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darkpoisonouslove · 2 years ago

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WandaVision Thoughts

I just watched WandaVision - finally, FINALLY - and I wanted to write down my thoughts but at first there was nothing that I really wanted to discuss. The first two episodes I kinda skipped through because I wasn’t gripped. I didn’t care much about them. It was clear that there was something else going on just under the surface from the very start but I didn’t feel the need to comment on anything. And now I do.

I’ve just been slapped with the notion that Wanda is the villain of this story and my first reaction was terminal denial. And then the reviewer continued with the line of thought that yeah, you don’t think of Wanda as the villain because that’s not how the narrative presents her to you even though she did cause a lot of pain. Which, true, but I feel like she isn’t supposed to be the villain. She clearly didn’t control the very start of the mess and the very last episode shows that she didn’t really realize what she was doing to the people around her. Or at least she was trying very hard not to realize it but at the same time she still wanted to do the right thing.

What I’m thinking here is that Wanda was clearly aware that the whole thing was warped reality from at least the second episode. In the first episode she seems genuinely confused about some things, though, the flashbacks later on implied she was aware of what she’d done the moment she warped reality (we can actually see Vision forming on the TV behind her and Wanda putting them both on a TV show represents that she knows that this isn’t real but she’s also trying to forget that it isn’t real by pretending that the not-real-ness comes from them acting for a TV show, not from them being in a bubble of warped reality). So I’m thinking she tried to magic herself into forgetting that this wasn’t real in the sense in which she’d want it to be but she was forced to start coming out of her “unawareness” when things from the real world started getting through and they required her correction in order for her little bubble to keep existing. But even in that state she and Vision are outcasts and forced to hide a secret. In part, I think that’s a consequence of Wanda liking who they truly are (aka witch and synthezoid) and what they have together when they are their true selves and she didn’t want to change that. But in that case she could have just created the community around them to be accepting of their uniqueness. Instead, she chooses a scenario in which they are forced to hide. I think that was meant to separate them from the people because Wanda does not truly feel comfortable. Like, she knows that she doesn’t belong there and is creating obstacles for herself. Almost like she’s self-sabotaging.

And then there’s the one moment from the first episode that was striking to me. That moment when Vision’s boss is choking and his wife starts screaming “Stop it” at him at first, but then it’s redirected at Wanda. Wanda makes Vision save him which threatens their cover that is currently creating the main stakes for the two of them. She saves the man’s life because it’s the right thing to do even if it threatens the life she’s created for herself. She chose to do the “heroic” thing even when it could potentially destroy her life yet again like it’s done so many times before (though not really since she does have control of the universe). In fact, maybe her initial resistance was less due to fear of being found out for who they truly are since she can just fix that but because she has a subconscious block to doing what a hero would do because that has been destroying her life. But she still does the right thing. She doesn’t want to hurt anyone. And then in the last episode she says that she’s given the people peace. I think she believed that because she had some peace and the reason for that was that she inflicted her agony on the others. Or at least shared it with them. I think that Wanda is angry at the world for not knowing - or at least not helping her deal with - Vision’s sacrifice. And she’s angry with Vision for making her go through with it and with herself for failing to protect him from Thanos. All of that has left her isolated and lonely. So sharing her emotions with the rest of Westview made her feel at least somewhat more at peace and she believed that the others were at peace as well. In fact, the moments when she has been menacing were all moments when she was forced to confront the reality on her own. The drones, the “beekeeper”, Monica, “Pietro” - those were all things that she had to face on her own because no one else knew about them or could know about them. Not even Vision who’s also been warped to fit in this reality. Those things forced her to fight alone again and she exploded in anger against that. She only expanded the borders of Westview to keep Vision safe and then she instantly regretted it, her reality starting to glitch around her.

I also think that Wanda started trying to fit in the fake community she’d created in episode two because she was reminded in the previous episode that the world around is something she created and she was trying to forget that again by clinging harder to the persona she has made herself play. However, Dotty was on to her despite that as if Wanda is at the same time trying to punish herself for what she’d doing. She controls these people. If she didn’t want to be found out, she wouldn’t have been. And yet, this woman that is only acting out what Wanda wants her to is coming close to destroying the whole script Wanda appears to want to keep going. She was only manifesting Wanda’s intentions. The problem was that the outside world breached their bubble when Wanda was contacted over the radio and that’s why she started trying even harder to fit in the world she herself created. In fact, that could be why she’s broadcasting her “show”. Because she wants to be found out and stopped on some subconscious level. Although, I think that the bigger reason why Wanda was broadcasting it was because she wanted someone to see and relate to it the way she watched sitcoms when she was little and lived through the characters’ adventures. She was looking for some kind of connection. Hoping that if someone sees her broadcast, they will connect with her and feel her emotions so she doesn’t have to carry them on her own anymore. The exact same reason why she trapped the Westview residents and forced them to play along with her story. And she was trying very hard to keep out the real world but she let Monica through. Twice. Because she could feel that Monica is like her - a grieving person. She could feel some kind of connection and she wanted that so desperately that even the thought of keeping the outside world away couldn’t stop her from allowing herself to be drawn to that connection. She only threw Monica out the first time because Monica was Geraldine at that point and didn’t remember her own grief. The Hex still let Monica through again the second time even if Wanda was wary of her because she knew Monica came from the outside world. Wanda only wanted compassion and understanding of her pain.

I guess you could call her the villain of the story. She did hurt those people and she had many opportunities to stop doing it and many signs that she should (even Vision telling her that she’s wrong) and her good intentions and eventual sacrifice don’t undo the harm she’s caused. Her grief and confusion and the fact that she was left with nothing - like the world at large didn’t care about her and the sacrifice she had to make - don’t excuse her actions but the thought that the agony that she was forced to carry on her own is strong enough to crush an entire town and it took another freshly grieving soul to see her point of view somehow makes me revolt against having Wanda be claimed as a villain. She and the people she loved chose to do good and they were all taken from her to a resounding silence. No one cared about her pain. But the moment she - not purposefully - caused others pain, the whole world is against her. It seems unfair. Especially when you consider that other Marvel characters are not treated the same way. Wanda says it herself in MoM that Stephen broke the rules of reality and got claimed a hero but when she did, she became the enemy. And that’s not the only example.

In Spider-Man: No Way Home Peter is also faced with a terrible choice that takes away everything from him because he was only trying to help people but he had support. Right when he needed it, he had his girlfriend and his best friend and his alter egos from alternate universes and without them, he would’ve turned dark just like Wanda did. He even actively wanted to cause harm which Wanda avoided even when she saw the one she loved being ripped apart because his body costs billions. Peter was warned that letting the anger and hatred consume him would lead to bad things and he still didn’t care. He was going to kill the Goblin even after his alternate self tried to talk him out of it and it felt way more premeditated than Wanda taking Westview hostage. In fact, he would have killed if there was no one to physically stop him. And guess what, there was no one to physically stop Wanda. No one was there for her to help her out of her pain. The man who was so “compassionate” to allow her to say goodbye to Vision was only hoping that Wanda would somehow kickstart Vision’s body again. He tried to kill her and her kids. He didn’t care about seeing her side of the story and recognizing her agony. No one did. And when no one did, Wanda crumbled under the burden she couldn’t carry on her own. Peter would have, too, without his alternate self to save him. But we’re not blaming him for that even when the only difference between his situation and Wanda’s is an external factor that neither of them had control over. And yes, Wanda didn’t stop when people told her she’s hurting others, not even when Vision did, but at that point she’d already sank very deep into her warped reality. If Peter had had the opportunity to do what Wanda did, it would have been harder to talk him out of it as well. And that is a point we can also make for Clint.

Clint in Avengers: Endgame loses his family and goes on a murder spree but somehow that’s okay because the people he’s killing are bad guys. Actually, Clint gets “judged” by other characters in the movie (mostly Rhodey) but I’ve never seen anyone say that Clint turned into a villain. Everyone understood that he was grieving. And how did he stop his vigilante murder spree and go back to being a hero? By being offered hope that his family will be returned to him. By having a friend come and check up on him and offer him a hand and a chance to do better. All things that Wanda only got once Monica had to fight her colleagues to sneak in Westview and give Wanda a chance. And Wanda listened, too. She let go the people she’d trapped even when that meant giving up the only chance she had of having Vision back and keeping their kids. She had to sacrifice her last hope of being happy (and to anyone who thinks it wasn’t a sacrifice because her family wasn’t “real” - fuck you) while it was made very clear that Clint came back to being a hero BECAUSE he was given hope. Yeah, I’m sorry but that is a goddamn double standard here, and isn’t it funny how the male characters were forgiven.

So no, I don’t believe Wanda is a villain. The world may not owe you kindness, but you cannot be held up to humanly impossible standards by being expected to never need a little help to stay on the right path. Especially when you’re forced to confront the world’s ugliness at every turn. So yes, being a hero exposes you to a greater risk of suffering but I think that in return for their heroism, those people deserve to be shown care by the ones that are benefiting from their protection and sacrifices. Because no one’s thanked Wanda for her successes but everyone wants to hold her responsible for her failures which is something that all Marvel heroes are subjected to. I don’t know if it was a misstep in Marvel’s attempt to make them less of embodiments of perfection that are put on a pedestal and address the issues of powered individuals in an already unstable world (which is good but should have come with a little more balance imo (which, okay, I suppose that is a point in and of itself about people’s distrust in the hope and safety heroes promise)) or it was a deliberate milking of the tragicness of martyr-like figures while simultaneously attempting to present them as more human so that more viewers can latch on to them but I think that it was a misstep. Even if the intent is to show the doubts and fear of the people in-universe, the narrative should at least hint that superheroes are not machines in a positive PoV as well because so far all we’ve seen is “they’re human so they will fuck up and we need to hold them responsible for that”. Kindness will always be an ungrateful job if you expect to be celebrated for it - in that case, it’s not really kindness - but the characters shouldn’t be made to pay for being people even when they are heroes because of their humanity, not despite it.

#wandavision #wanda maximoff #vision #marvel #mcu #peter parker #clint barton #thoughts #review #...kinda

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wickwrites · 4 years ago

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Burning as a Motif for Humanity in Violet Evergarden

I think, when watching Violet Evergarden, most of us picked up on fire as a motif for Violet’s trauma – the violence and destruction she witnessed in the war, and the violence and destruction she engendered with her own hands. I’m not going to go into this too much because it’s all pretty self-explanatory, if not trite, but here are some quick examples of fire as a motif for her trauma just to lay the groundwork for the rest of the essay:

In frame 1 (episode 8), Violet draws first blood on the battlefield, and the once contained fire from the felled soldiers’ lanterns spread quickly through the forest, a symbol for how one small act of violence can cascade into large scale destruction. In frame 2, Gilbert stares at the carnage in front of him, horrified. In frame 3, the major is shot, and all we get to see is a screen of flames. In frame 4 (episode 12), Merkulov stares into a fire as he schemes about re-kindling the war.

I want to follow this (well trodden) opinion up with a more encompassing statement. That is, fire, in Violet Evergarden, is not limited to representing the destructive power of violence and trauma. Instead, it is a motif for humanity itself – an embodiment of the full range of experiences and emotions that make us human.

To show this, I’m going to start off at the beginning of Violet’s journey, focusing on how her disconnect (from herself as well as others) is illustrated in episode one. For instance, her initial struggle to move her now mechanical arms as she sits in her hospital bed in the opening sequence is an excellent embodiment of her dissociation from her own body and lack of agency. I want to, however, focus on two scenes that are particularly relevant for our discussion:

First, the scene where Violet spills tea on her hand:

And second, the scene where Hodgins insists that Violet is burning:

These scenes are similar: in both, someone asserts that Violet must be in pain, specifically due to burning, and in both, Violet rejects that statement. In the first, however, that burning is physical. And in the second, that burning is emotional. Regardless, Violet is so removed from her own body that she is incapable of feeling either. Her mechanical hand is therefore an embodiment of her inhumanity (ie. her “dollness” or “weapon-ness”). Like her, it is cold, mechanical, insensitive, without life or agency. After all, up until now, all she’s been doing is killing on command, without the ability to think for herself, experience her own pain, or sympathize with her victims’ pain.

When the screen shows that Hodgins is indeed correct, that Violet is literally on fire (frame 1), that fire is depicted with restraint. Flames engulfs Violet’s body, but those flames are from a streetlamp enclosed in glass. It is controlled and distant. This encapsulates Violet’s current state; she is literally on fire, but that fire is so compartmentalized and suppressed, and she is so far removed from her own experience, that she is incapable of feeling it.

In frame 2, we are viewing Violet in a flashback, from Hodgin’s point of view. Although we’re offered a close up shot of her bloodied hands, we see, about two cuts later, that Hodgin is actually observing Violet from afar (frame 2.5). This distance demonstrates that he cannot bring himself to reach out to her, something that Hodgin confesses he feels guilty about literally 5 seconds later. They were, at that point in time, and perhaps even now, unable to connect.

In frames 3 and 4, Hodgin is speaking again. We get this super far shot of Violet’s body. The camera is straight on, objective, and unfeeling. This unsympathetic framing has two functions. First, it distances us from Violet. Our inability to see the details on her face and her relatively neutral body language gives us, the audience, no real way inidication her thoughts. Second, it distances Violet from herself. As someone who experiences dissociative symptoms from PTSD, this is a very poignant way of framing what it feels like to be removed from your own experience. Hodgin’s line, “You’ll understand what I’m saying one day. And, for the first time, you’ll notice all your burn scars,” further drives home the sense that Violet is completely estranged from herself. It almost feels like we are looking at her, from her own detached point of view.

We’re going to move on now, but we’ll get back to these frames later in the analysis, so hold onto them.

Throughout Violet’s journey, fire comes up again and again. Specifically, it shows up in moments of emotional intimacy, connection, and healing. Let’s see what I mean by this:

I have here a collection of moments that all occur at the same narrative point in their respective mini-stories: the moment where one character reaches out to another, sympathizes with them, and literally pulls them of their darkness. For example, frame 1 (episode 3) shows Violet bringing a letter from Luculia to her brother. It expresses Luculia’s gratitude and love for him, and ultimately mends their relationship. In frame 2 (episode 4), Violet and Iris share a moment of emotional intimacy and connection, which is the beginning of Iris’ story’s resolution. In frame 3 (episode 9), Violet’s suicidal despondency is interrupted by the mailman, bringing her a heartwarming letter from all her friends. In frame 4 (episode 11), Violet comforts a dying solder by a fireplace.

It’s not that other modes of lighting do not exist – modern looking lamps show up repeatedly in the show. Even Iris’ rural family has them, so I can reasonably assume that, no, the above moments do not all coincidentally use lamps because that’s all there is in this universe; the usage of fire during moments of catharsis is deliberate, and establishes that fire can also bring hope, kindness, and love.

Now that we’ve explored the dual nature of fire as both destructive/constructive, painful/cathartic, let’s go onto the thesis of my essay. Why do I say that being on fire is to be human? Let’s go back to the scene where Hodgin tells Violet she’s on fire (episode 1, on the left), and compare it to the scene where Violet finally realizes that Hodgin was right and that she is on fire (episode 7, on the right):

In these sequences, there is a notable shift in framing and perspective. In frame 1b, we finally get to see Violet’s blood-stained hands from her point of view, as opposed to from Hodgin’s point of view in 1a. Violet becomes aware of her past as an actual agent choosing to kill, shown through the first-person point of view. Similarly, the medium, straight on shot of Violet looking down at her hands (frame 2a) is replaced with an intimate first-person, close-up view (frame 2b). In shots 3a and 3b, the difference in framing is most pronounced. In 3a, we get this straight on, long shot. In frame 3b, the camera’s detachment is replaced by a claustrophobic closeness. While this framing does an excellent job at conveying the panicked feeling of “everything crashing down all at once”, it also demonstrates Violet’s new-found awareness of herself. While before, the camera was used to alienate, now it is used to create a sense of painful awareness and intimacy.

These series of shots are the first in the entire show, I believe, of Violet's body from her own point of view. Their co-incidence with her awakening self-awareness characterizes the state of “being in one’s body” as a precondition to self-connection, or more specifically, to Violet’s understanding of herself as neither a weapon nor a doll, but as a human. Correspondingly, this pivotal moment serves as a catalyst for her subsequent emotional development. From this episode on towards the finale, we’re launched into a heart wrenching sequence of events: Violet’s desperate grieving for Gilbert’s apparent death, her attempted suicide driven by newfound grief, and most importantly, Violet receiving her first written letter, an act that is strongly representative of genuine human connection. Following these events, Violet’s emotional connection to both herself and others only continues to grow; during her two final jobs of the story, she breaks down crying in response to the suffering of her clients, demonstrating a level of compassion—if not empathy—that she seems to have never been able to tap into before.

At the same time, Violet acquires a new sense of agency, making plot-driving decisions that no longer require other characters’ validations. Most poignantly, in episode 12, she chooses to stay on the train to fight Merkulov, explicitly going against Dietfried’s order for her to leave. Her reason?

She doesn’t want anyone to die anymore.

And it’s this moment, for me, that consolidated her as a character with true agency. Up until now, all her major decisions have been framed in relation to Gilbert: she killed in the war because Gilbert ordered her to, and she became an Auto Memories Doll because she wanted to understand Gilbert’s enigmatic “I love you”. Now, however, her motivation is purely her own—she fights, simply because she doesn’t want anyone else to die. It’s a line implies an intimate knowledge of loss. It’s a sentiment motivated by compassion. It’s a raw and extraordinarily human thing to say.

When Violet embarks on her journey to decipher Gilbert’s love, she is devoid of many traits we consider inherent and possibly even unique to being human—suffering, compassion, altruism, love, agency, and the interplay between them. As an Auto Memories Doll, she learns to live, experiencing all these emotions she had never had the luxury to experience before, and we quickly realize that she cannot know what love is without simultaneously wrestling with her trauma. She learns that yes, sometimes the fire destroys and sometimes it burns, but sometimes it thaws too, and you cannot have one without the other. You cannot choose what the fire does to you; you cannot choose what you want to feel. Thus, to be on fire is to know the anguish of its destruction, but it is also, and more importantly, to know the catharsis of human connection, to be the warm flame that pulls someone else out of the dark, to be pulled out of the dark yourself. To be on fire is to be human.

#violet evergarden #violet evergarden analysis #anime analysis #anime #anime essay #anime meta #violet evergarden meta #analysis #w.writing #w.analysis

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arsenicpanda · 4 years ago

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Bughead Appreciation Day 1 Except It’s Day 2

So I spent yesterday nice and cozy in bed and put this off (good choice, tbh, I was very snug as a bug), but now, now comes the time for me to gush about some people in the fandom! This is definitely not a comprehensive list, I have absolutely left some people out because I am very forgetful, but, in no particular order and under a cut because I’m a wordy bitch:

@tory-b: A delight and a dear, leading writer of monsterfucker!Betty, co-runner of @riverdaleprideandjoyzine, a legend and a friend, we have no choice but to stan. Her stuff is so good and varied and just *chef’s kiss* a delight, two favorites of mine are Fangs/com/Match (Betty/dragon!Jughead meet via monsterfucker Tinder, has some great friendship moments with Kevin and Veronica and is v sexy and funny, features the horniest Betty) and Sticky Sweet Serenade ((past)-friends-to-enemies-to-lovers bughead, mixes up some statuses in Riverdale, excellent mystery, I remember reading it and going, “holy shit, a believable take on Northside!Jughead”). I’ve also gotta mention Whats in a Name? (Betty and Jughead meet on tumblr, Betty writes poetry and Jughead is a shitposter, they slowly connect, it’s great) and To Balance the Scales (scientist!Betty/mermaid!Jughead, currently a slow build, I cannot wait for you guys to see the excellent worldbuilding she’s done). I could keep going, or you could binge all her fics today, an excellent use of your Saturday, I assure you, because I’ve left a lot out.

@stillhidden: Always good for some great thoughts on the show, one of the best reasons for my your thoughts on Riverdale please show them to me tag, I get psyched every time I see a Riverdale text post or ask answer because I know I’m in for a good time. Thoughtful and funny and nice, what a combo!

@satelliteinasupernova: So talented! Author, artist, co-runner of @riverdaleprideandjoyzine, funny, haver of good thoughts on Riverdale is there anything she can’t do? No, there is not. Every time I see her art I’m like !!!, the colors! how well-drawn the hands are! the accuracy of their hair! the backgrounds! the way I can see the love in their eyes! I cannot even, there are no words. Also! Her fics! So original! One of my earliest memories in the fandom is reading The town called Riverdale (a sort of mystery about the meta fuckery going down in Riverdale, explores time loops, stories that control lives, the roles the Archie characters are “supposed” to have, a mash-up with concepts in Princess Tutu that requires zero knowledge of Princess Tutu) and going !!! is this a Princess Tutu mash-up? Have I been #blessed enough to see a mash up between Riverdale, a story that fucks with archetypes, and Princess Tutu, one of the shows about fucking with archetypes and the way stories ontrol lives? I was and I am and I raved to my non-fandom but Princess Tutu liker friend about it. Has also wonderfully tackled eldritch horror in return to Eldervair and gothic horror/romance in The Lady of the Manor, does fluff, does angst, does it all, so go check her out!

@go-ldy: An angst and time skip queen, tbh, and always has some great thoughts on Riverdale, another reason I’m glad I have that tag. Every time she answers an ask, I’m like, “Yesss, incoming Good Thoughts, I am HERE for this”. But do not sleep on her as an author! Into the Deep is some delightful dark!bughead, and I’ll walk with you in the shadows is such good time skip angst and a mystery and there’s a certain surprise I love but is a spoiler but you simply must read this, you must. The Time after Time series is giving us that good angst bughead content that season 5 is not going to, and I’m so glad it exists and just thrilled that she trusted me to beta it. I’m leaving a lot of stuff out though, so you should go check her out!

@milajovovich: One of the best gif makers in the fandom, I will fight you on this. Makes absolute miracles with footage, the way she makes season 4 webrips look like they’re actual blurayrips is godly, they’re so crisp and so smooth and the coloring is always great. And like, jesus, the way the bluray footage looks? Fucking outstanding, the talent is off the charts. Go marvel at their gifs, go, go.

@imreallyloveleee: A prolific, talented author and funny to boot! loveleee is one of the people who has been here since the beginning, a mainstay in the fandom, and we are so, so lucky she hasn’t left. How do I even begin to rec you some of her stuff? She can write smut with fics like burn, baby (a 3x16 missing moment of bughead fucking in the car as the trailer burns, what a gift to the fandom, I can’t even), is queen of pining with fics like boy problems (season 1 post 1x05 canon divergence, a bughead get together but with that quality pining) and her i’m just a shot away series (two fics, one from Jughead’s POV and one from Betty’s, that are fully of pining and sexual tension and miscommunication and major teenage vibes, you gotta read them), and writer of one of the funniest fics in the fandom and one of my favorite, like spirits in the night (the core four + Kevin perform a seance to contact Jason Blossom and yes, it is just as funny as it sounds, perhaps even funnier). And there are countless others, so settle in and go check her out because she does it all, fluff and angst too, I just don’t have time to rec them all.

@meditationonbaaal: Absolutely one of my all-time favorite fic authors, like across fandoms, the talent, I cannot even properly describe it, like the quality of the prose, amazing, iconic. the devil’s daughter (a season 2 rewrite with some differences in season 1, jumps back and forth through time in the best way, has the best and creepiest dark!Jughead, has some great smut that includes dom!Betty and dom!Jughead can you believe we are so blessed, such a good rewrite of season 2, and you know how I love season 2, so that is some high praise, let me tell you) is easily in my top 10 all-time favorite fics across the many, many fandoms I’ve read many, many fics of, and you simply must check it out, you will not be disappointed. develop, stop, fix just blew me away as a kink week fic of bughead playing with bdsm in a dark room, the layers, the smut, the trust, the feelings, I cannot even. And doll parts! doll parts is so good, just such an amazing take on drop dead gorgeous, a fabulous Jughead and Betty as per usual, dare I say even better than an already fantastic movie. I am behind on loose lips sink ships, but I can already tell it’s going to be a great exploration of the Stonies and a great take on season 4. Keep an eye on her stuff here and here, do not miss out!

@dieqohargreeves: An icon and legend in gif making, just makes the most beautiful and intricate and creative gifs. The coloring is amazing, the techniques are amazing, that shit is Art, I will fight you on this. You gotta check ‘em out, you just gotta, I can’t do their work justice.

@sullypants: The wit! The humor! The observational skills! The talent, my god! Sully is the genius behind @bettycooperoutfitwatch and @riverdalearthistory as well as a fabulous writer of both meta and fic, yet another excellent reason for me to keep up with others’ thoughts on Riverdale. Her a comic miniverse series is so funny and sweet and such a great take on the Archie Comics version of bughead, and the after-party series (Betty and Jughead attend a, well, prom after party, and the events that happen, and I am not doing it justice, but it is v good, I promise) has such a great vibe and such great characterization. And young adult friction (librarian!Jughead is in a kind of competition with librarian!Betty, it’s so funny and so great) is such a delight, and we do not have time to get into everything great she’s written, but go check it out here.

@lilibug--xx: The queen of bughead smut, can you believe she has graced us with her stuff? It is steamy and it is in character and it is amazing. Dark Cherry Chutney is still a fandom favorite of mine, just some great dark!bughead who are unaware of each other’s darkness (but oh, they find out!) as well as some excellent smut. And Pressed for Time (Betty teasing Jughead with her skirts in an effort to get him to fuck her and he is barely holding on until he isn’t, alternating POVs in the best way) is sexy af but makes you work for it, it’s a delight. And give you mine (Betty and Jughead fuck at work and it is so hot, I can’t even) is so goddamn good, just some of the best dom!Jughead out there. Has also written monsterfucker!Betty, which you know I’m a fan of, in once upon a midnight (werewolf-hunter!Betty/werewolf!Jughead with sex pollen where she does not shy away from some wolfy-ness and it is hot af) and has written monsterfucker!Jughead, a rarity but always a delight, with reap what you sow (witch!Jughead/undine!Betty and Betty is so delightfully otherworldly and it is so sexy but also sweet), and there are countless other smut fics, we would be here all day if I went through them all, so you gotta check her out here. One more thing though: she can also write fluff with Lemon Drops and Chocolate Chips, a sweet fic of Betty and Jughead as neighbors that you should definitely check out.

@thatiranianphantom: Funny and thoughtful and talented and has correct opinions on musicals! Writes such good explorations of post-4x17 (and post-4x17 adjacent) scenarios. Like, the we are a masterpiece series is v good and so interesting, and no one else is singing my song is such great angst as a post-4x17 fic and a great use of Crazy Ex-Girlfriend songs. I am forgetting a lot of stuff, I know I am, and I think I might be behind like a fool, so let’s go check out all her stuff together here, yes? Yes. Also? Great for Riverdale speculation, especially about the season 5 musical episode.

@heartunsettledsoul: So talented, queen of canon missing moments, and funny to boot! I love reading her liveblogging of the episodes, and I cannot recommend her stuff enough. Her Forgotten Moments series of canon missing moments is iconic, you must go read all of it, especially there’s witchcraft in your hips, a post-2x13 fic of Betty and Jughead being such teenagers and Jughead being a dweeb about his cheerleader girlfriend and I am not doing it justice but you gotta go read it, man, you gotta. But the series is full of gems from the beginning with Midnight Silence (Betty and Jughead talk post-1x04 about the Grundy debacle and it’s such a delight) and going all the way through to the most recent it might’ve been a nightmare (a 4x12 through 4x16 fic that gives me a wide range of emotions and is fantastic) and your eyes look like coming home (Betty’s diary entries throughout season 1, simply inspired). But she’s also so good at AUs! a dark world aches (for a splash of the sun) is already looking so good as a bughead mystery with some varchie fun on the side, just some quality core four content, and won’t be the same (if you’re not here with me) is a favorite of fake dating, Christmas, and there was only one bed, just the best tropefest. And there are so, so many more, so you must check her out here.

@lovedinapastlife: She writes such a variety of AUs, I am just in awe of them all! The talent, I am amazed. The dark!bughead in The Society is peak dark!bughead with a simply iconic yandere!Betty, and you are seriously missing out if you have not read it yet. Oh, and there’s some more dark!Jughead with a side of dark!Betty in the key to harm(ony) that you must check out because it’s such a great ride and is sexy, what more could you want? Every movie AU she does really takes the source material and makes it her own from works You Drive Me Crazy (but I'm gonna keep on loving you), based on Drive Me Crazy and definitely better than the movie, to the most recent to all the boys (but especially you), based on To All the Boys I’ve Loved Before and just so sweet. But also can write otherworldly fics like Heart’s Desire with genie!Betty and The Second Coming with fae!Jughead, as well as regular aus like Detention (Betty and Jughead in detention and it gets a little sexy but also quite cute), and pure porn like Eye of the Beholder (Betty and Jughead as sorcerers who hook up over sorcerer Tinder and it is sexy but also sweet), as well as some of the best ABO in fandom with her A/B/O Mine series (alpha!Jughead/omega!Betty in high school and holy shit is it hot as hell). I am only just skimming the surface here, so definitely go check her out!

@kyloren aka @jughead-jones: Mila is so talented at making gifs, like goddamn, and also so funny, but I bet you didn’t know that she also has written some damn good fic! She hides it, but it is out there and it is very good, my favorite being let me hang my hook on your splendor, a fandom fave of a Scooby-Doo au that is so much more thoughtful and clever with its casting, and also very amusing, you must check out the rest of her stuff here.

@elizabethbettscooper: A delightful person and a delightful writer who is largely retired from the bughead fandom but still such a talent, like seriously. Her Twin Peaks Riverdale AU The Past Dictates the Future is so good, you simply must check it out, like you must. And yours was the first face i saw is such a fun AU of “what if Betty’s crush on Archie was a front for her crush on Jughead”, you must go read it. And holy shit, her i may be bad (but i’m perfectly good at it) series is peak dom!Jughead/sub!Betty taking place when they’re in college and fucking in so many varied ways, like if you are into that, you must go read these fics, you must, you will have a great and sexy, sexy time. And there’s so much more good stuff, you gotta go read it all here.

@bettycreeper: She does so much for the fandom and she makes such gorgeous gifs! Like, the coordination she does on the @bugheadfamily server and @bugheadfanfictionawards and @riverdale-events and probably elsewhere cannot be understated, she is such a valuable presence in the fandom. And have you seen her gifs? Gorgeous quality, just gorgeous, and her movie poster gifs for fics are simply inspired. Also? She’s an amazing beta, just outstanding.

@stillscape: A very thoughtful person and excellent writer who I can’t seem to tag. Dianthus Caryophyllus is still one of my favorite fics in the fandom, a high school bughead fic with some amazing pining from Jughead with an oblivious Betty, I can feel it, it’s so good. And of course there’s Ninia, an amazing take on the soulmates trope, just so good, I cannot do it justice, you must check it out. The for the life of me series is also such a good AU for Betty and Jughead getting together pre-Riverdale at a summer internship, I have such fond memories of it. And la peste (the plague)! So good, I cannot even. We don’t have time for everything, except you should make time and go check all of it out here.

@theheavycrown: God, where would we be without Sarah? She does so much work for the @bugheadfamily and @bugheadfanfictionawards and @riverdale-events and @riverdalecentral and I’m probably forgetting some, tbh. And so sweet and talented! Her gifs are fantastic and so are her fics. Like, Rain Comes Down (Betty and Jughead fucking in the car on the side of the road while cars drive by)? Iconic, some amazing exhibitionism. you had me howling(Betty in heat in the woods and then Jughead finds her and fucking ensues)? Fantastic ABO, so horny, so desperate. Beneath the Silver Moon Rising? Excellent dom!Jughead, excellent sexy times. You must go check out all of her stuff here, you must.

@50shades-of-bughead: Just some of the absolute cutest art that you must check out, especially their series of dark!bughead that is just fantastic.

@thepointoftheneedle: The variety of work here is phenomenal, the talent, I cannot. Took my ridiculous double fake marriage/draft-dodging concept and turned it into an excellent, thoughtful period piece with phenomenal characterization and a great mystery with Never No Locomotive, I cannot recommend it enough. And Ghosts and Clouds and Nameless Things (ghost!Jughead/grieving-dead-Jughead!Betty with a side of mystery) gave me so many emotions, I think I almost cried, and I am not a crier, I assure you. Hey Pixie Dream Girl, I’m Coming for Your Man! (Betty in her bookstore saves Jughead from his date with a Manic Pixie Dream Girl) is so delightfully funny, and Sunflowers (Betty and Jughead share a working space and fall in love) is so goddamn cute. I have actually found myself behind on her work, which is a crime, it all looks so amazing and I know it will be, and you must check all of it out with me here.

@hellodinoflower: Such an amazing presence in the fandom, such a delight, so clever and funny. She ran @bugheaddrabblechallenge this past summer and gave us all so much joy in the process, and, while her fics are deleted now (as is her right), I promise you that they were amazing, you all missed out if you slept on her. She’s such a great follow, you gotta follow her.

@bluevelvetvideo: A delighful soul, great character insight, great writing. Like, her smut is fantastic, have you read Arsenal (a double feature of Betty and Jughead fooling around in public and then having some sexytimes back in private with some quality dom!Jughead, let me tell you, v steamy)? Because you should. Christmas Lights (Jughead ties Betty up with their Christmas lights, it’s fantastically sexy) is a delight, and you can’t blame gravity (for falling in love) is a very fun take on soulmates and soulmarks, and you simply must go read it. She is a master of smut, let me tell you, and you must check out all her stuff here. Also? An excellent beta, 10/10, I’m so lucky to have her.

@a-true-janian-reply: Very funny, has excellent thoughts on Riverdale! Like, truly, every time I see an original text post or a reblog from her, I am PSYCHED because it’s always going to be SO GOOD.

@writeradamanteve: Such great talent across genres, really impressive. Drive (illegal drag racing Betty and college student but former-ish Serpent Jughead, just fantastic) is one of my earliest fandom favorites, I remember excitedly telling my non-fandom friend about it because I thought it was so clever, and we all know how good Daemon Bound is, yes? Yes, I’m sure we do. Let’s go make sure we’ve read all her stuff here.

@thugheadjones: Has some great insights, some great responses to dumb anons, and some fantastic art, like holy shit, I cannot even.

@bugggghead: A delightful soul, so nice, so talented. Writes some amazing smut, like, have you read intimately acquainted (alpha!Jughead/omega!Betty, meeting up on an app to help Betty with her heat in a heat retreat, four chapters of excellent smut)? Because you should if you’re even kind of interested in ABO. And en pointe is the bughead knifeplay fic of dreams, you gotta check it out. And there are so many other ones, we do not have time to cover them all. She also does cute fics, btw, and Message Me (fanfic-author-who-is-actually-the -real-author!Jughead/gif-maker-and-fangirl!Betty meet on tumblr and fall in love and it’s great) is such a delight, definitely go check it out. In fact, go check out all her stuff here. Also a fantastic beta, I really owe her for that.

@heavy-lies-the-crown: A talented soul who has written so much high quality fic, from the hilarious red ribbon winner (a Christmas fic comedy that I cannot describe well but I assure you is both hilarious and sweet) to the emotional and moving road to me (Betty and Jughead break up, find themselves, and come back together and it’s perfection) to the heart-ripping angst of apizza (a semi post-4x17-speculation fic of bughead together but apart at Yale and the way they will come back together and it is so good and so angsty) to many, many more. You gotta go check it all out here.

@lurker-no-more: Yet another funny person, we as a fandom are so blessed, you must check them out, you just must.

@iconic-ponytail: Another excellent writer! a revelation in the light of day is SUCH a great slowburn and SUCH a great take on both FBI!Betty and Sheriff!Jughead and the two of them falling in love as adults. Also, the side varchie is fantastic, and the mystery is amazing. I have not yet checked out the nighthawks, but I already know it’s going to be good, I can tell, you can trust this author to be quality, so go check all of her stuff out here.

@soyforramen: Funny! Very funny! Also? Writes some great ficlets that are, I think, exclusive to tumblr, which is a tragedy, tbh, but as is their right. But I do have the link to this genius fic about bughead and a platypus in honor of the platypus anon that was going around this summer. Definitely go check them out!

And now I am very tired, I have used up my energy, and I am so sorry if I forgot anyone!

#Riverdale #fandom #fic recs #I mean they're buried in there but they're THERE #can you tell I ran out of steam at the end?

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p-and-p-admin · 4 years ago

Photo

Interview given to The Severus Snape and Hermione Granger Shipping Fan Group. (sharing here Admin approved)

https://www.facebook.com/groups/199718373383293/

Hello Oracle Obscured and welcome to Behind the Quill, thank-you for letting us get to know you a little better.

Many readers will know you already and if they don’t I encourage them to look your works up including Teaching Miss Granger and How I learned to love teachers’ meetings

Okay, let’s jump right in.

What's the story behind your pen name?

Hmmm ... that’s kind of a weird answer for me. I wanted to choose a name that didn’t immediately indicate whether I was male or female. I’d noticed a certain freedom afforded to authors of indistinguishable gender. With no societal construct about the “nature” of the creator, the story stood on its own, without prejudice or conditioned expectations.

I brainstormed about six or seven names and then picked the one that appealed to me most. I’ve always felt drawn to the idea of oracles (those who see beyond). And I definitely felt obscured in that department. (Hell, at the time, my whole life felt obscured.)

Which Harry Potter character do you identify with the most?

I don’t know if I do. I guess if I had to pick, I’d say Hermione, as I have a tendency to be an obsessive perfectionist when it comes to work/studying. I like to be organized and plan things out. And I can be quite demanding and harsh with myself when I feel like I’m not measuring up to my own insane ideals.

But I took that openpsychometrics.org statistical quiz a while back, where you answer like a bazillion comparison questions (I did the longer version), and my highest HP match was Remus Lupin (83%). Yeah, I can see that.

Luna is my favorite character, but I don’t know if I identify with her more than anyone else.

Do you have a favourite genre to read? (not in fic, just in general)

It used to be horror/suspense, but ... I don’t know ... I’m just not as into it anymore. Maybe it’s because the real world is horrifying enough without adding fictional monsters to the mix.

Now I mostly read classics.

Do you have a favourite "classic" novel?

To Kill a Mockingbird.

At what age did you start writing?

Just writing stories in general? Maybe second grade. It wasn’t a passion or anything, just something I was pretty good at. I only really did it at school, though, not so much at home. I read A LOT growing up, so I naturally imagined that I might be an author one day. I tried to write a book when I was about 13 or 14, but less than one chapter in, I decided it was too hard. (I was NOT a Hermione growing up. Planning and perseverance were not my style.)

I took a massive break from thinking after high school (the smorgasbord of medications I was on didn’t like me using my brain too much, and my plans for college went out the window when my depression become unmanageable). I didn’t really start writing again until I was about twenty-seven. That was when I found fanfiction. I consider that when I really started writing.

How did you get into writing fanfiction?

I found fanfiction while looking for erotica. Needless to say I discovered the motherlode, and I was hooked. Over the years, I’d written bits and pieces of my own sexy scenarios (which is what you do when you grow up without the internet and you have to depend on your imagination for all your kink requirements), but I’d never really thought about taking someone else’s “story world” and using it as my setting. For a little over a year I read/devoured all the HP fanfiction I could, and then I realized I could take all the fantasies in my head and play them out with my favorite characters.

The first story I wrote was a funny/smutty Ginny/Draco thing, and it was HORRIBLE. The story and the sex were fine, but the writing was a nightmare. I submitted it to The Restricted Section, which was the only site I knew at the time, and they vetted their stories, so I had to get approved. They wrote me back saying it needed work and I should get a beta. So I went on the forum and found one (which was rather brave of me now that I think back). The person who helped me must’ve had the patience of a saint, because he/she(?) never said a damn thing about all the mistakes and shitty-ness. Suggestions and corrections were made, and I changed some of the pronouns to names so it wouldn’t sound so repetitive. The next time I submitted it, they accepted, and I got a decent response for a first-time writer (like three or four nice reviews). No one seemed to hate it, and the reviewers said the sex was hot, so I tried again, hoping to do better.

That’s when I wrote the first chapter of Teaching Miss Granger. It started out as just a oneshot. And it got a much better response. I wanted to write more, but I became extremely depressed and lethargic, and I didn’t really do anything for the next six or seven years. (I mean nothing. Unless you consider watching every episode of Law & Order CI and SVU ten times over to be an accomplishment.)

I came back to it years later, intending to add a few chapters to TMG where they have sex, but ... it just sort of evolved into the monster that it is. I worked on it pretty much every day for about a year. I’d never stuck with ANYTHING that long in my entire life.

What's the best theme you've ever come across in a fic? Is it a theme represented in your own works?

I would say love or “the power of love” is probably my favorite theme. But that includes synonyms for love as well. (Like wholeness, which is the theme of Quartet.)

What fandoms are you involved in other than Harry Potter?

None. I like other fandoms, but I don’t write for them, and I don’t usually read their fanfiction.

If you could make one change to canon, what would it be? Do you have a favourite piece of fanon?

I’ve never really thought about changing cannon. I mean, I change it to suit my fictional purposes (like Snape lives etc.), but I wouldn’t want to change canon for real. The deaths in HP serve a purpose, and while I find many of those deaths heartbreaking, that’s kind of the point. Hatred is bleak and destructive, and good people don’t survive wars simply because they’re good; bad things happen to good people all the time. As for changing something about the individual characters, I can’t get behind that either. The reasons people do things are multifaceted and complex and they’re colored by a lifetime of experiences I will never know or understand, so I don’t feel I can really judge. I can’t say I understand all the choices I’ve made in my own life, and there’ve been plenty of times where I had no choice at all. I can’t hold others to more rigorous standards than I myself can meet. We all have our shortcomings. (And that’s cool. Without them, there would be no growth or diversity.)

Do I have a favorite piece of fanon? Hmmm ... probably Head Boy and Head girl rooming together or having private rooms.

Oh! And uniforms.

Do you listen to music when you write or do you prefer quiet?

I used to listen to really quiet classical music while wearing headphones. Every little sound in the house distracts me, and I have to block it out. But lately I’ve just been running this old box fan that drowns out the noise.

What are your favourite fanfictions of all time?

Crap, I don’t know if I can choose. (Plus I feel like I’ve forgotten a lot of what I’ve read.)

My friend Desert Sea is my fav Hermione/Severus writer. Out of her stories, the ones I like best are In Their Hands and At the Headmaster’s Discretion.

After a brief search of my accounts, I’ll go with:

Do Not Go Gentle by senlinyu

Another Dream by dragoon811

The Last Twenty-Four Hours of Severus Snape by CryingCinderella

Pretty much everything by Aurette

Pet Project by Caeria

Post Tenebras, Lux by Loten

All the SS/HG stuff from snapeslittleblackbuttons

There’s a Teddy Radiator story that I like a lot, but I can’t remember the name of it. (Or what it’s about.) (Yes, very helpful, I know.)

And in a category all it’s own is Farmer Granger and the Most Glorious Cock by MyWitch. (Seriously, I read this like once a month and it makes me laugh every time.)

I read a lot of Drarry too. Drarry stories I love:

Everything by bixgrl1, but especially Balance Imperfect and In Evidence of Magical Theory

Everything by lq_traintracks (even the non-Drarry stuff). The writing is amazing.

I love all the advent stories by Saras_girl.

I like all the Drarry stories I’ve read by Faithwood.

I really like RZZMG’s writing. (No particular story or pairing.)

And I just rediscovered a story I found in 2007 (the first m/m fic I ever read). It’s a Snarry, which I know isn’t everyone’s cup of tea, but it was excellent. Snape: the Home Fries Nazi by pir8fancier

Are you a plotter or a pantser? How does that affect your writing process?

I enjoy a bit of both. My oneshots are all pantsed. TMG was totally pantsed. But Getting Personal and Quartet were both plotted and planned. For GP I did sort of a chapter by chapter synopsis before starting my rough draft, and for Q I went into even more detail—EVERYTHING was planned out ahead of time. The only thing that changed during the first draft was I ended up combining some of the chapters.

How does plotting affect my writing process compared to pantsing? It streamlines it. In a oneshot there’s not much to streamline; the basic story (or general idea) is all you really need. There’s not enough story to get muddled. But when I’m writing something longer, with multiple chapters, I find it’s better to know where the story is going. How deeply I go into that planning can vary. Sometimes there’s just a basic outline of the major plot points and then I fly by the seat of my pants from there. Sometimes I write out a very rough synopsis (sort of like a short and loose first draft) and then start writing as if it’s my second draft. Things inevitably get changed once I really start writing, so the planning isn’t set in stone by any means, but when I plan, the story goes in the general direction I intend without veering too far off course and there aren’t any plot holes. After I wrote TMG (with no planning) I saw that there was A LOT I could have cut or combined without affecting anything important. I learned a little more with each story I wrote, and when I got to Q, there was a lot of complicated ideas that I wanted to incorporate, and there were so many characters (and character arcs) going on that I had to plan extensively to make sure everything fit together. If I hadn’t worked it out ahead of time, it would’ve been like throwing a heap of puzzle pieces on the table but not being given a reference picture to know what it was I was working toward.

What is your writing genre of choice?

I have no idea. Plotty sex? Erotic dramady? Some of it is just straight up PWP, but I usually like to have something meaningful in there too.

Which of your stories are you most proud of? Why?

Usually the answer is whatever I’ve most recently written, as it’s the most likely to represent my current “best.” In terms of writing, I’ll go with A Brush with Magic, but Quartet is probably my best storytelling. A lot went into that (symbolism, planning, obsessive re-writes) and it holds a good deal of personal meaning to me. So, I guess I’ll go with Q due to the time and effort involved.

Did it unfold as you imagined it or did you find the unexpected cropped up as you wrote? What did you learn from writing it?

The unexpected always crops up (even with all my planning), and it’s the unexpected that makes the magic.

While I had many insights into my own nature while writing Quartet, in the end I think it taught me to trust/listen to myself more.

Later, however, it brought me a very different message. While writing it, I felt a lot of tension and anxiety; I wanted to “do it right” and present my story in the best light. But after some time away, I realized I’d been so worried because I felt as if that story represented me, as if it defined me. And the pressure of being judged worthy or unworthy had been eating me alive.

But I don’t feel that way anymore. Now it’s like I wrote all my stories in another lifetime. While they all might be a snapshot of a fraction of my mind, nothing I create ever says a damn thing about who or what I truly am. Since letting go of that, I’ve found a sense of freedom around writing. I still like to express things as clearly and beautifully as I can, but it’s more a celebration of words than a search for acceptance.

How personal is the story to you, and do you think that made it harder or easier to write?

Quartet was extremely personal to me when I wrote it, and in a lot of ways I think that made it easier to write. When I have to go strictly by imagination, I feel as if I’m missing some depth of understanding (like I’m getting the surface-level stuff, but missing the nuance). When I write from experience, it has an entirely different quality. Richer. More intimate. It’s work to write what I don’t know, but it’s easy to write the truth.

Posting, however, is an entirely different story. Other people don’t always want the truth, and if you feel like your story is an extension of you, it can hurt to have any part of it rejected.

What books or authors have influenced you? How do you think that shows in your writing?

I think everything I’ve ever read or seen has influenced me. In terms of writing, I guess I’d say I’m inspired by beauty in all its forms. When I first started reading fanfiction, I just searched for the kinks I liked; it was all about the sex (with bonus points for having a decent plot). Then one day I read an extremely well-written PWP (I don’t remember what), and the way the author described the sex was so unlike anything I had ever read, it totally blew my mind. It was art. Exquisite art. And before that, I didn’t know sex could be art. That author didn’t just recount the characters’ actions, they painted a word masterpiece—they turned porn into poetry. THAT was what I wanted in my life. And I didn’t know it until that moment.

Books/authors that stick with me:

The Harry Potter series (obviously).

Shel Silverstein (Love the poetry, but The Giving Tree is one of my favorite books of all time.)

Dr. Seuss (Always.)

Judy Blume (I still have my copy of Are You There God it’s Me Margaret from when I was, like, 10. Tiger Eyes is my favorite of hers.)

R.L. Stine (I got hooked prior to the creation of the Goosebumps series, but I had EVERY Fear Street Book he wrote when I was in middle school.)

Weekend by Christopher Pike (This was the first YA thriller I ever read. *Sigh* memories. I still have my original copy, and I still read it every once in a while. The characters and plot are great.)

Stephen King (Carrie is my fav.)

Anne Rice (I’ve read all the vampire and witch books, but The Witching Hour is the only one I’ve read multiple times. Blackwood Farm is my next favorite.)

To Kill a Mockingbird

Charles Dickens (David Copperfield is my fav.)

Jane Austen (I can’t pick between Pride & Prejudice and Sense & Sensibility.)

Thomas Harris (Brilliant writing, and Hannibal might be one of the most intriguing anti-heros ever.)

Stieg Larsson (Another brilliant writer with a brilliant character.)

The Giver by Lois Lowry (I haven’t read the rest of the trilogy. And I haven’t seen the movie. I refuse to besmirch my childhood love with Hollywood’s interpretation.)

Bridge to Terabithia (This book devastated me as a child.)

Gillian Flynn (Sharp Objects is my fav.)

Liane Moriarty (I like all of her books, especially Big Little Lies. The way she plays with the timeline is masterful.)

Frank Herbert’s Dune. (I grew up on this. It’s my dad’s all-time favorite book. And, yes, we’re looking forward to the new movie.)

Margaret Atwood (The Handmaid’s Tale is horrifyingly wonderful. And Atwood herself is fascinating. Watch her Masterclass if you get the chance.)

Steinbeck’s East of Eden (This might be my second favorite book.)

The Lucifer Effect by Phillip Zimbardo (This isn’t fiction, but it was the first book that really affected the way I see the world.)

Eisler’s The Chalice and the Blade (Also not fiction. If you’re interested in the divine feminine and a more egalitarian society, this is the book for you.)

Loving What Is by Byron Katie (The only self-help book that’s ever actually helped me.)

Daphne Du Maurier (I love Rebecca, but she also has a story called “The Blue Lenses” that isn’t really intended to be scary, but it freaked me the fuck out.)

The Secret History by Donna Tartt (Gorgeous writing, and the plot left me seriously disturbed.)

One Flew Over the Cuckoo’s Nest by Ken Kesey (Gah! I love this. The writing and the story and the characters and EVERYTHING!)

Fahrenheit 451 by Ray Bradbury (I Bradbury’s writing style, but the plot of F451 is pure horror for any book hoarder lover.)

The Lord of the Flies by William Golding (This might be my third favorite book ever. No, wait, I might like it better than East of Eden. I can’t choose!)

The Diary of Anne Frank (How in the hell could anyone read this and not be affected by it?)

Do people in your everyday life know you write fanfiction?

No. This is my own private world, and I like it that way.

How true for you is the notion of "writing for yourself"?

Very. I write what I want to read. There are certain adjustments I make when I write for other people as opposed to what I do when writing strictly for myself, but nothing major. I refuse to write things I have no interest in, and I don’t write to make people happy. I write to please myself. (But it’s nice when what pleases me pleases others. It’s wonderful to share that connection.)

How important is it for you to interact with your audience? How do you engage with them? Just at the point of publishing? Through social media?

I like hearing from my readers. I don’t have a lot of time to interact, but I like talking to my audience and listening to their insights. I try to reply to all the comments I get on AO3 (it’s just too hard on FFN). And when I have free time (which isn’t often) I check my FB groups to see what’s going on. To me, the interaction kind of completes the creative cycle; it helps me set the story free and allow it to be. It really belongs to the reader once I’ve published, and it’s nice to see the ripples creativity creates.

What is the best advice you've received about writing?

Unless it’s absolutely necessary, stop using the word “was.” Completely changed my writing.

What do you do when you hit writer's block?

It doesn’t really happen that much, as I usually know where I’m going with my story, but there can be glitches between scenes or times when I can’t find the words for something (like ending a chapter). When that happens, I usually just leave it and come back later—I can’t force it if it won’t come.

If I really need to get it done for some reason, I read what I have over and over, adding a little bit more each time, trying out words that “sound right” and building what I need bit by bit. What I come up with isn’t always right or what I want, but at least I have something to work with. Sometimes seeing what’s wrong makes what you want more obvious.

Has anything in real life trickled down into your writing?

Yeah, just about everything Sex, depression, anxiety, personal growth, likes/dislikes, insights, interests, philosophy, all my little neuroses. Every once in a while I’ll even include some dialogue from real life.

Do you have any stories in the works? Can you give us a teaser?

I’m juggling about five long stories right now (plus a couple oneshots). And I haven’t worked on any of them in ages. I don’t know what’s going on with me; I’m just not in the mood. I don’t want to say what they are, as I might never finish them. (Two are Drarry and three are Sevmione. One is a compilation of oneshots. Four of them are completely planned out and just need to be written. The unplanned Drarry was always just meant to be for myself and I doubt I’ll ever release it.)

Any words of encouragement to other writers?

Yes. Enjoy the whole writing/creative process as much as possible. Try not to beat yourself up, and don’t try to force yourself to be better. You will naturally get better the more you write. Change is inevitable; allow it to happen. Read books about writing, and read good writers. Notice what brings you the most pleasure when you read and tap into that same pleasure when you write. Play with words and ideas just for fun. Watch and see what appears. There is no perfect.

If you’re writing about sex (because I get asked about that a lot), write what turns YOU on. Don’t try to be sexy. Don’t try to write what you think other people want to hear. Don’t worry about what other people think (at least in the first draft). If they don’t like it they can go read something else. But if YOU like it, it will shine through in your writing, and that will have a bigger impact on your reader than any activity you describe. Also, the physicality is only a fraction of the sexual experience. Don’t turn your sex scenes into a play-by-play. You’re not really writing about what the characters are doing so much as how what they’re doing affects them. It’s a personal experience, and the more personal you make it (the more honest and vulnerable you are as a writer) the more satisfying the story will be for your reader. Wise words! Thank-you so much for speaking with us today Oracle Obscured.

#snamione #writing #fanfiction #fanfic

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wasdname · 5 years ago

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kakegurui anime vs manga pt. 2

ah, rei batsubami. she doesn’t exist in the manga, so every scene with her in the anime obviously isn’t in the manga. i think i will ignore the scenes with rei, since it’s anime-exclusive and everything else that happens isn’t really affected by rei being there or not. this post will mainly be comparing things that happened in the manga that didn’t happen in the anime for kakegurui xx (season 2). here’s a link to pt. 1 for season 1:

https://wasdname.tumblr.com/post/615241570260811776/kakegurui-anime-vs-manga-pt-1

LONG post with spoilers under the cut. season 2 had a lot more differences than season 1.

i’m going chronologically according to the anime. this might get confusing later, but bear with me. there’s a LOT to cover.

let’s jump into the very first two episodes of xx, when kirari announces there will be an election with the student council and the -bamis are introduced (ch. 34):

the one person who would know about kirari’s family would be, obviously, sayaka, kirari’s secretary. in the anime, sayaka has no clue who they are and kirari makes rei introduce them (more on that later).

after the introductions, we get reactions from each student council member. yuriko asks sayaka what she thinks about the situation:

and here we have the first major difference. in the manga, because tower of doors happened already, sayaka is much more confident and content both about herself and her relationship with kirari. she doesn’t need to understand everything that happens in kirari’s head, and sayaka knows that kirari doesn’t love or value sayaka any less because she doesn’t understand or for the things she chooses not to tell her. in the same way, kirari doesn’t understand sayaka all the time either, the difference being that kirari was never bothered by that as much as sayaka was bothered about it. SO, in the manga, we have a mutual understanding between the two characters now, thanks to tower of doors.

however, in the anime, sayaka reacts much differently and agrees with yuriko:

the fact that she doesn’t know who the -bami’s are also adds to pre-tower-of-doors sayaka’s growing list of “things kirari didn’t trust me enough to tell me”. they really want sayaka to suffer, huh?

i already wrote a bit about the meeting between kirari and terano (Ch. 36) in pt.1, so i’m going to skip over that to the next thing (but i’ll come back to this in a bit, it’s related, trust me), mary and ririka’s meeting (ch. 40). there’s a little bit of extra dialogue before mary takes off ririka’s mask:

it’s not that significant, but mary’s a little more animated in the manga, where in the anime she just kinda listens to what ririka’s saying without interrupting:

and then the mask comes off, and mary mentions ririka’s appearance:

“Kirari’s already exposed this face to the public. She doesn’t see it as any big secret.”

this line is interesting. i don’t know what to make of it yet. ririka is hiding her face, despite the fact that she claims kirari doesn’t care. so is ririka wearing the mask of her own volition? it’s easy to assume that kirari’s forcing ririka wear the mask, but that’s apparently not the case. i want to refer back to chapter 36 again, since it’s related here, the meeting between kirari, ririka, and terano:

notice how terano calls out ririka, not kirari, for doing this. why is that? was terano calling out ririka for being the one responsible for deciding when kirari and ririka switch identities, or was ririka just doing what kirari told her to and terano was calling ririka out for being kirari’s door-mat? or maybe i’m completely overthinking it (lol) and terano was just calling out ririka simply because she was the one in front of her? god i wish we could have seen how this scene played out.

we haven’t yet seen kirari and ririka interact at all, even in the manga. the mystery that is kirari and ririka’s relationship is one that i can’t wait to see unfold.

onward. there’s extra insight into miri’s feelings in the manga during the gamble vs. mary and suzui, when one of the sisters has to lose (season 2 ep. 4, ch. 43):

poor miri :( in the anime, she kinda just does what miyo tells her and faints, skipping over her thoughts about her sister threatening her.

this one isn’t significant at all but i thought it was funny, the first rankings (Season 2 episode 5, Ch. 44):

#9, horo joumaru.... exists (lol). in the anime, he wasn’t even ranked, instead being replaced by sumika.

this is where things might get a little hectic, because there’s multiple things in this one episode that is spread out over multiple chapters in the manga, but bear with me. in the same episode, rin and sumika challenge kirari to a gamble. the anime cuts to the second half of the gamble, but in the manga, there’s a little bit more build up (ch. 50):

and then kirari immediately proceeds to tear apart rin’s lie. god, i love kirari so much

and it’s at this point where the manga and anime match up and kirari goes “all in” a million times.

next is the yumemite vs sumika gamble (still season 2 ep. 5, but ch.51). the reason the manga is ahead here is because the anime moves the greater good game to after this gamble, but it happens earlier in the manga (ch. 45-49).

before the meeting, there was a scene that wasn’t included in the anime where mary and ririka are trying to find someone to gamble, which is why they weren’t in the pre-gamble meeting for the yumeko/yumemite vs sumika gamble. this is confusing because, chapter 46 (season 2 episode 5), the scene where mary decides she will work with ririka if she can win a gamble, didn’t happen yet. the anime kinda shoots itself in the foot here, and i’m still not sure why they decided to move things around they way they did, which resulted in the loss of this scene (maybe to build suspense for the greater good game? idk). i’m going to include it here, since it’s relevant, and we’ll go over the chapter 46 scene with mary/ririka in a bit when it happens in the anime. here’s the scene, at the very beginning of the yumeko/yumemite vs sumika meeting (ch.51):

“It’s a pity, but oh well...” the yumary ship is sailing

there was also a little bit more dialogue during the meeting where they’re discussing how to beat sumika that was kinda cute that didn’t make it into the anime:

“Let’s whip Kawaru Natari’s (i refer to her as sumika) butt!” “YEAH!” you dorks. i love them.

next is the scene with mary and ririka (back to ch. 46). mary’s a bit more aggressive in the manga:

but the main difference in the manga is that ririka wants mary to make good on her promise earlier about punching her if she wins:

which is kinda intense. then mary yells at ririka which makes her cry (which doesn’t happen in the anime):

the end result is the same, though. mary wants ririka to gamble to prove herself, and if she wins....

we get this killer line from mary in the manga which didn’t make it in the anime, because the whole punching thing wasn’t even in the conversation:

mary implies that she’s going to punch kirari, since it’s heavily implied that ririka is under kirari’s orders to work with mary (but who knows? i don’t think ririka ever explicitly says who she’s working for, but correct me if i’m wrong, i could have missed it). man, i wish they kept this scene intact in the anime.

next, season 2, episode 6 (ch. 53), yumeko and yumemite vs sumika:

in the manga, when it’s revealed that yumemite broke her finger in an attempt to trick sumika with a reflex, the crowd disapproves. the anime doesn’t show this. this leads to a little extra dialouge:

sumika is actually impressed by yumemite’s resolve, and even encourages yumemite to continue to pursue her dreams. imo, this adds more to why yumemite doesn’t want to win against sumika in the last round, even though this small scene wasn’t exactly necessary for the point to get across (the anime cut it), it’s just nice that it’s there, because it makes the reader acknowledge sumika’s charm/manipulative-ness as well, and shows that yumemite is completely moved by sumika in every way.

after round two, there’s another extra bit of dialogue that didn’t make it into the anime, which gives us a little more insight into what someone like sumika is doing here:

again, not that significant, but it’s there. she just wants to observe people, and what’s more “alluring” than her own crazy family? also, it doesn’t matter, but why are they naked?? i’m not complaining ( ͡° ͜ʖ ͡°)

it’s not that significant, but there’s another extra exchange between yumemite and sumika before the final round, when yumemite convinces herself she will lose in terms of talent no matter what:

everything else that happens is essentially the same.

mary is also shown checking up on this gamble in episode 5, at the beginning of all this:

in the same scene in the manga, she’s just walking with ririka behind her, without her phone:

good job, anime. they also show her checking her phone later in both the anime (at the very end of season 2 episode 6) and manga as well (ch. 55). it’s just nice because it shows that mary cares about her friends even if she can’t be there with them.

season 2 ep. 7 (Ch. 45-49), aka, the greater good gamble. there’s a little bit of dialogue the anime doesn’t show, about terano having to revise her plans (also, holy sh*t, when was terano expecting to defeat kirari?):

this isn’t too significant, but there’s a bit of extra dialogue about how many votes sumeragi earned and how she earned them when she’s conversing with manyuda that they didn’t show in the anime (ch.45):

there’s also a little bit of insight into sumeragi’s thoughts about terano and yumeko when they all get together for the greater good gamble, before they start playing (ch.45):

and again, some more extra pre-game stuff from ch.46, where we get to see a little more of ibara’s personality and sumeragi’s thoughts:

this isn’t that significant, but there’s a little extra dialogue from ibara and manyuda during the first turn when manyuda asks yumeko if she feels guilty about ruining people’s lives when she wins:

“You nervous? Want me to hold your hand? Hmmm?” ibara’s such a big goofball (lol)

there’s some more pages that include sumeragi’s thoughts during the game about the gameplay, but it’s not that significant. it’s mostly her saying things that we the readers already know, or her explaining the gameplay that’s happening. so i’m not going to include it since it doesn’t really give any insight into her character (it’s not that deep, really) and this post is getting long AF.

after the first perfect round where everyone paid 5 coins in taxes, we get a very cute moment with ibara and manyuda in the manga that unfortunately didn’t make it into the anime (season 2 ep. 8, ch. 48):

i’m really liking ibara (lol).

that’s it, for everything that happened in the manga that didn’t happen in the anime. again, i excluded everything with rei, since she didn’t exist in the manga. i also excluded the scenes with sayaka that kinda build up to tower of doors (for example, season 2 ep. 8, at the very end where sayaka wants kirari to order her to get rid of terano) and the tower of doors arc itself (season 2 ep. 9-10), since it overlapped with season 1 stuff and i already covered that in my previous post. they didn’t change much in the tower of doors arc anyway (literally only the puzzles on the doors were a little different), it was very faithful to what happened in the manga (thank the lesbian godesses)

i encourage y’all to watch the anime if you’re curious about rei and how they integrated her into the story, as well as some extra scenes with kirari and sayaka (i mentioned one already, season 2 ep. 8 at the very end, there’s also two small scenes in episode 12 about rei) .

let me know if i missed anything, season 2 was difficult to do because it involved going back and forth through multiple chapters. if you’ve read all this, thanks for sticking with me til the end :)

#kakegurui #kakegurui xx #yumeko jabami #mary saotome #ririka momobami #kirari momobami #sayaka igarashi #kaede manyuda #sumeragi itsuki #anime vs manga

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pandaspwnz · 6 years ago

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some caos part 2 thoughts/opinions

Keep in mind that I binged all of part 2 in 2 evenings so I may misremember or straight up forget certain things. Obvious spoilers ahead!

- in the first episode I thought Ambrose felt way out of character to the point that it took me a couple episodes to regain my trust/fondness of him. Part 1 Ambrose would have backed Sabrina immediately as top boy, and the standby-ness of support/reaction to all thing related to the Judas-crews' shenanigans made it a bit difficult to ascertain his stance on things. Luckily that got corrected a couple episodes in.

- Theo Putnams arc of coming out regarding his identity is amazing. I can't, as a cis woman, say it's perfect as I've never experienced what it's like to be trans, but from what I've seen on Tumblr through the years they seem to be nailing it, and I'm glad the show is going full on out with it, both with telling us who he is and how he feels.

- that being said, yay that the bully eventually apologized but I don't think I'd have been nearly as forgiving as Theo. Redemption is a wonderful thing but imo he doesn't deserve it after how he's treated Theo throughout the years.

- still overall getting creeped out that Sabrina is 16!!!!!!! and dating Nicholas who's attended the Lupercalia at least twice, making him A MINIMUM of 18. Combined with how witches age super slowly and Nick looks to be mid 20s AT LEAST it screams all kinds of massive age difference to me and I am not about it. I love Nicholas, I love Sabrina, I respect that he's never pressured her, but it is at the very least a huge gap in emotional maturity and I'd honestly just feel better if Sabrina could date a person that looks and is her actual age (or nobody, really) . Like even Harvey irked me in part 1 as the actor looks so much older than Kiernan, despite the fact that their characters were the same age.

- the Amalia thing was weird and sudden and I don't think I still really understand how she and Nick's relationship worked? It felt very filler episode-y

- I thought the timing and pacing was a bit off this season. Some things got a lot of time that needed less time, some things that needed more time got less. I would for instance have liked to have more backstory on the angels before they swooped in from one day to the next with hardly any explanation. Who were they? Where did they come from? How did they find any witches (like what was Luke doing that led to them finding him)? Why were there only 3 of them? Why did they strike now? Etc.

I also would have liked to see more backstory on Lilith/Lucifers relationship. It felt very much like it took her 5 minutes of another mans attention to sway her from the dark lords' side. What made this Adam dude so special? She's been alive for millenia so why did she get vulnerable now? Why did her part 1 affections for Satan fade so extremely fast in season 2, instead of being a gradual thing? Also I would have liked to see more of Lucifers descent from falling from heaven to being a batshit insane goat instead of just seeing a brief bit of decaying into goat form.

- Despite my irks of Nick/Sabrina and in general it feeling like both Sabrina and Harvey got over each other quickly, they still felt more natural to me than Roz/Harvey. It felt out of place and forced, and I honestly thought if anyone was going to date, it was Theo and Roz. They had much better chemistry all through part 1 AND 2 and seem very supportive of each other. That said, Theo bailing or being awkward whenever Roz and Harvey kiss was very relatable to when you're the third wheel.

- also can we stop with the people speaking in unison so damn much? Every single time it happens it brings me out of it, breaks the immersion and seems super awkward. The weird sisters, the tribunal etc, it just makes me wonder how long it took for the actors to nail it and it seems forced and weird - and not in the good way.

- it also felt like Sabrina-throw-caution-to-the-wind-Spellman should have learned her lesson a bit regarding throwing magic around all willy-nilly. She knows magic has a cost, and even despite this Dark Jesus magic being new and different, she seemed like she should and would have been more cautious regarding balance.

That said I also never liked the plot points where someone unlocks a new, previously unknown and unexplored kind of magic and just immediately know how it works and how to use it. In this case this is both in regards to Sabrina Dark Jesus-ing, and Roz suddenly sharing her cunning vision with Harvey.

- I know Dorian Gray turned out to be a treacherous little rat but his story has always fascinated me and I kinda love him.

- on that note however, less misogyny next season please. I know it was to say This Is Bad but it felt like they knocked it over our heads too much and I could use less of it.

- was nobody supposed to notice that Feisty Zelda Spellman turned into a 50s housewife? Especially since clearly people know about the Caligula-calamari magic being a thing?

- also, more badass, smart Hilda please. And good on her for spidering old Methuselah to death, creepy bastard. Next up, Father Blackwood!

- also Prudence Night (Blackwood technically but ick) is still the queen of my heart and I'd let her step on me

- also Roz going blind and immediately blaming Sabrina ALSO felt out of character. She was so supportive! I understand needing someone to blame and push anger on to, but it just seemed too much like something Harvey would have done and not Roz. She already knew in her heart that Sabrina wasn't evil, and she's too kind to blame her like that. Good thing Theo could talk some sense into them.

- the overall perversion of the miracles thing was cool but if you're literally reading a text that explicitly tells you what NOT TO DO in order to open the gates of hell and bring Lucifer back to earth, WHY WOULD YOU NOT READ ALL OF IT BEFORE YOU DO ANYTHING!?! This is peticularly in regards to the mandrake/golem solution they were cooking up. Like, cmon, that just felt like a plot hole more than anything else. You had the damn book right in front of you, guys.

- the musical scene was fucking awkward

- human Lucifer is hot

- also am I expected to believe the granddaddy of Lies just believed that Sabrina, the day after they stabbed him, had turned complacent? Please. He's too old and too smart and would have kept an eye on the crowd and not let his guard down like that. Plus he conveniently told them his only vulnerability in case they need it for another season.

I'll add more as I think of it, assuming it doesn't eat my post again, but until then, hail Lilith.

#caos #caos 2 #the chilling adventures of sabrina #the chilling tales of sabrina #sabrina spellman #my post #caos spoilers

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tippitv · 6 years ago

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Supernatural Recap: 14:01 “Stranger in a Strange Land”

The road so far... is thirteen years long. Thirteen years. If this show were a person, they would be dealing with acne and/or getting their period. We're on the fourth American presidential term since this show started. My dog Henry looked like this

And now he looks like this:

But back to the show's rock-n-roll montage to catch us up for this season.

There was a nephilim boy named Jack, an alternate dimension accessible by an episiotomy in spacetime where bad angels ruled and dead characters were still alive, and a weird fight between Dean Winchester (with archangel Michael stuffed up in him like a heavenly turducken) and Lucifer that ended up looking like the video for Total Eclipse of the Heart.

At the end of it, Michael absconded with Dean's hot bod and made him wear a silly cap and break the fourth wall.

As the episode starts, Sam's full beard lets us know that some time has passed since the finale. He's driving through slick streets because it's always raining in the lush coastal rain forest of Kansas. .

But then we cut to some other bearded guy, asleep in a room somewhere that looks like a room they've used on this show a lot, but this time with a weirdly loud background soundtrack of ocean waves and seagulls. The guy gets up, puts his prayer mat down on the floor, and begins praying in what the CC tells me is Arabic.

He looks up to see Michael (in Dean) sitting there in his little cap. "Hello, Jamil," Michael says. Jamil looks surprised, as one should.

Michael quotes from what Google tells me is verse 2:98 of the Holy Quran in order to introduce himself: "Whoever is an enemy to Allah and His angels and His messengers Gabriel and Michael..." He still makes Jamil go through a guessing game. God? No. Gabriel? No. One of these guys in Newsies?

Also no. He says he's there to ask Jamil the same question he's spent weeks asking people all over the world. "Do you want your newspaper on your porch or in your mailbox?"

"What do you want exactly?" Michael asks him. Jamil says he wants peace and love. Michael says "you never would have ran" from Syria if that were true. Okay first of all, that's "would have run," Mister Archangel. Second of all... wait, where did the seagulls go? It's quiet now. As if they left to bother someone else.

Michael flings him around a bit with his angel powers. Like is that even fun? Super powerful beings always act like it is but it's just a normal part of his abilities like my being able to scratch my elbow or blow my nose is normal for me. Anyway, Michael says he wants a better world. Cut to the season's new title card!

Meanwhile, the bunker has been embraced by the resistance fighters from the alternate dimension. Is anybody feeling guilty about the fight they left behind? Are they assuming the fight over there is done because Michael is here now? Mary checks the aim of a new gun by pointing it at or very near these people's danged heads.

The girl already died once so maybe she's unflappable and the guy's too busy getting a monster tooth removed from a wound to notice. He says it happened in Phoenix... which Google tells me is at least a 16-hour drive away if you have a normal car.

Sam joins the bunker, letting us know that he's been in Atlanta checking up on a possible Michael-Dean sighting that turned out to be someone's drug-induced hallucination. It's the good thing the Impala travels a thousand mph or that would've been a lot of wasted time. He and Mary exposit about how it's been three weeks since the end of last season. That's only three weeks of beard growth? Does that seem like a lot just because I don't grow beards?

Sam has just enough time to yawn and be sad before some guy who looks like if maybe Jonathan Van Ness got halfway through getting ready to go chop fire wood tells him there are some "gypsy type" vampires heading east. Boo, Fake Jonathan. Even though he's exhausted, Sam starts delegating teams to go take care of the problem and sits down to hack into a traffic cam.

Then he remembers a cliffhanger from last season. "Hey how's Jack?"

Cut to Jack getting his ass handed to him by Bobby in a fight training session. Aw look at his cute lil sweats. Wait... what are those windows in the gym? They look look like they're streaked with rain. Isn't the whole bunker underground?

Also omg someone give that boy a face guard while he's sparring! He can't heal his cute little mug anymore!

Meanwhile in Detroit, Castiel is following up a lead at a BBQ joint called Motown Meats. And like I know "Motown" is also a nickname for the city and not just the name of a record label, but the country music playing in this joint is still annoying to me. Anyway some pink-cheeked fella who thinks burgundy brown shoes go with cornflower blue suits strides into the place all, "Castiel! Darling!"

This fella, with his imperious little strut and vaguely Southern demeanor, simply demands I refer to him as Young Lindsey Graham. He orders sausage, brisket and "pork ribs, well done." What the fuck, Linds? All pork ribs are well done! If someone gives you underdone pork anything, you get right off your ass and call the health department!

"I didn't think you consorted with my kind," Linds says, revealing himself to be a demon and also someone who doesn't know his basic show history.

Castiel is loath to admit that he needs information. "Does any demon know where Dean Winchester is?" Young Lindsey is delighted and scandalized at the thought of Cas losing any Winchester, much less Dean. "I thought you two were joined at the... everything." He gets about as close to pointing/looking at Cas's dick as Mary got to pointing that gun at those people's heads.

Yes, I'm terrible at making gifs. Anyway, Linds goes, "What's in it for moi?" And Cas tells him, "Your life." So Linds is like, "Come again?" Honey, he ain't even come the first time yet, don't get ahead of yourself.

Castiel uses his graveliest voice on Young Lindsey, but to no avail. It turns out the whole place is full of demons. Wouldn't Cas have picked up on that? Is he that powerless? They all crowd around him and knock him to the floor.

A sign outside a church in Duluth welcomes "Sister Jo" and advertises its morning prayers at 8 in the morning. Does that seem ridiculously early to me just because I'm a heathen? Also it's clearly nighttime in this scene. Some parishioners thank Jo for saving their lives. It seems like she should be trying to fly under the radar, so to speak.

Oh now she's walking through a dark alley, counting her money. I'll give her a pass because she has angel powers, but people on this show are always being unwise in alleys. Michael approaches her. "You don't recognize me with this pretty face?" he asks. It's the hat! It! Is! The! Hat! He reveals his big seagull-lookin' wings.

Jo is naturally suspicious of Michael. "Why would Dean say yes to you when he turned you down like seven seasons ago?" she asks. "We needed a cliffhanger for the finale and he'd already been a demon," he says. I mean, that's not what they say but I'm sure they were thinking it.

He asks her what she wants, and she tries to be glib about it but he's not buying it. He says she wants love and a family and barfy stuff like that. He keeps asking people what they want and then just ends up telling them.

Back at the bunker, Sam has a chat with Jack.

"I know this must be so hard," Sam says, "without your grace, without your powers...It's a lot, I'm sure." I mean, Sam wasn't a nephilim but he used to be super juiced up on demon blood with telekinetic powers. If there were ever a time for Sam to bust out with "hey I went through a sort of similar thing," it'd be now. Mary interrupts this tender moment to say someone's awake. Way to talk-block, Mary.

Sam reluctantly leaves Jack to go see whoever this other person is. He opens the door as the soundtrack builds up tension. The camera finally swoops in and reveals...

NO.

NO! I REFUSE. I!!! REFUSE!!!! THERE IS NO WAY NICK'S CARCASS SHOULD STILL BE ALIVE. NONE. BEGONE YOU FOUL THING, BEGONE!!!

You know what this means, right? Either that whiny little baby Lucifer will come back somehow and need to possess him again, or when they inevitably get Dean back, Michael will use this empty toothpaste tube of a human as his vessel. OH FUCK HE'S TAKING HIS SHIRT OFF

Okay why does Sam need to be the one to clean his mostly healed wound? It's not like Nick's hands are broken. Nick has a big dramatic reaction. Calm the hell down, it's peroxide not alcohol. Then he just puts the same dirty old bandage back on. What. The. Fuck.

Sam is being very sympathetic, if rattled because this guy's got the same face as the fucker that tortured him for a hundred years. Nick doesn't remember much about what happened, but says Michael told Lucifer "he wanted to do things right this time." Sam goes outside to collect himself when his phone buzzes.

"Oh, hey, Cas," he answers. Young Lindsey Graham corrects him: "I'm the boy who's got your angel." Okay, when I said he was young, I meant compared to current day Lindsey Graham. He's clearly not a boy. He's also clearly not a very worthy foe.

The music goes "eeeeeEEEEEEEEEE!!!!!!!" to build up tension, but fourth-tier demons are like basically gnats compared to the other baddies the Bunker Bunch have fought. It's kinda silly that Cas even got captured by these twerps.

But everyone is taking it very seriously and packing up their weapons to head to Detroit. Maybe the Other Dimension people haven't fought demons before? I can't remember. Sam assigns teams. "Maggie, you're with Bobby. Mom, you're with me."

Jack wants to come, too, but Bobby protests that he's not ready for a demon fight. And Maggie is? That poor child seems perpetually on the verge of jumping out of her own skin. But Sam's like, "He needs this, Bobby."

Back in Detroit, a bloodied Cas sits magically cuffed to a chair. "You sure I can't get you anything hot... and black?" Young Lindsey asks him in a needlessly suggestive manner. I mean, he's talking about coffee, not Grindr. Wtf, my dude? Castiel's face right now is so relatable.

We launch into a good old-fashioned Sit-n-Chat! Linds blah blahs about coffee and using Cas as bait, then reveals, without naming names, that Michael recently approached him like he did the other guest characters in this episode. He was asked what he wanted. "I realized after 600 years as a demon walking the planet...I didn't know." But now he's realized he wants everything. Start with some shoes that look better with your suit.

Meanwhile, Sam and Mary are driving through the perpetual rain. Seriously, how do y'all in Kansacouver deal with this much rain?? I live in Houston and we get a lot of rain, but in like... big groupings and not just constantly. Anyway, seeing that Sam is fretting, Mary says, "It's gonna be fine." Sam isn't convinced. "You don't know that!"

Now, normally this 900-mile trip would take about an hour, but Sam and Bobby didn't carpool so the Impala had to slow way down. Lol when Sam walks through the door at the barbecue place it looks like he's wearing the doorbell as a tiny hat.

Sam gets frisked to make sure he's not packing heat, then Young Lindsey waxes impressed about his shoulders and hair. He makes a "mm MM!" sound like he's just been presented a bowl of delicious bread puddin' and hot caramel sauce.

Here we are nearly at the end of the episode and we finally find out Young Lindsey Graham's name is actually Kipling. "Kip, for short," he says, offering his hand for a shake. Sam leaves him hanging. Also: lol "Kip." Kip's goons drag Jack and Maggie inside. Sam's nostrils flare in consternation as one of the demons punches Jack.

God this guy talks a lot. To sum up: Kip wants to be king of Hell and he wants the Winchesters to treat him like they did Crowley. You know, keep him around past his expiry date and then still somehow manage to make his death too abrupt.

When Sam turns him down, Kip has a bit of a tantrum. "In life, I rode with Genghis Khan!" he rails, mispronouncing it. He pouts and stomps some more, but Sam stays chill because he knows Mary and Bobby are about to bust in with guns blazing.

Slo-mo fisticuffs ensue! Kip throws Sam across the room with his powers. He's a higher level demon who could kill every human with a swoosh of his hand, but then the show would be over. Also, didn't the Bunker Bunch all have devil's trap bullets and stuff? These demons are taking a long time to die.

Kip somehow gets hold of the demon knife during the melee and takes one second long to admire how cool it is. This gives Sam enough time to switch things around and stab him with it. Kip dies as he lived: admiring Sam's shoulders.

Sam calls an end to the fight. "There will be no new King of Hell!" All the remaining demons vacate their meat suits. Who's going to run the barbecue restaurant now? Also, Castiel has been sitting, still cuffed, to that chair this whole time.

Back at the bunker, everyone is beat to hell. Cas and Sam have a rueful talk about what they just went through. Cas is embarrassed he went to the demons, but Sam says he'd work with anyone if it meant finding Dean.

In the kitchen, Mary and Bobby do a little Chekhov's flirting.

Cas goes to find Jack and try to cheer him up. "You did well," he says. "All I did was get punched in the face," Jack says. Don't sell yourself short, kid. You also got punched in the stomach.

Jack feels frustrated and useless without his powers. Cas tells him they have each other and they're family. Aww. I feel like Cas could also say he relates here. "I used to burn the eyes out of demons and destroy buildings with my voice!"

Sam gets a call from Jo. "We have a problem," she says. Is she working for Michael? Maybe!

Cut to a grungy abandoned warehouse, where Michael is currently having a chat with a monster of some kind. Maybe it's one of the vampires mentioned earlier in the episode. "Your want is pure," Michael says. Monsters are soooo much easier to deal with than people or angels! "You just wanna eat," Michael says as the monster shows off some fangs.

Incidentally, "You just wanna eat" also describes me at a brunch buffet.

So that's the end of the season premier! The FOURTEENTH season premier. Holy hell right?

If you'd like me to recap the next episodes, let me know. Thanks for reading!

And now’s the self-promo time when I add my Ko-Fi link! (ko-fi.com/A4017DA)

These are some very desperate times for me, so if you have a few bucks to spare and you enjoyed this fic, I would very much appreciate any donation. I know it looks like I’ve received quite a few donations recently but those larger ones were me “donating” to myself with credit cards to pay bills that had to be paid from my bank.

I'm afraid of not making rent this month, thanks to several clients just refusing to pay me for my work.

Or my Paypal address is [email protected] and if you send it as a gift I think no fees are deducted from my end.

#supernatural #spn recaps #recap #spn crack #so many captions #terrible gifs

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rqs902 · 4 years ago

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wow im like 2 mins into the first round and they’re introducing fruit planet and im already convinced tencent did a better job at making this finale ep than youku did for snzm LOL

oof these questions hit home right away. wow xiao zhi changed a lot to become the leader he is today, someone who wants to see his band grow together. you can tell youzi has done some serious reflecting too, to call himself too unrestrained before. ughhh you can just see how much they love runze and how much he loves them. i love parents. xiao zhi really gave runze the confidence he needed and they all gave qiang ge the encouragement he needed. im surprised the suo na worked as well as it did with the disco song and im so happy to see how happy they were on stage.

LOL muji is the real one to rein in szb and is harsh on him bc he needs it. the way muji says hes not afraid to get on people’s bad side and be the bad guy kinda reminds me of huang enyu

hope hyt and xiao xiong have really learned through their growing pains (same to ljt and szb) does that mean fruit planet is the only group where the main duo’s main fight wasn’t against each other but tencent? lol i cant imagine xiao zhi fighting any of his kids? wow i still find it amazing that zhao ke can so proudly say that 熱帶低壓 was his happiest times in front of the rest of 氣運. like thats legit love he feels for 熱帶低壓 and they respect that. wowowowow hyt’s “i can be strict towards myself, but i gotta let go for them” is like the ultimate lesson for micromanagers and he’s learned to believe in and respect his teammates and not feel like he needs to control everything. good for him.

maybe im just biased but the pitchy-ness of 氣運’s singing (xiao xiong and ma zhe /cough) just bugs me so much ugh it makes me sad bc the song is nice and id like to add it to my playlist otherwise, but i cant listen to this without frowning at the vocals. to be totally transparent, I didnt like the 午睡 song much at all (sorry ljt TT) and disco is not my style (sorry fruit planet) but at least the fruit planet perf was fun. im just kinda disappointed by these perfs in general :\

tencent putting the order as fruit planet first and 午睡 second and 氣運 last is a sign they already know 氣運 is gonna win... bc fruit planet was first place last week but if they go first that puts them at a disadvantage aka no one will be a match for 氣運 lol

lol wat is this intro video.... the plushie fruits hanging from their suits LOL im gonna have to go look up footage of their busking!! watching this second perf... this is a song i will add to my playlist :) i just love seeing xiao zhi jamming out like hes enjoying it from the beginning to end, and i esp like the contrast when wsh switched to his drum set and the part where youzi sang! his vocal tone is such nice contrast to yrz’s. and i love how theyve figured out how to incorporate qiang ge’s suo na into their music. i will say it was kinda messy in terms of runze’s rhythm and they messed up some of the lyrics but for the amount of time they had to prepare im happy with this last perf :’)

aw idk how i feel about ljt voicing that he’d rather do a band than be a soloist... but LOL MUJI a gentle but cruel real talker lol okay. who came up with these intro videos wtf????

OMG I CANT BELIEVE THEYRE DOING “I WILL MISS YOU” ARE THEY ALLOWED TO DO THIS SONG??? omg omg thats such a attack in the feels tho wtf this is such a throwback ugh i still remember this song from when zyx and ljt performed it on the first mrzz and now ljt’s bringing it back? omg but it has so many memories from the first mrzz kids and wow idk how i feel about this. i mean i know its HIS song so he’s perfectly entitled to perform it but its wild bc this song is so mrzz1 its kinda strange to bring it back for mrzz4. like does it feel like the mrzz1 kids are being replaced? or maybe i should take it like ljt is singing it in their honor and bringing it back to where he began. lol like zzn and mby know the lyrics bc theyve performed this song themselves before :’) okay so the beginning was a tiny bit pitchy but ljt is the best singer compared to everyone else!! the way he sings 揮揮手 with such power is so oof and i still just love his vocal timbre. one thing i like about 午睡 in particular is that none of them are trying to fight ljt to be a vocalist, which is unlike the other two group, and i think its nice that he can just be trusted to handle the vocals and it keeps it cleaner bc hes a capable vocalist on his own. im happy to see muji on bass too bc its cool he can be so versatile. LOL LJT introducing everyone in the middle of the song i love him hes so funnn. i will say, the arrangement of the song felt a little frame-heavy? idk if that phrase is the correct way to describe it, but i felt like there wasn’t enough sound filling the song, but jym is really jamming out in the background (im so happy whenever i see a glimpse of his drumming smile) and ljt is carrying with the vocals in the foreground. maybe its just bc im not used to this arrangement so it sounds strange to me. AW ljt going to zzn and mby to get them to singggg and AWWWWW muji running to yingge, sam, tyler, ruiyang they look soooo happy to hug him aawwwwwwww i love roommateesssss and also i still see them as this crowd of misfits who dont really fit in but can find solace in each other. can you imagine what wouldve happened if 太空餐廳 had stayed in this race? wild, i feel like they couldve made it to the end too. LOL ljt really treating this like a finale on a concert, such a pro LOL. OMG IM SO HAPPY TO SEE MAOMAO TALKING AND LJT TALKING BACK, i looove their friendshippppp awwww

wait i just had a random thought, but are the clothes they’re wearing like their own clothes? bc some of these 氣運 kids have a flashy wardrobe if so LOL

omg xiao li’s written 78 songs for 氣運????? LOL CAN WE TALK ABOUT THESE INTRO VIDEOS BC 氣運 ‘S WAS SO NICE WTF HAHAHAHHA its so biased???? like wtf were the first 2 intro videos nonsense, and then you get to 氣運 ‘s and theirs is all artistic and pretty and dramatic and nice???? what???? hahahhahaha oh my goodness they even shipped hyt a drum set in the middle of a freaking grassy field wtf

okay i honestly think xiao li is the best singer in 氣運, maybe im biased but even he started a tiny bit pitchy but he adjusted quickly and his voice is just so nice and he puts a lot of care into his vocals even while playing piano!

unrelated to the music, but honestly i thought i liked xiao li with short hair better but i do like the bangs he has framing his face here. i just prefer the back of it to not be so long LOL

WOW i said all that about xiao li’s voice before xiao xiong started singing (and i immediately wished xiao li would sing again.. oops sorry to xiao xiong, but he gets off key easily when singing soft and low contrast pitches) and then xiao li SANG THE CHORUS AND WOW his voice is so nice i like it so much!!! i really hope he feels satisfied with this perf, as its their last perf and hes said before that he couldnt face their songs straight-on yet. wow i just have to go back and listen to him sing the chorus again wow the way his voice sounded on "傷心" OOF.

what is zhao ke looking at when he raps? lol i feel like hes always looking off in a random direction but maybe im just not remembering correctly. but also the vocal effects they put on his mic make it hard to understand what he’s saying? but he also sounds like he has an accent. I dont know much about zhao ke like where he’s from or anything, but im curious if thats just bc of the vocal effects or he actually has an accent.

UGH im sorry but then xiao xiong starts singing again and hes still off key and im still cringing..... i mean id noticed he was pitchy in previous episodes but this episode seems particularly noticeable?? im not sure if its bc they did any autotuning in the past but idk xiao xiong’s kinda not doing so great today :\ also the transition from zhao ke’s rap to xiao xiong’s singing was weird??? okay xiao xiong is fine once he starts projecting and puts more strength behind his voice, and then his vocal color is pretty nice! but prior to that....

lol am i think only one who thought it was weird that they recorded the guitar solo instead of having someone play it live? was it xiao li that played it on the recording? also zhao ke outside of rapping is basically a accompanying bass vocalist at this point lol

im happy to see hyt being so happy jamming out back there, but his drum set is legit WILD.

i know xiao li isn’t super popular but i wish people could acknowledge that 氣運 would be nothing without him. ugh he does so much for their music and sound, look at how much he was involved with in the credits for this song gosh.

thank you to nana for voting for fruit planet, even tho we could kinda guess she would. but honestly not voting /cough/ is basically voting for 氣運, because everyone knows theyre gonna win the popular vote sooooo

XIAO ZHI IS A TOTAL DAD NAMING HIS KIDS, staking his claim to xiao xiong, runze and tyler L O L its cute that he told them they dont need to grow up

also can we talk about how xiao zhi said fruit planet wouldnt be here without youzi.... yooo their friendship is so real

LOL xiao li yelling at hyt REPEATEDLY that hes a flamingo LOL

im really torn about his hair length, still thinking about whether i actually like it.....

these are the superficial side thoughts that are going on in my head as i watch this show, yes.

OOF qianye saying qiang ge is 優秀, not just his suo na aww i love seeing qiang ge laughing at pengpeng’s yelling at him and getting all this love and encouragement bc it feels like its taken him a while to open up but im glad he really seems to have

i like this yelling segment, will have to go look for more clips of it

wow this last performance really giving a visual demonstration of the group splitting is kinda sad for 銀河 bc they dont get to show up until the very end and theyre not even one of the last groups standing oof but also gives you a visual representation of how it’s been especially difficult for qiang ge, muji, and zhao ke, and also the others who had to go through group splitting.

muji and sam smiling at each other at the end is all i need to see to smile.

LOL ZZN’S WELCOME TO WJJW IM CRYINNGGGG rip

aw im kinda surprised (but not) that fruit planet came in third loll what can i expect from tencent. but also its nice but also sad to see them cheering for themselves. i think they knew they wouldnt win but i think they deserved better

lol the fact that they had a banner for 氣運, and 氣運 won by like a HUGE margin, lol everyone already knew who would win

lol can we just talk about how all the kids and teachers are just like in their own world talking and hugging behind the kids giving their winning speeches LOL they give no effs to this live broadcast LOL

LOL IS THERE ANOTHER EPISODE NEXT WEEK BASICALLY?

LOL THE THIRD ANNOUNCEMENT IS LITERALLY A PLUG FOR MAOMAO’S CONCERT HAHAHHAHAHHA THIS HAS NOTHING TO DO WITH 氣運, BUT OKAY HAHAHAH

well its over. now i can go watch the recording of yingge’s livestream from sunday without fear of spoilers LOL

honestly looking back, this was a good show. i started it not really thinking id get invested bc i was also simultaneously watching snzm and since snzm is an idol show i knew id naturally get more invested in that. BUT these mrzz kids have really grown on me. theyre good kids and theres lots of talented kids among them. im curious how wjjw will deal with having 3(?) bands to promote now, but who knows, im just hoping to see more of fruit planet, ljt, and xiao li’s music in the future. i went into this show for ljt, and i came out of it with more music on my playlist (which is always great) and a high appreciation for xiao zhi and xiao li. hoping to see more of them in the future!

#rants #i appreciate how much this show focused on their bonds and friendships as groups #cant help but wonder whats next for these kids but im looking out for xiao zhi and xiao li and of course liao juntao :)#FRUIT PLANET BEST GROUP

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atarimcgregor · 7 years ago

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Thoughts on The Last Jedi

I‘ve written something like this about the last two Star Wars movies, and The Last Jedi is just about the most talked about, controversial one yet, so, of course I‘m going to have some thoughts on it. (And there are spoilers).

The good

While I didn‘t completely hate the „remake-ness“ of TFA, I‘m very happy that it didn‘t continue with this one. The Last Jedi has a lot of elements based on ESB and RotJ but it‘s more like echoes than repetition – there are always twists to it. I think The Last Jedi actually even strengthens TFA through this. It’s a natural evolution of the series’ themes. TFA was all about the new standing in the shadow of the (glorious) old – and the repetition and nostalgia worked in service of that. And The Last Jedi is all about rising out of that shadow – and the twists on the familiar there are similarly in service of that. It‘s very meta. And pretty smart. Thematically speaking, The Last Jedi is probably the strongest movie of the franchise – though it isn‘t flawless in that regard (it has some mixed messages).

Some characters were notably improved. With introductions out of the way, they were able to dive deeper into some of them. Luke was a standout. Mark Hamill finally got to really prove himself as an actor. Leia was a badass… even though that space scene could have been done better. Poe was improved and got nice flaws and character growth. With Rey, I actually did kind of buy that Mary Sue argument in TFA but thought she was much better in this one. She didn‘t really have any real flaws in TFA but The Last Jedi revealed a depth to her that I now see in retrospect was already there in TFA. And I love her origin. I completely disagree with anyone who’s upset about it. It makes her character better and it makes the universe better.

I loved the use of color. That salt planet was probably the most beautiful location in the series’ history.

I didn’t mind the humor. I actually thought it worked better than it did in TFA.

The bad

The Finn story was definitely the weakest one. I don‘t agree that it was pointless, though. It had character development and fit in with the themes. But it definitely dragged. Had some corny parts as well.

The Yoda part had me thinking: „Am I watching fan-fiction right now?“

What I probably disliked the most was Snoke. I thought Snoke was a bad character in TFA because he was too much like the Emperor, but I was very open to the idea that they’d redeem him through something interesting they had planned for the next movies. But now it’s obvious that he was never anything more than a plot device. They just needed an “Emperor 2” to throw out the window. And I think it’s frankly inexcusable that they didn’t give any explanation for him. I’ve seen a lot of people justifying it with “Hey, we didn’t know anything about the Emperor either” and that’s… bullshit. Star Wars was largely a blank slate then. Since then, the world’s been pretty well fleshed out. We now know there were a thousand years of peace before the movies and that the Sith (which we can assume are the only skilled dark side users) were only ever two at a time. The Sith got wiped out and then this ancient, powerful, evil force user shows up and it’s not clear who he is, where he comes from or why he’s showing up now. And then, poof, he’s gone forever. It seems completely obvious to me that this character demands an explanation. This is a gigantic, unignorable plot hole, as far as I’m concerned.

Continuing from Snoke: The same basically goes for the First Order. It’s very unbelievable, even by Star Wars standards, that this terrorist cell would have the resources they do. I let it go in the last one because I was hoping there’d be some explanation for it in the sequels, but no. The government has at least thousands of planets worth of tax money and are still easily crushed by them. This does actually take me somewhat out of these movies. A few lines of explanation would have done wonders.

Perhaps the most important negative aspect I can think of, though, which I’m seriously grappling with right now, is that I’m not sure this movie should exist. The Last Jedi is such a viciously iconoclastic movie. A kick in the gut of the fans of the original ones. It’s the most downer epilogue possible for what is probably the most beloved film franchise of all time. Why do it? I know it works thematically, but I’m still not sure those artistic reasons are sufficient enough. Why does the past actually need to be killed? If it was so important to raise the new Star Wars out of the shadow of the originals, another way to do it would have been to just tell a completely unrelated story. Have it take place 100 years after RotJ, for example. But, of course, people want to see the original characters returning. And if that’s the decision they went with, can they allow themselves to treat them this way? A lot of this seems needlessly cruel. I’m very unsure whether the existence of these new movies is - as overly dramatic as it sounds - morally defensible.

Other thoughts

I somehow managed to completely avoid anything about the movie until the screening. I mean I literally didn’t see a single trailer or TV spot, promotional pictures or anything. I saw like five stills online which told me nothing. It was hard work and I doubt I’ll be able to repeat it for the next one. In the days before seeing the movie I tried to think of what I could reasonably expect to happen in it based on what I knew and all I got was “Rey and Luke will be on that island for probably at least the first third and she’ll probably get trained by him.”

I‘m sort of a prequel apologist and genuinely like the expansion of the universe the prequels brought with them. When watching the sequels, knowing the filmmakers are likely only basing them on the original trilogy, I‘m always looking to see if there’s also something there from the prequels. So far it’s been very, very little. In The Last Jedi, it’s mostly tiny things, such as Luke referring to the Emperor as „Darth Sidious.“ The biggest thing that might be inspired by the prequels is the idea of the Jedi being worthless failures. That seems like a logical continuation of ideas introduced in the prequels.

A horrifying thought that went through my mind while watching the movie was: “Oh, my god. Is… is Reylo canon?” I’ve been pretty vocal with my dislike of that ship, but now I almost feel like apologizing. I didn’t think in a million years there was anything actually to it.

Elaborating on my Reylo hate: I feel like a lot of people, both in real life and the characters in the movies, fail to recognize just how bad Kylo Ren is. He’s basically a genocidal mass murderer. He’s responsible for at least millions of deaths, possibly billions. He might be worse than any people in our actual history. I think it’s actually kind of hilarious that the characters in the movies are always trying to “save him” or believe he can be “redeemed.” If there was any logic to it, then even if he went over to the good side, he’d rightfully be tried in the Star Wars equivalent of the Hague court for crimes against humanity (for lack of a better word) and given just about the maximum sentence.

A lot of people have been complaining about the force being too powerful in this one, and not in line with what we’ve seen before. That’s probably correct, but it didn’t bother me at all for a specific reason. I’m likely completely wrong about it, because no one else seems to have understood it that way, but while watching it I thought the island was a force enhancing location. I figured the Jedi chose it for their temple because it… amplified things. And that was also the reason that dark hole was there. I thought Luke had Rey sit on that rock because it was a particularly force sensitive spot. It’s at least a nice way to ignore a plot hole.

Any fan theories about the kid at the end are dumb. It‘s just a thematic thing.

On that note: I‘m pretty sure J.J. Abrams and Rian Johnson have very different ideas about storytelling which probably don‘t mesh all that well together. Abrams seems to be all about the big questions and mysteries. Johnson seems much more focused on the actual closed work and the emotion within it. That seems to have created some plot discrepancy which will hopefully somehow come together in a satisfying way in Episode IX.

Characters I’d like to see show up in the next one: 1) Lando. But I don’t see it happening. Why would he wait so long to join the Resistence? He could probably only logically have appeared in the first two movies. Though I completely understand why that didn’t happen, it would have been too many characters demanding attention. 2) Phasma. Just because of how ridiculous it would be. 3) The Raid guys from TFA. Because they were criminally underused. And I think we didn’t actually see most of them getting killed, sooo…

#Star Wars #Star Wars: The Last Jedi #The Last Jedi #Star Wars: Episode VIII The Last Jedi #Thoughts

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ethelindawrites · 8 years ago

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TV Review: BBC Sherlock, Season 4

Heads up, this one is long and chock full of spoilers below the cut. TL;DR – As a long-time BBC Sherlock fan, I am disappointed with Season 4.

I will say upfront that I was able to largely enjoy each episode of Season 4 as I was watching it. The acting was still excellent, and there were certainly scenes and parts of episodes that were fantastic. But once I had seen them all and had a chance to step back and look at the season as a whole, I had more and more problems with it. Ultimately, I am disappointed in the writers for not really living up to their own standards, which they set quite high during the first three seasons.

To be honest, I was worried about this season from the moment that Moffat and Gatiss started making public comments that season 4 was going to be especially “dark.” My worries were not unfounded. Let me see if I can articulate what I mean.

Some stories (whether books, movies, or TV shows) are dark stories. By this, I would generally mean a story where the plot or overall context of the world the story is set in necessitate that bad things are going to happen to many of the characters: some of them may die or be killed; many will suffer violence, possibly very brutal violence, either physical or mental; they may have to make choices or do things that go against their beliefs; a happy ending is not guaranteed.

Season 4 of Sherlock certainly fits this definition. The problem is that, at least for me, the previous three seasons do not set this up. There is nothing in the first nine episodes of the series which necessitates the events of the last three, which is very problematic for the story as a whole.

I would contrast this with a story that is and is meant to be a dark story. I may not have a lot of really good examples here, since I do not myself prefer dark stories and don’t tend to watch/read many of them. From what I know of it, Game of Thrones probably falls into this category. I would categorize much of Anne Bishop’s writing (the Black Jewels series, the Ephemera trilogy) as darker stories, albeit set up so that any happy endings which do occur are earned and make sense in the context of the story. For both of those series, the characters are fighting civilization- or world-destroying levels of evil, and so the fact that a great deal of suffering occurs is expected and makes sense in the context of the story. In the realm of movies, V for Vendetta comes to mind. The characters are fighting a brutal dictatorship, and must become brutal themselves in many ways, in order to survive and accomplish their goals. Here again, the darkness of the story is expected, and fitting.

The Sherlock Holmes stories do not fall into this category.

There are dark moments, and dark things that sometimes happen, in any incarnation of the Sherlock Holmes stories – obviously, since they are detective stories often centered around trying to solve murders. But as a whole, the Sherlock Holmes universe is not a brutally dark universe, and that is not the tone that the stories take.

BBC Sherlock has been, from the beginning, probably a bit darker take on the series than the original stories were (although not by much, from my memory of reading them some years back). It is more realistic, in a way, being set in modern times, and there were certainly dark parts in the first three seasons (again, murders, plus a crazy criminal mastermind). None of that was a problem, because they still felt like Sherlock Holmes stories.

For whatever reason, Moffat and Gatiss decided that that was no longer good enough, and that season 4 needed to be “darker.” I strongly believe that this was a mistake, and indeed will always be a mistake for any story that is not already set up in a darker world or universe.

In order to achieve their goal of “darker,” the writers seem to have decided that the plot of season 4 should be “make John and Sherlock suffer as much as possible, in every way, conceivable or not.” This goal then trumped all other considerations, including (in my opinion): plot, characterization in general, meaningful character interaction in many cases, and proper closure of various storylines. (Here come the spoilers.)

As best I can tell, Mary Watson is killed (in this manner and at this point in the story) for the sole purpose of making John suffer, so that Sherlock has to suffer in order to get John back. John is (in a manner that struck me as extremely out of character) “unfaithful” to Mary by text-flirting with a random lady on the bus (which turns out to be a setup, of course, but that doesn’t change John’s choices). This out-of-character-ness seems to have been done mainly so that John can feel guiltier when Mary dies so that he can be angrier at Sherlock. John has to be angry at Sherlock so that Sherlock is forced to “go to hell” in order to convince John that he needs John’s help and John should come back to save him.

The character of Eurus, similarly, is introduced solely for the purpose of putting Sherlock, John, and Mycroft through hell in the last episode. She has no other presence in the story prior to this season (that I can recall, someone feel free to correct me if I missed something in the earlier seasons, which is possible), and no other purpose in the story at all.

(I should say that I don’t fundamentally have a problem with the introduction of a third Holmes sibling; the original stories do include a brief mention of a third brother, Sherrinford. Since we don’t actually know anything about Sherrinford, obviously the writers have some leeway in making up this third sibling character, and the gender-switch doesn’t particularly matter. ETA: Apparently, I am incorrect about Sherrinford being canon! My mistake. I'm now trying to remember why I did think it was canon.)

But to make her be a complete psychopath that Sherlock has utterly forgotten about? Whom Mycroft is idiotic enough to keep alive for years after it becomes clear that she is a danger to everyone around her? Who was somehow able to set up this twisted game for them to play, resulting in the deaths of yet more people, which Sherlock and Mycroft between them are not smart enough to get out of?

I’m sorry, but my suspension of disbelief only goes so high.

The first two episodes mostly make sense, inasmuch as they are predicated on what I consider to be the unnecessary event of Mary’s death. There are some continuity issues, specifically from the end of the first episode: Molly gives Sherlock a letter that John wrote him, and Sherlock goes to see John’s old therapist. Presumably these events have some kind of importance, but they are never mentioned again, and do not appear to have impacted the story at all. What was the point of those scenes? Still, the immediate plots of each episode can be followed, and the main mysteries are explained.

For me, at least (and I know I am not alone in this), the last episode does not make any sense.

The whole point of the Sherlock Holmes stories is that we are meant to get an explanation at the end; the mystery is meant to be solved. The Final Problem does none of that. How has Sherlock recovered from his addiction so quickly? How do he and Mycroft and John get out of the explosion at Baker Street without any serious injuries? Why does Sherlock (also rather out of character, in my opinion) ignore John’s “Vatican Cameos” warning? If the airplane is a metaphor/fantasy in Eurus’ head, then who is the little girl that Sherlock is actually talking to throughout her “game”? (Obviously there could be an explanation for this, but that explanation is not given to us, the viewers.) When Victor Trevor went missing, why on earth was a proper search not conducted for him, and why did no adult think to check the well? (Sherlock obviously knows where the well is when he goes to rescue John, so it doesn’t seem to have been a secret.) Why the hell is Eurus still being kept alive after all of this?

None of these things are explained, and we are simply meant to accept at the end that Sherlock starts spending time with his sister in spite of all the evil things she has done, and that everything between Sherlock and John is back to business as usual, with no discussion of what has happened between them, or apologies, or anything. We can, perhaps, assume that they had those conversations, but we are not shown them.

Personally, I liked that Sherlock was more emotional during this season (and to a certain extent in season 3). He is older, wiser, and more understanding that emotion is not the handicap that he once believed it was. Since I’m a firm believer that the rationality-emotion dichotomy is a false one, it was gratifying to see a character learn and grow and move away from that. But given that growth in Sherlock’s character, and after everything they have been through both separately and together, I believe we deserved to see an honest conversation between John and Sherlock about how much they care about each other, and what they wanted from life together going forward. We did not get that conversation, and that is deeply disappointing to me.

Overall, I think it is always a mistake to try and make a story “dark” just for the sake of making it dark. When you do that with a story that doesn’t need it, then you are likely to fall back on making your characters suffer just for the hell of it, and in order to make that happen, the rest of your story will necessarily suffer too. Unfortunately, Season 4 of Sherlock turned out to be a clear example of this.

Okay, I will stop there. I’ve been obsessing about this in my head for several weeks now, so I thought it was probably better to get it written down. Some will undoubtedly disagree with me about much of this, and that’s fine, but I needed to get my own thoughts out. I am still a fan of the series, and would certainly recommend the first three seasons and the Christmas special. I will probably watch season 4 again, just to make sure that I wasn’t missing things that would help to explain some of these issues, but after that, I don’t know how much I will be rewatching season 4.

~Ethelinda

#sherlock #bbc sherlock #sherlock s4 #sherlock spoilers #review #tv review

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monikakrasnorada · 8 years ago

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Eurus and Mary

***DISCLAIMER*** I began writing this mess in the week between TLD and TFP. After watching the trainwreck that was TFP, I retreated in despair at what I saw. Finally, with a little time, space and hindsight, I half-heartedly feel the urge again to look more closely at the eps and try to glean a little light from the darkness.

***ETA*** I’m not on board the tin hat train. Do I hope there is something else (please PLEASE let there be because this cannot stand as the end)??Absolutely!! I just refuse to set myself up for further disappointment if it doesn’t happen. Call me cautiously guarded and somewhat optimistic.

EMP is real and no one will ever convince me we were wrong.

I wholeheartedly believe in villain Mary and S4 only reaffirms that belief.

No one wants to believe the worst about people. About friends. About family. People they trust and love. But sometimes, it happens. People fail us in all sorts of ways. Betrayals come in all shapes and sizes.

I think Sherlock has this problem. His life’s work is dealing with the worst of humanity- rapists, murderers, psychopaths. In all their disgusting shapes and sizes. But those are other; they aren’t part of his carefully cultivated little orbit of existence. Family and friends.

The thing is though- you never know. Even the great Sherlock Holmes can’t know what truly dwells in the deepest darkest parts of us all. Family secrets. Friends that aren’t exactly who you thought they were.

No one is immune. It can happen to anyone.

So, I believe it all comes back to running scenarios.

The stage is set. The curtain rises.

This is the line we get in TAB. TAB which follows on immediately (*cough*~6 months later*cough*) from the events of HLV. Mary shot Sherlock and showed ZERO remorse in doing so. But then we have them hugging and kissing each other goodbye as if nothing happened. (Sure, Jan.)

It feels wrong. It is wrong. That everything is merely swept under the rug between the three of them. It’s all good. No it isn’t! I refuse to accept that. I know everyone claims Mofftiss dropped the ball here, changed characterisation mid-stream just for shits and giggles, but I don’t buy it. They are smarter than that. They are savvy in ways we could never begin to understand. So to think, and accept, that they wrote Mary shooting their HERO, only to say, “No big deal. Everyone makes mistakes. Forgive and forget.” Is just not a thing I can accept from two of the greatest writers in the biz.

This is their sleight of hand.

TAB wasn’t just about figuring out how Moriarty did it. That was the surface level reason, certainly, but the subtext- the meat of the matter- was Mary Watson.

The stage was set after Mary was revealed to be the shooter. All the players of The Game were finally in place and Sherlock, in TAB, began his long and painful journey to figuring out how they all fit, and who exactly is playing for which team.

As clever and as amazing as every single aspect of this show is, do we really believe Mofftiss lost sight of the story they were telling? I doubt that. Not after everything they’ve done to make this the most fascinating piece of media that’s been made to date.

Sherlock makes the Mary / Moriarty connection in TAB:

Sir Eustace’s wound is a mirror image of Sherlock’s own, and finding the “Miss me?” message attached sent him reeling with the realisation and implication of Mary’s involvement.

The curtain rises. The last act. It’s not over.

That’s the text Mary receives from Sherlock in The Six Thatchers just before we get “Mary’s sacrifice” in order to save Sherlock’s life. Again, I believe this is all fake- this episode and this entire series to this point. This is Sherlock’s continued flaw of seriously underestimating the people in his life. He can’t see the forest for the trees, and for all his self-proclaimed sociopathic-ness, he can’t help but think the best of those people he has chosen to love. Even though he now knows believes Mary to be in some kind of cahoots with Moriarty, he still can’t help but think she might truly care for him and be willing to sacrifice herself to save him.

Once the idea exists, it cannot be killed.

This thought plays along nicely with EMP theory. Sherlock continues to run-through scenarios, hoping to get to the correct conclusion that makes sense. Because, let’s face it, nothing up to this point makes a lick of fucking sense, especially when it comes to Mary.

Along comes Faith Eurus

First question: Just as it was senseless for Lady Carmichael to engage Sherlock in keeping Sir Eustace alive, it follows that it makes no sense for Culverton to give Eurus Faith’s note- literal ammunition to bring him down.

It’s TAB 2.0. Another scenario Sherlock is working through to try and suss out Mary’s motivations and connections.

“Culverton gave me Faith’s original note. A mutual friend put us in touch. Did Sherlock ever tell you about the note? I added some deductions for Sherlock, but he didn’t get the big one.”

MISS ME?

Added deductions?? Coincidence??

Eurus is “Mary”?

The moment Eurus said she was Sherlock’s sister, I laughed. Like, seriously guffawed, because- what even are they doing? I’m of the mind that maybe she ‘was’ his sister- quite possibly his twin- but whatever it is that has ‘made’ him this way was the tragedy of her. Whether she died young, or was a troubled youth that had to be institutionalized (at Sherrinford, maybe?). If Sherrinford doesn’t turn out to be a 4th sibling (because people give up after 3)

ETA: Hahahaha, definitely wrote this before TFP aired.

Whatever the case may be, I do not believe she is a ‘real’ character in this ep. Again, I’m a full-on EMPer for a year now and since it’s all in Sherlock’s head anyway, it means no one is ‘real’.

ETA: Nemo!

For me, it seems Eurus is a manifestation of Sherlock’s pain and trouble from his past that is now bleeding and morphing and combining with his present pain and trouble- Mary.

COMPARE:

“I met him before, we spent a night together. We had chips.”

Disguise:

Sherlock missed the biggest one of all and it haunts him still:

“Amazing the times a man doesn’t really look at your face.”

“You can hide behind a sexy smile-”

“-Or a walking cane.”

“Or, just be a therapist, talking about you all the time.”

“I’m sure the therapist who actually lives here wouldn’t want blood on the carpet. Oh, hang on. It’s fine. She’s in a sack in the airing cupboard.”

Going through all these images and writing up this post has now brought into play several other ideas that I want to explore. Especially in light of TFP and the general newfound fandom consensus that ep3 is in John’s mind bungalow- a theory I am sorry I just cannot agree with- and hope to post these additional supporting bits and bobs asap.

Further posts will be linked and cross-posted with this one eventually.

@tjlcisthenewsexy @gosherlocked @loveismyrevolution @yan-yae @ebaeschnbliah @isitandwonder (please, let me know if you don’t want to be tagged in further meta posts, Kathrin <3) @tendergingergirl @skulls-and-tea @loudest-subtext-in-tv @impatient14 @doomsteady @shawleyleres

#sherlock #s4 #eurus and mary #emp #reality vs mind palace

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