#i totally get OP
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askshivanulegacy · 7 months ago
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The activities council at work finally started putting flyers around the building to advertise events, and when I looked closely at them I discovered all their little images were AI generated.
They couldn't even use regular old clip art and make it cute, they went out of their way to get gross fake pictures to look "fancy."
Like, who do you even talk to about that, at this point? Whose flesh can you rake over the coals?
No one, because these are just idiots planning fun events for people. It's just sad and super disgusting that they have zero self awareness. The levels of baked-in ignorance are unfathomable.
It's just a little thing - a flyer, which I personally counseled them to start putting out to improve their advertisement and participation - and now it's just a stain on the wall and a pit in your stomach.
ai generated images make me increasingly sad and tired the more i see them in more and more casual contexts. i dont know how to explain, but it just fills the world with a bunch of nothing. no matter how visually stunning the pictures might be, there's nothing behind it for me. no dedication, no emotions, no feelings, no hard work or creativity, nothing i can truly think about, admire or enjoy. i dont think thats how art is supposed to be
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aria-greenhoodie · 2 months ago
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You see, @localcanadiancryptid22, I’m a motherfucker who LOVES drama, so I fw anything that can create that.
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I’m normal. Btw. In case you were wondering.
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littlemissclandestine · 13 days ago
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Emergence - Behind each arena
Thought this mission was chaotic af. Didn't expect zombies to be in the campaign since they literally have a separate mode for that but anyways let's take a lil dive into EMERGENCE.
⚠️WARNING: Spoilers for Call of Duty: Black Ops 6
-Advanced Combat Research-
For this section, we obtain a grappling hook and need to defeat the director of ACR with the help of some sentries.
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I wasn't actually sure about this one since the zombies were just well....zombies that looked like guards. However, that said, the big guy we had to defeat was just a Cerberus/three-headed-dog-like figure.
-Administration-
For this keycard, we have to find the reports and slot them into the holders and this red mannequin comes to life (along with the others...)
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Red is an interesting choice. It stands out from the rest and if we think back to Cold War, you'd remember red being used A LOT throughout the campaign.
Anyways, once it's free, the red mannequin goes on the run (a bit like Adler) and we have to chase it, the voice in Case's head saying, "I knew we couldn't trust him," and if we fire at it, the voice mentions, "Bullets are nothing to him," possibly referring to Adler being hardened by his years of service.
He cracks when we reel him in and get too close and then he pushes us away. The cracks remind me of Adler's scars - mental and physical. In fact, the mannequins actually take on the form of Adler mostly as well in this room. A coincidence? I think not.
After the initial phase, the red mannequin transforms into the monster as seen in the third image and again, we get another piece of dialogue - "See? He's a monster, just like the rest of them."
The thing that comes to mind here is Adler's nickname - America's monster.
-Joint Projects-
To acquire this keycard, we play some prop hunt basically! Objects around the room will rattle, signifying the monster's whereabouts and we have to sneak up on it and fire or it will disappear again - kind of alluding to the idea of secrecy, a core theme of Black Ops.
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What's interesting to me is the fact that the zombie engages in a prop hunt like game with Case...like being on the move constantly and watching your back when others get too close to the truth perhaps.
We know that Sevati Dumas is the queen of disguise, excelling at being hidden in plain sight so this definitely fits her and that's why we see her in this arena.
-Cognitive Research-
During this phase, we have to drain some water to get the keycard and kill the big guy who's residing in the bathysphere.
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The voice in Case's head seems to focus on rage here. I think for this part, there was a mix of Marshall, Sev and Adler zombies.
On escape, we see a Woods horde charging towards us. If we consider the theme of rage, we can certainly see where Woods' anger lies - Hudson and Mason's death especially to Woods' being kneecapped by Menendez and how that's mentally affected him, leading him to suffer. Hence, this is a part of the "cognitive research" bit.
-Biotechnology-
For this phase, we have to defeat a friggin' levitating zombie.
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I thought this one was very reminiscent of Case...almost like it's his true form. He's essentially fighting himself for this one, just like looking in a mirror, right?
Troy and Sev zombies can be seen, most likely because this is where the three of them all are in reality.
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If you made it this far, thank you so much for reading! I'd love to hear your thoughts on this mission <3
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emil1863 · 10 months ago
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Luffy is pretty destructive, even when there is a good reason. He has never done paperwork a day in his life.
Gonna expand on this au a litte right here. Koby calls Luffy, 'Luffy' because I'm kinda rolling with the whole "names have power" thing. So calling Luffy 'Nika' is pretty intimate/usually only used in specific situations. Such as followers praying to their respective Gods. But also Luffy could care less about that.
For the sake of making my drawing process more fun, Luffy doesn't use 'real' words but rather a form of speech that can be left up to viewer interpretation. Of course, Koby knows exactly what he's saying so maybe we'll see him fully translating some of what Luffy's going on a out later.
Overall, just kinda having a fun time and playing with this idea. I know it doesn't really do a good job of establishing where they are, but it's kinda just some random marine base. Luffy doesn't spend a whole lot of time around Marines, and prefers to keep the Straw Hat crew company (I'll expand more on that later). But he comes to see Koby a lot, much to Helmeppo's dismay.
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r0semultiverse · 1 month ago
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shipping this shipping that blah blah blah
Hear me out!
💞 SURVIVORS POLYCULE 💞
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revenantghost · 9 months ago
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Oh my god oh my god oh my god
There's a Vash and Wolfwood dog papercraft
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pinkcrittertomb · 9 months ago
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People don't draw Fem Buggy as an old woman (as she should be) enough
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diamondsheep · 1 year ago
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A Captain and his first mate spending quality time together 💚❤
Luffy is talking about his favorite beetles, Zoro might not know all of them but he is happy to listen to Luffy's passionate speech about insects 🪲
Sketches :
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ifidogaysomyself · 4 days ago
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hate when people just dont fucking read (SHE NEVER REFERS TO HERSELF AS SHEN YUAN POST TRANSMIGRATION)(NOT A SINGLE TIME NOT EVEN WHILE IN THE PLANT BODY WHERE THAT WOULD AT LEAST MAKE SENSE SHES STILL SHEN QINGQIU THERE)(SHE NEVER REFERS TO SHEN JIU AS "THE REAL SQQ" EITHER ONLY AS "THE ORIGINAL GOODS" WHICH IS DIFFERENT FOR A REASON)(SHE'S NEVER "PLAYING OUT A ROLE" AFTER SHE TAKES DOWN THE OOC RESTRICTIONS ASIDE FROM THE FEW TIMES SHE PURPOSEFULLY HAS TO PLAY THE VILLAIN)(AND WHEN THAT HAPPENS SHE FUCKING HATES IT THE WHOLE TIME BECAUSE SHE ACTS SINCERELY LIKE HERSELF OTHERWISE)(DID WE READ THE SAME BOOK)(CAN PEOPLE READ PLEASE)
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fraudulent-cheese · 11 months ago
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Alenoelle will be real in 3, 2...
(genderswapped designs by @same-name-supremacy!!!)
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relaxxattack · 1 year ago
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every time someone calls moirallegience just an alien qpr i wilt a lil like YEAH thats more or less the CLOSEST human thing but its also Literally Not That. like a qpr is fundanmentally not romantic and thats not even going into moirails whole Actual Purpose of calming ppl down. its just. aughhhhh pisses me off i see the confusion but, as aformentioned, aughhhhh
OH MY GOD THIS HAS BEEN BOTHERING ME TOO.... but i don't want to get petty at the people in my notes always saying "moirails are QPRs!" because in some ways that is the closest human thing so it's hard to be mad...
i think there's definitely some overlap in some ways. but NOT because moirallegiance and qprs are the same at all really, but INSTEAD because both relationships have unconventional boundaries defined by the people within them.
you know... like every relationship.
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like the only reason the two have overlap is because they are both partnerships that emotionally care for each other but can choose to not bang (which is true for any romance anyway, even if it's considered abnormal). they're both just romances* that are unconventional to human norms, which makes people view them as the same thing when they're not.
i think the REAL issue here is that humans insist on using human words to understand things that are just, fundamentally, alien. can't we just appreciate alien romance for being... alien romance?
no, it's not platonic, it's romantic. it's just romantic in a way you aren't quite wired to understand, is all.
*in generalization, most QPRs are not romantic, because they are made up of aroaces who are life partners in a non-romantic way. however i want to disagree with you that none of them are romantic, because that is up to the partners in question.
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crookedfivefingers · 10 days ago
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3.13 | ᴛʜᴇ ʟᴀꜱᴛ ᴏꜰ ᴛʜᴇ ᴛɪᴍᴇ ʟᴏʀᴅꜱ
link to the post I accidentally wound up prattling endlessly about in the tags 💀
#doctor who#tenth doctor#martha jones#david tennant#freema agyeman#(good god. without even meaning to I went into 'psycho stream of consciousness tagging' mode. whoops)#always thinking of that one post#where OP mentions how the writing tries to make it seem like Ten looked right through Martha/etc#which is a good concept for demonstrating his grief. but also isnt what we really see throughout S3#(not saying he wasn't a grieving MESS because he was. but he's a multi-faceted character and he can grieve AND value Martha simultaneously)#but we see such fierce protective instinct+trust; a bond between them that obviously isn't some one-sided affair#+ his clear intent to impress her/be admired and respected by her (apropos the post that inspired this sentiment)#but RTD obviously isn't the most infallible of writers#*cough* [list of reasons I cut down b/c long] *cough*#He can make Martha say “he's not seeing me/he doesn't look at me” but then you just watch with your eyes and you get a different story#It's like the opposite of when Moffat tries to make you believe someone is super important through bold claims without showing his work#instead RTD tries to make you believe Ten is functionally blind to Martha's existence while showing numerous examples of the contrary#then bring in the novels+myspace blog+cartoon that he all signed off on. Which tie together to create a canon backdrop#basically I said all of that to say this—#it's the whole reason I had to make this blog to get this sort of stuff off my chest (even if it's just for me sometimes)—#Ten not only SAW Martha—he trusted+respected+enjoyed+adored her. And it's a good thing#it doesn't cheapen his grief. I feel like people must think it does which is why I constantly see bad unnecessary takes about them#it just means that Martha was SO important to him and it's ok. they had a killer friendship outside the unrequited minutiae and it's ok#there's even a comic where 'someone' makes him believe she's Martha and he makes her change her appearance because “it's still too raw”#Just saying you don't say that sort of thing about someone whose existence you're all blasé about#Martha already gets fucked by the narrative in enough ways without people totally missing her significance in the Doctor's life#you don't have to ship them to appreciate them on a deeper level#anyway. fuck. if you actually read all of these then I'm so sorry#creating this blog has taught me that there are only like two people who feel the same way about tenmartha matters and it’s fine 😂#but if I didn’t give myself an outlet it would probably form a tumor SO there we are then
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chibibunnis · 5 months ago
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rarepair week day 7! free day
ending the week off with the pepsi ship!!
day 1 day 2 day 3 day 4 day 5 day 6 day 7
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s1lv3rp4w3dc4t · 9 days ago
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shout out object shows with canon queer ships. I'm talking on screen kiss or even just verbal confirmation. all things considered it's a bit strange you don't really see them that much when you think about how gay everyone here is. I love you ii but c2bc did what you didn't and I think that's actually really nice.
#girl makes claims when there's 1 more ep for ii and many more for c2bc. police arrest her.#inanimate insanity#ii#osc#silver's mental breakdown#c2bc#c2bc spoilers#do we do that here or what#fireball c2bc#pound c2bc#i always misread his tag as pound cake. i am but a fool#also is firepound mildly fanbrush coded ir am i kind of losing it. it's someone and pb. because fireball is very pb coded. inspired? somethi#ng. also c2bc totally takes influences from ii and we all noticed that right. it's not a bad thing. ii is my favorite show. but like. “im nb#.“ ik there was like no other way to say it but that's exactly what pb says in s3. ”he wants to make a boys club!“ ”im nb.“ ”i mean... a no#girls club!!!!“ i think i lile c2bc but im bot 100% sure? i saw someone comment that all the chars are likeable but like. speaker isn't!! st#op bullying my girl corky!! she's literally not that bad! don't get me started on beerkeg. i dont feel bad that he was manipped bcus like. d#ude she said no. leave ger alone#!!#i dont feel bad for him at all snd even cheered when princess hat (?) started using him even though it was not the greatest move and not sup#er healthy. s2's cast is still mych better though. justice for portal though!!!!!!! gone too soon. i kinda shipped. princess hat (?) and tap#e measure in s1 btw i never told anyone that but I did think it. service bell is like a taco i like mych less. and shout out firepound and m#mirror book. pretty crazy how gay objects can just live in my head and i let them do that. anyways sorry for writing a whole nother post in#the tags i just haven't shared my thoughts yet and wanted to lol.#i like it i think#firepound#<- oh hey look gay people
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scalpelsister · 1 year ago
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dark justiciar shadowheart is genuinely so interesting to me as like... a facet to her character. like it really hammers home how desperate she is for shar's love and affection (+ the validation and love from other worshipers of shar). like in a lot of ways I get that it seems shocking to others / some fans because it really does contradict some of the morals we see her express BUT imo that just speaks to the level of desperation she feels. her comments on how shar "must" love her for her to survive the shadowcursed lands, or the bit where she talks about shar nurturing her and loving her and sounds... almost more like shes trying to convince herself more than shes trying to convince you. theres a bit about other sharrans not thinking she had earned her name, and of course the mother superior not thinking she was ready / worthy of being a dark justiciar. like shes just so completely desperate to feel unconditionally and securely loved, and to earn the approval of others that shes entirely willing to injure herself in the process (as well as.... the people who actually love her, of course).
not to mention that mechanically, afaik, she can only end up there if shes encouraged to by the player. ie... she needs to know someone else approves.
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greenerteacups · 3 months ago
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oooh please someday tell us what you think of GOT
oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.
SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)
so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!
so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.
the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!
now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.
here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.
but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.
so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.
anyway, that's what I think went wrong with game of thrones.
#using the tags as a footnote system here but in order:#1. quentin MAY not be dead according to some theories but in the text he is a charred corpse#2. arianne is great and i love her but to be honest. my girl is kinda dumb. just 2 b real.#3. faegon is totally a blackfyre i think it's so obvious it may well be text at this point#it's almost r+l = j level man like it's kind of just reading comprehension at this point#4. relatedly there are some characters i think GRRM has endings picked out for and some i think he specifically does NOT#i think stannis melisandre jon and daenerys all will end up the same. jon and dany war crimes => murder/banishment arc is just classic GRRM#but i think jon's reasoning will be different and it'll be better-written.#im sorry but babygirl shireen IS getting flambeed. in response stannis will commit epic battle suicide killing all boltons i hope#brienne will live but in some tragic 'stay awhile horatio' capacity. likely she will try to die defending her liege and fail#faegon will die there's zero chance blackfyres win ever#now jaime/cersei I do NOT think he knows. my brothers in christ i don't think this motherfucker knows who the valonqar is!!#same with tyrion i think that the author in GRRM wants to do a nasty corruption arc + kill him off but the person in him loves him too much#sansa i have no goddamn idea what's going to happen. we just don't know enough about the northern conspiracy to tell#w/ arya i think he has... ideas. i don't think she's going to sail off to Explore i am almost certain that the show doing that was a cover#because the actual idea he gave them was unsavory or nonviable for some reason. bc like.#why would arya leave bran and jon and sansa? the family she's just spent her whole life fighting to come back to and avenge?#this is suspicious this does not feel like arya this does not feel right#bran will not be king or if he is it'll be in a VERY different way not the dumbfuck 'let's vote' bullshit#i personally think bran is going to go full corruption arc and become possessed by the 3 eyed raven. but that could be a pipe dream#the thing is he's way too OP in the show so the books have to nerf him and i think GRRM is still trying to work out#a way to actually do that.#i don't think he told them what happened with littlefinger or sansa. i think sansa's story is vaguely similar#(stark restoration through the female line etc)#but the queen in the north shit is way too contrived frankly. and selfishly i hope she gets something different#being a monarch in ASOIAF is not a happy ending. we know this from the moment we meet robert baratheon in AGOT#and we learn exactly what GRRM thinks of the people who 'win' these endless wars of succession#and they are not heroes#they are not celebrated#and they are neither safe nor happy
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