#i think that's the best course of action

[dudeshusband]

obviously, i fully intend to leave this s/i my age

[hajihiko]

“oh no people tell me I have no sense of personal space and I'm a man and her unofficial coach what if I've been making her uncomfortable- and Akane is like nah. You're not gonna do anything to me I can feel it. Like hes the only person who can overpower her but he just uses that strength to be there for her” og my god. i need a minute after that ome. god i had a whole long winded analysis of this and i was gonna put it all here but i seriously have no words. this is so real in every possible way and a lil too relatable lmfao

ITMEANS A LOT TO ME OKAY. I too could rsnt but idk where it would go

[lord-squiggletits]

I think the key component to my personal reading of post-Delphi Pharma is that he's trying to be a horrible person on purpose. Not "on purpose" in the way that people have free will to exercise their own choices, but in that Pharma's "mad doctor" persona is a performance he puts on to deliberately embrace how much everyone else hates him. Basically, if people already think you're a "bad Autobot" and a horrible doctor who just kills his patients for fun, why try to prove otherwise to people who have already made up their minds about you? Just fully embrace the fact that people see you as an asshole. Don't try to change their minds. Don't plead for their forgiveness or understanding. Just stop caring. If you're going to be remembered as a monster, you might as well be a memorable monster, and eke as much pleasure and hedonism as you can out of it before karma catches up to you and you inevitably crash and burn.

I mean, I guess you could just go the route of "Oh, Pharma was always a fucked up creepy guy and Delphi was just him taking the mask off," but I really don't like that interpretation because, for one, it feels really wrong to take a character like Pharma becoming evil under duress and going, "Oh well clearly he did the things he did because he was evil all along," as if somehow Pharma breaking under blackmail/torture/threat of horrible death was a sign of him having poor moral character. As opposed to, you know, suffering under the very real threat of horrible death for himself and everyone he cares about while being manipulated by a guy who specializes in psychological torture.

The second reason is that it just doesn't make sense to write Pharma as having been evil all along. I mean...

Occam's Razor says that the best argument is the one with the simplest explanation. Doesn't it make way more sense to take Pharma's appearances in flashbacks, his friendship with Ratchet, his stunning medical accomplishments, and the few we see of him speaking kindly/sympathetically (or in the least charitable interpretation, at least professionally) towards his patients and conclude "This guy was just a normal person, if exceptionally talented." Taking all of these flashback appearances at face value and assuming Pharma was being genuine/honest is a way simpler and more logical explanation than trying to argue that Pharma for the past 4 million years was just faking being a good doctor/person. I mean, it's possible within the realm of headcanon, but the fact is Pharma's appearances in the story are so brief that there simply wasn't room in the story for there to be some sort of secret conspiracy/hidden manipulation behind why Pharma acted the way he did in the past.

I just can't help but look at things like Pharma's friendship with Ratchet (himself a good person and usually a fine judge of character) and the fact that even post-Delphi, pretty much every single mention of Pharma comes with some mention of "He was a good doctor for most of his life" or "He was making major headways in research [before he started killing patients]" which implies that even the Autobots themselves see Pharma's villainy as a recent turn in his life compared to how for "most of his life" he "used to be" a good doctor.

And although Pharma doesn't know this, we as the readers (and even other characters like Rung) know about Aequitas technology and the fact that it actually works, so... if Pharma really was an unrepentant murderer, why couldn't he get through the forcefield too? The Aequitas forcefield doesn't require that a person be completely morally pure and free of wrongdoing or else how could Tyrest get through, just that they feel a sense of inner peace and lack feelings of guilt. Pharma has murdered and tortured people by this point, and put on quite a campy and theatrical show of how much he sees it as a fun game, so why then can he not get through?

It circles back to my headcanon at the start of this post that the "mad doctor" persona is just that-- a persona. Delphi/post-Delphi Pharma's laughing madman personality is just so far removed from every flashback we saw of him and everything we can infer based on how other people see/saw him before that, to me, the mad doctor act is (at least in large part, if not fully) a persona that Pharma puts on to put his villainy in the forefront.

To avoid an overly simplistic/ableist take, I don't think Tarn tortured Pharma into turning crazy. To me, it's more like the constant pressure of death by horrific torture, the feeling of martyrdom as Pharma kept secret that he was the only one standing between Delphi and annihilation, the physical isolation of Messatine as well as the emotional separation from Ratchet, being forced to violate his medical oaths (pretty much the only thing Pharma's entire life has been about), etc. All of that combined traumatized Pharma to the point that the only way he could avoid cracking was to just stop caring about all of it. Because at least then, even if he's still murdering patients to save Delphi from a group of sadistic freaks, Pharma doesn't have to feel guilty and sick about doing it. As opposed to the alternatives, which were probably either going off the deep end and killing himself to escape, or confessing to what he did and getting jailed for it.

In that light, Pharma becoming a mad doctor makes sense. It avoids the bad writing tropes of "oh this character who was good his entire life was actually just evil and really good at hiding it" as well as "oh he got tortured and went crazy that's why he's so random and silly and killing people, he's crazy" and instead frames Pharma's evil as something he was forced into, to the point where in order to avoid a full psychological breakdown and keep defending Delphi, he just had to stop caring about the sanctity of life or about what other people might think of him.

Then, of course, the actual Delphi episode happens, and Pharma's own lifelong best friend Ratchet basically spits in his face and sees him as nothing more than a crazy murderer who went rogue from being a good Autobot. Then Pharma gets his hands cut off and left to die on Messatine. At that point, Pharma has not only been mentally/emotionally broken into losing his feelings of compassion, he's received the message loud and clear: He is alone. Everyone hates him. Not even his own best friend likes him any more. No one even cared enough about him to check if he actually died or not. He will only ever be remembered as a doctor who went insane and killed his patients.

So in the light of 1. Having all of your redeeming qualities be squeezed out of you one by one for the sake of survival and 2. Having your reputation and all of your positive relationships be destroyed and 3. People only know/care about you as "that doctor who became evil and killed his patients" rather than the millions of years of good service that came before.

What else is there to do but internalize the fact that you'll forever be seen as a monster and a freak, and embrace it? People already see you as a murderer for that blackmail deal you did, so why not become an actual murderer and just start killing people on a whim? People already see you as an irredeemable monster who puts a stain on the Autobot name, so why beg for their forgiveness when you could just shun them back? You've already become a murderer, a traitor, and a horrible doctor, so what's a few more evil acts added to the pile? It's not like anyone will ever forgive you or love you ever again.

Why care? Why try to hold on to your principles of compassion, kindness, medical ethics, when an entire lifetime of being a good person did nothing to save you from blackmail and then abandonment? Why put yourself through the emotional agony of feeling lonely, guilty, miserable, when you could just... stop caring, and not hurt any more?

[omo321]

“Are you crying?” Fina exclaims in alarm. Tsurumi is equally startled when he wipes at his face and his hand comes away wet. Not once had he shed tears, not even when he’d lost them. Pulling a chair up to him, Fina dries his cheeks with soft dabs of her handkerchief. With her hand on his shoulder and her beautiful, bright eyes soft with more love than Tsurumi can bear, she waits for an explanation that he cannot give.

gnawing on "theatre" by Saengak again... it's free serotonin to me

[poorly-drawn-mdzs]

Bestie Deficiency

[First] Prev <–-> Next

[houseswife]

I cannot believe this fandom has dubbed taub the normal one. while house was doing surgery on himself like a common plebeian edgelord, taub (enlightened and bespoke) was screening his calls for help because he was too busy trying to get executed cartel-style by a stripper

[gayferrari]

Trying to catch up with old charles lore. Could you explain to me the singapore 2019 drama, like why ferrari let seb pit first and not tell charles?

[I typed this long-ass answer my browser ATE IT then I RETYPED IT AGAIN heroically. the things I do for sebchal drama...]

omg Singapore 2019!! OK SO. I rewatched that race not too long ago and off the top of my head, I can't remember the strategy decision being that outrageous at the time. Both during race comm and in the aftermath there wasn't noise about it. I might me wrong here, but I don't think it was a strategy screw-up, per se — iirc, Seb and Max (who was just behind him) pitted on the same lap, so it might have been that it was more convenient to pit Seb because he had a clearer window, or to offset RBR strategy moves, or it might have been that Charles's tyres could hold longer. I don't think pitting Seb first was a big deal, by itself. ofc, usually when that happens between teammates, the one ahead is ordered to give back position, barring special circumstances. Seb wasn't ordered to give the position to Charles.

My two cents: if it had been the other way around — Seb starting on pole and getting undercut by his teammate who started P3 — Ferrari would have made them switch back. But in that situation, ordering Seb to switch with Charles would have been more trouble than it was worth it. Ferrari started the season with Seb as their clear #1, and by Singapore he hadn't won a race in a year and Charles was on track for his third win in a row. Like... ordering your veteran driver / multi wdc to yield a race win to his much junior teammate would have caused a bigger mess than not just keeping the race order stand. Just imagine the headlines (FERRARI HAVE LOST CONFIDENCE IN VETTEL??? etc etc etc). They're damned if he does, damned if he doesn't. (And I'm not sure Seb would have, honestly.) I mostly remember the aftermath of Singapore 2019, at the time, as being a big relief to Ferrari fans and Seb fans. It was very "He's still got it, he's still here, we are so back" kinda vibe. Ferrari got their 1-2 and their third win in a row, and neither of their drivers was in serious contention for wdc by then so the individual points mattered less, but that individual win meant A LOT to Seb (who, at that point, Ferrari meant to retain! His renewal negotiations fell apart over 6 months later)

tldr, I would say the team thought that letting Seb win even if it meant Charles got done dirty was less poisonous in the long term than the other way. I don't think it was deliberate. I also don't think it was glaring incompetence as far as Binotto-era strategy choices go. Reminder that this was before Ferrari got nerfed for the illegal engine, they had absolutely no idea they wouldn't win a race again until 2022. They were fully expecting to challenge for wins again soon enough, u know?

ALSO I found this very cool picture on google AND this very fun (in hindsight) reddit comment while searching for said picture

158 upvotes.......

Anyway typing this out made me want a rancid sebchal fic where Seb is ordered to let Charles pass :)))) and who knows what happens then

[narcissusneverknewme]

they wouldn't let me write the live action Disney adaptions because I would have had the best Ping you have ever seen. He and Shang would have had chemistry that took your breath away. They would be Yearning. the audience would be Yearning. it would be electric and terrifying and by marika would Mulan/Ping be hot. Shang is obsessed, the audience is obsessed. there would be hardly be a person in the attendance that doesn't Get where Shang is coming from. who wouldn't rend their clothes and scream to the heavens over Mulan/Ping. she takes no prisoners.

and yes, Shang kisses him in the snow as he cradles Ping's injured, dying body.

and yes, from the opening scene to the rolling credits he's going slowly mad.

and the first time you see Mulan she's dressed in the most feminine, floaty, light-colored dressy robes, with bone white makeup and painted lips and you fall in love with her. and there's something underneath, too. and it's so intriguing.

and then she shows up as Ping, and it takes a while to get used to, and it's kind of funny and awkward. but then it looks better and better to you. and soon you find you can hardly bear it when the camera turns away from him for even a second. and Ping isn't awkward to be around at all, he's stunning and brave and resilient and determined to be kind and you're desperately in love with him and you decide he looks incredible in the warriors' robes, actually. and his smile makes you want to kiss him. it makes Shang want to scream. and to kiss him.

and then comes the last leg. and she's got the gender-neutral robes, the "neutral" stage makeup. the loose updo. and you've never been as attracted to anyone in your life as Shang is to her. and you get it. you really, really get it. and wow the way the cuff of her sleeves and the silhouette of her robes make your heart clench. and the way her posture, her gait, make a new kind of sense. you can feel this is It. this is The Costume. you're obsessed and Shang is obsessed.

And then in the end, she's wearing pretty soft-colored robes and it makes you think for a moment that she looks like she did at the beginning. but then actually something makes her strength visible too. is it the cut of the costume? her posture? the framing of the shots? Yes it is. and you know, when Shang shows up, You know he can see it too. and he doesn't want to stop looking any more than you do. and he isn't going to even when you do.

every kid that ever watched my Mulan would recall it as Formative, like y'alls Danny Phantom but on the sickest steroids ever invented. She'd be irresistible. and so very gender.

[hopeswriting]

imagine you're luce, and you're born the heir to a mafia family. you're mafia-born, and so of course also mafia-raised, and then also a donna-to-be. you're raised to be able to take on the role, to be good and capable at it, are taught to make one of your core beliefs about how the many must come before the few, because the family must always come first. you're going to be the donna, of course you must always prioritize the family above all else, it's your foremost and most important duty.

if caring about the few too comes at the price of the many, comes at the price of the family, is it even worth it? if the happiness gained from it comes at the price of a greater suffering for others, is there even any meaning to it, even if it's your happiness we're talking about? you understand, don't you?

you're not sure if you do, but you care about your family, love it, want to do right by it once you become their donna, so you nod, listen and learn.

(you don't have to be taught the pain and loss and guilt and anger and bitterness is a fair price to pay for the pain you decide has to be inflicted and the sacrifices you decide must be made, including by yourself. it's the least you could do, even.)

imagine you're luce, and the gift of foresight runs through your blood.

you would not call it a gift. you did not ask for it either. and you'll never come to see it as something wanted by you.

you can see the future, and it happened exactly as you saw it would, so of course it's exactly the way you wanted it to go. you can see the future, and it happened exactly as you saw it would, so of course you didn't care to try hard enough to change it. you saw the future before the shape of it had yet to be breathed into existence, and who's to say it didn't come into existence only because you saw it happen? you saw the future, and it happened worse than it had to for it.

you can see the future, but you still can't make it anything else than what it was always going to be. you can even make the visions happen at your will, but you still have no say on what you see or how much you see. you still can only be the witness of it before anyone else can.

it does mean double and longer the happiness sometimes, means relief and gratefulness and hope beyond words, and it'd be cruel of you to voice out loud your feelings for others to hear the many more times it means something else.

you can see the future, and it doesn't make it any kinder on you than on anyone else, does not give you any more power or control over it than anyone else, but at least you can see the future. you're given the time to make peace with it, to brace yourself for it, to bargain with it, to plead and beg and fight against it however desperately and hopelessly, even if in the end it still happens exactly as you saw it would.

(you can see the future, and it still doesn't hurt you any less than anyone else when it happens, but you don't expect anymore for anyone to hold you any less responsible for it anyway. it would be nice for someone to do it one day, but you understand.)

you can see the future, and you decide it's a kindness to both yourself and others to keep it for yourself as much as possible whenever you can.

imagine you're luce, and your family has this set of rings they've looked after and protected for as long as your family has existed. they're one set of three of the most important artifacts in the world, ones that help in safeguarding its existence and balance. they're duty, the very first one and the most important one your family was created for.

the pacifier around your mother's neck is duty too, and the most important and powerful artifact among twenty-one in safeguarding the world and its balance. it's been passed down in your family too, from mother to daughter. it's duty, but less tied to your family and much more to the blood running through your veins. it's a curse, in fact, as it demands heavy sacrifices the rings don't, and one that can only be tied to the blood running through your veins.

(your mother looks at you as if expecting some kind of reaction from you, and you can only wonder at which point you weren't supposed to see it as a given. duty and sacrifices have been one and the same for you for a long time now. is it even duty if it doesn't require any sacrifices from you?)

imagine you're luce, and your mother dies for duty. she's the donna, and so she dies for your family. she's the sky arcobaleno, and so she dies for the world. she's your mother, but she dies anyway, doesn't fight it either, even knowing she will leave you behind, even knowing she won't ever get to see what you look like all grown-up.

everywhere you look, duty stares back at you, from your mother and the pacifier around her neck, her love for your family and the life she gives up for it, her love for you and how she dies anyway while you're still only a child. duty, from your family members and how they die for you and kill for you, how they do both at your command, how their lives are in the palms of your hands and how they weigh only as much as you allow them to at a time. duty, from the knowledge your foresight gives you and the shackles tied to the blood running through your veins.

your mother's only duty while she lives too. she loves you, but she'd have had to give birth to you anyway even if she didn't. she loves you, but she still gave birth to you even knowing the kind of life you'd have to live, the kind of hands you'd inevitably end up with, the burdens she'd have to lay on your shoulders, passing them down from her own. because she loves you, she finds the resolve to raise you to be able to face all of it head-on and come out on top, but she'd have had to raise you much the same way anyway even if she didn't.

(she doesn't die for you, doesn't fight to be able to keep living with you, and this, too, is your mother surrendering to duty one last time.)

(you're so sick of it, so angry at it, so hateful and resentful against it. you're so stifled by it to the point you've stopped being able to breathe for a long time now. or you would have been if they had taught you how to face duty in this way too.

it's for the better they didn't. a silver lining, sparing you pain that isn't necessary for you to go through. everyone you turn to only teaches you how to keep holding your breath longer, and you listen and learn, obedient and dutiful as you've ever been.

you're grateful for it too. really, you are.)

everywhere you look, there's no room for you to so much as question any of it, let alone anything more. duty is commendable, something you ought to look up to and strive towards, strive to achieve. duty is the right thing to do. of course it is.

(you exhale a breath of relief that shakes you down to your very core.

thank god, it's at least the right thing to do.

you're grateful for it beyond words. really, you are.)

imagine you're luce, and before it even happens, you know the choice you'll make when climbing that mountain, when standing on top of it, when waiting for a bright light to shine down on you from above. you know the choice you'll make then, even when pregnant with your daughter.

it doesn't matter since how long you knew, be it years, months, days, hours or minutes before. all that matters is that before you can even contemplate the idea of making another choice and all its implications and possible consequences, before the thought can even come alive in your mind, you already know the choice you'll make.

(you can see the future, but just because you already saw it, it doesn't mean it's now set in stone.

you can see the future, but just because you're given the chance to fight to change it, it doesn't mean it still won't happen every bit like you saw it.

it doesn't mean it can't still happen even worse than how you first saw it happen because you fought to change it, no matter how already dreadful it originally was.)

imagine you're luce, and before it even happens, you know they'll be others with you standing on top of that mountain. you're the only one who'll know it before it happens.

(because you can see the future.

and oh, you did not ask for it.)

they're strangers, people you don't owe anything to. adults who choose to show up at the first meeting, and to show up to every following mission after that. the chosen seven, whose ambitions and prides lead them to walk the path of the seven strongest too once laid down in front of them.

you don't force their hands in making any of those choices for them. you're not responsible for any of them.

you become coworkers then, accomplices, your hands stained in blood to various extent, but now dipping in the same pool of blood as you strive towards the same goal together. you have each other's backs, learn each other's strengths and weaknesses, learn each other's personalities, likes and dislikes. you keep having to spend more time together as the missions keep coming your way.

inevitably, you come to care about them. even more damning, they come to care about you in return. enough so they'll look after your daughter even after what'll happen on top of that mountain. enough so they'll look after your granddaughter too, warmly and fondly enough she'll call one of them uncle.

you're still the only one who knows they'll stand together with you on top of that mountain, not knowing what'll happen on it like you do.

and you do care about them, you swear you do. really, you do.

(you care about them the same way your mother cared about you, and how she still raised you to have steel in you and be made of sharp edges you know how to use. you care about them the same way you care about your family, and how you still send them to their deaths as needed so the rest of your family you care about just the same can keep on living longer and safely. this is the only way you've had the chance to learn how to care and love.

duty and sacrifices have been one and the same for you for as long as you can remember. it doesn't matter at which point sacrifices came to mean love to you too.

and most of all, you love your daughter more than anything else in the world.)

imagine you're luce, and this is who you are. this is who you've been raised to be, the only way you've been given room to grow up to be. this is the life you've lived and the kind of life that has shaped you as the person you are now. this is what you've been taught and told is the best version of yourself you could have grown up to be. this is who you ended up being by what you've been taught and told are all the right choices to make.

you're still the only one who knows what is about to happen on top of that mountain. it hasn't happened yet. the fate of the world hangs on what'll happen on top of that mountain, the same world you'll have to give birth to your daughter in. the same daughter you're currently pregnant with.

now imagine you're luce, look me in the eye and tell me you'd know how to even form the thought of the possibility of there being any other choice to make. look me in the eye and tell me you wouldn't look at the only choice in front of you, and know deep in your bones it's the only right choice to make. that it is right of you to make it. because it simply has to be.

(imagine you're luce, and you're not doomed by the narrative. of course, you're not.

why would you need to be when the narrative has painstakingly shaped you all your life to become its perfect, faithful and dutiful sacrificial lamb?

and then, imagine you're luce, and you're even grateful for it, so, so very grateful it held up its end of the bargain too.

truly, you are.)

[h7jfangirl]

TGS UPTADE (Chapter Cover) ✨🎩

I love this one, I think it's my favorite cover until this point.

Jekyll has his old outfit I LOVE THE REFERENCES

Guys, ITS THE OLD DESING GUYS.

When I saw this cover, my first thoughs of it weren't the most pessimist, really

The colors are soft and lighter, and the place looks beautiful and peacful, it gave me nostalgic vibes but I mostly felt... Comfort

So I though this chapter would be the star of the final redemption arc of Jekyll's and Hyde's relationship, the chapter where all their fight would finally end for good and start to actually accept themselfs and work together as a team

I interpret Hyde's expression as a "Wait what!?" Reaction to actual self-love coming from Jekyll, and read the name of this chapter as something of "We are a team! We are together in this! So if one of us goes down, we are going down together! I would never ever leave you alone!" Like a thing of friendship or Brotherhood even.

But after reading the Comment Section in the page, I finally notice that something was off in the cover, a simple detail telling that this may not be a 'end of the conflict' type of chapter

And that simple detail...

It's Jekyll

I really hope he goes insane in this chapter, like ACTUAL insanity, I love when a calm character goes through a 'madness arc' and sadly I don't see it often so I WANNA SEE SOME GOOD SHIT.

Jekyll is grabing Hyde's clothes very strongerly, you can feel the anger on his grabing and how close he puts his face towards Hyde's.

His body says "I'm about to kick this asshole's ass"

But the thing is that he is also... Smiling. You can't see his eyes but there is a shadow on them that you can tell something it's not okay, something it's wrong with Henry but not in the "Poor victim" type that we always had see him before, on the whole comic

But in "This man is dangerous" type

So, with that grin and his body looking agressive towards Hyde, you can said Edward may be in danger in this chapter.

Predictions~

Now, everybody agrees that the place we were shown it's actually part of Jekyll's mind, a memory actually. So, I think that somehow Jekyll and Edward will both go inside their memories, to see what were the events that lead them to this specific moment

Maybe with Frankestein's help, in a intent of her to understand the experiment's true nature, also trying to help Jekyll and Hyde to they can finally understand it too (THEY ARE TAKING A THERAPY SESSION TO A WHOLE OTHER LEVEL)

Or

They go both inside their own memories because the transformation got worse, and now their body is unconsious, so it would be only Jekyll and Hyde alone inside their mind, finally being able to stand in the same room at the same time, and netheir of them knowing what will happend outside, now that Frankestein knows their secret and the mob it's still out there

So of course, Henry wouldnt have someone who could help him and calm himself, so he is blaming Hyde for the situation as Hyde avoiding the accusations and also blaming Henry too. The rest of the chapter would be about them looking at their memories and reflecting about their actions

But of course, I can imagine two final scenarios happening, based on the scenario shown on the cover actually happening. They finally go together to see a old memory, and they are both close to the cliff, seeing the place

So, Henry finally has the conclusion of blaming Hyde for all the situation, and snaps angst him, deciding to end this just right there, now that he is able to touch and feel Edward's skin as if he had his own body, as a another person he can fully touch

So there is two options:

Jekyll's grabs Hyde's clothes and makes both of them jump to the water, accepting the death as a end but making sure to drag Hyde with him as well, so it feels actually worth it. Of course this being a moment similar to Hyde's ephifany when he is told that he could take down Jekyll as well.

But of course, in this case we'll see Jekyll's perspective to this words "Taking you down with me" (I love how similar they are, even if they turned out to be so different from each other, somehow they are still the same person)

Or, there is this other option. Jekyll actually dosen't jump to the cliff but instead, he shove Hyde to the cliff in a intent of murder him, being mostly like a metaphoric suicide rather than a direct one (Because they are the same person after all). The reason why Jekyll is also jumping in the cover may be a symbolic jump as "Going insane/Jumping the cliff of sanity" for doing something so brutal that the normal and sane Dr Jekyll wouldnt do... Push a person on a cliff, to kill them. So not only this would be a intent to kill Hyde but at the same time accidently murder the person he used to be, the good Dr Henry Jekyll

(Jekyll also jumping can be more like of "how he feels" rather than something literal, he feels atrap and his only company is Hyde, and I dare to say he is the person Jekyll hates the most at this point).

Of course, in any scenario, nethier of them would actually die (yet) because there is like two chapters left to finish this comic, duh

But I like to think about the Second Option. Because it could also explain those spoiler images Sage share in their social media a while ago

There it was another one with Jekyll with a lot of bottles around but I couldn't find it.

Because I think it would fit in. After pushing Hyde on the cliff Jekyll goes out and takes back the body's control and fix the angry mob problem, thinking he has done right in killing Hyde, when actually you can see that he dosen't has his normal eyes anymore but now has Hyde's bags in him (Of course, it could be for the fact that he climp up the society to get in the roof, but I don't think he would like to being seen very tired) meaning that Jekyll has change, in a more hyde-like way. Hyde is not death, and Jekyll's actions will have more consequences, as long they keep fighting each other there will be no end to their problems.

So, this is the tgs UPTADE. I like everyone in the fandom started to make theories like crazy and I love every single one of them.

Sorry for my bad english hehe bye~

[northernsunsets]

I've become obsessed with the Shen Jiu Liu Qingge rivalry lately because I think it's really funny that Shen Jiu started it by ambushing Liu Qingge after a spar.

[a-small-writer-in-a-big-world]

Hello! Merry Christmas and Happy Holidays!

I’m back. I’ll be on and off today just because it is Christmas and I will be doing festivities with my family but just want to be like hi!

I have an announcement one that makes me sad since most of the anon asks I get are from kind people but the odd anon hate has pushed me over the edge.

Anon will be turned off indefinitely.

I no longer wish to have people come in and berate me on my own blog for updates or to make rude comments and attacks. I came here for a safe place to share my work with others and I continue to do so, which means that I won’t tolerate people coming into my inbox to be mean for no reason.

I feel bad for the anons who have spoke to me and have been nothing but kind. (🐍 anon I hope you have a wonderful day today and happy holidays if you celebrate, please don’t be a stranger.)

I was close to leaving. I want to be as transparent as possible but this break I really debated on whether or not to abandon this blog. It has brought me no happiness for a while and while that is because of my own pressures it’s also because of the anon hate I have received across many months. But now I’m willing to try to bring it back after turning off anon.

To those who have sent me anon hate, please know that you do not have to follow me. I promise you that it won’t hurt my feelings if you do and if you dislike me as much as you do, then please don’t make yourself miserable by continuing to follow me.

I will post whatever I want on here. and I do apologize if a lot of it is complaining, but I often find myself frustrated with my hobby so it’s bound to happen, so if you don’t like it please just unfollow me.

To the anons who have sent me hate, I hope you have a good day, happy holidays if you celebrate, and that you find a blog or place on the internet that brings you more enjoyment than I have.

And to everyone else, thanks for sticking around. I appreciate you all and I love you all.

Writing will resume eventually.

Have a good day!!

[miiiwu]

.

[cursed-rat-of-homosexuality]

OKAY YALL THIS SCENE, SEE THIS SCENE RIGHT HERE?

(Sorry for the extremely low res, did not know how to get around that one).

You know what I think this is? I think this is an Ed-and-Stede-have -A-Problem-with-something kind of scenario. Something that only Anne and Mary can help them with.

Problem is, Ed and Stede aren't on very good speaking terms yet, they are still very much working together though. So we have Ed sorting how they are going to ask it and he goes "Okay here's the plan I will go there, you'll stay here, shut the fuck up, don't let them see you and pretend you don't exist while I go talk to them, got that?" because Ed needs to look cool and all Blackbeardy for whatever he has in mind to work. Of course, the topic of conversation tips toward what happened to Ed, or how they heard he was hanging out with a rich dork or smth, and Stede - thinking he's the sole proprietor of some utterly Relevant information to the conversation - chimes in (He's not a dork and not even rich anymore!).

Ed, with reason, gets fucking pissed and replies to him on instintic. He regrets it immediately though, and tries to play it off and pretend and the doesn't know him.

(Look at Ed's face!!!! He looks fucking baflled. He's like "THe fucking NERVE of this guy" but also "No nope, totally don't know him, who even is he? No one important, I can tell you that bit")

That's when we get the "Edward..." and that's also how Mary and Anne guess that they know each other. Maybe from there the plan becomes to play their relationship up a bit, I don't know, they DO get invited to dinner though (double date!!!!!).

Anyhow... where trailer?

[hydrachea]

I may be grasping at straws here, but I like to think Collei's outfit was made by the same tailor who made Kaveh's. There's several similarities between them!

[hell-heron]

Can't get over how:

1) Aeron in his first chapters has several pages of rambling stream of consciousness about how devoted he is to his older brother and king Balon, how he deserved his scorn and is happy that his younger self who was scorned is gone, how he was one of the pillars his life was built on etc etc

2) Somewhere among these ramblings we find out that Balon explicitely shared with Aeron his will about who wanted as his successor "I pray the God they killed [Theon] so he can't stand in Asha's way"

3) Two lords as well as the smallfolk consult Aeron about who the legitimate candidate to support is, to an extent that kinda implies it being a custom perhaps that this is how the will of the king/lord is transmitted rather than through a written document

4) He does not tell the truth to any of them 😭