#i think i tagged this elsewhere

[darrys-laundry]

(jk ik it’s bc guzman)

[cozymochi]

That one post with Nyoka’s exposed chest got me wondering if he gets his nails done elsewhere else, or if he does them by himself

(The horror in question.)

[lorebird]

In which Ford struggles so badly to relate to other people that he wonders if he’s really human at all. The more isolated he becomes, the harder it is to reconcile with his own humanity.

[abyssalzones]

[OC] misc evposting... including some glimpses at additional characters that I've had to redesign again. lol

[gobstoppr]

Tetris Fanart.

I've been playing tetris while listening to horror podcasts. and yeah

[wifiwuxians]

wow i can't believe jiang cheng was born today

[transsekai]

I find it kinda silly when people try to justify their existence with history. Like I do understand the urge to point and go "we were always here." But also! Y'know! That doesn't have to define you

You don't have to have always been here to be valid. You can be an entirely new concept and still be real and true. You do not need history to be you <3

[skrunksthatwunk]

ding ding ding

of all the things ash gets compared to (lynxes, beasts, demons, wives), colonel fox is the only one to call him a leopard, the thing ash views himself as, at least within the context of the snows of kilimanjaro visual. also note that eiji is the only one to respond directly to that visual, insisting that a) humans have wisdom leopards don't (don't die on me for nothing) and b) ash is not a leopard, anyway (seriously ash don't die on me for nothing)

to fox and to ash, ash is someone whose life of violence (+ inability to leave it, stubbornness, whatever he's searching for that keeps him going down this path, etc) will inevitably lead to his death. eiji's an optimist (perhaps more accurately, he believes in ash) and tries to steer ash from this, but he's more resigned to it than he's willing to tell eiji. and the fact that fox understands that about ash immediately is just. ough. and of course in the end, ash is the one who seals his own fate. it wasn't inevitable, to eiji, to the audience, maybe to the world. but it was inevitable to ash, and he finally surrendered to it. he couldn't believe in his ability to escape like eiji could (or, imo for a slew of reasons i'm not getting into, he chose to die in a comfortable place and time, surrounded by hope and love. before things got bad again. etc)

edit: i forgot to say this in the original post but part of the reason why foxx feels like a final boss is because of that immediate understanding, that psychological violation. and because it lets him reinforce ash's hopelessness that leads to his final decision

[mo-ok]

🍊 + 🍇

🌠

[fisherindustries]

ALWAYS draw things in tux paint

[ssruis]

I’ve seen more posts about mizurui and ohh how will rui comfort mizuki in this situation what’s Rui’s reaction gonna be how will rui take this rui rui rui than mizuena since mizu5. do we have to make everything about one of the four guys in the game. Including an event heavily focusing on the relationship mizuki has with another girl. Serious contender for funniest (in a bad way) responses to a post I’ve seen in a while was the qrts to someone saying “it’s nice to see an implied sapphic transwoman in media bc it’s so rare. This is why I don’t like mizurui.” (benign and valid opinion). Someone said “Ena is just mizuki’s friend her relationship with rui is really romance coded you’re just an idiot.” Someone else said “can we stop posting our opinions on the internet” being 100% genuine. Another person said mizurui would have killed themselves in middle school if they hadn’t met.

[iamfuckingsorry]

Thinking about that mural from DE

You know which one

TRUE LOVE IS POSSIBLE ONLY IN THE NEXT WORLD, FOR THE NEW PEOPLE. IT IS TOO LATE FOR US. WREAK HAVOC ON THE MIDDLE CLASS

The next world mural. In the game, you encounter this piece very early on if you interact with everything available, you probably see this mural before you've ever even heard of Dora or before you've started to get really serious about your commie tendencies, if that's how you choose to play. And the reaction is like, "wow, this is kinda profound actually". Or maybe it's like, "oh lol, this game really is commie af isn't it" (even though later on it turns out that the game is much more critical of communism than you'd think at first). And the story in the ledger provides some insight into Harry and Jean and how they work together too, so it feels like it makes sense, it fits in very well at that moment in the game and that's it.

But looking back at this mural after you've played through the entire game, knowing what you know of Harry's relationship with Dora...

It's Harry's own fucking love story in a way, isn't it?

Him and Dora came from very different backgrounds. He's genuinely poor, grew up checking the trash cans on the streets for tare and edible food, spent his teenage years running around with a bunch of kids who all OD'd or got themselves killed one way or another over the years. He had dreams of getting an education, getting a chance to use his creativity and curiosity and learn about all that that is worth exploring in this world (which is everything), but those dreams are long dead. She's solidly middle class, with access to all the education and art and music he's always dreamt of, with her family to always fall back on. She's everything Harry's ever dreamt of growing up. She might as well be living in another world.

They fall in love with each other and she moves to Jamrock to live with him. Jamrock, the biggest fucking ghetto in Revachol, full of tweakers and gangsters and just thousands upon thousands of poor people permanently down on their luck trying to get by, with no proper aid or government and a police station so understaffed and underfunded they never even stood a chance. And they can barely make ends meet even living in Jamrock, moving from shithole to shithole, never knowing when they'll have their electricity cut, when something will happen that gets them thrown out, desperately scrambling for a new place to stay. And Dora could never do that, not really - she never actually lived in Jamrock, she always had the possibility of leaving, of going to work across the river and visiting her parents whenever she felt like it or just escaping, packing her shit and getting on the tram and never going back. And as long as she knew she wasn't really, truly stuck in this miserable shithole forever, she wasn't ever really living in Jamrock. And it could never be enough for her.

And she wanted more - for herself, for Harry, for their family, who even knows. Maybe she saw Harry struggling trying and failing to make a difference as a gym teacher and thought he could do more good with the RCM. Maybe she was getting desperate, living in this fucking shithole, and thought they needed more money. Maybe it was something completely else - but what is certain is that Harry ended up joining the RCM, and the 41st, and everyone there is on speed, everyone is miserable and desperate and always running behind playing catch up with the case load, with the crimes, with the drug addicts and rapists and murderers, and Harry, who's always been like this close to a genuine mental breakdown, just fucking falls apart. He needs to help people, needs to make a difference, and working at the 41st, with the budget and case load and staffing situation and the pure fucking misery in the area. He goes out and meets a miserable person after a miserable person and he can't do anything else than be nice, make their day a little bit more manageable, do his best- but he knows that no matter what he does, his best won't be enough. He won't be able to make a dent in the pure fucking misery that is Jamrock. But he needs to, so he drinks, he smokes, he does drugs, he loses any semblance of control he ever had over the voices in his head, the dude telling him to hit shit and the dude telling him to forget everything and just get fucked up and Revachol herself screaming at him about her imminent death. And in the end Dora can't stand it anymore and she leaves (and, honestly, good for her. I'm happy for her. But this is about Harry, and Harry isn't, he isn't able to be happy for her at this point in time).

And like. I personally doubt that she'd have left just because of the money if everything else was good. I honestly even doubt that the money was that big of an issue for her to start with, it was all the other issues first and then the fact that they couldn't even rent a fucking VHS and play it at times became just one more thing on top of this already massive pile of shit that broke the proverbial camel's back. But in Harry's mind, he was never rich enough for her. She was always the middle class girl who settled for the poor fuck, and he was never gonna be good enough for her because he was just a broke dude from Jamrock. She was perfect and so so beautiful and at one point her love was the only thing keeping him going, and then she left because he couldn't even

And from what we can see in the game she was the only person he's ever really, truly loved.

But in his mind, they could never be together again. They could try as they might, but it was never gonna work out, because she was a rich girl and he was just a poor miserable fuck. He grew up looking for change on the streets, she took piano lessons in a fancy part of town. The difference was just too large to ever truly be bridged.

So for post-breakup Harry, prior to Martinaise and even during the events in Martinaise, true love was never actually possible. It is possible only for the new people, in the next world. It was too late for him - he had his chance, and it was an impossible thing, it could never have worked out and now he's wasted it. Because of the inherent differences between different social classes. It is too late for him. So yeah, fuck it, wreak havoc on the fucking middle class. Fuck those rich bastards who took Dora from him, and fuck Dora too.

On another note, this was also one of the most recent cases him and Jean worked on prior to Martinaise. I don't remember the date exactly, but it was in his last ledger, it must have been pretty recent. Do you think he saw the mural and thought about it the same way I did? Maybe this was the one that truly pushed him over the edge? The impossible love. It truly was too late for him. The only way to fix it is a new fucking start. And how do you get that?

After life - death. After death - life again.

[batsplat]

Yes with these names, Pedrosa, Marquez and Stoner amazed me. And Rossi, obviously. Pedrosa was very strong in 125 and 250, because with his stature he had an incredible technique. Above all he took advantage of his weight a lot - as they say, in the pick up of the bike, which was very difficult and he was the first to do it like that. After all we copied him with the technique. Marquez is a beast here (points at head), and the only rider that... I wouldn't tell you that he likes to fall, because nobody likes to fall, but he wasn't afraid of falling. And he was like a pit bull - he always wanted to win, even if he wasn't comfortable on a circuit, even if the bike wasn't going well... He had an unconventional ambition, he always wanted to beat you. He believed in the falls, but he wasn't afraid of falling. So in that sense he is unique. Stoner was a natural talent, unconventional. For example, when the track was wet, with patches of water - he took it on, came out of the box, delivered the track record, took two or three seconds off everyone. So an improvisation and an ability to see the limit of the track immediately, incredible. What a natural talent. Either you have it or you don't. Valentino? Very complete. A person... as a person, naturally very intelligent, very charismatic. A great braker, a rider who could improvise a lot with the bike. When he was racing, [even when tired, with an elevated pulse], he was very lucid. Very complete. He didn't have a super quality… How would I say? (Interviewer: Any [outstanding] quality.) Yes, but it was all very complete.

Jorge Lorenzo on his rivals (x)

[bisexualgenderfemme]

aghhghh fuck!! charlie Kelly COULD ALREADY READ!! he just couldn't read ENGLISH!! he is canonically fluent in irish! he is canonically dyslexic!! y'all r all being soooo ableist & xenophobic. u think it's adorable for a grown man to be treated like a kindergartner only bc he doesn't know how to read English? he didn't need to be 'broken of his illiteracy' (which. fucking disgusting way to phrase it) he is learning a second language!!!!!!

[charcubed]

I NEEEED people—especially those with unfathomably large platforms???—to start doing just a tiny bit of internal evaluation before they log onto a blue website and say “I don’t want these queer characters to fuck in canon” or “I’d be fine if these characters never kissed again” or whatever.

This is a post about Good Omens and the prospect of Aziraphale and Crowley potentially having sex in season 3. It's a response to a tweet that I'm crossposting, but let it be known the above statement and this topic applies broadly across multiple fandoms too.

But anyway, in regards to Good Omens specifically:

I am seeing this take that essentially boils down to "Canon has now made it clear that these characters want to have sex with each other through subtext (i.e. Aziraphale and the ox), but I don’t want that to reach narrative completion because the idea of them having sex makes me uncomfortable or isn’t my personal preference” and it is, to put it mildly and delicately, A Very Bad Take.

This is rhetorical (and I do not expect or particularly want an answer), but: explain to me how and why queer characters who are unavoidably visibly queer (aka 2 "man-shaped beings") fucking on screen wouldn’t be a net positive, especially when you can indicate how canon has set it up.

Presumably, some people say things like this because ~they want to see them as visibly ace.~ Okay. But by some of these people’s own admission, there IS more evidence in canon now to indicate these characters crave sex with each other (vs arguing otherwise)... yet people would rather that be ignored/erased all for the sake of them feeling comfortable or feeling better about what canon shows or doesn’t show explicitly??

I’m sorry, but—speaking as an ace person, to be clear—your personal preferences for the story shouldn’t / don’t affect anything here. There’s too much in this.

Yeah, I understand on a personal level not having “representation.” I almost never see myself or my unique experiences and identity reflected in stories. And yet, I also understand that that doesn’t change any story or the world in which we live. Things like this are not said in a vacuum.

Any queer characters having sex on screen IS a net positive. It is rare and impactful, and openly calling for or hoping for otherwise when canon points to its potential is a detrimental alliance with purity culture, whether intentionally or accidentally. Because we live in a Goddamn society!

Who knows (other than Neil Gaiman) whether Aziraphale and Crowley ARE going to fuck on international TV. None of us do! But the subtext right now blatantly says they’re starving for it. And you don’t have to like the prospect of that, but honestly? We SHOULD get to see it play out. There’s no truly legitimate reason we shouldn’t ¯\_(ツ)_/¯ Whether you "prefer" it or not.

And my ultimate hot take is… if someone balks at the idea of that or doesn’t understand the importance of it, despite even seeing the subtext… then they should perhaps unpack that? Just a thought.

Truly the way fandoms are managing to hit either “subtext doesn’t count :/ ” or “let’s keep it to subtext so it’s ‘open to interpretation’ :) ” nowadays depending on what corner one visits is MADDENING. Whiplash-inducing. Surreal. And so much nonsense you can’t pick where to start.

So! I do genuinely hope I'm not kicking off discourse but I felt this Needed To Be Said (and on more than one site). Because posts like “even if they never kiss again, we’ve won <3 “ make me want to be like…

These characters are YEARNING. Do not doom them and us to it. For once, we can reach for the stars and maybe–against all odds–pull them down. Embrace it!

---

[Update: after more discourse has occurred, I have somewhat elaborated on this further, from the POV of the significance of the queer themes in Good Omens and more specifically how they center illicit pleasure/desire]

[asterkallium]

Hi I’m sorry if people tell you this a lot but I need you to know I think about piplup grain entrapment all the time

i get this way more than my sense of self would predict and oh boy it makes me [flappy hands kicky feet] every time

even moreso when it's directly to me! thank you so much anon