#i tried to get into it and it might be another characterization problem

[cloud-somersault]

another asshole-type move from cloud: I think the only way I like spicynoodles is if it's unrequited 🫤

[maythedreadwolftakeyou]

Ranking the Veilguard companions Hookup Potential based on the kind of bed situation they have going on in the Lighthouse

(im in early act 2 so have no idea what further romance scenes are actually like, this is just jokin time without any romance spoilers. just pics of how their respective rooms in the lighthouse look and some basic characterization we know about them)

Taash: 8/10

In another game or the real world I would only rate this a 5 because they have no pillows or addition blankets. however they do have a real bedframe AND it's big enough for 2 which means the they are doing better than 90% of the rest of the Veilguard so this score gets boosted. And while there's not many blankets, there are plenty of braziers around the room to keep you warm, and Taash is probably their own miniature furnace to cuddle up to. Crucially, they also have a whole wheel of cheese next to the bed, which means you don't even have to leave the covers to get a snack after.

Lucanis: 1/10

Oh no. I'm not even going to comment on the pantry angle because everyone else asks him about that to begin with, so this is just about the bed. Unfortunately the bed is a cot made of uneven wooden planks with some blankets on top of it, and is only wide enough for 1. This is because Lucanis hates sleeping and doesn't want to do it, so the less tempting his bed is, the better for him. Unfortunately this means sleepover potential is dreadful and you will have to find alternate solutions. He does at least have another blanket to go over him and one that's presumably being used as a pillow, so, he gets a 1 instead of a 0, but I am still planning on gifting him coupons for a back massage for Satinalia.

Bellara: 4/10

This setup is perfectly fine for sleeping. It's the lighthouse standard little bed couch thing, has a mattress/cushion, is elevated off the floor, has a pillow, and she's got her blankets folded below. Perfectly serviceable for getting a good night's rest which we know Bellara is not because she forgot to sleep again. However, it's very much a one person sized setup. You might be able to cuddle for a while but if one of you unconsciously tries to roll over you are going right to the floor. Ouch.

Lace Harding: 5/10

You might be wondring "why is sleeping on the floor rated higher than bellara's" and the answer is because this means you are not rolling off the bed onto the floor. it's not going to be comfy but we are not ranking comfort here we're ranking sleepover potential. Harding has managed to make this space look homey and the canopy gives the illusion of being in a tent or canopy bed to help with that illusion. There are rugs down on the floor plus the blankets and pillows--we know Harding is used to sleeping on the ground due to her career as a scout, and I'm sure she can scrounge up more blankets to make the cushioning big enough for the both of you. Your back WILL hurt in the morning but you'll get to have a fun night first.

Neve: 3/10

Girl I know you can do better than this. Which means you're not trying to on purpose, so, live your life I guess. I will say this cot IS bounds nicer than Lucanis's--you can see its a stretched canvas or hide on a frame rather than wooden planks, so it will have a little more give. However they are not THAT much comfier which I know having slept on this modern equivalent many times. Neve also apparently has 0 pillows or blankets so you're out of luck there, as well as the problem of it only being wide enough for 1 again. This woman has too many other things going on to think about romance so your Rook is going to be the one improvising on that matter I think.

Davrin: 10/10

Now here is a man who has his life together. Double or queen size mattress, rustic bed frame he probably lovingly carved and assembled himself by hand, and not only are there sheets AND blankets AND pillows, they are are full on matching set and this knight in shining armor dutifully makes the bed every morning. There's also enough pillows for two! While the remains of a giant corpse is hanging above you all night, the spacing of the ribs still gives you lots of room above to manouver, so just don't worry about that. As a bonus you'll probably even have a baby griffon come to cuddle in the night which is such a cute thought we're going to ignore how much worse getting stepped on by a griffon foot would be than even the biggest fattest housecat trying to stand on your stomach at 4:30am. My one criticism of the setup here is that due to the bed's positioning if the person on the inside needs to get up in the night they'll have to awkwardly crawl over the person on the outside, however everyone else's bed situation is so dismal I'm not even going to subtract a point for that. Great work Davrin.

Emmrich: ???/10

Where... does this man sleep. Peepaw I KNOW you can't be sitting in that armchair all night you need your beauty rest!!! There are 0 beds or cots or floor blankets in this man's room. HOW am I supposed to break his pelvis if he has nowhere for us to lie down??? We can't risk that old man's spine on the cobblestone.

Wait... unless. No, surly not. I mean--jk. Unless...? 😳😳😳

is daddy necromancer gonna fuck me on the sacrifice slab... 😳😳😳🥵🥵🥵

Bonus:

Solas 11/10

does not matter where he actually slept bc once my inquisitor Gets Him again they WILL be fucking on top of the piano in front of the mural in his Yearning Room

[dollypopup]

"all the negativity is killing the vibe"

"just be grateful for what you got!" "was it perfect? no! but we got some good stuff!" "people are just being so down about season 3"

There is a reason people are displeased.

We are consumers of this media. We PAID for this media. With time, with money, with subscriptions. We bought the merch, we watched the promos, we paid in attention, we paid financially, we paid literally and metaphorically.

And they did not deliver.

So, yes, we have a right to complain because objectively speaking, it was a bad ending. It just was! It was poorly written and poorly edited, it did not leave viewers happy, and there is a REASON the engagement of part 2 is much lower than part 1. Polin is not the problem, sidelining Polin is the problem. Writing Polin poorly is the problem. Shoving Colin to the side (half of the pairing) is the problem. Inconsistent characterization is the problem.

the fact that we came in with high expectations and they were let down for us? makes it a bad ending. makes it bad writing. the fact that we waited 2 years for it and then another month in between and did not walk away feeling as though that time was worthwhile? makes it a bad ending.

the writing was disjointed, characters were underutilized, Colin was pushed aside in his OWN SEASON, they tried to do a #girlbossfeminism narrative and then threw Cressida to the wolves because she did a few things that hurt the main heroine's feelings, even after showing us as viewers we should (and do) empathize with her. I mean, for fuck's sake, there was literally a big speech and everyone clapped moment. stakes were defanged, there were threesome scenes that cut any and all tension building between Polin, Eloise's character was written inconsistently for the sake of swift forgiveness, they threw Babies ever After at us, momifying the one character who was said to be plus size representation at NINETEEN, there were more sex scenes for Benedict than there were for the main couple Polin. Lady Whistledown was a black hole for good quality because instead of writing a narrative that suited the couple's ending, they wrote a narrative to keep her as a plot device by any means possible. This season was a roller coaster that went up up up and then stagnated.

there are legitimate criticisms to be had about this season. as if we don't have a right to demand good quality from something we paid for.

and the worst part of it is that they set it up SO. WELL.

I ended Part 1 pacing my apartment, giddy and kicking my feet and rewatching the ending over and over. Part 2? None of that. And the reason people have been so negative about it is that IT SHOWS.

Yes, in part, some negativity is homophobia for Michaela, who I honest to god adore and am so happy to see on screen. Yes, in part, some negativity is for Polin from haters, a couple I love with all my heart.

But most of the negativity comes down to poor writing. Inconsistency. A lack of bravery for dropping a plot device (Lady Whistledown) that the show has held onto not for Penelope or for Polin, but for Bridgerton's story moving forward that writers do not feel confident portraying without a narrator so it might crutch them.

Stop licking a plate of crumbs and claiming it a meal. They had 2 years to deliver a fantastic season. They didn't do so. That is not at all on the actors, because they are FANTASTIC, it is on the writers, and on the production. Was it beautiful? Sure. Was it well acted? Absolutely. Was it good? Well edited? Well written? Meaningful? Fun?

No.

There are parts of it that are, but when you fumble an ending, it sours the entire experience. The reason people loved Part 1 so much was because of the ending of Episode 4, which was done beautifully. It felt satisfying. And then Part 2 felt like an entirely different beast. If you settle for mediocrity, that is all you will get. So yes, I demand better of this season. I demand that we get more than just one thirty second scene of Pen and Colin being intimate after their marriage. I demand more characterization and time devoted to the main couple instead of useless side plots. I demand better writing. I demand better EDITING. Cressida was done dirty, Colin was done dirty, Eloise was done dirty, Penelope was done dirty. And at the end of it, VIEWERS were done dirty.

There's a reason Part 1 had such glowing positivity and then Part 2 is garnering horribly mixed reactions. It's because one is better than the other. And if this show is CAPABLE of delivering content like Part 1, then yes, I will absolutely demand it of part 2. One day, Bridgerton will learn how to write a proper final episode, a proper closing to an arc.

That day was not in Season 3.

[lvlyghost]

I LOVE YOUR WRITINGS SO MUCH 😩❤️😍 the way you characterize ghost is so good I can't 😭❤️ I wanted to ask if you could maybe write something for me since your writing style is sooo good frfr

How about ghost and reader have an argument that was started by ghost and he goes a bit too far breaking the reader and making them cry and be just a shell of themselves how would he feel when he sees the readers state and how would he fix it with a happy end please

Broken Wings

Pairings: Simon "Ghost" Riley x F!Reader

Summary: After a night out, things seem to take a turn in your relationship with Ghost.

Word Count: 2.1k

Tw: angst, hurt/comfort, self doubt, jealousy, probably ooc!simon, curse words. lots of grammar mistakes, poorly edited you know the drill🐝

A/N: i loved this request sooo much, though i did have a lot of trouble when writing it since i wasn't feeling too inspired. also had two different stories but ended up deciding to post this one i might post the other one idk, hope you like this anon! I did try my best🫶🏻🤍🩷✨corrections are appreciated; remember english isn't my native language 🐸

Masterlist✨

"I like you." You said with big bright eyes.

"But no one can know about this. Just you and I. That's enough." He answered, hand tracing the side of your face.

You blink rapidly. You have always been daydreamer. It caused you tons of problems although you tried to do your best when you were out on missions. Ghost is walking ahead of you, boots sinking in the sand beneath your feet. The waves crashing on the shore is something you like listening to and seeing too but under different circumstances. Both of your gear clink with every step you take, it's the only sound as well as the sea that swallows the tense silence that falls between the two.

Things have been rather... strange since two days ago and you've tried to talk to him about it. It wasn't weird for Ghost to push you back every now and then, he was a complicated person and you couldn't be more different from one another.

You were the sun and he was the darkness that came at night or so he had said one night at the common room back at the compound. He was stoic, grumpy and hardly found himself enjoying somebody's company. You on the other hand, even though you wouldn't consider yourself the most outgoing person like Johnny, still you liked talking unlike him. You loved going out with the task force. And most importantly you loved when Ghost joined because you loved him, you loved having him around, despite his gruff responses or annoyed looks.

You jog though your legs shake and tiredness sets in your body.

"How much farther until we get there?" You ask, ignoring the fact that his frame goes rigid when you speak . He doesn't acknowledge you at first. All you hear is a small sigh leaving his lips. You kind of wish he wasn't wearing the damn sunglasses so you could see his eyes.

They always said a lot.

"Thirty minutes. Give or take." The answer is short and cold, breaking your heart a little more than before. Still, you decide to try again.

"Sir, is something bothering you?" Before he can stop it he scoffs, shaking his head. "What?" Brows furrowing on your features. "Simon..."

He stops all of the sudden, turning to face you with a tense stance.

"First of all don't bloody use my name out here. Secondly it's your own fault we've been walking for hours. So don't go asking if something's bothering me, Sergeant."

Taking a step back you open your mouth.

"My fault? I was doing my job!"

"Didn't know your job was to get your fucking head blown off!!" He seethes. "Fucking hell you can't be this reckless and expect me to clap at your poor acting on the field." Your heart begins to race, he had never said such things to you. Taking a small step back your grit your teeth, you hated that his words were making your eyes blurry. This was the Simon you never wanted to see. And yet there he was. "Now we lost the damn intel thanks to you." He spits. But something isn't adding up.

"It's not just that. You've been acting strange for a few days now, Ghost. Don't come and tell me it's just because I did what I was supposed to do!" He stiffs yet again. Jaw clenching so hard you fear he might break it. "Not missing the way you avoid me ever since..." you close your mouth shut. "The pub..." he shifts his weight from one foot to another. The waves are increasing and now reach your feet, dampening your boots. And then you remember him storming off the local pub before he even finished his own drink. Everyone had heard the hard slap to John's arm when he had tried to calm him down. God why didn't you pay more attention to that moment? Because you both had agreed to keep your distances? And going after him was out of discussion? Then the next day you'd barely seen him, just for a short moment during debriefs and that was it. The moment you had gotten up from your seat he was gone. And today you were supposed to go to a special op that had soon become a problem that eventually led to the two of you in the middle of a beach, it was a cloudy day and if it weren't for the heavy layers you wore you're certain you'd be shaking. Sometimes –and you were ashamed of it– you were oblivious to many things and it seemed that Ghost's anger toward you was one of them this time. "What happened?"

He inhales deeply.

"It's over. That's what happened."

Your heart sinks and you swallow hard. Your whole body loses color when he mutters those two words. Out of all the things, all the possibilities you thought he'd say to you, he decided to end everything. Shaking your head you try to touch his hand but he doesn't let you.

"Ghost where is all of this coming from I don't understand!" You choke out. "We were fine..."

"No. You were fine. If I wasn't enough you should've just said so."

"Stop... you... what the hell are you talking about???"

"Nothing that matters anymore. Keep walking and don't say another word. That's an order."

He turns and keeps walking as if nothing just happened. As if he didn't just completely broke your heart.

'You were fine'.

What was that supposed to mean? You think, walking a few meters behind him, scared to even say anything else; to even try to grab him by the arm and force him to talk. It would only make things worse right now.

By the time you reach the safe house it's started to rain the silence between the two is deafening and tense. Ghost's cold demeanor and hurtful words have left a scar. Never in a million years would you think you'd be here, with a broken, shattered heart and no explanation from his part.

Words that pierced through your soul.

That day something died inside you. And he was the reason.

-

Two weeks, three days and seven hours.

That's the time that's passed since that day at the beach. Two weeks since Simon broke you and gave you no reasons.

You're a disaster.

You barely eat or get any sleep. There's dark circles under your eyes and you're sure you've lost some weight too. Ghost has been gone on a mission alone with Johnny for a week now, which left you with a lot of spare time to think about the two of you.

More tears stream down your face when you remember that day. Had you missed something important? Was Ghost's mind somewhere dark? Somewhere it shouldn't be? God knows he was... difficult to say the least. But every single time you tried, tried to be there for him. Did those late nights at your home meant nothing? Had he not seen the way you looked at him? Had you not shown him enough of your affection? Everything you'd do for him if he simply asked?

Getting up from your bed you get ready for another day. Not bothering to lace your boots just shoving them inside your shoes you walk down the hallways until you get to the training room. Gaz is talking to John in the far corner, the Captain's arms are crossed over his chest while Kyle frowns and shakes his head. You don't to even go and salute them as you normally would do, instead you put your earphones on and hit the treadmill.

It doesn't last long though; after one minute someone stops it by pressing down the off button. Your brows knitted together as you stop, turning to look up at Gaz who smiles politely.

"Sorry for that, sweetheart. You okay?" You nod, but say nothing more. "Come here." He pats your shoulder and helps you down from the treadmill. If you could smile now you would. But no even the faintest, softest grin leaves your lips. Gaz takes a quick glimpse at your face and rubs the back of his neck. "You know, Soap and Ghost just got back. Heard Lt. was asking about you."

"Oh." You murmur. "Okay." You don't move nor dare to meet his eyes. "I'll just head back to my room."

"Uhmm. I- what I meant is he's looking for you..." Shaking your head you walk away, not having the energy to face Simon right now. And why did he need to see you? Made pretty clear that you two were done, therefore was no need to see each other unless it was work related.

-

"You really do like it here don't you." Your body goes rigid. This was supposed to be your safe place. The roof of the armory was rarely visited by anyone at this hour. Simon's voice seems softer than ever before but you don't answer. Not even turn to acknowledge him. You hear muttered words and then he crouches down to your level. "Price said you're not eating. Do we have to send you to the military counselor now?" How dare he? After all he caused this. You know he doesn't mean it in bad way, somehow he cares for you deep down. Your hands ball into fists, fighting the urge to snap at him, to push him down and just break him the way he broke you. But you don't because you still love him, and could never bring yourself to hurt him. Simon is staring intently at you, waiting, hoping for any sign. He knows he shouldn't be here. Bloody hell he knows you shouldn't even look his way never again. He deserves it. Every bit of it. "Talk to me, love. Please." It's a low whisper. A plea.

"What do you want Ghost?" You ask softly. Simon leans closer, sitting down with his legs propped up against his chest and arms resting on his knees. It's a funny look for someone his size.

"Jus' wanted to see you." You scoff playing with your hands, refusing to lock eyes with him because if you did you'd be done. "Wanted to explain..."

"Then just do it!" You sob. Your lower lip trembles. "And then leave."

"Fine." He agrees. "But I'm not leaving. I- I made a mistake, and took it out on you okay? I was scared."

"Scared?" Your head snaps to where he is sitting. It's painful just to look at him. "Why would you be scared Ghost?" You retaliate

He grumbles, never fancied when you called him that when you were alone. Quite the contradiction given the fact that he told you not to call him his name that day at the beach.

"Because I saw you." He points out. "That night. Everything you're missing for being with someone like me. Can't even show proper affection because it's not me... and you deserve more than that. More than me."

"Ghost..."

"No. Lemme finish, love." He swallows. It's always amusing how controlled he seems. "I lost it, yeah? You looked so happy. How on earth do I deserve you, on what universe do I deserve ya'?"

Sucking in a sharp breath you recall the moments that preceded the events. The sound of music blasting through the speakers, when you joined the rest of the soldiers on the other side of the pub. Private Miller had slung his arm over your shoulders in a friendly manner. You laughed and drank too much that night, it was joyful. Everyone was there, your team. You never thought he felt that way about it.

"Oh my... Simon." You cover your mouth and cry silently. He hesitated for a moment before pulling you close and into his lap. "Should've known something was wrong. Forgive me... I should've stayed with you, follow you after you left." You cry out.

You were scared too, for very different reasons. That he'd get tired of you eventually, that if you weren't cautious enough your secret would be known. Both would get suspended thus separated and discharged.

"No, love. You shouldn't have to go running after me. I should be running after you. Now forgive me, say you will. Or else I might just lose myself for good." You cradle his face in your hands lifting the balaclava just above the bridge of his nose. Thumb tracing his lower lip. Your tears have dried.

"I've missed you so much, Simon. All you gotta do is talk to me, always." He tightens his grip around you. "You think Price would let us go home tonight and not ask questions?"

His chuckle is short and soft.

"Yeah. I think he's known for a while now."

[miimo96]

This might be a Hot take but Tbh, I feel like when it comes down to the ULTIMATE 3 of Sonic, Silver is the one that is the least interesting, at least to me, like I feel like the thing that really doesn't get me about Silver as much, is his lack of a PRIME Personality, like between him, Sonic, and Shadow, he is the ONLY I find the least interesting, Because they don't know how exactly to write him or make him more interesting than the many others other than by making him from the future, like if sonic is hot headed and radical, and Shadow is edgy and mysterious, then what exactly makes Silver stand out or unique? Like I feel like if it were me, when it comes down to Silver I would probably write him in away similar to Mob psycho, a character that isn't as threatening or dangerous at 1st glance and maybe is even a little shy and timid, but starts to POP OFF once you either mess with his friends and timeline or just tick him off enough, and then will beat you to an absolute bloody pulp.

I've seen alot of the comics and recent games try to give him an awkward, geeky and naive type of personality but to me it just doesn't work because Silver's main inspiration for his character, was Trunks from DBZ funny enough, and I can totally see it with him being from the future and all but the thing is, Silver is a product of the early 2000s, so what exact type of personality would fit with that kind of era, if Sonic is based of 90's radicalness and Shadow is the late edginess? Well tbh I don't exactly know and that's the problem,

The best I can describe him is Strong willed, Desperate and Determined, (which is perfect considering how Sega compared him to F*CKING Green lantern) he's character who wants nothing more than a peaceful future and is willing to listen to ANYONE to achieve that, he's conflicted when he finds out that Sonic is the quote unquote Ebilis trigger and doesn't know whether or not to kill him, he blindly follows mephiles' orders and doesn't think twice when he's offered up a good future, he doesn't WANT to hurt people it's just part of the job, he BEGS blaze not sacrifice herself and fuse with mephiles and even tries to do it himself, he's a freedom fighter of the future TRYING to just fix everything, he has this childlike wonder when he sees how beautiful the world is and begins to imagine that for himself,

he's the Sonic of the future, a representation of his heroism exceeding time only thing is that THIS HERO, actually LOST the battle and is trying everything he can to bring it back, he isn't some relentless pursuer or edgy character whining about his past, he's a person who just wants a peaceful world where everyone and EVERYTHING isn't on fire or destroyed, he's a strong wielded character who is willing to stop at nothing to achieve his desire, yet questions his morality once he's met with a difficult decision that leaves him conflicted I.E. killing Sonic or trying to seal iblis within elise because he BELIEVED it was the only way yet didn't go through with it in the end.

He's not just some naive goober or silly little cinnamon roll like people have characterized recently, he's a very serious character who comes from a very Dark timeline, however unlike his counterpart Shadow, he didn't try to lash out at the world or get revenge for his situation, instead he tries to fix it and in terms SAVE people, he's a hero through and through, although a little misguided yet still compassionate, he doesn't faulter in the face of fear or despair instead tries to find another way around it, sure his optimism MAY lead to him getting tunnel vision and whatnot but his heart is always in the right place, he's the embodiment of LIGHT hence why both his super and regular forms, are the BRIGHTEST in the series, he's ment to stand out and be that hope or light in the darkness, he's a good character I just WISH he had more attention and saw THIS version of him more rather than the goofy, awkward, naive goober that we've gotten, this one feels like something out of a damn anime or fantasy game like cloud or link from final fantasy and zelda, it's a great contrast from Sonic heroism being more or les similar to characters like Goku or luffy, characters who are heroes in the sense of helping out friends and are just mainly doing it for the love of the thrill, whereas Silver is truly just the pure hearted hero in the end.

I hope to see him actually get a chance to shine one day and be characterized better a bit more, because despite what I've just said, he really is cool and I absolutely love his inspiration and concept for his character, maybe the movie's might do him justice like adapting a perfect version of his story from Sonic 06 but in a MUCH better way than he was handled, but who knows. Anyway those are just my thoughts, but what do you think, do ya agree, do ya like Silver, do ya think he deserves a bit more love and attention, or are you just happy with the way he is portrayed right now and I'm just a complete tool? Let me know

[nilboxes]

I didn't know who to say this too but i was about to explode thinking about this and you are one of the few people in hsr fandom that i trust to understand ratio so my apologies to be dumping this on you all of a sudden but... I think Ratio's technique is so interesting in a way and speaks more about him than people give it credit for. Like...creating a fake version of himself that aggros the enemy is already very meta of how hsr fandom tends to see him, esp with the number of people that started hating him after that "betrayal" scene in 2.1 xD And it makes me wonder about his voiceline where he says something like "im fine with showing my true self if it helps me teach students/cures patients but i find that doing so is counterproductive most of the time"...wdym "true self" sir...and why are your character details completely devoid of any details from your own pov...and why do you get so evasive when anyone tries to ask about your past (going by that one interview when someone asked him what he was like as a child and he's just like "what a silly question, i was a normal boy")...it seems to me the princess is hiding something...

Thank you for your ask OP! It's really interesting to think about your question, and I'm humbled by your trust! I hope whatever I cook can satisfy you in some way. It's going to be a bit long!!

Let's start by saying I do operate under the belief that we know a lot about Dr Ratio and at the same time we only know what he wants us to know, which I find incredibly interesting to his character.

It can go many different ways. A lot of people use this mysteriousness to hint at the following:

1. something sinister (I am not necessarily saying you are doing this)

2. suggesting that he is more than who he is, like he may be more than who he presents to be (may or may not be evil in alignment but just more)

3. he really just thinks divulging further personal information about him is pointless and he values his privacy as an individual rather than a prominent figure

Let me now unpack the most wrongest [sic] take, number 1, which I find to be antithetical to his character, because Dr Ratio has always been aligned with doing good. He isn't your typical good person, but he is morally pushing for good (eradication of ignorance, people finding and reaching their potential etc), and he rather he reminds me of a very stern but nonetheless kind educator who genuinely demands good be brought into the world through one's aptitude and ability (just like himself) and not relying on others to solve problems for you

Number 2 is a little tricky, since we cannot really confirm nor deny that Ratio is no longer truly following Nous after he realizes he will never be acknowledged, he may be aligned to another Aeon or none entirely! I personally dislike the Mythus/Fictionologist take, because again it is antithetical to who he is as a character. Fictionologists will rewrite history and twists facts in order to create the possibility of uncovering more, but this is akin to something called accelerationism, which is in plain words to incite chaos (bad) in the slim chances that from the chaos a great good might emerge/ be produced/discovered etc, a practice and ideology I feel Dr Ratio as he is characterized now would be extremely against. Now I do subscribe to the fact that Dr Ratio may not be following an Aeon at all or we aren't privy to who they are yet, but this is a possibility that there is a facet to Dr Ratio we have not seen yet and will down the line so...

Number 3 is where I am at now, I really, genuinely think Dr Ratio just thinks of himself as some guy who was gifted with the equivalent of 8 genius brains but it isn't anything exceptional. From how he acts, he feels like some guy who had a rather normal childhood (if not really lonely, which I talk about in my twitter thread here) and grew up to be exceptional except in all the ways he wanted/was taught to want/thought he might want.

So I operate on several headcanons about Ratio just genuinely being so smart in a planet that is presumably the remnants of the civilization in the Laurel Wreath Galaxy where a Philosopher King/Philosopher Union was mentioned. This headcanon is heavily colored by this excellent theory a fellow fan made and I have to admit I can scarcely distinguish between mine and theirs while I turn him around in my brain so do give them/their thread a read too when you can, but I do also subscribe to how Ratio must have been exceptional in a civilization that prizes scholarship and enlightenment.

Knowing this, I presume he grew up with a lot of expectations placed upon him, particularly that of gaining the gaze or glance of Nous and ascending as a genius society member or more! That is a lot to place on an individual, especially someone like Ratio who is very much hinted to have grown up very fast due to his vast knowledge and while it's a stretch to say he was forced into growing up fast, because he def wasn't, he was nevertheless seemingly not really given much opportunities to be a child, as the push for him to start university very early could suggest that his aptitude and potential were so valued that it overridden any other needs he may have. If we wanted to ask about his childhood, he would have very dull things to say too, so to speak. I imagine it wasn't eventful at all, but filled with just studies.

Where am I going with this about his statues? They are called Mold of Idolatry! Idolatry meaning the extreme adoration or love of someone. That Dr Ratio makes the statues of himself never seems like the narcissistic sort, that would imply he holds himself in an extremely high regard to the detriment of others, but Dr Ratio isn't narcissistic, he would be a vastly different character if he was. The key to narcissism is that there is a great need, to the point of detriment, for admiration.

Now, look over to how Dr Ratio presents himself to us in his 1.6 quests. He wears his plaster head as not to be recognized by others, to remain incognito if you will, and is content to sit at the sidelines nudging things along in the background rather than swoop in and take the credit as the hero when Duke Inferno was trying to wreak havoc on the Space Station. His heroic deeds are never realized by the people he saved from being spaced, that is not an action of a narcissistic man who would gloat about saving other people. No, he sees his job is done and he walks away without fanfare, without even so much as seeking a thank you from the people he saved. That's one of the clearest and most well-thought of character introductions/demonstrations in the game and a solid proof that he isn't a narcissist (again self-centeredness is different!)

With that in mind, what does the statue imply?

Dr Ratio operates by redirecting attention not to himself so he can freely move in the background. That it looks like him in funny poses speaks to a silliness I feel he never really gets a chance to let loose too often, so his "art" is his outlet. That it directs enemies to attack that instead of him, I can't help but feel like there's a sense of "look at this 'image of me' others have built up, pour your love/expectations/wants/aspirations (and the extreme opposite of that maybe?) to that likeness of me instead, and let me be free from that to be who I could be without all of that baggage"

tl;dr -- it's not that deep but it is?? I feel like Ratio just wants to be left alone to do his thing and that's what the Mold of Idolatry represents.

I hope that satisfies you, anon! Thank you for your question, since I do have more insights to Dr Ratio now. I think I'll also find a way to condense this into a Twitter thread sometime.

[sasheneskywalker]

looking at the recent poll about dc's biggest misconceptions on @/dc-polls and generally existing in the dc (mostly bat) fandom on tumblr has really showed me that a lot of people tend to call "a misconception" or "not canon" anything they personally dislike or any character interpretation they don't like, even when it's a plausible reading. there's this total refusal to accept as canon anything that contradicts their favorite era of comics (post-crisis most of the time), builds upon it in a way they disagree with or portrays their favorite character doing something they hate. i often see these people acting with condescension and arrogance towards fans who enjoy newer eras of comics or even arguing that because they believe something is out of character, it's not truly canon or claiming that their subjective opinion is actually a canon fact. i have no problem with people saying "this didn't happen in post-crisis/pre-flashpoint era" or "this doesn't seem like something this character would do" but these statements are often extended to "and therefore it's not canon, an utter misinterpretation, and anybody who likes it or uses it in their character analysis isn't a real comics fan."

some examples of "misconceptions" from the aforementioned dc's biggest misconception tournament:

"Bernard is a great partner for Tim." -> that's a personal opinion

"Batman is a dick to poor people." -> bruce is a multifaceted character and doing good things (donating to charity, giving scholarships, building orphanages, etc.) does not preclude you from being a dick other times and holding harmful biases (calling poor people some heinous names and being prejudiced towards them) (*yes, it's often the writer's fault for making bruce their mouthpiece but it happens often enough that at this point it's a consistent part of his characterization)

"Damian has tried to kill Tim Drake multiple times." -> as another person has pointed out in the reblogs, it is perfectly reasonable for fans to interpret incidents when damian seriously hurt tim as murder attempts. there may be disagreement over this interpretation, but it's not a misconception.

"Roy Harper and Jason Todd are best friends." -> jason and roy have canonically been friends for 13 irl years, across multiple reboots and comic runs. just because you don't like it doesn't make it not canon. (it's similar to jason & tim. yes, they weren't close in the post-crisis era. however, they started being portrayed as friends in the new 52. you might hate it, but it is canon.)

"WFA is a good way to get into the world." -> that's a personal opinion

For me it just feels like calling out these "fandom misconceptions" is mostly a way to make yourself seem superior and dismiss other people's thoughts.

[nordickies]

What's your opinion on rusfin? And the time Finland spent in Russian empire

While I don't really vibe with "Russia/Soviet State" ships in general (RusAme, RusFra, RoChu, etc. are more of my thing), I don't really have strong feelings about RusFin one way or another. It's not quite as unbalanced or overused as some other Russia ships, I feel like? Plus, like I stated earlier, I kind of like the idea of Russia being disinterested in romance, at least in the traditional sense. I personally don't have an interest in exploring them as a serious couple in my writing; I just can't see them ever working out. They'd become too toxic at some point and it wouldn't be fun anymore. And I think they have enough to deal with each other even without romance getting involved

And I'll be honest: I have never focused on Russia's character, and I'm always a bit lost on what I'd like to do with him. How would I characterize him? I think all hws characters should be allowed to have nuance and let be individuals at the end of the day. So, I don't think Ivan is the manifestation of all the evil things in the world. To me, he's an extremely flawed person who is easy to blame and villainize. For many of the characters, he embodies the worst memories and moments of their lives. Surely this is the case for Finland, too, which makes their friendship extremely complicated.

I think Fin is quite naive at the end of the day and always tries to see the good in people. He values mutual trust more than anything, which can be an admirable trait but also makes him prone to ignoring warning signs. Fin, in his youth at least, was rather easily led, and he unsuspectingly followed others and their orders, counting on them to have his back no matter what. While his trustiness can backfire at times, with Russia, it might have been the right approach. Because right away, Fin managed to build trust with him and Ivan, being calm and respectful, expecting them to handle this new situation in a professional manner. Perhaps Ivan is used to people being terrified around him, giving his paranoia reason to doubt their loyalty. But he never had that problem with Finland, and they got along surprisingly well.

Historical context: When Finland was seized by the Russian Empire in 1809, the Grand Duchy got a pretty good deal in exchange for the Estates swearing loyalty to the Russian Tsar; Finland would remain an autonomous region in the Russian Empire, and it got to keep its Swedish constitution, laws, language, religion, and even the right to keep the taxes it collected for itself. Finns were also exempted from the Russian military. The reason why Finns got such a good deal came down to Tsar Alexander I wanting to avoid excessive fighting during the Napoleonic Wars (he only seized Finland to pressure the King of Sweden in the embargo against England to begin with). By making a good enough offer, the Finns, who had been getting tired of the Swedish monarchy's growing incompetence and turmoil, wouldn't fight back. Also, the Tsar was interested in westernizing his Empire, so Finland's western state structure was perfect for that. Finland's and Tsars' relationship was rather special in the Empire, and Finns were viewed as exceptionally loyal and cooperative by the state. Finns had an easier time remaining loyal to the Tsar due to their freedoms and autonomy status, which they sought to protect by subjecting. For example, Tsar Nicholas I abolished various autonomies and freedoms in his Empire during his reign; except in Finland. This was partly due to Finnish soldiers' voluntary participation in crushing the November Uprising in 1830. When the Tsar's officials criticized Finland's independent status in 1850, Nicholas had allegedly said: "Leave the Finns alone. Finland is my large Empire's only province that has not caused me a minute of worry or dismay during my reign." Nicholas was not the only Tsar who viewed Finland so positively. Most Tsars had a summer house in Finland, and many of them wrote about their time in Finland being some of the most serene they have ever felt. For example, in 1891, Tsar Alexander III shocked his court by deciding to travel through Finland via train instead of by boat. When the court opposed this idea, calling it unsafe, the Tsar called their worries nonsense, stating "I have never needed any guards in Finland."

During his time in the Empire, Finland tried his best to get along with Russia, never provoking him and more so trying to keep attention away from himself, just so he didn't accidentally upset him. Like the aforementioned references tell us, I think Ivan actually trusted Finny and felt comfortable giving him more responsibilities, which inevitably let Fin get closer to him. And while Fin was aware of Russia's flaws and his own privileged position, he surely was also grateful for the freedoms that he had been granted. As bad as it must have felt, he had more possibilities there than he did with Sweden.

Finland probably had his own place, and he was free to come and go as he pleased. He was allowed to join Russia's events and meetings, probably as some kind of assistant, which was crucial for Finland to learn how their job operated and all the responsibilities that came with it. Traveling around Europe from event to event also meant Finny could build his first diplomatic relations with other nations he had never even met before - and even put his own name out there to begin with. It was all new and exciting to him, which in return made him want to keep up the positive relationship

However, Russia's clear favoritism toward Finland would not go unnoticed, and I think that could create some unfair gossip at Finland's expense. People probably think Russia is never nice or does anything good without wanting to gain something from it, so Finland must have done something really special to get his position. Without a doubt, this would sour Finland's relationship with some other people around the house who wouldn't respect his "bootlicking" and respect for Ivan. In the worst case, Finland didn't even know such rumors were spreading about him initially, leading to confusing encounters. I doubt Russia had any intention of clearing such rumors. After all, he didn't suffer from such gossip himself; more than anything, he could use it to his advantage. Whenever he wanted to annoy his old enemy Sweden, all he had to do was wrap his arm around Finland or move him closer - Innocent enough for Fin to not consider it too weird but powerful enough to upset Swe, who couldn't do anything about it. I also think Ivan would try to manipulate Fin's thoughts and insecurities just like anyone else's, being one of the tactics to keep people dependent and loyal to him. He'd feed misinformed ideas to Finland about his past, painting Swe in a worse light than he actually was.

I can really only talk from Finland's point of view, but I doubt Finland himself would have had romantic feelings toward Ivan. I think he saw their relationship as purely beneficial, something to better his own status after living in someone else's shadow for centuries. But he still respected Ivan, at least in the beginning, and believed they could work it out as friends. But I could also see Finny being prepared to act passive to Ivan's potential advances - at least to a certain point, if it meant a more favorable position for himself. Finny can be more cunning than people give him credit for. So even if something had happened between them, I doubt it was genuine, at least on his part. But again, I really don't know if Ivan would even care or try anything.

But in the end, their mutual respect wouldn't last forever. There's no way Finland's and Russia's relationship didn't crumple during the Russification period from the 1890s onwards. Finny most likely lost a lot of his previous freedoms, and he wasn't going to accept it, becoming uncooperative and dishonest. Due to this, Ivan quickly lost his trust in Fin as well, treating him like everyone else around the house. Unfortunately for Ivan, by letting Finny get so close to him in the beginning, it had opened Finland the opportunity to learn all of his tricks. By having had so much freedom and experience in nationwork, Finny was ready to seek his independence as soon as possible, when the moment was just right.

I could always write more, but maybe this is a good overview of their situation during the Empire years specifically. The decades after Finland's independence have been their own rollercoaster entirely. Also, I think personifications' relations are way more complicated than drawing one-to-one comparisons between real-life emperors and people, but here the emperors' favoritism just somehow works for their characters? Anyway, I just really don't know where I'd like to take Russia's character, so I can only write from Finland's point of view here. You can come to your own conclusions and ideas, I suppose!

[astronomypotato]

Uranus, what are you thinking? (JIB2) | Analysis pt2

TW: Manipulation Hello! I'm (surprisingly) back with a part two. In the first part I tried to cover the drama around Jupiter returning. Now, I'd like to talk about Uranus trying to change his name to Caelus. I for one can 100% see why he would want to change his name. However, I really don't agree with how he has gone about it or how he has been characterized in general. A good majority of people now despise Uranus with a burning passion, and as a long time Uranus fan I can't say I agree, but even I am starting to dislike him. And the Solarballs team is trying to villainize him, so in that sense they've done a great job. Okay, so one of the big reasons that Uranus has gotten to have a terrible reputation is the way he is going about changing his name. He is being really aggressive with anyone who isn't calling him Caelus. (I'm not calling him Caelus because uhmm... Habit? Gosh my reasons sound like something that Rotsar guy would say ;;) If he wanted to have a respectable name change then, he could CALMLY tell people his preferred name as well as his reasons. Another reason people aren't a fan of Uranus is because he has become hostile to his moons and Neptune in particular as well as, basically, anyone that isn't X. Neptune, having done NOTHING wrong, is being forced into constant arguments about, really, nothing. As a good friend of mine pointed out to me recently, his personality, which used to be very loyal, has done a complete 180. Okay but that's enough for the things that he did wrong. Now, I'd like to try and explain why he might have done these things.

Uranus has obviously never liked his name since literally his creation - Keep in mind in BB2, when he first introduces himself to Neptune we can see he is visibly uncomfortable. Not to mention, in (Uhmm I forgot which episode it was in ;;) Uranus tells Neptune that he wishes he was included in events, even if he didn't partake in them, just the chance to. So, when X comes to Uranus, who has felt uncomfortable with his name, orbit as well as his atmosphere for billions of years, of course he would listen to him. This made it easy for X to manipulate Uranus. X offered to change Uranus's name and orbit which, Uranus believed, would fix all of the problems he had. When Neptune and Uranus fight (T-T), Uranus loses his major support in the Solar System and when X left, he understandably, went a bit mad. So, given all that I can't say I'm overly surprised that Uranus decided to leave the Solar System. He felt that no one cared for him, other then X and that everyone was just making fun of him. He's become very suspicious and unwilling to trust anyone, which is very different from his normal loyal self. I mean, he spent how long looking for Neptune with Saturn? But it seems that X had manipulated Uranus even more then what was shown on screen, in order for him to convince Uranus that everyone was turned against him. So, from this perspective, yes, I can see why his personality has done a complete 180 - he believed that Planet X was the only one who ever cared about him and, because he was desperate for that stability, he left. Okay, well that's enough of my incoherent ramblings about Uranus / Caelus for now. I'd like to get one more part out of this episode, regarding the rocky planets and maybe touching on the Theia subject as well. Anywho, thanks for reading all this random stuff and I hope you have a great rest of your night! (Or day, depending on your time zone lol)

[loreartisan]

Okay, I've had some time to let my thoughts settle about the River Cartwright/Louisa Guy snippet we saw in the S5 preview and (while I've kind of begrudgingly accepted it) I've come to a conclusion about why I was opposed to it.

For the most part, I've gotten the impression that River is a very very single guy who doesn't really 'go' for women/romantic situations. And to me, this makes sense. I'll elaborate below, if you're curious to see my thought process. If you're one of the ppl who think he really deserves to be with someone, then... idk this is just my own justification. Get ready, I'm going full analytical essay mode here.

Reason 1: He respects boundaries too much. In season 1, when Sid tries telling him the reason she's at Slough House, he tells her that he doesn't want to know since it's likely for personal reasons which is "none of his business". In season 2, when Lamb says that River should 'get' with Kelly if she offers, River is very opposed to this and finds it (rightfully) unethical. In season 3, River tells Louisa that her private life is not Lamb's business and that he shouldn't bring up her "way of processing her trauma". In season 4, he hesitates to share his personal problems with Louisa, emphasizing that he is considerate of "keeping things work related". There are a lot of instances where River shows how he doesn't want to take things beyond what is needed, which to me translates to: friends are all I need.

Reason 2: It's very anti-Bond of him. James Bond is this slick, suave guy who manages to charm every lady he comes across in literally every iteration he's in. One of Bond's most recognizable aspects is how he is always seducing women to get his job done. River is this awkward guy who bumbles most of his social interactions through misunderstandings and sarcasm. Most of River's characterization is on the basis that he thinks he's Bond, but continually proves in many ways how he is the opposite of him. River's relationships with women is another way to telling the audience that he is very far from being the 'perfect' spy that James Bond is.

Reason 3: He's got too much drama around him that renders romance unnecessary. River is likely one of Slow Horse's most intriguing characters, solely based on his family background. The grandson of a legendary spook, the son of an ex-CIA mercenary, the son of a bitter and neglected daughter, the brother to trained assassins who got in trouble with lots of people... There are so many points of interest around River's family alone that I just don't think a romantic plot would benefit his character. It's nice to have rounded, three-dimensional characters, but if a character has too many conflicts and side plots, it can get difficult to keep up with. If I had to choose between the themes of River coming to terms with his family legacy or allowing him to find romance with someone, I'd pick the first option because it seems far more intriguing and has more setup/depth.

There are more subtle reasons here and there, and I know that the book version of River contradicts some of my points, but these are the major aspects behind my pitch for "River should stay single and not be shipped with anyone." I see why he might be shipped with some ppl, but ultimately that is my stance on River's romantic life. His women friends should just stay friends, and I am glad Spider died because that man was TOXIC and i dont know why ppl ship them.

uhhhhh thanks for reading my essay? Hopefully yall see the way I'm thinking (maybe i convinced you to see my side of things too???). Crazy how i did all this based on 0.5 seconds of footage that is likely (in true River fashion) a misunderstanding. Yay for overthinking!

Let me know if my essay was good (was it engaging? was my writing good? did i bring up some dogwater points?), i spent more time on this than I expected but it feels good to air my thoughts out.

TL;DR I am ✨ delusional ✨

[expertfool]

i’m addicted to your forthur posting and im curious, if everyone survived MH how do you think their relationship would continue from MH onwards?

aah, thank you very much! i'm glad ppl like reading my posts!

i think this is a bit difficult for me to answer for a couple reasons: i haven't read 'and another thing' or 'the salmon of doubt' yet, and i think my answer would change depending on the stories in them. i've heard 'and another thing' is considered controversial among fans bc it has a different author and the characterization is weird, but i still think it might make a difference about what i think.

it's also difficult bc when i think of anything post-mostly harmless i get very 'starry-eyed romantic' and want a world where ford and arthur settle down together or go on adventures. realistically, this seems unlikely. they've reached a point in their relationship by mostly harmless where they seem unable to communicate well with one another. i'm pulling this from the limited information at the end of so long and thanks for all the fish where douglas adams skips over the part where ford splits up from arthur and fenchurch. we know ford went back to earth for arthur since this is covered in the beginning of the book, but when arthur tries to ask ford at the end of the book ford very blatantly brushes arthur off. it almost seems like ford is jealous that arthur so quickly found someone else to replace him (fenchurch). i don't mean this in an entirely romantic way if that isn't your persuasion, but i think that ford feels jealous (in the way that friends do when they think they've been replaced) that arthur is now choosing to the see the galaxy with fenchurch when in book one ford had said he wanted to travel the galaxy with arthur. so, to summarize this point, ford goes back to earth for arthur, finds arthur has someone else to travel the galaxy with, and ford dips out the moment he gets a chance.

by the time they reunite in mostly harmless i think it's been about ten years. the last ford knew, arthur had been gallivanting across the universe with fenchurch. the last arthur knew, everyone had abandoned him to rot on some backwater planet. so, ten years no communication and no longer on the same page by the time they meet again they immediately get into a verbal spat bc arthur is fed up. but they also immediately fall back into old habits. the problem i see here is that they have the argument but fall back into old habits with no communication about either of their frustrations. it's like they wanted the emotional gratification of released anger without having to sacrifice the comfort of their dynamic and without any vulnerability. ford is happy to show off and look out for arthur bc it makes ford feel good, and arthur is happy to have someone finally looking out for him again, but neither wants to address how badly they're both on separate pages of their friendship.

post-mostly harmless, i think this dynamic would persist. it would give way to more arguments with equal amounts of codependency if they stuck together. if—and that's a big if—they could communicate, i like to imagine they'd help raise random along with trillian (and zaphod?) either on a ship suitable for long-term living or find a planet to settle on, but in order for that to happen i do think they'd still have a long stint of arguing and codependency to get through before the happy ending. i also like to think that arthur tries out cooking for a hobby—since he'd already been getting into it on lamuella—and that ford takes random on work trips (like a 'bring your kid to work day' bit), and random grows up to be a writer like ford.

[the-s1lly-corner]

J K Y with Sun

OKOKOK so two things:

ONE!! I am setting a hard boundary right now, I'm not taking fnaf requests. I am writing this solely because I miss the character and writing for them. I'm not pulling another F13 incident, I will not be entertaining any fnaf requests that may be sent because of this post (/lighthearted and not mad, but very firm)

TWO! I still havent seen help wanted 2 LMAO so I may be a little off on characterization I'm kind of just going off my hcs and what I've seen in clips 😭😭

Might make a moon version but idk

JEALOUSY:

Oh this boy gets jealous badly.. all of these feelings are new to him, so can you blame him for being a little possessive of you! Now sure, he might not do anything to cause problems. Primarily because there isnt much for him to do.. but he does sour a little when he hears about someone trying to make moves on you.. imagine the drama if one of the parents tried to flirt with you while they were trying to pick up their kid! Very firmly says that it is not the appropriate place or time for such talk in a passive aggressive tone oversaturated with sickly sweetness. Goes into a sort of denial when asked about it, his rays clicking around

KISS:

Said this before but I'll say it again. He very gently boinks his faceplate against your face.. usually he tries to aim for the mouth or cheek, but due to how his face is built he kind of bumps into your whole face.. it's still sweet though! He loves when you kiss his forehead and nose! Kiss the back of his hands and he will mock fan himself with his free hand. Bonus points if you bow when you do it, he loooooves theatrics

YEARN:

Does not handle it well. Hes antsy waiting for you to come on your next shift, often bouncing from one foot to the other while he counts down the minutes. Working with the kids does help take his mind off of it, though! Just as long as he has something to keep him occupied, he can function well enough without you around!

[little-shadow-club]

SL Rag spoilers below

just another Haein ramble post don mind me.

Look man I love Haein as much as the next person but I feel like, even with the new content of her coming out (from SL Rag to Arise to the anime) she's still lacking in something of her character. And, as I began to look more into her I kinda saw that the main culprit of her characterization is that: She is perfect.

Too perfect, I mean she holds no flaws or anything that can set her aside from the rest (and no being an s rank and female doesn't automatically make her different), and even if she does she doesnt hold them to the extent that other characters might have them, or she just has the same thoughts as anyone else. Her personality as well never clashes with the other hunters or is too different, especially from Jinwoo-- and okay yeah that's expected bc trophy wife trope and all that–  and in a sense I think this might derive from the fact that everyone wants her to still be stuck into this mold of “perfect wife + perfect mother” that doesn't have the same level of flaws as the rest. 

She wants a comfortable life, like Jinwoo, she trains constantly, like Chiyeol, she is not burdened by trauma unlike Juhee who leaves the story or Jinah who actively tries to stop his brother at one point from entering dungeons (and stopping the MC? Clashing due to real life precautions and worries? And expanding on that? No sir we don't do that). She is strong but not too strong to be a threat (in their first meeting maybe but then Jinwoo just levels up in the castle and then bam stronger than her again) just like… yeah everyone else lol. She fights Jinwoo at one point but it's not due to some difference in thinking or to stop him from something, rather Haein just wants to spend time with him. And yeah despite wanting a comfortable life, or so told so far, she is still placed in the spotlight during her idol years, and has to deal with the most supernatural shit going on in her life constantly. She might be strong but she is still a damsel in distress, and her olympic background… I mean it's there.

I like the implication that she might have been stressed about appearing perfect during her idol life, especially pressured to do great by the adults around her just as she was pressured to be a maintainer of peace when she was an S rank (friend’s death and all), but that… doesn't get anywhere, and I admit Haein hinted to being stressed was only in the date scene with Jinwoo, the rest was expanded by Arise and Rag, still, still its not treated as anything else except ‘oh she is so camery shy’ and ‘oh she just wants a normal life being a normal wife’ (mind you Jinwoo is there as well but he even he doesn't see a problem with that except for when the cameras are pointed at him to which he just makes all the photos look black) and not, idk, dwell on the amount of pressure she would have been faced in since she was a child, the failure of not meeting those expectations in her past life and wishing to meet them when she was given the chance to become an s rank hunter, or how all of that constant training might have affected her life and social ties with other children who werent as talented as her. Or maybe how Haein has had to constantly keep people at a distance due to her nose problems, plus her almost never appearing in the news (so it was said during her hunter years, bc she had signed a contract with Jongin for this to not happen i think) leading everyone to not get to know her as well as the rest of the other hunters who were practically seen as celebrities.

No? None of that? Not even tackling the fact that olympic athletes tend to suffer from burnout, eating disorders, depression, anxiety, or how traumatic the double dungeon must have been since it was the first time Haein, an S rank, had ever come so close to dying (as far as we know in the og sl), and it cant be backed away with saying ‘oh that would be too complex for the story!’ when we’ve seen Haein trying to challenge her fears against Beru during the Ahjin guild arc. 

It's also not needed for her to be so overly complex either, I was listing examples out of the many routes in which her story could be fleshed out more. She can have a small healing moment to herself or slowly unwrap the tolls of pressure she’s been under, and that would be enough, because tbh, she does deserve some time to breathe, as a character, as herself. For the most part she’s never alone, in every scene we see other she either is with someone (mostly a guy) or thinking about someone (90% Jinwoo), so seeing her outside of anyone’s interaction, seeing her go on about her daily life or her daily struggles, or seeing how Haein fixes her own situations without the reliance on others, that I think, would be more needed than ‘just more Haein scenes’ 

Arise has one scene which I like, her talking with Chiyeol after his double dungeon incident. Both characters definitely needed something like that in my part, 1) because it highlights Chiyeols maturity over the certain years he has been as a hunter, and 2) because it emphasizes Haein’s relationship with her teacher and how she’s not only learning to be skilled but also the pain that comes with losing your comrades afterwards.

And in Rag, though I find it way too absurd to the point that its funny that Haein has managed to protect an entire village, on her own, for the past 5 years, with daggers, in her 40s, no experience whatsoever in a fight unless it was also transferred alongside her memories, and also had no qualms in protecting the race of beasts that had once pose such a level of danger Jinwoo himself rewinded time itself— I do like her interactions with Sirka,  and it posses such an interesting dynamic to see considering she is one of the few humans who has managed to maintain a connection and lived alongside intelligent magic beasts like he elves (Suho being the other which is… interesting actually when you think about it considering Jinwoo is somewhat yes and not on the list). 

Again, she is so interesting in her own right, but the thing is that we never see her act alone or be solely in the spotlight, and don't get me wrong, this also goes from the other characters too. But with her I feel like too much of what she could be or experienced is brushed off too quickly or not given enough time to expand. 

So anyways, I will like to see where she might go off from here foward, especially in rag, and the anime.

[snowblack-charcoalwhite]

I've said it many times and I'll say it again. I don't understand why so many people claim that Aemond is somehow Ryan's favourite or even self insert. I guess it would be obvious now that he hates him as much as the rest of the greens, but some still insist on this. Like, here is the character that actually was one of the most popular in s1 despite the fact that he barely had any screentime and is tg, yet we are halfway through s2 and look what they've done with him?? 5 minutes of screentime, half of it the unnecessary brothel scenes to show him naked and to destroy his relationship with Aegon for good. Zero interactions with Alicent, Helaena, Otto...No reaction to Jaehaerys (but yes to luke).. And he's somehow Ryan's pet? Yeah, no. I think that Ryan is staunchly tb who loves Rhaenyra and Daemon (and Rhaenys) and just watch him give Daemyra an intense and emotional reunion to confirm Daemon's loyalty to her. All these harrenhal scenes are just devices to make the moment more impact full and to subvert expectations™, I'm 100% certain this will be the case. And what the greens got? Mutual hatred, a nonexistent cause, Aegon who still bullies and humiliates his brother and only sees him as a weapon, Aemond who tries to get rid of his brother in the middle of the battle and is completely detached from his family, Helaena who barely exists and don't even get me started on Alicent and Criston. Therefore, if Ryan, Hess or anyone in the writing team "loves" the greens, they sure have a strange way of showing that lmao.

Anyway, I would love to hear your opinion on this.

Hello!

To be honest, at this point I have trouble telling which HotD characters are actually loved by the writers. I am really tempted to say that none of them are because no writer treats a character they love like Condal&Co treat the majority of HotD folks, even TB ones, the supposed faves. Rhaenyra (post S1E5), the protagonist - meek and boring. Rhaenys a.k.a "the voice of wisdom" - a hypocritical woman (who is also basically a mass murderer). Daemon - I don't even know what to say about him, his characterization has been all over the place.

However, IMO we need to take into account two things: 1) HotD writers apparently have received a commission to create a show with a clear as day feminist agenda to regain the audience's favor lost after Daenerys business in S8 of GoT; 2) the most important - they are fucking incompetent, and so they could ruin the characters they "love" just as effortlessly as they do with those they "hate" (sometimes they even fail with the latter - because they are kind of supposed to ruin them but, once again, are incompetent).

So, I really don't know whether Condal and the rest of HotD team are ruining Aemond on purpose - or are just trying to legit create a compelling arc for him by presenting him as a bullied kid with a fuckton of issues who one day just snapped and fully went into a psycho killer mode. Both options are possible - and actually both of them might be true because (and here goes yet another HotD problem) it really feels like the writers who work on the show have trouble communicating and coordinating their ideas. One pushes for one thing, another - for another, and as a result we have characters who act like they get a personality/brain transplant every episode (Daemon and Alicent in S1 are the prime examples of that).

As for the "Aemond is Condal's self insert" -everything is possible. To comment on that properly I would have to get into speculations about the latter's personality and mental state, and I'd rather not do this. As much as I despise him, he is still a real person; and I am neither a psychologist nor a psychiatrist (neither do I know him personally), so it's not my place to do that.

Thank you for the ask!

[eyesxxyou]

also I know you’re working on confessions but do you have any thoughts on like,,,, characterization for pirate!hobie cause he’s sooooo intriguing to me

Of course, I've been thinking of this a little bit since I plan to work on that after confessions. Here are some little facts and tid-bits that may or may not make it into the story itself.

Pirate!Hobie is a cocky bastard. Pirates historically tended to be daring in their raids and Hobie is just that. He only really attacks ships that are owned by the royal gov and does so to make a point. It seems that he goes in without so much as a single thought of planning, but he's meticulous with his actions.

His family is from the Caribbean, but the Spanish government at the time was colonizing it and in the process his family died from the disease they brought over. He hates the government, loathes them, and attacks any ship bearing the royal insignia.

Pirate!Hobie who takes in anyone who needs help. Sometimes members of his crew are temporary, sometimes they chose to stay, either way, he provides them food and shelter in exchange for loyalty. Most of them are young and lost, needing direction in life. Hobie tries his best to make sure they don't end up dead. Sometimes he even just gives rides to travelers who need to get from one island to another. Now he has a lot of people undyingly loyal to him.

Pirate!Hobie who's ship is a stolen one from the royal government with a few modifications. He removed the insignia and replaced it with his own symbol of liberation.

Pirate!Hobie who has no problem killing colonizer scum, he burns ships, puts them at the bottom of the ocean with the captain tied to the wheel. Every captain should go down with their ship. He stands by that, and often spares the captain last so that they die alone in whatever way Hobie chooses to take their ship down.

Pirate!Hobie who loves to share some ale with his crew late after a raid and sing late into the night getting drunk out of his mind. That's how he ends up meeting you which might be the best or worst thing that's ever happened to him in his entire life.

[nutzgunray-lvt]

How Horikoshi Fails To Portray The Underdog Narrative

(All of this is just my opinion, don't take it at face value as I'm obviously not a writer)

I read an interesting article today, and it made me think of our green haired boi and some of the problems that's been noticed in his characterization:

Izuku is supposed to be the classic underdog that we see rise above all odds and become the number one hero, and I'm not saying that the road there is supposed to be perfect and conflict free. I don't want Izuku to be a Gary Stu that gets a good life handed to him on a silver platter (there's already one in the story).

The problem actually comes from two places; the first one being that Horikoshi has gone on record admitting to liking other characters (the abformentioned Gary Stu) more than Izuku, his MAIN CHARACTER. The second one, I believe comes from a beautiful ask that @theloganator101 submitted to @doodlegirl1998 that said something along the lines of: "I have never seen an author portray their main character as such a loser as Izuku is portrayed in the narrative."

There's a difference between giving your character natural conflict to overcome (i.e. an ACTUAL underdog narrative) and making him a flatout buttmonkey and slapping the 'underdog' label on it. Other animes have done a much better job at this; such as Naruto gradually winning over Konoha with his perseverance and Luffy going from someone on a little row boat to captain of one of the most notorious pirate crews in the world.

The article says that there's seven steps to making an underdog narrative, and I will say that Horikoshi did do a good job at step one: make a character the audience will root for. Izuku is incredibly kind and selfless and also happened to be born Quirkless. He faced relentless bullying for +10 years due to this and wants to become a hero so no one else will suffer like he did growing up.

Step two: portraying the disempowerment, is where things fall apart.

I actually don't mind that Izuku was given One For All by All Might, but I do mind how his past Quirklessness is never properly addressed after this. We don't see him wondering if his new friends would actually be his friends if he were still Quirkless. We don't see him aknowledging that despite receiving a Quirk, the bullying he's gone through hasn't stopped. We don't even see him wondering if he still would have been bullied had he always had a Quirk. We don't see his low self-esteem and imposter syndrome properly addressed. We don't see him noticing that even the teachers at UA are letting him be bullied despite having a Quirk now.

This also leads into the opposite problem: we see TOO MUCH disempowerment.

Izuku is struggling to properly use One For All, as it maims him every time he tries to use it. Instead of receiving any proper help for him, he gets criticized for hurting himself, is singled out and has expulsion hanging over his head on the first day of school, and even has the threat of being barred from medical treatment unless he learns how to master One For All without hurting himself. Not once do ANY of these people try giving him any advice or comfort (the only one who does is criticized in narrative for this), but it takes him being on a week long internship to finally learn how to do it.

Does he get any form of acknowledgment for this by those who criticized him and supposedly have his best interests at heart? No. Do they continue to criticize him ever time he slips up? Yes.

The third step: showing the underlying strength of the character, is another one that Horikoshi does a good job at. It's a joke that Izuku's determination should be a Quirk in and itself, and he repeatedly goes the extra mile to make sure that those around him are safe. He tries saving Bakugou from the Sludge Villain. He saves Kota's life from Muscular, helps Ida and Todoroki protect Native from Stain, and makes sure that Eri has a memorable and fun experience at the School Festival.

However, this leads into the problem with how step two is portrayed: this effort is seldom ever praised and only criticized. The Pro-Heroes berate him for trying to save Bakugou (despite them sitting back and doing nothing). He gets in trouble with Hosu's police, despite the fact that Native and Ida would have died had he and Todoroki not intervened. He's threatened with explusion and called a problem child for going to save Bakugou despite the fact that a) the mission was a success and they didn't engage in combat, and b) the mission wasn't even Izuku's idea to begin with. He gets in trouble for fighting Gentle Criminal and La Brava, and his classmates criticize him for "causing trouble" when he abruptly runs off to get candy apple ingredients for Eri (the fourth light novel). No one ever properly sits him down and tells him "you don't have to go the extra mile at your expense. Your kindness is enough." In fact, the only character who praises him for this level of kindness is criticized in and out of universe for it. Any time this red-flag is brought up in universe, it's either ignored, played for laughs, or the blame is unfairly shoved onto someone (usually, the one person in Izuku's corner).

There really is no step four: design a series of challenges and try/fail cycles, because even when Izuku has a 'win', he still gets some sort of set back in order to keep him "humble". There's those I mentioned above, but there's also his Provisional Hero License exam. He passes, but gets suspended from school the VERY SAME DAY because of his fight with Bakugou.

I guess step five: the turning point, would be Izuku learning Full Cowling and Shoot Style, and it does lead him to pass his Provisional License Exam (as well as his attitude). Mastering Black Whip would also be another one.

Step six is the worst one of the bunch in my opinion: show the darkest moment. Izuku leaving UA to protect his classmates and loved ones from All For One and Shigaraki had the potential to be an amazing arc... but it all falls incredibly flat. It tries and fails to properly address Izuku's deteriorating mental and physical state as these Pro-Heroes let him try and draw out All For One and Shigaraki, only to go all Surprised Pikachu Face when he starts pushing himself too hard (All Might at least tried keeping him regularly fed and tried intervening when Izuku struck out away from them).

Class 1A vs Izuku is where this darkest moment makes no sense for me.

Izuku tells them that All For One and Shigaraki are targeting him due to his Quirk. He doesn't want to leave, but he has to for their own protection. All For One now has Ragdoll's Quirk, meaning that he has eyes on Izuku 24/7 now. What's their solution to this? Sending some other teacher or Pro-Hero to try and talk him down? Send his closest friends to try and convince him to come back?

Nope, the entire class rallies behind his bully and literally beats him into submission. They sit by as his bully accuses him of arrogantly trying to be an 'All Might wannabe' (that same bully also tries shoving the blame for Izuku's self sacrificing tendancies onto ALL MIGHT), try guilting him into coming back, and don't once take his point of view into consideration (Ida does have a nice moment with him). On top of all of this, Izuku is later proven RIGHT that they can't keep up with him in this fight. Bakugou's dead, Uraraka is seriously wounded, Tokoyami is seriously wounded, and Jirou has one of her ears cut off. Then everything is solved by an incredibly manipulative "apology" from his bully and a bath! For that matter, the "apology" doesn't even stick!

There's also many minor incidents as well that I couldn't really fit anywhere else: his Quirk Analysis notebooks and mumbling are seen as "creepy" in universe (Endeavor's the only one who takes it seriously), not having any sort of talent or other hobbies outside of being an All Might fanboy.

The story isn't finished, so step seven has yet to be seen, but TL;DR is that Izuku is way more of a punching bag than an underdog, and many of his fans are fed up. Izuku deserves so much more than what he's been given.