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rivetgoth · 5 months ago

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The fact that I’ve seen a few people try to analyze I Saw the TV Glow through a lens of it being about like, fandom and obsession with media and nostalgia being bad ?? is genuinely blowing my mind. Obviously there’s the fact that this movie is as unambiguously about being trans as it can possibly be without just saying outright “this is a movie about being trans” but I also think this is crazy because I would say it actually has one of the most unambiguously positive relationships with concepts like “media consumption” and “nostalgia” that I’ve seen in a movie.

Like, to say it’s a shallow interpretation of the film to call it “about media/fandom” (and especially a negative depiction of such things!) is putting it quite kindly because I kind of feel that anyone who utters such sentiments didn’t actually understand the core element of the entire movie: “The Pink Opaque” is not a show. Commentary the film makes about watching “The Pink Opaque” cannot translate to commentary on watching shows broadly because the movie spends half its runtime making it explicitly clear that “The Pink Opaque” may be a show that exists in a literal sense but is not one in a figurative sense. “The Pink Opaque” represents the possibilities of childhood and innocence. Innocence that still is not free from judgment—Owen gets told the show is for girls, Maddy’s friend accuses her of sexual harassment on account of her sexuality while they were watching it together—but it’s the moment in your youth (or any time! it doesn’t have to go away!) when the possibility of queerness and more explicitly queer utopia feels real to you. The external pressures to conform are still there but you can tune them out if just for a moment to envision a future and a life for yourself free of it and living authentically. I think this is an experience all LGBT people can relate to, but in the case of ISTTVG it’s very explicitly primarily focusing on queer femininity, predominantly transfemininity, but in Maddy’s case as well she is a queer woman (I’ve seen some interpretations of her as transmasculine but I disagree personally). Hence the on-the-nose nature of it being PINK.

What feels very genius about Schoenbrun making it about a show though is that it’s so generational, right? For all of us LGBT people who grew up in the age of screens that WAS where a lot of that early imagination going wild resided. The first time you explore a new name is on anonymous forums. The first time you explore your masculinity or femininity is with which character you relate to in a show, or which gender you select in Pokémon. Movies and shows with “queer subtext” or even without give young LGBT people the chance to envision relationships and futures for themselves, what many grow up and call “shipping.” You have your first gay crush while watching your favorite movies. You envy those of your true gender while watching your favorite movies. Amongst many other things when Maddy watches “The Pink Opaque” she’s given access to a world where two women share this intimate connection and overcome obstacles together. When Owen watches “The Pink Opaque” they’re given access to a world where femininity is a real option for their future.

The relationship these characters have to “The Pink Opaque” is a net positive and the movie makes that so incredibly obvious when Owen goes back to rewatch it later and finds that it’s nothing like how they remembered, it feels childish and immature and dumb. That is a bad thing. This is a bad thing. The movie wants you to see this as a bad thing. This is the result of repression, of conversion therapy, of violent coercion into normative lifestyle—That sense of limitless possibility is destroyed and the idea of accessing one’s transness, of imagining this utopia where you CAN be yourself and live as a woman, strong and beautiful on the other side of the screen as said in the film, is lost. Now you tell yourself it feels silly, it feels childish to imagine such things, it’s not nearly as deep and meaningful as you believed it was when you were younger and less inhibited, or it’s at the very least easier to tell yourself that. Owen’s feeling embarrassed is of note here. If it weren’t for these external pressures that have been internalized they very well may have been able to still enjoy the show, even as they’ve aged and grown and matured, even if their perspective has changed a little. But they can’t. Not yet, at least.

I feel kind of out of my mind seeing people try to approach it through a lens of commentating on media consumption because it’s so deeply missing the layers of what’s actually being said… and not even in a wildly obfuscated way. The movie is ABOUT the relationship these characters have to “The Pink Opaque” and how the loss of that is a bad thing. How you can possibly watch it and see it being about some kind of growth from obsessive media consumption is mind boggling to me. Seeing multiple reviews and posts in tags about it is crazy. One thing I really like about this movie is that it so confidently argues for a more positive interpretation of being obsessed with “fantasy” and the childlike wonder of the limitless possibilities of fiction. I think that’s a very very trans narrative, as I mentioned it feels tied deeply into Queer Utopia, and I find it much more bold of a stance to take. In a world where people tell trans individuals (and especially trans women) that their identities are works of fiction or products of the imagination or even caused by excessive media consumption, to embrace these things and turn them over and use them as a symbol of the whimsy and innocence and excitement that first ignites that spark as a positive, thrilling, beautiful thing is very cool.

#sorry for writing so much about this I am not immune to this movie #i saw the tv glow

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gabessquishytum · 6 days ago

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Hi there! I don't know if anyone else in this fandom is as Unhinged about the 1912 novel Daddy-Long-Legs as I am but it has the PERFECT setup for a Dreamling AU and I need to share. (This got SO long, apologies in advance.)

So Hob's an orphan. Has lived his whole life in a fairly dismal orphanage- normally the kids there get either adopted or kicked out in their mid-teens, but he's been allowed to stay to age 18 because he's been such a help with chores around the building/with the other kids (in other words, he's been used as free labor).

And he's staring down a pretty dismal future- no matter how "generous" the people in charge of this orphanage were letting him stay on, they really can't justify letting a full-grown adult stick around, and he's about to be kicked out into the wide world with no money and no connections.

And then the orphanage hosts a dinner for its trustees, and two of the younger trustees (a pair of siblings) somehow get their hands on a little speech Hob wrote. The speech is mostly making fun the trustees as a group and the "orphanage hosts a dinner so a bunch of children can Properly Express Gratitude and thus earn money for clothes and food and shelter" of it all. It's not terribly polished, mostly just Hob expressing his resentment, but there's a stubborn little current of hope running through the thing.

Death is charmed. Dream is not. Death decides she's going to use the family money to pay for Hob to attend college, and ropes Dream into the plan. Dream ends up agreeing to meet with Hob occasionally (Death pitches it as 'I think you should get to know him before passing judgment', Dream agrees because 'I will meet with him and prove to you that this is a bad idea', and then ends up continuing to meet with Hob because he finds him fascinating.)

Hob knows nothing of this. He just gets told by the director of the orphanage that one of the trustees will pay his tuition, on the grounds that he meet once a month with the trustee's representative. Hob is ecstatic.

(In the books it's letters, not meetings, and the main character writes letters to her benefactor while also getting to know him in person, not realizing they're both the same man. Which could be an interesting angle but I am sticking with closer-to-Sandman-canon for the moment)

So Hob spends his first few months at college having the time of his life, having all these experiences he's never gotten to have like "his own room" and "clothes that aren't hand-me-downs" and "playing A Sport". He meets with Dream the first time and spends it telling Dream how exciting and wonderful it is having heater in his bedroom and playing cards with his dorm-mates. Dream is a little stupefied that he can find so much pleasure in something so mundane. And then Hob starts talking about his work with the school newspaper, just as enthusiastically if with a certain degree of "this will never go anywhere" sheepishness. Dream, reluctantly, is charmed.

They keep meeting over the course of Hob's time at college. Hob is keeping quiet to his new friends about how he grew up, so Dream is the only one who knows, and the only one Hob talks to about how lonely it is not having family to write him letters and see him for holidays. Dream actually finds himself opening up to Hob in turn (although he leaves out the bit where he is related to Hob's benefactor, not just a coworker.)

The meetings become less "Hob gives a progress report about his degree" and more "they're meeting for the sake of seeing each other" as the years go on. It's a very gradual change- the meetings go from mostly just Hob talking, to Dream offering him advice, to more and more of a conversation. Hob opens up about how grim his childhood was and Dream finds himself opening up in turn. They initially meet up in some on-campus meeting room, then move to various cafes and restaurants in the area, and then to Dream just taking Hob to see various museums and plays he never had the chance to experience before. Eventually he like. Invites Hob to stay with him over the summer, since Hob has nowhere else to go.

And Hob thought Dream was gorgeous from the moment he saw him, obviously, and only falls harder and harder as they get closer. But for all that their meetings have started to become more and more like dates, Dream's never once made a move. They have, however, been in situations where it very much seemed like Dream was about to make a move, and then all of a sudden got ridiculously, chaperone-formal. So that's confusing.

Meanwhile, Dream is falling more and more in love with every conversation, but he's convinced himself that His Love Is Poison and Hob deserves better than him. He's not. Good at staying away from Hob, though- at this point he is entirely just meeting up with Hob because he likes him, it has nothing to do with the Mysterious Benefactor thing, and yes, Hob has managed to coax this piece of information out of him.

And as this is going on, Hob's started getting gifts from his Mysterious Benefactor. At first it was just a "his tuition and living expenses are paid" deal, but then after he gets sick and has to miss a meeting with Dream, his benefactor sends him flowers. And after that the gifts start to pick up, a piece of jewelry here, an interesting book there, until Hob is being showered with gifts at all times- clothes, food, supplies for whatever weird hobby he's picked up this month, you name it. It's always something relevant to his interests, but in a vague enough way that he assumes Dream's been mentioning "oh yes, Hob's decided he's into soap carving now" to his benefactor every so often. And Dream is fairly scrupulous about asking, on the benefactor's behalf, if he likes whatever gift, so clearly that's how this mysterious person is getting an idea of his tastes.

(Dream is sending the gifts himself, with his own money. He thought that would be an outlet for his feelings while still keeping some distance between him and Hob. It did not work!)

And then, just after Hob's graduation, he suggests to Dream that they start officially dating/courting/just get married, and Dream turns him down (because Hob deserves better than him, although he doesn't give Hob that explanation, just a refusal).

They each go off to nurse a broken heart.

Hob had only officially met Death, and been introduced to her as his benefactor, at his graduation, but they keep talking afterwards, which means that Death eventually works out that Dream had been spending a lot more time with Hob than she'd ever expected, and apparently? Had been buying Hob gifts? As her?????

So she confronts Dream about that whole deal, Dream admits to her that yes, he's in love with Hob, but Hob deserves better than him, will be happier without him, and she's like "yeah you're very wrong there I talked to him a few days ago he is miserable without you." And maybe, to keep with the book, she mentions that Hob got injured in some sort of stupid accident recently.

Dream drops everything he's been doing to go to Hob and apologize. Hob's got like. A broken arm or something, but Dream was expecting the worst and there is a tear-streaked reunion.

And then Dream admits to who he is, that he's the one who's been buying Hob all the gifts, that he does love Hob, he does want a relationship with him, if Hob can find it in himself to take him back...

He doesn't finish explaining before Hob tells him of course he does, he'd have waited for Dream for centuries.

And they live happily ever after and found an orphanage that actually treats the orphans well the end.

Anon this is adorable 🥹🥹 and you gave me a new story to add to my reading list! I love stories that are made up wholly or partly of letters, I think it's such a wonderful way to construct a narrative and I WISH contemporary authors used the style more often! I think that the letters from Hob’s pov would be so funny, as he experiences all kinds of new things and shows Dream a new perspective on the world.

Keeping with the story, it would be very funny if Hob cheekily addresses his benefactor as "daddy". This makes Dream very flustered, and of course Hob keeps on calling him that after they're together. It still makes Dream blush!

Thank you for telling us this story, anon, I think you've created a delightful little drabble here. I'm so glad that you shared it with us!

#the sandman #dreamling

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lo-fi-charming · 10 months ago

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so i've been keeping up with TMP as it's airing, which has been fun, it's actually really nice to experience this kind of story weekly since i came into TMA late and listened up to the s4 finale in like, a month or two. i've been enjoying the new characters and statements, and while i was worried i'd have trouble actively listening (my attention span/executive functioning can be really variable when it comes to podcasts), it's been surprisingly easy for me to actually listen to each new ep the day it drops publicly

all this to say im enjoying the show! but i've found myself feeling increasingly frustrated with a couple things i keep seeing when it comes to discussions of it

to me, it seems... there's been a pervasive reluctance to take TMP as what it is. and i do understand that. it'd be stupid to pretend TMP doesn't exist exclusively because of TMA and that show's success, that it's a successor that was pitched as being similar. it's a story being written by the same people (plus guests), in the same universe (roughly), going for about the same tone and maybe themes.

i just feel like it's a bit of a shame, though, that so many folks seem unwilling not to carry TMA with them when they're engaging with TMP

i don't know where or when it was said, but i swear there was a comment made by jonny and/or alex about how TMP will have some commonality with TMA in terms of world-building, but also, people who listened to TMA first may find themselves theorizing in the wrong direction because we're judging things based off what is no longer concrete, reliable information; things are going to work differently in the world of TMP, and since we have preconceived notions on what is relevant or how things work, that's going to influence how we engage with information presented in TMP if we let it. and that's not even considering the fact that they've been explicit in conveying the idea that TMP was written so you can experience it fully without having listened to any of TMA at all!

i'm very much someone who tries to engage with media on its own terms, largely taking things at face value until i'm given reason to suspect otherwise. that's something i'm trying my best to still do with TMP, even though obviously, i've also listened to TMA and am basing some of my thoughts and personal theories on what we know from that

but that's what i mean to say i guess, it's something you have to actively choose to do. and it feels like, just based on what i've been seeing in fandom spaces, that a lot of people are having a bit of an odd time with TMP because of a reluctance to do that?

i think the easiest way to explain what i mean is to point to a general acceptance, already on the level of fanon it seems, to interpret the computer voices as Our Jon and Martin (+ Jonah/Elias, maybe). now obviously we have the actual real world reason why their voices are present in TMP, because of course jonny and alex were going to come back as voices in the show in some way. and i 100% agree it's a perfectly logical conclusion to then interpret their inclusion as being related to Jon and Martin somehow. i'm personally very into the theory that it is in no way them - not in any way that matters - but specifically their voices that have been stolen (by the Web?) as a means to help spread fears in other realities. but that's really not how i've been seeing people play with the concept? it seems largely 1:1. and again, i totally understand where people are coming from with that - especially when you consider how it can be a super fun concept for horror and angst, or even just the fact that folks want an excuse to carry their favorite characters into this new show and still play around with them. i promise i don't mean to bring this up as a means of making anyone feel bad or like, chastised for interpreting things a certain way and playing in the space!

it's the biggest example of what i mean though, and was a huge point of frustration for me when we were first being presented with TMP. it's not just that i don't want the voices to be Jon and Martin proper (i am very into their Ambiguous End, i believe it's best to leave that as a space for fans to play in); in all honesty, i think it's kind of a shame and maybe even a bit boring (im sorry!) to be engaging with TMP this way

and it's not just stuff like that - i've been seeing a fair amount of people expressing frustration and feeling disappointed with how TMP is hitting, but i mean, i feel like that's inevitable when you're going into it expecting More TMA? i saw at least one person basically say "ive been waiting for it to make me feel the way TMA made me feel, and it hasn't yet", and i really just feel like that's setting yourself up to be dissatisfied! beyond the fact that we're only 5 episodes in and the story has barely gotten a chance to happen yet, a huge element of this new show is that it's being approached as a largely collaborative effort, it seems, with lots of guests coming in to help shape the story and more writing and plotting influence that isn't jonny

obviously it's fine to not be super into that! undoubtedly it's a question of taste. but you do have to acknowledge that that's the case and adjust your expectations accordingly, or else you're not going to have a great time

i really like TMA, i had a great time with it, but even if TMP is a sequel to its parent podcast, it's not the same thing - and personally, i don't want it to be! i do hope that's a sentiment that is able to be more widely felt by some fans as we gain more distance from TMA while TMP is airing. i just think more people would be able to enjoy it that way, and come up with more interesting theories and interpretations of things! but those are really just my own personal thoughts

#endlesschatter #tmagp #i just needed to express some of this #it's a bit tricky tho esp with the voices as jmart thing bc a lot of my buddies and pals are playing in that space #and i hate to sound like im vagueing or complaining i swear im not ;lskdjfljk it is truly so unserious in the end #it's just very much not my interpretation or desire to see canonized in any way #though i cant deny some of the arguments made in favor of that interpretation are compelling #and i mean if it's the case in canon! not like im gonna be mad at folks for calling it!!#might not be my favorite angle but could still be plenty fun!#but also yes yeah i just wrote a lot of words down just to say i think it might be nice. if.#the fandom at large didn't try putting a coat of TMA paint over TMP and interpreting everything that happens in a TMA-colored lens

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princessjadyn15 · 1 month ago

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ok I didn’t really want to make another post about Dark Beginnings since I’ve already made/rebloged a lot of posts related to it but I now feel like doing it since I recently saw someone make a dumb comment about it (they were probably saying it to get attention and rage bait or something but whatever I feel like this is an interesting analysis to do)

“its been 50 years, she's gone, get over it”

There’s just a lot wrong with this take

For 50 of those years he was in a stasis sleep. So to him Maria’s death and the trauma he went through when it happened was pretty recent, I don’t really know how much time has past between sonic adventure 2 and sonic x shadow generations but I’m gonna assume it’s been a couple years (one thing I do want to mention that I feel is a important point is that professor Gerald altered Shadow’s memories after Maria’s death, so that itself is already pretty traumatic considering Shadow probably trusted him during his time living on the ark)

he is going to the ark AKA the place where he experienced his trauma. Now this is kinda based on something someone else said but supposedly the last time he went to the Ark was in the Shadow the Hedgehog game, and he still kinda lost some of his memories. Now he is going back to ark Ark after pretty much recovering all his memories, even his painful ones

he is going up against Black Doom. The main reason he is going back to the ark is because he suspects that the black arms and Black Doom have returned, now I haven’t played the Shadow the Hedgehog game but from what I heard Black Doom was a very evil character, he took advantage of Shadow since he lost his memories and used him to get the chaos emeralds. Not only that but technically Black Doom is Shadow’s biological father since he was created using his DNA (Shadow has never actually called Black Doom father, at least as far as I know). And finally

PEOPLE 👏 EXPERIENCE 👏 TRAUMA 👏 DIFFERENTLY 👏 Now I’m going get slightly personal but as someone who has experienced something traumatic before (not as bad as Shadow’s and it’s different from what happened to him) just because you have moved on doesn’t mean the trauma is just gone, honestly as I was reading some analysis on the episode I for a moment actually thought about what I’ve been through and realized I kinda related to shadow in that moment (which is probably one of the reasons I cried), while I have moved on from what happened the trauma is still there and I may have moments where I remember it and feel sad about it, that’s kinda what was happening with Shadow, he was being reminded of the trauma on a big scale. The first episode was him have a “nightmare” of his trauma and now he has to go back to the ark and face Black Doom, and those visions of him thinking about the life he and Maria could of have, of course he is gonna have a small panic attack, I’ve even seen some people connect the scene with PTSD.

a bit of a bonus but I wanted to link this tweet that kinda inspired me to make this analysis in the first place. Some of the comments under the post are quite interesting and make a few good points

now I do want to point out that I’m still new to the Sonic fandom so it’s possible that some of things I’ve mentioned might of been incorrect or that I might of missed a few important parts, if that is the case I do apologize (I also apologize if there are any grammatical errors as well, I literally made this whole thing at like 9:30pm so I should be in bed lol)

#shadow the hedgehog #shadow dark beginnings #sonic x shadow dark beginnings #dark beginnings #might as well tag some of the characters that are mentioned here #maria robotnik #gerald robotnik #black doom #sonic the hedgehog #sonic x shadow generations dark beginnings #sonic x shadow generations #Also if you are worried about the traumatic event i mentioned that happened to me #Please don’t worry about it #It happened to me years ago plus I rather not bring it up here in my blog since it quite personal to me

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milliebobbyflay · 1 year ago

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Okay so I've spent a while thinking about how to word my actual problem with homestuck 2, and the works that make up post-canon homestuck more broadly. I think a lot of people resort to nitpicking bits of awkward writing or art in some attempt to pinpoint a source to an underlying sort of hollow uncanniness, which is funny because homestuck's supposed golden age of acts 1-5 are themselves FAR more of a tonally inconsistent mess of odd character beats, jokes that don't always land, and janky looking art.

Homestuck 2 has been written and drawn by very talented and passionate artists from the beginning, I think the actual issue comes down to a mix between the general pitfalls of hiring fans and the particulars of hussie's outsider background and unorthodox writing style.

First is the issue of hiring fans in general; while it can seem like an easy shortcut to finding talented writers already familiar with the voice and story of the original work, you have to be very aware of how fan culture operates. Beyond the obvious pitfalls that fans are unlikely to approach the story from a detached perspective, there is the larger issue that past a certain point fandom becomes essentially self sustaining. Once a fandom has existed for a long enough period, its most avid members have likely spent FAR more time engaging with other fan works than they have with the original art object. Fandom and the art it produces are, in this way, a sort of a folk tradition; artists are imitating and responding to other artists, characters become archetypes through which to explore certain ideas and dynamics, and the values and tastes of the most prolific and influential fan artists become as inseparable from a participants mental image of the character as the original work itself.

For an example, the affected theatrical mannerisms and cruelty Vriska adopts while in her Mindfang persona have become inseparable from the popular view of the character. Despite the fact that it's heavily signposted as a sort of role playing performance from the jump and she's more or less dropped it by the back half of the comic, it was nevertheless how she had acted in the bulk of her scenes around the time the ur-texts of homestuck fandom were being written, and as so an understandable misread of a character became inscribed into the fandom canon, and by extension her characterization in Homestuck 2.

All of this is extrapolated by the sort of unorthdox, building-the-plane-while-flying-it manner in which Hussie's writing style developed.

Based on his commentary, I get the sense that Andrew is an incredibly clever and thoughtful writer who lacks the theory and vocabulary to precisely describe his process. He tends to communicate in sort of abstract metaphors which aim to bridge the gap in explaining the actual conscious process he uses to plot his stories, but the way he talks about technical nuts and bolts writing craft stuff gives me the impression that his approach is largely intuitive, bordering on unconscious. He's a lot better at describing how he writes than what he writes or why.

You can of course piece a lot this together—his approach to art draws from the tradition of videogame spritework, where the visuals exist as a utilitarian vehicle for conveying information first and a work of illustration only inasmuch is needed to serve the greater story. His character writing draws more from a synthesis of literary fiction, sitcom writing, and "making up a guy" style posting humor, where characters are defined more by their life experiences and underlying psychology than by their goals and values, but also seem to have largely been constructed backwards from a starting point of a funny or interesting manner of speaking. Importantly though, I don't get the sense that these were conscious decisions, just that to Hussie they seemed like the logical way to approach these tasks, and I don't really think he could outline them in a way that would actually help a new team of creators grok how to draw and write in a way that feels like homestuck. I also don't think Hussie could actually explain the psychology that undergirds his character writing, I think he was mostly just drawing on his own life experience and imagining how this sort of character might logically speak and act.

As a novelist, and Hussie is one, both your thought processes and the sum total of your worldview and life experience are just as important to your work as the actual conscious decisions you're making, and I think that where there are gaps in understanding, the new writers are filling in the gaps with both a more conventional approach to the creative process and over a decade of accumulated fanon, and I think that's why homestuck 2 never really rises above feeling like a very well-made fanfic to me?

#homestuck #homestuck meta #homestuck 2 #hom3stuck #homestuck^2 #loooooooongpost #vriska #vriska serket

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tsumuus · 3 months ago

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₊✩‧₊˚ 555 follower event ! ˚₊✩‧₊

i just wanna start off by saying tysmmm for even being able to reach this many followers😭!!!!!! i never would have thought my silly little stories would have even gotten as much engagement as they have been. truly so shocked. even tho ive started my senior year and my schedule is starting to fill up i really want to free up some time to do this event for you guys. ive received nothing but support and encouragement from you all and its more then i could have ever asked for! <3

as for the actual event itself, i really don't have a theme, i just want to give you guys a chance to request anything that you'd like (just don't be weird and keep it pg, im 16😓).

this event will last from 9.2.24-9.23.24! feel free to start sending in requests beforehand so i can plan accordingly!

i typically write for mha and hq, but i am willing to write for other fandoms. just ask in your request the character, and if i write it, just depends on whether ive seen that show or not lol!

(follow my first tag to stay updated with this event !)

reblogs are always appreciated <3 !

prompts and event masterlist under the cut !

₊✩‧₊˚ prompts ! ˚₊✩‧₊

prompt #1: love languages

in your request, send the character of your choice, your top love language, + any other specific details you'd like me to incorporate

here are some fics i've alr written that follow this prompt: physical touch w bakugou; words of affirmation w kirishima

prompt #2: dialogue/quotes

in your request, send the character of your choice, and any sort of dialogue or quote or something of the sort

examples:

"im not in love with you anymore" "i didnt know you ever were"

"you were everything" "you were a wonderful experience"

"i would've been there for you, through everything" "i thought you knew"

(yes i know these are all tiktok sounds idc its all i could think of)

prompt #3: song lyrics

very similar to prompt #2. in your request, send the character of your choice and any song lyric or song in general you'd want me to incorporate

ive written a good amount of these before but i never really liked how most of them turned out, yet here are a few of my favorites: falling behind, bakugou; pleaser, kaminari; reflections, atsumu

prompt #4: character matchup!

this is something new that i havent tried doing before. in your request, answer the following questions, and add any details you think i should know to help me figure out your perfect match! if you request this prompt i'd prefer you don't do it annomous but it’s up to you!!

questions:

what fandom/anime(like mha or hq) do you want the character i match you up with to be from? would you prefer a character whos male, female, or do you have no preference?

romantic or platanoic matchup?

describe your personality.

your top love languages.

your hobbies/pastimes.

and anything else about you i need to know!!

please be kind and patient with me as i try to figure out and plan everything accordingly thatll also not interfere too much with my schedule! any hate or negativity will result in you getting blocked! that being said, i also dont want to have to deny or delete any requests but my creativity does run out and i do get hit with writers block sometimes so if your request for prompts #1-3 happen to not be working w my brain capacity(???) im sorryyyyy!!

₊✩‧₊˚ event masterlist ! ˚₊✩‧₊

prompt #1: love languages

₊✩‧₊˚ akinori konoha + acts of service ! ˚₊✩‧₊

₊✩‧₊˚ tenya iida + quality time ! ˚₊✩‧₊

₊✩‧₊˚ hitoshi shinsou + physical touch ! ˚₊✩‧₊

₊✩‧₊˚ keiji akaashi + words of affirmation ! ˚₊✩‧₊

₊✩‧₊˚ katsuki bakugou + acts of service ! ˚₊✩‧₊

prompt #2: dialogue/quotes

₊✩‧₊˚ toru oikawa + “you don’t hate me” “i could never hate you” ! ˚₊✩‧₊

₊✩‧₊˚ neito monoma + "im not in love with you anymore" "i never knew you were" ! ˚₊✩‧₊

₊✩‧₊˚ katsuki bakugou + “i wanted her to look at me, but she couldn’t pull her eyes away from you and your stupid hair’ ˚₊✩‧₊

prompt #3: song lyrics

₊✩‧₊˚ izuku midoriya + sailor song ! ˚₊✩‧₊

prompt #4: character matchup!

₊✩‧₊˚ matchup #1 ! ˚₊✩‧₊

₊✩‧₊˚ matchup #2 ! ˚₊✩‧₊

₊✩‧₊˚ matchup #3 ! ˚₊✩‧₊

₊✩‧₊˚ matchup #4 ! ˚₊✩‧₊

₊✩‧₊˚ matchup #5 ! ˚₊✩‧₊

₊✩‧₊˚ matchup #6 ! ˚₊✩‧₊

₊✩‧₊˚ matchup #7 ! ˚₊✩‧₊

₊✩‧₊˚ matchup #8 ! ˚₊✩‧₊

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valyrfia · 6 months ago

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I mean this the nicest way possible but have you considered the fact that you just .. hate RPF? Wich is fine, like you said it's a gray area. It's not everyone's cup of tea, actually! It's not even mine because I actually came across those trailers you said! And I instantly went "ew wtf" and I clicked not interested, and then I another showed up, and clicked not interested, and then the algorithm went ok got it, and it's been a while thankfully, that hasn't showed up. So, what I mean is, there is content in the internet that is weird, that's for sure, but there's like... Ways to avoid it? And the way that this has been a persistent subject in your blog in such a deep way makes me think that you suffer it more than anyone, wich is fine but just, don't look at it anymore? I don't know what to say honestly because, again no to be rude but youre making the MOST out of it. And it's like you're treating fandom culture like this deep dark secret when its as public as it can be and I promise you the most a person can do is feel weirded out and mute that content, and hope it doesn't show up.! But for example, I hate povs content, and that has to be the most persistent content I've seen so far on F1, full of "you're the wife/girl/sister" blah blah and I'm a lesbian, I've clicked not interested so many times I lost count and IT KEPT showing up (until i figured muting y/n, driver x reader helps) so if it keeps you more calm there are ways to avoid content you dont like!

I get where you’re going with this but also, nah. I’ve always loved RPF and will keep consuming it whenever I can. I just make a big stink out of seeing it outside of tumblr and ao3 because of algorithms and the way I was taught to interact with RPF about fifteen years ago in which….these things have to stay within their intended circles at all costs. This is back when fandom content was not cool and mainstream and unless you kept your fandom life and your actual life very separate you get bullied to hell for it. Now, I often feel like the pendulum has swung a little too far the other way and there’s such a massive influx of new people because fandom culture is trendy that fandom etiquette is starting to collapse. The treatment of RPF being one of them.

RPF differs from POV content in two ways. The first is that POV content is a little more accepted than RPF in the general consciousness, usually because it’s het but also because it’s very obvious this is a self insert fantasy which while I imagine is awkward for drivers to see, can be easily laughed off as being so obviously just a fantasy. RPF on the other hand builds off of pre-existing relationships and lore and is usually slash, which already introduces an awkward element (and you can say the men shouldn’t have toxic masculinity all you like, it’s not just them that’s the issue it’s everyone who perceives them and the content), also it’s more difficult because people DO talk about these pairings platonically. In order to not experience Lestappen on my tiktok FYP, I can’t interact with any video that mentions those two in the same breath ever because the algorithm will eventually push me ship content even if I don’t want to see it and I click not interested. This happens over and over again.

I love RPF which am just on super high alert about RPF safe spaces being breached because I know from lived experience that it doesn’t bode well. This is also just personally not the way I was taught to interact with fandom, and again I’ve seen enough shit in my time to understand why that etiquette had to be enforced.

#anon #asks #keep RPF on tumblr discourse #there’s generally a breakdown of fandom etiquette and RPF popping up everywhere is a symptom of that I could talk for hours but

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ilgaksu · 9 months ago

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i will now be referring to this situation as weimargate, because i must laugh or i will dissolve into the void.

aka i have had a VERY weird experience of it in fandom lately, and it has escalated to memes in lieu of interpretative dance*, but also i want to talk about it because i think, in more general terms, it's relevant for discussion about how fandom is evolving.

(*as illustrated by @difeisheng because i am personally intimidated by photoshop. interpretative dance would've only had me to blame.)

so. hi! if you don't know me, i am an ao3 writer who goes by the pen name ilgaksu. i have 179 fics on my ao3 account, and of those, 46 of these are for DMBJ or grave robber's chronicles. i've been writing in this fandom for roughly three years, which means according to the laws of mathematics and my own inability to stop posting about my favourite blorbos, that's a new fic every 3.39 weeks. i have not counted chapter updates in this count, but given several have multiple chapters, i think we can see there's....a lot. one ongoing series is currently sitting at about 200k, word-count wise. i like to write, overall, about disability, reclamation, legacy and memory. i also overuse semi-colons.

i am also a very private person at this point in my fandom career. this will be the first post i've made in a while talking about myself where i have allowed there to be reblogs on it. this isn't intended as an affront to anyone else in fandom. my ask box is open, sans anon, and in the last few years, i chose to reply to every comment i could to make sure i still get to engage about the characters i love without compromising my own desire for privacy about my personal life. i choose to work under an explicit persona - because we all do on the internet but i have made mine obvious and enunciated and almost a brand - because i think there is something freeing about allowing myself that experience. it's allowed me to write work that i relate to deeply without having to divulge my life to be analysed by strangers on the internet. generally, i like to post my silly little stories, talk to people about them, and then go about my day offline.

anyway, so this week, i seriously considered walking away wholesale from my current fandom, and i'd actually like to talk about why, and talk about me as a person as opposed to the narrative of persona that i've crafted.

because the reality of a persona is that a real, living person is required to animate it. if i am the person who is small and human and anxious to even speak about this, then i am also the reason the operation is running. it's a one-man show. as much as i want my work to speak for itself without my need to justify its meaning or worth, without my experiences, research and choices about my time, the work would not exist. that's just fact. it's fact for every writer and artist and podficcer and person who labours out of love you see. i also deliberately consider myself a writer as opposed to a content creator, because i believe that label mimics a wider culture i have no interest in - that of someone creating a consumable, ownable object. my fanfiction is a hobby. it cannot be owned by other people. unlike my original work, where it can be bought, there is no formal, explicit contract between me and the reader. there is, however, in fandom, an implicit social contract of equality and collaboration, where we are all equals. i am fundamentally no better than someone who never writes fic and never wants to and never will. i reject the idea of superiority among fans because i do not engage in subculture to mimic the dominant culture, the one that tells me stories are something only certain people are allowed to see themselves in, or even tell to others; that production is the only means of social capital and intrinsic worth.

i am aware, also, that by being private the way i am, i end up sacrificing some experiences that i could have by being more accessible, but i want to reiterate that i have never gone out of my way to conceal my tumblr, nor ignored people who contacted me directly to talk about my fic. in fact, if you show up to talk about my fic, i will probably be so thrilled i'll never let you leave - especially since, when it comes to a majority of it - i spend a lot of time on research, something i enjoy, and deliberately cite my research in the notes because i want to share it as part of the experience of my writing. clearly, i want ideas i have come up with to be enjoyed and loved and shared, because otherwise why would i take the risk of putting them out online, where i then cannot control how they're received or transformed?

however, since about a year ago, i've maintained a policy of works based on my own that i've had outlined clearly in my profile on ao3 here:

as someone who is playing in someone else's sandbox for free myself, my only request is if when you use an idea, usually a headcanon, which is one i created, which you can as much and in whatever way you want because that is the nature of collaborative fandom and the reason i love it so much, you cite that i was the originator of the idea. and secondly, that you let me know. this is a personal request based on how writing can be a very lonely project, even in fandom. you put your work out into the world, with no sense of who it will reach and if it will mean anything to them, and you have to work on the faith that even if it doesn't, the work itself was worthwhile. but you hope it will, because everyone hopes it will.

all of this is outlining so it's understandable to people that read this how i was completely off my face bewildered when i found out a headcanon of mine had reached the level of fanon popularity where it's been mistaken for canon, and has been for over a year at the very least, and i had literally no idea this had happened.

which, frankly, was both hilarious, in a very bizarre way, and completely, deeply sucked.

i know this is my idea because of how distinctive it is, and how much it contravenes canon - namely, that a character, hei xiazi, was a medical student in berlin during the weimar republic. i know it's mine because the timeline with the canon we're told by the actual writer of the source material doesn't match up, which i was aware of and chose to retcon. it was designed and fitted to a personal interpretation of canon material i had been working on for years, and involved a lot of time and research and intense love for the era, the character, and the ways a story about being alone in a foreign country had intertwined with my own personal life. ever since i wrote it, i assumed that the one or two people who had used it with credit were the only ones who had, and because they had honoured my request i was honestly completely thrilled. i still am that those fics exist. that's because it was collaborative.

i want to be clear: nothing about the situation as it stands has been collaborative. a writer being the last to know about the commonality of their own idea in a small fandom is not collaborative. and while it might not bother everyone, it's bothered me to the point i've had serious consideration for several days about whether i should walk away from the fandom.

but ilgaksu, surely you should be flattered that people liked the idea so much?

yes. this was never about the use of the idea. it's about the way this idea has been isolated and used with an assumption that i would have no interest in knowing, or that i would even need to know. i'm not sure what has caused this - whether the persona element of my work has led people to believe i would not have any emotions about finding this out, but i am not, actually, a persona. i am the person who uses it. and as the person who uses it, this is how it felt to find this out. it felt, and still feels uncomfortable, hurtful and isolating to find out your idea has been so beloved but that nobody considered whether you would like to know. it feels like the collaborative element of fandom has been severed from you, specifically, and that your fanwork has been treated as entirely other from you as a fan. i hope nobody else making work feels like this, and i've been told this situation is so strange as to ensure that's hopefully not the case, but i think this is an ongoing issue more widely - the idea that writers are separate from fan culture, and their works are products as opposed to the shared results of a hobby.

do i think this was deliberate? not at all. do i think this was intended to be hurtful? not even in the slightest. but i want to be clear how personal this feels.

i don't have an answer for this situation. the cat is out of the bag, ilgaksu knows about the fanon, and hei xiazi is, despite all canon, going to medical school in 1920s germany. expressing my discomfort with how this has gone down feels important to me anyway, and it's also important to me that i do it in this very detailed way so that people who were unaware do not feel personally at fault, or feel like by me expressing this i am taking this idea back from them. i always wanted this idea to be loved and to be shared.

i also always hoped this idea would find people who wanted and needed a story about someone a long way from home following an ambition, and how much fear and hope and desire goes into the decision to do something like that, and what it means to be a disabled person in a foreign country, and what it means to be queer in a foreign country, and overall what it means to be a stranger in a strange land. i want to be clear that while i wrote this for me, i also wrote it for everyone who has also lived that. i want my work to feel like someone is holding your hand, not that they're at a distance and disregarding you, the reader, and the relationship we have together during the time you read my work.

i hope in future that if you use my headcanons and are aware of that being the case, you let me know. i don't have to read the work itself if you find that intimidating. i will not go out of my way to find it. whatever you've done with the idea, i will fundamentally see it as a compliment and evidence of an exchange between us as a fandom. but i want to know because otherwise, all i see is you taking something i loved and wanted to share and enjoying it with a door firmly shut between us. i am too old to care if i'm not invited to a party, but if the party is themed around a concept i put so much thought and love - for the source material, the people who were going to read it and myself - i can't help but care. it's hard to feel like a vending machine, even if the process of making the fic is so joyful for me that i won't stop until the joy is gone. it hasn't gone yet, but this week it's been dented a bit.

anyway - if you got to the end of this, thank you. please be considerate of how much this has taken for me to express, regardless of your own feelings on it, and how unusual it is for me to make a post that is able to be shared. if you use the idea in future, you do so with my blessing, which was always there. if you want primary sources, places to start, or anything like that - fashion, language, visuals - i want to be clear you can ask me and i will be beyond thrilled to help. i always have been and i'm concerned that because of this that hasn't been clear. but i also feel like if i don't state this experience in this way at this time, and how it was experienced by me, odds are i will now forever look over my shoulder and wonder if this will happen again, and i love writing for this fandom so much that i will not allow something like that to dim that love. i know you love these characters so much too - it's why you're here. i actually used to make a lot more meta posts like this, about fan culture, and i've been considering if i will again - just less personal and less anxiety-inducing to post next time. until and beyond then, i just hope we can all consider things like this in future - that i can treat you with the same grace - and understand the pressures and anxieties of writers in fandom at this point in time especially. a lot of us have hearts far more made of glass about the things we love, like our work, than can be immediately apparent.

anyway, i'm going back into hiding now.

your friendly local cryptid fanwriter,

ao3 user ilgaksu <3

#personal #fandom #okay to reblog

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coconox · 5 months ago

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my 2 cents on the state of whb

i've been contemplating about my thoughts on this game since i never really sat down and processed it, and a month of not playing the game and just keeping up with fandom content/official game news i think i can properly format my words (hopefully idk lol)

if you're looking for a specific section dw i'll properly format everything under the cut so you can just scroll till you find whatever you're looking for (also head's up it's insanely long i'm sorry but kinda not sorry i wanted to just put all my thoughts into one post rather than multiple)

SMALL INTRO

for some context on my experience, i have been playing this game everyday since launch/day 1, i was f2p up until i got juno's card, which i'll talk about later, but just know in advanced that juno was the only case where i've spent money. i uninstalled around the time the announcement was made in regards to no posting full stories of paid content, so almost month ago, and only reinstalled recently to grab certain items to add to the spreadsheet that i've been maintaining since november (aka a month after launch)

i've said it privately to a couple of close friends but i'll say it publicly here: imho, i think they released the game way too early even with the fact that they delayed launch 3 times.

i understand a handleful of bugs are from the fact that the public servers are significantly larger than test servers, but playing this game after the servers kinda stabilized feels like we are the test players, like we're constantly given rough drafts rather than the final copy.

the localization is rough to say the least, but i think i've been so used to it from other gachas that i've played that it didn't really ruin the experience for me,,, except when the text would switch to an entirely different language HJGFDHJGK

from visual bugs to gameplay bugs to voiceline bugs, there's been a lack of communication in terms of what has been fixed and what is still a wip. instead the players just have to "fuck around and find out" in terms of whether something has been fixed or not.

as i continue to state the issues with this game and its direction i'd like to put a disclaimer that i am by no means an expert in any of this stuff lol. i'm just a guy who nerds out over math, spreadsheets, and video games and everything i'll be saying is my personal opinion based on what i've seen/experienced.

THE ISSUE(S)

SOLOMON SEALS AND GACHA

i think the first mistake was them adding solomon seals in the first place. based on what packs in the past looked like, it looked like red keys were originally designed to be for debut characters, but instead they throw a curve ball and add ANOTHER gacha currency that was essentially p2w only up till some point early this year. this ultimately led to there being 2 standard banners, both of which essentially do the same thing except one doesn't have A/B/C-ranks. the fact that now even with realm of seraphim, in order for f2ps to have enough to guarantee with seals, they need to save for a year and a half. that is WAY too long for ONE character. this is of course worst case scenario of needing to hit pity, i'm aware you can get characters early but you should never always expect you'll get early in gacha games, i learned that the hard way during my idk how many years i've been playing gachas lol

i personally think that there's no winning across any of the gacha banners. there's no pity for either of the standards, and debut L/S-ranks have imo too high of a pity for what we're actually receiving per week. we essentially get more or less 1 pull per week in terms of red keys, yellow keys, and seals through dailies/weeklies alone, though of course that can vary cause of the rng key boxes, monthly login rewards, etc.

PANCAKES

there seems to be a general pattern that i've noticed of rather than confronting an issue directly they try to create something new in hoping that fixes the issue instead. an example of that would be the pancake shop.

the old pancake shop was fine as is, we could get a multi for relatively cheap price and get pie boxes everyday (albeit they're rng but pies are pies). what they could've done was add the L-ranks and skip tickets or whatever new thing they wanted to add into that old shop, adjusting the currency wherever necessary. yet instead they just remove the old system entirely and replace it for a new one that no one really asked for? while having the L-ranks in shop are nice, an entirely new system wasn't necessary to make that one relatively small addition. having A+-ranks and lower give gold and books was also not necessary, we have resource stages containing those 2 things and it's very accessible to everyone. what resources we are lacking in however are tears and pies, which are arguably more important than gold and books since those 2 currencies are the core to ascending/lvling characters and their skills.

PIES

i've emailed pb in the past in regards to if there will be other permanent methods for obtaining pies, and their response was holy coin portal and events. those two are NOT stable enough for pie income considering the prices of skills. if there's instances in unholy board where we need to level a character's skills, i'd expect there to be some sort of resource stage that would allow us to get pies so that we can easily obtain that skill level requirement.

"META" GAMEPLAY

i'll explain the quotes in a bit but i do want to put a disclaimer that whb was the first time i've experienced a full on tower defense style gameplay for gachas. i was already familiar with how it works kinda because of neural cloud even though the game as a whole is more like an auto-chess game of sorts, but some story gameplay had tower defense mechanisms and i learned a fair bit from playing that. personally i also haven't played arknights since i'm trying to cut down on the amount of gachas i play but i am aware of its playstyle through friends who like to attempt to drag me into playing it cause of certain characters that i might simp over (*cough flamebringer cough insider cough chongyue cough*)

disclaimer aside, trying to piece together what characters work and what don't genuinely hurts my brain. i put "meta" in quotes because realistically there's only 1: all L-rank light types, ideally at least 1 tank, maybe 1 healer (though a tank can act as both), rest be whatever dps you'd like really (preferably satan considering the fact he can be extremely reliable without his ultimate unlike a few characters). of course, everyone will have a different opinion on what they deem as meta, but that's the general idea i'd personally follow based on what kind of battles have been given to us, what characters are available, etc. the rest tbh are just "cope and seethe" for lack of a better term.

there's a huge type advantage with light and dark types, and i really wish they could buff the other elements more just show they have some spotlight too. i also wish there were more non-light L-ranks. as of making this post, out of the 23 L-rank characters there is currently only 1 non-light L-rank, and it's juno, an L-rank fire marksman.

the part that really "hurts" me the most (don't really know what other word to put here LOL) is the fact that this game is going in a very specific direction of just dps'ing through everything and hope you clear the stage before the enemies kill you.

this game has a huge and imbalanced ratio between dps characters and support characters regardless of element. the fact that we only have 5 healers (NOT including lucifer (victory) considering he's technically a marksman and the healing is from his artifact and not in his skills) and 8 tanks, whereas marksman and close-rangers have twice or thrice the amount is absurd. what pains me more is the fact that for tanks, if you don't have mammon, you're screwed. arguably the best non-mammon option players have that's accessible is bimet. valefor and eligos share the same kit with the fact that their downfall is the possibility that they could be instakilled the second they pop their ult. healers on the other hand are somewhat more lenient. if you don't have lucifer, marbas is your next best, then gamigin (marbas and gamigin can technically be placed interchangeably since their healing differs by 0.1%, it just depends on who you have), then morax, then maybe buer but he only heals 1 unit at a time rather than multiple but i digress. healers still have multiple and very reliable non-L-rank alternatives whilst tanks really only have 1. i really, really hope there's more support units in the future cause man this sucks.

NIGHTMARE PASS

spending $50-$70, on paper, is significantly better than spending ~$400 for a character, and that's really the only "good" thing about it 💀

$50-$70 may feel like nothing to some players, but to a majority, that is a portion of a cost towards food, groceries, rent, etc. basically, i'd assume a majority of people would prioritize surviving than watching pixels on a screen.

i understand at the end of the day pb is running a business, but for kings to be fully locked behind a paywall knowing for a fact that a majority of the player base are 1. casuals/f2ps and 2. are here for the kings is absurd. plus with the fact that typically nightmare pass characters aren't added to standard and aren't always 100% guaranteed to rerun in the future just puts the nail in the coffin for me.

i think it makes more sense for non-kings like juno to be in nightmare pass because it's just additional fun and silly content that arguably won't be tied to the main lore and whatnot, maybe referenced as a silly bit here or there but it'd be more of an easter egg than something important that you absolutely need to know.

personally i bought juno's pass because i love his design, kit, and voice. story was kinda meh for me personally but i really just cared more about the va and gameplay. gameplay-wise, he certainly does not disappoint as a gehenna support unit. but do i regret purchasing him? yes and no. oddly enough this was probably the first i've ever felt guilty in terms of buying something i wanted in a gacha game. yes i regret it in terms of i'm no longer really playing this game anymore, which is unfortunate considering i barely made it through half a year of this game's release. yet at the same time, no i don't regret it because he is a really fun unit. for example, when it's gabriel's rotation in realm of seraphim, juno's, leraye (nostalgia)'s, and leraye's ultimates absolutely DESTROY gabriel in a matter of like <10 or so seconds and it's so satisfying to see. i also just really like his va, scratches a very particular itch in my brain.

anyways before i get sidetracked over appreciating juno, the fundamental flaws of nightmare pass are essentially

you shouldn't need to buy both tiers to get the character. you should realistically need to buy the highest tier and by default it unlocks all previous tiers below it

ui is a bit confusing. i still don't get why f2ps have to unlock parts of nightmare pass that they can't even access/obtain. there should be a clear separation between what f2ps get, what advanced tier gets, and what premium tier gets.

it's too expensive. most bp's i know are ~$10 at the highest tier, though that's considering the fact that bp's i'm familiar with only give cosmetics rather than actual units

from what i've heard through the grapevine, beel (bath) is basically in the same formatting as all the other currently existing bath cards, which are all currently obtainable through gacha. beel has no reason to be in nightmare pass. it genuinely makes no sense as to why pb put him there aside from getting money and that in-turn alienates a majority of the fan base since we can't even view the prologue of card stories if they're a nightmare pass character.

when nightmare pass was first released during christmas, everything was in chaos. the fact that a nightmare pass character needed the other two limited gacha characters gameplay-wise is absurd (mind you, this was before we were given the chance to earn seals through weeklies). everything was too expensive, and rather than an enjoyable christmas event it felt like a "merry christmas, now give us money" kind of situation. i think nightmare pass should not be happening as frequent as it is now. the gap between gabriel and juno was perfectly fine (4 month gap btw), but for a nightmare pass to happen back to back on top of gacha events is too much for both f2ps and p2ws.

the point of buying packs, bp, anything that costs real money in a gacha game is so it makes your gameplay experience easier, paying shouldn't be the main component of your game. personally based on what i've experienced through playing gacha games you should theoretically be able to pull for almost every character on debut just by playing dailies/weeklies/events, yet here we get a bit over a multi per patch (this includes playing realm of seraphim).

DICTATING FANDOM INTERACTIONS

i wholeheartedly believe a fandom is what keeps a game alive. a hindrance to the fan base is a hindrance to the game, which can be seen with the aftermath of pb announcing that legal action will be taken if full stories of paid content are shared publicly. while i understand from a business standpoint that pb would want to enforce the "no sharing full story" thing for paid content since they want players to yk, buy the card, like i mentioned in the previous section, the majority of the player base just cannot afford it.

the people who posted full stories wanted to share to those who cannot afford it, some people may not want only tidbits of the story but rather the whole context, especially those who enjoy dissecting character lore but don't have the irl funds to fully experience it themselves. some people may even want to archive it, cause honestly no one knows how long this game will stay up and we want to archive story so that it's something we can easily look back on. to essentially make players borderline terrified on trying to figure out whether or not it's ok to publicly post stuff in relation to any sort of story content is absurd.

there is also that loophole of what is defined as a paid story. when events end and get put behind a paywall, does that now count as paid story or is that still ok? what about debut L-ranks that are behind seals and there's a 3 month downtime till they're added to standard? or is it just referring to nightmare pass characters? paid stories in the context of the state of the game right now is insanely broad, it's practically at least 50% of this game (i'm exaggerating (or maybe not i wouldn't be surprised if that was actually the case)).

i understand no datamining, while it technically speaking isn't illegal, it's disrespectful to the devs, but a lot of these call to action methods they're announcing are rather extreme imo.

with the most recent cards either being put to standard 3 months after their banner ends or flat out paywalled and not 100% guaranteed to have a rerun, story content as of late has been very sparse. what people want most is a main story update, which we were originally promised to be updated every 3 months and it is now month 6 and we still have nothing.

EVENTS AND EVENT STORIES

event stories being locked behind a paywall after the event ends is probably the first time i've ever seen a gacha game do this. most of the gachas i've played either don't archive event story at all and just rerun it every year, don't rerun or archive the event at all (i.e. if you miss it, cope and seethe), or they archive it for FREE. it feels insanely greedy how EVERY event story needs payment if you ever want to backread an old event.

what also concerns me is the fact like instances like gamigin's event or beleth's event carry so much lore for their respective region and that may never show up in main story, which then screws new players over in not knowing the full context behind every region. events like minhyeok's or bimet's are fine in the sense that it doesn't carry that much lore in comparison to the more recent events. the first few events were like silly banter and getting to know a bit more about the cast.

also changing the event shop from daily pies to a set limit per account was an awful choice it just emphasizes my point earlier of how unstable obtaining pies are in this game.

FULFILLING PROMISES

i think while it was a smart move to list what's gonna be implemented throughout the year, they shouldn't have stated deadlines on when they're doing so.

the following are the things that still aren't implemented yet as of making this post:

new daily chats (expected within february)

friends system (expected within march)

birthday system (more specifically celebrating your bday) (expected within april)

new main story chapter (new chapter expected every 3 months)

if pb were to just say "here's what to expect in 2024" and NOT give specific months, that's fine, but giving these specific months sets an expectation that they would complete it within that timeframe. main story for example is probably the one people have been anticipating the most. by now as of july, if we were to follow the expectation pb gave us, we would currently be on chapter 7, or at the very least chapter 7 would've been released some time this month. we have not even gotten chapter 6 yet. chapter 5 was released in january. it has been 6 months since the last main story update. failing to meet these timeframes will make people upset, because it was mentioned in the announcement that it's 1. a promise (i hope i'm not the only one that takes promises seriously) and 2. in bold yellow text, "what we can realistically expect to see in 2024." the only promises that were fulfilled on-time were the ones in january, the rest have been delayed by at least a month. if you're giving a timeline of what's happening, announce if there's any changes to that timeline, because not doing so will make players believe you were lying to them even though you probably aren't and are instead just falling behind schedule.

i think what hurts more to me is the fact that they aren't publicly communicating these delays. it shouldn't be our responsibility to find out why or when something isn't happening within the timeframe they promised (e.g. by emailing them), it should be up to the devs to communicate that publicly to us. i'm not saying they should overshare what's going on behind the scenes, it can simply just be a simple announcement of "hey, we're very sorry but we're having some technical difficulties with this certain feature and we need more time. here is some compensation in the meantime, thank you for your patience and again, we're very sorry." it's that simple.

FINAL THOUGHTS

i mentioned back in my intro that i feel like this game was released too early purely because the fundamentals of making a bare minimum decent gacha game are just not there. if every patch update has people complaining on what's just recently been added/removed, you're not fully listening to what the audience wants. while i understand pb is a small business, a business is still a business regardless of size and criticism/feedback is necessary especially in a game dev setting.

i've followed this game's news ever since it was teased, which was december of 2022, i've lurked/participated in the fandom (on here at least) ever since september of 2023. i've felt a rollercoaster of thoughts and emotions of "omg this is so great" to "why is this even a feature," hoping that over time the game would get better, but the only thing that's improved was server stability (and even that's still a bit rocky 💀).

a huge part of my stay was just being a lurker in the fandom. i genuinely appreciate all the creatives who fulfill asked prompts of characters, make ocs, fanart, write theories, reactions + many more. i love seeing other people's works/opinions and having just a lively fandom made it all more fun.

but at this point this game is just not for me. i've really only stuck around to read mammon's lore but since main story hasn't been updated in 6 months i'll really only chime back in when there's finally an update. it still amazes me to this day that my patience lasted this long. i think i've covered everything i wanted to cover but my memory is swiss cheese so if i forgot something,,, woops 💀

as for the future of the spreadsheet for those who check back on it, it's still being managed by myself and windy, who has been a huge help since day 1 of creating the build lists and team comps and i honestly can't thank her enough for also enduring this pain of a game with me as we've worked on this spreadsheet together hgjdfgh (luv u bestie 🫶). though it's written in the narrative that both of us will eventually quit updating it entirely if this game persists on not having any signs of improvement. when that day comes i'll make sure to post an announcement about it.

as for myself i'm probably still gonna lurk in the fandom/keep an eye out on game news. i doubt i'll be making any fanart anymore unless if i really have the motivation/boredom for it, but currently i'm revamping the "aesthetics" of this account so nothing's really set in stone. maybe i'll make a few whb rambles here or there if some game news really irks me but for the most part i've already been in the process of moving on to other things.

if you've stuck around this long to read this mess of a post, thank you for sticking around and have a cookie, you deserve it 🫴🍪

#good grief this post was longer than i expected LOL #silly rambles #whb

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dirtybg3confessions · 11 months ago

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Blog Moderation FAQs

Hi everyone!

Every time we answer an ask about the queue/inbox situation we get several of the same suggestions in our inbox. While we truly appreciate those of you trying to be helpful, I wanted to take some time to address some of the suggestions and the reasons behind our position on said suggestions.

Have you considered closing the ask box for a while until you work through what you have?

No. With as many asks as there are in the box, it would result in the ask box being closed for quite some time, which we don't think is really what anyone wants!

Closing the box would allow for us to "catch up", but it also would mean potential dry periods of content.

Keeping the ask box open means we need to scroll forever to reach the old asks, but it also means that we are set to deliver consistent content for a while, and are never at risk for an empty queue when the inevitable drop in fandom interest hits.

Why don't you post more frequently?

Actually, we do! We've exploded recently, so many of you may not remember ye olden days of our blog's founder doing their best as a one person show and we got one post a day... ish. Then, when the ask box exploded to 100 asks (haha) they brought in the first round of new mods (including me!). During this time, we were able to build a solid queue. We were then able to post 5-6 times a day.

With a healthy queue and a healthy ask box, we were able to bump the post frequency to 12 times a day. Most of the first wave of mods worked through some asks and then largely went inactive. This is fine, it happens. After struggling to keep up a frequency of 12/day as a one person show once again, we recruited new mods with some activity guidelines.

To maintain a posting frequency of 12 times a day, each mod needs to add 3 posts to the queue a day, or 21 posts to the queue a week. We ask that every mod contributes 30 times a week, that way we have a healthy buffer of content for holidays, emergencies, and just general time away from the internet.

While the confessions are sent in by y'all and editing them in photoshop is a generally simple process, it still does take time. Time in the game to find and take the screenshots, time in the editing software to create the image, then posting and tagging appropriately. Those cursed edits y'all love so much take even more time.

We're all adults here. And your mods are too. They have lives off of tumblr, often complete with bills and day jobs. Honestly, less fun than the little horny blog, but *vague gestures towards capitalist hellscape*

For these reasons, posting 12 times a day is going to be a hard cap for the foreseeable future. In the most loving way possible: If you are submitting an ask now and expecting to see it a week or even a month from now, you are going to be sorely disappointed. Submit your ask and know that it will be appreciated by the community when its time comes.

"A confession is never late, nor is it early. A confession arrives precisely when it means to." - Elminster (probably)

Why don't you just get more mods?

Have you heard the phrase "too many cooks in the kitchen"? Every person added to a process adds another variable, and the more variables, the harder it is to deliver a consistent experience. Additionally, the goal is to find people who can stay pretty consistently active, which can be a hard ask for a lot of people. We're very grateful for the team that we have now, and we aren't seeking new mods at this time.

Why don't you post more confessions about (character/female/etc)?

We are a submissions blog. We work with the content we are given. You need to be the horny you wish to see in the world. I know in general there's a lack of confessions for female characters, and there's an analysis to be made about how different gender/sexual identities interact with fandom and how that affects the content available in communities for consumption, but I'm not the person to make it.

Thank you all for continuing to be amazing, it is truly an honor to serve 🫡

#not confessions #faq #mod tri

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i-just-want-to-destroy · 2 months ago

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Thank you for walking study in demonology! Reading it brought me all the way back to the 2019 bnha era. Even tho im a chronic fandom hopper, every once in a while i got pulled back to the bnha fandom like a clinging abused ex gf, cause i feel like no other fandom has given me the same feels as bnha on ao3. It's probably partly because of bnha being a perfect sandbox for ficwriters, but damn you bnha writers are really sth else.

Your work is such an exquisite, heartfelt love letter to the fanfiction medium in general, and the bnha fandom in particular. I hope your pillow is always cool and your socks always come out of the washing machine in pairs.

What's your favourite part about the fic?

hi thanks so much for this ask! super appreciate the kind words :) i agree wholeheartedly i wldnt have started writing my bnha fics if not for the amazing fics ive read from this fandom.

short answer: my favorite part is the process.

super long answer:

(spoilers below fair warning)

demonology has been a learning process for me and also a very strange experience.

ive always been more of an improv writer where i dont really know where a story is going when i write it. with demonology being the way it is, you can surmise that its been a really crazy ride.

ive mentioned this before but it started as an idea of deku being just your typical satanic style exorcist, and as it is a crack fic, i did write it — at the beginning — purposefully to be nonsensical. all the made up “significant” stuff like affinity, authority, even the importance of names and all that — i didnt know what they mean and i didnt care either, i was just making them say whatever that sounded ominous and ridiculous. (often this is for the sake of comedic timing. it is crack after all.)

some comments say the fic didnt make sense, and i agree bc it didnt to me either. but then it DID start to make sense to me. whenever i started to write a new chapter id read back to whatever bullshit i did the previous chap and only then i understood what the hell the characters r talking about. if you look back to the earlier chapters there’d be a lot of foreshadowings, but they werent written to be foreshadowings at the time. its kind of foreshadowing in reverse, bc i only knew what they meant after i wrote them. i didnt know i was writing a meta multiverse time travel fic, but since i did, i had to commit and go crazy.

(in retrospect i think it rly did begin with hitoshi and that cat in ch 3. i didnt even know hitoshi was the “main character” until that chapter. i didnt know that cat was schrodingers cat until i wrote ch 8.)

so u can see how crazy, nonsensical and haphazard the entire writing process of this fic is, which in return gives birth to a crazy, nonsensical and haphazard fic. until its not nonsensical anymore. somehow, there actually is a clear logic in the mechanics of the universe. the cats are schrodinger cats, the demons are maxwell demons, entropies are plotlines which are often riddled with plotholes, the hell is production hell, to be in heaven is to be canonized — and lorem ipsum is the empty blank slate state of the universe. authority actually is authority. the fic gave meaning to itself by the end of it all.

comments ask if i waited for bnha to end — i didnt. bnha ending actually fucked a past version of ch 8, now scrapped. but then it actually … made a better version? and made more sense? its weird.

i did know about some things that were going to happen though. since the first time i had izuku do the “you believe [object] exist,” i always knew i wanted it to be turned back to him (“midoriya izuku doesnt exist”). after i wrote ch 6 i also knew i wanted them to “go back to the beginning” with izuku’s “fall” on the rooftop. but i didnt know until i wrote it that hitoshi was going to choose to fall, too. i know im the author but him choosing that shocked me and i found it moving.

if i had written this “properly”, if i had planned it all with better structuring and better pacing and emotional beats and all that — this might have turned out to be a better written story, in another world. as it is right now there are a lot of flaws that it has. but it wldnt have been the same fic. if not for this fuckass writing process, it wld never have reached the form it takes as of now.

and although it was a very difficult road, i can say wholeheartedly that this strange process has been my favorite part. im doubtful ill ever experience a writing process like this again. the story kept surprising me. a part of why i wanted to finish it was because i wanted to know how it ended too—bc i wldnt know until i wrote it.

of course, at the end of it all, none of us know what their ending is. in the end the story still didnt share its secrets with me and i really really love it for it.

haha this is so long sorry i guess this fic really means a lot to me after all. but yes, thats my answer.

i would also like to thank every reader and commenter once again bc i can honestly say without the feedback and support, this would not have been finished either, or become the way that it is. man. fanfictions, huh?

#demonology deku #ask #fic stuff

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helido24 · 1 year ago

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Well... i finished both snootgame and volcano high, i needed to talk a bit about them

First of all: I LOVE THESE CHARACTERS SOO MUCH, FANG I LOVE YOU I HOPE TO YOUR HAPINNESS

2:. . .jeez, it's so difficult talk about both games without making parallels or comparing them

SG is a very simpler visual novel with a... very questionable reason to exist to begin with, but even with that it surprises you with a very beutiful story of self development and young love in the modern times. The multiples endings all of them are EMOTIONAL DESTROYERS, even the obvious joke-shouting-super edgy ending 1, but just 'cause all the care and love you have for the characters, you feel it in a more deeply way and you suffer watching them like this, giving you strenght to do the best ending possible and. . .oof, that destroys you too, but in a different way

I love Fang an Anon soo much, i wish them nothing but hapinnes

And talking about the elephant in the room? Well... i don't think snoot game is anti-LGBT propaganda

"B-but it's about fang doing destransicion"

That's the take talking about SG in GVH wiki and i'm not with that

Yes, anon is openly an ashole about lgbt themes and always talked shit about it

And the game treat the whole fang(they/them) with humor. . .both of those things happens between the first hour and the bad ending

As the game progress and anon makes the RIGHT choises you can see him at least try to comprenhend the pronouns thing, and perhaps he makes mistakes about it,but he get that is something important to fang

And yes, there's an ending where fang simply leaves behind all that identity and becomes a generic femenine wife? That's not the true ending

The true ending actually respect that side of fang, with her still liking that style,style being like that, still being fang, the only thing she doesn't keep is the pronouns

To me at least, fang's story isn't just about being no-binary. But being a young person trying multipples sides of their persona and life to try and found itself, with the help of the ones who cares about them to grow as a person

Fang could be a She,a he or them, and i would be perfectly fine with any of those

But if at the end she found herself more happy in this new version. What's the problem? If precisely that's the goal with this theme right?

BUT.... snootgame have a very heavy sin to carry and is. . .it's a 4chan game, and is a parody made to make fun about an openly pro-LGBT+ game

Even with how good the story is, with how NG never attacks directly the community and the movement, it's very hard to believe there's no bit of bath fait in the people behind

We still have all this early shit-talking about this theme after all

But having all in mind. . .i just can't hate snootgame, with it short experience it turned those characters in a very big part of my life (at least for this month lol), and the story touched me in various levels 'cause personal reasons (let's just say i had a "trish" in my life)

And well. . .thank you cavemanon for this very beutiful experience, i'm hoping your next project can shine your talent even more without so much controversy around it

And talking about conteoversy....

*sigh*

Goodbye volcano high. . .with you i have less things to say but still they're important i think

First of all: its FUCKING UNFAIR what happened to this game. An openly pro-LGBT+ visual novel with "tumblr aesthetic" being the first fucking thing they show about the fucking ps5??

What the fuck

It was throwed to one of the most savage and closed-minded fandoms in all the internet: """hardcore gamers"""

And just when they're waiting to some assasins creed, GOW or any other super big HD IP with muscles in the muscles of the characters

I can't think about this choise as nothing but an homicide, forgive for the comparation but. . .this shit was taking your 8yo cousin of color to a place you KNOW is full of neo-nazis with guns and criminal precedents. You know what you're doing or you are extremely stupid

And then internet folks started all this controversy and harassement and hate to the game and the studio by a lot of sides and themes and. . .i feel so sorry for the studio and the people working in volcano high, as a snootgame fan i'm truly sorry for what you passed trought, im hope with all my heart this doesn't make you to give up this style of game, and i'll be waiting to see your next project with heart ^^

And now talking about the game. . .fuck

Fuck fuck fuck

I'm sorry,i know what i said but. . .volcano high is broken by so much sides

I really wanted to enjoy it, i really wanted to love this version of the characters and the story but. . .fuck, i can't

Almost all the characters are soo flat (personality i mean)

All and everyone of them talk about ona (1) thing that they like and never shut up about it, you can be talking about anything else and- OH here's comes trish to talk about her worm. . .again, or sage and their cooking, or fang and their band. . .i get it, they're character traits and you need to use them but... i don't know these people, i don't know at all these characters at all.

In the first hald of the game you need to at least try to tell me something about them, their relationships, their past and problems, give me a reason to give 2 and a half shit about them... and they try, but everytime they talk and seems to be about to give some context they start to just talk about that one and only thing they like, leaving me with nothing to work with

And that's the problem of volcano high in general to me. Is obvious there's a story, there's a background to these characters and there's real context to almost every conversation they have. . .but we don't know it, we can't see it, we don't KNOW these people and is frustrating. After the 2 hours i just shuted down my brain and every time this happend i just go "oh yeah,some cute experience we don't know about them)

The two musical montages (there's 2 right?) With photos of the group living their lives and interacting with each other. . .they're very cute and seems to be fun, but we don't live any of this. Fuck sake i WANTED TO BE SAD in the ending, i wanted to feel the characters and their lives sliping away at the end

See al these beutiful and impactful moments? Well. . .i'd love to see them, to live them with them

But we don't. They're just a bunch of PNGs passing by at the end as the music continues. And that upset me a lot...

And what upset's me the most. . .you know why i care so much about the characters? Why i need to know their lives and feel something in this story?

BECAUSE OF FUCKING SNOOT GAME

They made me to care about fang and the gang, abour nazer, about naomi, about stella and rosa, i cared about this characters soo much that. . .i feel attatched to the GVH ones too. Even if volcano high do close to nothing to make me care for them at this level

It's to sad and so unfair, volcano high obviously was made with a lot of heart and they OBVIOUSLY cares about the characters a lot more than almost anyone in both fandoms, just the "memories" from above show it. But with the game story and characters as they are right now. . .i don't want to compare them so much, but honestly without NG being so important i wouldn't finished volcano high

And about the story itself? Well... is very rushed to say at least

As i said earlier they spent too much time trying to made us meet the characters (but without letting us know them)

To sudenly introduce the meteorite plot and. . .it feels zero important. Yeah it drives the characters to the harsh decisions they're making and how they interact with each other, but for half the game the meteorite is just there in the background and just mentioned over here and there as a reminder. Just to sudenly be the most important thing in the world at the last hour and half of the game.

Before that all the plot is about fang,the band and the battle of the bands (wich i hardly care about at this point)

But. . .fang and the band? Here they made it a very good work

Yeah, fang talk almost exclusively about the band as is their (1) personality trait, but still they manage to make me feel and understand how important is this to them, and. . .wow, i really felt how fang was feeling reed and specially trish leaving them behind and not taking the band seriously (and still having fang at the edge with promises of being a team but without helping them AT ALL)

I mean, there's no problem with reed and trish don't seeing the band as something more than some fun friends time after school and wanting to make something else for their life. The problem is they seeing fang talking 24/7 aboud the band their future together and openly taking life decisions about it and never saying "hey pal, i think you should focus more in a solos career, we don't want to live with the music but we're still friends" or something like that. . .and they do

Trish says this to fang. . .in the battle night, just in the most important night in fang's life, just to say that she's leaving the band in this very important moment and taking choises she never discussed with fang (as fang did talk with trish about theirs)

And the story insist on pointing out fang as the bad person here, who makes all the bad choises and burn all the bridges with everyone. . .but they doesn't

Even at the end with everyone crying and yelling each other, is fang who talk to everyone and says they're a horrible person and you can blame everything on fang because. . .reasons? Idk because with all the choises and talking options we taked at this point, we clearly made fang a very patient and caring person, but still there's one and only way the story was made and was with fang being constantly a bitch with everyone, so it doesn't matter if you take the bad or good options to talk about 6 hours, the dialogues are all about the bad ones almost constantly. And that's fucked and unfair for my dude fang the pterodolphin, i love them so much

But. . .not everything is bad with volcano high

The background arts are beautiful and very colorful, a lot of cute dettails and i love them

The characters? Well. . .it's weird, i love them a lot and they're very unique, in the special images and animations they look soo good

But in the normal gameplay...

They look kinda derpy all the time, and the few animations they constantly use for everything get repetitive after a short while (take a shot everytime trish does the eyebrow rise grin animation, tell me how you died)

((Btw perrito tacita epic cameo))

The art style in general of the game is very cute and i love it, but for the in-game animations they needed some more time to make them. . .feel alive and les akward

And the music?

Hell yeah this is good shit, i love fang's voice and definitely i'm gonna check more of their music soon

In conclusion...

I can see where all of this came from, if that leaked script is real it just makes soo much sence about how the final product ended,i can see every original plot being planted as seeds in the final game but never having the chance to grow or even blossom, just a little sapling in the dirt, and that make me so sad. . .

Even with all of that,they managed to launch the game,and leaving out all the controversy i think the game got very descent sales and everything was kinda worth, i really hope they don't give up again with this type of story

But Ko_On and cavemanon are full of talented people and they deserve a chance to grow and shine by themselves

Both without being a perhaps-bad-faith parody, or without so massive backlash from the wrong people who's not are even interested in the quality but the politics in the games

I don't make this kinde or post so often,but i had to speak my mind about something so important to me

Thank you very much if you readed it 'til here and sorry for the mess,i was typing things as they apeared in my mind lmao

Check it out my art, i just recently made this piece of fang and i really loved the result ^^

#opinion #goodbye volcano high #fang snoot game #snoot game #indie #steam #video games #video game critics

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hyperraduo22 · 1 year ago

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my dps roman empires

cuz i keep seeing those videos with my love mine all mine on my feed with consistently ugly-sob-inducing stories and roman empires so now i have this long list i wanna share

+ may include some little facts here and there for anyone new in the fandom

• anderperry’s entire relationship and dynamic

literally no explanation needed on why it’s the top of the list and the first thing i wrote down

the whole hourglass and icarus x the sun dynamics makes me sob every time without fail

someone rewrite the script so they have a happy ending please

also me: wym they already do?? they got married and went to new york??????

• charlie and neil :(((

• thinking about charlie’s experience and dealing with grief post-expulsion

• todd’s entire character

bro makes my quiet x anxious kid heart go brrr

like just thinking about the little implications of his behavior and what’s said about his brother in the script makes me wanna cry and scream and throw a tantrum

he really represents the epitome of all quiet shy kids out there and i really appreciate it

• dead poet’s society but from cameron’s perspective

i understand y’all wanting to punch and yell at him and show no forgiveness but i also think you should give a bit of sympathy for this kid

he doesn’t know any better just like charlie or any of the other poets

damn this movie does a great job of showing reality and the fact that there’s no real enemies

• dead poet’s society but from pitts’s perspective 👀👀👀👀👀👀👀

like i’d pay to see this honestly

• pitts’s screen time :((((

my underrated boy :(((((

• pitts and cameron’s dynamic

i KNOW we see these two talking in the background and seeing him make cameron laugh and smile the most compared to everyone else

like??? i wanna see more?????

cameron being outwardly comfortable around someone finally???

• the fact that all the movie's events ensued as they’re all high schoolers

like idk if there’s a canonical age for any of them but whether they’re juniors or seniors the trauma is still the same

• the thoughts of the kids who stood up on their desks at the end of the movie

how are they dealing with keating being away now? how do they view life in general?? did they really appreciate keatings class???? would they join the dps if they had the chance???????

• hopkins’s portrayal

its kind of a 50/50 since bro barely has screen time, yet i see his character oftentimes being portrayed as the class asshole

i think it’s clear that him and his friends commit tomfoolery and are overall jerks but to think that he’s the more sensible, level-headed guy makes a lot of sense to me—kinda similar to charlie in a way

like he knows limits and when to not push them even if he doesn’t come off that way. all bro does is chill in class and stare off into the windows daydreaming (as shown in the whole ripping out the poetry intro scene). bro doesn’t wanna be there. he’s just chilling and honestly same💀

• spencer’s actual treatment in the movie

ik we love this man, and our headcanons (or at least what i’ve seen and my own for the most part) say that people treat him well but low key everyone be on his shit

like it brings up the question of whether or not this is considered bullying cause any scene i see he’s either blatantly shoved around or even the guys around him purposely steal his medicine and pass it around so he can’t have it (including stick participating in this)-

like i think there’s some limits to being a jerk and idk how spencer really feels throughout the movie cuz he’s a background character :////

• HANDSOME ASS BACKGROUND CHARACTERS AND THEIR SCREEN TIMES = UNFAIR! CRIMINAL !!!!!

• the fact that ginny’s character just gets completely cutout. like she has a few lines to begin with and then the movie comes out and she ends up being a non-speaking extra in the play like i’m- what happened???

• tina and gloria / girl characters portrayed in dps in general

let me explain cuz i love them but also feel bad for their characters

like low key they’re just used as experiments for the cave (implied by charlie in a deleted scene that wasn’t recovered although i think this part is in the original script as well if i remember correctly)

although he brings them back a second time in a deleted scene where they’re all dancing around outside of the cave on the night of the play only for him to make out with one of them in another deleted scene that wasn’t recovered… (( this was revealed in an old interview on someone working behind the scenes btw ))

so like i kinda feel bad for them. like y’all just there for show but i wish you had more lines and other purposes besides possibly not passing a bechdel test ://////

^ lowkey this same concept is kinda seen with chris’s character too. like all she’s there for is a romantic interest for knox. like cmon now she’s one of the main female characters and THIS is what she gets. i wanna know more about my girl chris!!!!

and i kind of understand why it’s set up this way since y’know it’s an all male boarding school in the 1950s—how do you fit female characters in and how are they viewed? it’s not the greatest setup of all time

• ANDERPERRY DELETED SCENE ON THE DOCK NOT MAKING IT INTO THE FILM LIKE OUT OF ALL DELETED SCENES THAT ONE IS THE REALLY IMPORTANT ONE !!!!!!!!!!!!!

• the deleted scene of the poets carrying neil’s coffin 🚶‍♂️

like goodbye. doors closed. tears shed.

kinda glad it’s not in the movie cuz i would’ve sobbed uncontrollably even more than neil’s death

• todd’s poem

another deleted scene that really rearranges my internal organs

the fact that him reading this poem was supposed to be in tandem/include shots with neil’s death-

why do the writers want us to cry rivers?????

BUT ALSO ITS FUNNY ASF IF YALL WATCH THIS DELETED SCENE WHEN TODD IS TELLING THEM WHAT TO REPEAT BETWEEN VERSES, ONE OF THE POETS GOES “what??🤨”

I’M SORRY TODD IK YOURE TRYING BUT THAT LITTLE AIRHEADED ASS “what?” IS SO FUNNY TO ME

• the fact that in the very first version of the script, keating was supposed to have cancer

I FORGOT ABOUT THIS UNTIL LAST MINUTE

LIKE Y’ALL ADMITTED THAT YOU WANTED TO HAVE A SCENE OF KEATING DYING IN A HOSPITAL AND WERE PONDERING ON WHETHER HIS CHARACTER SHOULD HAVE A FATAL ILLNESS FOR THREE DAYS ?!?!?

thank god y’all made the right decision and rewrote the script to take that out

#dps tumblr #dead poets society #dps fandom #dead poets fandom #dps #dps boys #todd anderson #charlie dalton #john keating #mr keating #neil perry #anderperry #chris noel #gerard pitts #pitts dps #cameron dps

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