#i think it can be very hard for people to understand the way a culture works unless they interact with it

[the-luckiest-guy-thanks-to-you]

For more context:

There is a "fertility crisis"

The name is misleading because it's focusing on fertility and crisis. First, the crisis is an economic crash due to decreasing populations causing an imbalance in the economy. The fertility thing is the primary means capitalists consider to alleviate it bc of the desire for infinite growth that demands more people.

Now I gotta say even as a flaming lefty, there does seem to be a real problem, many places, primarily Western countries and East Asia actually do have a situation (note, not a problem) where instead of around 2.1 children being born to every couple to sustain the working population, it's dropping below that.

This means that there are going to be more old people than young people and the idea of having about 3 people working for every 1 person on social security begins to fall out of balance. It also means fewer people working to meet the needs of a relatively larger population that cannot. This is a real issue. The "fertility crisis" isn't about the total global population, it's about finding a new sustainable balance that gets problematically pushed into conservative talking points

In places like America, the economy is incredibly harsh right now, pushing down birth rates due to financial instability. In places like Japan (from what I've read, feel free to add and correct me), people talk about how hard it is to have a kid and how competitive school can be and even the process to apply to preschool can be so exhaustive it makes them not want to have a second child. There's also a general idea of supporting one or two children with higher quality care rather than have a bunch of kids with worse care, which I think most people here would probably say it's reasonable and good. This is not exhaustive and there's plenty of overlap in different regions. But that's a bit why drops are happening. There's other theories too like social media that are being researched (something something death of third spaces, hard to socialize, meet people, cultural change of priorities).

But the overall global population is going up because of many more births in the "global South" places like South Asia. Conservative talking points completely align with the callout above and how the crisis is artificial and racist.

First part of why is not necessarily a real crisis (I can only speak for the US): we could just collect more taxes. There is literally a potential trillion dollars out there of uncollected taxes in the US alone to help fill the social security funds and balance the budget in a way that would help. Obviously the US Is extremely capitalist and there is a big intersection of money and power so conservatives don't want this, but it would go a loooong way to helping.

2) immigration

No one needs to have more children, the graph up there is right! The problem in the US is that it is an obsurdly racist country that will absolutely kick out anyone, even people doing the hard work supporting it, just got looking different. With so many people in the world, improving freedom of movement and having more open borders would allow people to work where they want and have more of the life they want while balancing the degrading labor pool.

3) Smaller economy

So I'm no economist, but from what I understand, a deflationary economy is very volatile and can very easily cause mass recession and major economic repercussions. That said, if the economy could strategically shrink, the work load could be rebalanced to support everyone in a more sustainable way with a little sacrifice. Mostly this means far less consumerism which is hard for Americans especially, but by using things like taxes to create more public services, concentrating some jobs and resources (think about how there's like 6 AI companies all battling to be the best, but are all just neck and neck. What if we had one instead, or scaled it all back? Or ask if AI maybe just isn't worth it and paid for training so they could be social workers or farmers instead, or just like whatever). There's a tremendous amount of waste, same for does Amazon, temu, Aliexpress, wish, Etsy, shein, and all that really need to exist or can we focus less on consumerism. By needing less, we could ideally responsibly reshape our economy and scale it back so it takes less resources to support a non working population and we can make what they are given count more. (But again, not an economist, if you think the economy is bad now, depending on the execution, it could get so much worse).

So with solutions like downsizing the economy, improving immigration, and doing taxes well all being obvious solutions but are really really hard to make progress in right now, the current billionaires and right wing politicians in power are pushing More births. And yes, they want white babies because they are infact just the Nazis again. Making it about fertility and birthing plays into their ideas of ethno-nationalism, restricting birth control, eroding women's rights, and many other things, it is obvious why the focus is on fertility to them.

Anyways, that is all to say, it's sort of a real crisis because countries like South Korea are looking down the barrel if a gun that could cause significant collapse in the next half century, but the way it's talked about in the media caters extraordinarily to conservative talking points and working under their framing rather than what the program actually is. It can absolutely be addressed, it isn't an actual of fertility, and it can actually like... support people in the process.

Also re: overpopulation. Different schools of thought here. There's no question we do more damage to the world now that there's 8 billion people rather than 10 million. But 90% of the problem is in resource management. Your average American is blowing through like 10x the resources anyone else in the world, meanwhile countries like India can have extraordinarily low emissions per person. Also of course companies create very literal mountains of waste which are another massive component. Conservatives like to pose it as everyone using the same resources to fear monger about POC having too many babies (despite broadly using less resources) so that white people don't have to feel like they need to change and can further their lifestyle of abundance and ethno-nationalism. What this means is if we want to help the earth, it'd be rediculous to focus on the number of people before focusing on resource consumption. If you're focusing on there being too many people, take a minute and reflect for a sec because the point is being missed and there's some bias there. If white people were concerned with overpopulation, it would be just as reasonable for them to stop have children themselves. This doesn't happen because it's not about overpopulation

Hope this all helps if anyone is confused why there's a bunch of talk around the subject right now

reasonable people: the drop in fertility rates is at least partially due to the economic circumstances we are living in. perhaps more people under 30 WOULD be interested in having children if there were resources like universal healthcare and universal childcare, making it more financially feasible to start a family at-

unreasonable people: no. wrong. we need to ban abortion and also bring back teen pregnancy in a big way.

[pumpkinpaix]

Very curious for your opinion- what do you think of it when people write modern au wwx as being very active in social justice movements? Personally, I can buy it but I don't think it should be a given?

maybe an unwise first question to pick out of my moldering askbox but whatever it's the first one that i felt like i had an answer prepared for off the cuff so yolo i guess!!

short answer: at this point, i don't buy it. It's a detail that I can and have put up with for fics i really like for other reasons, but i think it's pretty far off the mark in terms of how I understand wei wuxian's primary motivating forces.

ok now to get into the weeds! :D

there are several reasons why wei wuxian being heavily involved in social justice movements doesn't ring true to me--the easiest one to point to from outside the narrative is that the sort of activism wei wuxian is written to participate in is often modeled on how social justice circles look in the US. It feels really culturally alienated in a lot of ways. I can't really blame authors for this, though, because it's a very understandable approach to write what you're familiar with--but it does often take me out of the story because i find it kind of jarring, especially if the story in question is ostensibly supposed to be set in China where modern social activism necessarily looks very different than in the states.

but that kind of feels like metagaming the question, so: in terms of interpreting the text, i really just don't think wei wuxian would be inclined to that kind of work for two main reasons.

first: I think he'd be really bad at it lol. social activist movements are necessarily collaborative, and wei wuxian is kind of terrible at playing well with others, compromising, discussing, etc. he often favors action over diplomacy and has terrible impulse control, tending to act first, think later, often to pretty devastating consequences for the people he's ostensibly standing up for. See: antagonizing Wen Chao, which precipitates the chain of events that ultimately leads to the massacre at Lotus Pier; confronting the jins and basically threatening to kill everyone at jinlin tai if they opposed him, thus alienating all his potential allies and leaving the wen remnants essentially completely dependent on his individual power for survival etc. thus dooming them entirely when he died.

(also see: "can we stop talking and just start killing each other" at guanyin temple)

even really minor events in the past show the same kind of pattern, such as at the qishan conference when he throws his support behind wen ning as an archery competitor--wen ning panics in the spotlight and flubs his shots to public ridicule from being put on the spot. jiang cheng is the one who drags him away in mortification while wei wuxian simply doesn't give a shit about how it reflects upon him, not really considering how it might reflect on his sect.

i'm not saying that these were "wrong" actions to take in the moment: wei wuxian has an admirable righteous streak. he does not, however, always take other people into consideration when he makes his decisions. he basically ignores anyone who tries to change his behavior, sometimes carelessly, sometimes reacting with anger (Jiang Cheng, Lan Wangji, literally everyone post-sunshot frankly). that kind of individualist mentality is really ill-suited to activism, which requires an understanding that the individual has less power than the group and that you cannot bend the world around you. a lot of fandom comes down super hard on characters like jiang cheng and yu ziyuan for the things they say to wei wuxian, but i think they're honestly quite understandable, even if the way they express themselves is sometimes cruel or hurtful. the rationale isn't particularly surprising. It's one thing to act in a way that gets yourself hurt. It's another to do so when you know that your position will drag a whole lot of others down with you.

i feel that even if wei wuxian had the interest in joining a social activist group, he would probably eventually butt heads with the others until they either expelled him or he left himself. his thick skin would be a great tool in certain calculated actions (he would do very well as a symbol or a charismatic fall guy) but unfortunately, he's not very good at listening or adhering to a plan.

second: i just don't think wei wuxian thinks about systems of oppression very much. i summarized how i feel about his relationship to class already in this post from like 4.5 years ago (jeez.....) and I still stand by it! wei wuxian is not particularly class conscious because he is, in fact, relatively wealthy. he also like, pretty clearly doesn't think very hard about women's work or status either, except in personal terms--after all, he plays with A'Yuan frivolously, planting him in the dirt and does not think about the kind of work that goes into maintaining a standard of living, which is often women's work. (before anyone says anything, yes, i am aware he is not outright misogynist about women's work). throughout the text, wei wuxian just doesn't put a whole lot of thought into how a woman's gender might affect her status and power.

furthermore, this is kind of mentioned in the class meta, but again--wei wuxian's defense of the wen remnants isn't singularly motivated by the desire to uplift an oppressed class, because the wens are not an oppressed class. They are a sect, which is both familial and alliance-based, not an ethnic group or a class of people. Their treatment is still unconscionable, but it's not systemic oppression. the attempted killing of all the wens is not much different than xue yang's vendetta against the yueyang chang clan, except in scale. and until wen qing comes and personally begs him to help her find her brother, wei wuxian doesn't really have any thoughts to spare for the wen remnants and how they might be faring. he goes to help wen qing and wen ning because he owes them both a serious personal debt, which is something that he feels strongly about! and once he gets to the camps, he obviously isn't going to just ignore the other people suffering (esp because they are the wen sibs' immediate family). he is righteous, after all, but often fails to apply it in a big-picture way.

wei wuxian cares a lot about paying back those who have been kind to him or have helped him, which is pretty evident through his self-sacrificing streak throughout the narrative. he often forgets or deliberately does not take his own well-being into consideration--but, as established, he also forgets that he is not an isolated entity and that his well-being is tied to the well-being of others as well.

throwing himself in front of the brand to save mianmian, making sure everyone else gets out of the cave before he does, immediately coming to terms with having his right hand cut off, giving up his golden core, publicly distancing himself from yunmeng, personally defending the wen remnants, taking jin ling's curse mark onto himself, making himself into the yin flag at the second siege and so on--it's all one long extension of paying back debts, in some way.

personally, I think this is because he considers his entire life to be one that is owed--his life, his skills, his body etc. is all owed to others. I also think, however, that this tendency is often confused by fandom into characterizing wei wuxian as having low self-esteem, which he patently does not. wei wuxian thinks he's hot shit. he's arrogant, a show-off, and is so insistent in his own skills and abilities that he icaruses himself into literal bits. when he thinks he's about to lose his right hand he's like welp. guess i gotta learn how to do this with my left, without really any question about whether or not he can. of course he can! he's wei wuxian! can he bring wen ning back from the dead? for sure!! definitely!!!! can he totally do this night hunt blindfolded? hell yeah he can! and he's usually right. i think wei wuxian has very low self-worth, which is a different thing: he throws himself away at the drop of a hat for others that he cares about or feels indebted to because, whether consciously or unconsciously, he thinks that their well-being, survival, happiness etc. is something he should ensure at any cost, even himself because he owes it to them. he owes his whole existence!

so circling back to the initial topic, I think this pattern of thinking is pretty at odds with social activism. he puts those he feels he owes above himself, but doesn't have a lot of attention to spare for people he considers irrelevant--which is most people. (never learning jin zixun's name, for example). I think that while he understands the nature of systems of oppression to a certain degree (like, he understands jin guangyao's motivations, but he's not particularly interested or sympathetic), it's not something he's really passionate about correcting. his reaction mostly seems to be like "well, that sucks". he only really goes out of his way to defend those that he has personal affairs with or those that happen to pique his notice

wei wuxian doesn't actually have big-picture ambitions. he didn't want to be a leader of anything or start his own sect or anything else. he doesn't spend much of his thoughts on making a better world so much as how he might be able to be content in the world that exists with the people that he cares about. that kind of self-focused drive leaves me unconvinced that he would get involved in social justice in any meaningful way in a modern au. ¯\_(ツ)_/¯ i think that makes him a really fun protagonist, tbh. the tension between his selfishness and his propensity for self-sacrifice makes for a very interesting dynamic.

.....

:'] i guess i never left the weeds.

(ko-fi)

[mariacallous]

The latest episodes in Andor’s second season focus on Mon’s break with the Imperial Senate. “Within the senate Mon is becoming lonelier,” notes O’Reilly. “She has few allies. Palpatine’s power and grip on the senate is undeniable. She is isolated. And she's in danger. The rebellion as we move through the series is growing because we are becoming more successful. We also, like most things, become divided, fractured. And with fracture comes confusion. So nothing is as it seems.”

Mon’s speech in episode nine was a focal point for O’Reilly as it gave her character a voice as a woman, politician, and as a leader. O’Reilly felt that she and Gilroy both wanted the political narrative to feel rooted and real for the character as Mothma made a speech to the senate after the Imperial massacre at Ghorman.

“She speaks on behalf of all those people being murdered by the state,” said O’Reilly. “She implicitly understands the violence that is being perpetrated and performed. And that it will come to her. And that it will come to all those that she knows and loves.”

Andor’s focus on people’s home lives, their heritage, their cultures helped to ground the words in Mon’s speech. “The detail in those Ghorman episodes, you feel like you've known this whole culture forever,” says O’Reilly. “I feel like I can talk to someone on the street about them. And so the loss of that allows for a depth or a weight that is carried that makes sense. And so when the moment came for Mon Mothma to speak, it was vital for me that I was able to hold those civilizations forward and hold those people and that pain forward and perhaps to give an understanding of who Mon Mothma is much later. And that was really my driving force for this whole season. And I think it's the way George Lucas set it up in the very first film, telling a very political story through very personal relationships.”

While in the original script Mon’s speech was split up into different parts as the episode would cut from Mon to other characters while she was speaking, O’Reilly and the showrunner, along with episodic writer Dan Gilroy, agreed that it was important for her to deliver a full, uninterrupted speech on camera. “And that came out of a generosity of a creative partnership that doesn't happen very often,” noted O’Reilly. “I stood up and I gave the whole speech, and the whole speech now exists in the piece and that's very special. It's an understanding of how an actor likes to work, the generosity of taking the time to do that, a director understanding the actor who understands the writer.”

After Mon’s speech, she and Cassian Andor, who Luthen sent to extract her from Coruscant, have to make a run for it. Which gave O’Reilly another chance to show a new side to her character. “I was just so thrilled that she got to run! I did think it made sense…that she wouldn’t be good at it. She’s not Vel. She’s not in the field. She’s a senator. She’s a politician. So, of course she’s not going to pick up guns and start shooting people. But it was great to see her have to run, have to use her body. I think she exercises her whole cerebral cortex in the speech and all that’s left is to run.”

While there is more of Mon Mothma’s story to come in Andor’s last arc, the speech and escape provided a tense and fulfilling end to one chapter of Mon’s life and O’Reilly’s experience playing her. “I was so focused on [episode] nine and working really hard to chisel away at that because for me, that was the heart of Mon. So when I eventually saw it, I actually just cried afterwards. I just cried because it means so much when you're chiseling away at your own little thing and your own little studio and you're trying as an actor to really push and create and paint. And then when I saw it, I was so deeply grateful that I was able to be a part of it.”

Genevieve O’Reilly on That Speech and Mon Mothma’s Other Biggest Moments from Andor Season 2

[sysig]

If the rules are “Catch them all” ZEX already has a leg up (Patreon)

[yuri-is-online]

Azul “WHAT DO YOU MEAN YOU SHOT PEOPLE INTO THE SKY TO A ROCK?!??!” Ashengrotto

I'd also like to bring up the point that while there's water breathing potions I doubt they have anything to protect from the crushing depth of the deep ocean so I think he'd as freak the fuck out over the fact that humans have been that deep underwater. Very much in a WHAT THE HELL ARE YOU DOING?!? HUMANS CANT GO THERE!” kind of cay

YES

I think twisted wonderland might have something that would allow humans to transform into merfolk, which would allow them to go into the deep ocean depending on the type of mer they became, but the concept of humans going as they are in submersibles is just odd. Then again he supposes your world doesn't have magic or merfolk so they don't have to worry about bothering anyone. Same with going to space, Azul's hatred of flying cannot be understated the thought of going that far up willingly is just so beyond him.

Azul is a very profit minded person, but his specialty and passion lies in hospitality and fixing niche problems. Space and deep sea exploration don't seem like fields he would want to expand his business into. He might be interested in the logistics of investing in those sorts of things? But the actual mechanics would just mystify him. The moon in the fucking sky give him a break.

[the-insouciant-scientist]

what are hyakinthos's thoughts on the boatman and the slow boat in general?

Ooh, taking a quick sidestep from the rest of the ask game asks to answer this real quick! Short answer: a little complicated but generally friendly! Long answer: Gotta give some backstory first, bear with me. I have been thinking so much about belief systems vs established canon. Canon says that every human who dies regardless of belief (there may be nuance I'm forgetting but I'm in full speed infodump mode rn so that's a problem for future me) goes to the Far Shore. I say that's... kinda bleak? Also I'm just not a fan of stories where there is only One Real Belief and the rest are played off as silly distraction or whatever, but I digress.

A lot of his everything is based around the idea that both belief and proper death/burial care are important to get people to the afterlife they're meant to be in. Ritual makes all the difference between going to the Far Shore vs the Fields of Asphodel, for example.

His Boatman is Charon, or at least accepts the name. Hyakinthos has a working relationship with him and has probably taken up the oars at least a few times, especially for people who need the extra care in getting to where they need to be.

There's respect there, but there's also a certain... I'm not sure I have the words for it. The idea that death in the Neath is uncertain in so many ways (whether it'll stick that time, whether the person will make it to their afterlife or if they'll slip between the cracks and end up in the wrong place, etc) can be... discomfiting, to him. So while he does hold the boatman in high regard, there's always some little uncertainty there.

(Every so often, by their standards at least, Hyakinthos will bring him a very old obol. The Boatman will always refuse it. This is a ritual of its own. They'll sit for a while and talk anyways, and then part ways afterwards a little lighter.)

[elvisqueso]

I am on some bullshit right now, bruh

[iphigeniacomplex]

everyone in the world is either a democrat or a republican. everyone in the whole wide world is a democrat and a republican and america is the largest and most populous country in the world and america is easily the most culturally diverse country in the world because the middle class white people in my state (like a little country) are very different than the middle class white people over there (another little country, once more called a "state") and you could never understand how bad it is in america, the main country in the world. where are you from again? it's bad in america and america is bad but the way that america is run is the only way a country could possibly be run unfortunately. i don't like it but it's the only right way for a country to be run and you don't get it because the main victims of the main country are all here and you aren't. where are you from again? they never told me about that place. i don't think you get that real people live in america. probably because you're a republican. real people live in america and real people are hurt by america but what can you do? god said america has to be like this. god said this because god is real so god is american. you don't get it because you're over there and we're all here in america, the realest country in the world. where are you from again? how can you talk like this with what's happening in america? you're a democrat, right? where are you from again? my country is so large it stretches over yours and presses down hard. it's not my fault that they never told me about that place. my country covers the world. you don't understand how bad this will be for real people in the real world, the first world, the only world. they never told me��where in america are you from again?

[mr-nicegirl]

also, on the topic of intersex medicalism:

for a hugely diverse category of people who have experienced systemic othering to a disproportionate degree, been completely erased from most every narrative historically, as well as having some of the most intense medical abuse from the JUMP (for a variety of reasons that are not always directly correlated to the intersexism- at least distinguishably.)

why are some of us so prone to cling to the western medical model for (self) validity. cause that's all it really is. too many of us have experienced medical abuse and sometimes outright malpractice for being born with a congenital condition. some of have experienced far more than others. some of will live never getting confirmation of any congenital conditions (diagnosed). some of us don't get to live at all.

we are prone to cling onto this idea of variants and diagnoses like lifelines to better understand ourselves and our conditions without putting too much pressure or thought into the module itself. we are never going to get the true answer to what IS intersex and what IS perisex.

whatever you prefer: intersex VS perisex (or endosex or dyadic) it literally DOESN'T matter. for a subset of people who DO NOT FIT into a literal FALSE binary. a false dichotomy. why are we trying to then built on top of one with another? MALE or FEMALE (or 'INTERSEX') is the same as PERISEX or INTERSEX.

female or male is a false binary. it always has been. it always will be. whether it's gender or sex it has never been real. you can try making it into a false trinary or trichotomy with Female/Male/Intersex or Girl/Boy/Non-binary but either way you just made a false TRInary.

gender is a "spectrum"

SEX is a "spectrum" there is no PERISEX vs INTERSEX. that's the whole fucking point. a WHOLE slew of us don't even really know nor understand what kind of primordial soup type situation happens in utero. the developing fetuses body parts are still floating/moving around trying to find their permanent placements WELL into the second trimester and congenital issues/disabilties are far more common than we're made to believe. not just intersex conditions. but they're most definitely correlated.

i just feel like we've lost the plot a little bit.

[luna-azzurra]

Body Language Cheat Sheet For Writers 

╰ Facial expressions

These are your micro-signals, like the blinking neon signs of the soul. But they’re small, quick, and often lie harder than words.

Raised eyebrows — This can mean surprise or disbelief, sure. But it can also be a full-on, silent “Are you serious right now?” when someone’s being ridiculous. Or even curiosity when someone’s too emotionally repressed to askthe damn question.

Furrowed brow — That face people make when they’re doing long division in their head or trying to emotionally process a compliment. It’s thinking, yes—but also confusion, deep frustration, or quiet simmering rage.

Smiling — Can be happiness… or total fake-it-till-you-make-it energy. Some smiles are stiff. Some don’t reach the eyes. Show that.

Frowning — Sure, sadness. But also: disappointment, judgment, or the universal “I’m about to say something blunt, brace yourself.”

Lip biting — It’s not just nervousness, it’s pressure. Self-control. Anticipation. It’s the thing people do when they want to say something and decide, at the last second, not to.

╰ Eye movement

The window to the soul? Yeah. But also the window to when someone’s lying, flirting, or deeply trying not to cry in public.

Eye contact — Confidence or challenge. Eye contact can be gentle, curious, sharp like a blade. Sometimes it’s desperate: “Please understand me.”

Avoiding eye contact — Not always guilt. Sometimes it’s protectiveness. Sometimes it’s “I’m afraid if I look at you, you’ll see everything I’m trying to hide.”

Narrowed eyes — Calculating. Suspicious. The look someone gives when their brain’s saying “hmmm...” and it’s not a good hmm.

Wide eyes — Surprise, yes. But also sudden fear. The oh-God-it’s-happening look. Or when someone just found out they’re not as in control as they thought.

Eye roll — Classic. But try using it with tension, like when someone’s annoyed and trying very hard not to lose it in public.

╰ Gestures

This is where characters’ emotions go when their mouths are lying.

Crossing arms — Not just defensive. Sometimes it’s comfort. A self-hug. A barrier when the conversation is getting too personal.

Fidgeting — This is nervous energy with nowhere to go. Watch fingers tapping, rings spinning, sleeves tugged. It says: I’m not okay, but I’m trying not to show it.

Pointing — It’s a stab in the air. Aggressive, usually. But sometimes a desperate plea: Look. Understand this.

Open palms — Vulnerability. Honesty. Or a gesture that says, “I have nothing left to hide.”

Hand on chin — Not just thinking. It’s stalling. It’s delaying. It’s “I’m about to say something that might get me in trouble.”

╰ Posture and movement

These are your vibes. How someone occupies space says everything.

Slumped shoulders — Exhaustion. Defeat. Or someone trying to take up less space because they feel small.

Upright posture — Not always confidence. Sometimes it’s forced. Sometimes it’s a character trying really, really hard to look like they’re fine.

Pacing — Inner chaos externalized. Thinking so loudly it needs movement. Waiting for something. Running from your own thoughts.

Tapping foot — Tension. Irritation. Sometimes a buildup to an explosion.

Leaning in — Intimacy. Interest. Or subtle manipulation. (You matter to me. I’m listening. Let’s get closer.)

╰ Touch

This is intimacy in all its forms, comforting, protective, romantic, or invasive.

Hugging — Doesn’t always mean closeness. Could be a goodbye. Could be an apology they can’t say out loud. Could be awkward as hell.

Handshake — Stiff or crushing or slippery. How someone shakes hands says more than their words do.

Back patting — Casual warmth. Bro culture. Awkward emotional support when someone doesn’t know how to comfort but wants to try.

Clenched fists — Holding something in. Rage, tears, restraint. Fists mean tension that needs somewhere to go.

Hair tuck — Sure, flirtation or nerves. But also a subtle shield. A way to hide. A habit from childhood when someone didn’t want to be seen.

╰ Mirroring:

If two characters start syncing their body language, something is happening. Empathy. Chemistry. Shared grief. If someone shifts their body when the other does? Take notice. Other human bits that say everything without words...

Nodding — Not just yes. Could be an “I hear you,” even if they don’t agree. Could be the “keep going” nod. Could be patronizing if done too slow.

Crossed legs — Chill. Casual. Or closed-off, depending on context. Especially if their arms are crossed too.

Finger tapping — Time is ticking. Brain is pacing. Something’s coming.

Hand to chest — Sincerity, yes. But also shock. Or grounding—a subconscious attempt to stay present when everything feels like too much.

Tilting the head — Curiosity. Playfulness. Or someone listening so hard they forget to hide it.

Temple rub — “I can’t deal.” Could be physical pain. Could be stress. Could be emotional overload in disguise.

Chin stroking — Your classic “I’m judging you politely.” Often used in arguments between characters pretending to be calm.

Hands behind the back — Authority. Control. Or rigid fear masked as control.

Leaning body — This is the body betraying the brain. A tilt toward someone means they care—even if their words are cold.

Nail biting — Classic anxiety. But also habit. Something learned. Sometimes people bite because that’s how they self-soothe.

Squinting — Focusing. Doubting. Suspicion without confrontation.

Shifting weight — Uncomfortable. Unsure. Someone who wants to leave but doesn’t.

Covering the mouth — Guilt. Hesitation. The “should I say this?” moment before something big drops.

Body language is more honest than dialogue. If you really want to show your character’s internal world, don’t just give them lines. Give them a hand that won’t stop shaking. Give them a foot that won’t stop bouncing. Give them a mouth that smiles when their eyes don���t. And if you’re not sure what your character would do in a moment of fear, or love, or heartbreak, try acting it out yourself. Seriously. Get weird. Feel what your body does. Then write that down.

[caelum-in-the-avatarverse]

Fandom can do a little gatekeeping. As a treat.

So I finally decided to archive-lock my fics on AO3 last night. I’ve been considering it since the AI scrape last year, but the tipping point was this whole lore.fm debacle, coupled with some thoughts I’ve been thinking regarding Fandom These Days in general and Fandom As A Community in particular. So I wanna explain why I waited so long, why I locked my stuff up now, and why I’ve come to the conclusion that I’m a-okay with making it harder for people to see my stories.

Lurkers really are great, tho

I’m a chronic lurker, and have been since I started hanging out on the internet as a teen in the 00s. These days it’s just cuz I don’t feel a need to socialize very often, but back then it was because I was shy and knew I was socially awkward. Even if I made an account, I’d spend months lurking on message boards or forums or Livejournals, watching other people interact and getting a feel for that particular community’s culture and etiquette before I finally started interacting myself. And y’know, that approach saved me a lot of embarrassment. Over the course of my lurking on any site, there was always some other person who’d clearly joined up five minutes after learning the place existed, barged in without a care for their behavior, and committed so many social faux pas that all the other users were immediately annoyed with them at best. I learned a lot observing those incidents. Lurk More is Rule 33 of the internet for very good reason.

Lurking isn’t bad or weird or creepy. It’s perfectly normal. I love lurking. It’s hard for me to not lurk - socializing takes a lot of energy out of me, even via text. (Heck it took 12 hours for me to write this post, I wish I was kidding--) Occasionally I’ll manage longer bouts of interaction - a few weeks posting here, almost a year chatting in a discord there - but I’m always gonna end up going radio silent for months at some point. I used to feel bad about it, but I’ve long since made peace with the fact that it’s just the way my brain works. I’m a chronic lurker, and in the long term nothing is going to change that.

The thing with being a chronic lurker is that you have to accept that you are not actually seen as part of the community you are lurking in. That’s not to say that lurkers are unimportant - lurkers actually are important, and they make up a large proportion of any online community - but it’s simple cause and effect. You may think of it as “your community”, but if you’ve never said a word, how is the community supposed to know you exist? If I lurked on someone’s LJ, and then that person suddenly friendslocked their blog, I knew that I had two choices: Either accept that I would never be able to read their posts again, or reach out to them and ask if I could be added to their friends list with the full understanding that I was a rando they might not decide to trust. I usually went with the first option, because my invisibility as a lurker was more important to me than talking to strangers on the internet.

Lurking is like sitting on a park bench, quietly people-watching and eavesdropping on the conversations other people are having around you. You’re in the park, but you’re not actively participating in anything happening there. You can see and hear things that you become very interested in! But if you don’t introduce yourself and become part of the conversation, you won’t be able to keep listening to it when those people walk away. When fandom migrated away from Livejournal, people moved to new platforms alongside their friends, but lurkers were often left behind. No one knew they existed, so they weren’t told where everyone else was going. To be seen as part of a fandom community, you need to submit to the mortifying ordeal of being known, etc. etc.

There’s nothing wrong with lurking. There can actually be benefits to lurking, both for the lurkers and the communities they lurk in. It’s just another way to be in a fandom. But if that is how you exist in fandom--and remember, I say this as someone who often does exist that way in fandom--you need to remember that you’re on the outside looking in, and the curtains can always close.

I’ve always been super sympathetic to lurkers, because I am one. I know there’s a lot of people like me who just don’t socialize often. I know there’s plenty of reasons why someone might not make an account on the internet - maybe they’re nervous, maybe they’re young and their parents don’t allow them to, maybe they’re in a bad situation where someone is monitoring their activity, maybe they can only access the internet from public computer terminals. Heck, I’ve never even logged into AO3 on my phone--if I’m away from my computer I just read what’s publicly available. 

I know I have people lurking on my fics. I know my fics probably mean a lot to someone I don’t even know exists. I know this because there are plenty of fics I love whose writers don’t know I exist.

I love my commenters personally; I love my lurkers as an abstract concept. I know they’re there and I wish them well, and if they ever de-lurk I love them all the more.

So up until last year I never considered archive-locking my fic, because I get it. The AI scraping was upsetting, but I still hesitated because I was thinking of lurkers and guests and remembering what it felt like to be 15 and wondering if it’d be worth letting a stranger on the internet know I existed and asking to be added to their friends list just so I could reread a funny post they made once.

But the internet has changed a lot since the 00s, and fandom has changed with it. I’ve read some things and been doing some thinking about fandom-as-community over the last few years, and reading through the lore.fm drama made me decide that it’s time for me to set some boundaries.

I still love my lurkers, and I feel bad about leaving any guest commenters behind, especially if they’re in a situation where they can’t make an account for some reason. But from here on out, even my lurkers are going to have to do the bare minimum to read my fics--make an AO3 account.

Should we gatekeep fandom?

I’ve seen a few people ask this question, usually rhetorically, sometimes as a joke, always with a bit of seriousness. And I think…yeah, maybe we should. Except wait, no, not like that--

A decade ago, when people talked about fandom gatekeeping and why it was bad to do, it intersected with a lot of other things, mainly feminism and classism. The prevalent image of fandom gatekeeping was, like, a man learning that a woman likes Star Wars and haughtily demanding, “Oh, yeah? Well if you’re REALLY a fan, name ten EU novels” to belittle and dismiss her, expecting that a “real fan” would have the money and time to be familiar with the EU, and ignoring the fact that male movie-only fans were still considered fans. The thing being gatekept was the very definition of “being a fan” and people’s right to describe themselves as one.

That’s not what I mean when I say maybe fandom should gatekeep more. Anyone can call themselves a fan if they like something, that’s fine. But when it comes to the ability to enjoy the fanworks produced by the fandom community…that might be something worth gatekeeping.

See, back in the 00s, it was perfectly common for people to just…not go on the internet. Surfing the web was a thing, but it was just, like, a fun pastime. Not everyone did it. It wasn’t until the rise of social media that going online became a thing everyone and their grandmother did every day. Back then, going on the internet was just…a hobby.

So one of the first gates online fandom ever had was the simple fact that the entire world wasn’t here yet.

The entire world is here now. That gate has been demolished.

And it’s a lot easier to find us now. Even scattered across platforms, fandom is so centralized these days. It isn’t a network of dedicated webshrines and forums that you can only find via webrings anymore, it’s right there on all the big social media sites. AO3 didn’t set out to be the main fanfic website, but that’s definitely what it’s become. It’s easy for people to find us--and that includes people who don’t care about the community, and just want “content.”

Transformative fandom doesn’t like it when people see our fanworks as “content”. “Content” is a pretty broad term, but when fandom uses it we’re usually referring to creative works that are churned out by content creators to be consumed by an audience as quickly as possible as often as possible so that the content creator can generate revenue. This not-so-new normal has caused a massive shift in how people who are new to fandom view fanworks--instead of seeing fic or art as something a fellow fan made and shared with you, they see fanworks as products to be consumed.

Transformative fandom has, in general, always been a gift economy. We put time and effort into creating fanworks that we share with our fellow fans for free. We do this so we don’t get sued, but fandom as a whole actually gets a lot out of the gift economy. Offer your community a story, and in return you can get comments, build friendships, or inspire other people to write things that you might want to read. Readers are given the gift of free stories to read and enjoy, and while lurking is fine, they have the choice to engage with the writer and other readers by leaving comments or making reclists to help build the community.

And look, don’t get me wrong. People have never engaged with fanfic as much as fan writers wish they would. There has always been “no one comments anymore” wank. There have always been people who only comment to say “MORE!” or otherwise demand or guilt trip writers into posting the next chapter. But fandom has always agreed that those commenters are rude and annoying, and as those commenters navigate fandom they have the chance to learn proper community etiquette.

However, now it seems that a lot of the people who are consuming fanworks aren’t actually in the community. 

I won’t say “they aren’t real fans” because that’s silly; there’s lots of ways to be a fan. But there seem to be a lot of fans now who have no interest in fandom as a community, or in adhering to community etiquette, or in respecting the gift economy. They consume our fics, but they don’t appreciate fan labor. They want our “content”, but they don’t respect our control over our creations.

And even worse--they see us as a resource. We share our work for free, as a gift, but all they see is an open-source content farm waiting to be tapped into. We shared it for free, so clearly they can do whatever they want with it. Why should we care if they feed our work into AI training datasets, or copy/paste our unfinished stories into ChatGPT to get an ending, or charge people for an unnecessary third-party AO3 app, or sell fanbindings on etsy for a profit without the author’s permission, or turn our stories into poor imitations of podfics to be posted on other platforms without giving us credit or asking our consent, while also using it to lure in people they can datascrape for their Forbes 30 Under 30 company? 

And sure, people have been doing shady things with other people’s fanworks since forever. Art theft and reposting has always been a big problem. Fanfic is harder to flat-out repost, but I’ve heard of unauthorized fic translations getting posted without crediting the original author. Once in…I think the 2010s? I read a post by a woman who had gone to some sort of local bookselling event, only to find that the man selling “his” novel had actually self-published her fanfic. (Wish I could find that one again, I don’t even remember where I read it.)

But aside from that third example, the thing is…as awful as fanart/writing theft is, back in the day, the main thing a thief would gain from it was clout. Clout that should rightfully go to the creators who gifted their work in the first place, yeah, but still. Just clout. People will do a lot of hurtful things for clout, but fandom clout means nothing outside of fandom. Fandom clout is not enough to incentivize the sort of wide-scale pillaging we’re seeing from community outsiders today.

Money, on the other hand… Well, fandom’s just a giant, untapped content farm, isn’t it? Think of how much revenue all that content could generate.

Lurkers are a normal and even beneficial part of any online community. Maybe one day they’ll de-lurk and easily slide into place beside their fellow fans because they already know the etiquette. Maybe they’re active in another community, and they can spread information from the community they lurk in to the community they’re active in. At the very least, they silently observe, and even if they’re not active community members, they understand the community.

Fans who see fanworks as “content” don’t belong in the same category as lurkers. They’re tourists. 

While reading through the initial Reddit thread on the lore.fm situation, I found this comment:

[ID: Reddit User Cabbitowo says: ... So in anime fandoms we have a word called tourist and essentially it means a fan of a few anime and doesn't care about anime tropes and actively criticizes them. This is kind of how fandoms on tiktok feel. They're touring fanfics and fanart and actively criticizes tropes that have been in the fandom since the 60s. They want to be in a fandom but they don't want to engage in fandom 

OP totallymandy responds: Just entered back into Reddit after a long day to see this most recent reply. And as a fellow anime fan this making me laugh so much since it’s true! But it sorta hurts too when the reality sets in. Modern fandom is so entitled and bratty and you’d think it’s the minors only but that’s not even true, my age-mates and older seem to be like that. They want to eat their cake and complain all whilst bringing nothing to the potluck… :/ END ID]

-

“Tourist” is an apt name for this sort of fan. They don’t want to be part of our community, and they don’t have to be in order to come into our spaces and consume our work. Even if they don’t steal our work themselves, they feel so entitled to it that they’re fine with ignoring our wishes and letting other people take it to make AI “podfics” for them to listen to (there are a lot of comments on lore.fm’s shutdown announcement video from people telling them to just ignore the writers and do it anyway). They’ll use AI to generate an ending to an unfinished fic because they don’t care about seeing “the ending this writer would have given to the story they were telling”, they just want “an ending”. For these tourist fans, the ends justify the means, and their end goal is content for them to consume, with no care for the community that created it for them in the first place.

I don’t think this is confined to a specific age group. This isn’t “13-year-olds on Wattpad” or “Zoomers on TikTok” or whatever pointless generation war we’re in now. This is coming from people who are new to fandom, whose main experience with creative works on the internet is this new content culture and who don’t understand fandom as a community. That description can be true of someone from any age group.

It’s so easy to find fandom these days. It is, in fact, too easy. Newcomers face no hurdles or challenges that would encourage them to lurk and observe a bit before engaging, and it’s easy for people who would otherwise move on and leave us alone to start making trouble. From tourist fans to content entrepreneurs to random people who just want to gawk, it’s so easy for people who don’t care about the fandom community to reap all of its fruits. 

So when I say maybe fandom should start gatekeeping a bit, I’m referring to the fact that we barely even have a gate anymore. Everyone is on the internet now; the entire world can find us, and they don’t need to bother learning community etiquette when they do. Before, we were protected by the fact that fandom was considered weird and most people didn’t look at it twice. Now, fandom is pretty mainstream. People who never would’ve bothered with it before are now comfortable strolling in like they own the place. They have no regard for the fandom community, they don’t understand it, and they don’t want to. They want to treat it just like the rest of the content they consume online.

And then they’re surprised when those of us who understand fandom culture get upset. Fanworks have existed far longer than the algorithmic internet’s content. Fanworks existed long before the internet. We’ve lived like this for ages and we like it.

So if someone can’t be bothered to respect fandom as a community, I don’t see why I should give them easy access to my fics.

Think of it like a garden gate

When I interact with commenters on my fic, I have this sense of hospitality.

The comment section is my front porch. The fic is my garden. I created my garden because I really wanted to, and I’m proud of it, and I’m happy to share it with other people. 

Lots of people enjoy looking at my garden. Many walk through without saying anything. Some stop to leave kudos. Some recommend my garden to their friends. And some people take the time to stop by my front porch and let me know what a beautiful garden it is and how much they’ve enjoyed it. 

Any fic writer can tell you that getting comments is an incredible feeling. I always try to answer all my comments. I don’t always manage it, but my fics’ comment sections are the one place that I manage to consistently socialize in fandom. When I respond to a comment, it feels like I’m pouring out a glass of lemonade to share with this lovely commenter on my front porch, a thank you for their thank you. We take a moment to admire my garden together, and then I see them out. The next time they drop by, I recognize them and am happy to pour another glass of lemonade.

My garden has always been open and easy to access. No fences, no walls. You just have to know where to find it. Fandom in general was once protected by its own obscurity, an out-of-the-way town that showed up on maps but was usually ignored.

But now there’s a highway that makes it easy to get to, and we have all these out-of-towner tourists coming in to gawk and steal our lawn ornaments and wonder if they can use the place to make themselves some money.

I don’t care to have those types trampling over my garden and eating all my vegetables and digging up my flowers to repot and sell, so I’ve put up a wall. It has a gate that visitors can get through if they just take the time to open it.

Admittedly, it’s a small obstacle. But when I share my fics, I share them as a gift with my fellow fans, the ones who understand that fandom is a community, even if they’re lurkers. As for tourist fans and entrepreneurs who see fic as content, who have no qualms ignoring the writer’s wishes, who refuse to respect or understand the fandom community…well, they’re not the people I mean to share my fic with, so I have no issues locking them out. If they want access to my stories, they’ll have to do the bare minimum to become a community member and join the AO3 invite queue.

And y’know, I’ve said a lot about fandom and community here, and I just want to say, I hope it’s not intimidating. When I was younger, talk about The Fandom Community made me feel insecure, and I didn’t think I’d ever manage to be active enough in fandom spaces to be counted as A Member Of The Community. But you don’t have to be a social butterfly to participate in fandom. I’ll always and forever be a chronic lurker, I reblog more than I post, I rarely manage to comment on fic, and I go radio silent for months at a time--but I write and post fanfiction. That’s my contribution.

Do you write, draw, vid, gif, or otherwise create? Congrats, you're a community member.

Do you leave comments? Congrats, you're a community member.

Do you curate reclists? Congrats, you're a community member.

Do you maintain a fandom blog or fuckyeah blog? Congrats, you're a community member.

Do you provide a space for other fans to convene in? Congrats, you're a community member.

Do you regularly send asks (off anon so people know who you are)? Congrats, you're a community member.

Do you have fandom friends who you interact with? Congrats, you're a community member.

There’s lots of ways to be a fan. Just make sure to respect and appreciate your fellow fans and the work they put in for you to enjoy and the gift economy fandom culture that keeps this community going.

[mxrcurysb1tch]

˚₊‧꒰ა ☆‧₊˚ Astrology observations pt. VI˚₊☆ ໒꒱ ‧₊

✮ As always, take what resonates and leave the rest. xo

✮ Women with Venus in Leo want the red carpet rolled out for them in love. Give me the princess treatment, fly me to Paris, check us in at the Ritz, buy me designer, show me off. Men with Venus in Leo are pulling all the stops in love. They’re the ones splashing out, being extremely chivalrous. I know a guy with this placement and he’s usually super stingy but when his girlfriend is involved he makes sure she is treaaaateedd.

✮ I once read somewhere that mercury retrograde natives get really annoyed and frustrated when technological errors happen, when the WiFi is loading slow, when they don’t understand how something works on a computer etc. And idk about you guys but as a native myself, I can definitely relate lol!

✮ Speaking of mercury retrograde, I often find that when two natives meet each other, they either understand each other on a whole different level or they c o m p l e t e l y misunderstand each other and butt heads constantly and just generally get on each other’s nerves.

✮ 10h moons and being great musicians. I’ve noticed that a lot of musicians, especially ones that write their own songs have this placement and I think it’s because they’re so good at laying out the details of their lives in their songs and their emotions are a key component in the success of their career.

✮ *sigh* this is one I’m so tired of hearing. Capricorn isn’t just about being obsessed with money, materialism and capitalism. It’s about success, improvement, and mastery. Now I can see the overlap between the two ideas and the significations are definitely there for a reason. In our culture, the sign of success is having the money and the career, the house, so yes those things are likely to be attractive to a Capricorn. However it could just be about being successful and improving in any area of your life not just money and career.

✮ 6h stellium and/or moon might suffer from major health anxiety or intrusive thoughts, even OCD in extreme cases.

✮ Chiron 9h/sagittarius You might feel completely lost in life and like nothing has any meaning. You might have a confusing relationship with religion or be into nihilistic philosophies. Travelling and exploring the world can offer you a sense of purpose and meaning.

✮ Neptune aspects to personal planets can make a person feel very in tune with the psychic world and the energy of the collective unconscious. They might easily pick up on energetic shifts on a societal scale. The type of aspect will show how the native feels about this, what they choose to do with this ability and if it is a hindrance or help to them.

✮ Uranus aspects to personal planets can make the native very susceptible to understanding trends and behaviours in society. They may have a sixth sense predicting trends and people’s behaviours before they happen. I think this is especially prominent for those gen z that have Uranus in Pisces. Uranus aspects to personal planets can also make the native very ahead of their time, and they may propose extremely controversial or shocking ideas and observations that later turn out to be astute and extremely popular. With hard aspects, the native can struggle to harness this power for good and may rub people up the wrong way or even disgust them with their outlandish ideas. With more benefic aspects, the native can be seen as a visionary, someone to be revered and followed.

[lilybecca1]

Wait, Bakudeku is literally considered canon in the Japanese fandom???!!! Like no joke, in Japan Bkdk being canon is actually a widely accepted thing?? Like, let me get this straight.

The manga was meant for Japanese audience mainly, so the romance would also be something that is suited for Japanese audience, not the direct and straight forward approach that non-japanese shows have when it comes to romance. And you guys remember the "Rest of our lives" scene? Well yeah, that's actually a marriage proposal in Japan. In Japan they don't say Will you marry me? Some of the most common proposal lines are literally:

“Let’s spend the rest of our lives together.”

“Having you by my side is what completes me.”

“I can't imagine my life without you in it.”

“I wish I could give you everything, but I hope that this ring is enough.”

"I will protect you forever."

Like bro what?? These are literally Bkdk coded. Like Izuku fr thought once that he can't imagine his world without Kacchan in it. And the “I wish I could give you everything, but I hope that this ring is enough.”?? Replace ring with hero suit and you get the freaking ending of the manga. And I will protect you forever is also so them like I just can't yjxnsjxjnxjdkkxkxkxkxkkdk

I know we were all waiting for Horikoshi to make Bkdk canon in some big way like at the end they're revealed to be together or some confession or some shit but we do forget sometimes that this is set in Japanese culture and in Japan things are very different. Much more subtle and way less straight forward and obvious. Most japanese husbands and wives don't even normally say I love you to each other, because they express love through different ways, like action. And that is very hard for our non-japanese brains to understand cause it's just so different over there and instead of being expressive, love in Japanese culture is more about gratitude expressed through actions and devotion. It's much more symbolic.

So then when we think back on all those Cherry Blossom official arts, well NOW it doesn't seem too far fetched to think it might mean something, does it? For us, all these little hints and symbolism are just that. Hints and symbolism. But for Japanese people? They know how to read it very well and it's common in Japan to express certain things through symbolism. Like "The moon is beautiful, isn't it?" Is a full on marriage proposal line. It doesn't seem like it to us, but to them yes. Also let's not forget we literally have a scene with Deku looking out at the moon and Bakugo too 😭

So, if we look at it in a Japanese sense, and that in japaese culture, love is expressed in a more symbolic way, and through actions and devotion, then it isn't so hard to believe anymore that Bakugo and Deku are actually fully implied canon in the manga. I mean talk about devotion..Bakugo literally spent 8 YEARS to help fund that suit for Izuku. He took "actions speak louder than words" fcking seriously.

Like would it be better if Horikoshi actually made them say they were in love or made then kiss or something? Yeah, but realistically speaking that probably wasn't gonna happen either way. And the fact that the Japanese fandom, who the manga is literally meant for, is fr congratulating Bakudeku for being canon!!!! Like y'all if the japanese fandom thinks that they're canon then it's safe to say that they are. Because in a sense, Japanese people can read and understand that "language" behind those hints better than us. And if they say it's canon, then I bet my ass it is.

TOO BAD I AIN'T FCKING JAPANESE

Like seriously why is it so hard being European. We wouldn't believe something was true until the cold hard evidence was literally laid right in front of our freaking eyes.

[nellasbookplanet]

I'm hardly the first to make this observation, but the problem with many self-proclaimed cozy stories is that they're so scared to take risks, scared to do anything that could make the reader even slightly uncomfortable, because being uncomfortable isn’t very cozy. Characters lack in flaws and messiness; conflict is lackluster or quickly resolved or avoided altogether; a darker moment must always be followed by a peptalk, never lingered on; moral ambiguity is eschewed, because anything else would be problematic and messy. If a main character has flaws it’s always those of the good victim, someone who needs to heal and be validated but not grow and be challenged. Challenge, of character or reader, is anathema.

As I'm playing Stray, I'm struck by the thought that this is quite possibly the coziest piece of media I've ever experienced. You're playing as a little kitty cat. You’re carrying around a tiny robot companion in a backpack. Your enemies are tiny white blobs called zorks. There are game mechanics to meow and scratch up people's walls and furniture and knock paint cans off shelves and take naps. The pacing rarely rushes you, rather actively encourages you to slow down. You can stop and listen to a guy play guitar, or look for flowers to gift someone, or take a nap on a cushion while beautiful scenery full of plants and fairy lights roll by.

But it’s also a game set in the ruins of a near dead world. The cute blobs will eat you alive. The robot you're carrying is an uploaded mind earnestly struggling through an existential crisis and mourning an entire species. Under the plants and the fairy lights is garbage and rust and buildings falling apart. There’s no sunlight. There are creepy eyes watching you in the sewers. There’s classism and oppression and the downfall of man.

And through it all, the robots who inherited the world are working so hard to find pockets of hope and happiness. They paint and play music and play games and dance and grow plants and create cozy little homes for themselves. They resist for the sake of freedom and autonomy, they create an entire language, they dream of a world most think they'll never see.

This dichotomy of dark and light is something I see often in (better) cozy media. Dungeon Meshi is a fun cozy adventure where they make delicious food and talk about self-care. It's also about grief and the inevitability of death and the impacts of social inequalities. The Long Way to a Small Angry Planet is a cozy found family road trip in space; it’s also about the difficulties of understanding each other across cultural barriers and the massive ramifications when we refuse to do so. Legends and Lattes is basically a dnd coffeshop au; it’s also about struggling to find happiness and purpose and self-worth after a life of violence, not knowing if you're able to successfully achieve anything but bloodshed. And All the Stars is full of found family and pastries and characters just hanging out; all of this happens as they're hiding and fleeing from invading aliens who see them as nothing but a resurce to be used. One of my favorite episodes of critical role is the beach episode of c2, where they basically just hang out; this happens soon after they buried their friend who died trying to save them, as they're trying to figure out who they are and what they want after his loss.

And that’s the thing, isn't it? Any story that is uniformly the same thing all the way through ends up as bland. A grimdark story that never offers respite or moments of hope will numb you to the horrors, removing their bite. A cozy story that offers nothing to be struggled against, nothing for which cozy moments and aesthetics is a break, lacks impact. A story needs ups and downs, a rhythm of misery and hope.

[ryker-writes]

Hi Ryker!

May I request Male! or GN!Reader dating Idia and Malleus?

Because Cater said he finds Diasomnia and Ignyhide people hard to approach, most of the student body fears Malleus and never really saw Idia, I think it'd be hilarious if Reader managed to befriend and woo them both.

I wish you a nice day/night, remember to drink something tasty and eat something.

hi hi! Glad to finally write a request for you since you've been around my blog for a bit! I'll be doing GN!Reader to keep it inclusive to whoever reads and wants to connect with it (hope you don't mind). I kinda got carried away so it's longer than I thought it'd be

Request rules and Masterlists

Dating Idia and Malleus (Poly relationship)

First of all; WOAH

It's not uncommon for people to avoid both Idia and Malleus for very different reasons

Idia avoided people, but some found him creepy or weird due to his unique appearance and personality

Malleus on the other hand, is elegant and refined, but too powerful and intimidating for his own good (and it's not even intentional)

So it's quite a feat just being able to befriend both of them considering they're not often even seen around campus

There's always a stunned silence when you mention them as close friends

Cater says you must have next level "rizz" in order to charm your way into a conversation and friendship with both of them

And when you tell him you're actually dating both of them? He is truly stunned into silence, staring at you like you grew a third head

He and everyone around you is baffled beyond belief

It's one thing to date the world's biggest introvert who can't even attend class in person, but to date a literal prince and one of the strongest mages at the same time???

"They have to have strong magic! How else can you possibly explain them dating Idia and Malleus?"

Dating the two of them had quite an interesting start

I think the only way for you to possibly date both of them is for Idia to come first

If you dated Malleus first, Idia would probably bury how he feels thinking you would never date him too since he can't possibly compete with Malleus for your love

And he does feel a little insecure when you mention also having mutual feelings with Malleus too

But with some reassurance that you still love him very much, he's okay with it!

Actually, he likes it!

With you dating Malleus at the same time, he doesn't feel as much pressure to do everything perfectly to be a good boyfriend or forcing himself to go to big events with you because he knows Malleus is there when he's not

Idia also needs time to himself to recharge his social battery, but he feels terrible telling you he needs to recharge on his own, but now you can spend time with Malleus while he recharges and will be ready to spend time together later!

He sees and understands why you like Malleus too, after all, Malleus is "A SSR boss character with insane stats. Anyone would be attracted to him"

Malleus on the other hand...can't fully see the attraction to Idia

Don't get me wrong, he knows you love Idia too and he respects Idia, even considers him a smart and worthy fellow partner for your love

He just doesn't feel the same affection for him as you do, and that's okay with him

Malleus is open to new experiences and things to try, so when you suggested being in a relationship with both him and Idia, he was surprised, but willing to try

and to his surprise, he quite enjoys it!

He gets to know you and Idia on a deeper more personal level, and to him, that's one of the best parts about it! He doesn't have many people in his life that he can be so open and close with, so being able to be like that with both you and Idia really means a lot to him

Malleus knows there are times he's out of touch with modern culture and traditions, so he's very glad to have Idia who can help fill in the gaps and explain some things to him (after rewording his sentence at least five times to make it understandable)

With Idia around, he doesn't feel like he has to worry as much about not being able to keep up with how fast human/modern times move, and worrying about you whenever you're not in his sight

Overall, they both enjoy the relationship the three of you have

Dating both of them is quite the experience

For starters, you'll never face financial issues. Anything you want or even mention a slight interest in wanting, you'll have it by end of the day

Yeah, there's a mountain of presents on your birthday, and that's just from one of them

Security is also never an issue. No one in their right mind would provoke Malleus anyway, but even with Idia they risk all their personal and private information being exposed for all to see and the wrath of Styx security

In fact, just about any issue you have can be solved by both of them

They balance each other well in different approaches and areas of expertise

When you have a tech issue, leave it to Idia. When you have a magical issue, leave it to Malleus. When you have a personal issue or issue with others, they'll work together <3

The two of them love you very much, and they often work together or help each other in their efforts too

Even when Idia is feeling insecure about himself and where he stands, Malleus can sense it and is able to reassure him just how deeply both you and him care for Idia and value him

And when Malleus is feeling confused or like a third wheel of sorts, Idia is willing to take a step back and share attention with Malleus too

They even spend time together on their own too, and despite the initial awkwardness in the beginning of the relationship, they get along quite well

You've walked into Idia's room before to find Idia trying to teach Malleus the basics of technology and computers, even trying to teach him how to play some of the simpler games

The next day Malleus had a custom headset to help accommodate fae ears and his horns

On the other hand, Malleus has managed to drag Idia out of his room more, walking at night for both ambiance and to avoid the majority of people

When holidays come around, the two scheme together on how to surprise/what to do for you

There have been rumors circulating around the school about the two smiling evilly and chuckling in dark corners, and everyone gets on edge for a few days

Most of the time when you mention dating both Malleus and Idia, people don't believe you

They'd probably think you're delusional, but the smart ones know to hold their tongue on that

The not so smart ones (Ace) don't hold their tongue and call you delusional, and suddenly there's a thunderstorm and their search history is public information

Malleus and Idia are both pretty protective of you, and love you deeply, so you bet they're going to do just about whatever it takes to ensure you're happy

[yellowocaballero]

There's a genre of post that I see pretty frequently, which can overall be summed up as, "Modern fandom has a culture problem where fanfic authors are treated as content producers instead of community members and their fanfic is treated as a commodity to be consumed instead of a high-effort labor of love that deserves attention and compliments given directly to the author". I agree with 3/4ths of that. I find the part I disagree with very interesting, the same way I find a lot of writeblr interesting, because it's a perspective that I had to work very hard to actually understand.

Because the posts have such a warped view of what writing is and why we post our writing! They say that fanfic fights against the commodified internet we live in, but all they're doing is changing the currency of payment in this attention economy. Another way you can summarize about 70% of these posts is, "My payment for writing and posting my fanfiction is compliments, and if you do not give me those compliments you are not paying. If you give those compliments behind my back, or talk about them privately without giving them to me as well, then you are stealing from me." I don't want to put it like that, but a lot of these posts use words like 'deprive', as if the reader who enjoys the fic without commenting is withholding something from them that they deserve. They use the word engagement, and they do talk about how part of that engagement is just the joy of talking about AUs and ships with other people, but when people say that comments are their motivation to keep writing, what they mean is that validation is their motivation to keep writing. Which is compliments.

I understand that, because I understand that fanfic writers are not immune to the attention economy. But I don't understand how almost every one of these posts talk about how this lack of attention makes them stop writing - that this act of theft is killing their desire to write. I could understand this if they meant 'desire to POST fic' (I don't post fic I think zero people would read.), but they talk about how lack of payment stops them from writing at all.

IMHO, that is what creates a commodity from fic. People want to treat fic as art, but an artist makes art for themself. Art is made because we want to hold parts of skills and ourselves in our hands. If you won't make art if you get no payment, then you have devalued the art completely.

We think of AO3 as this unique site that's born entirely from passion and is filled with fics written for love of the game. But guilt-tripping posts that shame people for not commenting on a fic they enjoy, and that describe how there's no point in writing fic if it's not getting attention, are directly contributing towards the culture of treating fic like a commodity.

I also really want a fandom culture where the relationship between artist and reader is reciprocal, where it feels like a community, and where I get to talk about my fanfic with people. My favorite part of posting fanfic is rambling about it on my blog, because I can talk about my art all day and I love it when people stop and listen. But I love that because I love my own art. If you love your own art, then it'll always have value.

Also Google your username, just trust me, that's how you find The Secret Discussions. Someone made a TikTok fansong of me once. WHAT?