#i think i'll actually make this book

[wanderingibon]

the viago-crow rook dynamic makes me crazy i fear!!! the found family!!!! the layers!!! the care of it all!!!! the 'i am afraid of losing my protégé who I've come to regard as family but I don't exactly know how to convey that so I have to be stern toward them, remind them not to abandon their contract, so they aren't eaten up by the antivan crows like I know the organization can do and has done time and time again' i am literally rambling rn but i could write a whole essay i fear

[loppiopio]

just some 🥥 related sillies i've made for that fic we all know.

[thelaurenshippen]

cw: harry potter, jk rowling, transphobia

I occasionally see posts/get messages about the various harry potter references in the bright sessions, etc. and I've gotten a bunch of new followers recently so just so any new/younger listeners of my shows know:

jk rowling is a terrible transphobe whom I hold zero respect for and I haven't given a dime of my money to her since she revealed who she truly is. I want the whole bright universe to be a safe space for trans people (including the trans folks in our cast and crew!) and if I could go back and remove those references, I would. but I can't! harry potter was an extremely significant part of my life until...well, until it became very clear who she really was. it makes me so sad to think that folks might be finding TBS now and get thrown out of the story by these references, but just know that the people who made the show do not stand by jk, and that in many ways, the show is a product of its time.

[kawa-goat]

This will probably be my stupidest post, but can anyone tell me I'm overthinking this?

These are screenshots from pages 66 and 67 of Waking Nightmare, respectively.

The focus here is the last few paragraphs (i.e., the ones highlighted).

When I first read this book, I thought that the reason Maritza's cheeks turned red was because she was angry at Nicky for keeping this hidden from her for so long (the event between Nicky and Mya happened a few months before this scene).

Think of it like this: Maritza was Mya's closest friend, and since her disappearance she's been going to the GAAP by herself despite Enzo's protest. Next to Enzo, Nicky is Maritza's closest person and really the only one she can confide in her burdens with the Peterson family. So when Nicky keeps such a crucial piece of information hidden from her like that, it's understandable why she'd be upset.

Besides, Nicky retorts defensively in an angry tone, further evidence for what I said before.

And yet...

I don't know. I'm not sure if I'm seeing things where they don't exist, but lately I've been thinking her cheeks turned red over something else (you know what I mean...) rather than, y'know, the explanation that should make more sense, IMO.

And then again, Nicky turned defensive for "no particular reason", or so he said. Which is... strange. If Maritza was trying to accuse him, shouldn't that be the reason why he turned defensive in the first place? Nicky is not stupid. He's very observant.

So maybe his reaction is because Maritza wasn't trying to accuse him? And her question was for... something else?

Man, wtf am I even writing.

I hope my first assumption is the correct one, because I hate love triangles (no matter how short-lived they are) and how they are poorly written.

At least, if the passage was implying in that sense, I'm glad Mya died before this became an actual thing, icl. /j

[fellamarsh]

another thing i've been trying to do recently is read more self-published stuff. "but fell," you say, "you're a self-published author. surely you've been reading self-published stuff all along" and then i laugh for so long in response we both become uncomfortable.

see, the fear (which has for a long time been killing my mind) that i'll read other self-published stuff and find out that it's so much better than mine that i might as well stop writing forever kept me from doing that basically ever. i have a hard time not unfavorably comparing my work to others and had convinced myself i was being smart by withholding an avenue of de-motivation (reader: i was not being smart). it also doesn't help that i'm pretty low income and have a hard time spending money on books i haven't already read, and that self-published stuff isn't always available at the library---but really a lot of it was just me being a coward. which i'm working on. i could talk about how this particular cowardice is Very Silly, but i think enough has been said about it on writeblr and in the Writing Space in general that i don't feel the need to (though i will if anyone wants me to).

instead, i wanna talk about the self-published things i have read in the past few months and ask about the self-published things you love!

so: what happened was i got real sick, and while i was real sick i (naturally) read over 200,000 words of ace attorney fan fiction in the span of a few days. eventually i got bored of it (and also maybe annoyed at how people were characterizing some of my guys), but i still wanted to read something gay and romantic and nice, something i knew was gonna end happily, which isn't my typical fare.

now you may be saying (having gotten over all the uncomfortable laughter from earlier) "fell, you write gay romance. what do you mean that's not your typical fare?" listen. until a couple months ago i hadn't read a cut and dry romance novel since before i finished college. for context: i graduated in 2015. i know it doesn't make sense. i'm a guy who doesn't make sense.

but in this case it worked to my advantage. not the not making sense thing, but the not having read Published Romance in 1000 years thing. I didn't know where to start. I was very skeptical of everything the library had Available Now in the Gay Fantasy Romance category. what if it was all bad and also not good?

and then i scrolled past the familiar cover of our very own @ashen-crest's A Rival Most Vial.

now this was comfortable territory! this was a novel by a very nice writeblr person whose posts i enjoy! i already loosely knew the plot, i was familiar with the characters, i knew the names of things like rosemond street and the griffin's claw and that ambrose had blue hair and that at the end of it all there would definitely be Boyfriends. i didn't have to worry that this would be bad! i only had to worry that it would be really good!

but i wasn't worried about that, because i was officially Not Writing at the time, and because why the hell hadn't i read this book yet Ash literally emailed me some very kind words last year when my cat died??

Y'all, I devoured ARMV. If you haven't read it yet---especially if cozy fantasy is more your thing than it is mine---you should check it out Immediately. It was fun! It was heartwarming! It was sweet and earnest and confident! I was delighted to find it was occasionally hot! Ambrose and Eli snuggled up into my sick exhausted heart and found a permanent little place there. (Especially Ambrose. I have such a thing for Stiff Guys who Kind of Suck for Tragic Backstory Reasons and are So So Lonely They Don't Even Realize It. gawd)

(And a very small part of my brain spent the whole time wondering why I had been so afraid to really engage with the work my community is doing. The community that I'm in. The one I'm a part of. Why?! Maybe more on that later.)

But from there the curse was broken! I immediately devoured @stjohnstarling's What Manner of Man in a similar sort of frenzy (and hooooly shit guys am I excited for the expanded, finalized version to come out at the end of next month!) and started digging into @lurinatftbn's The Flower that Bloomed Nowhere (which I can already tell is going to be an All Time Favorite).

And now I want to ask you what your favorite self-published books are so that I can read them, too, but I think I will in another post that doesn't dedicate so much space to talking about my various and sundry Issues and isn't Terminally Long

[hermitw]

I've been thinking about this reblog of yours for months and I finally figured out how to respond to it.

I went and read No Longer Human by Junji Ito and it was a very upsetting thing to go through. I don't think I can read it again. However, I came out of it thinking that Gege was probably inspired by it.

When Yozo is first introduced, I noticed that Takaba's backstory was very similar. Feeling isolated from others, he decided to become a clown to gain acceptance from others. (Citations in Image Captions)

And later when Yozo was caught "cheating" (it's in quotes because those women are child rapists), I noticed that her face was really similar to the one Higuruma's client made when he felt betrayed by the trial outcome.

There's probably a lot more to say about how themes surrounding CSA and suicide in this work are echoed in JJK, but I'm not able to make the post myself. No Longer Human is too far out of my comfort zone in terms of graphic depiction to delve into it deeper.

But you seem strong enough to handle it, so... Idk maybe run with this some more.

Ohhh this is so interesting! I could definitely read No Longer Human again - tbh I read Junji Ito's version years ago. This year I listened to the audio book and bought a copy - but it's like, a draft in the author's handwriting (bc I thought it would help me study Japanese and if I had an English translation that I'd read it on repeat lmao). But you're real for that - I forget how disturbed people tend to be trying to read through it, I'm sorry that was rough.

I did go back to read the reblog and idk how relevant all that was - I've reread the manga since and felt like, oh I might have been misremembering some things like Uraume - idk if they actually had a freeze response in ch. 219, since they did tell Yorozu to back off though it took a minute - but it's also interesting how their CT deals with ice. Like to have a fight response, they freeze others? It's so interesting but I can't be sure whether it's there at all. (ik that yap II inspired some more coherent posts, like how it influenced Choso's self-image, etc., I linked but didn't tag you back then bc I felt Annoying especially w heavy topics but I can definitely go back and find them if you'd like.)

On a twin peaks note (without spoiling it), I feel like it inspired jjk to some extent - I've been feeling like the last chapter will end the way s2 did. Or at least - with the weird dreamy themes, "we are the dreamer who dreams and who lives inside the dream", etc...

But you're right - Yozo and the others' reactions resemble more jjk characters than I would think to connect. Takaba's jokes are truly a shield... And now I have an excuse to read Junji Ito's version again? Thank u so much (also isn't it funny how September 28 Uzumaki airs and September 30 jjk ends?).

I think gege gets inspired by the most tragic stories, I wonder how much of that is accurate but I can't always be convinced otherwise.... Especially when anime / manga series that he's confirmed as influences often deal with autonomy in ways that I couldn't handle (Evangelion, the night beyond the tricornered window).

By the way - ik we've mentioned elfen lied before, but in the first episode, you know that coffee mug? How it looks like jjk foreshadowing? Even has snail head Mahito - cut off-, the baseball, Panda, the worm (also cut off).... and later the newborn babies that look just like Yuuji...

I swear that elfen lied, Kagewani, and banana fish influenced jjk. It seems so obvious w those, maybe Vampire Princess Miyu as well.

Sorry for getting off topic - I've been looking into why Momotaro keeps coming up in jujutsu kaisen, and in the end it came back full circle to that damn coffee cup. Invest in a baseball team? A zoo? I'm going insane.

All this to say - rereading Junji Ito's version and seeing if I notice similarities between manga panels is so exciting. Gege even made a note that he asked for permission before drawing - I think it was the Uzumaki CT - So we know he's a big fan of Junji Ito. And it seems like there is a rly good chance No Longer Human inspired him as well (though I feel like characters with similar traumas having similar reactions is inevitable to some extent, if they're written in a believable way, it should be clearer when I'm reading both stories in the same format) based on the stories he has officially referenced.

[cowboyskeletons]

pair nettle with hemlock for a loved one who has been taken away too soon

pair nettle with oleander to warn someone that their betrayal has been discovered

[canisonicscrewyou]

my eye-spy sitcom best friendcore ass apartment. btw. just thought you should know. I kind of recommend zooming in if you want to.

Constant Visual Stimulation. No Escape.

bonus: the newest addition that we stole rescued from my place of work yesterday after taking these pics. a lovely lady.

[lokh]

i appreciate the changes they made for the sake of theatricality in the film

[oui-maitre]

god you know this whole show has been building up to the trial. in episode 6 we briefly see Claudia and Madeleine being happy and then the trial starts and you can't help but think 'Claudia had barely left the nest, she deserved to have more time'. but of course that's the tragedy. the parent burying the child, a perversion of natural order. Claudia was inspired (at least in part) by Anne Rice's daughter who died at 5 from leukemia. there is no version of this story where Claudia lives.

[aroaessidhe]

2023 reads // twitter thread

To Shape A Dragon’s Breath

YA fantasy

a young Indigenous girl finds & bonds with a dragon hatchling - the first time in many generations for her people - and is required to go to the coloniser’s dragon academy in their mainland city, to learn how to raise her dragon and the science of its magic

historical inspired setting on the cusp of industrial revolution with steampunk vibes

bi polyamorous MC, Black lesbian SC, nonverbal autistic SC

[kindlythevoid]

(link to recipe here)

Part One, Part Two, Part Four

[jamesrodayrodriguezpresents]

SAG-AFTRA is officially set to join the WGA in going on strike. No filming, premiere attendence or other promotion of any kind allowed.

I hope to see nothing but support for this decision.

[smol-blue-bird]

just wanted to make you all aware that I went into a fugue state today and started drafting an outline for a lengthy YouTube video essay (which I will probably never actually make) about all of the incredibly shitty Justinian-era books I've read

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[queerofthedagger]

my 'hey yes we have an all-consuming brainrot going but let's try and do something actually productive this week that I'm having off of work' project is sorting through my bookshelves, rigorously throwing things out (little miss I own over a thousand books in my one-room apartment is reaching the breaking point aka I'm finally and utterly running out of space) and i think i threw out almost a hundred books today and it's still not anywhere close for sorting shelves by genre without having to stack and put things second row. how am I supposed to live like this