside, his arms crossed. that man always looked like he was in a power pose.

“Romania? What is it with chased people and Romania?” Confusion and genuine interest were written all over his face.

Barton had always been a friend before I knew the truth. Nat told me she had told him in a drunken stupor. he tried to talk to her about telling me but she didn’t listen. I didn’t hold it against him because I knew he wasn’t actively participating but he didn’t do anything either.

I shrugged. “It’s a good hiding place. too many criminals organizations for you to matter. nobody cares who the hell you are as long as you keep quiet.”

“Good shadow place.” Bucky added as he tried to help me get in the Quinjet. I ignored his hand, focusing on Clint’s face.

“Exactly.” My response was clipped. if he was fishing for a normal conversation he was in for a treat.

After a while, we took off. My legs became restless as I sat in front of Stark and Bucky while Clint piloted the flying thing. boredom pushed me to get up from my seat and walk towards the front of the Quinjet. that, and Straks glare along with the awkwardness of Bucky’s movements.

Clint’s focused face came into view as I sat beside him. silence engulfed the both of us before he broke the silence with some words I didn’t expect.

“We missed you.” it was a quiet remark but full of shocking force. I just sat there, wide-eyed looking towards the already clearing sky. I looked towards him and forced myself to respond. a scoff came out of me, causing Clint to look rapidly towards me.

“You have no reason to believe me, but it’s the truth. Nat was pretty shaken up when you left. we looked for you everywhere and decided you didn’t want to be found. that you needed some time. it took you longer than we thought.”

“You didn’t find me because you didn’t look. You don’t have to lie to me, Barton.” I said, masking the hurt I felt with anger. why keep lying to me? I knew they didn’t care sop they didn’t need to act as they did.

“What? we did loo-” He never finished his sentence since Stark’s voice boomed around the small space. he came to let us know where would land soon as if we didn’t know already. Clint was the pilot, it was impossible for us to not know. suspicion arose in my chest but I soon forgot it when I saw the massive compound below us.

✹✹✹ I would be lying if I said my stomach wasn’t fluttering and my hands trembled slightly. I subtly rubbed my hands in my jeans, hoping to get some moisture away. But, there was something else bothering me. It had been there for a little while. The emptiness in my chest divided in two, as though… I don’t even know. The doors slid with a swift sound and my heart rate hit new floors.

I tried to avoid showing any emotion I felt. Seeing them surrounding the long table, all in their daily clothing made it hard to remember. I couldn’t show the happiness of seeing them all right after two years. Nor could I show the excitement deep in my bones seeing Wanda’s face. I couldn’t forget the damage (situation) those high-held beings made to my heart.

I looked at them with a mask of indifference firmly placed.

Wanda was the first to step forwards, as I knew she would. I didn’t expect her to but a part of me screamed how she had been the only real friend through the year I spent in this cage. I resisted the urge to hug her, touch her, and receive the reassurance I so deeply wanted.

“I thought- we thought you were dead.” The revelation shocked me. It felt as though they couldn’t believe I was alive. But I was. The question was… why did they think so?

“Nop. Still kicking.” I replied.

“Unfortunately.” I heard Stark mutter under his breath. I rolled my eyes and resisted the urge to kick him. I could make him feel a true kick in his brain. And his ass, too.

“Y/n!” A high-pitched voice came from the corner next to me. The smiley face of Pepper Potts came rushing towards me, engulfing me in a hug. My nerve endings shot and I prayed my instinctive responses wouldn’t go through. Fortunately for me, they didn’t. Before I could even think to hold her back—which I wouldn’t have done anyway— she stepped back. Smile intact and a gleam in her eyes capable of illuminating the whole room.

“Jesus. You’ve changed so much!” Her hands settled on my shoulder, holding softly and slightly shaking my shocked frame. “I missed you.” Her vice took a sweet edge and her head lolled to the side. Her eyes scrutinized me with the look of a mother who had just seen her child after a hard year abroad. I resisted the urge to shift uncomfortably out of her grasp. I wasn’t used to this.

“Honey, leave the feral alien alone.” Tony’s voice reached my ears. “We have important matters to discuss.”

“God, Tony. Give us a break. We haven’t seen the kid in two years.” Natasha’s ______ filled the room as I saw her taking steps towards me. I noticed there were no relaxed steps but tense and wary. Her eyes held a sort of apology mixed with caution.

I just stared. Deep inside I didn’t know how to react to someone I hadn’t seen in a long time, someone who betrayed me gets closer. Her body language told me she was sorry but still cautious of my reaction but I didn’t know if I should forgive her. Her right hand stretched towards my frame. I shifted uncomfortably in place, moving slightly away from her.

I saw her eyes roam my body, noticing the discomfort. She came to a halt three feet away from me. Her lips were pursed as she let her head drop for a second. She recovered quickly, extending her same hand towards me, this time to shake my hand.

“It’s good to have you back, Y/n.”

I took her hand in mine, shaking firmly. I nodded my head towards her. My lips pursed. The movement of Wanda’s body caught my eye. She stepped closer to me, her hands nervously trembling beside her big, red jumper.

“Can I hug you?” Hearing those words coming out of her froze the ongoing flow of blood through my veins. I was shocked, to say the least. I bet I looked like a gaping fish as an incomprehensible string of detached words escaped my lips. Everyone else seemed as surprised as I was. For completely different reasons I would bet. As Stark had said, they thought I was a free being.

She waited patiently, probably aware of the shock and ongoing battle I had inside me. She was the only one aware of my thoughts about showing anything besides contempt. And she knew why. But I sent it all to hell and for once, I did what I wanted to do. I nodded.

Her smile was worth enough as she moved quickly towards me, as though worried I would change my opinion. Her thin arms wrapped around my neck, my lack of height apparent as my 5’1 ass reached her shoulders. I resisted the urge to cry as I wrapped my arms around her back, relishing in a familiar face that didn’t hate my only existence.

“I missed you.” It was a whisper, only for me to hear. A small smile escaped my lips as hope blossomed in my chest. Hope that maybe I wasn’t a lost cause. Hope that maybe someday I could have a family.

“I did too, Red.” I murmured back. Careful to not raise my voice as I didn’t want anyone to know anything. I felt oddly vulnerable to be hugging someone let alone hugging someone in front of seven people. I noticed Vision staring and I gave him a subtle nod, a small smile creeping upon my lips. He nodded back with that usual blank expression not in compass with the feelings he harbored. After some time, I let her go before Stark had another remark to make.

I noticed Steve leaning against a far-away table, maybe ten feet away from where I was. His head lowered, eyes on the ground. His arms surrounded his build, hugging himself with a heavy frown on his face. He didn’t want to look towards me and I thought I knew why. He was ashamed of what he did. He was guilty anyway you looked at it. He was guided by Bucky to do everything. He followed the man despite knowing it was wrong. Not because your friend tells you to throw yourself out the window means you’ll do it. He knew full well what was wrong and right. He knew Barnes' proposal was as low as a man could get.

If he didn’t apologize and acknowledge what he did, he was dead to me. I mean, he had tried to apologize that day, but I was devastated and no words came through my anger.

There were a few handshakes and subtle nods here and there before I noticed a presence missing. I looked around for the usual big man with an overinflated sense of heroism but didn’t find him. He was big enough for anyone to spot him. I felt a pang in my chest and a tingle at the back of my head and I knew something was wrong. The air shifted and my hands started trembling slightly.

“Where’s my brother?” I asked, my voice slightly shaky. I tried to compose myself, knowing he had to be alright or I would’ve felt something.

“We don’t know. We couldn’t get a hold of him.” Natasha replied. I noticed the subtle worry etched in her face lines.

Suddenly, I understood that emptiness inside me. That swirling emotion unlatched to an earthy body. One of the connectors inside of me, besides bucky’s, was empty. It didn’t have any energy to connect to.

No.

I didn’t realize I began hyperventilating while the word repeated itself over and over in my head. My chest rose and fell quickly while the air got caught in my throat. My hand shot out to grasp anything in reach I could hold myself up with.

“Y/n?! What’s wrong?” Wanda was the first to step forward and grab my elbow. Her soft touch didn't completely register in my sensory sense. The only thing in my mind was the heavy colorless fog swirling around in my insides.

The worst part was, I didn’t know which of my brothers it belonged to. I thought about them and how long it had been since I had seen them. Since I had been with them.

“Can you all excuse me?” I pulled myself together and without waiting for a response, I hurried across the room. I thought about the me that they just saw but somewhere deep down, I didn’t care.

I hurried, passing Steve's body. This time, he looked intently at me. I didn’t expect him to stand up and grab my shoulders. By this point, my vision was blurry and I tried hard to reconnect with the missing life essence.

“Y/n, I-”

“Can we do this later, Rogers?” I spat, cutting him off before getting my elbow out of his grasp. I left, shuddering and feeling a wave of anger rising in my chest.

What a good way to make a comeback.

TAG LIST:

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@ginger-swag-rapunzel

@paryl

@sltwins

@greenlibra10

#bucky x female reader #bucky fic #bucky x y/n #bucky x reader #bucky x you #james buchanan barnes #the winter solider fanfiction #the winter soldier #marvel #marvel fanfiction #bucky x reader series #marvel fanfic series #mcu fanfiction #james barnes #james bucky barnes #romance marvel fanfiction #romance fanfiction #bucky x oc

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brawltogethernow · 5 years ago

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So, I don't think I've ever asked you this... what IS the whole point of the Spider-Sense? It really seems like something that only exists for writers to ignore or work around when they want to inject Legit Tension into a story.

I’ve thought about this power so much, but never with an eye to defend its right to exist, so I needed to think about this. The results could be more concise.

Ironically, given the question, I have to say its main purpose is to ramp up tension. But it’s also a highly variable multitool that a skilled creative team can use for...pretty much anything. It does everything the writer wants it to, while for its wielder always falls just short of doing enough.

I went looking through my photos for a really generic, classic-looking example to use as an image to head this topic, but then I ran into the time Peter absolutely did not reimburse this man for his stolen McDonald’s, so have that instead.

A Scare Chord, But You Can Draw It

That one post that says the spider-sense is just super-anxiety isn’t, like, wrong. It’s a very anxious, dramatic storytelling tool originally designed for a very anxious, dramatic protagonist. I find it speaks to the overall tone of the franchise that some characters are functionally psychics, but with a psychic ability that only points out problems.

Spidey sense pinging? There’s danger, be stressed! Broken? Now the lead won’t even KNOW when there’s a problem, scary! Single character is immune to it? That’s an invisible knife in the dark oh my god what the fuck what the fU--

Like its counterpart in garden variety anxiety, the only time the spider-sense reduces tension is in the middle of a crisis. But in the wish fulfillmenty way that you want in an adventure story to justify exaggerated action sequences, the same way enhanced strength or durability does. Also like those, it would theoretically make someone much safer to have it, but it exists in the story to let your character navigate into and weather more dangerous situations.

For its basic role in a story, a danger sense is a snappy way to rile up both the reader and the protagonist that doesn’t offer much information beyond that it’s time to sit smart because shit is about to go down.

Spidey comic canon is all over the board in quality and genre, and it started needing to subvert its formulas before the creators got a handle on what those formulas even were, and basically no one has read anything approaching most of it at this point, so for consistent examples of a really bare bones use of this power in storytelling, I’d point to the property that’s done the best job yet of boiling down the mechanics of Spider-Man to their absolute most basic essentials for adaptation to a compelling monster of the week TV series.

Or as you probably know it, Danny Phantom. DON’T BOO, I’M RIGHT.

DP is Spider-Man with about 2/3 of the serial numbers filed off and no death (ironically), and Danny’s ghost sense is the most proof in the formula example of what the spidey sense is for: It’s a big sign held up for the viewer that says, “Something is wrong! Pay attention!” Effectively a visual scare chord. It’s about That Drama. And it works, which won it a consistent place in the show’s formula. We’re talking several times an episode here.

So why does it work?

It’s a little counterintuitive, but it’s strong storytelling to tell your audience that something bad is going to happen before it does. A vague, punchy spoiler transforms the ignorant calm before a conflict into a tense moment of anticipation. ...And it makes sure people don’t fail to absorb the beginning of said conflict because they weren’t prepared to shift gears when the scene did. Shock is a valuable tool, too, but treating it like a staple is how you burn out your audience instead of keeping them engaged. Not to go after an easy target, but you need to know how to manage your audience’s alarm if you don’t want to end up like Game of Thrones.

The limits of the spider-sense also keep you on your toes when handled by a smart writer. It tells Peter (everyone’s is a little different, so I’m going to cite the og) about threats to his person, but it doesn’t elaborate with any details when it’s not already obvious why, what kind, and from what. And it doesn’t warn him about anything else-- Which is a pretty critical gap when you zoom out and look at his hero career’s successes and failures and conclude that it’s definitely why he’s lived as long as he has acting the way he does, but was useless as he failed to save a string of people he’d have much rather had live on than him.

(Any long-running superhero mythos has these incidents, but with Peter they’re important to the core themes.)

And since this power is by plot for plot (or because it’s roughly agreed it only really blares about threats that check at least two boxes of being major, immediate, or physical), it always kicks in enough to register when the danger is bearing down...when it’s too late to actually do anything about it if “anything” is a more complex action than “dodge”.

Really? Not until the elevator doors started to open?

That Distinctive, Crunchy Spider Flavor

The spider-sense and its little pen squiggles go hand in hand with wallcrawling (and its unique and instantly identifiable associated body language) to make the Spider-Person powerset enduringly iconic and elevate characters with it from being generic mid-level super-bricks. Visually, but also in how it shapes the story.

I said it can share a narrative role with super strength. But when you end a fight and go home, super strength continues to make your character feel powerful, probably safer than they’d be otherwise, maybe dangerous.

The spider-sense just keeps blaring, “Something’s wrong! Something’s wrong! God, why aren’t you doing something about this!?”

Pretty morose thing to live with, for a safety net! Kind of a double edged sword you have there! Could be constantly being hyperattuned to problems would prime you for a negative outlook on life. Kind of seems like a power that would make it impossible for a moral person to take a day off, leading them into a beleaguered and resentful yet dutiful attitude about the whole superhero gig! Might build up to some of the core traits of this mythos, maybe! Might lead to a lot of fifteen minute retirement stories, or something. Might even be a built in ‘great responsibility’ alarm that gets you a main character who as a rule is not going to stop fighting until he physically cannot fight anymore.

Certainly not apropos of anything, just throwing this short lived barely-a-joke tagline up for fun.

One of my personal favorite things about stories with superpowers is keeping in mind how they cause the people who have them to act in unusual ways outside of fights, so when you tell me that these people have an entire extra sense that tells them when the gas in their house is leaking through a barely useful hot/cold warning system that never turns off, I’m like, eyes emojis, popcorn out, notebook open, listening intently, spectacles on, the whole deal.

It also contributes to Peter Parker’s personality in a way I really enjoy: It allows him to act like an irrational maniac. When you know exactly when a situation becomes dangerous and how much, normal levels of caution go out the window and absolutely nothing you do makes sense from an exterior standpoint anymore. That’s the good shit. I would like to see more exploration of how the non-Parker characters experiencing the world in this incredibly altered way bounce in response.

It’s also one of many tools in this franchise hauling the reader into relating more closely with the main character. The backbone of classic Spidey is probably being in on secrets only Peter and the reader know which completely reframe how one views the situation on the page. It’s just a big irony mine for the whole first decade. A convenient way to inform the reader and the lead that something is bad news that’s not perceivable to any other characters is youth-with-a-big-exciting-secret catnip.

Another point for tension, there, in that being aware of danger is not synonymous with being able to act on it. If there’s no visible reason for you to be acting strange, well...you’re just going to have to sit tight and sweat, aren’t you? Some gratuitous head wiggles never hurt when setting up that type of conflict.

Have I mentioned that they look cool? Simultaneously punchy and distinctive, with a respectable amount of leeway for artists to get creative with and still coming up with something easily recognizable? And pretty easy to intuit the meaning of even without the long-winded explanations common in the days when people wrote comics with the intent that someone could come in cold on any random issue and follow along okay, I think, although the mechanic has been deeply ingrained in popular culture for so long that I can’t really say for sure.

It was also useful back in the day when no artists drew the eyes on the Spider-Man mask as emoting and were conveying the lead’s expressions entirely through body language and panel composition. If you wiggle enough squiggles, you don’t need eyebrows.

Take This Handwave and Never Ask Me a Logistical Question Again

This ability patches plot holes faster than people can pick them open AND it can act as an excuse to get any plot rolling you can think of if paired with one meddling protagonist who doesn’t know how to mind their own business. Buy it now for only $19.99 (in four installments; that’s four installments of $19.99).

Why can a teenager win a six on one fight against other superhumans? Well, the spider-sense is the ultimate edge in combat, duh.

Why can Peter websling? Why doesn’t everyone websling? Well, the spider-sense is keeping him from eating flagpole when he violently flings himself across New York in a way neither man nor spider was ever meant to move.

How are we supposed to get him involved with the plot this week???? Well, that crate FELT dangerous, so he’s going to investigate it. Oh, dip, it was full of guns and radioactive snakes! Probably shouldn’t have opened that!

Yeah, okay, but why isn’t it fixing everything, then? Isn’t it supposed to be why Peter has never accidentally unmasked in front of somebody? ('Nother entry for this section, take a shot.) That’s crazy sensitive! How does he still have any problems!? Is everything bad that’s ever happened to characters with this powerset bad writing!? --Listen, I think as people with uncanny senses that can tell us whether we are in danger with accuracy that varies from incredible to approximate (I am talking about the five senses that most people have), we should all know better than to underestimate our ability to tune them out or interpret them wrong and fuck ourselves up anyway. I honestly find this part completely realistic.

*SLAPS ROOF OF SPIDER-SENSE* YOU CAN FIT SO MANY STORIES IN THIS THING

The spider-sense is a clean branch into...whatever. There is the exact right balance of structure and wishy-washiness to build off of. A sample selection of whatevers that have been built:

It’s sci-fi and spy gadgets when Peter builds technology that can interface with it.

It’s quasi-mystical when Kaine and Annie-May get stronger versions of it that give them literal psychic visions, or when you want to get mythological and start talking about all the spider-characters being part of a grand web of fate.

Kaine loses his and it becomes symbolic of a future newly unbound by constraints, entangled thematically with the improved physical health he picked up at the same time -- a loss presented as a gain.

Peter loses his and almost dies 782 times in one afternoon because that didn’t make the people he provoked when he had it stop trying to kill him, and also because he isn’t about to start “””taking the subway’’””’ “‘’“”to work”””’’” like some kind of loser who doesn’t get a heads up when he’s about to hit a pigeon at 50mph.

Peter’s starts tuning into his wife’s anxiety and it’s a tool in a relationship study.

It starts pinging whenever Peter’s near his boss who’s secretly been replaced by a shapeshifter and he IGNORES IT because his boss is enough of an asshole that that doesn’t strike him as weird; now it’s a comedy/irony tool.

Into the Spider-Verse made it this beautiful poetic thing connecting all the spider-heroes in the multiverse and stacked up a story on it about instant connection, loss, and incredibly unlikely strangers becoming a found family. It was also aesthetic as FUCK. Remember the scene where Miles just hears barely intelligible whispering that’s all lines people say later in the film and then his own voice very clearly says “look out” and then the room explodes?? Fuck!!!!

Venom becomes immune to it after hitchhiking to Earth in Peter’s bone juice and it makes him a unique threat while telling a more-homoerotic-than-I-assume-was-originally-intended story about violation and how close relationships can be dangerous when they go sour.

It doesn’t work on people you trust for maximum soap opera energy. Love the innate tragedy of this feature coming up.

IN CONCLUSION I don’t have much patience for writers who don’t take advantage of it, never mind feel they need to write around it.

#spiderman #peter parker #spiderverse #spidey #marvel #danny phantom #one day you'll see what i'm doing with it in the project i'm collabing on w/ my brother and then you'll all be sorry and hopefully impresse #mirrorfalls #asks answered #essays

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grigori77 · 3 years ago

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Summer 2021′s Movies - My Top Ten Favourite Films (Part 1)

The Runners-Up:

20. LUCA – I’ll admit I really wasn’t sold on Disney/Pixar’s coming-of-age fantasy comedy, which revolves around a pair of young sea monsters living off the coast of the 1950s Italian Riviera, who discover they can assume human form when they dry out and go on land on a quest of discovery. Thankfully the strong reviews convinced me to give it a chance – this is a frothy and irreverent romp through an exotically nostalgic world filled with Vespas, pasta-eating contests and found families that’s fun for kids of all ages.

19. FAST & FURIOUS 9 – the high concept action franchise may be bursting under the ever-increasing weight of its own ludicrousness, but it’s still TONS of fun, packed with stunning over-the-top action, colourful globe-trotting and a loveable bunch of misfits we’ve grown incredibly fond of over the past TWENTY YEARS. This time Dom (the irrepressible Vin Diesel) and the team are up against ruthless hi-tech mercenary Jakob (John Cena), a lethal jack-of-all-trades with a dark connection to the Toretto name.

18. REMINISCENCE – Westworld co-creator Lisa Joy’s attempt to make it on the big screen looks set to go down as one of the biggest cinematic flops of 2021, which is a shame because the feature-debuting writer-director has crafted a genuinely fascinating speculative sci-fi noir detective thriller. Set in a darkly dystopian future in which Global Warming has caused the sea levels to rise and society to start breaking down, it tells the story of Nick Bannister (Hugh Jackman), a former soldier who ekes out a living using revolutionary tech to help the idle rich relive their fondest memories, until a life-changing mystery from his own past resurfaces, threatening to tear his whole world apart. Frustratingly, it looks like most audiences are going to bypass this, which is a criminal loss.

17. FREE GUY – after a seven year hiatus, Night at the Museum director Shawn Levy returns to the big screen in fine form with this deliriously inventive fantastical comedy adventure about Guy (a typically on-fire Ryan Reynolds), an NPC in an anarchic, Grand Theft Auto style MMORPG called Free City who discovers his own sentience after falling in love with Millie (Killing Eve’s Jodie Comer), a player with a hidden agenda that puts them both at odds with the game’s nefarious creator, Antwan (a thoroughly hilarious Taika Waititi).

16. EVANGELION 3.0 + 1.01: THRICE UPON A TIME – visionary anime creator Hideaki Anno brings his long-running sci-fi saga to a close with this fourth instalment to his wildly ambitious cinematic “Rebuild” of cult TV series Neon Genesis Evangelion. It’s as frothy, melodramatic and bonkers as ever, packed full of weighty themes and crazy ideas, while the animation maintains this series’ ridiculously high levels of quality and the action is as explosive as ever, and Hideaki brings the whole mad mess to a climax that’s as rich, powerful and thoroughly befuddling as the saga deserves.

15. THOSE WHO WISH ME DEAD – Sicario writer Taylor Sheridan returns to the director’s chair (after impressive debut Wind River) with this intense and enthralling suspense thriller adapted by bestselling author Michael Koryta (along with Sheridan and Blood Diamond’s Charles Leavitt) from his own acclaimed novel. Angelina Jolie is (ahem) fiery but fallible as haunted smokejumper Hanna Faber, whose PTSD drives her to protect a desperate boy (Finn Little) who’s being hunted through the wilds of Montana by a pair of relentless assassins (Aidan Gillen and Nicholas Hoult).

14. CRUELLA – far from the clunky cash-in retcon many were predicting, Disney’s ambitious black comedy crime caper does a thoroughly admirable job in delivering this fascinating and deeply compelling reimagining of the story of rogue fashion designer Cruella de Vil (one of the best performances I’ve ever seen Emma Stone deliver, hands down), the dastardly villainess of 101 Dalmatians. She’s certainly far more complex here, no longer a raging monster, but far from a whitewashed PC apologist, either, much more of a morally grey antihero with a very wicked dark side – then again, with I, Tonya director Craig Gillespie at the helm it’s not really a surprise. Richly designed and dripping in spectacularly adventurous period detail, this is an divine romp from start to finish.

13. THE GREEN KNIGHT – the latest feature from writer director David Lowery (Ain’t Them Bodies Saits, Pete’s Dragon, The Old Man & the Gun) is as offbeat and unusual as you’d expect from a visionary filmmaker with such a wildly varied CV. Adapting the fantastical chivalric romance Sir Gawain & the Green Knight, he’s crafted what’s surely destined to be remembered as the year’s STRANGEST film, but it’s a work of aching beauty and introspective imagination that sears itself into the memory and rewards the viewer’s patience despite its leisurely pace. Dev Patel is unbearably sexy and wonderfully complex as Gawain, while Sean Harris delivers show-stopping support with stately charisma and world-weary integrity as King Arthur. This film is sure to divide opinions as well as audiences, but I think it’s a bona fide masterpiece that must be seen to be believed.

12. CANDYMAN – after watching this wildly imaginative and frequently gut-wrenching soft-reboot/sequel to Bernard Rose’s acclaimed adaptation of Clive Barker’s short story The Forbidden, I feel supremely confident about emerging writer-director Nia DaCosta’s coming MCU breakout with The Marvels. Wisely papering over the clunky previous sequels, this streamlined trailblazing deep dive into the pure horror of the legend of the righteously mad spectral killer haunting the Chicago housing ghetto of Cabrini-Green sees a daring modern artist (Aquaman’s Yahya Abdul-Mateen II) find his latest project turning into a dangerously self-destructive obsession. Writer-producer Jordan Peele’s fingerprints are all over this, but DaCosta clearly shows signs that she’s going to be a hell of a talent to watch in the future.

11. THE WITCHER: NIGHTMARE OF THE WOLF – I wouldn’t normally shout about an animated spinoff to a TV series like this, but I was SO INSANELY IMPRESSED with this brilliant prequel to Netflix’ popular fantasy show (which clearly intends to lay some origin story groundwork for the impending second season) that I just can’t help myself. Recounting the backstory of Geralt of Rivia’s own Witcher mentor Vesemir, this beautifully expands on the already compelling universe the series has created, as well as delivering some breath-taking thrills and chills through some of the most exquisite cell animation I’ve ever seen outside of the greats of anime. A must-see for Witcher fans, then, but one I’d also highly recommend to anyone who likes their animation a bit more grown-up and edgy.

#movies 2021 #luca #disney luca #fast & furious 9 #reminiscence #reminiscence movie #free guy #evangelion thrice upon a time #rebuild of evangelion 4 #those who wish me dead #those who wish me dead movie #cruella #cruella movie #the green knight #the green knight movie #candyman #candyman 2021 #the witcher nightmare of the wolf #awesome sauce

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adenei · 4 years ago

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Ch. 1 - How to Win a Witch in 10 Days

AO3 | FFN

Summary: “She’s going to find some unsuspecting wizard, get him to fall for her, and then do all the things that turn men away to get him to break things off! Won’t it be the best way to see what witches do that drives men crazy?” But what happens when the man in question is a blast from Lily Evans's past? A Jily Magical AU based on the romantic comedy "How to Lose a Guy in 10 Days."

Thursday, Pt. 1

Lily Evans sits down at her desk. It’s a typical Thursday morning at the office of Witch Weekly for the ‘How To’ columnist. Parchment is strewn about everywhere due to a hasty departure the night before, but with a flick of her wand, the papers arrange themselves into neat piles. Satisfied with the restored order, she turns to her magical typewriter and the most recent article that lies next to it: How To Make the Transition from Hogwarts Graduate to Adult.

She smiles at her hard work and hopes that this time Amelia will go for her pitch. A new batch of Hogwarts students graduated last week, and this was the type of information she would have loved to have when she finished her education three years ago. Being a Muggleborn made the transition into life as an independent witch more difficult. There aren’t many resources to help young adults find their way in magical society, and even though she met with Professor McGonagall numerous times about her future, the meetings weren’t as helpful as Lily preferred.

Perhaps this is why Lily lives in a small flat in muggle London and commutes to the office via taxi or apparition to Diagon Alley every day, depending on her mood. She tucks the article safely into a desk drawer before setting about her first task of the day: coming up with new ideas for future articles. Grabbing a blank piece of parchment, Lily begins brainstorming as more how to article ideas begin flitting through her mind.

Lily always knew she wanted to be a writer. The excitement she felt after securing a job at the highly respected go-to magazine for witches was only to be rivaled with receiving her Hogwarts letter at the age of eleven. At least, that’s how she used to feel. Now, she’s stuck in a perpetual wheel of pushing out article after article on how to incorporate the newest beauty, fashion, and health trends that flow into the magical world faster than a Cornish Pixie prison break.

Lily shakes her head as she writes down another idea: How To Secure an Interview for the Job of Your Dreams. She’s sick of all the superficial fluff she’s been writing for the past two years. It’s time for something more.

“Morning!” Alice chirps as she passes Lily’s cubicle.

“Good morning!” Lily gives Alice a warm smile in return.

Alice Fortescue is one of her closest colleagues and friends at the publishing company. That’s the one perk of this job, working with some amazing people.

“Amelia called a staff meeting in thirty minutes. Have you seen Marlene?”

Lily feels as if a bludger has knocked the wind out of her. She was so preoccupied this morning that she didn’t realize her best friend of ten years wasn’t at her desk.

“No, she hasn’t shown up yet,” Lily worries.

Marlene has recently been dumped—again—and she is never one to take a break-up lightly, even if said relationship only lasted a few weeks.

Alice sighs. “I’ll get the coffee, you floo to her place?”

Lily nods and grabs her bag, following Alice toward the exit. She digs a knut out of her purse and places it into the slot before grabbing a handful of floo powder. It’s common courtesy to donate money to replace the office’s stock if you use it for anything other than transportation to or from your residence.

She tosses the powder into the fireplace and steps into the green flames, announcing Marlene’s address in a clear, firm voice. Lily prepares herself for the sensation of the ground dropping out from below her as she free falls into the imaginary slide that transports her where she needs to go. The trip is short, and within seconds she is stepping out of the fireplace into Marlene’s flat.

“Marly? You here?” Lily calls.

Her best friend tiptoes out of the kitchen, still in her dressing gown. She’s carrying a cup of tea close to her face to hide her puffy eyes.

“Oh, Marly, I’m so sorry,” Lily reaches out to comfort her friend with a hug.

Lily takes the cup of tea from her hands and steers Marlene to her bedroom. “I know how hard break-ups can be, but we’ve got a staff meeting in twenty minutes, and I’m not going to let you lose your job over another lousy guy.”

Lily doesn’t notice Marlene crawling back into bed as she busies herself with sifting through outfits in her friend’s closet.

“But what we had was special, Lil! I really thought he was different! He could have been the one!”

“How long were you seeing him?” Lily asks, trying to recall any details of Marlene’s latest fling.

“Only a week,” she pouts.

Lily freezes midway through pulling a dress from the closet. She knows this is Marlene’s M.O. but Lily still can’t help but feel frustrated.

“Marly, really—”

“Don’t! I know what you’re thinking, but he was special, I’m telling you! We even had sex and everything. It was magical. I cried…”

“You what? Marly, tell me it was just a glisten of tears,” Lily wills her friend to say it isn’t as bad as she thinks.

“Oh no, I full-on bawled,” Marlene responds, not even attempting to lie, “told him I loved him, too.”

Lily wishes her best friend is kidding but they have been friends long enough for Lily to know that she’s not. With a silent sigh, Lily switches gears. She realizes she can’t take the sympathetic route anymore. No, Marlene needs tough love. She strolls over to the bed with the outfit in hand and plops down.

“Marlene, I know you’re a hopeless romantic looking for your Prince Charming, but in order to find him, you’re going to have to put yourself together and get back out there. You’re not going to find him wallowing in bed all day. Now come on, you’ve got fifteen minutes to get dressed so we can get to work and not piss off Amelia. Alice is out getting coffee right now.”

Lily yanks back the bedspread, forcing Marlene to get up, albeit begrudgingly.

There, one potential crisis averted for the day.

Ten minutes later, Lily floos back to the office after ensuring Marlene goes first. They run into Alice on their way back to their desks, and there’s just enough time for Alice to dole out the coffees before grabbing their notes and heading down the hall to their boss’s extravagant office.

Amelia Bones is the no-nonsense editor-in-chief of Witch Weekly, who is well respected by her staff. Her office is spacious yet welcoming and not at all like what one might expect. Where a conference table and chairs should be, Amelia has sofas and squashy chairs, similar to the Gryffindor common room. When the writers meet to go over stories for upcoming publications, they gather there. The three girls barely make it in time, taking their seats on the sofa nearest Ms. Bones. It’s the only empty spot left.

Amelia clears her throat. It’s all she needs to do to command the attention of her staff. “Alright, let’s get started everyone. We need to go over assignments for the July issue. Dorcas, what are you thinking this month?”

Dorcas, the office suck-up, bounces up and down in her seat as she lays out her laundry list of articles. “I’ve got an exposé on gilly water with an exclusive interview from a mermaid who says it will help keep you thin, but I haven’t come up with a title yet. And Traveling by Portkey: What to Pack and Not to Pack. Then, I’ve also got an interview set up with Madam Malkin, who details the latest robe trends. Oh! And I almost forgot about my outline of A Look Into a Day in the Life of The Hobgoblins!”

Lily needs to remember to keep her face passive as Dorcas prattles on. Does she do anything besides work? Who has time for four articles? She has to suppress the eye roll that’s threatening when she catches Alice’s glance. It’s evident her friend is sharing the same thoughts.

“Wonderful, wonderful. Lily, what’s our resident How To girl have in store for us this month?”

Here goes nothing…

“Well, actually, I’ve been working on this piece that I think will be a great spin on the How To article. It’s about helping recent Hogwarts graduates find their footing after they finish their seventh year.”

She gauges the room for reception and notices blank stares coming from the entire writing team. Fighting to keep her facial expression passive, Lily chances a glance at her boss, whose opinion is the one that matters most. There’s an uncomfortable churn in her stomach as a result.

Amelia clicks her tongue in a disapproving tone. “Lily, Lily, Lily. How many times do I have to tell you that most of our clientele are in their twenties and thirties? No one is going to want to read something like that! That’s what they have parents and families for! Besides, aren’t the Hogwarts professors supposed to help the young ones with their career choices? That’s not our wheelhouse.”

“But—”

Lily wants to bring up the Muggleborn perspective, but Amelia doesn’t give her the chance.

“Lily, your job is to write the How To column for Witch Weekly, not to help recent grads find their place in this world. I hired you to write fun, upbeat stories that will help witches in all aspects of their lives, and that is what I expect.” Lily’s shoulders droop in disappointment as Amelia wastes no time moving on to her next victim. “Marlene?”

“Oh, um, I—I’m still thinking—” Marlene stutters.

Lily notices Amelia’s hard stare and speaks up on her friend’s behalf.

“Amelia, Marlene’s going through a rough time right now. She got dumped.”

“Oh, no. I’m so sorry, Marlene,” Amelia sympathizes as the rest of the group murmurs their respects to her unfortunate news.

Marlene grimaces as she explains, “Yes, I’m sorry, Amelia. I’ve been taking things a bit hard and haven’t really been eating. It’s just hard to move on when I thought he was—” she hiccups and Lily can tell she’s stifling a sob, “the one.”

“Hmm, yes, that is a predicament, isn’t it?” Amelia agrees before perking up. “Write about it.”

“What?”

“You can make an article out of that, can’t you?” Amelia asks the question as if it’s the most natural thing in the world.

“N-no! I can’t write about my personal life!” Marlene argues.

“If she won’t, I will,” Dorcas chimes in. She sounds too eager at the prospect of taking on a fifth article.

Amelia’s eyebrows crease as she ponders Dorcas’s proposition. Lily is horrified that Amelia is even considering this and decides to step in.

“Or I can!”

“What?” Marlene looks at her with wide eyes as Amelia trains her narrow gaze on Lily.

“How?” her boss wants to know.

“Well, I—I wouldn’t write about the break-up, per se, since that wouldn’t be a good How To article, but what if I turned it into something different?”

Lily is grasping at straws, trying to come up with something that would prevent her friend’s dirty laundry from being hung out to dry. She finds herself stuttering and stalling until suddenly, an idea pops in her head.

“What if I wrote the opposite of getting dumped? Well, it wouldn’t exactly be the opposite, but I’d find a guy and do all the classic things that women do that drive men away. Instead of trying to win the guy over, I’ll get him to dump me instead. Then readers will know what to do and what not to do.”

Lily watches her boss for any indication that she approves. Amelia’s pensive look quickly turns to a conspiring smile as she points her quill at Lily with a gleam in her eyes.

“That’s brilliant, Lily, absolutely brilliant! You think you can find a man, win him over and get him to dump you?”

“Well, when you put it that way…” Lily doesn’t appreciate her boss’s insinuation that she’d be easy to break up with, but if it gets Amelia off Marlene’s back, she’ll take it.

“I can see it now. We’ll call it How To Lose a Guy in Ten Days.”

Lily is relieved, having succeeded in giving Marlene extra time to come up with a story, but the timeframe concerns her.

“Um, Amelia...why ten days?”

“Because we have to publish in eleven.”

She says this as if it’s the most obvious thing in the world. And it’s only after Lily processes Amelia’s words that she realizes how impossible it all seems. She hasn’t dated anyone in a while. No one is even on her radar to date.

Looks like my Thursday is now going to be spent looking for an unsuspecting suitor.

Lily stifles a sigh as she attempts to focus on the rest of the meeting, but her mind has other plans. She fixates on whether or not she’ll be able to pull this off. It seems impossible, but she has no choice. She has to at least try.

As they exit the meeting, Lily, Alice, and Marlene are trailing behind Amelia, who is on her way to fetch her next appointment.

“If I’m going to pull this off, I need to find a guy tonight,” Lily expresses to her friends.

“Don’t worry, we’ll help!” Alice reassures her. “Let’s go to that swanky bar after work. The prospect of this article calls for a finer crowd.”

“Abbott's?” Lily shoots an incredulous look at her friend.

At first, she wants to protest, but Alice has a point. Lily needs to dupe a guy who’s not just out for a one-night stand, and there are no promises that she’ll be able to find that at the Leaky. No, she needs to glam up and go all-out to find a guy. One that shows promise, but not too much promise because she can’t let herself fall for him anyway.

Her thoughts are cut off as Alice and Marlene both stop, causing her to stumble into them. She looks up to see the source of their delay. Amelia has reached her destination, which happens to be directly in front of them as she greets two women. Lily isn’t quite sure why they didn’t swerve and continue around them.

“...Ah, Narcissa, Andromeda, it’s so nice to meet you! Come with me to my office so we can discuss the ads for this issue. I’m hoping you can help us spice up our pages through your clientele.” Amelia turns and sees Lily and her colleagues standing there. A friendly smile crosses her face as the three realize they’ve been caught eavesdropping and scurry to get back to their cubicles.

Lily returns the smile and looks to the two women to see the blonde eyeing her, a sense of intrigue dancing in her eyes. She wonders what that’s about.

“Aren’t you the How To girl?” the blonde asks.

Lily’s not sure what she’s expecting the woman to say, but it’s not that. It takes her a moment to respond.

��Um, yes. It’s Lily, Lily Evans. Nice to meet you.”

Lily doesn’t bother to extend a polite hand because of the blonde’s now scrutinizing gaze. She’s ready to turn and walk away before the awkward conversation can continue, but Amelia stops in her tracks.

“Yes! Lily is wonderful, isn’t she? She’s just about to start on her newest article: How to Lose a Guy in Ten Days. Doesn’t it sound exciting?”

The darker haired woman raises an eyebrow. “It does. What does that entail?”

Lily opens her mouth to speak, but Amelia cuts her off again. “She’s going to find some unsuspecting wizard, get him to fall for her, and then do all the things that turn men away to get him to break things off! Won’t it be the best way to see what witches do that drives men crazy?”

“That does sound interesting,” the blonde responds.

“Yes, fascinating,” agrees the brunette in a bored tone.

Lily doesn’t appreciate their judgemental stares and chooses to dismiss herself. “Thanks. It was nice meeting you,” she lies as she continues on toward her office.

The day is young, but she no longer has time to waste. She needs to develop her plan before setting out to find a wizard later in the evening. This is turning out to be the most peculiar assignment yet, but if Lily can pull it off, then maybe Amelia will give her a chance on the other articles she has in her queue.

You’ve got this, Evans. Now get to work.

#jily fic #jily #lily evans #magical au #james potter #jily fanfiction #jily romcom #based on how to lose a guy in 10 days

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butterflies-dragons · 4 years ago

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Hey! There was a giant lemon cake with phallic image in alayne chapter. Do you think it some coincidence or it means something? Especially it's presented by petyr. Also Sansa and her enemies giving her lemoncakes give same vibes as Hansel&gretel story.

And best of all, Lord Nestor’s cooks prepared a splendid subtlety, a lemon cake in the shape of the Giant’s Lance, twelve feet tall and adorned with an Eyrie made of sugar.

For me, Alayne thought, as they wheeled it out. Sweetrobin loved lemon cakes too, but only after she told him that they were her favorites. The cake had required every lemon in the Vale, but Petyr had promised that he would send to Dorne for more.

—The Winds of Winter - Alayne I

Petyr Baelish is grooming Sansa, that’s the awful truth. And he has studied Sansa, he knows what she likes/wants and he will use that knowledge in his favor.

He knows she had a distant relationship with Ned, so he becomes Alayne’s father.

He knows that Ned neglected her and that she always craved for her father’s validation, so he gives her that, he praised her wits for example, and called her clever and smart.

If Sansa says something like “I can’t” or “I don’t know”, he is there to encourage and support and tell her “you can do it” & “you know it”.

He knows she loves knights and tourneys, so he allows her to organize a tournament, whose winners will belong to a kind of “Kingsguard” for Sweetrobin, based on the child’s favorite hero of the legends: The Winged Knight, Ser Artys Arryn.

He knows she loves lemon cakes, so he gives her a giant lemon cake.

The Tyrells has used the same strategy:

"Sansa," Lady Alerie broke in, "you must be very hungry. Shall we have a bite of boar together, and some lemon cakes?"

"Lemon cakes are my favorite," Sansa admitted.

"So we have been told," declared Lady Olenna, who obviously had no intention of being hushed. "That Varys creature seemed to think we should be grateful for the information. I've never been quite sure what the point of a eunuch is, if truth be told. It seems to me they're only men with the useful bits cut off. Alerie, will you have them bring the food, or do you mean to starve me to death? Here, Sansa, sit here next to me, I'm much less boring than these others. I hope that you're fond of fools."

—A Storm of Swords - Sansa I

We all know how much Sansa loves her lemon cakes, but the Tyrells and Littlefinger really treat her as if she were a child like Sweetrobin:

"Will they be lemon cakes?" Lord Robert loved lemon cakes, perhaps because Alayne did.

"Lemony lemony lemon cakes," she assured him, "and you can have as many as you like."

"A hundred?" he wanted to know. "Could I have a hundred?"

"If it please you." She sat on the bed and smoothed his long, fine hair. He does have pretty hair. Lady Lysa had brushed it herself every night, and cut it when it wanted cutting. After she had fallen Robert had suffered terrible shaking fits whenever anyone came near him with a blade, so Petyr had commanded that his hair be allowed to grow. Alayne wound a lock around her finger, and said, "Now, will you get out of bed and let us dress you?"

"I want a hundred lemon cakes and five tales!"

I'd like to give you a hundred spankings and five slaps. You would not dare behave like this if Petyr were here. The little lord had a good healthy fear of his stepfather. Alayne forced a smile. "As my lord desires. But nothing till you're washed and dressed and on your way. Come, before the morning's gone." She took him firmly by the hand, and drew him out of bed.

—A Feast for Crows - Alayne II

The lemon cake in the shape of the Giant’s Lance

The Giant's Lance is the tallest peak of the Mountains of the Moon within the Vale of Arryn, extending three and a half miles above the the valley below.

The great-grandfather of Petyr Baelish was a Braavosi sellsword that came into the Vale of Arryn at the service of Lord Corbray. His line was continued by his son, who became a hedge knight and took the head of the Titan of Braavos as his sigil.

As I mentioned in this post, a sword, Ice in particular, works as a phallic symbol in Sansa’s chapters.

So, we can also make this association:

The Titan of Braavos = A Giant

The Giant’s Lance = Tallest Peak

Lance & Peak = phallic symbols

Lemon cake in the shape of the Giant’s Lance = I don’t want to write it

We can also say that Petyr Baelish is “compensating” his “shortfalls”, after all he is a short man called Littlefinger.

Yes, I think this giant lemon cake could be seen as a phallic symbol and it makes sense with Littlefinger grooming her... yikes

¡¡¡SOMEONE SAVE HER PLEASE!!!

My friend @lostlittlesatellites has already wrote about these subjects, giant lemon cake as phallic symbol and Hansel and Gretel story:

I argued that lemon cakes in Sansa’s arc actually spell people trying to exploit Sansa’s weakness in an almost Hansel & Gretel way and a betrayal that follows.

“Interestingly Sansa’s first chapter in AGOT poses questions that will drive majority of her arc. Her desire for a courtly life in the South will not only prove to be hollow but worse a dream that turns into nightmare. Sansa asks two questions: “What could you want to see? It’s just fields and farms and holdfasts” and “Why would you want to ride a smelly old horse and get all sore and sweaty when you could recline on feather pillows and eat cakes with the queen?”

The world is larger than Sansa has been taught to believe, reclining more inward into her dreams with the strict regime that she taught to look away from the window. She doesn’t think she is prepared enough and that she needs more training. Yes, she doesn’t know enough but neither does Arya or Bran or Jon. Having Sansa finally leave her cage after completing her tutelage under Littlefinger is continuing that student-teacher dynamic she has had since Septa Mordane. People come to love the security of the cage they live in too long. This is why it takes so long to take out the fear of the outside from Sansa because the fact that she has barely any experience keeps her thinking she needs someone to rely on.

[…]

The “Feather pillows and cakes with the queen” part represents the glamour that attracts little boys and girls like Sansa. However, it is hollow as Sansa comes to realise about many things. In fact, people offering Sansa lemon cakes in Sansa’s storyline often forebodes a betrayal from the person offering it. Cersei offers her lemon cakes and a few chapters later she has Lady executed and even later, she has Ned arrested. Olenna offers Sansa lemon cakes, which Varys offers as valuable information to bring her guard down in order to lure her into her trap of marrying her to Wilas and getting hold of Winterfell and the North. They have her wear the murder weapon, which could implicate her for Joffrey’s murder even if their target is Tyrion. Littlefinger is offering her a 12 foot phallic shaped lemon cake in Sansa’s TWOW chapter. Given how happy Sansa is in this chapter that she is almost forgetting that she isn’t Alayne, the food is way too lavish when Winter is coming and along with this trend with lemon cakes, the clock is going to strike 12 and the illusion is going to break very soon. Soon Sansa will prefer riding those “smelly horses” and getting sweaty and sore in order to escape over those lemon cakes and feather beds offered by untrustworthy people. For Sansa’s arc to be fulfilling she has to experience the lives of small folk up close before she helps them. As a character whose view range is often myopic, she has to be put in the middle of the lives of the small folk to truly understand them.”

I highly recommend you to check @lostlittlesatellites blog, she’s a great ASOIAF meta writer, you can read more about these subjects here and here. She covered a lot of themes and symbolisms around Sansa in the Vale, some of them very disturbing regarding Littlefinger’s present and future actions against Sansa...

But despite all that, since GRRM is a writer that likes to give different meanings to a same thing, there are also some very interesting details that are worthy to mention about the real Giant’s Lance:

So lovely. The snow-clad summit of the Giant's Lance loomed above her, an immensity of stone and ice that dwarfed the castle perched upon its shoulder. Icicles twenty feet long draped the lip of the precipice where Alyssa's Tears fell in summer. A falcon soared above the frozen waterfall, blue wings spread wide against the morning sky. Would that I had wings as well.

—A Feast for Crows - Alayne I

The Winged Knight was Ser Artys Arryn. Legend said that he had driven the First Men from the Vale and flown to the top of the Giant's Lance on a huge falcon to slay the Griffin King.

—A Feast for Crows - Alayne II

I can see strong dragon imagery here...

I already wrote about how Sansa wishing falcon wings could be foreshadowing of her getting dragon wings.

Here I also listed all the similarities between Jon and Sweetrobin.

But the most interesting detail is that the real Giant’s Lance is Stone covered by Ice/Snow.

Sansa’s Vale arc has a lot of connections with Jon Snow, like this parallel that I called “Children of the Mountains”.

There is also the names of the waycastles Stone (Alayne) and Snow (Jon).

And one of my favorite Jon Snow reference in Sansa’s chapters, the ghost wolf, big as mountains:

All around was empty air and sky, the ground falling away sharply to either side. There was ice underfoot, and broken stones just waiting to turn an ankle, and the wind was howling fiercely. It sounds like a wolf, thought Sansa. A ghost wolf, big as mountains.

—A Feast for Crows - Alayne II

So,

The Giant’s Lance is the tallest peak of the Mountains of the Moon.

The Giant’s Lance is Stone covered by Ice/Snow.

Sansa compared those mountains with a giant Ghost Wolf.

I’m sorry Littlefinger, you can’t touch this girl!

Thanks for your message.

#anon ask #jonsa #alayne stone #lemon cakes

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not-poignant · 4 years ago

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Hi Pia! I'm a huge fan of your work and deeply enjoying FFS rn, it really shows the love and care you've put into this world and characters and it's an amazing read 🥰🧡

Idk if you've actually answered this question before or if it's a bit too much? So feel free to skip it. Do you have any advice on how to write a therapist and sessions with them? And to go along with that, a therapist&patient relationship that doesn't feel inauthentic but that's a healthy one?

I've had to visit both psychiatrists and psychologists a couple of times along my life, which has almost always been a positive experience to me, but when I get down to business and want to write a character going to therapy, I fall into a bunch of the psychoanalytic clichés US films have hammered us down with, even if I'm not from an Anglophile country!

Thanks a bunch in advance!! Ilu, have a nice start of the year🧡✨

Hiya anon!

I have a few thoughts about writing therapy sessions so I’m just going to put them down in no particular order.

Firstly, I don’t actually think it’s always a good idea to write therapy in stories, and a lot of the time I avoid writing it even when a character is actively seeing a therapist. This is particularly true in The Wind that Cuts the Night where all we see of Alex and his therapist are snippets, and nothing more than that, because therapy sessions would slow down the pacing, focus and value of the story.

Where possible, characters don’t see therapists, but talk to people in a way that is therapeutic, usually with love interests or members of the ensemble cast (Augus and Fenwrel in The Court of Five Thrones, Jack and Eva in The Golden Age that Never Was, Jack and North in From the Darkness We Rise/Into Shadows We Fall, Cullen and Cassandra, Cullen and Bull in Stuck on the Puzzle). All of those characters need therapy, but writing therapy sessions tends to slow down the pace of a fic pretty dramatically, and even I had misgivings about writing Efnisien’s sessions with Dr Gary at first because I’m acutely aware of the fact that:

1. Therapy sessions can be draggy and boring 2. They often take away important emotional realisations from other characters, ruining potential hurt/comfort and character relationship development moments with your actual cast / love interests 3. Fiction is meant to be fiction, not reality. 4. A lot of therapy sessions are actually not that interesting to sit in or write or observe, which is why writers do often find themselves falling into certain cliches while writing them to make them more interesting. Even I cut out huge chunks of sessions to get to the more interesting parts, lol. 5. You can write a character going to therapy without writing the therapy. You can just choose to have the character remember bits and pieces of the session later as it’s relevant to their life. 6. Therapy is different for everyone, and some readers (myself included) don’t enjoy reading it when the therapy is a kind that doesn’t resonate or feel right.

So you really need to ask yourself why you want to write therapy specifically, because a lot of the time it gets boring or - as you point out - falls into cliched territory. Writing a character going to a doctor a lot in detail for regular injections is boring. Writing them thinking about how they have to do this in brief while their love interest is sympathetic to them getting those injections is more interesting. Writing a character suffering from an illness that they need regular injections for, with their love interest comforting them? Interesting.

Falling Falling Stars is a unique fic in that Efnisien has no one before he meets Arden, except for Dr Gary and Gwyn. If you’re writing an FFS style fic, writing therapy sessions might be appropriate. It might be worth really thinking about the kind of fics you want to write, why you want to write therapy, how that will affect your pacing, etc.

If you’re still dead set on writing therapy sessions, then I have some suggestions re: writing more realistic/healthy therapy and how to find that knowledge yourself, and I don’t really know how to shorthand some of it:

1. Get books on therapy that are designed for the therapist. These are often expensive, but sometimes libraries stock them - and university libraries in particular will often have photocopy abilities (or you can just photograph the pages you need) because these books look at how sessions should be structured. Books with case studies are ideal, since they often show dialogue chains between the client and therapist. Books that obviously deal with the mental illnesses you’re planning on writing about are the most ideal.

2. With a view to this, learn about different therapeutic modalities (for example are you trying to write psychology or psychoanalysis or both? Are you writing social work? Are you writing cognitive behavioural therapy, dialectical behavioural therapy, expressive therapies, narrative therapy, transcendental therapy?) Be aware that different modalities have different session structures and learn what they are. Wikipedia is your friend, but your closest friend will be actually acquiring textbooks on the subject. This is a pretty significant financial barrier at times, I’ve been collecting books like this on psychology since like 1997.

3. Learn about your character’s mental instabilities that require them to go to a therapist and then look up the most recommended forms of therapy for your character’s specific issues. Will they suit your character? Why/why not? Will they have a therapist who realises and switches modality if it doesn’t suit? Or will they be lucky and find someone who helps them straight away?

4. All therapy sessions have a structure to them. And therapy often has a narrative arc through the course of therapy over many sessions. They should generally have the attempt at a beginning (greeting / setting up the problem to be discussed), middle (highlighting the source of conflict or inner conflict) and end (helping the client to focus on less stressful things, possible homework assigned, and potentially talking about future work/sessions). Learn this structure. Even if you’re not writing the whole session, you need to know where in the session you’re writing, beginning/middle/end will be different tonally. Structures will be different per therapeutic modality, and a therapist that knows many different modalities (like Dr Gary) will often be using slightly different structures each time depending on the character’s mood/issue.

5. In a healthy therapist/client relationship there will be the ability to discuss boundaries, grievances and the therapist won’t be revealing much about their personal life at all (unless anecdotally it’s super relevant and even then it will be deliberately vague). This is one of those things that will - in many cases - make for more boring sessions on the page, depending on the ‘client.’ For example, if you’re writing someone seeing a therapist for the first time, it might realistically take months or years before they start showing progress or trust. That’s not interesting (there’s a reason ‘therapy fiction’ isn’t a genre), so of course it’s tempting to shortcut into more dramatic moments.

I would say if you’re finding yourself leaning towards more cliched or dramatic forms of writing re: therapy, your writing brain may sense that the entire scene/s may not be suited to the story, and is trying to find a way to make them more interesting to yourself and the reader. If that’s not the case, then a lot more research is needed! It’s time to sink many hours into actually understanding what you’re trying to write. This doesn’t matter as much if you’re writing unrealistic or unhealthy therapy, but it’s 100% necessary when you’re trying to write healthier therapy depictions.***

Also a couple of sessions of experience is a start, but you might want to watch or find a way to watch more therapy sessions, because you’ve missed out on experiencing longer arcs, different modalities etc. (This is where my hands on experience with 19 therapists since 1995 is actually really helpful, lmao - I’ve had close to like 800~ sessions by now, with good and bad therapists; I cannot pretend that hasn’t given me a knowledge base that most people don’t share). You can still learn that stuff via research, MedCircle on Youtube is a good place to start, since it offers 30 minute snapshots on what CBT and DBT sessions will look like etc. and has some great playlists.

Most fics I’ve read don’t do a great job of depicting therapy, but the Babes!verse series by @rynfinity has probably some of the most realistic and still really interesting sessions I’ve read as an ongoing arc. The series is long, because it needs to be re: what it’s dealing with, but it’s great, and I definitely recommend looking at another example of how an author tackles these sorts of scenes. Out of the Mouths of Babes / The March of the Damned are the two intertwined series.

I apologise if this sounds discouraging overall, or daunting, but I just want to stress there’s a reason that I’m often not writing therapy in my writing, as anything more than the occasional scene with a non-therapist, or snapshots that are reflected on and that’s it. Falling Falling Stars is the exception to the rule, and unless you’re writing an exception to the rule as well, it’s really worth reflecting on the first six points I wrote - it’ll save you a fuckton of time and research. And if you go ahead with it, I wish you well! :D

*** Also disclaimer: But I still am writing very indulgent therapy that is not beholden to being either a 100% healthy or 100% realistic depiction. The fact is, real therapy sessions are pretty boring for observers except for maybe ten or twenty minutes in the middle at times.

(ETA: It’s just occurred to me that therapy fiction does exist, esp. in the mass media, but that it is - afaik - all unrealistic, dramatised or unhealthy. But if you want to watch a great show - I highly recommend In Treatment with Gabriel Byrne, just by aware that it is depicting, for the most part, unhealthy dynamics which are more character studies than anything).

#asks and answers #pia on writing #pia on psychology #it's even worth being away that clinical psychologists often frown on psychoanalysts #and psychoanalysts often frown on the rigidity of clinical psychology curriculums lol #dr gary works within both schools and is a bit of a rebel in that sense #anyway yeah like #even i was really wary of writing too much dr gary #and only really gave into it indulgently #when people revealed they were enjoying those scenes and dr gary himself #but like #i would hate him as a therapist #he's pushy and sometimes pretty impatient #even what i write re: therapy #is not necessarily a reflection on what a real life person would experience #in the same circumstances #Anonymous

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pinkbubbles-and-bigtroubles · 4 years ago

Text

Wicked Game

Another round of the 5sos fic writing collab brought to you by @maluminspace and @h0tsos. There are so many amazing writers involved and I highly recommend checking out the event master list linked below. Thank you to the Sagittarius sorceress @sexgodashton for being very caring, patient, and kind while helping me tame this monster. Massive shout out to @ghostofmashton for the photo edits, especially Ashton’s eye. that’s my favorite. You’re a rock star. Texas girls forever, love you to bits!

Event Master List

Prompt: Chef AU with Cashton

Dialogue Prompt: “Kissing you is all I’ve thought about since the moment we met” First person to spot it in the fic and send me a screenshot gets a personalized blurb request.

Word Count: 20K+ Team Long Winded Bitch strikes again, this will be posted in multiple parts over the next couple of days. This first part is about 5K

Rating: 18+ Slash fic Strong language, alcohol and drug use, and a misogynistic and racist comment. Sexual scenes including masturbation, toys, voyeurism, oral, and anal sex.

Summary: Ashton is ready to move on with his life after his painful divorce from Luke and the demise of the restaurant they’d built together. With the help of his protegee and sous chef Hima Singh, Ashton is ready to take on opening weekend of his new restaurant Anne-Marie’s. Calum is a reporter filling in on an assignment and is surprised when his past comes back to haunt him. Hima arranges an interview that takes an unexpected turn between the two men.

Part 1

"Great job, guys, we couldn't have had a better opening weekend. Thank you so much for making it happen," Ashton told the two staff members in the kitchen who'd closed as he unlocked the back door.

"No problem boss, glad to be here. We made money this weekend. See ya tomorrow," DeSean told him as he left.

Ashton locked the door behind them and walked out into the empty dining room, his steel-toed boots echoing heavily on the distressed blonde faux hardwood floors. He stopped to adjust a few tables, double-checking sightlines and looking over the layout of the tables. The upside-down chair legs cast long shadows in the soft pink neon glow.

He looked up at the sign above the bar that read "Anne-Marie's." He smiled, not caring if anyone thought it was cheesy to name his restaurant after his mother. His mom had always been his lucky star, and he couldn't have gotten through the last couple of years without her.

"You look so serious,' a voice behind him startled him out of his thoughts.

"What the fuck Hima," Ashton yelped, clutching his chest dramatically. "I thought you were still in the kitchen."

"The guys didn't leave me anything to do so I decided to change and have a drink with you before my brother gets here," she tossed her bag and chef's coat onto a stool grinning at Ashton. She hopped up to sit on the bar before swinging her legs around as she pushed off. Landing without a wobble she reached under the bar and grabbed a bottle of black label Bushmill's Irish Whiskey and two short glasses.

"Straight for the good stuff, I like the way you think," Ashton smirked, taking a seat at the bar.

"To simply mark the occasion, of course" she poured them each a shot before adding a splash of water. She raised her glass, "Cheers to you, Boss, and to Anne-Marie's."

They clinked glasses. "Couldn't have done it without you," he replied before taking a sip.

"Awwwwww thanks Ashtton, " she grinned at him. "Damn that's good, the whiskey makes me forgive the Irish for how dreadful Guinness is. Did you see Kevin Mackie snuck in last night? I expect a write up in the Metro on Tuesday and I know you saw Patricia Bennett," she rolled her eyes at the name.

"She makes herself hard to miss," he snorted. "I missed Mackie though. Why didn't you tell me?"

"Because we were busy and I didn't have time for you to get all giggly and nervous. He got the crab puffs and the Mac and Brie and inhaled them. You were right about the nutmeg; I thought he was going to lick the plate." She opened two bottles of beer before hopping back over the bar and taking a seat next to Ashton.

"How did this weekend compare to the opening of ‘Lune Rouge’? Was it as good as the first time?" Hima finished her whiskey before shaking a pack of Camel Crush cigarettes out of her bag.

"If you get ashes on the bar Paloma will flip her shit," Ashton warned.

"I'm not afraid of her," Hima snipped, but she made sure to be careful. No sense in antagonizing their temperamental main bartender.

"This opening was definitely smoother than the first one. We didn't know what the hell we were doing. The first night we ran out of duck fat and gorgonzola before the dinner rush was over. My sous chef's sister had to run to Whole Foods for emergency supplies. We got lucky the press ignored us for a couple weeks until we got a little buzz going. This time I knew what to expect but there was also more pressure," he paused, taking a pull on the bottle of beer. "This time I expected to succeed right out of the gate."

"You succeeded there," Hima stubbed her cigarette out in her empty glass. "I really need to quit."

"You could get a puff bar and start vaping," he teased.

"I'm not a fucking junior varsity cheerleader. I can take my cancer like a big girl." She checked her phone. "Ugh it's almost nine, and it's gonna take me at least thirty minutes to get home. You're closing tomorrow with me right?"

"Yeah, I'll be in around 11 all this week. Rafi is handling brunch with Gloria but I want to be here," Ashton double-checked his phone. "Tuesday I have that interview with Men's Life and they just emailed me."

Hima saw his nose scrunch up as he read. "What's wrong?"

"I thought they were sending Taj, but instead of rescheduling the interview, they're sending Calum Hood," Ashton sneered.

"Chill dude, it's not that bad," Hima was confused by the venom in his voice. "Yeah he's a bit of a goof, but he's hot and not a pretentious dickhead. They could've sent Felipe."

"True, true," he grumbled as he saw a black Honda pull up outside. "Kabir is here."

"Shit, ok see you tomorrow, Boss," she grabbed her stuff, gave him a quick kiss on the cheek, and ran out the door, locking it behind her.

Ashton walked through once again. He made sure the lights were off in the employee lounge. Since many of his staff members used public transport or worked two jobs, Rafi had convinced Ashton to provide his staff with a decent place to take a break and get ready before or after work. He built a small shower stall, lockers, and provided clean towels, and as his new kitchen manager, Rafi took responsibility for maintaining the space. Ashton took a last look at the bar, double-checking for any stray ashes Hima might have missed before setting the alarm, locking up, and heading home.

Calum opened the email from his editor and swore loud enough to wake the scruffy brown terrier mix snoozing at his feet.

Hey Cal,

Sorry it's such short notice but Taj's mom had an emergency and I need you to cover for him. He's interviewing Ashton Irwin, remember him? He had the Lune Rouge a few years ago. Well, he's got a new place, diverse staff and we're doing a feature. Maybe even the cover if he's really pretty. Tuesday at 2 pm I'll send you the address and details after I talk to Taj. Oh, and my friend Nick is coming into town and I told him you'd show him around. It's been a while since you had a date but you'll like him. He's kinda short, but he's got big muscles, huge dick, perfect credit. You could do a lot worse.

Call me tomorrow

Sham

This isn't good, this isn't good. Calum's mind was racing. He rubbed his temples trying to think. Taj was notoriously reliable and responsible, so if he was taking off on short notice, it must be serious. It was just his bad luck it was Ashton Irwin.

He usually covered travel and sports for Men's Life while Taj handled food and fashion. Calum didn't mind taking back food and dining for the time being. He'd started in that industry, working as a line cook while he went to school for journalism. He'd quit both when a flirty, older professor recommended him for an internship at California Culture and he managed to land a real job. Professor Davis had been highly disappointed to lose him as a student and catch him making out with her son who went to the same college. He'd found a tiny shitty apartment, spent his life on the road for work, and sent every penny he didn't need to live on to his family. He didn't even date for the longest time until he met a handsome blonde with sharp features and a sharper tongue.

He couldn't remember if it was four years ago or five, but he clearly recalled his review of Lune Rouge had not been nice. Calum was in a toxic relationship with the restaurant's sous chef at the time. He'd let his personal life spill over into his work for the first and only time. It wasn't something Calum was proud of and while he felt he owed Ashton an apology, the right time and place hadn't presented itself yet. He'd run into Ashton twice since then. The first time he was with his husband, and Calum wasn't about to humble himself in front of Luke. The second encounter came not long after their marriage broke up. Calum was dating a photographer at the time, when Ashton came to the photographer’s art show. They were briefly introduced but Ashton's chilly demeanor discouraged any further conversation, so Calum avoided him the rest of the evening. He remembered being unable to stop staring at the handsome chef with the sad eyes. He'd always hoped they'd bump into each other under better circumstances. I guess an interview will have to do.

********

Ashton sat out on his condo balcony overlooking Echo Park, taking in the night air and enjoying a second bottle of IPA. Hima was right, the opening had been a smash. Anne-Marie's had the best staff he'd ever had the pleasure of working with, and aside from a small mix up between gruyere and Havarti cheese, the opening had been smooth. The alcohol hummed in his veins as he allowed his mind to wander back five years.

Lune Rouge's opening had been a chaotic mess of brilliance, balls, and blind luck. He was a year out of culinary school, newly married, and ecstatically in love with his husband. Luke was a trust fund baby; his dad ran a major studio. He put up the funding for their restaurant which procured a prime spot in trendy West Hollywood. Ashton had the idea of taking traditional French cuisine and turning it into "pub grub." Luke created a kitschy tacky cool interior with the ambiance of fairy light curtains, vintage 90's movie posters, an eye-popping pink and aqua come scheme. Featuring a bartender who doubled as a DJ, the restaurant became an immediate hot spot.

The culinary press treated them like rock stars and it went to their head. Ashton was portrayed as the mysterious boy genius, boisterous and foul-mouthed, he ran the back of the house, oversaw the business and created the menu. Luke, who's blonde-haired blue-eyed good looks were regularly described as "angelic", was the frontman, often schmoozing in the dining room, taking song requests, or slinging drinks behind the bar. They worked so well together until they didn't.

Ashton shook his head, not allowing himself to linger on negative thoughts, not when he'd fought to regain balance. He'd spent the last year freeing himself from the wreckage of his partnership with Luke. Still, tonight after the opening, alone and overlooking the city lights, his mind kept going back to the exhilaration of that first opening night. After they stayed late with the crew for a drink to celebrate, Luke's hand wandered up Ashton's thigh causing him to almost choke on his tequila. Soon Luke started whining about all the paperwork he had to do before they could go home. The crew quickly bagged it out of there, not wanting to get roped into more work.

Ashton swallowed at the memory before glancing around at the other balconies. It was late enough most of his neighbors should be asleep. Already hard, he reached down and squeezed his bulge through the thin fabric of his pajama pants.

After letting everyone else out of Lune Rouge that first night he'd been puzzled to find Luke no longer at the bar. He heard noises coming from the office. When he opened the door, he found his husband, shirtless, and waiting for him.

Ashton slid his hand into his pants swiping his thumb across the leaking tip. He heard a sliding glass door open and froze in place until he realized it was his neighbor below him chatting on the phone. He stroked himself and let his mind wander back to Luke. It had been too long since Ashton got laid, and Luke was still the best sex he'd ever had. He shuddered and bit his lip thinking about the way Luke grinned at him as he opened the office door. Before Ashton could say a word, Luke was sinking to his knees. A bit awkward given his long legs, but it didn't take long before he was letting Ashton fuck his throat. The thought of those blue eyes looking up at him as Ash's hands tangled in those blonde curls caused a moan to slip out, and his neighbor stopped talking at the sound.

"I think somebody is having sex," he heard her whisper. He almost laughed.

His dick was twitching flat against his stomach as he ducked back inside his bedroom, kicked off his pants, and grabbed a small tube of lube. Ashton shut off the light and stepped back outside.

The breeze cooled his fevered skin as he stood there looking out at the city and stroking his dick. The idea that he could possibly be seen turned him on almost as much as his trip down memory lane. He swallowed another moan thinking about how Luke's lips felt against his, their tongues tangled until he pulled back looking at Ashton with mischief and love before giving him a wink and turning around.

Ashton's breath caught in his throat as he worked his cock thinking about it. The red and white striped pants his husband pranced around in that night had been blissful torment working him up until the moment he slid those pants down and bent over the desk.

"Come take what's yours, my love, I've been wanting you all night," he cooed, wiggling his hips.

Luke was a whiny boy when he was getting pounded, and the memory sent Ashton closer to the edge. He felt his knees tremble as he increased his speed, the city lights becoming starbursts in his vision as he edged himself closer. At the moment of release, he swore he could feel Luke pushing back against him taking him in as deep as he could go.

When Ashton opened his eyes, he found himself sweaty and streaked with his own seed. He was amazed he'd managed to stay quiet, but his neighbor was chatting away obliviously. He went back inside, cracked another beer, and took it with him into the shower, trying to focus on his day tomorrow.

It was after midnight by the time he went to bed. His body was exhausted but the adrenaline from the opening weekend hadn't quite worn off. He found himself still restless and playing on his phone. After scrolling through Instagram, he found himself looking at the page belonging to the Galway Grill-- Ashton cringed at the name-- an Irish pub and microbrewery very recently opened by Luke and his boyfriend Finn.

Ashton simmered with resentment perusing the menu; they'd recycled at least half of the Lune Rouge recipes, his creations. He'd heard they'd rushed their opening to launch the week before Anne-Marie's, and even with Daddy's deep pockets the decor looked slapped together, all flash no class. He came to a picture of the happy couple and couldn't help but notice how thin and tired Luke looked despite his huge smile. He felt a twinge of concern for his ex before pushing his phone away in disgust. Rolling out of bed, he headed to the bathroom and fished an orange prescription bottle out of the cabinet. He broke a valium in half and swallowed the smaller piece with a gulp of water straight from the faucet. He scrolled through different sounds on his phone before settling on crashing waves. He spent the next ten minutes stretching and practicing deep breathing to push out any lingering negativity and troubling thoughts. It was too late to drag up the past and there was nothing to be gained. Ashton crawled back under the duvet and sank into a deep sleep dreaming of blue eyes.

*********

Hima rolled into work a little after one, pleased to see a decent lunch crowd and multiple delivery orders going out. She ordered a chicken mojito wrap for her lunch and headed back to the office to find Ashton. She found him in his chair with his laptop open on his desk, a notebook in his lap while scrolling through his phone.

"So what's the Monday morning report, Boss?" She asked, taking a seat across from him.

Ashton was beaming as he spun the laptop around to show her. "We made 30% over our projected sales. We came in right at payroll, actually a little under if you can believe that."

"I've checked the reservation book," she responded, flashing her phone. "We're booked solid for dinner Friday and Saturday and will call is 3 pm-7 pm. We're probably going to have to do that all week."

"Whatever you need. This weekend is going to be bonkers. If you have any suggestions, I'd like to do something for the staff. That reminds me, I've got to talk to Maisie." He scribbled down a quick note.

"She's already on it," Hima laughed. "The servers who struggled are coming in for extra training with her and Dakota. I have no doubt she'll straighten them up or ship them out."

Ashton nodded as Daniel knocked on the office door to bring their lunch.

"How's it going out there? Let us know if you need anything," Ashton told him.

"We've got this, Boss, enjoy your lunch," Daniel closed the door behind him.

"He's Rafi's brother?" Hima asked before taking a big bite.

"Cousin, Gloria is his sister," Ashton replied tucking into his roasted corn and quinoa salad with queso fresco.

"Are you ready for this interview tomorrow? You look tired," Hima looked concerned.

"I am tired," he shrugged. "I just wanna get this over with. I'm thrilled we're doing so well, but that's not what the press wants to talk about."

"Don't think about it like that. Anne-Marie's will stand on her own. You've just gotta get through this week. I know it's a lot," her words were half-muffled by a napkin.

"Tomorrow is the worst of it. Mackie called and is available Tuesday at one or Thursday for dinner around four. Since he's already been here for dinner, I thought I'd let Rafi wow him this time," he told her.

"Good idea, try to keep it short because if he drinks he gets super chatty. He gave a lecture at school and came to the bar afterward; he would not shut up," she warned.

"Chatty bastard, got it," he replied and they both laughed.

Anne-Marie's was his restaurant, but he couldn't have done it without Hima. She was fresh out of culinary school working as a line cook at the Hilton when he'd discovered her a little over a year ago. Ashton only lasted four months before chafing under the corporate yoke and deciding to strike out on his own. She'd been the first person he'd hired for the restaurant, guaranteeing her first year's salary out of his own pocket. Rafi and DeSean were excellent managers for the kitchen, but Hima was a coach: she understood the business as a whole. He'd let her handle most of the press and promotion, and she'd scored two big interviews.

Gourmet Table had interviewed him last Thursday The piece wouldn't be that in-depth, but they'd spent three hours photographing food. He expected the Men's Life article to focus more on him and his personal life. Calum Hood was known for his sharp pen and take-no-prisoners style. He'd given Lune Rouge two stars and a biting review during a brief stint at California Culture before he'd become known. It was five years ago, but Ashton still had the clipping somewhere. Calum had branded Lune's food as tasty and imaginative but thought the presentation was lacking in creativity. He'd ripped into the decor, calling it "somewhere between art house and frat house," and labeled Luke and Ashton "spoiled pretty boys pretending to be chefs." Luke had brushed it off with a laugh, but it still bothered Ashton.

Unlike the Hemmings’, Ashton’s family didn't have money to throw around. He'd started at sixteen, washing dishes and peeling vegetables for Chef François at Bordeaux on Hollywood. He'd taken culinary classes after high school while working full time. Sadly, Chef François had a heart attack and retired around the time he met Luke.

"You're not listening again," Hima complained, licking her fingers. "Rafi killed it with this wrap. The chicken is amazing, but the cucumber-mint salad and the tamarind chili mayo are next fucking level."

"You're right, I'm not. Sorry about that," he pushed his plate aside.

"Ok, what's got you so rattled? You've handled the press like a champ up until now. Is it Mackie or Hood? Who needs to catch these hands?" Hima stood and assumed a fighter's stance, bouncing on her toes.

"Easy there killer, I can defend my own honor. Mackie is an irritating little mosquito. He just wants gossip, but he's got enough readers so we all have to kiss his ass. Hood gave me one of the few bad reviews we got at Lune, and it stuck. He called us frat boys and said we were trying too hard," Ashton rubbed the back of his neck, embarrassed by saying it out loud.

Hima raised her eyebrows and smirked, "I love it when you're petty. You're always so perfect and Zen, it's annoying."

"My therapist would disagree. Oh shit, that reminds me," he straightened up in his chair and grabbed his phone. "I've got an appointment at 2:30. I'll be back before 4," he dropped his eyes to the floor.

"Ashton," her voice was soft but commanding, and he looked up. "I don't know what's going on, and if you don't want to tell me that's fine. I want you to take care of yourself, whatever that takes. Ok?" He nodded and she smiled, "You can tell Dr. Claire that I've confirmed her for 8 pm Saturday, and you're going to personally cook her dinner. We've got the 50th anniversary that night so maybe you could flex and make your Pavlova's? I'll get the berries myself."

"It's a deal; we can comp them champagne, too. I'd better get going before I get yelled at. She's a stickler for punctuality, I think it's a British thing."

"I'll hold things down until you get back," Hima gathered up the dishes and headed out with Ashton right behind her.

*********

Ashton drew a deep breath and exhaled through his nose as the reporter settled in the chair across from him. Kevin Mackie's column in L.A. Metro was the definitive opinion for restaurants on the West Coast. His readers loved the snarky tone, celeb sightings, and bitchy gossip that peppered his column. His reviews could make or break new restaurants.

"Let me start off by saying I love the decor of this place. It's rustic, but not in that played out, hipster-in-the-woods nonsense," he leaned in and lowered his voice towards the end of the comment with a coy smirk.

"You'll find no Mason jars here," Ashton replied, taking the bait. Kevin liked people who liked him, and his most recent column was a snarky takedown of "Pinterest style interiors." Ashton found the article tedious and uninspired, but there was no need to be antagonistic right out of the gate.

Ashton watched as the reporter ordered his lunch from their server Zia. He guessed Kevin to be in his forties, and he thought he could see fresh hair plugs, bleached blonde, and a bit of Botox. Rumor had it, he'd recently split with his long-time girlfriend over a fling with a much younger waiter. Ashton tried not to pay attention to industry gossip. However, his personal problems made their way into the column more than once, and he couldn't help but feel the tiniest bit of satisfaction at the other man's problems.

After they'd both ordered, Kevin sat back and took a sip of his Pellegrino water and smacked his lips. "I was here the other night and I have to admit I was prepared to be underwhelmed. A menu based on sandwiches and comfort food sounded like an upscale Applebee's, but I really liked it despite myself. I was surprised to see your main girl was on the mature side, but she's efficient as hell so I get the trade-off."

Ashton's body tensed at the insult to Maisie, and he took a deep breath. Exhaling through his nose he forced a smile that didn't reach his eyes. Kevin was prattling on with some bit of gossip as Ashton sipped on his iced coffee.

"So let's start with something simple and ease our way into the rough stuff," Kevin set his voice recorder on the table between them. "Tell me how you formulated your top-secret house coffee blend."

Ashton broke into a wide grin as he described taking two months to travel and sample different beans, learn more about the roasting and blending process. Kevin sipped his coffee and nodded as if deep in thought, but his eyes kept wandering to Ashton's biceps. He'd been baking this morning so he smelled of cinnamon, his black t-shirt damp and clingy from sweating under his chef coat.

"So we sell the house blend all year, but we have single-source coffee that's seasonal, all of it fair trade," Ashton finished proudly.

"Coffee has always been your thing if I remember correctly," Kevin said.

"True, true, and once I started roasting my own beans it became a true obsession."

Kevin followed it up with a couple more softball questions about menu details and sandwiches. Ashton expounded on his love of food. "Cooking for someone is a simple way to show care, to be enjoyed almost as much as dining should be. Food is caring and comfort; it sustains us. It brings people together in a shared experience."

"Ooh that's a nice pull quote," Mackie chuckled. "I love when y'all have media training. It makes the bullshit flow much smoother.

Ashton seethed but said nothing. He'd watched this man's pettiness wreck a good opening, and Ashton couldn't do that to his crew. Zia brought their lunch. Ashton noticed Kevin had also ordered the chicken mojito wrap.

"This looks delicious. I think it's a nice touch that you've got so much, let's say diversity, in your restaurant. That you're actually letting them make their own food makes your menu more interesting. Not all restaurants get it. Please tell me you've seen how horribly Finn ripped you off for that tacky Irish pub," Kevin glanced up at him a tiny smirk playing on

"I haven't paid any attention to that," Ashton wanted to end the interview right there.

"Oh come on, you've had to see how much he's trying to recreate the magic you and Luke once had. The menu is tired, I don't give a fuck if he is Irish. Finn has no imagination yet fancies himself an impresario. Luke's still got it though. He even asked when I was coming here. I didn't tell him of course, I'm a professional after all."

"Of course," Ashton nodded checking out of the conversation. The reporter talked as he ate which given the wrap he was eating proved especially messy and little flecks of food kept flying his way. Ashton watched the door, nodding at customers, silently willing someone to come and save him. Kevin was still talking about himself when Hima and Zia came out of the kitchen. Ashton tried to catch their eye when he felt a hand on his arm.

"I wanna ask you about that one," Kevin leaned in so he could almost whisper.

"Who? Hima? What about her?" Ashton was pretty sure he wasn't going to like the answer.

"What's the deal? I've only ever seen you with Luke. Did your palette change that much? India must've been a real spiritual awakening for you huh?" Kevin winked at him, thinking he was clever.

Ashton controlled his breathing trying to keep his temper in check. He looked over at the reporter who kept talking oblivious to the situation.

"Who doesn't like trying something exotic. She seems like a smart cookie. She's darker than most Indian girls you see, like a rich brown butter sauce. I bet she tastes like tumeric though."

"Get out of my restaurant" Ashton hissed, his hands gripping the table to restrain himself from physical violence. "You are not going to insult my staff, my friends, in their restaurant."

Kevin started to speak but Ashton cut him off.

"Not another fucking word" he kept his voice at a low growl so as not to cause a scene. He noticed a couple of the closest tables were already watching them. "You've said enough and I'm barely holding back as it is. Get out of my restaurant, don't ever come back, don't ever speak to me again, and if you trash me in this review I promise you I will find you and fuck you up personally." Ashton stood up and Kevin flinched, the sight would have made him laugh if he hadn't been so furious. He stepped back and the reporter scrambled out of his seat leaving his lunch unfinished. Ashton walked back into the kitchen, Hima fast on his heels. He kicked the door open to the break room and headed for the speed bag hanging in the corner. He'd learned the hard way punching walls usually resulted in the wall winning the fight so he'd given himself something easier on his hands.

Hima watched him from the door, his back and biceps rippling as he went two minutes at full speed. When he finally turned around she could see the anger had cooled somewhat. She hated that her boss looked incredibly sexy when he was angry.

"Are you gonna tell me what happened?" She asked when he turned back around.

"Nope, it'll just piss me off all over again, and I gotta get ready for another fucking interview. With a guy who already doesn't like me," Ashton put this coat back on and headed into the line to check on Rafi.

At least the second interview can't be worse, she thought, wishing she believed it.

*********

Calum eased his beat up Range Rover into the parking lot of Anne-Marie's amongst the Mercedes, Audi's, and Teslas. He cursed the traffic when he checked the time. He was late, and they were busy. Not a good look he thought, grabbing his bag.

He smiled at the ladies waiting for a table before introducing himself to the impossibly serene hostess. He was quickly led to a table in an alcove not far from the kitchen. As he pulled out his voice recorder and notebook, he noticed a young woman heading his way. Her black hair was knotted tightly in a bun on top of her head, and her chef's coat had a large streak of what might be hollandaise sauce. He remembered his editor, Jacqueline, telling him Anne-Marie's had a female sous chef. He checked the notes she'd given him quickly as she was stopped by a server. Hima, Culinary Institute of America graduate, 23, Indian maybe?

"Hello I'm Hima Singh, you must be Calum Hood," she greeted him. From up close, he noticed that her eyes were a rich golden brown and that her smile didn't reach her eyes. He chalked it up to her youth; his editor said she was 23 but she looked like a teenager. He mentally stopped himself there. He'd become jaded by one too many husband/wife teams in recent years trying to rebrand a post-divorce startup as a "new adventure." While the divorce was true, Calum knew Ashton's history.

"Yup that's me, it's a pleasure to meet you, Miss Hima," he shook her hand, relieved to see her relax a bit.

"Chef Irwin will be out shortly. He's helping with a problem in the back" she glanced towards the kitchen, and Calum had a feeling she was lying.

"Can I get you something while you wait? Do you like coffee? We have a house blend cold brew Chef Irwin selected himself that we roast and grind on-site," she asked motioning towards the sign listing the daily selection of teas and coffee.

"Thanks, but maybe not coffee. I'm nervous enough without more caffeine," he admitted, "but the lavender and blackberry infused lemonade sounds amazing." He smiled and her face softened.

"Absolutely," she signaled to Zia who brought Calum his drink and a basket of warm, fluffy yeast rolls with Anne Marie's cinnamon honey butter. The smell reminded Calum he'd skipped breakfast as his stomach began to rumble.

"So you're Chef Irwin's sous chef? I heard a rumor you were a partner as well," he asked, almost drooling as he tore into the soft bread, watching the steam escape.

"Yes sir," Hima's smile finally reached her eyes, and she sat down across from him. "When he got his core team together for Anne Marie's, there's three of us total. Desean and Rafi are his kitchen managers, and he gave us the opportunity to buy in as minority investors, no pun intended."

"These rolls are incredible. Please take one before I finish this whole basket and ruin my lunch. How long have the three of you worked for Ashton, excuse me, Chef Irwin?" He asked.

"Desean and Rafi were part of his Lune Rouge crew. They go way back, but he met me fresh out of school and took me under his wing," she told him.

"Did you go to CIA?" Calum was jotting down notes, getting a feel for the story.

"I wish, it's so pretty up there. My twin brother attended Brown, and I went to Johnson and Wales so we could stay close."

"You're a twin? Is he a chef as well?" Calum asked.

"Are you kidding? He's a lawyer, of course, my parents had to have one in the family," Hima laughed.

Zia appeared beside their table. "I'm sorry to interrupt, but Rafi is looking for you, Hima."

A worried frown replaced her warm smile and Calum felt his nerves bubbling back up. He glanced around and caught sight of Ashton, flushed and sweaty from the heat of the kitchen, poking his head around the corner. Their eyes met, and Calum felt like he'd been hit by lightning.

Hima saw his reaction and whipped around to see what Calum was looking at. Spotting her boss she quickly excused herself and hurried to the back.

Zia cleared her throat and Calum realized she was still standing next to his table.

"Would you like to try Rafi's plantain skewers while you wait? It's my favorite thing here, and it'll leave room for whatever these geniuses cook up," she asked with a smile and a wink.

He nodded and she headed to the server station to put the order in. Calum looked around and started taking notes. The most striking thing about the decor was how they'd used diffused skylights for soft lighting to accent the Nakashima-style crafted wooden furniture. Thanks to his Mom’s love of Antiques Roadshow when he was younger Calum discovered his preference for natural grain wood and bespoke pieces. He liked the use of pastel neon signs to complement the muted green and blue tones of the mosaic tile floors and he thought the framed pictures of what he assumed were family photos of the staff provided a really nice personal touch. The largest photo was in the bar of Ashton and his mother, the restaurant's namesake, Anne Marie.

Zia set a plate down in front of him. "The boss will be out in a minute., Let me get you some more tea," she told him.

The skewers consisted of chunks of pineapple, plantain, red onion, and sweet potato grilled and dusted with chili powder and brown sugar served with a yogurt sauce for dipping.

Calum was almost finished with the first one when Ashton came out of the back, making his way towards him. The chef stopped to talk to several customers, the hostess, and Zia before he made it to Calum's table. Cal licked his fingers, wiping his hands clean with a Sani-wipe before standing up and offering a handshake.

Ashton took his hand and Calum wasn't expecting it to feel so soft. Caught off guard Calum stammered out an introduction as he sat, but he noticed Ashton just nodded, barely listening.

"If today isn't a good day we can reschedule," Calum sipped his tea, his throat suddenly dry.

"I'm here aren't I?" Ashton snapped. He folded his arms across his chest, his hazel eyes narrowing at Calum. "I still remember your first review you know."

Calum's pulse was racing. He hated confrontation, and he hadn't expected Ashton to kick off right away. He knew he'd better suck it up and apologize if this wasn't going to go completely off the rails.

"Listen, I wanted to apologize. I shouldn't have been such a dickhead." As he spoke Ashton scoffed at him and Calum felt his cheeks get warm. "I was young and stupid. I let something personal affect that review. I'm sorry."

"Personal? With Luke? What do you mean by that?" Ashton went from annoyed to hostile.

Calum realized he'd said something wrong but wasn't sure what exactly. He was floundering trying to think of what to say next.

"Nothing with Luke, no no no. I was involved with Finn and we weren't getting along. It's so stupid I know, but I think you're a great chef. The new place looks incredible, and Hima is a delight."

The anger drained from Ashton's face, leaving him looking empty and sad. His head dropped to his chest, and Calum held his breath waiting for him to speak.

"I'm really sorry, it's not you, but I can't do this right now. Maybe we can reschedule or something. My apologies, but I have to get back to work," Ashton mumbled, standing up.

Calum spotted Hima watching them from the podium, chewing on her lip, her black eyes wide with concern as Ashton hurried back to the kitchen. Calum started to get up but she was too quick for him.

"Well, aren't you lucky. I'm going on my lunch and I hate to eat alone," she slid back into the seat across from him. "Please forgive my boss. He's had a rough day, but I'm better company anyway." She waved to Zia who headed their way. "You gotta try the toasted gnocchi with gorgonzola cream sauce if you like cheese, but if you want something lighter the apple carrot kale wrap is excellent too," she smiled at him, and to her relief he smiled back, both of them realizing the situation might be salvageable after all.

(A/N: y’all my tag list, much like my life, is a hot mess. I know some of what I write isn’t for everyone. If you want tagged in part 2 of this fic or my upcoming smuts, pink kink series, or dad!calum series please let me know. I apologize for my previous mistake)

@sublimehood @tea4sykes @be-ready-when-i-say-go @scribblesos @kiiiimberlyriiiicker1995 @wildmichaelflower @castaway-cashton @damselindistressanu @notinthesameguey @cashtonasfuck @irwinkitten @mermaidcashton @malumsmermaid

#calum hood #ashton irwin #5sos writing collab #cashton smut #cashton slash #Calum Hood smut #ashton irwin smut #cashton #calum 5sos #ashton fanfic #ashton 5sos #5sos

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porschekittisawasds · 4 years ago

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simply cannot believe i made a supernatural fic rec list in the year 2020 but here we are

When Worlds Collide

When Zachariah dies, the illusions he’s created die with him. But before they collapse completely, sometimes they collide. That’s how Castiel goes from cradling Dean Winchester’s broken body one moment, to finding himself face to face with Dean Smith in the next.

note: basically endverse!cas’s world collapses right after endverse!dean is killed by lucifer and he gets thrown into the it’s a terrible life verse. drama and love and a whole lot of fuckery ensue. it’s tagged as major character death but it’s not really

Broadway Musical

This is the day that marked the Holy and Blessed Union of Dean Winchester and Jo Harvelle.

The merging of prominent bloodlines is always a grand occurrence, but breeding pedigree hunter families like Winchester and Harvelle is something to be rejoiced. It is also something to be meticulously planned, which thankfully the Host is very good at.

note: an AU where dean and jo are destined to fall in love and have two sons who will bring on the apocalypse and be the vessels for michael and lucifer. only problem is cupid’s arrows don’t make them fall in love with each other and heaven promptly starts freaking the fuck out so cas slips into a vessel and tries to do some matchmaking to get the whole end of the world thing back on track. it’s tagged as unrepentant crack and that pretty much sums it up, but it’s also a very funny and enjoyable read

a turn of the earth

Dean’s your typical half-orphaned, monster-killing 22-year-old until a trenchcoated stranger crashes into his back windshield one September night, claiming he’s an angel that knows him from the future and that he’s on the run.

Frigging fantastic.

note: listen i LOVE a good time travel fic

How (thanks to Gabriel) Dean and Castiel (accidentally) raised each other (and Sam)

In which, Gabriel meddles with the time line and Castiel becomes Dean's angel rather sooner than intended.

note: after lucifer stabs gabriel in hammer of the gods, gabriel uses his very last bit of grace to travel back to the beginning of time and decree castiel the angel of thursdays and dean winchester. fast forward a few eons and castiel hears mary’s dying cry. he shows up too late to save her, but he decides that a human life is very short in the grand scheme of things so he can play guardian angel to dean (and by extension sam) while also fulfilling his duties to heaven. not only is this pretty much my favorite supernatural fic, it’s also one of my favorite fics in general

The Shattered One

When it struck Castiel, he was in mid-flight. It dropped him out of the sky like a sparrow buffeted by gale-force winds. Castiel set down the first place he could find. He ended up standing in a field in Switzerland, swaying on his feet and staring down at his body, dazed by what it had just done.

note: okay so listen. this is tagged as mpreg but that’s kind of a stretch imo. it’s not like... mpreg mpreg in the sense that it deals with angel reproduction and has nothing to do with sex or pregnancy. angel reproduction goes like this: a section of an angel’s grace will suddenly and randomly break off and begin to grow on it’s own. after a certain period of time, another angel has to offer a piece of their grace and the two pieces will combine to form a new angel. that new angel is a fully developed, fully functional angel and is considered a new brother/sister instead of an offspring.

cas’s grace shatters which means he’s fucked because this takes place in season 5 after he’s defied heaven. no other angel will offer up a piece of their grace so his own is basically going to rip itself apart, killing him in the process. when dean and sam find out cas is going to die, dean offers up part of his soul in place of another angel’s grace. what results is a new angel that has just enough human in it that it takes the shape of a human baby and sends pretty much all of their lives into a tailspin.

ALSO just a heads up this is definitely more pre-destiel despite the relationship tag. there’s a sequel where im pretty sure they do get together but i haven’t read it so i cant’s say for sure.

Kiss You When It’s Dangerous

When his partner Uriel, betrays him, Federal Agent Castiel Novak is saved from becoming a ritual sacrifice by brothers Dean and Sam Winchester.

note: FBI!cas gets thrown headfirst into the supernatural. tagged as major character death, but again it’s not really

My Roots Take Flight

After forty years in Hell, Dean’s more than willing to accept the offer: become a guardian angel and earn his freedom. But his new ward seems destined to hunt alongside Sam, and there are secrets in Heaven that the angels don’t want found out. Dean’s going to have to choose between his duty and the people he loves- and to work out just where Castiel fits in.

note: season 4 au where dean is an angel and cas is a human except it’s way more complicated than that

Peace and Good Luck To All Men

Christmas in the Milton household was difficult enough without the added complication of guests- and if Luke and Gabriel placing bets on who can get with Sam first wasn’t bad enough, then Cas developing a ridiculous crush on his sister’s boyfriend definitely is.

note: the one where michael, lucifer luke, gabriel, anna and cas are all human siblings but michael and lucifer luke are still trying to kill each other, gabriel is still Like That and cas is still super into dean which is pretty inconvenient considering he’s with anna.

Asunder

Wherefore they are no more twain, but one flesh. What therefore God hath joined together, let not man put asunder. (Matthew 19:6)

note: it’s been a very long time since i read this, but from what i remember it’s an AU where they’re all human and dean brings his friend/co-worker cas as his “date” to sam and ruby’s wedding for moral support. when sam was in college, he met ruby and they started using drugs together. after several failed attempts at helping him get clean, dean eventually cut sam off and it’s been years since they’ve spoken. even though sam and ruby are now both sober, dean blames ruby for everything that happened and the only reason he’s even going to the wedding is because bobby and ellen basically force him to. again, it’s been years and years since i read this so i can’t remember a lot of the details, but i do know that despite this being a dean/cas fic a lot of the focus is dean rebuilding his relationship with sam and that’s what i remember really liking about it.

Hanged, Drawn, and Quartered

Death brings Sam back — sort of.

note: a general fic involving only sam and dean. sam’s soul is so damaged from its time in the cage that when death brings it back, it shatters into pieces and so does sam. like literally. there’s four different sams now, each representing a distinctive part of his personality. sounds cracky but it’s actually surprisingly angsty and focuses on how the sams and dean are adjusting to their new reality and each other

Point Pleasant

(okay so this fic was deleted but i’m putting in on here anyway because the author has since turned it into a novel and had it published. im sure old pdfs of the fic are floating around but i highly recommend reading the novel version. if you know it was based on a destiel fic then it’s really easy to see those influences in the writing and the characters but it can stand up on it’s own. also!!!! it has pretty much the coolest take on the mothman’s origin story that i’ve ever heard.)

Ben Wisehart (Dean Winchester) grew up in the idyllic town of Point Pleasant, West Virginia. An early encounter with the supernatural shaped his worldview and served as the catalyst for his career as a bestselling horror writer. Thirteen years after abandoning his home, Ben returns to the town to investigate the apparent reemergence of the terrifying creature responsible for his childhood nightmares. In Point Pleasant, Ben is confronted not only by the town’s resident monster, the Mothman, but also by his former best friend, Sheriff Nicholas Nolan (Cas Novak). Together, Ben and Nicholas (Dean and Cas) uncover the mystery of the monster in the woods and discover that the ghosts that haunt us are sometimes made of flesh and blood. And sometimes, they lead us home.

Sympathy for the Devil (and Dean Winchester)

this is not so much a rec as it is a request.

basically an au version of season 5 (and kind of the whole series really). when god cast lucifer out of heaven, he tore out his grace. lucifer’s grace was put into the cage, but lucifer himself fell to earth and spent thousands and thousands of years reincarnating as a human. his latest reincarnation? dean winchester. so when sam opens the cage, lucifer’s grace is released and dean realizes that he’s lucifer. part of him still kind of wants to start the apocalypse but the other part of him has a whole new appreciation for humanity considering he now remembers every human life he’s ever lived. it’s made more complicated by the fact that dean (/lucifer) doesn’t really want to tell anyone that he’s apparently the devil so he has to keep his now angel status on the dl and also because despite heaven wanting the apocalypse to start, michael went missing from heaven shortly after lucifer was cast out and no one has any idea where he’s at.

this fic was deleted, but if anyone happens to have a pdf copy let me know. i would be highly appreciative!

#listen i read a lot of spn fic back in the day so im probably leaving a lot off this list #but these are the ones that i remember years and years later #also i just realized these are basically all AUs lmao #destiel #destiel fic rec #supernatural #supernatural fic rec #spn #ficrec

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oncefutureemrys · 3 years ago

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I'm gonna talk about one of my favourite fics bc why not,, it's called I'll tell you my sins (and you can sharpen your knife) by snailguy on ao3 if you want to read it, but do so before reading this ask bc it's all just spoilers.

IT BROKE MY HEART??????? I READ IT A FEW MONTHS AGO AND I'M. NOT. OVER. IT.

... tbh I don't think I ever will

merlin saved arthur using magic and arthur saw him, it was really obvious

and he, of course, felt betrayed and had some mixed feelings but-

HE WAS *REALLY* HURT, I MEAN R E A L L Y

so what does he do?

... okay like merlin is having a breakdown and is trying to explain himself and arthur just - he just tells him to kneel. and to be quiet. and you know I'm reading that and I see where its going and I feel like I have something stich in my throat and I'm losing it already

and merlin naturally does as he's told and is sobbing quietly and is trying not to cry but is upset bc he also realised what's gonna happen

and arthur he- he is fighting with himself. he's hurt, he's sad, he's about to do the hardest thing in his whole life. and then- then the writer gives me hope!!!!!!

ARTHUR ASKS MERLIN IF HE CAN ASK HIM KNE QUESTION. and our lil bean says 'anything' and now I'm crying.

and arthur asks him is was ever going to tell him. merlin says he wanted to. none of them misses the unsaid no.

and,, and so many things happen, so. many details are included, it's so beautifully written-- that drop of blood on a blue neckerchief - that shift in Arthur's expression - how merlin still thought about shaving his king---- just--

and then it finally happens

arthur- he slips merlin's throat with excalibur and merlin is choking on his own blood and-------

and all merlin can think about is how everyone will hate him, bc of his magic, how everyone's lives will be easier without him and i-- I just--

and then he remembers all the little things he'll miss. he thinks about butterflies, the sun, waking up in his bed, riding a horse, and now he's crying bc he will never again experience any of this. and he curses kilgharrah and destiny and everything and--

and he- he---- he's gone---

and the nature mourns him.

I WAS HEARTBROKEN AFTER IT. I WAS BROKEN DAMMIT- AND I ABORE IT. I LOVE THAT FIC SO MUCH, IT'S SO BEAUTIFUL, IT'S SO STRONG AND FILLED WITH EMOTION-

.. I needed to rant about it somewhere and you reblogged that post- I had to.

so, I'm sorry for this late response, I was a bit busy finishing some stuff, but I read the fic you were talking aboUT AND AHHHH IT WAS SO BEAUTIFULLY WRITTEN WHATT!

here's the link for the fic I highly recommend but do check those tags because it's very angsty and MCD!

BUT YES FOR REAL HBWAHJDWD THIS FIC HURT ME IN SOOOO MANY WAYSSS I FEEL YOUUUU

LITERALLY THE LEVEL OF DETAIL OF THIS FIC I CANNOTTT IT WAS INCREDIBLEE!! THE WAY THAT YOU COULD TELL ARTHUR WAS WRESTLING WITH THIS DECISION, THE WAY THAT MERLIN FELT SO SAD FOR HAVING DONE THIS TO MERLIN -- LITERALLY I WAS ALSO BEING KILLED LIKE WAJBDHAHJWHJDWJD BRUHHHH THIS FIC HURTTSSS

but omgg WHEN MERLIN WAS SLOWLY DYING AND HE WAS THINKING OF ALL THE LITTLE MEMORIES OF THE REST OF THEM -- STOPPPP STOPP WBADHWJ MY HEART CANNOT TAKE THIS PAINNN THATS NOT FAIR

okay, here's a part of the fic that I loved:

Tears slipped from his eyes, still, as he realised he'd never again wake to Gaius' tinkering in the other room or the birds singing outside his window or hold his mother and breathe her in, that sweet smell of flowers and herbs and the wind, and it'd been far too long since he last saw her and he missed her so much and would she miss him? He'd never laugh as Gwaine flicked his hair in a mockery of some noblewoman that had visited, never feel safe in the hold of Lancelot's warm gaze as he showed him some new spell he'd learned, never finish learning how to braid hair with Gwen or hear her laugh as he tripped over nothing or help her with her chores on the days her father's death weighed on her. He'd never feel Percival or Leon's comforting hands on his shoulder or learn more effective ways to sharpen Arthur's swords from Elyan because he understood how tiresome being a servant could be from Gwen and would help in any way he could. He'd never feel the wind in his hair or see a butterfly or hold a rabbit or look for silly shapes in the clouds or ride a horse or do anything and it scared him because he never realised how much those small things meant to him until they were gone and he'd never get them back, never. Arthur had left him here to rot and there was nothing he could do, couldn't even move or breathe or call for help and he was so scared, so so scared and he didn't want to die, he wasn't ready, please come back, please help me, I'm sorry, I'm so sorry, please—

THIS ENTIRE SECTION. I WAS NOT READY. NO THANK YOU, NO SIRRR NOT TODAY.

THE WAY THAT THAT ENTIRE LAST SECTION HURTTT ME ON SUCH A LEVELLLL WAS UNCALLED FOR BHWBABWHDBWJD ANON THIS WAS AN AMAZING FIC BUT ALSO WHY WOULD YOU HURTTT ME LIKE THISSSS BAHJBHDBWJABDW

but that ending was so beautifully done, the emotions WERE SO RAW AND BEAUTIFUL i absolutely loved itttt bwhbadaw literally can see why you might not ever be over it beCAUSE I DONT THINK ILL EVER BE OVER IT.

hhehe thanks for the painnn and the sufferringgg hahaha glad you told me about it though, it was an amazing read!!

anyway

anonymously tell me anything including fics that will break my heart thanks

#ask #ask answered #im sorry this is so late!!#but thanks for telling me about this fic #and...ripping my heart out #really appreciate thattt one thankss

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cromulentbookreview · 4 years ago

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I See What You Did There

What’s two plus two?

Huh? What? What’s happening?

What’s two plus two?

Oh, shit, right, I have a book review blog, don’t I? I mean, things have been a bit hectic these past few months and I’m also trying to be a real writer...

What’s two plus two?

Yeah, you’re right, I shouldn’t neglect my tumblr, even if nobody reads it. And come on, computer, it’s not like I’ve been in a coma for four years, two plus two is clearly five and we all love Big Brother, OK? Gah.

Uhhh...And by that, I mean: Project Hail Mary by Andy Weir!

Dr. Ryland Grace wakes up in a spaceship with no memory of how or why he’s there. He’s a junior high school science teacher, what the hell is he doing on a spaceship? Also, the other two astronauts are dead. Like, really dead. So far as how things are going for Dr. Grace right now, I’ll let Pete Campbell give you a hint:

Slowly, veeeery slowly, Grace’s memory starts to come back to him: he’s on a mission to save the Earth. There’s this nasty space bacteria-thingy called Astrophage that’s dimming the light of Mr. Burns’s archnemesis: the Sun.

There’s a lot of science involved, but Weir explains, in great detail, just how Astrophage dims the Sun and why that’s really, really, really, really bad for the Earth. Like, apocalyptic-bad. Billions will die bad. Famine, disease, war, rocks fall, everyone dies and freezes to death bad. Only not right away. Over the course of several years. So everyone will die, but they’ll get to do it real slowly.

Yay?

Like so, but it ends with everybody dead and the Earth being rendered uninhabitable. All of Grace’s wee little students will grow up watching their Earth slowly die. Unless Project Hail Mary finds a solution. And there seems to be a solution out there - Tau Ceti seems to be the only star not infected with Astrophage. Why? How? What? So this all powerful woman called Stratt, who has been given authority by just about everyone (how? Reasons. Don’t ask questions) yanks Grace out of his classroom - first to study Astrophage, and then, somehow, he can’t remember exactly, roped him into going on a dozen-light-year journey to Tau Ceti with the crew of the Hail Mary.

Only the rest of the crew is dead. Something went wrong while they were in a coma during their four-year space voyage. Grace is alone.

Inside the Hail Mary.

Full of a dude called Grace.

I see what you did there, Weir. Don’t think I didn’t see what you did there. I mean, you don’t even have to be Catholic to see what you did there.

Anyway, long-winded flashbacks and lots of science ensues. I struggled with the first quarter of the book - not for any particular reason other than I started reading this book in the latter half of 2020 and I was having a hell of a time concentrating on...well, everything. Remember 2020? Yeah, it wasn’t great. I mean, I’d need a lot of “not great, Bob!” gifs to describe just how bad those last few months of 2020 were.

And then I thought 2021 would be better. Ahahaha we barely made it six days. Seriously, everything is terrible and how do I even concentrate on a dumb book blog let alone a book all about science and the Earth slowly dying because the sun is dimming and -

Soon enough, however, Grace spots something on the Hail Mary’s radar. It’s...another spaceship? All the way out by Tau Ceti? At first, Grace thinks maybe its another ship from Earth, like a backup plan, that’d make sense, right? Only it’s not.

Who could it be?

Aliens?

Yeah, it’s aliens.

Our friend Grace gets to be the dude to make first contact with the sentient, spider-like creatures of the first planet in the system 40 Eridani. Turns out 40 Eridani is also infected with Astrophage, which is causing all sorts of problems for the Eridians, and their ship just happened to be around Tau Ceti at the exact same time as the Hail Mary. Crazy, right? Anyway, after the initial first contact and the long, drawn-out process of learning to communicate with one another (with no help from Amy Adams or Jeremy Renner), Grace and the lone Eridian, whom Grace christens Rocky, team up to save their respective worlds.

Science and plenty of flashbacks ensue.

I’m not a scientist - well, I have a master’s degree in library and information science, which, I guess, is a science? I mean, uh...I could tell you where all the sciency books are in the library. 500s if you’re using Dewey, and if you’re using Library of Congress, it will depend on what you’re looking for - you’ll want to start with Q for general sciences, QA for math books, QB and QC for astronomy and physics, QE, GC, GB, QC, TN for earth sciences, QD, TN, TP, and TR for chemical sciences, GE and bits of GF, QE, QH, QC, and TD for environmental sciences, QH, QK, QL, QM, QP, and QR for life sciences, QA75-76.9, TK5101-TK6720, TK7800-TK7895, and Q334-Q390 for computer sciences, telecommunication and artificial intelligence, Q, R, S, and T for the history of sciences and if you’re looking for bibliographies and finding aids for topics in the sciences, look under Z.

You know. Science.

OK, so I may not be a scientist. I may be bad at math because numbers somehow magically switch themselves around on paper whenever I look at them. Why? Because my brain sucks, that’s why. I may have spent most of my chemistry classes reading YA books under my desk (worth it!). I may have only passed high school physics by cheating off a girl younger than I was, but hey, the joke was on me: my high school physics teacher wasn’t even qualified to teach physics.

Gotta love rural public schools.

My point is, while the science may be lost on me and my brain which is full mostly of Simpsons quotes rather than actual knowledge, I do loves me a fun story where Science (with a capital S) saves the day. And, make no mistake, this book is fun. You might get a bit bogged down by the science, but once you get past it, this is a highly enjoyable story of one dangerously unqualified guy desperately trying to save the world with his new BFF, alien spider guy who speaks in musical notes. It’s up to them and them alone. Good luck, guys! Don’t forget that billions upon billions of lives depend on you. No pressure.

Seriously, if you loved The Martian, you’ll love Project Hail Mary. They’re similar, but Hail Mary is on a much larger scale than The Martian - there’s a lot more at stake in the hands of one guy. Plus: aliens!

Without spoiling anything, I’ll just say I would have loved more from the ending. I would’ve loved an epilogue from some of the other character’s perspectives or something. I mean, I could even go with a sequel! Maybe something where Erid and Earth are finally able to communicate? There’s a lot of potential for short stories or novellas set in the same world as Project Hail Mary - there’s got to be bonus material there and I want it. More, please? That’d be nice. I’d definitely read it. So... Hop to it, Weir!

One last complaint: Grace doesn’t swear. Like, at all. Meanwhile, Mark Watney is over here like

Come on, Grace, would it kill you to say “fuck” or “shit” every now and again? I mean, I sipped coffee that was too hot and let out a bunch of words that’d make a 19th century whaler blush. Geez.

RECOMMENDED FOR: Fans of The Martian, science-y people, people who enjoy a heavy dose of science in their sci-fi, people who just want a fun story

NOT RECOMMENDED FOR: People with no mind for science, people who are against fun, anyone who doesn’t like sci-fi, aliens, fun, etc.

RATING: 4/5

ALIEN RATING:

RELEASE DATE: May 4, 2021 (HEY! Don’t think I didn’t see what you did there, too, Ballantine Books!)

ANTICIPATION LEVEL FOR SPINOFFS / SEQUELS / BONUS MATERIAL OF ANY KIND: Olympus Mons.

DID I SEE WHAT YOU DID THERE?

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