#i think people make too big of a deal about human death
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#unfortunately i think a big part of it is that fandom has become an increasing hellpit of harassment and fash shit#as well as Instablock at the Tiniest Hint of Petty Conflict or Inconvenience of Literally Any Type culture#No Matter the Context; as a band-aid for aforementioned harassment culture instead of like.#teaching people literally any way to deal with the mildest annoyance or conflict or discomfort#other than completely disappearing other people from existence
#like it's better than harassing people directly if you can't Fucking Behave toward them for existing in your line of sight#but again it is incredibly fucking stressful and exhausting knowing that every attempt to reach out to someone you don't already know#is a roulette wheel between 'new friend' and 'nice singular interaction' and#'start to make a friend only for them to block you without warning over stupid bullshit' and#'start to make a friend who is decent at heart but you have to painstakingly educate them on issues that affect you'#'and are mentally and emotionally and timewise draining to hear this stuff about when you just wanted to enjoy your hobby'#'which may or may not result in them changing their mind anyway'#and 'start to make a new friend only for them to decide to start a harassment campaign; openly or via whisper network'#'to get as many people as possible to ostracize you too; under the guise of ~just block don't interact~'#and 'start to make a new friend only for them to decide to spam you with rape and death threats and start years-long stalking campaigns'#and 'make new friend who ends up doxxing and swatting you; trying to cut off your income; harassing you at work; and sending bomb threats'#and even if you try to vet people it is incredibly difficult to know whether they're a closeted harasser and/or friends with harassers#unless they explicitly come out and say otherwise. and THEN you have to hope that whoever's left actually clicks with you as a friend#after a certain point you just hang back and go 'fuck it'#'if i enjoy their shit from a distance while trying to maintain space from the creator there can at least be plausible shithead deniability#the vast majority of the time it just is not fucking worth it anymore and might be an active safety issue to make someone aware you exist#fucking sucks man. would be neat to know about this anyway if it ever happens with my work though#general fandoms tag#the salt files#harassment cw#antis cw#(are not the only ones making fandom miserable this way but are a primary source of it these days lol)#('ostracize anyone who is even slightly negative about Anything; or even neutrally critical of something; be ~positive~ or shut up')#(fandom i am Also Making Unblinking Eye Contact with You)#(You are Also Treating Real People Badly to Censor a Broad and Fundamental Swath of Human Artistic Experience You Find Uncomfy)
A writer friend told me something that broke my heart a little bit today; they're going to quit publishing their fanfic.
My instant thought was that they had been trolled or attacked or that something terrible had happened in their life because this person is so passionate about their writing. It wasn't any of that. Engagement with their works has been going down, as it has for many of us. Comments are like gold dust a lot of the time, and just looking through the historical comment counts on old fics on ao3 demonstrates this trend very clearly. It was not simply the comments dropping off which caused them to decide to stop posting, however.
My friend came across a discord server for their fandom (I should point out here that their fandom interest and mine diverged a couple of years ago, we stay in touch but don't currently read each other's posts because I'm not into their fandom and they would rather gouge their eyes out with a wooden spoon than read anything Star Wars) and specifically to share fic in that fandom. They joined, because we all love a good fic rec, only to discover that their latest multichapter fic, which has almost no comments and very few kudos, is being hotly discussed in this server as one of the best stories ever. Not one of these people has bothered to say this to them on the fic. When they asked, none of participants could see the point in telling the author of the fic they apparently loved so much that they love it.
This discovery has absolutely destroyed my friend's love of sharing fic. They share because they love seeing other people's enjoyment, and fic writers do that through comments and kudos/reblogs/likes because we don't get paid. There is no literary critic writing a blog post/article about how amazing the story is for us to copy and keep/frame. There is no money from royalties. All we have are the words of the people reading our works.
Those people on that server could have taken five minutes of the time they spent gushing about how amazing my friend's story was to other people and used it to tell the one person guaranteed to want to hear that praise how much they loved it. They could have taken a moment to express their opinion to the person who spent hours upon hours plotting, writing, editing, and posting those chapters. Instead, they deprived my friend of thing that keeps them sharing their writing, and in the process have killed their love of it. My friend now feels used and unmotivated.
I won't be sharing a link to their fic, they said I could share their experience but not their identity. I know they plan to post one final chapter. I know they intend to express their hurt at being excluded from the praise for the thing they created, and I know they intend to announce that as a consequence they will not be posting for a long while, if at all.
So please, I beg you, don't hide your love of a story from the writer. It's just about the only thing we have.
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I started season 2 with the conviction that Caitlyn’s story was going to be the one to resonate the most with me (might have a thing with holding grudges) but the truth is that in the end it was Vi’s.
I guess it has a lot to do with being a twenty-something and having to step up and become the first care-giver to a family member who is sick. Disease turns people into angry, hateful beings and the person closest to them gets the brunt of it.
It is an impossible job and that’s Vi’s job, over and over again, first with Jinx, then with Caitlyn and in the end with Warwick.
Vi annihilates herself for the people she loves, she is asked to make impossible choices, most times than not she becomes their punching bag , is forced to eat dirt when she dares say enough is enough and in the end accept the death of her father and her sister no matter what she’s had to endure.
All of this alone should’ve rung a bell in my head a lot sooner but it never did until the end. Nothing started my brain worm until act 3 and the way the writers relegated Vi’s arc into a footnote for Jinx and Caitlyn’s story.
A lot of people are angry about it and I was too but in the end I came to the realization that Vi is no big action hero, she’s honestly just a regular person thrown into Runeterra.
What Vi deals with are the most human problems of the show, she’s trying to take care of her mentally ill sister, she’s dealing with her girlfriend’s grief and then with her sick father, she’s not about to invent magic, she’s not about to turn the whole world into a wasteland of automatons and she’s not about to go down a dictator path and that’s the strength of her character and in the whole ecosystem of Arcane she is the force that keeps the show grounded.
I guess that’s why I think what the writers did in act 3 even if not intended made Vi even more relatable at least to me.
Her story isn’t about big sacrifices, defeating her enemies or a big moment of glory, it’s about second chances, the mistakes she’s made and the way she tries to fix them, her need for forgiveness and her willingness to forgive, her duty to her family, maybe finding a little happiness along the way in the midst of all the horrors around her and survive to fight another day.
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I think it's really funny how people choose to separate "murderers" into a separate category of personhood, as if you have to have a specific gene or brain chemistry to kill someone. As if your Aunt Gemma isn't just as capable of killing as anyone else.
It's just a decision you make. You don't have to "snap" like sorry to make you paranoid like me, but yeah even you are fully capable of intentionally or unintentionally killing someone for any reason at any moment.
#hell o hadal#ignore me im rambling and have had wine#i have opinions no one likes#i think people make too big of a deal about human death#like why dont yall care about every single animal that murders another animal. you only care when jt invovles a human#sometimes people die and sometimes its cause another human. just like how a cheetah kills a gazelle but never gets to eat it#idk human death has never been a problem for me. in fact im too comfortable with it and it makes people uncomfortable#we all have a weird positive acceptance of death that has made us look and sound cold#like we dont know how to comfort people when someone dies
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ok im waffling on about fallout instead of having breakfast but i saw a criticism of how the prisoners were treated that's stuck with me.
spoilers!
so i think the criticism wasn't incorrect, per se: it condemned the way the show portrayed the vault dweller's naive intention to rehabilitate their murderous captives. it found fault with a common, and horrible, message that tv shows like to say, which is that carcerial violence and even the death penalty is the only effective way to deal with criminals, who are a fundamentally Bad category of human. im sick of that message too! but i think that wasn't what was going on here, actually.
so like, the vault dwellers had only ever experienced violent loss the once, and didn't really know how to cope other than denial and repression of the ordeal. but they were all hopeful and enthusiastic that their prisoners, the invaders that came to kill them all and take their stuff, could be eventually welcomed into the community as their comrades. the champions of this cause were nebbishy dorks and painfully out of touch academics. this is pretty normal for how prison reformers are portrayed, if extremely fucking annoying for those of us who ARE in favor of prison reform.
but so of course when the son of the former overseer, Norm, speaks up and suggests killing the prisoners, because why should they share resources with invaders who explicitly wanted to keep hurting them? why should they show mercy to their attackers? everyone is appalled by this suggestion. because they had to reinvent the whole concept of vengeance right then and there, because grudges and cycles of violence are anathema to a bottle society like theirs. they have been raised all their lives to forgive and forget and now, put to the test, they're recommitting to this ethos: get along, let the past go, look towards the future, believe the best of everyone.
but the prisoners die, anyway. the prisoners are killed with rat poison. and the thing is that Norm who suggested it didn't do it himself. and the prison guard who's blamed for it, even though she privately agreed with Norm that the prisoners are dangerous and unforgiveable, she didn't do it either. it's not a moment of triumphant, cathartic vengeance and it doesn't prove that there's no way to negotiate with terrorists and invaders but kill them like vermin because that's not what the message is meant to be.
the message is that norm stands there in the middle of these inconvenient prisoners, these corpses dressed in his own people's uniforms, and he looks at the new overseer. and he knows that she killed them, and she knows that he knows. she wanted him to know. this is her message and he's reading her loud and clear. and he doesn't look like a guy who's just been backed up by authority, who's just been validated in his desire for the ultimate control over those who have wronged him.
he's scared and pale and the music is ominous as fuck. and he's inside the cell, he's directly in the middle of it.
because what just happened is that he realized his entire society is being held prisoner, and the overseer is the one with the rat poison. and that he doesn't know, anymore, what freedom and safety and justice actually mean, just that he doesn't have them and he doesn't know where to find them.
that's what that scene meant. not that rehabilitative justice is a pathetic delusion of people who have no idea how to make hard choices.
but that before you advocate for killing prisoners, you might want to see how big that prison is, first.
and which side of the bars you're standing on.
#fallout#look i went NUTS over the prison scene#it's gonna live in my brain for a good long while#RATS ARE A BIG THEME IN THIS SHOW#the rats that are vermin and the rats that are lab subject#both disposable#both struggling so hard to survive#both in pain and wondering what's going on and why is life so hard#both disposed of when they go where they shouldn't
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Are You Satisfied?
As you might have heard chapter 236 of Jujutsu Kaisen ends with the death of Gojo Satoru. The fandom is making a pretty big deal about it. As someone who predicted from the beginning that Gojo was going to lose against Sukuna, the reaction is fascinating to me. This is perhaps the most controversial chapter of Jujutsu Kaisen I've ever seen. So I've decided to throw my hat into the ring.
The central theme of Jujutsu Kaisen is death, so the death of one of the main characters isn't too surprising, but what does Gojo's death mean for the story? What does it say about his character?
As I said above I am a little bit shocked by the extreme controversy over Gojo's death. Gojo was never going to win the fight in the first place, because Jujutsu Kaisen is a story and the story would be over if he defeated Sukuna. He'd easily be able to take care of Kenjaku afterwards and the main conflcit would be resolved. Would it really be an interesting story if Gojo one shotted the villains while the kids just wathced on Television?
The story is also not about Gojo, it's about the students. Gojo may think he's the protagonist of reality but he's not the protagonist of the story.
Once again, Jujutsu Kaisen is a story and stories have themes. We may grow personally attached to characters, but characters are just narrative tools to convey the themes of a story, no different from prose, dialogue, and art. Characters are a tool to be used well or used poorly, and sometimes yes that means killing them. Whether Gojo's death was naratively satisfying though isn't the purpose of this post though we're only asking what does it mean?
Finally, Jujutsu Kaisen is not only a fictional story, it's specifically a tragedy. Full disclosure, it's a manga about death.
The Protagonist of a Tragedy
So, number one shout out to me for making this post 4 months ago where I called the way Gojo would end the fight.
Excuse me while I fist pump for calling it!
The question on everyone's minds is why does one of the most powerful characters in the manga die offscreen in a pretty humiliating way, cut in half and helpless on the ground just like Kaneki. The reason Gojo didn't get a more heroic (or cooler) death is because we're not reading My Hero Academia, this is not a story about heroes or even a typical Shonen manga it is a tragedy.
In poetics Aristotle defines tragedy as:
"an imitation of an action that is serious, complete, and of a certain magnitude; in language embellished with each kind of artistic ornament, the several kinds being found in separate parts of the play; in the form of action, not of narrative; through pity and fear effecting the proper purgation of these emotions" (51).
To paraphrase a tragedy is about human action, actions characters make in a tragedy often have dire consequences. One of the most common consequences if the reversal of a hero's fortune, a hero of a tragedy usually starts out on top and ends up on the bottom because of the bad choices they make. If in normal shonen manga characters overcome their flaws through effort and persistence, in Jujutsu Kaisen we see characters more often than not lose to their flaws.
The reason I posted that Kaneki panel specifically is because it was a brilliant moment of narrative punishment for Kaneki's central character flaw. Kaneki the hero's main flaw is that he always fights alone, and he constantly makes that same choice over and over again to fight alone. One of the characters helpfully explains it as well.
Stories are primarily about change. If a character doesn't change they're not serving the plot, unless that specifically is the point. People have pointed out how abrupt it is for Gojo to get sealed in Shibuya, get let out, and then immediately die afterwards but that's kind of the point. Gojo made more or less the exact same choice (he asked for Utahime's help for a buff but otherwise fought the entire battle himself). The definition of insanity and what not, why would doing the same thing over and over again net him a different result?
Not only did Gojo choose to fight alone, but as I've been hammering on and on about in previous meta the entire fight Gojo cared more about fighting a strong opponent then he did saving Megumi, the child he was responsible for.
Jujutsu Kaisen is not a typical shonen manga where everything is resolved by beating a strong villain in a fight. That's specifically why I used the Tokyo Ghoul reference, because the reason Kaneki is defeated offscreen like that is because he thought the world worked like a shonen manga. He has a fantasy sequence where he's fighting Juzo in a shonen battle tournament like this is Yu Yu Hakusho right before it snaps back to reality and he's limbless on the ground.
Gojo is a major character in the manga Jujutsu Kaisen, literally "Sorcery Fight" and he is the best sorcerer in the whole world. His entire identity revolves around being a sorcerer. Since he is so good and beloved at what he does, he thinks that everything is resolved by exorcising a curse or defeating a strong opponent. He has basically no identity outside of that. Which is why when he's fighting the possessed body of his student, a person he's been mentoring since childhood his priority is not to save Megumi but to beat a strong opponent. Gojo is a sorcerer, before a human being. That's who he is, that's who he always has been since day one.
I think part of the negative fan reaction comes from fans being really attached to this scene in the manga and deciding Gojo's entire character revolves around being a good mentor figure to children.
Which is just incorrect, Gojo's entire character revolves around being the strongest. On top of that though, Gojo can care about children and also care about being the strongest he can care about multiple things at once and have those things contradict each other because humans are complicated. I'd point out even in this panel where he's stating motivation he's not trying to raise these kids up into being healthy adults, he wants them to be strong Jujutsu Sorcerers. Even when he's raising kids, his intention is to turn them into Jujutsu Sorcerers because everything in Gojo's mind revolves around Jujutsu Sorcery. Gojo does not exist outside of the world of sorcerers. Gojo may be the chosen one but he'd never be able to hold down a job at Mcdonalds.
I think in general readers put more investment in the things characters say out loud, rather than their actions. You can say one thing and do another. I can say "I should never eat sweets again I'm going to improve my diet", and then go and eat ice cream five hours later. Gojo can state out loud his intention to foster children and protect their youths, but then fail to properly do that in the story. Characters are not always what they say they are, that's why they're interesting to interpret. This isn't me calling the readers stupid, just pointing out that Gojo is made up of contradictions. He wants to get rid of the old guard and replace them with something new, but Gojo IS THE OLD GUARD.
If the culling games arc has shown us one thing, it's that ancient sorcerers brought to the modern age do not care that much about human life on an individual level, they are all of them egoists. There's a reason Gojo resembles someone like Sukuna more than he does any other character in the manga. I'm not saying Gojo is exactly like Sukuna, he's far more altruistic and uses his genuinely noble ideals but at the same time Sukuna is a shadow archetype to Gojo he represents Gojo's flaws. The flaws that Gojo succumbs to in tragic fashion.
Which if you believe that Gojo genuinely does love his students, and the ideal he's fighting for is to raise up a better generation and allow them to live out their youths, then Gojo throughout the entire Sukuna fight is acting against those ideals. He cares far more about fighting Sukuna then he does saving Megumi, it's shown over and over again in the battle, Megumi is an afterthought to him. If Gojo care moredefeating the big bad and saving the world is more important than helping a child that Gojo is responsible for then Gojo is acting against his stated principles. Why should Gojo win the fight when he's fighting for all the wrong reasons?
Tragedies are like visual novels, if you make the wrong choice the novel will give you a red flag. If you ignore the red flag then you get locked into the route with the bad ending. Gojo always fights alone. Gojo only ever fights for himself, even if he's using that selfishness in support of a more noble ideal like creating a better generation of sorcerers. If Gojo consecutively makes the same changes then in a tragedy he's not going to be rewarded for it.
Gojo wants the old generation out and the new generation in, but Gojo resembles the old generation too much. Old sorcerers like Hajime and Sukuna respect him, Hajime argues that Gojo being able to fight for his pride is far more important than him living to the end of the battle when Yuta wanted to interfere and help him.
Gojo's death isn't a surprise curve ball that Gege is throwing us for shock value, it's a result of his choices throughout the manga. A manga about change, and the change between generations is not going to punish a character for remaining roughly the same. Of course you might find it disappointing that Gege didn't give Gojo the chance to grow and change and experience a character arc like Megumi or Yuji, but Jujutsu Kaisen is a tragedy, and the way Gojo's arc ended is consistent with what Gege wrote.
Jujutsu Kaisen is not just a tragedy though, it's a manga about death. The manga begins with Yuji's grandfather warning him not to die alone the way that he did. His grandfather's dying words are what motivate Yuji throughout the beginning of the manga as he's searching for a "proper" death.
One of the major themes of Yuji's character is a contemplation of death. He accepts that death is inevitable, so he wants to save them from the gruesome deaths they'd experience if they became victims to curses and allow them to have a more satisfying death. Yuji's grandpa died an unsatisfying death because he died alone in a hospital room. Yuji even tries to make his own death a satisfying one because he believes by dying to seal away Sukuna he'll reduce the total number of casualties to curses.
Jujutsu Kaisen keeps investigating the theme of death and what exactly would make for a satisfying death. At one point it's all but stated that death is the mirror that makes humans analyze their lives.
When Yuji fails to save Junpei from the "unnatural death" it calls into question whether or not his goal of saving people from unsatisfying deaths and the gruesome deaths caused by curses is even feasible. Nanami even says that Yuji might not be able to accomplish his goal and warns him away from the path.
We see repeated unsatifying deaths in the manga, each time someone reflecting on their deaths that they weren't able to get what they wanted out of life. This list comes via @kaibutsushidousha by the way I'm quoting them.
Nanami's a character who chose to work as a sorcerer because he didn't want to evade the responsibility of doing all you can to help people, he wanted to believe he's somewhere where he's needed. He never runs away from responsibility like Mei Mei does so he quite literally works himself to death, living and dying as a sorcerer. Nanami or Gojo's dying hallucination of Nanami even says as much, his death is the result of him choosing to go south and returning to be a sorcerer.
Maki chose revenge against the Zen'in over her sister, and as a result Mai is dead. Maki has all the power in the world now, her revenge complete but she's left with a sense of "now what?" She's as strong as Toji now but she failed to protect her sister, and it's the result of the choices she made. Maki's reflection isn't triumph, it's "I should have chosen to die with her."
Even Yuji himself is robbed of his narrative purpose. The manga began with Yuji saying he wants to choose how he's going to die and he'll die taking out Sukuna with him so he can reduce the number of people killed by curses in the world. Both of those things are thrown in Sukuna's face. Number one the amount of people Yuji can save by permanently killing Sukuna is now a moot point because he let Sukuna rampage in Shibuya.
Number two, Sukuna isn't even in Yuji anymore. To build on what Comun said though, this repeated tragedy has a purpose to it and understanding requires understanding that Jujutsu Kaisen is an existentialist manga. Existentialism is basically a school of philosophy centered around the question of "Why do I exist?"
There's nothing about the invetability of death to make you question why you're alive in the first place. In the myth of Sispyhus, Albert Camus boils down all of philosophy to one question.
"There is but one truly serious philosophical problem, and that is suicide. Judging whether life is or is not worth living amounts to answering the fundamental question of philosophy. "
All of philosophy is should I shoot myself in the head or should I keep living? Everything comes after that question, which is why in Jujutsu Kaisen a lot of the characters motivations revolve around them contemplating death. Sorcerers exist in a world where they can die any moment, and as Gojo says most of them die alone. It might be the nature of sorcery itself that causes so many people to die, not only are they dying because they are trapped in an uncaring system, but the characters themselves aren't really attempting to live outside of it. They live and die as sorcerers, replaceable cogs in the machine.
All of these unsatisfying deaths may just be the result of all these characters making one choice, to live as sorcerers rather than people. Because to exist means to live in the world.
Even in Mechamaru's case, his goal is deeply existentialist by what I defined, all he wants to do is live in the world with everyone else rather than be stuck in his hospital room but his actions contradict that goal. Instead of letting his friends come and visit he's obsessed with the idea of getting a normal body because he feels that's the only way he can exist with everyone else, he makes a deal with the devil, he lies and goes behind their backs. He wasn't living with everyone else in the world and he could have chosen to, he chose wrong and his death is the result of that choice.
Jujutsu Sorcerers aren't living in the world. They're living in a little snowglobe far removed from the world with its own rules, most of them regressive and disconnected from the rest of society. If you define existentialism as just "living in the world' then a lot of these characters aren't, because they only exist in the world of sorcery.
INVISIBLE BUFFY: What are you talking ab- SPIKE: The only reason you're here, is that you're not here. (drinking) INVISIBLE BUFFY: Right. Of course, as usual there's something wrong with Buffy. She came back all wrong. (moving around on the bed) You know, I didn't ask for this to happen to me. SPIKE: Not too put off by it though, are you? (drinking) INVISIBLE BUFFY: No! Maybe because for the first time since ... I'm free. She tosses the sheet aside. Spike looks around, trying to figure out where she's going. INVISIBLE BUFFY: Free of rules and reports ... free of this life. SPIKE: Free of life? Got another name for that. Dead.
Not living in the world with everyone else is the same as being dead.
A lot of these characters either make the choice to act alone, or be a jujutsu sorcerer rather than a person and because of that they die as sorcerers, b/c sorcerers die that's what they do. Mai didn't want to keep living as a hindrance to Maki so she kills herself. Maki didn't want to be anything other than a sorcerer, so her little sister dies and she's not a big sister anymore. Nanami chose to leave his job behind and become a sorcerer again, he dies as one.
Of course I don't think the manga is punishing characters for being too egotistical, but rather too unbalanced. If anything Mai is too selfless and that is why she died, she didn't want to live for herself and chooses self sacrifice for her sister. An unbalance between selfishness or selflessness results in an underdeveloped ego. Jujutsu Kaisen doesn't punish individualism per se, moreso if you're not a fully developed individual you won't last long. Because it's also a manga about growing up in the world, and a person who doesn't have a healthy, mature, well-balanced sense of self is not a grown up.
This twitter user det_critics points out that Gojo (and also Yuki + Yuji's) failures in the manga can be attributed to the fact they don't have real senses of self.
Gojo has an identity crisis as outlined by Geto, "are you Satoru Gojo because you're the strongest, or are you the strongest because you're Satoru Gojo?"
It's a challenge for him to find some reason to live outside of being the strongest, and in tragic fashion Gojo just doesn't find it in time. Gojo lived for fighting others, and proving to himself that he's the strongest, and that's how he dies.
There's something I like to say about narrative punishment in stories. There are two ways to punish a character, you either don't give them what they want, or you give them exactly what they want. This is the latter, Gojo wanted to find someone stronger than him because deep down he believed that nobody could understand him unless they were on his level. He wanted to be surpassed, and that's why he focused on creating stronger young sorcerers, but he never shook himself of the belief that only someone as strong or even stronger than he was could ever be emotionally attached to him so he made a deliberate choice to draw a line between himself and others.
Gojo's essentially gotten what he wanted from that choice in the worst way possible. The student he picked to succeed him Megumi, has his body stolen and kills him. Gojo is surpassed, but it's not by one of his own students it's by an enemy that's not only trying to kill Gojo but is going to massacre his students afterwards.
Gojo's spent his entire life believing that because he's more powerful that makes him inherently different and above others, and being lonely because he himself believed he couldn't relate to ordinary people and he dies like an ordinary person, an unsatisfying death where he wasn't able to bring out Sukuna's best, where he gets unceremoniously cut in half offscreen but yay he's no longer the strongest. He's gotten exactly what he wanted. Megumi is still not saved, Sukuna's probably going to kill more people because Gojo failed to stop him here, but hey at least he stopped to compliment Gojo.
It's empty, but it's empty because of the choices Gojo made in life to just not bother connecting to people or develop any kind of identity besides being a sorcerer. Gojo lives and dies as a sorcerer, and his dying dream is returning to a teenager being surrounded by everyone he was with during his school days, because that's the happiest time in his life. Ironically he was happier before he became the strongest, because that was the only time in his life that he allowed himself to connect to people.
However in the eyes of others, he is someone who has it all. That's why he is always alone. There was no one who could hold the same sentiments and mutually understand him. Geto was the only one who could understand what he was trying to say, and the only one who could communicate well with him.
It's no coincidence Gojo and Geto die exactly a year apart on the same day, if anything I'd say the reasons they die are similiar to at least thematically. They both die because they don't want to live in the world. Geto thinks the world is too corrupt and GOjo doesn't want to be anything other than a sorcerer, both of them fail to adapt.
「 'It's just. . .' It's just that it was what Geto had to do. [...] To someone like him, the reality that the world of sorcerers presented to him was just too cruel. '. . .that in a world like this, I couldn't truly be happy from the bottom of my heart.'」
They can't be happy in a world like this from the bottom of their hearts, so narratively they both die. The things they chose to live for at the end of their life they fail to accomplish, Gojo is no longer the stronget, Geto fails to wipe out mankind or make major changes to the world and they die as normal people unsatisfied because they weren't trying to live in the world and make connections to others. They die almost karmically a year apart because their main connection for both of them, the thing which made them feel connected to the world and other people was each other.
Which is why this panel breaks my heart and is so narratively satisfying because of how unsatisfying it is...
"If you were among those patting my back... then I might've been satisfied."
Gojo reflects that he's not satisfied dying against Sukuna, not because he failed to give him a good enough challenge but because Geto wasn't there to pat him on the back. The one thing that would have satisfied him he couldn't have, because he didn't live to connect to people he lived to be the strongest and he died alone as the strongest. There's just something deeply upsetting about Gojo's dying dream fantasy just him being there talking with all of his dead friends who he never appreciated or connected to properly when he was alive. Knowing that if something had just gone a little differently, that even if he had to die no matter what he could have died happier if Geto was among the people saying goodbye to him because that connection with Geto is what gave his life meaning.
Dazai Osamu: "A life with someone you can say good-bye to is a good life, especially when it hurts so much to say it to them. Am I wrong?" -Bungou Stray Dogs Beast
#gojo satoru#jjk spoilers#jjk meta#jujutsu kaisen 236 spoilers#jjk 236#jujutsu kaisen 236#jjk 236 spoilers#jujutsu kaisen#jujustu kaisen meta#jujutsu kaisen theory#jujutsu kaisen manga#satoru gojo#geto suguru#suguru geto#satosugu
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TAKE A GUESS ⸺ Haerin x reader
Asking your supposed enemy who she has a crush on
GENRE ⸺ Fluff, enemies to lovers (ish)
WARNINGS ⸺ short, I’ll make like three short posts while I’m actually writing something long :P, wrote this at like 3am so it’s barely proofread, saw an imagine on Pinterest and decided to do it, so just the idea isn’t mine but lowk the entire plotting is :D, wrote on an app called notion I think (a friend recommended) so that’s why there are spaces TT
WC ⸺ 1.3K
You’re going to be honest. Haerin was really intimidating. Everything about her just screams “don’t talk to me or I’ll kill you”. Her face, her eyes, her glares, the way she talks, literally every single thing about her.
She talks to absolutely no one but you. She’s more playful, sweeter, annoying and teasing towards you.
Everyone including you has no idea how and why she started to talk to you.
One time when another school came to your school just for a basketball match, rumors spread that Haerin liked someone from the opposite school leaving everyone in curiosity and thought. But they knew they could never get their answers, no way they were going to walk up to Haerin and asks one of the most irrelevant questions. She’d probably scream or death glare at them. Right now their only option is you.
It was a normal afternoon, you remained in the library to observe break. Drowning yourself in a bunch of novels. Until a person tapped you on the shoulder.
You looked up to see a familiar girl from one of your classes. A small smile plastered on your face so as not to come off as rude or anything like that.
She looked down, embarrassed of what she was about to say next. “Hey umm yn This may seem weird to ask but could you kindly please ask Haerin if the rumors are true? The one about her liking someone from the other school?” She requested shyly.
“Please….you’re the only one she likes, the only one she talks to” she pleaded after seeing your raised eyebrow.
“The only one she likes?! Girl she lowkey hates me“
“But fine whatevs, I’ll ask her about it” you added shutting the Novel that was placed between your palms shut.
“Thank you thank you thank you so much” she thanked a hint of excitement in her tone.
“Yeah” you shortly responded, making your way out of the library to find Haerin.
You were about to go searching round the school until you remembered her favorite spot. The rooftop.
Of course it was her favorite spot in the whole school. She was short from people, short from human interactions.
Just as you thought, you saw Haerin standing by the railings staring down at the others who observed their break; eating, giggling and chatting away.
Moving closed to her, you gave her shoulders a light tap until she whipped her head around to see you.
“What’d you want?” She asked her tone not very welcoming but much rather hostile. It was no big deal since you were pretty much used to it.
“Hey umm I know this may come off as weird, what am I even saying it’s weird but like a girl asked me to ask you if the rumors are accurate you like someone from the other school. You know the school that joined ours during the basketball game that time.” You explained waiting with anticipation for what she was about to say next.
She scoffed looking at you like you had just said the dumbest thing ever. “What are you saying? You’re in my class” she briefly responded turning back to stare down at people.
“Huh? Wait what? What am I supposed to do with this?? That literally just has nothing to do with all this, come on just tell me yes or no?” you demanded but all you got in response was a shrug.
“I’m not telling you, take a guess from the hint”
A small scoffed escaped your lips. You were almost on the verge of smacking her head. What does this all have to do with you? You’re in her class, yes you can totally see that.
Without asking too much you left the roof top now on another mission to find the girl.
It was as if the girl was spying on you because the next thing you knew you got jump scared by her on your way down the staircase.
“Oh my I’m so sorry for the sudden jump scare” she apologized scratching the back of her head sheepishly.
“So what did she say? Is it a yes or no? Did she even answer? Did she leave you on a cliff hanger?” She babbled not taking breaks.
“Yes she did leave me on a cliffhanger”
“You mean she didn’t tell you if she did or not?” The girl asked raising an eyebrow.
“Not that she didn’t tell me, all she said was and I quote. ‘What are you saying? You’re in my class’ “ you repeated the words from earlier.
“Wait what’s that supposed to mea— wait you don’t get that?!” The girl asked her eyes widening in shock.
“Duh”
“You’re literally so dense” she added shaking her head before waking off.
“Umm that’s rude of you to also put me on a cliffhanger you know?!!” You yelled from up the staircase hoping she’d hear from wherever she is.
Everything seemed irritating to you maybe because you still didn’t understand what Haerin and the other girl meant earlier.
“You’re in my class, you’re….in….my…class” you repeated the words slowly analyzing each words.
“You’re, me, in, my, her, class…. This whole shit if confusing!” You ruffled your hair in frustration constantly playing the memory from the roof top again.
And then it clicked. “YOU ARE IN HER CLASS!!” You gasped quietly. “I’m the person she likes!!” you mumbled to yourself.
After finally understanding the statement, you find yourself growing more and more impatient as the last period seemed to be taking forever.
Finally it came to an end, Haerin had dashed out of the class before you knew it.
You fumbled with the zip of your bag, darting your eyes to the door, praying you won’t loose sight of the girl.
After successfully packing your bags you rushed out of the class, stumbling and bumping into people on the way.
You dashed out of the school glancing around once you thought you’ve lost sight of Haerin until you saw her by the sidewalk with her headphones plugged in.
You finally caught up to her, tapping her on the shoulders to get her attention. She turned around slowly removing her headphones. “Yeah?”
“Wait…. What you said earlier—“
“I thought I told you I’m not giving you any more hint”
“Yeah I know, I just wanted to know if it was true or not” you asked biting the inside of your cheeks.
“What do you think? Of course it was!” She stated turning to face front, walking away from you.
You sighed in frustration catching up to her again. This time stopping her by holding her arm stopping her in her tracks.
“I thought I already told you—“
“So does this mean we’re together?” You asked softly looking her in her eyes. “Like you’re my girlfriend now?” You added.
A hint of softness and warmth could be seen in her eyes. She was a bit confused at first but when realization hits, she blushed a bit at your statement. “So you like me back?” She asked confirming just to be sure.
You nodded smiling at her.
Before you could even move she pulled you closer, drawing you into a really tight hug. “Yes it means you’re my girlfriend”
She pulled away noticing someone from the same school as the both of you standing behind you with a bouquet of flowers and chocolates, a blush spread across his face.
“YN these are for you…I’ve liked you for a really long time now… would you be my—“
“Ah ah ah! She’s not straight, plus she’s my girlfriend so back off!” She scowled judging the boy up and down.
The boy nodded running away in embarrassment earning a satisfied smirk from Haerin. “Just as I thought”
#Daisy works !🐈#kang haerin#newjeans#newjeans x reader#newjeans haerin#Haerin#haerin x reader#kpop x reader#newjeans fluff
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Falling into Place
Day 2 {Challenge Masterlist}
It was a simple question, a simple conversation. However, this is obviously bigger than they think.
[Yandere Batfam × Gender Neutral! Cop Reader]
[Warnings: Mentions of suicide, cults, occult like activities, death, blood, poisoning, violence, brief descriptions of fighting, descriptions of suicide.] (Note: Unless otherwise specified, it's to be believed that actions involved with harming, hurting, or heavily injuring the self are not talking about the Batfamily or the reader. Still, you have been warned.)
Sorry for the huge delay! Got hit with a bit of burnout at the worst moment... whoops!
------------------------
It was well into the morning when Bruce was just about finishing up whatever personal research he could gather. By the time Duke was heading out, Bruce was still by the batcomputer, trying to gather all he could on his own - and though he didn’t learn as much as he’d like, he knew enough to tell Duke to keep him posted on any activity he ran into during the day.
Again, Bruce wasn’t able to gather much, especially since the group themselves didn’t seem to have an official name, but based on what he was told the previous night, he had just enough to find what he could with a group that supposedly had no name. One thing he gathered is that they were more active in the day, but even then, they weren’t exactly known for grand or flashy displays - working and tampering in more odd and underground areas, which explains how they managed to slip past him for a while. Though, what he still couldn’t get was when, exactly, they arrived in Gotham, and when they seemed to leave Metropolis. That was one of the more important questions Bruce had wanted to answer, but, again, no luck.
It was then that Bruce had a choice. He could either keep going at this by himself, and risk spending more time than necessary on just trying to gather information when this cult was out there, doing god knows what in his city, and striving to achieve… well, whatever their end goal is - or he could ask for help, and potentially get things moving along faster so he can handle this quicker and much more efficiently.
There are countless reasons why Bruce didn’t want to make that call, a big one was that he didn’t want to involve more people into what was clearly a Gotham problem. These were people he was dealing with, humans, he’s supposed to be able to handle it on his own. That’s what he does. That’s what he’s supposed to be doing. Yet, if those in the manor with him now couldn’t sense anything… not even Cassandra and Damian… something was wrong. Not to mention that there was just a weird feeling Bruce was getting from all this. It all felt off in a way he didn’t know how to explain.
So, reluctantly, Bruce makes the call - but not after a few minutes of staring at his phone, and brooding.
In his defense, it was too early for something like this… for him, anyway, seeing as it was only ten o’clock.
-----------------------
When Clark came over, it was Alfred who greeted him, and let him in. The butler swiftly led the super to the batcave, and offered tea along with some biscuits and other things Alfred had prepared that morning as they walked. Of course, Clark took Alfred up on his offers, and when he reached the batcave, he had finished his tea, and had a few crackers in hand.
There, as usual, Bruce didn’t bother with greetings or formalities, and instead got straight to business.
“Tell me everything you know about this cult.”
Clark had to take a small moment to swallow down the cracker he had been chewing on just as he walked in, “Which one?”
Bruce exhaled heavily, “The one that came from your city, to mine.”
Now, that made Clark pause in his movements. Taking a breath, he took a few steps forward, and got more situated within the confines of the cave. “They came here? I mean- I heard them start to move, but I didn’t think they’d settle in Gotham too,” Clark admits, looking at Bruce, clearly concerned.
Bruce furrows his brows at the response, “‘too’? They went to other areas-?”
Just before the question could fully escape the detective, Duke’s commlink buzzes to life.
[“Uh, Signal, reporting in.”] Bruce looks over to the computer, shooting a glance at Clark before bringing his full attention to Duke.
��Anything come up?” He asks, hearing a short huff on the other end.
[Collecting his thoughts, Duke takes a moment before saying, “Beside the usual small fry, there’s nothing to report. Some guys just tried to vandalize the library and wreck the place, buuuuuut I don’t think that there’s much else-”]
“Have any bakeries or floral shops been attacked or stolen from? Maybe a grocery store, or something like that?” Clark suddenly chips in, now paying more attention to the screens too, “Something like a large pot, a whole shopping cart or basket of food items?”
[“Oh- okay, um, another flower shop was stolen from, and some guy was trying to steal another pot of, uh, what did the guy call them- irises? And someone was trying to break into the greenhouse- but even if I was able to stop them, someone must’ve snuck in during the night or earlier this morning before my patrol, since whatever virus that other place had got there too. And y’know how things are taken care of in the greenhouse, there’s no way something like that got there naturally and got so bad-”]
Clark’s brows furrowed, and he caressed his chin, deep in thought, but a strange detail was evident - he was nervous.
Noticing a change in the super’s demeanor quickly, Bruce asks, “What’s wrong, Clark?”
Not getting a response right away was suspicious enough, and the longer Clark took to say anything, the worse Bruce felt. Narrowing his eyes, the vigilante continues to inspect his friend - as if he could catch what was wrong before Clark could put it to words.
The super was tense and on edge, that much was obvious. Looking noticeably disturbed, almost pale - Bruce knew that whatever Clark was thinking about, obviously wasn’t helping - but that was the thing. Was Clark thinking about something, or did Duke’s response spark a memory of some kind? After all, from what Bruce could gather, he’s been dealing with this group for much longer, and if the earliest, possible headline he could find was anything to go off of - the super has been dealing with this group for a couple of months at the very least. About five if he had to give a specific number. It wasn’t a long time, but it was more time than Bruce, and that was the biggest difference. Clark knew the group, Bruce didn’t. Not yet.
Yet whatever the super was recalling now clearly disturbed him, and Clark was getting worse by the minute.
“Clark, talk to me-”
[“OH! Uh, Hi? [Last Name], right? What’re you doing here-?”]
That seemed to snap Clark out of whatever trance he was in, and draw Bruce’s focus away from Clark for the time being. The single mention of that name caught both of their attention - but for two different reasons. One out of familiarity, and the other out of slight suspicion.
“They’re awake at this time-?”
“Officer [Last Name] is with you, Signal?” Clark asks, tone a touch lighter now, his complexion becoming a bit better - and Bruce had to wonder if it was because Clark knew the officer, or something else was going on between the two for the super to act in such a way. Was it a matter of a simple, brief distraction? Or was there some history here that Bruce didn’t know about?
Something bubbled in Bruce’s gut, and he looked back to the screen once again. Nothing about this felt particularly good, and there was that sense again, of convenience. He wouldn’t call it easy per say, no, it just all felt too… simple. Like they were being led down some kind of path. Like he was being guided down a certain train of thought, or being purposefully put on some kind of path. By who, or why, Bruce doesn’t know yet, but he will. He always finds out.
Regardless, just sitting here and thinking wasn’t going to do him any favors, and frankly, he was wasting time - everyone was, and you seemed to be conveniently tied to this case too, so he might as well take this opportunity while it’s given to him. If this turned out to be some kind of play, or was another means to set him on a certain path… well, he has a few cards to play too. The house always wins, and Bruce practically owns this place. This is his territory, and no one can trick him while on his playing field. No one.
“Bring [Last Name] to the manor.” Bruce says, suddenly cutting into the conversation Clark and Duke were having.
[Duke is shocked into silence for a second, before he quickly recovers and utters a small, “Are you sure?” Which, yeah. While Bruce always seems to know what he’s doing, the young vigilante couldn’t help but hesitate and feel unsure. Was that the best idea? And even then, why did Bruce want to see you? Duke feels like he’s missing something here.]
“Yes, now, send them over, Duke.” After getting a reluctant ‘alright,’ in response, the connection is cut, and Bruce turns to look at the super standing beside him - who looks at him curiously and a bit confused.
Straightening out his posture, Bruce only says, “Clark, meet me out in front, and leave the glasses here.”
-----------------------
Arriving at Wayne Manor felt strange enough, but being guided there and given a ride by one of Bruce Wayne’s supposed adopted children felt weirder. The building practically loomed over you, and sure, you were used to the feeling since you came from the city, but something felt different about it now as compared to every other instance before. Like even the shadow it casted over you held a deep secret.
Honestly, something like this was bound to happen, but to be here now, and actually at the foot of the door leading into the manor? Well, you could certainly understand why so many people feared the Waynes just as much as others respected them. The building certainly reflected the people it housed incredibly well, almost unnervingly so.
Regardless, just as you didn’t think the situation could get any stranger, just as you were about to knock on the door, a gust of wind blew behind you, and you felt an all too familiar presence as the wind settled. It was only then that you decided to ring the doorbell instead, and straightened yourself out as you made small fixes to your attire and appearance.
“Didn’t expect to be seeing you here, Superman,” You greet, glancing over you shoulder to look at the superhero, who floated in the air beside you before deciding he had enough of the air, and touched the ground with practiced ease. One can’t help but wonder just how long it took him to land in such a way that didn’t shatter the earth beneath his feet upon impact, but, ah, those were questions for another day, perhaps.
Giving you that bright, charming smile he was known for, the hero nods, “Mr. Wayne gave me a call too, but honestly I’m a little surprised!” He chuckles casually, the gesture just as broad as his frame and smile, “It’s good to see you though, [Last Name], some of the officers miss you back in Metropolis - and some other folks too. You must be incredibly social to have so many friends!”
At that, you give a small shrug that matches the hero’s tone, “I have a big family, y’know? And it never hurts to be friendly, especially with so much trouble around, y’know?” You give a chuckle of your own, though it’s more light, and kept a touch low, “Though, it’s a little funny, honestly.”
Superman gives you a curious look, “What is?”
You give a smile of your own to the hero, “The fact that a man like him, can get someone like you to call him ‘Mr.Wayne’ instead of just ‘Bruce’.”
He raises his brows, and snickers a little himself, “Really? Well… I guess it is a little funny when you put it that way, but what makes you say that?”
“Hm, let’s just say I had the impression you two would be closer than that.”
Before Superman could ask you any more questions, the door is finally answered, and you’re greeted with the sight of a butler. Your attention immediately shifts to the older man, who you greet with a simple smile as you look away from the hero. ‘This must be Alfred Pennyworth. Honestly, he looks better than I thought - much healthier too.’ You think to yourself, and are subsequently proven right when he speaks.
“Sorry for the delay, Master Bruce is ready for you two now. Please, come in,” the words fell out of his mouth with a certain grace that couldn’t be ignored, and the voice he had just naturally commanded attention - holding elegance, authority, and yet in a way that none of it felt impolite or rude. All things that you didn’t see very often, and suddenly, you found yourself liking this ‘Alfred’ character more and more by the second, even if you had only met him today.
Still, you wave off his words, “Please, there’s no need to apologize, the wait wasn’t long at all,” and step inside while half way through your sentence. Superman follows in right after you, agreeing and saying something similar. It was small, subtle, but you could help but sense a feeling of familiarity between the two interacting, but brushed it off. Now wasn’t the time to focus on such things, and besides, you couldn’t waste this opportunity, could you? After all, it’s not every day someone is given the chance to just waltz into Wayne Manor - and you were lucky enough to be given such a chance. Really, you almost felt honored.
Moving on, Alfred led both you and the hero through the gigantic building, and eventually stopped just before a room. Once Alfred opened the door, you took a brief look around, and hummed, a bit impressed. For something that you assumed to be akin to a common room, or sitting room of sorts, it still looked very well furnished and taken care of - but having a lot of money certainly help with that, even if you’ve heard that Alfred is the only servant at the manor. He must be a very skilled and particular man, but still, it seems odd to see only one butler no matter how capable he is - that couldn’t be very efficient, could it? Hm.
Nevertheless, it took little effort at all to spot Bruce Wayne in all of his glory, and to your slight surprise, he didn’t look like he had just rolled out of bed - though, even for small, sudden invites like this, a celebrity must keep appearances, you suppose.
He gestures for you and Superman to take a seat, saying to “Make yourselves at home,” to which, you both promptly do so and take a seat to the couch opposite to Bruce with a comfortable amount of distance between the three of you.
You let Superman ask, “So, what did you need us for, Mr. Wayne?” since it seemed to make the most sense to have him ask instead of yourself. While he does so, you take the time to get a bit comfortable. Leaning back against the cushions, crossing one leg over the other, and taking the cup of tea that’s offered to you when Alfred comes up next to you with the tray.
As you take a sip of the tea while it’s still hot, Bruce simply replies, “Ah, I guess I should’ve offered some kind of explanation beforehand, my apologies .” Offering a carefree smile, and you had to give him some credit, for someone with a reputation like his, he does little to disprove any of the rumors you’ve heard. Though, maybe that’s a little rude - seeing as he’s only just spoken. “I’m also sorry for the short notice, but- you see, I’ve heard that something is going on in Gotham, and I’d like to hear all about it from those that seem to know the most about it!... From what I’ve heard, anyway.”
Now that makes you raise a brow, hm.
You’re plenty aware that Bruce Wayne may as well own the city, and it doesn’t surprise you in the slightest he likes to keep up to date on what’s going on, more so than him knowing to reach out to you and Superman. The group has been careful, and yes, while it makes sense for Bruce to have connections to people who could inform him of anything going on anywhere - and he certainly has the wealth to manage such a system - you still can’t help but be curious as to why he asked for you. Did he know the group came from Metropolis? That explains why you and Superman are here, but how did Bruce know that? How?
You pull the porcelain cup away from your lips. Now he’s really got your attention.
The most obvious question comes to mind first, “Where you’d hear that from, if you don’t mind me asking, Mr. Wayne?”
The wealthy man chuckles, a sort of naturally charming smirk growing on his face, “I have my ways,” of course someone like him would say that, “and, please, call me Bruce- ‘Mr. Wayne’ was my father.” With that, he took a sip of… what you assumed to be coffee by the faint smell. Curious.
“It’s fine, I insist,” your smile grows a bit before you move the conversation along, already getting a feel what was at play here, “anyway, what would you like to know, and about what, Mr. Wayne?” The huff that escapes him at your ‘insistence’ is incredibly amusing to hear, but you see he just brushes it off, and also decides to leave it be.
“Very well then, I’m sure you’ve seen it- or at least heard of it, officer, but…” Bruce goes onto explain the little he can, and though he is only able to vaguely describe what he means, you know what he’s talking about, and Superman seems to as well. Though, curiously enough, he asks you for details first.
Of course, you insist that Superman is more than suitable to give basic details, but when the hero himself insists, well, it doesn’t take much for you to relent.
When told to start from the beginning, you just say how originally there was a call about some loud and strange noises coming from someone’s neighbor, so, being the officer closest to the building, naturally you were put to the task to deal with the problem. The only thing was that, when you got there, well, the sight was gruesome, and when you finally got the door open thanks to a stray shot someone had taken - well, they were just about finishing up. You stated how originally you thought you had walked in a group suicide, and didn’t think anything else was going on until a similar instance popped up, and then another, and another. How, before you knew it, you were following a loose, bread crumb trail of similar situations that had the same outcome once an outsider arrived at the scene.
“Really, no one knows what it was, at first,” you try to explain, “but, again, before you know it, we’re trying to catch these guys before they even know we’re there, and find them doing these weird meetings, chanting, doing all sorts of rituals, and the like. They wouldn’t wear robes and do all of that cliche stuff- but they did all have some kind of marking somewhere on their person, nothing really seemed to connect the deaths besides the marking, and the most we could gather is that the place of the mark on a person’s body was symbolic to them. Though, that’s just a running theory. We haven’t had anyone able to actually confirm that yet.”
Bruce raises a brow, “Like… a similar injury or something? A symbol?”
You make a so-so gesture with your hand, “Yes, but it can differ from each person. It’s odd, but it’s like their way of showing some kind of connection, without making it too obvious that they’re all connected. Though, there are some similarities, like how the marking is carved into the skin, and represents a star or circle or eclipse of some kind.”
Superman agrees, adding, “I haven’t seen many of the symbols myself, but those I have did seem to show the sun in some way, but more often than not, it’s like they were trying to imply a blocked out sun.”
“Like a solar eclipse?” Bruce tries to confirm, brows furrowing.
“Yes,” Superman nods, though you notice how he starts to pale slightly. Hm.
From there, you go on and explain what you can - not going into full detail, but seemingly giving all the information you could provide, and to a civilian at that. With Superman chipping in every now and again, including some of what he’s seen and experienced on his own as well, which was… enlightening. More so than you thought when you originally saw him, but interesting all the same. Though, you do take note of just how little he’s giving as well. Most of his powers are no secret if you know who to ask, and just from that alone, you knew he wasn’t saying as much as he could, but didn’t press or even try to push. After all, you were just a police officer, weren’t you?
Regardless, the conversation goes on for a little longer. With you even mentioning how the group is normally separated, and each subdivision acts as their own entity despite reacting the same to being ‘caught’ and having very similar practices. Some will try to spread what they preach through acting as a church, and only letting in their most devout followers, to more lowkey approaches such as hiding what they’re really doing through parties, or college club activities, and so on. No official name is known about the group, and aside from the markings, similarities in practices, and whatever it is they preach, there is another thing that ties them together - and it’s arguably the biggest tie all the groups have to one another.
“It’s an event they keep mentioning, but no one knows what it really is. Considering their other… practices, everyones a little concerned to find out what it entails, but if you ask me, it could also be something they use to scare new followers- even if it sounds… well, for lack of a better term, ‘edgy’.” Bruce raises a brow at your words, and gestures for you to continue.
“Well… don’t leave me hanging, what’s the event called?”
“The Red Dawn.”
“... Do you have any idea what they even mean by that?”
“Not a clue, sorry, Mr. Wayne. Though, I doubt it’s anything to worry about. The only ones these people seem to be hurting is themselves, after all, and while I do intend to stop them and put an end to this, I doubt they’ll hurt anyone outside of their little ‘circle’.”
“Oh… alrighty, then.” Taking a sip of his cup, Bruce lets the information settle in before deciding to ask, “Do you think that could be the name of their group? Especially if they care about that ‘event’ so much, it wouldn’t be too far-fetched to assume that, right? Not the most creative thing to do… but it makes some kind of sense, no?”
You offer a small smile, as if trying to reassure the man, “I highly doubt it. If that was their name, we would’ve known by now with the months that have passed, and besides, while that does seem to be an event they are focused on- I think it's only that. Just another small thing that just so happens to connect all the groups together or a name they go by as a collective, and even then it would suggest a kind of unity that we just don’t see in the group. As similar as they are, they are still divided. Well, from what we could gather, anyway.”
Bruce only gives a nod, “I see…”
With that, after a bit longer of conversing, you’re essentially let go. Bruce thanks you for the information, and sends you on your way, but not before mentioning a party he plans to host on Halloween with one last flash of a smile despite the conversation you just had, and Superman gives you a wave, saying he hopes to see you back in Metropolis soon, and to keep up the good work - but only when he’s essentially made to stay when Bruce says he has more questions to ask the hero. You don’t bother to question it, and just let Alfred lead you to the door - who wishes you the best of luck on the case, and to have a good day. Bruce Wayne was rich, you wouldn’t be surprised if it turned out he had some special relationship with half the heroes on Earth, but that wasn’t worth thinking about now.
Especially not when you noticed someone at the door.
“... Should I ask why a kid like you is trying to hide in his own bushes, or is it just some ‘teenager thing’ I don’t understand, Thomas?” At the sound of your voice, and the sudden call out, Duke tenses and practically springs to life all over again as he jumps and practically scrambles to keep himself straight. You raise a brow at the defensive stance he initially takes, but upon noticing you, the teenager eases, and lets out a sigh of relief.
Clearing his throat, he says, “Uh, hi, officer [Last Name]! I… didn’t realize it would be over so soon! Haha!” His nervous response gets a snicker out of you, which only seems to further his own embarrassment, and thus, makes you more amused.
Though, you spare him some of the torment and don’t openly laugh at him, and instead just ask, “What’re you doing out here, kid? Can’t you just head inside? Since, y’know, you live here?” You tease a little, resting your hands on your hips, “Or am I mistaken?”
Duke chuckles awkwardly at your words, straightening himself out, shifting in place a bit, “No- no, I just… wanted some air?” He didn’t sound too sure of himself, but you let the teenager be, and just gave a nod.
“Right. Well, enjoy the outdoors in the bushes, Thomas, I’ll see you soon.” With one last amused grin, you take your leave, and once again wave behind you.
Honestly, you thought you’d just walk off silently once again, but this time, a yell is heard from behind you after you hear some shuffling around and the sound of rustling leaves.
“Wait-! Uh- Thanks for the muffin and small snacks from yesterday! They were really good!” You hear Duke shout, “Have a good day!” He seems to mumble something under his breath, but you’re too far away to hear it.
Regardless, you just continue to walk, and soon shove both your hands in your pockets.
You walk away with a smile.
-----------------------
Back in the Manor, Bruce takes a long sip of his coffee, and looks over to Clark - who looks down at the cup of tea in his hands.
“So?”
The super runs a hand through his hair, taking a moment to respond, but even then he seems confused, almost distressed, “It lines up, but I’ll be honest, Bruce. I don’t remember half of what they mentioned. Even the half I did remember… some of it I could barely recall.”
The vigilante stops, becoming too still to pause, and yet not stiff enough to freeze as he just stares at Clark. It’s only after a few beats of silence, and setting his cup to the side that he’s able to ask the only sensible question to a response like that, “What do you mean?”
Clark takes another second, running his hand down from his hair, to his neck and rubbing the muscle there, as if trying to soothe himself before taking in a deep breath, “Y’know that church [Last Name] mentioned? Yeah, I tried to do some research of my own, and went in as a curious journalist who was just trying to see what the church was like, and so on- you know how it is. I got there for the first sermon, bright and early, but when the pastor started to talk… well, the next thing I know is that I’m outside of the church, the service ended, and it’s now night. I was there all day, but didn’t remember any of it. I even checked my notes and everything- nothing. Like all I did was just… sit there, and then leave after everything was done.” It’s then that he looks at Bruce, distress a little clearer now.
“Of course, I tried a few more times, but the same thing kept happening, and the only thing that changed was that I started to feel sick- just really… gross and horrible all over, like going to each service was literally draining the energy out of me- and I noticed it wasn’t just the church either. I’d try to help out with bigger cases that dealt with the group and sometimes I’d just suddenly end up somewhere totally different, with no memory of how I got there, or what I did during that time.” He takes a breath, caressing the fragile china in his hands, and he raises the cup to his lips, but doesn’t take a sip right away. Instead, he lets it sit there, barely an inch in front of his face. “It wasn’t so bad at first. Just a few seconds or minutes lost with nothing really being done- it was harmless, just a little disorientating at times, but nothing to really worry about. But then… then it got longer the more I tried to help and involved myself with solving the problem. I lost countless minutes, even hours, and ended up in areas with little to no memory of how I got there, and decided it was best to pull away when an entire week had passed, with me having no memory of what happened, what I did, or where I even was- which was hundreds of miles away from Metropolis.”
It’s only as Clark takes another sip of his tea, which is a little cold by now, does Bruce use that opportunity to speak. Not only to get to the bottom of this, but to help his friend with this as well - since it’s clearly distressing the super one way or another.
“Do you think it’s some form of mind control?” When Clark shakes his head, Bruce gives him time to gather his thoughts and explain.
“I’m… not sure. Naturally, I tried to not get as involved, but couldn’t let the group spread or- or let them do whatever they wanted freely, so I asked for some help and it had… varying results.” He takes a moment to sigh, finishing the tea as he sets it to the side, and tries to find a way to say what he was thinking, “Some of those who are nonhuman were like me- they’d start to feel horribly sick after a few days, and lose track of time, starting out in small amounts, and eventually jumping to days and weeks, the others… well, they were like our human allies.”
The vigilante’s brows crease at that, “... Which means?”
Clark scratches the back of his neck, looking away as he tries to gather his thoughts, “I don’t know how exactly to explain it- but after some time, they’d become… too interested in the case. Trying to get more involved with things then they needed to be, and basically became… well, I don’t know if there’s a better term to use, but they almost seemed obsessed with the group, Bruce. It was.. horrible to watch, and I guess I just want to say…” he drags on, not sure if he should add more or not, but his heart gets the best of him, and he sighs heavily. Looking back at Bruce, he continues, “Please, be careful with this. You and your family. I really mean it, please.”
Bruce takes a moment to look at his friend, and take in the concerned look on his face. This wasn’t the first time the super had expressed his concerns, but if there was ever a moment that felt like Clark would genuinely do something if Bruce didn’t listen, or really wanted him to take what he was saying seriously, since Clark himself knew how Bruce is and could be - this would be one of them. The super was always openly and naturally caring, even if he worried too much at times, but something felt different this time around, and that was saying something.
Still, Bruce could only nod after a sigh of his own, “We’ll try our best,” is the best he could give.
… A moment of silence passes. With Alfred taking the opportunity to refill Clark’s cup, and allowing Bruce to finish his. It’s a gesture, in a way, to let the super relax, and to remind him that if he needed a small break, then he was more than welcome to take it here - and Clark seemed to realize that as he let himself ease slightly. This whole thing had taken its toll on the super, that was obvious from how he’s been acting all day thus far, and the worst part of it all was that it wasn’t even over. However, there also wasn’t an immediate need to acknowledge that right now, and so, both men took in this little breather, knowing they’d have to get back to work once it ended - and when that happens, who knows when they’ll get a chance to breathe like this again?
It’s that very thought that makes it stretch on for just a little longer, lasting until Bruce is on his second cup, and Clark is nearly on his third - and only then is it broken when Bruce asks, “What were you talking about before, when you said you didn’t think they’d ‘settle’ in Gotham too?”
With one last small sip, Clark says, “A while ago, I heard some of the voices I recognized as members of the group were getting further away, almost spreading out. I couldn’t tell where they were headed exactly, but they just seemed to… disburse. Go their separate ways,” a brow of his furrows again as he adds, “I don’t know if anything caused them to move, or if the directions they went in and the cities they possibly went to, was some calculated move- but I do suspect it was an organized effort. For what? I couldn’t say, but more mentions of that ‘Red Dawn’ [Last Name] talked about earlier did pop up around the city for a day or two before anyone went anywhere.”
Bruce hums at the information, taking mental notes before asking, “Is it possible that some members might still be in Metropolis and other cities near there?”
The super thinks for a moment, but eventually nods, “I wouldn’t see why not, and I could check to find out as many groups as I can, and try to keep you updated on that end.”
“That’d be a big help, Clark. Thanks,” Bruce gives a nod of his own, and Clark smiles.
“Of course! Anything to help, Bruce.”
———————————————
Despite the morning that had transpired, the night was relatively normal - it was for Jason, anyway. If anything, it seemed to lack a little more action than it usually did, but hey, the night was still young, and in Gotham it was always too early to make that kind of call.
Regardless, Jason just went about his night. Taking out a few criminals he ran into here and there, staying out of sight of his old man and Cass, the usual. Nothing stood out, and honestly Jason was starting to think that nothing outside of the ordinary would actually happen. Though, that is until he notices some shady looking people sneak their way behind a building, and hears a garage door open from where he was standing. Now, what was going on there…?
“BOO!”
Just as Jason took a step forward, about to tail the shady figures, he felt a sudden weight on his head, shoulders - which caused him to stumble on his footing, and though he barely caught himself, the vigilante found himself irritated as he yelped out a, “WHAT THE HELL-?!”
Giggling could be heard above him, “Did I scare ya? Admit it! I got you that time!” The grin was even evident in her voice, and Jason didn’t have to look up to know who it was.
“Get the hell off of me, Steph!” Jason hissed out instead, completely ignoring the fact he had ‘caught’ her on instinct, not wanting her to fall off and risk hurting herself with her reckless behavior.
“Aw, c’mon! I totally got you!” Stephanie said loudly with a laugh, only to yelp when she was practically thrown off of Jason’s shoulders, and even if she swiftly caught herself she still looked at Jason and huffs, crossing her arms, “Why can’t you just admit it? There’s no need to be so rude about it, y’know!”
Jason just scoffs, “You didn’t get me, okay? Just leave me alone, squirt.”
Stephanie, of course, doesn’t and sticks around - and as annoyed as Jason acts, he does little to actually push her away. The banter continues, and for a moment they are more than just two vigilantes, but instead, family in their own simple yet messy way. Both of their definitions of such a thing skewed, warped, and changed as they’ve grown up and lived through their lives, along with their definition of love, but now, something like that didn’t seem to matter. It didn’t, and even as they went after the shady figures Jason had seen earlier, it only seemed to matter less as the banter continued.
Dealing with crime in Gotham was always the same, and growing up on the streets made it easier to adapt to the different locations criminals liked to tuck themselves into - so much so that each location almost felt the same. The routine was familiar, sneak into the place, try to pick up on whatever was going on, and put a stop to it. Smugglers were common, nothing new, but what was curious was seeing how much of their supplies they had - guys must’ve been stacking up for weeks, maybe longer, but that didn’t matter. A trade of some kind was clearly going on, and as always, it was their job to figure out what was going on and to stop it.
Sticking to the shadows was second nature for numerous reasons, and the conversation they overheard sounded like the same one they’ve heard time and time again - seriously, did anyone ever think of something new to say? Or any other way to say things?
“You’ve got it?” “The load of it that was designated to us, yes.” “Is it ready?” “Yes.” “Are you certain?” “You know we can’t stall. Just take the load, and take it to the next destination.”
“Right.”
Just as the other spokes person made a gesture for the people behind them to gather the goods, that’s when the first strike was dealt. Stephanie had snuck up on a guy, and got things started, and as usual, the people pulled their guns - so Jason got to work.
Yet, just as he fired the first shot at someone’s shoulder, and they fired their own, did the vigilantes realize where the guns were actually pointed.
The criminals had their guns pointed at one another.
The shot Jason fired hit its mark, but so did the other as in one instance, Stephanie had someone in a chokehold, and in the next - there was no brain to send air too anymore. No eyes to roll back, and while the body went limp, what remained of the head was splattered on the young vigilante, and the space behind her.
More went off, and it took Jason a second too late to spring into action, and Stephanie a few more as the gunshots kept going off - and yet not a single bullet got close to her direction, unlike that first one. There was always a body in the way, and god, all she felt was sick. Though, when practically shoved to the side by Jason did she snap out of it a little, and try to save whoever was left.
They worked in a frenzy, trying to do what they could - even if Jason found out very quickly that just getting them out of the way wasn’t enough, as he heard a weird crunch come from the mouth of the woman he just saved, only for her to give a twisted smile before she started to seize, foam at the mouth, and he could do nothing as he watched her eyes roll to the back of her head but curse.
“DON’T LET THEM CLOSE THEIR MOUTHS! THEY’RE POISONING THEMSELVES!”
Oh, but Jason said it too late, as Stephanie also had the vial pleasure of watching the body seize and subsequently die in her arms despite her own attempts. They still tried, of course, because what else could they really do? Yet, the result was the same. It was like watching a massacre, except… well, the very people who died caused it.
All wasn’t lost as they were able to save two people out of the handful they had run into in the storage space, but at least it was something, right?
One of the criminals didn’t speak, and only glared at the vigilantes, while the other laughed suddenly as the two tried to catch their breaths. The man’s gruff laugh cutting through the deafening silence, blood now coating the walls, bodies lying about… how could anyone laugh at a time like this? Especially when his supposed comrades have just died right in front of him?... Not that the person glaring at them looks any more distraught or distressed at all by this turn of events.
When the man starts to speak, that sickened feeling Stephanie felt before grows, and a similar seed is planted in Jason’s gut - and that really said something, since they’ve heard maniacs go on all kinds of long winded rants unprompted… but this felt different. It lacked the sick humor of Joker explaining his schemes, or the thought and linguists put behind Riddler’s verbal puzzles, and just felt misplaced. As a pair, as vigilantes they’ve heard plenty of talks just like this, and yet… something about it stopped Jason from pulling the trigger early, or from either of them doing something to stop the man, and to just shut him up. Perhaps the sight they just witnessed was taking its toll on them now, but that coupled with this? This wasn’t just some run of the mill thing. This was deliberate, but wasn’t a trap either.
Still, the man goes on, even when his voice becomes hoarse as his vocals fight against the restraint put in between his teeth - just enough space to make him unable to not poison himself with… whatever chemical he had that’d do him in like the others who still had their heads intact. They strain as he wheezes out a laugh, actions rough for someone tied down, and left sitting on his ass. Just as his nails bloody as he scratches at his restraints, his own words scratch at his throat the more he speaks. So much so that instead of spit, blood flies out as he continues, going on about some higher being, how they’ve helped him see the light, and how just their presence alone has made him understand what ‘needs to be done’. How he knows they will guide him to a better end, because he can feel it when he’s close, that he is doing the right thing, and that they have become so connected with… whoever he’s describing, that even being in the city now satisfies him enough, and makes him see sense even in the most vial of situations.
It’s all nonsense, it has to be, of course it is - yet they listen anyway, unwillingly, unable to move, and he doesn’t stop. Will he ever?
“This world will experience a new beginning! A chance to be reborn anew, to be remade! And only by the best, as they are the only one who can be trusted with such a task!” The man’s laugh almost sounds like a bowl coupled with a growl at this point, “The skies will turn red, the night will vanish and be replaced with a light never seen before as we are all accepted into paradise! The sun will encapsulate the sky in a way it never has before, and reveal the true colors that the world has kept away from us! It will be one! We will be one! It was always meant to be one!”
Red runs down from his lips, and yet he continues despite the strain in his voice as his shouts become louder, practically booming in the small space, “The waters will churn like acid in the stomach, eyes will be drawn to the vessel who will bring upon the awakening of the world, and everyone’s hearts will be taken ahold of as they all come to realize that we are in good hands! Everyone should just accept the end for it is already upon us!” A wheeze escaped instead of a chuckle, but what it is intended to be is not lost on anyone.
“Just a few more measly days remain! Just a little longer and we will all be blessed with the sight of a new day! A new life! A new purpose! The Red Dawn w-”
Finally, it all comes to an abrupt end with one last gun shot. A shot, which goes through the man’s head, and pierces through it so cleanly, that it goes into the other person who was beside him, and drills a similar hole in their head - only stopping when it digs enough to crawl out of that second head, and land on the ground. The gleam of its shine almost innocent, as if it hadn’t killed the last two people who remained of the self-massacre - and now, it is only that. A complete, and utter massacre.
The shot brought both Stephanie and Jason out of the strange trance they found themselves under and tried to recover as quickly as they could. Jason sprung to action and tried to rush out and find whoever killed the people they tried to save- with Stephanie reporting to Bruce.
She tried to explain everything that had happened as hurriedly as she could, feeling sicker than ever and having to force herself to look away from the bodies, along the two new additions to the pile. Honestly, she didn’t even realize she had been hyperventilating until Bruce had her try to calm down, and take deep breaths - and yet every breath she took, she could only smell blood, earth, and an odd hint of something sweet that settled on the back of her tongue. Everything about it made her want to throw up, but she managed and tried to compose herself as much as she could.
When asked what was being smuggled, Stephanie looked over to the sacks stacked on top of each other neatly against the wall. Stepping over a few of the bodies, and trying to not look down more than she needed to - she took down one of the sacks and… what?
“It’s- it’s soil?” Why had these people killed themselves over this? There’s no way that this dirt could be worth dying over, right? Maybe it was a cover up. It has to be. It has to.
So, she cuts the bag open and soil spills out, except it looks… weird, “It- it’s either dirt or some weird moss, because there is no way this stuff is supposed to look this red.”
That does it for Bruce, and on his end, he quietly glances at Cassandra before looking out to the city once again, “Bring some of it in if you can, and bring Jason with you.” His voice is firm, and leaves no room for argument… as always.
[“Right, talk to you in a bit, B.”] With that, the connection is temporarily disconnected, and Bruce switches the lines, and immediately talks to Barbara again. Something about how while Superman is doing his search, they have to cover their own bases, and Barbara offers to call Dick to see if he’s run into something similar, and if he’s willing to help out here so they can get everything figured out faster, and Bruce lets her get to it would a simple thanks.
Cassandra can’t help but simply observe, curious as to what’s really going on, but getting a feeling that it’s nothing good. She can see that in the posture of Bruce, but it’s not just him - it’s the commissioner, the officers at the station, and so on. Yet kept so underwraps, that only does actively searching for it can feel it, as the civilians remain unaware, and go on with their lives. Though, something does bother her a little.
She didn’t see you much tonight, but when she did, you seemed just as tired and drained as you did the other night, and yet, there was no evidence of distress. Yes, there was some form of stress there, but you weren’t overly tense or even panicked, and while Cassandra didn’t know much, she could gather enough that something big could be happening. So why weren’t you more concerned? More… paranoid and just generally showed more signs of some inner turmoil like her father? You’ve been involved in this case for longer than he has, and yet… you’re the calmest one compared to everyone else. Cassandra can’t help but wonder why.
… Perhaps it’s about time she helped out in whatever was going on.
#yandere batfam#yandere dc#yandere batfam x reader#yandere dc x reader#yandere x gn reader#gn reader#yandere batfamily#yandere batfamily x reader#yandere duke thomas#the red dawn
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Collection of Overlords _ Part 7 = Requested
[Alastor x Soul Owner of All Overlords!Reader]
Part 1 — Part 1.5 — Part 2 — Part 3 — Part 4 — Part 5 — Part 6 — Part 7 (here)
Song Used: "They're Only Human" ; in Death Note: The Musical (I've attached a link here, but there's also a video format later on when that part comes)
You hummed a tune while reading through a book and laying on your black cloud platform like a beach chair. Your little moment only cut short when your book was suddenly snatched away. You tilted your head up and saw a pair of silver wings with golden highlights before you saw your book burst into flames in the robber’s hand
“You sure took your time.” You teased as you got up from your comfortable position, opting to sit on your platform. “Trick.”
“Come on! Like you don’t know why!” The being exclaimed enraged with their wings getting puffed up, they took a deep breath and sighed deeply. “Your little Hell made too much of a commotion, Sil. And I told you to call me Noir!”
You shrugged, “That’s not fitting for a character such as yourself, Trick sounds better anyways.”
Trick was similar to you. Actually, he was your opposite. You being the true ruler of Hell makes them the true ruler of Heaven. Of course, unlike how you keep your identity in the shadows, theirs was more well known. Trick was the God that everyone made a big deal around
If one were to see you two together, they’s say the two of you were night and day, good and evil, yin and yang. Not in terms of element, but in appearance as well
While Trick has a pair of lovely giant wings, you had none and would use a black cloud platform to ‘fly’ in some sense. While Trick has hair above the shoulder, you had hair below it. Trick’s eyes remain opened while yours are closed. Trick dons a causal and chill look while you had a more formal and elegant look
Still, whatever you two may appear, those weren’t important as the personalities you two had. If Trick’s name wasn’t an obvious indicator, they are not the holy entity the humans and angels painted them to be
Like you, Trick is absent from a direct presence in your respective realms. However, they love playing around with ‘divine interventions’ or ‘sacred messages’ from the God of this world. Truly, no one was aware of a balance. Even there’s Heaven and Hell, and God is in Heaven overseeing ‘his children’, what of hell?
Yes. You are the ‘God’ of Hell. Though either of you like that title. Since Trick was the one more in the open, you love teasing them about it every time you meet. To you, it’s truly entertaining to see them groan and whine over it
“So~ How was the sleep? Good?” Trick leaned over as their wings flapped from time to time to keep them hovering in the air.
“Like Hell it was, you put me out of commission for no reason and with no warning! I have souls to watch over unlike your lazy holiness.” You snapped with your eyebrows furrowed.
Trick raised his hands in ressurender, “Hey, I was out of commission as well! It’s not a one-side thing.”
Your eyes squeezed even tighter as if you’re glaring at the jerk of a partner. “You started it!”
The two of you were Supreme Beings of your realm and entities as holy and cursed element. You can’t have one without the other. While it’s true that you were weak to holy powers, Trick was weak to cursed powers. You two were each other’s weakness no matter the situation
And the two of you aren’t as immortal as people would think. The two of you can be killed and healed by each other. Killing involves falling into a deep sleep when one side dies and healing involves transfering the other’s wounds onto themselves to heal more naturally as wounds can only be done by the opposite element
If one asks how to describe the two of you. You both were inseparable, can’t have one without the other. The concept of yin and yang comes to play
You are yin, in darkness there’s kindness. You are the unknown, you are negativity, you are darkness. You collect and control the souls marked for Hell without letting them go so long as they worth something to you. Even when you do it wasn’t for mercy and you’ll cage them into a torture unlike any other
Though, you were kind. You offer advice to those that deserve it and give opportunities for people to change. Why else would you let a soul be redeemed and let it leave Hell to go to Heaven? Why else would you allow Alastor to remind at the hotel even after your presence is back? Why else would you give Husk that little hope at a better future?
Trick was yang, in light there’s evil. They are the known, they are positivity, they are light. Trick judges and provides the souls marked for Heaven without letting them feel any negativity and only joy and happiness. Giving those worthy souls that lived life accordingly to enter a paradise fitting of Winners
Though, they were wicked and twisted. They enjoy a good trickery here and there, opting to let their high ranking angels deal with everything rather than rule as the ‘God’ they were named. They cared for none but their own interest and entertainment. If anything, Trick doesn’t see souls to be worth anything. To them, souls were nothing but actors on a stage to perform a good show for beings that was you and them to enjoy watching
“Fine, fine. I won’t do that again, unless you want a little rest.” Trick smirked as he looked your way. “So how’s your collection?”
“Hm… There will be some changes with what I have now. It’s a work in progress.” You told as you thought it over, “How’s your Emily?”
Trick’s smile widened, “Oh, miserable. But admirable. The sweet thing. She found out about the exterminations and sided with that Hell Princess during court! I told you she’s worth paying attention to.”
You hummed, “That’s what you said about Lucifer and he ended up falling to Hell. I wonder if Emily will be casted out as well.” You sensed the dark aura around your dear long-time friend spike and you turned your head over, “Don’t worry, I know not to accept her into Hell. She’s your prized one. Even if she’s casted out, I’ll push her back into Heaven.”
Trick huffed, clenching and unclenching his fists, “Good. Cause I will so remove those stupid higher angels if they did that to the only worthy angel in Heaven.” He looked over to you as well, “Don’t worry, it’s the same for your collections, I won’t let them into Heaven unless you want them do.”
Your smile widened, “Oh, I’ll never let them go~ But thanks for that safety net.”
You both picked your focus. While yours was on a hand-picked group, Trick focused on that one. Your little soul owning had one amazing benefit that none knew. It was the protection against angelic weapons
Back then when Alastor was hit by Adam’s attack in the chest, the slash should have eaten away at his body and soul. The angelic weapons or steel was created to aim directly at the soul of a being, that’s why it could kill both demons and angels. There was nothing angelic to it, merely a combine of yours and Trick’s power to create something that kills the soul
Now, your protection that to limit the effect of the wound till they can reach you for healing. But the best part was that your Overlords have no soul within their bodies so they wouldn’t be killed! Even if their head was chopped off by an angelic spear, it will just take time to grow back
You’ll never tell them that benefit nor do you plan to let them know about it. That’s why you made your appearance at the hotel. It was the sole reason of healing Alastor on your own terms. You thought of leaving soon later but you just couldn’t leave the poor deer when he was that desperate for your presence
The thing you can’t understand was why Trick only picks the one being to care for. Emily was what their supposed to be honestly. If someone met Trick and it was revealed that they were the God, no one would believe it. There was so much chaos and twisted nature in them that it was impossible that they were God
Yet you as the one by their time since the beginning of time knew the change was because of time. Time changed their view on the world and humans. So many time, they were disappointed that they just gave up and decided to laugh at all the misery. Maybe, you and Trick could switch places
But Trick will never agree because they never liked what you have set up in Hell already, plus there wouldn’t be an ‘Emily’ there. It was proposed once, and Trick shot it down without a thought. So to cure their boredom, there are meet-ups like this
Of course, the two of you end up going to Earth to see what the humans were up to while marking souls on whether they go to Heaven or Hell when they die
youtube
Trick smirked and flapped his wings to fly over, and gestures to the humans minding their own business in the city, ♫ Look at how they crawl around, upon the ground, like little ants ♫
♫ Yes, but how they fascinate, ♫ You floated over with your smokey platform, slapping away his hand to touch a mortal, ♫ Confusing fate, With what is merely chance ♫
♫ Isn’t it a laugh? ♫ Trick nudged you.
You pushed him away, ♫ Isn’t it a shame? ♫
♫ Thinking there is someone in Heaven to blame ♫ Trick pointed at themselves.
You rolled your eyes, ♫ Yes, but even while blaming fate for the lives that they lead. They hope for the lives that they need ♫
Trick snapped their fingers, both of them appearing in a cemetery with a heavy mood in the air. They carried a white umbrella while you carried a black one, staying at the back of the group that was grieving while a coffin was lowered, ♫ Living every day ‘til the day they die. Never getting answers ♫
♫ Yet still asking why ♫ You snapped your fingers and appeared on the roof of a building that oversaw a group of religious individuals praying, ♫ Going through the motions as if there will be a reward ♫
♫ While we stay, ♫ Trick made a bored and disgusted face at the scene, grabbing your hand so the two of you fall, ♫ Eternally bored! ♫
♫ They’re only human. They don’t see ♫ The two of you sang, Trick with their signature smirk and you with a bored look. ♫ Who they are is who they’ll always be. Only human, after all ♫
Trick brought you to a scene in front of a murder scene, ♫ So they push and they shove ♫
You showed Trick a scene with a romantic couple on a date, ♫ With this thing they call love ♫
♫ ‘Til they fall! ♫ You both watched as soldiers fall and their souls going to where they were picked to.
♫ Isn’t it a farce? ♫ Trick shrugged while the scene changed to that of a hospital room with a weak man on the bed.
♫ Isn’t it a waste? ♫ You eyed the crying humans around the man, listening as the monitor beep softer and longer with each pause.
♫ Struggling to Face what can never be faced ♫ Trick leaned against the wall with crossed arms.
♫ Yes, but maybe Death can release something more than we share ♫ You blinked at the man as he tried his best to hold the closest family member of his.
♫ I really don’t know ♫ Trick came over, their wing slapped at the man over the face and the lifeline fell flat, ♫ and don’t care ♫
You shook your head while the room bursted in tears and doctors and nurses rushed in, Trick was as indifferent as already with his grin on his face, ♫ They’re only Human. Standing still. Doomed to live pushing boulders uphill. Only Human, after all ♫
With a snap of Trick’s finger, the two of you arrived at a temple with a number of offerings, Trick picked up one and threw it to you then took one for themselves, ♫ So they give and we take ♫
You caught it with one hand and eyed it, then to the elderly women that was bowing to statue, ♫ Hoping someone will help break their fall ♫
Trick brought you to a gang meeting of sorts, the topic seemingly deciding on someone’s death, ♫ They will pray, curse, live, die. Never knowing their Truth is another Man’s Lie ♫
♫ Eat, sleep, love, hate ♫ You changed the scene to one where a group of friends were enjoying themselves in a forest, ♫ Like a Leaf blowing in the Wind ♫
Trick switched to a scene where students are forced to pick a career for the future, gesturing to all the troubled humans for you. ♫ Watch them all vacillate! ♫
The both of you sang, ♫ They’re only human. They can’t see ♫
♫ All the fun they could give you and me ♫ Trick laughed darkly while you smiled at his amusement.
♫ Only human, after all ♫ You both continued as you two picked out a wave of souls destined for Hell without another thought while Trick only picked a small group of them.
♫ So they give and we take ♫ You had your palms opened at the vast souls that would be doomed for Hell under your thoughtless choosing.
Trick nodded approvingly over your future collection, a twisted smile forming, ♫ ‘Til their silly hearts break ♫
♫ Looking down from above. I’m intrigued by their love ♫ An equally dark smile appeared on your face as you took Trick’s offered hand for a short sway.
Trick suggested while taking you into their arms. ♫ So let’s play! ♫
You nodded along, ♫ Let’s play! ♫
Trick chuckled while dipping you down, “Hmm, let’s enjoy ourselves with these foolish souls.”
Since the beginning of time, there were two beings. A being that symbolizes light and a being that symbolizes dark. They were two sides of the same coin and co-exist together contary to what humans would theorize or write in their little works of art
“So I’ll assume you want me to put Heaven’s little business on hold? Not that they can do much with a redeemed soul in their ranks.” Trick smirked at you, their wings flapping at their little jab at their realm’s higher ranked angels. “So Hell gets some peace for the moment.”
Your smiled back, eyes peeking open to that revealed a cosmos from within, “Yes, that is much appreciated. There’s gonna be some interesting change in my collection.”
“Love it when your eyes does that.” Trick’s wings opened up to show the view of a night sky.
“Yours is not too bad. Quite the sight.”
“Only a sight for the two of us though. None is more worthy of it.”
“I’ll agree.”
Everything happening on these two beings’ whims and wants, nothing’s done with clear purpose, and anything’s fair game. As divine and just as the humans painted them to be, they are nothing like the holy one that cares for all’s interest from above. As cruel and evil as the humans painted you to be, you are anything but the cold and heartless tormentor of prisoners of Hell
Note: New character!! I'll get to the request that were about this concept in a bit. First! The character design for Trick and you will be out in a moment~
Now then~ You guys feeling op yet?
Oh yeah!! I'm more interested with the song format too!! First time trying this, what you guys think???
Circe Y.
My Works: MASTERLIST
Taglist: (those that don't specify to being in all the works' taglist will automatically be assumed to be in whichever series they comment on)
@aconfusedwonderland @crowleysthings @donustellaron @mistpurpl3 @lucifers-silhouette @fluffy-koalala @plutobots @ray-rook @thealienartist @serenity-songbird @galaxydreamer468 @raynerrold @wen01203@hikari-michiko @colecreo @myromanempiree @xsamkuro @yourdoorisunlocked @clavelina @jono723 @cursedcattalastor @an-idyllic-novelist @flamiohotman2024 @rea-grace @myromanempiree @veroneverleft @lousypotatoes @crazysuityouth @jellyedkazoo @wat4r @kiraisastay @thealienartist @chefysawesomeideas @wtvbabes @patronizingbitch @koshi-kazu @craftyperfectiontragedy @scr4luv @chrollobb @mysterypotatoink @callmefe
#Circe's Nighty Writings#Circe's requested writings#alastor imagine#alastor x reader#alastor x y/n#alastor x you#hazbin hotel#hazbin hotel alastor#alastor headcanons#alastor fanfiction#alastor#hazbin hotel oneshots#hazbin hotel imagines#hazbin hotel fanfiction#hazbin hotel x reader#hazbin hotel overlord#Collection of Overlords#hazbin hotel rosie#rosie hazbin hotel#overlords#hazbin#zestial#carmilla hazbin hotel#hazbin hotel zestial#carmilla carmine#hazbin hotel carmilla#carmilla x reader#hazbin carmilla#hazbin hotel vox#hazbin hotel vees
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Adam
TW: NSFW, dubcon/noncon, abuse of power
fem reader
To all the people in my inbox, yes, I watch Hazbin Hotel, and yes, we can talk about Alastor, Valentino, Vox, Husk, and Lucifer.
But first, I’d be lying if I said Adam isn’t living in my head rent-free with his entitled, loud-mouthed ass and his sheer disregard for absolutely everyone around him.
Not to mention his ownersickness.
He’s genesis – the onset of all humanity – and believes everyone is beholden to him because of that – that everyone should fall to his feet and kiss his balls and thank him for their origins.
He treats new angels like a free-for-all eat-all-you-can buffet – like a harem of only the purest sinless samples. Because who wouldn’t feel a little bashful being comforted by the first man after an untimely death – welcomed to heaven and congratulated on a life lived in virtue?
Your cheeks heat up as he flirts with little ol’ you as if you’re not just one of the many million people he plans on corrupting.
And he’s such a big deal in heaven, too. Those big balls have a lot of sway, and he swings them and his dick around at every turn.
So just imagine if you try to deny him. I mean, he’s Adam. Everyone has him to thank for their lives, and it’s in death that you should all pay your dues.
So, if he says he wants you, you don’t have the right to tell him no.
And the unfairness makes you feel so helpless – nihilistic despite being in heaven. thinking back to the many times on earth when you’d question the existence of god only to persevere. Kept to your morals through it all, remained vigilant in your belief – only to now question if your God really deserved it when he allows injustice even here, in the fucking promised land.
And having been left by both Eve and Lilith, Adam's become a woman-hating misogynist with incel rage that has stewed since The Creation – and so keeps you locked in his suite like a pet.
He throws his mask off when he comes home, disrobes, and walks about as he’d done in Eden – and says it’s just as much a sin to oppose the first man as it is to oppose God himself when he demands that you strip and get on the bed.
He’s never gracious, even when you obey – he takes you how he wants – with your ass up and your face down and his hand pressing down on your back between your wings – licking his lip when you wince and whimper, taking every inch of his fat cock in your tight cunt while your pearl-white feathers ruffle and shiver like a baby-bird who’d fallen from the nest.
Sometimes, he’ll threaten to banish you down to hell if you don’t worship him like the good little Christian you aspire to be. After all, heathen whores who don’t stick to their prayers don’t have a place in heaven.
#hazbin hotel adam#adam hazbin hotel#hazbin adam#yandere hazbin hotel#hazbin hotel#hellaverse#yandere hellaverse#hazbin#vivzieverse#hazbinhotel#adam#yandere x reader#yandere#yandere x you#yandere imagines#yandere smut#yancore
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CALL ME M O N S T E R
➽ PAIRING : Vampire Hyunjin x Fem Reader
➽ SUMMARY : Vampire Hyunjin has lived hundreds of years alone, only leaving his castle when the thirst becames too unbearable, so what happened when a pretty faced broken human asks to be his blood pet?
➽ WARNINGS : Mention of Abuse, body bruises and injuries, implied starvation
[How it's like Living with Vampire Hyunjin]
Note : i Don't usually like Vampire AUs but JJAM Hyunjin did something to me
There was a big dark castle just outside of the kingdom no one dares to go there, everyone knew who was inside it or more like…what was inside, the monster hidden inside away from their sight
The last time someone visited that castle was 10 years ago, and it was an army of men looking to take the monster down that was terrorizing the whole kingdom, however it ended up with the kingdom missing a whole army
A deal between the king and the monster was made that day, whenever he's hungry he will go and pick a random human from the kingdom and suck their blood, however he will only suck enough to feed his hunger and not to kill the human
He might be a monster but he does have morals, and he doesn't wish to kill someone unnecessary, so that leads him to now staring at the human who just entered his castle, he was confused only one human came?
Why would someone in their right mind visit his castle and at night at that?! were they looking for death? When the vampire took a closer look at the human he could see the torn worn out clothes, the messy hair, the bare dirty feet
He growled loudly and apparently that was enough to have the human heartbeat picking path, and falling on the marble floor whimpering loudly, the human was scared? Good he smiled maliciously it's been awhile since he last had fun
With one snap the light of the candles went out, and the human heartbeat was deliciously getting more and more louder, in a second he stood behind the human flicking the lights back on, you havn't noticed that the vampire moved behind you yet, too frozen in fear to notice
“You dare come to my castle human?” In a second there was a loud yell followed by backing up to the wall trying to get as far away from the monster as possible, Hyunjin smiled making it a point to show off his thin tall fangs, you kept staring at him in fear
“Are you just going to keep staring little one” as if on cue the your eyes widened as if they remembered why they're here in the first place, you quickly got on your knees bowing deeply making you head touch the floor “ple-se m-y lo-o-ord” the human had manners good
He chuckled darkly “what are you here for?” The poor thing shook in fear as Hyunjin got closer but you didn't dare to move you just lifted you head up eyes glossing over “p-le-ase let m-me be your b-blood pet” now that took the vampire by surprise “what?”
you couldn't hold back anymore, your tears finally fell and Hyunjin doesn't usually care much about human tears, he was used to seeing their tears, but this time it was different the human Infront of him was not crying in fear like the others, they were crying in despair what an awful smell “I will p-proof I'm worthy please just try me”
Hyunjin's eyes narrowed as he took a step closer to you "You're willing to be my blood pet? That's a bold move, little one." He smiled, his fangs glinting in the dim light.
you nodded vigorously, your eyes brimming with tears. "I-I will do anything, p-please just Take me In"
“What makes you think I need one in the first place?” “You don't like visiting the kingdom, you h-hate how the people scream” That was true; he hated how much men and women would scream as soon as they saw him. “What's in it for you?” He raised his brow.
Who in their right mind would make an offer like that to a vampire? “I don't wa-anna go back there” “What's your name?” “Y/N, my lord” “Ok, little Y/N, I want you to get in the shower and scrub off all the dirt on your body” your eyes widened, does that mean he will take you in?
you looked around, oh yeah right; you didn't know where the bathroom is. “Follow me” Hyunjin wasn't actually going to let you stay in his castle forever; he would just suck you dry and kill you, morals or not. you did trespass on his property. and he does not appreciate that.
He opened the door waiting for you to go inside, and he stood there waiting. “So?” you looked at him confused with those round innocent-looking eyes. “S-so?” you managed to say back. Hyunjin chuckled. “Are you going to shower with clothes on?”
Realization hit you; he wanted you to strip right in front of him. you looked down, no backing down. Y/N, if you disobey his very first order, he will kick you out or even worse kill you. you did say you would do anythin...
You took a shaky breath, willing your shaky hands to move and take off your tattered shirt.
you didn't dare to look at the vampire; didn't dare to see the look in the vampire's eyes once he sees how your body looked like. Once you were just about to pull your pants off, you heard an angry growl. and a door slamming you freezes; fuck now you're dead.
he was gone he left you alone in the big fancy bathroom your legs gave out as you sobbed too scared to move too scared to even think what he will do with you next
“And they call me a fucking monster!”
Hyunjin didn't believe his eyes; he only asked the human to strip to see how far they would take it, what was their breaking point. but he did not expect to see the bruises, cuts, and degrading words engraved in the human's skin.
His blood boiled he knows he's a vampire he knows humans are usually smaller than him but you were too small too skinny TOO FUCKING DESPRATE
The fact that you would rather be a blood bank instead of living with your own kind made him Furios, he knows he shouldn't care but this whole thing was just unexpected
Now he fucking knows why this little human wanted to be his blood pet; why they wanted to leave that fucking hell hole and live with a vampire.
✦ Masterlist ✦
[How it's like Living with Vampire Hyunjin]
#stray kids hyunjin#hyunjin fluff#hyunjin#hyunjin x reader#hyunjin stray kids#hyunjin skz#hyunjin vampire#hyunjin imagines#hyunjin x you#hyunjin x y/n#hyunjin angst#stray kids angst#stray kids#vampire hyunjin#Hyunjin JJAM#hyunjin reactions#hyunjin fanfic
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I thought playing Obscura would help me get rid of my brain worms. no, it just gave me new ones. For Obscura, specifically.
I'll be adjusting the format from my TOUCHSTARVED expanded thoughts post. Brain dump after the cut!
[Demo/CH 1 spoilers are included]
(Header Image from Itch.io page! All images in this post are either from there or the Rotten Raccoons tumblr page)
Design/gameplay thoughts:
In full honesty without fluff: this game fucks immensely.
The setting for Obscura might be my new all-time favorite, like, ever. Mystery underground scandalous marketplace??? Under a mountain???? it's a diverse and vast city that's still elegantly contained and claustrophobic, but in a spicy way. The worldbuilding and flavor is excellent. I really want to run a TTRPG in a similar setting now, since its an area with so many possibilities.
CH. 1/the "demo" has a LOT of meat on it. It's got different endings, variations, a whole soundtrack. Speaking of sountrack-
Obscura is also one of the few games I've put on the soundtrack to just to vibe to. The soundtrack is SO good, and sets such a strong mood/tone. I think it complements the game perfectly.
Allot of people have mentioned it, but I am also a fan of the Safeword pause menu. It's a nice and comforting touch, especially when the game can get so intense. It lets players take a breather if they need it, but also doesn't interrupt the intensity/mood of the game for someone who doesn't want a break from the narrative.
Now, onto character specific thoughts!
Cirrus:
IN MY HOUSE WE DON'T BELIEVE IN NOT STARTING OUT STRONG
Shout outs for having your asexual option in the dating sim be. The kinkiest guy there
Cirrus is a bit too intense for me, however, that is NOT a bad thing in the slightest. I think his route is well done for those who are up for his brand of intensity.
I might still play his route because. damn this boy's issues got me curious about his backstory. ($10 on mommy issues)
I had the hardest time getting to Cirrus's good end during my playthrough because having pretty much any self-preservation instinct around Cirrus gives you a bad/neutral ending. He's the only one I had to pull the guide out to get the best ending. (I think I'm just too sassy)
I get medusa vibes from Cirrus. The snake imagery is more likely tied to the lunar church, but his staunch reluctance to take his own mask off makes me wonder (this is mainly referenced in asks answered by the Rotten Raccoon studios). Refusal to let people see his eyes + snakes + power + slightly unnatural abilities to influence is, something.
I am shaking this man like a snowglobe WHAT IS YOUR DEAL I MUST KNOW MORE
(I am. metaphorically shaking him like a snowglobe. I would never shake this man im terrified)
CONCLUSION: Most likely to shame you for your anime choices. Least likely to be normal about it when you ask for help peeling an orange.
Keir:
HERE COMES BIG MAN
yeah he's tied for favorite right now. the slow burn in his plot is just too good? big man....freckles...secret soft side...im weak
he's so nice I keep forgetting. He kind of kidnaps you? not even kind of he just drags you off the street and goes "you live in my house now". Even Griff calls MC a stray early on. My man really said "Here's a convenient lost human I'm dragging them home now"
oh my GOD they were ROOMATES
I definitely was too nice to him in my first playthrough until I realized he does need (and want) to be sassed to death.
this man is like 6'6 and the canon-ish Vesper height from the CG is 5'4. THE HEIGHT DIFFERENCE. This kills the man (me)
The sprite of Keir's ears blushing SENDS ME INTO A FRENZY
I quite liked the gameplay style of Keir's route. I was so focused and invested as soon as I realized I needed to remember specific directions to save the heist group during timed decisions
Something I haven't seen discussed yet: I'm mega curious about the dagger Keir has on his outfit. It's specifically pointed out in text that it's high-quality, and I vaguely remember an ask that Rotten Raccoons answered that said it's a status symbol. (The dagger also just looks SO cool. and....it looks like Francesco's...?)
(My bet is that he either 1. stole it. or 2. got it from Oleander during their tryst (WHICH WE ALSO NEED TO TALK ABOUT-))
CONCLUSION: Most likely to be gifted a "WORLD'S BEST DAD" mug from his similarly-aged peers. Least likely to live down that one time he ate soap because he thought it was edible.
Francesco:
someone keep the "silver dust" away from this lad im scared
Originally, I was least looking forward to playing Francesco's route since I just wasn't interested in his initial concept. After playing his route though? It was excellently done, and I genuinely had fun. It was refreshing to have a character more naive than Vesper, so more cultural aspects were explained and we got a good alternate perspective on the marketplace. Also, it got REAL spicy in new and exciting ways the other chapters didn't. I'm really looking forward to the next chapters with his route!
I totally love the contrasts in his design and his character. He's got both bright red and blue highlights in his design, his outfit is very pointy and angular while his hair/smile is soft and flow-y.
And in his personality, he's both sweet and open, but extremely cagey about some information, and quite pragmatic when he wants to be. I think he's way smarter than he lets on.
that doesn't mean I don't want to bridal carry him and tuck him into bed at night after a all-nighter party
I do think Fran's slightly looser demeanor could lead to him being even more brutal than the other LI's. Remember that one anime clip (Found it, it's this one from Danshi Koukousei) where a group of friends wants to fight for fun, but one of the friends asks why they need rules in a fight? And said friend is shown like secretly holding a rock and was ready to use it? that's Fran. He would not have chill and does not heed the rules.
"Protect the boy", but mostly to prevent him from tasting blood. Because if that happens we're all fucked
CONCLUSION: Most likely to eat that M&M off the ground because you dared him. Least likely to beat the puppy allegations.
Oleander:
Oleander is tied for favorite with Keir. Oleander is just *chefs kiss* LOOK AT HIM. inscrutable......
Somewhere in an ask answered by Rotten Raccoons studio, they mentioned that for Oleander's route, they were going for a "Sexy boss situation that doesn't feel like a work safety violation". They hit that right on the nose; there's intrigue and a power imbalance, but in a non-restrictive or terrifying way.
I love being involved in the business part of his route. I keep making decisions like "Hmm yes my primary goal is to romance Oleander. But what would be the smartest business move here? How do we advance our agenda?"
Also, I do love playing a sexy evil secretary in a vn. love having a job and being evil at it AND being paid money. 10/10
That dance scene is everything I could have ever wanted no notes
I am fascinated to find out more about what he's been up to since his last trek into the marketplace. Seems like people are trying to kill him all the time anyway, so what would be enough to cause him to leave?
he's like an angler fish, but the lure is his booba
I relate to Oleander in that. I have too many online usernames because I can't stick with one. People get my 800 online names mixed up often. He has the same problem, we're basically twinsies
This man is pretending to be a himbo like his life depends on it (It probably does). He's too smart though, I know for a fact he has at least three different schemes going at any given time.
CONCLUSION: Most likely to be able to help you properly lace a corset (this man knows the boot-to-the-back necessity of the process). Least likely to be allowed to be banker during monopoly night.
Vesper:
black mask enjoyer 4 life
(all three are good I just wanted to say which one I picked. And to add my conclusion section)
CONCLUSION: Most likely to get their shit rocked by a falling piano. Least likely to survive an argument about pineapple on pizza.
Concerns:
With how separate the four routes are, the game could potentially feel like four separate visual novels all in one universe. Maybe I haven't played enough VN's, but there is a feeling of separation between the routes.
In the very beginning of the game, when you're picking your route, I wish there was a bit more heads up/information between who you're picking. For example, I had a rough idea that going into the church is where you'd find Cirrus, but only from information outside the game. I didn't know sticking around for the brawl would push you into Kier's route. It's overall pretty vague to which route you're going based on only in-game information.
Misc thoughts:
Vesper: "How are you going to keep me?? ;)" Keir and Oleander: "crimes" Vesper: "Wh-" Keir and Oleander: "you're an accomplice now congrats we're in this together. wanna get drinks"
catch my socially anxious ass wanting to be under the mountain and wear masks so I don't have to make eye contact with strangers all the time. at least its a fun thought to have when I mask for covid
OKAY FRANCESCO AND KEIR'S DAGGER MATCH? AND ARE RED/BLUE LIKE FRANCESCOS OUTFIT? DOES IT MEAN ANYTHING??? probably not but I do like the pretty knives....
For real, I got the brain worms for this game, I'm on the edge of making a big ol playlist. the headcannons? They go on my friend. they go on. I'm laying awake at night thinking about what each character would order at a coffee shop
by the time I publish this post. I did start working on the playlist
yes, I've also designed my own vesper, its such a prime opportunity for character design.
Obscura also may or may not have inspired me to get involved with an otome jam game team, more on that in the future possibly.....
OVERALL: I got the first chapter/demo of Obscura for free from Itchio/steam. High marks for writing, sound, art, game design, all of it! I am on the edge of my seat waiting for CH2.
TL;DR: If you haven't played it, and love spicy and dark stories, go play it! Part one is free! and fantastic.
Itch.io
Steam
#obscura vn#rotten raccoons#obscura cirrus#obscura keir#obscura francesco#obscura oleander#i've been writing this post for weeks and i just keep editing it. going to hit send now
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We're going to scream about Nandermo all week, but right now I need to talk about Baron Afanas. Because the Baron's arc, so to speak, always felt like a big part of the series DNA for me - and oh fuck did this episode deliver on why.
I think we can agree: in the show, vampire society is fucked up, right?
Vampires on their own have plenty to deal with that can make them crazy. They have to live by killing. They lose everyone from their old lives. They have to find new reasons to keep going on, forever, so shit can get decadent really fast.
But holy shit, what that's turned into in vampire society? Where you actively put cruelty over mercy, and violence over solving your problems? Death cults and scam artists roam free, but if someone has depression the best thing to do is ignore them. Someone can get their mind wiped or be locked up for centuries, and that's just what you do to your species.
--
So: the Baron's arrival is the first conflict of the whole show. The joke is about an ancient powerful creature of pants-shitting terror, vs three lesser vampires who just want to live their lives and not get murdered for being too lazy to conquer humanity. There's a lot of talk about how to please him: do you keep to the old ways, or pick up some new traditions? Decorate with flayed skin, or with glitter? And the Baron says: who cares, you're all soft and useless. All that matters is getting more control over this world, until people are cattle and we have no reason to hide anymore.
But later he confesses: that shit stopped mattering ages ago. He's not even real nobility, he's literally impotent, and he talks about doing horrible things because he doesn't know what else to say. He's angry and half-crazy from boredom. And admitting that, owning those feelings, means suddenly he has three new friends and a whole new world of things to enjoy.
There's the Baron the rest of the vampire world knows, but for one night we see the ancient, unknowable terror was just a guy. Maybe he's always been just some guy.
That fun puts him in a vulnerable position, and he's killed by the most unwitting vampire slayer in fiction. But Baron Afanas is changed. He sucks dirt for a year and still comes out of it with a new lightness and joy to him. He saves the Sire, another ancient terrifying monster everyone was eager to kill or send away. They adopt the hellhound. They get cozy and give advice. They make popsicle stick houses and go on walks. They live.
And that seemed like the end of the story until last night - when the Baron suddenly felt like the butt of a joke everyone knew but him. Spurred on by someone else who feels lonely and ignored, the Baron felt vulnerable. And he snapped back to how he lived for centuries.
'What the hell are you all doing, enjoying yourselves? We're supposed to be unhappy. We're supposed to live centuries of unhappiness, bringing pain to everyone in our path, and we're definitely not supposed to cheer up our friend who's sad.'
--
Nobody liked the Baron before Guillermo killed him, not even other powerful vampires we meet; they saw the Baron as a crazy far beyond their own crazy. But this is also how vampire society values you. It's how they measure Nandor's worth when they think he's dead, too: how old and powerful you are, how much you've been able to conquer and kill.
Vampire pods are both cliquish and aren't expected to last in the first place. If someone dies, you literally paint them out of your lives and forget. Everything we see discourages feelings, sincerity, or even basic companionship. The only way to earn respect is to be cruel. The more cruel you are, the more powerful you are. The more powerful you are, the more feared you are - the lonelier you are, the crazier you are. It's practically designed to create the Baron, or worse.
But new vampires don't behave that way. And the vampires we follow in the show don't behave that way - because they have each other, because they've been encouraged to have each other, often by Guillermo. (Holy shit, Nadja saying maybe she'd be fine dying, and Nandor immediately asking if she's okay? Nothing changes in this house, except everything does. They're not going to almost lose one of their own ever again.)
The vampires in the heart of vampire culture never seem happy to be like this. It doesn't have to be like this.
--
The Baron doesn't become a tyrannical monster for long. Because he never actually was one - and because he spends two evenings and a fireball to the face, watching Nandor and Nadja fight for Guillermo. Watching them plead and cling and defy, seeing Guillermo's earnest feelings in spite of his bloodline and the mistakes he's made. Seeing Nandor's perfect trust, and then his grief, the way he insists that Guillermo was never 'just' anything. The Baron can't find real fulfillment in hurting someone (because that ship sailed ages ago). He can't deride them for caring, because he's cared for a long time now.
And when the Baron admits that's who he is, when he says it out loud, he only gains more in his life. He finds new depth in the happiness he'd felt for a while now, because he's admitted and allowed himself to be happy. And now he has the children he's always wanted. Living together, the Baron and the Sire are still ancient and powerful - and they're also family, finding real joy together in a world that was ready to dispose of them.
"I suppose with the right company, it can be beautiful, this eternal existence."
--
There's an inherent selfishness to being a vampire, taking from someone else in order to live. But there doesn't have to be inherent cruelty, or lack of love.
They're all ready to admit they care. The Staten vampires have all cared for Guillermo or each other in their own ways this season. And Guillermo doesn't lack for flaws, but loving his monster family has never been one of them. (When he and Nandor work their shit out, they're gonna be insufferable.)
Now they just have to let the Guide in. Because she's absolutely starved for love, and vampires get pretty fucked up when they're on their own.
#fandom: wwdits#what we do in the shadows#wwdits#i am a meta gremlin#baron afanas#tl;dr i am a sucker for choosing love#especially when the world around you says it's stupid or you're not allowed#but love was always in you so it happens anyway
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Yuji's accumulated Trauma
After Choso's death, I've been thinking about Yuji's reaction to it. At first glance, it looks mature and composed and obviously Yuji doesn't have the time and privilege to grieve. More importantly, Gege didn't give Yuji any panel time to be distraught; his aniki's death scene was over pretty fast. The 3000 Shibuya deaths in conjunction with Nanami's and Nobara's deaths on the other hand had been given more time and more impact afterwards.
The difference in reaction between those two times makes sense in context but, in my opinion, not with Yuji being mature and composed about it.
Because Yuji never got over Nanami's and Nobara's death, he didn't heal from that, instead, he had a negative character arc where the trauma of their deaths affected his world view and mentality in significantly bad ways.
He started to think of himself as a cog in a machine and he also identified with Mahito, the curse who killed both his friend and his mentor figure, a villain and his personal antagonist. Yuji did not overcome Mahito in Shibuya, the story makes us forget that often times. He was marked and changed by Mahito and even though that curse ended up with an extremely pathetic death that didn't mean that he hadn't broken something inside Yuji.
The only time where Yuji constructively dealt with that trauma was in his fight against Higuruma but that was only about his guilt over letting Sukuna kill 3000 people with his body. And it didn't get resolved completely, at least not in a way that would've helped with dealing with Nobara's and Nanaimi's death too.
Yuji is taking that trauma from Shibuya, his feelings of weakness and guilt, and he puts them into believing himself to be a machine that has to follow a predetermined path. Before Sukuna took over Megumi, that meant being suicidal when the situation called for it. Yuji wanted his life to make sense again and dying so Angel would've her wish of seeing Sukuna dead to save Gojo perfectly fit into that.
After Sukuna possessed Megumi, his path and role stayed the same except killing himself directly was off the table but that tendency still exists inside of him. If he were to be presented a way to defeat Sukuna while saving Megumi at the same time where he would die as a result he would take that path immedietaly without hesitation.
Back to Choso's death. In my view, this unresolved trauma and his lack of will to live lead to an unhealthy coping mechanism: thinking of his friends and allies as already dead. We can see that when he asked Megumi if Nobara had survived Shibuya.
He knew that there was a slim chance she survived but it was so low that she was basically dead. When Megumi confirmed her fate, Yuji was prepared for it. Prepared to receive the bad news so instead of crying again he could function like the cog he was supposed to be.
And this Mahito-infused cog mentality still follows him until now. He has to function so his role can be fullfilled and when that means he has to think of his friends as having already been killed so he would never break again then that's what he's going to do.
He did not despair over Choso's death, he despaired because it looked like he was alone and on the verge of defeat against Sukuna. His role was breaking just like his reason to live and I think that this mentality, his negative character arc, will find it's conclusion at the end of the Sukuna fight.
This fight is not the end of the manga, we still have the merger to deal with, there is still a big arc with smaller ones in between coming at us. But for Yuji something big has to happen, probably something pretty bad that has him crushed... at first.
At the end of it, he will finally deal with all his loss and his trauma in a good and healthy way and leave his life as a cog and being a human Mahito behind. Then he might finally shed the tears that were missing in chapter 259.
#jujutsu kaisen#jjk#sukuna#yuji itadori#itadori yuuji#ryomen sukuna#higuruma hiromi#meta#mahito#choso#jjk choso
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Furiosa viewing #3 for me last night and I figured something out. I have heard multiple people say that the pacing of the movie felt off or weird or even "slow," even though the plot consistently moves along at a brisk clip. But what people were noticing was not the speed of the story but the structure.
I realized the pacing feels weird because the movie has two third acts.
The overwhelming majority of movies released by Hollywood studios follow a very standardized three-act structure. This is certainly not the only way to structure a film story, but it's the most common one in the Anglophone film world, so common that you have probably absorbed its pattern without even thinking about it. The previous Mad Max movies do generally fit this structure, and Fury Road fits it like, down to the minute.
When we get to the big fight sequence at the Bullet Farm, where we know Jack has prepared everything for Furiosa to leave and they just have to get through this one last mission together, my gut story sense was like this feels like it should be the third act. The fight in the Bullet Farm and the chase with Dementus that ends in Jack's death feels like it should be the climax of the movie. And not just because we are around the two-hour mark at this point, although we are.
In terms of themes and plot arcs and story beats, Jack's death feels like where the movie should end. We start the story with Mary Jabassa telling Furiosa to leave her behind and make it home safe. I'm sure Mary knows she's on a suicide mission at this point, but maybe she can hold off their attackers long enough for her daughter to escape. But Furiosa can't leave her mom behind. So she goes back, and she watches her mom die brutally and gets trapped by Dementus.
Then, at the Bullet Farm, Furiosa has her best chance yet at getting home. She has a fully loaded vehicle, and she's outside the Bullet Farm gates while Jack is stuck inside. Jack, too, tells her to run and save herself. (While it's never spelled out, I'm sure we're supposed to intuit that the green flare means GO.) He probably thinks he's dead either way at this point, but maybe Furiosa can make it out. But once again, she can't do it. She goes back to defend Jack, and we have this little bit of hope of, maybe this time she'll be able to save the person she cares about from being killed by the same warlord who killed her mother. Whether she succeeds or fails, narratively, this feels like it should be the climactic action sequence of the movie.
But there's still another 30 (ish?? I need to watch with a timer) minutes to go after that, in which we have a whole other plot arc of Furiosa getting back to the Citadel, making her prosthetic arm, and going off on her quest to hunt down Dementus. And if this part all feels a bit grueling, it's because your brain expected the movie to end half an hour ago.
(I should pause here to say that you absolutely can write a movie in three-act structure that's longer than 2 hours--you just have to stretch all the pieces out equally or it starts to feel lumpy. And the place where our attention spans are going to be least forgiving of lumpiness is at the end of the movie.)
Well, you might say, maybe Furiosa was just not written with the three-act structure in mind. And that could be true! But I would argue that the oddness of the end of the movie comes primarily from the film not being clear on what narrative question it's trying to answer.
Because an ending that focuses on Furiosa's choice between finally getting home or going back to try to save Jack is addressing the question of, "Do you prioritize saving yourself, or do you fight for the people you love, even if you may end up in a worse situation because of it?"
An ending that follows Furiosa's revenge quest seems to focus more on, "What does seeking revenge do to your humanity?"
Both of these questions are rich territory to be explored in the wasteland, and the other Mad Max movies deal with both of them. But I would argue that the first question is very clearly set up in the beginning of the movie as a thing we expect to be exploring, and the second question, not so much.
I think the story would have benefitted from picking one or the other. And if they wanted to tell a story about the price of revenge, then highlighting this earlier--either by making revenge Furiosa's primary motivation from the beginning, or highlighting it thematically by showing how the quest for revenge warps other characters--would have made the last section of the movie feel more like a payoff and less like a sudden left turn into the desert.
#stay tuned for the alternate ending i wrote in my head last night#i just had to get this piece of it out first#mad max#furiosa#furiosa a mad max saga#story structure#screenwriting
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honestly so excited that the party of small government is going to make organ donation mandatory!! like as a long time member of the organ donor list I've always thought it's so important for people to sign up so that others can benefit after their death. and YES i know they're saying stuff about everyone being required to do live kidney and bone marrow transplants too, but the federal government is leaving that up to the states. if you live in a state with mandatory kidney transplants and don't want to have your kidney transplanted when a match is found, then just leave?? and i see a lot of people complaining about how there's teenagers being forced to donate kidneys, or the .009% of donors who die, but honestly it hardly ever happens. like you're purposely picking an edge case to make a big deal out of mandatory kidney donations. mandatory organ donation is an important part of our small government platform and frankly you're being really disrespectful by saying i "don't have a right to your body." my life could depend on it. this is a personal attack against human life. well, i think you should be killed so we can split up the rest of you, too. why are you mad. im joking.
#THIS IS A METAPHOR. THIS IS A METAPHOR. I KNOW READING COMPREHENSION ON THIS SITE CAN BE INTENTIONALLY BAD#BUT THIS IS NOT SERIOUS OR REAL
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| Irish Coffee |
summary: twenty four was the wrong age for everything, except maybe picking up girls in bars at the holidays. Rafe Cameron x Reader
word count: 3.8k
warnings: bars, alcohol, passing mention of sexual assault, death of a parent mention.
Rafe Cameron hated karaoke. It was shitty ego-stroking from typically the very intoxicated or the very tone deaf. He didn’t think anyone ever felt good about their performances on that rinkydink stage anyway. It was unpleasant for everyone involved. Truth be told, Rafe thought karaoke was pointless entirely. If he wanted to hear a good version of a song, he would go on Spotify and find one. He thought karaoke was a selfish sport made fun only for the singer, and never for the listener.
In summation, it was fucking stupid.
When he got in Topper’s Jeep, Rafe had been too tipsy to fully comprehend that it was karaoke night at the Swordfish. Now, with another tumbler of b-list bourbon between Rafe’s knuckles, he moped on a stool at the bar.
He felt old when he went out with Kelce, Topper and their other friends. He had started college while some of the other boys he’d grown up with were in their junior year of high school. Rafe didn’t have friends. He wasn’t good at keeping them and didn’t like it when they complained about their problems that weren’t even really problems. The persona he had crafted for dealing with friends, though, had gotten elaborate enough to where Rafe thought they didn’t notice that his heart wasn’t in it.
He didn’t have friends, he had the people he drank with. That was better than drinking alone.
Being twenty-four sucked. Too old for ragers, too young for drinks at the country club. Too many big problems to solve, but everyone thinking he was too young to solve him. Rafe wondered, if he drank enough, could he blackout the whole of his twenties and then he wake up in his thirties locked and loaded?
Some drunk whore was finishing up a song Rafe had only heard in Sofia’s car. She’d played it often. He didn’t know what it was called. It was by one of those superstar white girls with the zillion dollar concert tickets. Rafe didn’t like it. He didn’t like Sofia either anymore. He didn’t like to think about her anymore.
His heartbeat raced. His could feel it beat in his neck when he drank too much. It didn’t used to be that way. The human body couldn’t fail from misuse before thirty, could it? Rafe took a sharp inhale through his nose to push the frantic thoughts away. Everyone leaves eventually, he reminded himself; a mantra. Fuck, he wanted a cigarette.
Topper was on Ruthie leaning up on the wall near a booth. They were out of commission til she got pissy at him for breathing wrong, or something, and they all had to make excuses to leave. Normal Friday night.
Rafe wished he’d stayed home.
A DJ mumbled that the next person was taking the stage, singing Hard Candy Christmas by Dolly Parton. Arguably, this was Rafe’s favorite Christmas song because it had been his mother’s favorite Christmas song.
It was also the week before Thanksgiving and Rafe didn’t think he could stomach Christmas yet.
“Shit…” Rafe muttered into his glass of bourbon.
The girl supposed to sing was being pushed up into the tiny stage by a group of drunk girls. Presumably a bachelorette party by the looks of it. The girl onstage had a frown of surprise on her lips. It was clear to Rafe that she didn’t know this was going to happen. A girl in her party, wearing a veil headband, called out: “Please! This is our song. Please do it for me? You sound so pretty, [Y/N].”
All of her friends were calling and chanting for her to sing. The girl, [Y/N], looked embarrassed. She was very put on the spot.
Eventually, with all the cheering, pleading and encouragement, [Y/N] walked to the center of the stage where the microphone stood.
“Forgive me if this is dogshit, my friends signed me up,” The girl said over the karaoke track’s intro. A few of the girls she was with cheered. “I didn’t come to butcher Dolly in front of y’all.”
This yielded a chuckle from her audience. Rafe rolled his eyes. He was less interested in her humble act, and more interested in where he knew from. Rafe knew a lot of people, and he was starting to cling to the barstool to do what his legs were struggling to do. [Y/N] was a common enough name, but this girl looked so fucking familiar to him. His drunk mind leafed through the catalog of women in his brain. [Y/N], [Y/N], [Y/N], where did he know her from?
Her clothes weren’t anything special. Standard bachelorette party fare. A little too short, but not quite slutty. She was a bridesmaid, maybe the maid of honor. Rafe wrinkled his nose in thought. His contacts stung dry against his eyes. He had stared at a screen too long in the office and now he was sitting under a vent in November. Who the hell left the A/C on in November?
[Y/N]. Rafe hadn’t hooked up with her before. He didn’t think he had, anyway. She didn’t appear to have botox in her face or filler in her top lip with the way she expressed so freely. That meant she couldn’t have been the kid of one of his dad’s business contacts.
He looked at her friends for clues. Immediately, Rafe recognized the bride. Wendy. Rafe had hooked up with Wendy a few times in high school. He was surprised to see she was still on the island; Wendy had been smarter than that. So Rafe probably knew [Y/N] from school, then. What classes had they shared? He tried to place her.
[Y/N] was working through the slow first verse. She didn’t have a perfect, trained voice. Her voice was the kind of voice that sang in the kitchen on Saturday mornings to the radio. A smirk pulled at Rafe’s lip. She wasn’t forcing it, and she wasn’t so drunk that it was pathetic to listen to. “I hate singing in front of people…” she said.
[Y/N] knelt and set down what appeared to be an Irish coffee, and put her left hand over eyes. No ring, Rafe thought. He almost puked at the thought that looking at babes in bars now came with seeing if they were married or engaged, before giving them the once over. Being twenty-four sucked. The girl swayed from side to side on her feet as she moved from the second half of the first verse to the chorus.
…Maybe I'll just get drunk on apple wine.
Me, I'll be just fine and dandy.
Lord, it's like a hard candy Christmas.
I'm barely getting through tomorrow,
But still I won't let sorrow bring me way down…
The girl took some liberties with how she improvised the line endings or creating a harmony line instead of the melody during the way too repetitive chorus. It wasn’t like she was doing something revolutionary, but she also wasn’t just up there doing a cheesy impression of Dolly.
It was a welcome change of pace from the guy’s attempt at some Jimmy Buffet number a few songs ago. Rafe loved music. He loved it. That’s part of why karaoke was such an affront. Rafe played the piano; he was okay. His mom had put him in lessons right after kindergarten and it was the only thing he had stuck with until the end of high school. That was how he honored her memory.
Wait, kindergarten.
[Y/N] sat next to Rafe in kindergarten and early elementary. Holy fucking shit.
Rafe was a walking ad for Ritalin until he was about ten. Arguably, after that too. No one ever helped him out. He was also spoiled, he knew that. The kid talked out of turn, couldn’t follow the classroom expectations, never sat still, and ended up with his green light getting downgraded to a yellow light by the end of everyday. The tantrums he would throw over it where earthshaking. It was exhausting. [Y/N] sat next to him because she was not disruptive. Miss Lisa, their kindergarten teacher had loved [Y/N]. She loved her not only because she was good kid, but because she talked back to Rafe. [Y/N] used her position as calm-girl-forced-to-sit-next-to-shitty-boy to her advantage. She tattled on him daily. Debatably, that made his behavior worse, but the pair had fun sometimes. Rafe hadn’t thought about her in years.
[Y/N] wrapped up the song, trilling fine and dandy… I’ll be fine… over and over with the tinny backing track. He wished she could sing this song along with a guitar the way she deserved. Unexpectedly, Rafe found his hands applauding and his glass on the counter.
Quick as a flash, Rafe stood on unsteady feet and rushed towards the stage. [Y/N] rounded up her Irish coffee and pivoted towards her friends that clapped delightedly at her. Her hands were peeled away from her face now. Rafe almost smiled. Almost.
“Hey ladies, can I steal [Y/N] here for a second?” Rafe hollered over the music as he slumped towards their party.
Wendy’s eyes lit up in immediate recognition. “Rafe Cameron…”
“Hi Wendy,” Rafe said effortlessly. “Congratulations, by the way. You look great.” Rafe’s hookups were getting married now, and he was going to wake up tomorrow single and hungover.
“Thank you, hon. You look pretty good yourself… Please take her. Buy her another drink before we go. We need her loosened up a little.” Wendy giggled.
“Hey!” [Y/N] protested. She was eying Rafe uncertainly. She was trying to place him the same way that he had her.
“Please, ladies, next round on my tab. Congrats, seriously, Wendy,” Rafe said with a sleazy, false grin as a few of the women cheered. “I’ll bring [Y/N] back in one piece.” Gently, Rafe placed a hand on her elbow and angled her away towards the bar. The two walked in relative quiet.
All [Y/N]’s friends giggled. Rafe’s force dimples dropped when they were out of the ladies’ eyeline.
“Excuse me,” [Y/N] started. “Not tryin’ to be rude. Have we… Do I know you? I didn’t catch your name and…” She asked, staring intensely at Rafe. “Is this a setup, because Wendy’s always trying to—“
“Shit, I’m sorry,” Rafe cut in, stopping. He was drunk and forgot his manners. Great impression. Rafe cleared his throat and tried not to slur. “Rafe Cameron. You probably don’t remember me… I�� You’re [Y/N] [L/N], yeah? You sat beside me in, like, fucking kindergarten and stuff.”
[Y/N] eyes widened in recognition. “Oh my god!” She gasped. “Rafe! How are you? Oh my god, you’re so tall!” [Y/N] laughed happily. Her faced buzzed warmly from the alcohol.
Rafe nodded at her amused comment. “Yeah, I’ve been busy since I was, y’know, nine.” He snorted.
“You transferred, right?”
“Yeah, Saint Mary’s.” Rafe replied. His mother’s trust had paid for catholic school after she died. He transferred out around the time he was ten.
“I can’t believe we never crossed paths again. You know Wendy from Saint Mary’s then?”
“Yep, that’s right,” Rafe paused. “Come on, lemme get you another drink. You’re the reason I didn’t fail first grade.”
[Y/N] smirked. “That’s probably true. You were an awful student.”
“Jesus Christ,” Rafe smirked. “Way to treat a guy buying you a drink,” he started his walk towards the bar, prompting [Y/N] to follow him. “You got Bailey’s or Jameson in that thing?”
The girl looked down into her nearly empty mug. “Jameson.”
“Smart girl.“ Rafe said easily. [Y/N] blushed. Even drunk, Rafe didn’t miss that expression on her face at those words. Almost too easy.
“Well, if you’re paying then tell the man to make it a double Irish too.”
“Very smart girl. I like the way you think.”
[Y/N] easily followed Rafe to the bar. The man’s broad shoulders slumped drunkenly as he cut through the crowd. When one was as large, imposing and beautiful as Rafe Cameron, crowds parted like the Red Sea. “So, uh, how are you? Did you do the whole college thing, or…?” [Y/N] asked broadly. She next to nothing about him. He wasn’t even the kind of childhood friend to get added on Instagram.
College. That was the default question at their age. Rafe hated this question, but he couldn’t let [Y/N] feel rejected for that question. “I mean, yeah. For a while. I was at Wofford for a year, but I never finished. I like what I do now, though.”
[Y/N] nodded. “And what exactly do you do?”
“Real estate development. I took over for my dad l when he passed.”
“Oh, I’m sorry to hear that.”
“Yeah, we get by,” Rafe turned to the bartender, waving a hand for his attention. “Another Maker’s Mark, neat, and a coffee with double Jameson. Put the anything else the bachelorette party orders on my tab.” Rafe said. He certainly didn’t need another drink, but he really liked having something to do with his hands. Rafe would probably have less substance abuse-related issues if he knew how to conduct his body in public in some way that wasn’t a poor impression of his father.
“Very good, Mr. Cameron.”
[Y/N] narrowed her eyes at Rafe. “Big spender… You that much of a regular that they know your name at the bar?” In her world, guys [Y/N]’s age didn’t get called ‘Mr.’ anything anywhere by anyone. The guys she knew still drank shitty PBRs in punk clubs and had girlfriends they had nothing in common with. Rafe’s polish and pedigree didn’t rub off even in such a state of intoxication.
Rafe didn’t have a good excuse. The implication of [Y/N]’s statement was accurate. “Sure,” he replied. He moved through the rest of his sentence like a gunshot to prevent an awkward conversation. “Hey, why’d you pick Hard Candy Christmas?”
“I didn’t pick it. Wendy did.”
Rafe nodded slowly. “Right. Why did she pick it for you, then?”
“Because it’s my favorite Christmas song.”
“It’s my favorite. It’s probably half of the Smoky Mountains’ favorite too. But why?”
“I didn’t realize this was hardball—“
“Please... I asked you a question about Dolly Parton. You sounded good.” Rafe responded. His drink was passed over the counter. He held it close to his chest and leaned his right elbow down to press it into the bar.
“Um, thanks. It’s… I had shitty couple years. I sang that song everyday for months at a time, I think. Wendy and I would go for these drives with the top down and just… Belt that shit out. Makes the bad days better.”
Rafe half-smiled. “So, year-round?” He said accusingly.
“The song? Like, not at Christmas?”
“Mhm.”
“Well, yeah. She says it’s like a Hard Candy Christmas, not that it is one. That’s grounds for year-round. It’s so much more than a Christmas song.” [Y/N] bit back with a smirk. The bartender returned and placed another white coffee cup and saucer in front of [Y/N] with a nod. The girl slurped a sip down without cream or sugar. She barely made a pinched expression at what was obviously a strong drink. Rafe was moderately impressed. He liked that [Y/N] was drinking brown liquor in black coffee this late on a Friday while all of her friends held White Claws and Daiquiris,
“My head hurts. This is the opposite of the Die Hard’s a Christmas movie thing.” Rafe jabbed.
“Anything can be a Christmas movie.”
“Then, so can a song.”
[Y/N] paused. “Damn.” she sighed. She wasn’t sober enough to get her arguments straight.
Rafe didn’t want to conversation to end. [Y/N] was the most intelligent person he’d spoken to all day. It wasn’t saying much, but was noticeable. He asked another question. “What’s your favorite Christmas movie, if you think that’s true?”
“American Psycho.”
“What the fuck is wrong with you? That’s not a—“
“Rewatch it. Not having this argument,” [Y/N] chided. The girl glanced over her shoulder at her friends. They were all staring at her and pretending they weren’t. “Listen Rafe, I appreciate the drink. It was really great to see you tonight. I gotta head back to Wendy now. Bachelorette party only happens once. If you’re lucky… But, hey, thank you again—“
“Ask me.”
“Ask you what?” [Y/N] asked. She had no idea where Rafe was taking this. Rafe pushed up the left sleeve of his brown sweater.
“What my favorite Christmas movie is.”
[Y/N] looked at him funny. “What’s your favorite Christmas movie?”
“Eyes Wide Shut.” Rafe replied coyly.
“What’s wrong with me? What’s wrong with you?” [Y/N] smiled fully, finally. Rafe damn near smiled back. She took a small step away, gesturing to where her friends stood.
“Can I give you my card? Maybe we catch up sometime.” Rafe asked plainly.
“Yeah, maybe!”
Rafe pulled his business card out of his wallet and extended it to [Y/N]. She looked down at it, cheekily saying: “Let’s see Paul Allen’s business card…” her eyes widened at the writing on the card. “CEO? Of a development company? THE development company on the island.”
“I told you I took over my dad’s business.”
“Rafe, I… I’m barely a grant writer at a 501-c3. How are you a CEO… You’re… twenty-three?”
“Twenty-four two weeks ago.”
“Happy birthday,” [Y/N] said flatly. “What’s happening? Why are you talking to me?”
“Because you helped me pass first grade. I thought I already said that.” Rafe’s eyes never left hers. They were so blue. Too blue. Too blue to be real. Rich people were too pretty.
[Y/N] took a very long sip of her coffee. “That’s wild. I’m sorry, but that’s wild. You made me feel vastly inferior and I’m the friend with my shit the most together.” [Y/N] told Rafe, with a smile on her face.
“I know you gotta get back. I’m not gonna the asshole that kept the girls waiting, but call me. Listen, you’re pretty, so is your voice. We should catch up.” Rafe said. Was he asking her out? That was weird. That was weird, right?
Hesitantly, [Y/N] looked back at her friends again. They were too invested in her conversation with Rafe. Hopefully, they would all drink so much that they forgot it happened.
“Do you like karaoke, Rafe?” [Y/N] changed the subject.
“I hate it.” He replied instantly.
“Why are you here?”
Rafe gestured with his glass to where Topper and Ruthie were making out. “They gave me a ride. And you don’t seem too keen about it either.” He said with a shrug.
[Y/N] couldn’t figure out what Rafe’s game was. He had turned from an unsettling child to a freakish adult. He was blunt and brisk, and either frustratingly honest or an alarmingly good liar. Maybe both. She stared up at him.
“What?”
“What?” Rafe raised an eyebrow.
“Okay, I’m gonna go. It was good to see you. Thanks for the drinks,” [Y/N] took a step back. She started to walk away slightly, still facing Rafe. A looked of what could be interrupted as self-loathing crossed Rafe’s face. He didn’t bullshit enough with her during the conversation to be perceived as likable, and she was leaving. Of course. Nobody liked Rafe when they actually knew Rafe. [Y/N] stopped, thinking. “Rafe?”
“Yeah?” His eyes slid back to her.
“Can you do something for me?”
“Maybe?”
He was going to say no, but it would serve as a litmus test for what kind of man Rafe was. It would help [Y/N] sleep easier to know what kind of bullet she dodged by losing Rafe’s business card after tonight. “Okay, we have a scavenger hunt thing for the party. It’s stupid. One of those… Do X number of shots, get someone to give you a BLANK, take a picture of three of you doing… whatever. Y’know?”
“Sure, yeah. What are you asking?”
“One of the items on the list is Maid of Honor and a stranger accomplish a task she’ll regret tomorrow. Like I said, it’s a trashy fuckin’ list.”
“Are you asking me to hookup with you, or…”
“Worse. Do you know the song Don’t Go Breaking My Heart by—“
“Absolutely not—“
“Let me finish. I said do you know the song Don’t Go—“
“I don’t do karaoke.” Rafe said forcefully.
“Do you want to go out on a date with me, or not?”
Rafe was stunned silent. His mind worked overtime. He suddenly felt extremely sober, in spite of his drunkenness. He sucked his teeth.
“I don’t do Elton John. Sorry.” He muttered finally.
[Y/N] nodded, knowingly. It was a setup anyway. She couldn’t be disappointed. She knew he’d refuse and she could leave knowing she had made the right choice ditching him. “That’s a’right. Maybe some other—“
“But, if you really want me to do this, let’s at least stick to the Christmas thing you’ve got going here.”
“You don’t look very… holly jolly.”
“Ho, ho, ho,” he deadpanned. Rafe was the strangest combination. “Stop givin’ me grief here. Your favorite Christmas movie is American Psycho. Let’s do Baby, It’s Cold Outside—“
“Whoa, waaaay too rapey.” [Y/N] protested.
“American. Psycho. How is that song—“
“Wait, do you know Fa—“
“Fairytale of New York?” Rafe finished.
“You know it?”
“My family’s Irish Catholic.”
They both stood still and looked at each other. Well, Rafe stood as still as he could, but swayed a little on his feet. He wasn’t thinking clearly. Why was he agreeing to this?
For as manipulative as Rafe Cameron could be, he was effortless to play for validation and a pretty pair of eyes looking back at him.
Everyone leaves eventually, Rafe reminded himself. His mouth and his brain were not in agreement. Rafe had lost control of his body as he blindly followed [Y/N] to sign up for the next karaoke slot.
They passed Topper and Rafe held onto his glass like an anchor. He should have switched to beer. Why did he have another bourbon? Topper pulled his face away from Ruthie long enough to look at Rafe as if to say what the fuck are you doing? without any words. Rafe grimaced at Topper, barring his teeth slightly in response.
Rafe leaned in to [Y/N]’s ear and clumsily pushed her hair back. “I’m not a singer… This isn’t gonna be good.” He whispered. Chills crept up [Y/N]’s spine at the sensation of his breath. He knew his way around rhythm and music theory. Rafe was an asshole about music, actually. Jazz, classical, whatever. It was his secret no one else got to have. It’s not his fault that most of the motherfuckers he hung out with only listened to guys with the word ‘yung’ in front of their names. Still, all of that musicality couldn’t make him a singer.
“It’s karaoke.” [Y/N] said like it was obvious. She dragged Rafe towards the stage. “You’re so serious… Stop frowning; you’re gonna get lines on your face. We’re both gonna suck. I wouldn’t make you do this if it wasn’t for Wendy anyway. Promise.”
“This is so dumb; this better be some fucking date…”
[Y/N] pried, with difficulty, the rocks glass out of Rafe’s fingers and set it with her mug on a tabletop by the stage. As she pulled him up to a microphone, she said: “You know the words. Sing the damn song.”
And as the track started to play, and [Y/N] stupid friends all cheered, Rafe slurred the words he knew from every drunken family Christmas party he’d ever had. And he smiled. Just a little.
#rafe cameron x reader#rafe x reader#rafe imagine#rafe obx#rafe cameron#outer banks#christmas fic#holiday fic#obx#pope heyward#john b routledge#jj maybank
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