#i think the characters balance each other out very well also

[aspoonofsugar]

What do you think so far of season 2 of Arcane ? Honestly I think for my part that it’s too rushed and there are too many storylines it’s so confusing. Besides they completely destroyed Vi and Caitlyn relationship lol the disappointment is high

Hi!

I am sorry you are not enjoying the season very much. On my part I am loving it and I am looking forward to the final act!

I think much criticism I have seen stems from the very own premise of Arcane as a show tbh. I think there are two things to clarify.

First thing to clarify

Arcane is in the end a League of Legends show. Its main commercial goal is to explore the Lore of the Game, so that new fans can be brought in and old fans can have fun spotting easter eggs. As a result, it takes some choices that in another story you wouldn't have. Two examples:

1- Mel's arc feels out of the blue, but it ties into the lore of the game (I heard they wanted to make Mel into a new champion? If so, she is probably going through an arc where she is receiving magical abilities, as smart as fuck and good at politics isn't exactly a set skill that works in LOL). It is a storyline you would not usually add, as you would not usually add the Black Rose shenaningas. They added it because it probably lets them add a new champion to the game and it lets them play homage to another popular character of the game. That said, Mel's own storyline has the potential to tie nicely with the main plotline:

a) Mel's disappearance does in fact have an impact on the narrative, i.e. it lets Medarda do as she pleases in Piltover. If Mel were around, there is no way she would have let her mother establish Martial Law without a fight. I think Mel could have also had a positive influence on Cait. Not only that, but Medarda's love for Mel humanizes her character and gives more depth to her relationship with Caitlyn. It is obvious Medarda and Cait's bond is one where they are projecting on the other a loved one. Cait finds a new mentor figure/mother after Cassandra's death. Medarda finds a new mentee figure/daughter after Mel's disappearance. They are not mother and daughter, but they project on each other a need they both feel, as they are both grieving.

b) Mel has always been linked to Jayce and Viktor's B plot aka Arcane plot, as she, Viktor and Jayce are the ones who created HexTech. This season Viktor and Jayce have both "touched" the Arcane, which has traumatized them in opposite ways. In a sense, they have both lost their humanity in the pursue of progress. Moreover, they have both become entangled with magic. Well, even if I know very little of LOL Lore, I think it is safe to assume Mel inherited some kind of magical ability. The fact she is trapped in some kind of magical dimension where she has to decipher old runes makes me believe her experience is not very different from Viktor and Jayce, thematically. They all pursued progress through science, only to now face something of wild and irrational. Also, Mel being the one with the higher magical potential among the trio could be pretty interesting.

2 - I would not have wanted Vander to come back in any other series and was skeptical about the choice of having him be Warwick. That said, I also understand it makes a very interesting background for the champion, so I understand why they made this decision. What's more, I actually like a lot how he has been used. Instead of being reduced to a simple agent of chaos, he has been used as a catalyst in Vi and Jinx's arcs.

Basically, they are taking choices, I would not recommend in any other story. However, they are making them work pretty well both for Arcane and for LOL.

Second thing to clarify

It is true Arcane is an ensembled cast and it balanced different pov rather well in season 1. However, this does not mean that ALL characters have the same importance. I think both season 1 and this season so far have made very clear that the story has ONE main character, that is Jinx:

She is the one given the major focus BY FAR.

The whole first season is her journey to become the Jinx in the games, which is symbolically why the season ends with her embracing this alterego. Every other major character's plotline in the main A plot is after all tied to her. Vi wants to save her. Silco wants to control her. Caitlyn wants to arrest her. She is the reason why Cait and Vi meet each other in the first place. Not to count she also unwillingly kicks off the B plotline by having Jayce's research come to light.

The second season so far has revolved around her, as well. This time she is going through a journey, where she tries to fix what she has broken. At the same time, she has to accept the consequences of her own actions. She grieves Silco, connects with Sevika, adopts Isha and tries to mend her relationship with Vi. Meanwhile, all the other major characters are impacted by her. She is at the centre of the conflict between Vi and Cait, for example. She is the one who almost kills Viktor, so that Jayce tries to resurrect him. Finally, she becomes the centre of the major conflict between Piltover and Zaun.

In short, I think it is fair for people to be annoyed their faves are not receiving the screentime or focus, they had hoped. However, I think that so far the series has been coherent in keeping Jinx at its center. We'll see if it will be so for the ending, as well.

Finally, I don't think Vi and Cait's relationship was ruined. I think the conflict among Vi, Cait and Jinx is actually my favourite part of this season. I will add that their conflict is actually a mirror of the first season:

Season 1 has the first act focused on Vi's relationship with Powder and it ends with their separation / Season 2 has the first act focused on Vi's relationship with Cait and it ends with their separation

Season 1 has the second act focused on Vi and Cait's relationship, as Vi looks for her family / Season 2 has the second act focused on Vi and Jinx's relationship, as they look for their family. Both relationships start as conflictual and slowly grow better

In season 1's third act, Vi fails to reconcile her relationship with Cait with the one with Jinx. We'll see if in the final act of season 2, she will fare better.

In short, it has never been only Vi and Cait, but always Vi, Cait and Jinx, as her lover and her sister represent two different sides of Vi. Just like Jinx has to reconcile both Jinx and Powder, so Vi has to reconcile both Jinx and Cait. Similarly, Cait needs to reconcile Vi and Jinx as two parts of Zaun.

In conclusion, I do agree that there are a little bit too many storylines, some of which might feel out of the blue. I also understand people wanted some characters to be explored more. However, I also think they are doing a great job at telling the story they want to tell and they are giving the viewers all the elements to understands the characters' developments. Surely, it would have been great to have some dynamics and psychologies explored more, but the writing level stays pretty high.

This does not mean you should like it, though. You probably were more interested in some dynamics and storylines that ended up being sidelined and it is totally valid to be annoyed by it.

Thank you for the ask!

[libraryleopard]

Young adult contemporary coming-of-age story (releases 4/16, I read an early copy from Netgalley)

Follows two first-year students at Wellesley College who run dueling anonymous advice columns and befriend each other in real life as they bonded over both being aroace, unaware of the other's internet identity

Platonic love story

Explores themes like aroace identity, finding community, being the queer child of immigrants, and trying to find your place in the world as a young adult looking towards the future

Love letter to platonic/familial love and finding community

Aromantic asexual Chinese American protagonist; aromantic asexual gender-questioning/nonbinary (she/they) protagonist; lots of QPOC side characters

[undead-moth]

I know I've been on about this for a while now and I'm being a hater but you're telling me SydCarmy was "always meant to be platonic" even though there are two seasons of writing making use of tried-and-true explicitly romantic tropes, themes and writing signals, and SydLuca is going to be romantic because...he was nice to her on screen for a few minutes?

I don't even care if people ship SydLuca, or if they just prefer it, but you can't honestly tell me that you believe Carmy was always meant to be a friend but Luca is an obvious love interest.

Just because Syd and Carmy haven't kissed or confessed their love to each other doesn't mean that isn't very obviously the direction this show is going. The Bear has already shown you who is endgame. It has shown you every episode of the show so far.

Honestly I really don't think The Bear fanbase understands this show or cares about these characters or the story being told here, which is unfortunate because this show is shockingly well-written in comparison to most shows right now, and we should be so grateful for it but all we're doing is complaining that the writers led us on by not making a ship canon fast enough. It's just. Sad.

[np5enkidu]

i need fgo to acknowledge servants horses more

[volivolition]

gotta draw more voli and echem being little haters to each other. i know their canon interactions are arguing over temptations vs abstinence and i LOVE that dynamic. unfortunately i am also the world's biggest fucking softie and i go weak in the knees for them working together and being affectionate.

[pikachu-deluxe]

been thinking recently about how i play games (in general but also a bit on the competitive side on some)

turns out i don't particularly care about winning, i just want to have fun, but obviously i do like winning i just try to do win by doing very stupid stuff

it's way more fun for everyone involved when you do things against the meta or common sense and end up winning anyways bc it's so weird that it takes others by surprise

[toiletpotato]

Check out this production of The Mountaintop by Katori Hall and then read the script!

The script link (the second one) also includes some very helpful guides to the show!

[weirdmarioenemies]

Name: F.L.U.D.D. (Flash Liquidizer Ultra Dousing Device)

Debut: Super Mario Sunshine

F.L.U.D.D. was Mario's first ever Platforming Buddy! Unless you count the Lakitu Bros. from 64, but they just operate the camera and don't affect Mario's platforming moveset, so I do not. So really, F.L.U.D.D. is- hold on, I really don't want to write every individual period each time I write its name. I'm just going to leave all the periods at the end of the post and you can put them where they belong yourself, or anywhere else you think is funny. Or you can keep them, I don't mind. Put them on a bagel and tell a friend they're poppy seeds!

FLUDD is a big deal. A landmark for the series in terms of mechanics. Not that these specific mechanics returned, but the concept of a buddy granting Mario some new abilities has become a recurring thing. FLUDD even talks, and is fully voice acted! In a robot voice! Like mine! A cute and silly little robot buddy for Super Mario.

So then... why don't I absolutely LOVE it? I feel like I should! But I'm just not getting that urge to imagine it driving a kart or playing tennis like I do with far less important characters. Does it work so well as a Tool that I have a hard time viewing it as a Character? Let's See!

I think FLUDD's design is honestly kind of perfect. The two massive screws that evoke eyes are really clever, and especially great is that they give it + shaped "pupils"! Aside from that, the nozzle's funnel shape is an extremely funny shape for a mouth, and FLUDD does indeed speak out of there. Excellent head! Though I feel like the excitement fizzles out once you look past the head, because the rest is much more "equipment" than "character". That's fine, this IS a piece of equipment! It just makes it feel less like a character, when I'd like it to have a bit of a balance of both. Maybe if the handles also functioned as little feet that it could walk around on? I don't know. Maybe that would be stupid... but I do love when creature designs are stupid!

FLUDD was made by E. Gadd, but that's all the backstory we get. We never learn why it was just there on the Delfino Airstrip, and that's really weird! The perfect tool to combat the game's main conflict is just there immediately when Mario arrives. It could have been a cool little mystery, but I guess the reality is just that some Pianta ordered it when the Goop Incident happened and got express delivery. Or maybe someone already had it and was just waiting for a calamity like this to happen, to justify the purchase!

I don't need to go over everything FLUDD does, right? I'm not the Super Mario Wiki, it's not my job! I'm here for the Weird. And a weird thing is that FLUDD freaken dies.

During the final boss against Bowser's Hot Tub, FLUDD starts stuttering, as if breaking down. And then in the final cutscene... it Dies! Mario goes to it, it tells him it hopes it was of assistance, and it dies. And Mario is sad, because this was his friend. But then in the very next scene FLUDD is back! Some Toads fixed it and it's fine now. So this ends up having the emotional impact of Mario needing to change the battery on his TV remote.

Even though it's our and Mario's friend, FLUDD is still an object, a product. It's technically not just FLUDD, but A FLUDD, one of many, mass produced. I have to wonder if it actually formed any bond with Mario, or if it was a one-sided friendship. Is it even capable of friendship...?

Whatever the case, the others absolutely consider FLUDD a friend, and well, that's just so sweet. During the credits we get to see some extremely compressed pictures of Mario and friends enjoying their real vacation, and FLUDD is there with them! It's not even on Mario's back anymore, or always WITH Mario, for that matter. Sometimes it's hanging out with Peach and some Toads, sitting there independently. I think it is safe to say FLUDD is a real true friend, and likes to just Hang Out sometimes! Even better, maybe it wasn't originally sentient, but learned how to love over the course of the adventure. Such a wonderful robot thing to do!

As expected, thinking in depth about FLUDD has absolutely endeared me to it. Hooray! It's about time. Well, it's too late for FLUDD to be relevant again, probably. I'm not saying it should be a driver in Mario Kart, but I AM saying there should be a kart based on it, and I'm also saying that this kart should canonically be the FLUDD, now upgraded. This feels like something that should have happened long ago!

This has been a long post, but it is far from all FLUDD has had to discuss! So next time, I will post about FLUDD once more, and its various appearances during the GameCube days and beyond! There is milk involved at some point. Get excited to learn what milk has to do with any of this!

Here are all those periods you were promised! I hope you like them.

....................................................................................................

[kyu-piddy]

Ranking (some) twst love triangles on how messy they are

An: This is a very informal ranking and very informal type of writing. They’re just little overviews of how I personally think these love triangles would function. Hope you enjoy it. :)

Ps: This is the first time I publish something that features my favorite character! Hopefully I didn’t favor him too much.

Gn reader x Trey, Cater, Azul, Jade, Jamil, Kalim, Silver, Lilia

Trigger warnings: Swearing

2.1k words

Tiers:

S tier- The love triangle of doom. Messiest love triangles, where it’s all too melodramatic and/or complicated.

A- Not as messy as the above, but still a delicate bomb to diffuse.

B- Standard love triangle. They aren’t at each other's throat constantly, but leave them alone long enough and they will start fighting.

C- Chill love triangle. Either because they’re really good friends, or just because they’re that confident in their victory.

D- Is this even a love triangle? There are indeed two people who like you, but one has dropped out of the race for one reason or the other.

Trey vs Cater

Do you know those times where you and a stranger are both trying to get through a door in opposite directions, and while trying to let the other pass you just keep getting in front of each other, in a sort of embarrassing dance of polite smiles while internally cursing the other person? Well, that is basically the Trey x Reader x Cater love triangle.

Cater and Trey are both really perceptive of their own feelings and of others, so they would be aware of the others' crush.

They’re also some of the fakest motherfuckers in the cast (only behind Azul, Jade and Jamil) so they would not even think of confronting each other.

Initially they’d put this veneer of pseudo politeness, throwing some double entendres to each other and not making any moves on you.

But as time progresses they’re definitely becoming little shits to each other.

Trey is exploiting his baking talent and his unique magic to the max, making your favorite foods and serving them to you and Cater, making sure you see how Cater gags as he tries it, the food's flavor being imposed with a horrid one like old socks.

Trey is also using his dependable and mature reputation to give you advice that subtly favors him and subtly makes Cater look like a dunce.

Man is full on telling you every embarrassing story of Caters disguised as going down on a trip to memory lane, but always while you’re with more people around, so they can tell you how Trey swept in and saved the day.

Cater on the other hand, is making sure to seduce you with his tech savviness and social media knowledge.

He’s taking you to the hottest places in town and taking pictures of you both, posting them on his magicam with suspicious captions that make a ton of your friends start asking about your “boyfriend”.

Cater is also loudly proclaiming to everyone who will listen in the Heartslabyul common room the plans he had that day with you.

He used to also proclaim the ones he would have in the future, but stopped after Trey crashed one of his cafe hopping dates with you, creating the most bizarre outing of your life, balancing the polite shit talking of these two.

If Cater didn’t live with Trey he’d probably dox him on the twisted wonderland equivalent of Twitter. Trey would do the same if he knew how to use Twitter.

The worst part is that neither of them will back off or give the finishing blow of confessing.

They're stuck in this loop of ruining the others momentum that their friendship is close to breaking, so either you notice and step up, or someone else notices and gives them a stern talking to.

Out of their dorm, the only one besides them I see figuring it out, is Ace, but Ace is no match for Trey and Cater.

They’re denying it to his face and making Ace feel like a complete idiot.

When you finally notice the mess that these two have made, if you don’t confront them, they’re still going to be in denial.

You have to be firm! Tell them head on who you want, before they make the whole of Heartslabyul collapse.

In terms of the messiness of this love triangle, I give it a B.

It’s annoying and messy, since they’re both so evasive and a little lacking in the making substantial moves department, but they’re still chill on how they treat you and the uninvolved parties (most of the time at least).

Azul vs Jade

Azul and Jade are both conniving and scheming master mind wannabes, but they also tend to rely on each other for support, so pairing them up against each other will lead to some sort of 4d intergalactic chess competition between them, while you are playing checkers and surprisingly still winning.

They’re the kind of smart that turns back around into being kind of stupid.

Jade is like a weird kid in a horror movie, all weird phrases and sinister smiles, but Azul isn’t much better with his mob boss vibe.

You can try running from them, but these fuckers must have put some sort of tracking gps on you because they always appear at the worst time.

Neither of them really knows how to even be romantic to win you over.

Azul is following some sort of guide like “How to make her fall for you in a fortnight”, taking notes and everything.

But he does tend to exaggerate with his gestures, not as much as Kalim would, but just enough to seem sorta of fake.

He’d even try to offer you suspiciously good deals, like “Go on a date with me and I’ll give you a study guide for alchemy”.

He only added one teensy eensy hidden clause that if he didn’t enjoy the date enough, you’d have to accept to go on another one.

But Jade is there to rain on his parade and tell you exactly what line and page you should search for suspicious activity.

Unlike Azul, Jade doesn’t try to conform to the human way of courting.

He is going to share his mushroom collection with you and also scare the shit out of you with ominous warnings of their specific properties.

He’d probably even make stuff up or embellish it to sound worse just to see your reaction.

Azul is definitely trying to end any time you have with Jade, giving him tasks right as the eel is spending time with you.

But it tends to go bad for Zuzu, as Jade just brings you along or purposefully half asses the task.

They’re also snipping each other with pointed comments that sound more like thinly veiled threats of violence.

Well, Jade’s threats are more violence oriented, while Azul’s are more of the mansplain manipulate malewife variety.

But what neither of them was prepared for was Floyd’s fourth wheeling.

Initially, Floyd thought it was pretty funny to see the other two beefing, but he gets bored fast.

He’s going to start taking you away from the other two so he can watch them fume in anger.

If he’s in the mood, he might even try to play matchmaker with one of them, or start shit talking both of them. The latter is more likely.

This is another pair of fools who won’t confess. They pride themselves so much as always being thirty steps ahead that they will try their hardest to create a situation where you have to choose one of them.

But it might all be for nothing because Floyd might just feel like telling you and then there goes any sense of mysteriousness down the drain.

I’ll give this love triangle an A. It’s definitely messy as hell, but it could always be worse.

Kalim vs Jalim

Oh boy. This is the love triangle from hell. Nuclear fallout levels of toxicity, and you’re the bomb.

This is a type of love triangle that no one even knows is a love triangle.

Kalim is the most obvious person on the planet with his crush.

He's showering you with expensive gifts, buttering you up like you’re a particularly tasty muffin and following you around like a lost puppy.

Even though he’s doing all that, homeboy will not use his brain cell to deduce he has a crush on you immediately.

As soon as he does figure it out (which bless his heart, might take a bit) he will be dead set on confessing to you, only being stopped by Jamil.

Jamil is putting the brakes on Kalims stunts, but not out of the kindness of his heart.

He knows he can’t directly stop Kalim, so instead he’s going to try to slow him down, and win you over behind everyone’s back.

Jamil is actually good at the art of romancing.

He’ll offer you tasty meals (disguised as leftovers of the things he made for Kalim), to braid your hair.

He’ll even offer really solid advice.

The two problems with all of this are that 1) Kalim will most definitely barge in at every given opportunity and cockblock the hell out of Jamil, and 2) You can very easily misinterpret this as friendly or even as part of his duties.

You and everyone else, that is.

I can’t see anyone figuring out Jamil’s crush on you. He’s one of the most discreet people on campus with his feelings.

And with the added grief of sharing them with Kalim, he’s keeping it under lock and key.

Kalim is going to confess. It’s not a matter of if, it’s a matter of when.

He’s strangely serious about the whole thing, bringing a 24 karat ring, with a red diamond bigger than your finger to prove his love to you.

Jamil is fuming. It’s like a kick to the nuts, and what I see it making him step up his game and basically confess to you as well.

He’d confess in a very roundabout way, the kind of confessing that leaves you wondering if you’re reading too much in between the lines. But remember, this is Jamil! Reading inbetween the lines is a required skill to actually understand this man.

This is such a messy love triangle honestly. If you choose Kalim, it’s going straight to Jamil’s mind chamber of repressed trauma. If you don’t choose Kalim, you’re going to have to deal with Al-Asim tears (he ain’t used to being told no in any capacity), which makes Jamil’s duties more stressful.

For all these reasons, I put this love triangle at S tier. Good luck to you, and my condolences. You aren’t leaving this mess unscathed.

Silver vs Lilia

This one is mostly just sad.

Silver is slow in matters of love. He’d be his normal gentlemanly self, barely changing how he behaves towards you, but to others he becomes lowkey really annoying.

Doing his homework? He's mentioning how he saw you through the window during that class. Sword training? He’s reminiscing on how you complimented his technique. Drinking water? You did say you needed to drink more water, maybe he should remind you.

This would most likely lead to Sebek flipping the fuck out and screaming at Silver to either do something about his crush or shut up.

Silver.exe is loading.

And then he just… nods his head and agrees that he should do something about it.

He’s going to get advice from Lilia, who isn’t exactly a master of seduction but at least has more experience under his belt.

Lilia already knew of Silver's crush, and sadly he also already knew of his own crush on you, but bat dad is dropping all of his potential feelings in favor of his son’s.

He’s telling Silver to bring you flowers, to take you out to dinner, to treat you with kindness and respect, the whole shabang.

And Lilia is always staying in the back, watching his little boy grow up. It does hurt him, but not exactly because of his feelings, more because he feels bad about sharing the object of his affections with his son. He’d never want to hurt his boy nor you.

Only Malleus would know of Lilia’s feelings, although Silver has an inkling that something isn’t right.

Lilia would never tell him, and Silver doesn’t know exactly what’s going on in his dad’s mind, but he definitely suspects that something is going on.

If Silver knew of his fathers feelings for you, he’d immediately stop pursuing you, so bat dad is making sure his son never knows what’s actually bothering him.

Malleus on the other hand knows that Lilia has some sort of feelings for you, but is also keeping it under lock and key at the request of Lilia.

Sebek is the only one fully out of the loop, which leads him to comment things that are really hurtful to Lilia.

Seeing as Lilia is emotionally constipated, he’d bottle it all up and proceed like normal.

When Silver confesses, Lilia feels bittersweet. He’s genuinely happy for his son, but pangs of sadness reverberate through his heart.

He’s downplaying his feelings even to himself.

In terms of rating, this is a D. Lilia just carries Silver on his shoulders and then dumps him in the finish line. It’s not even a proper race.

It’s very depressing, seeing as you will never even know about Lilia’s feelings, while Silver will always have an inkling that there’s something going on with his dad.

[tiredlylaughing]

what i really loved about atsv is the way miles' relationship with his parents and their issues isn't blamed on him

when they yelled at him during the party, it wasn't just an embarrassing moment for miles, it was embarrassing for rio and jeff too

jeff doesn't immediately go after The Spot along with spiderman, he runs down the stairs in a direct parallel to what miles does in the first movie, before being able to jump off the building. he hasn't gone through the growth miles has already been building on for so long

we get a heart to heart between spiderman and jeff and, while it's very awkward and stilted, it's a very revealing moment for both characters and miles is the one leading it. he's the one to give the advice that jeff needed and, even if extremely biased, he said the right thing. we see jeff accept this lesson later on and even quote it to rio

there's a scene where rio and jeff admit they need to mature to raise miles god damnit

plus all the moments i missed or can't remember after my first watch

in their eyes miles is still irresponsible, reckless, and naive. this is all true, and they are moments when he needs his parents' guidance as a teenager. but he also far surpasses them when it comes to selflessness, perseverance and general growth. it perfectly balances his relationship with his parents with the inherent responsibility it takes to be spiderman.

i feel like most movies/shows would just blame the difficulty of the relationship on the kid, because oh well they're a teenager, they're lashing out and being jerks to their parents look at these assholes. but this one goes Hey actually, i don't think it'd be easy to be a good son and a superhero at the same time, just a thought. and yet they also say that there is a way, because no matter how hard, miles and his parents are trying and they need to learn from each other to get there

[miraculouslbcnreactions]

You know what would make the Lucky Charm more balanced? Make it so that there are times where other characters figure it out, not just Ladybug. That way, it doesn't make Ladybug hypercompent and makes it possible for other people to save the day.

I don't mind Ladybug being the one best suited to Lucky Charm. I don't think it makes her hyper competent because you don't need a Lucky Charm to save the day. It's just the way that she saves the day. The other characters should have their own unique talents that let them win fights. Generally speaking, that's how strong teams work.

For a random example, let's talk about the teenage mutant ninja turtles simply because I think most people know something about that franchise. The character Donatello (aka Donnie) is the team's tech guy. He makes all kinds of inventions that help them save the day. The show would not be improved if all four of the turtles were able to take on this inventor role. I'd argue that it would actually be lessened because the characters would become interchangeable. This is something that the franchise seems to agree with as each version of the show gives each turtle unique skills and personality traits that makes each of them indispensable in their own way, which is what I think Miraculous should have done with the temp heroes.

That being said, I do think that there's a way to make your idea work. I'd just go a slightly different, more lore balancing route since Lucky Charm is technically bad lore and you all know how I feel about bad lore. So let's talk about giving it a minor tweak and how I think that would actually improve things.

Tikki is supposed to be Creation, not Luck, so the Lucky Charm shouldn't have anything to do with Luck. It should just be pure Creation where the holder comes up with a thing they want and that thing then pops up. It could also have a give and take element where the holder gets what they asked for if they want something specific, but they could also just call the power as a hail Mary and Tikki would come up with something on the fly, leading to the occasional puzzle.

This leads me to my proposed changed.

I personally think it would be hilarious and honestly more fun for Marinette's character if she could summon anything she wanted, but the Lucky Charms stay exactly the same because that's just how her mind works. Even when Tikki is helping, it's still all wacky items because Tikki knows how Marinette is and just goes with it.

For example, in Copy Cat, Ladybug turns a spoon into a hook for a cobbled together fishing pole. Wouldn't it be even funnier if Marinette summoned a spoon on purpose because she was thinking of the makeshift thing she cobbled together in order to fish up something she dropped from her balcony? Then, post fight, Chat Noir praises her like always, only to then ask, "So why a spoon and not a fishing hook?" And Ladybug just stares at him because oh, right, those are things they make. She could have done that. Ooops.

And in Malediktator where she summons a sniper rifle to get a laser pointer? Well, she was thinking about this silly comic about a cat assassin! She totally spaced on the fact that you could just get a laser pointer by itself.

Eventually, her team learns to just go with it and not ask questions. Meanwhile, the general public thinks that the Lucky Charm is some random item that Ladybug has to figure out and no one bothers to correct this misunderstanding. You can even have a running gag of new team members learning the truth and going through the acceptance process of, "Hey, you try thinking up how to set a trap while a 5 meter tall lollipop is trying to crush you! Your mind goes to what it knows, not to the ideal solution, okay???"

If we go with this setup, then other people can wield the Ladybug and use Lucky Charm effectively, they'll just use it in a very different way from the way Marinette uses it. There will also be people who are just not suited to the Ladybug since that was initially how the powers were supposed to work and it made perfect sense. Kwamis should have ideal holders along with okay backups and terrible backups. I personally think Alya would be an okay backup since she's creative, but not creative in the same way Marinette is, leading her to be a lesser Ladybug. Adrien, on the other hand, should generally suck at the Ladybug as he simply doesn't have that style of creative thinking. Which is fine. Better than fine, even! You don't want your characters to be interchangeable! They should all have strengths and weaknesses!

This is one of the show's big flaws. Since everything is on Marinette's shoulders, the other characters rarely get a chance to shine and so they feel interchangeable. For example, if gift always shows the target what THEY want, then why does Rose need to be the one to wield it? Juleka could wield it just as easily. And if Ladybug is generally the one telling Marc and Nathaniel what to summon with their powers, then their creativity is not needed. Anyone could wield the rooster and the goat! The show has completely failed to understand what makes teams memorable and so we have a bloated, boring team whose presence I'm dreading because they had five seasons to set these guys up and yet here we are.

[clericofgale]

The stars will be our bed

I'm seeing a very popular narrative that asking for physical sex during Gale's act 2 scene is better for his character development, and the astral scene is bad for him. Or at least not as good. While I do prefer the astral version more, I disagree with the notion that either one is better for Gale's plot development. I've done both options depending on the what felt right for that specific Tav at the time. As always, if that's the narrative you want to build, there's nothing wrong with it.

For me personally I think both are narratively sound for his character development. Yes Gale needs to know he doesn't need magic to be loved, but Gale also loves magic. It's his life, his passion and his artistic medium of choice. What he needs is balance, not total rejection. You want the man, and the magic.

"Tactful, Bowing to the player's desires"

If you insist on regular sex, that's the devnote that's attached to it. Gale is acquiescing to what you, the player wants. Gale wanted to share his magic with you, but you refused. He doesn't care either way, as long as he's spending the night with you. The approval numbers are the same. He obviously prefers the astral sex because it's what he's used to and confident in, but either is fine.

One thing we have to remember is Gale also uses magic to find connection. In the act 1 weave scene, Gale and you share thoughts over the weave. It's exactly what he's trying to do in Act 2 as well. It's a mind meld sequence using the weave. I don't think Gale is trying to use magic to as a front in this scene, despite the "I can wow you" sentence if you refuse. I think he's trying to share his inner self with magic as the canvas, and connect with you in this most intimate way. It's akin to Fane's scene in DOS2 where you share Source with each other and also mind meld.

Gale wants to distill a lifetime's worth of affection into one night because he feels he will die soon. The scene is his "Last Night Alive". Gale, the artist of the weave puts on his final and private show for his beloved. He weaves stars and invites light to the land of shadows. He's prepared for days for this whole sequence, and you only need to trust him.

If you do he leads you into his innermost world. First, where he feels safest, and the balcony that brings him comfort. Then the book of a thousand days and nights filled with his love for you. The amount of time he wishes he had left to show you his affection, physical or emotional.

But he only has one night.

"There are endless worlds out there. Countless ways to declare love. Infinite ways to express it. Too much for one night.. but we shall try."

The astral scene is him trying. He multiplies as he refuses to let go your hand. He caresses every part of your mind, body, and soul. Gale tries desperately to sear every fiber of your being, of the one he loves onto his own soul. He wants to feel everything you do, and the weave is capable of that.

"Your bodies and minds weave together in a masterpiece of intimacy. Never have you felt such wonder, such love - as vast as the universe itself, and just as heavenly. "

You are one and the same that night. Where Gale ends and you begin is a mystery; he is lost in you and you in him.

"We are all sensual vessels. Illusory magic lets us sail farther, and feel more deeply."

The scene is beautiful, both narratively and visually. This is not a man trying to use magic to demonstrate his worth so you won't leave him. This is a man trying to use magic to weave a tapestry from two spools of thread in one night. It's ok to let him do so. It's also ok to remind him he doesn't need to. Whichever feels right in that moment is the right choice.

They all end in giving Gale renewed hope. Magic was merely the medium on which it blossomed and thrived. Whether from a bed of stars or a bed conjured under it, your love is what gave it life.

Thanks for reading this way too long cold take.

[fan-a-tink]

had a vision.

Dead Boy Detectives - the core four

I wanted this to be a purely aesthetic post, but in the process of making the gifs I've had some thoughts, so here you go: Seeing the core four's "action shots" all side by side made me realise that they each kind of represent their character's journey as well.

We've got Charles, who is taking back control, hitting back. He acts as the protector he would have needed when he was alive, but also he is defending and protecting someone close to him, no longer helpless in the face of abuse and violence. And his strength comes from a point of defense, not aggression like his father. He's very much not a bad guy, but the literal hero of the shot.

Then there's Edwin running from a WWI soldier and going through the looking glass, jumping from one world to the next, pushing through his own reflection (and how people have bullied and killed him for perceiving him as effeminate and queer) and finding his queerness on the other side, landing on his own two feet, balanced and steady, having found this whole new world of feeling and acceptance on the other side. Edwin, my beloved.

Crystal (aaahhh I could write a thesis on Crystal, honestly) who is being thrown off balance and into limbo, existing between two lives while she is searching for her stolen memories. She's is constantly being pulled in two directions, between her past and her future, between David the demon and the cute ghost distraction, between letting go of toxic relationships and embracing her new found family.

And then Niko, Niko is just ascending.

credit for the Charles gif goes to @mellxncollie

Ok and if you're still reading, here's another thing I noticed while making these "action shot" gifs - both Charles and Edwin are very much agents of these actions in their shots, while things are done to Crystal and Niko. Charles throws and catches the cricket bat, initiating and controlling the action. Edwin jumps through the mirror, he is the one who maneuvers himself through. But Crystal is pushed by David, falls through the floor, off balance and out of control, and she is caught by Charles. And Niko is being lifted up by the sprites who have taken control of her body. I think it's a neat way to show a gendered division within the core four, but also both girls move beyond their initial helplessness/passiveness and become real freaking badasses, while the boys later on get their fair share of having things happen to them instead. And in the season finale it's Crystal and Niko who save our two ghost damsels in distress. I don't know where I'm going with this, it was just something I noticed and I thought you guys might have some more eloquent and coherent thoughts.

[phantomarine]

Clam's Quick Tips for Starting Your Very First Webcomic

Howdy! Here are the three bits of advice I tend to give people who ask me about getting into webcomic-making. Maybe they can help you jump into the fray with a little less fear.

1) Make Your First Chapter a Pilot Episode

You will be told by webcomic veterans to start with a short, simple comic idea first - which is wise - but if all you can think about is your big magnum opus, then you might as well hop in, right? Otherwise you'll just be glancing back at the other cooler project forever.

But if you can't start with a small simple story, start on a small, simple part of that larger story. Your first chapter should be a snapshot of the main conflict - show us a simple scene with few characters, ease us in slowly, keep things clear and focus on emotion/impact/clarity. Get the audience to care by offering something easily digested, but full of promise.

Once you're done with that 'pilot' chapter, and you're feeling more comfortable with the whole comic process, you can open the gates and show us the larger world. At that point, you'll be way more ready.

2) Simplify Your Art Style For Your Own Sanity

Always try to make your webcomic's art style as simple as possible - the standard rule is to use only 75% of your artistic skill for every comic page you make. Otherwise you will burn out quickly and terribly.

But you also need to be PROUD of your art style. If you're really feeling itchy, add a couple bells and whistles to your style so you can look at the finished page and say "Yeah, looks cool." You'll find the right balance the more you draw.

Also, don't be afraid to change your art style as you go along. Ultimate consistency is often impossible in webcomics anyway - so embrace your desire to try new things, streamline your work, whatever you feel needs to happen to be happiest. Sometimes the coolest part of reading a webcomic is noticing that style change - so don't hesitate to embrace it!

3) Resist the Reboot! RESIST!

The curse/blessing of drawing the same things over and over is that you'll inevitably get better at drawing those things. The trouble comes when you look back at old stuff and start thinking "Damn, I could draw that way better now."

You must recognize that this feeling never goes away. Not after a hundred pages. Not after three hundred. Not after a thousand.

I think everyone should be allowed one soft reboot for their first webcomic. Redraw some panels that bother you. Change up some dialogue if it doesn't make sense with your new story ideas. Do maintenance, basically. One of the beauties of webcomics is that they can be easily edited, without reprinting a whole book or remaking a whole game.

But if the ultimate purpose of a webcomic is to tell a story, then constant reboots will just be retelling the same story - slightly better each time, but the same at its core. We've heard it before. Most audiences would rather you save your strength and just keep going, rather than circling back year after year and going "Wait wait wait! I'll do it better this time."

Reboot early, not often, and only when you absolutely must! You're a storyteller, and you're constantly getting better at telling your story. Don't be ashamed of it - look back how much ground you've covered, and keep walking!

---

That's a good start. Happy webcomicking - don't be afraid to jump in, but be prepared to learn a lot very quickly. And if this advice doesn't work for you or adhere to how you did it, that's absolutely fine - webcomics are diverse by nature, and so are their creation processes. Feel out what works best for you, and good luck!

[mono-blogs-art]

Ayaka is in Love with Hiroko - The Lesbian Office RomCom You Needed

Blatant flirting, hilarious misunderstandings, and lesbian shenanigans aplenty - this show is funny, over-dramatic, and most of all gay as hell. Here's my review! Spoiler-free version first, and a more detailed spoiler-y version under the cut. I hope you enjoy!

A quick summary: Overall: 9/10, you should absolutely watch this! Genre: RomCom, with some serious elements and a heartfelt exploration of sexuality Watch if you are looking for... : A silly and fun time, a happy ending, misunderstandings, and character development. Highly recommended to watch this with your partner(s) or your sapphic friends! Watch out for... : Although the tone of the show is mostly comedic, it contains discussion & depiction of homophobia at the workplace and past trauma relating to that Where to watch: Official TL on GagaOOLala, or Fansubs by @furritsubs (highly recommended!)

"Ayaka is in Love with Hiroko" (Ayaka-chan wa Hiroko-senpai ni Koishiteru) is a Jdrama adaption of a manga by the same title. The series premiered this year July 2024 and has wrapped up a short while ago, with a total runtime of 8 episodes of 24 minutes each.

The title of the show already says all; the plot is simple: Junior staff member Ayaka is head-over-heels for Hiroko, her senior at the company she works at. And she has decided to go on the offensive.

There are many obstacles in Ayaka's way: first of all, Hiroko is 13 years older than her (they are 23 and 36), and her superior at the workplace. Hiroko is beloved by both her superiors as well as her staff, so Ayaka's love for her is just one of many. And no matter how blatantly she ups her advances (and girl, she is BOLD), Hiroko is 100% convinced that all the flirting is just misplaced, straight-woman obliviousness.

The irony of it all is that Ayaka is absolutely barking up the right tree, because Hiroko is a lesbian, but has been firmly in the closet at work - something that she has no plans on changing. Her professional life and her personal must stay completely separate, at all cost. The only place she can truly be herself is the lesbian bar she's been a regular at for years.

^ Me when I'm a lesbian disaster doing insane mental gymnastics

However, "giving up" is not in Ayaka's vocabulary. As her seduction attempts keep escalating and being misunderstood, Hiroko's hard exterior begins to crumble bit by bit. Can Hiroko finally overcome her rigid ways, and let herself fall for someone?

Although the show is first and foremost a comedy, both Ayaka and Hiroko as characters are handled really well. They have their own problems, insecurities, reservations about the other, and both have a simple but great arc over the course of the series. Ayaka is discovering her sexuality, something she had never even considered before falling for Hiroko. What does being in love with a woman mean for her future? And Hiroko, who is already very confident in her sexuality, is confronted by her past trauma, and the fact that she's still not ready to come out despite the changing times. And while being undercover has saved her career in the past, it has also made her feel alone and isolated. She likes Ayaka back, but can't allow her true colors to show.

Something that I find very hard to achieve with comedy shows is the switch between funny and serious, and I think that Ayahiro manages this very well. Both of our main characters feel grounded enough in reality that when they get emotional, it feels relatable and sincere. For a silly show like this, striking a balance like that is crucial, and save for a few pacing issues in the later half of the show (that I honestly didn't mind at all), I think the show totally nails it. Ayahiro is not a realistic show, but it contains elements of reality that made me connect to it, despite all the insane shenanigans that go on. And because of that the show made me laugh and cry as much as it did, often in the same episode. It works, and Kudos to the writers (and actors!) for that.

Speaking of actors, one thing I must mention is that the show is very well made. The actors (especially Mori Kanna as Hiroko is the standout for me, she has a natural charisma and gay swagger) do a fantastic job, the leads' chemistry is great. The production overall has some real money behind it, with lots of changing sets that all look great and have been crafted with care. Ayaka's outfits are absolute KILLER, she is giving insane femme energy. The show also looks very pretty, the color graders turn that saturation up to 100 and it fits Ayaka's rose-tinted world well.

That's it for the spoiler-less part, I'll now get into specific characters and plot points with full spoilers up to the end of the series under the cut. If you don't want to get spoiled, I hope the review until now made you want to watch the show for yourself! I hope you enjoy!

First of all I need to disclaim that I have not read the original manga that she show is based on, so I can't compare the series to its original and how the plot is written there. I do intend to read it (I hope it gets localized to German so I can support the official release, but I might check out the English Official TL anyway before that) but for now, I will only judge the series as is.

Ayaka: Our protagonist is a femme fatale, in... another meaning of the word, I guess. She is a disaster, bad at pretty much everything she does except not giving up. Once she has set her mind to something, she will get it done. That leads her to often be inconsiderate and unable to see what others around her are feeling, which goes mostly for her best friend Risa, but also for Hiroko, whose feelings she also fails to consider even when pursuing her. Ayaka has to learn the hard way that her naivete is hurting others, and herself. She hasn't really thought her advances through, simply acting on instinct. But as the series goes on, she takes her feelings and her newly discovered sexuality seriously, and grows comfortable with calling herself a lesbian. She is also unashamedly horny, like, Oh My God, this girl is trying to get laid so bad. This is hilarious and refreshing to see, and although her seduction attempts are often played as comedic, it doesn't feel like she is being ridiculed for her sexuality by the show. Ayaka often crosses boundaries (physical and emotional) with Hiroko, both out of naivite and in deliberate attempts to seduce her. To me this was never truly infuriating, even though sometimes she really did go too far, but for me it always kept in tone with the comedy of the show. Even when Ayaka finally comes out in front of the entire office, she makes it clear that she doesn't want Hiroko to do the same if she's not ready.

Hiroko: Our deuteragonist is probably my favourite character in the show, and I think she's very relatable and well done. As an older lesbian, she's got plenty of experience, having even earned the title of "The Ace" in her lesbian friend circle for being a talented womanizer. But a traumatic experience of losing her last partner due to being found out at the workplace has changed her. She's afraid to get attached, she's unable to let people get close to her true self. So when Ayaka is fighting tooth and nail to get to her, Hiroko is caught in conflict between her feelings of attraction and her past trauma. She does everything in her power to dismiss Ayaka's advances to protect herself, and later when she learns that Ayaka is in fact not straight (duh), she still turns her down to protect Ayaka's (and her own) career. Hiroko is a bit of a conservative - something she's also called out for in her lesbian friend circle - she believes that coming out at work is impossible and irresponsible. And you know, I get it. Not only does she have personal bad experiences with exactly that, it's also not unreasonable to think it would be a bad idea to hook up with your junior of 13 years. Like, I get it girl. Hiroko is clearly attracted to Ayaka, not just physically but also emotionally, because Ayaka is everything Hiroko wants to be but can't. And that leads to Hiroko constantly underestimating Ayaka, even treating her like a child. She thinks Ayaka is not really thinking the gravity of her actions through, and she gets called out for that and has to overcome it. In the end, Hiroko ends up being a character that needs time, and needs to unlearn a whole bunch of shitty behaviour, something the show clearly also shows is being worked on and that Ayaka also respects (more on that later).

Risa: Easily the character I struggled with the most, Ayaka's best friend Risa is complicated. She's very observant but also shy, and secretly harbors a crush on Ayaka. Quietly struggling with her sexuality, she only decides to come out when she realises that Ayaka's feelings for Hiroko are serious. Oh, it's messy! She confesses to Ayaka, who in turn has to struggle with her feelings for someone else, but also not wanting to lose her closest confidant. And to her credit, Risa takes the rejection quite gracefully and continues to support Ayaka in her pursuit of Hiroko. However, Risa also outs Hiroko against her will to Ayaka, which... is just a shitty thing to do, even though she just wanted to help her friend. Good motive, still murder. After the conflict between Ayaka and Risa is resolved, Risa just kind of... is around, quietly worrying in her corner and kind of (in my opinion) overstepping her boundaries with Hiroko. I don't dislike Risa, but I thought her character was not done super well in parts, and although I understand the complicated situation she herself is in, the show doesn't really let her grow as much as the other characters. Anyway, good for her for bagging the hottest chick at the lesbian bar, though. Good for her!

The "break-up": The story's conflict comes to a peak when Hiroko finally realises there is only one way to shut this all down. She needs to fulfill Ayaka's desire, and then turn her down, once and for all. But Hiroko at this point still thinks Ayaka is immature and hasn't really thought her actions through. Ayaka sheepishly asks for a kiss, so Hiroko kisses her. "Now you've achieved everything you wanted." We're done, you can give up on me and this childish crush you have on me. And most importantly, I can let you go, too. Not realising that Ayaka wants much more. She wants a real relationship, she wants the kiss, sex, real emotions, she wants to see Hiroko's true self too. She wants a partnership.

The Finale: With the encouragement of her peers, Ayaka finds the courage to express her feelings to Hiroko one last time. And she finds just the right words to finally get through to her. Hiroko realises how much of an ass she's been all this time, how she ended up hurting the girl she loves and herself by denying herself happiness. This whole scene was so well done (Kudos to Kato Shiho as Ayaka, this is probably her best scene in the entire show), brother I cried so hard. And finally Hiroko can say what she should have a long time ago: "I'm sorry."

One year later: In the show's worst case of bad pacing, we immediately cut from their tearful reunion to "one year later", lol. I don't mind the sudden jump too much, but maybe a bit of a slower fade-out would have softened the blow, because I think a few people probably found this very jarring xD not too bad for me. I was actually positively surprised that we actually get to see the aftermath, see how their relationship has developed a year into it.

I've seen a few people complain about this "no-sex scene" (lol) and I just want to add my two cents. I actually really like how this scene played out, for two reasons. Reason 1 is that it's just very much in-character for Hiroko. We've seen her struggle back-and-forth with the intimacy Ayaka wanted from her for the past 7.5 episodes, and her own internalised homophobia and constant fear of "crossing the line". She's a traumatized person, and it makes total sense to me that even one year into the relationship, she's still struggling with sexual intimacy. Sure, a whole year is a long time not having sex with your partner (even though you both clearly wanted to from day 1) but like... it makes sense for Hiroko. She's still working through the past 10+ years of repression. I do understand how this scene can be interpreted as "the show is afraid to show them being horny and sexy together, they're cowards for making Hiroko so obsessed with Ayaka's "purity" etc" and like, yes, that is a totally valid interpretation, but IMO also a quite bad faith one.

"I'm happy to know you feel that way. Which is why, could you please wait a little more, just until I sort my feelings out?" "What?" "I want to cherish you, Ayaka." "Right." "I'm sorry for everything, Ayaka." "For everything?" "In the end, it seems like I still haven't came out yet. I understand that I'm making you endure something when you don't have to. But… I do want to be with you, and I want to keep my job. I'm really sorry for making you put up with my selfishness."

^ Like, that is the conversation that follows. It's not just about sex for Hiroko, that kind of intimacy holds a deeper meaning to her and she's just not ready for it yet, and trying to sincerely tell her partner that. And when Ayaka reaffirms her willingness to be patient in this scene and is respectful of Hiroko's choice, Hiroko realizes that she's being a stupid coward, and finally makes a decision...

... to come out in front of the whole office, who's been gossiping about their relationship the whole year anyway.

And that is the end of the show!

So really, Hiroko did manage to overcome her fears in the end, and it took her a whole year into a healthy relationship to do so. And I think that is honestly much more realistic than some people would like to believe. Is the smooch in front of the whole office silly and cheesy and over-dramatic? Of course, but that's the entire show so far. And if you think that kiss-and-dip is dumb then I can't help you, I think you just don't like fun.

Oh yeah, and my reason 2 why I thought that no-sex scene was done well is because it's just funny. Ayaka has been DTF since minute 1 of the show, and her still being unable to get it this far into it is just funny. I would have loved a little nod to them finally getting down at the very, very end, but eh, I can live with it like this. They've conquered the emotional hurdles, I'm certain they will cross that other bridge when they get there on their own time.

Conclusion: "Ayaka is in Love with Hiroko" is a great and incredibly funny lesbian show that touched me emotionally much more than I thought it would. It made me cry several times, the production and acting quality positively surprised me, and honestly deserves my Nr 2 spot of favourite Lesbian JDrama after Tsukutabe (which is a 10/10 show) for now. I really hope this type of show gets imitators, adapting relatively short stories into mini-series with great quality. I appreciate the more adult tone of this series, its shameless comedy while still being able to hit serious beats with real emotion. From what I've seen of the BTS, the actors and staff also handled the subject matter with respect and care and had a lot of fun making the show. I don't think a season 2 is needed, but I do hope that the series can inspire more similar works. I love Ayaka and Hiroko, and I'm so happy they got their happy ending, and by God, I hope they have the best sex ever in their beautiful lesbian future. God bless.

That's it from me, thanks for reading, and I hope you enjoyed this show as much as I did! Hopefully see you soon!

[aventurineswife]

Mammon with a reader who seems to be oblivious to his feelings for them, but they are more actually like "naaah, he can't actually like me that way" and does their best to treat Mammon well without looking like they're leading him on, without bringing up the obvious as to not make things awkward between them and essentially ruin the friendship.

One day during another mandatory mammon-crashing-over-mcs-room-for-company-and-chat, when he brings up the topic of love, reader just shrugs their shoulders and go "dunno how romantic love feels like. Dont think ill ever feel it". Because while they are a bit of a hopeless romantic, they just resigned from the idea because they werent shown much love growing up, so the idea that someone would actually love them seems very foreign. And they are also scared that they wouldn't be able to reciprocate for someone (in this case mammon)

(hope i explained well, just take your time with it. I just wanted something for the favorite tsundere 😭🙏

-Smooch Anon 💋

“What is Love?”

Summary: You and Mammon share a quiet late-night moment together in your room, each engaged in your own tasks but enjoying the familiar comfort of each other's presence. When Mammon unexpectedly brings up the topic of love, you admit that you don’t really know what true love feels like, prompting him to reassure you that you’re worth much more than you believe. Beneath his usual cocky exterior, Mammon shows a rare, vulnerable side, leaving you questioning the feelings between you and him, and whether his words hint at something deeper.

Tags: Mammon x Reader, Fluff, Light Angst, Comfort, Vulnerability, Emotional Conversation, Established Bond, Self-Worth, Hints of Romance.

Warnings: Brief mention of insecurity and self-doubt, Slight angst (You express uncertainty about love and self-worth), Mild language.

A/N: OMGGG I DIDN'T KNEW YOU WERE INTO OBEY ME?!! 🤭 AND YES MAMMON THE BEST BOY AND FAVOURITE CHARACTER!! 👏💛 Do you think him and Aventurine would get along? 👁️👁️ I feel like Aventurine would make fun of him for being in debts lmaoo

The night was quiet, the only sounds in the room being the occasional shuffle of paper as you worked on your assignments. The ever-familiar figure of Mammon lounged on the bed next to you, one leg hanging off the edge as he balanced his phone in one hand and absently flipped through some random channels on the TV with the other. It was a usual late-night hangout, a kind of unspoken routine the two of you had fallen into since you’d started living together in the Devildom.

As usual, Mammon was being his typical self—loud, boastful, and a little self-centered. But you had learned to tolerate his eccentricities. In fact, over time, you found yourself getting used to his antics. He wasn’t so bad once you looked past the arrogance and pride.

“Oi, you hear that new song from the radio today? It’s fire, I swear!” Mammon’s voice cut through your thoughts, and you looked up from your work to find him looking at you expectantly, as if waiting for your approval.

“Yeah? Sounds cool.” you replied, trying not to sound too disinterested. Mammon’s eyes sparkled at your response, though you could tell it wasn’t the enthusiastic reaction he was hoping for.

“Cool, huh?” He chuckled, leaning back with a smug grin. “I knew you’d appreciate my impeccable taste.”

You just rolled your eyes, your attention returning to your papers. "Sure, sure. Keep telling yourself that."

Mammon let out a dramatic sigh and flopped back against the bed with exaggerated flair. "I swear, you never give me the credit I deserve." he muttered, though it was clear he wasn’t seriously upset. Mammon had always been dramatic like that, using over-the-top complaints to mask the fact that he enjoyed having your attention, even if it was in a teasing way.

After a brief silence, Mammon suddenly sat up, his usual cocky demeanor turning serious. You didn’t notice it at first, too caught up in your own thoughts, but the tone of his voice seemed to shift.

"You ever think about love, MC?" Mammon’s voice was quieter now, and his gaze drifted toward the window, as if the question had just popped into his head. "Like, real love. Not just the stuff you see in movies, but… the kind that lasts, y’know?"

You paused, the question catching you off guard. You weren't sure where he was going with this, but you didn’t want to make things awkward by immediately dismissing him.

"Love?" You muttered, not looking up from your work. "I dunno… can't say I’ve thought much about it."

You tried to sound nonchalant, but inside, your heart did a little skip. You had always been a bit of a hopeless romantic, dreaming about love stories that were too perfect to be real. But reality always crushed those dreams, leaving you to dismiss the idea that anyone could actually love you in that way. Especially not Mammon. He was the Avatar of Greed, after all. He loved money, power, and himself far more than anything else.

Mammon didn’t seem to let your answer dissuade him. Instead, he leaned forward, a faint frown on his face. "Come on, MC. You don’t ever wonder what it’d be like to be loved by someone? Like… really loved, you know?"

You shrugged, trying to play it cool, but your voice wavered slightly. "Honestly, I don’t really know what that feels like. I mean, I never had much of it growing up. So… the whole idea just seems kinda foreign to me." You paused, hoping Mammon wouldn’t press you further. "I don’t think I’ll ever feel it. Not like that."

Mammon blinked, clearly surprised by your words. For a moment, he just stared at you, his lips slightly parted, like he was trying to process what you’d said. He had always been confident, always eager to show off, but in this moment, you saw a flicker of vulnerability in his eyes—something rare, something deep.

You quickly tried to change the subject, not wanting to make things more awkward than they already were. "I mean, love’s just… it’s not something I really need to focus on right now, y’know?" You forced a small smile, but you could feel the heaviness in your chest. "I’m just trying to get through each day."

Mammon leaned back, resting his arms behind his head, but you could tell that your words had struck a chord. He was quiet for a long moment, and you began to wonder if you had said the wrong thing.

"Well, I think you deserve it," Mammon finally spoke up, his voice softer than usual. "You deserve someone who’ll love you. You’re a lot more than you think you are, MC. Way more."

His words hit you harder than you expected. You froze, unsure of how to respond. Mammon, the one who prided himself on being the best was saying this to you? The person who thought he could never see them in that way?

You shook your head, trying to keep your voice steady. "Mammon, don’t say stuff like that. You’re just being nice." You didn’t meet his gaze, afraid that the look in his eyes might give away something you weren’t ready to face.

"I’m not just being nice," he retorted, his voice quiet but insistent. "I’m serious. You don’t get it, do you?"

You forced a nervous laugh, trying to keep the mood light. "It’s not that I don’t get it. I just…" You trailed off, not sure how to continue without making things more complicated than they already were.

But Mammon was quiet now, too, his expression unreadable. After a long moment, he sighed and stretched out, as if trying to shrug off the tension. "Whatever. I just think you’re a lot more special than you let on. So don’t go sellin’ yourself short, okay?"

You looked over at him, your heart racing for reasons you couldn’t quite understand. "Okay, Mammon. Thanks."

Mammon smiled, a little smug, but there was something warm behind it. "No problem, MC. I’m always here to remind ya how awesome you are."

You both fell into a comfortable silence after that, the awkwardness of the conversation ebbing away as Mammon eventually started talking about something else—probably some scheme he had cooked up to get rich, you guessed. But even as he rambled on, you couldn’t shake the feeling that there was more behind his words. More than just Mammon, the greedy and selfish demon.

But you had no idea what to do with that feeling.

In the end, you just let it go, hoping it was a one-time thing. After all, demons people like Mammon didn’t really fall for people like you, did they?